1 00:00:00,000 --> 00:00:02,000 Hi everybody! 2 00:00:02,000 --> 00:00:04,000 One casting! 3 00:00:04,000 --> 00:00:05,000 All's life! 4 00:00:05,000 --> 00:00:07,000 And a parade! 5 00:00:07,000 --> 00:00:09,000 All's life! 6 00:00:09,000 --> 00:00:14,000 Well, how do you everybody welcome to the Daily Source Code for Wednesday? 7 00:00:14,000 --> 00:00:19,000 November 10th, 2004, coming to you from Flanders Belgium from Curry Castle. 8 00:00:19,000 --> 00:00:21,000 It is your Daily Source Code. 9 00:00:21,000 --> 00:00:23,000 And I've got something wrong with. 10 00:00:23,000 --> 00:00:26,000 I have a podcast here. 11 00:00:26,000 --> 00:00:27,000 Power! 12 00:00:27,000 --> 00:00:31,000 And maybe saying that so what the hell is podcast here? 13 00:00:31,000 --> 00:00:35,000 I think it's actually going to be my ears by ways. 14 00:00:35,000 --> 00:00:37,000 We can hear both so much in the past. 15 00:00:37,000 --> 00:00:41,000 In the past weeks, one of the ones that I put watch out. 16 00:00:41,000 --> 00:00:43,000 I've got everything here. 17 00:00:43,000 --> 00:00:46,000 Let's see if I can even hear my ears. 18 00:00:46,000 --> 00:00:48,000 It's painful. 19 00:00:48,000 --> 00:00:52,000 I'm going to show me your buds and it sounds crappy. 20 00:00:52,000 --> 00:00:56,000 But it really actually hurts the inner part of my ears. 21 00:00:56,000 --> 00:00:59,000 It's scraping around for the past days. 22 00:00:59,000 --> 00:01:01,000 All right, for the next four minutes, 23 00:01:01,000 --> 00:01:06,000 it's going to be bringing you all the latest in podcast about all three music. 24 00:01:08,000 --> 00:01:12,000 And my day started off recently, Ruff. 25 00:01:12,000 --> 00:01:14,000 All things considered, of course. 26 00:01:14,000 --> 00:01:19,000 I'm back now in the castle, which is pretty empty. 27 00:01:19,000 --> 00:01:21,000 Patricia's packed up. 28 00:01:21,000 --> 00:01:25,000 She's kind of conglomerated areas of stuff. 29 00:01:25,000 --> 00:01:28,000 And she's really taken care of this entire movie, which is so cool. 30 00:01:28,000 --> 00:01:30,000 Because I've been on the road, 31 00:01:30,000 --> 00:01:32,000 blogger con, traveling back and forth. 32 00:01:32,000 --> 00:01:35,000 Now you know, if you read my weblogged, 33 00:01:35,000 --> 00:01:38,000 I had a six hour delay when I got to, 34 00:01:38,000 --> 00:01:40,000 or if you heard just a source code, of course, 35 00:01:40,000 --> 00:01:41,000 that had a six hour delay. 36 00:01:41,000 --> 00:01:45,000 What you didn't hear is that my bag or one bag arrived 37 00:01:45,000 --> 00:01:47,000 when I finally landed in Amsterdam. 38 00:01:47,000 --> 00:01:50,000 The other bag was apparently trapped in London somewhere, 39 00:01:50,000 --> 00:01:52,000 which makes no sense. 40 00:01:53,000 --> 00:01:54,000 I mean, one bag made it. 41 00:01:54,000 --> 00:01:57,000 The other bag didn't shit like that happens. 42 00:01:57,000 --> 00:01:59,000 They found it now. 43 00:01:59,000 --> 00:02:02,000 The bag actually made it to Amsterdam today. 44 00:02:02,000 --> 00:02:06,000 And, you know, I told them that Antwerp Airport was nearest. 45 00:02:06,000 --> 00:02:09,000 And I told them the KLM probably doesn't fly there. 46 00:02:09,000 --> 00:02:11,000 And I said, you should probably just have someone drive from 47 00:02:11,000 --> 00:02:14,000 Skippel Airport or Rotterdam Airport to our house. 48 00:02:14,000 --> 00:02:16,000 Now they flew the back to Brussels. 49 00:02:16,000 --> 00:02:19,000 And that's about as far away from my house as 50 00:02:19,000 --> 00:02:21,000 as Skippel Airport is in Holland. 51 00:02:21,000 --> 00:02:22,000 So whatever. 52 00:02:22,000 --> 00:02:25,000 But, you know, all my shaving stuff and 53 00:02:25,000 --> 00:02:29,000 Christina's good charlatte wall clock that I had all set up. 54 00:02:29,000 --> 00:02:32,000 You know, all of that stuff in that bag. 55 00:02:32,000 --> 00:02:34,000 And, well, a second. 56 00:02:34,000 --> 00:02:37,000 I just want to try a different pair of earphones. 57 00:02:37,000 --> 00:02:39,000 I don't even know if I sound right. 58 00:02:39,000 --> 00:02:44,000 And which leads me to believe that these headphones, 59 00:02:44,000 --> 00:02:47,000 almost a second, shoot. 60 00:02:47,000 --> 00:02:51,000 Okay. 61 00:02:51,000 --> 00:02:53,000 Don't go away. 62 00:02:53,000 --> 00:02:54,000 Okay. 63 00:02:54,000 --> 00:02:55,000 So, I don't do that very often. 64 00:02:55,000 --> 00:02:57,000 I actually stopped the recording. 65 00:02:57,000 --> 00:02:58,000 But, hold on a second. 66 00:02:58,000 --> 00:03:00,000 I dropped the mic. 67 00:03:00,000 --> 00:03:02,000 But that was really necessary because I couldn't hear anything. 68 00:03:02,000 --> 00:03:03,000 So, all right. 69 00:03:03,000 --> 00:03:05,000 So, these Sony earphones, 70 00:03:05,000 --> 00:03:07,000 I thought would be more comfortable in my ears. 71 00:03:07,000 --> 00:03:09,000 In my tender ears now at this point, 72 00:03:09,000 --> 00:03:12,000 really do not sound good at all. 73 00:03:12,000 --> 00:03:14,000 I'm back to the iPod headset. 74 00:03:14,000 --> 00:03:19,000 The reason I bought a new set of headphones at the airport 75 00:03:19,000 --> 00:03:22,000 because, well, first of all, I had some time to do some shopping. 76 00:03:22,000 --> 00:03:27,000 Second of all, the wires are starting to come undone here. 77 00:03:27,000 --> 00:03:30,000 You know, where the two wires that one leads to your left ear 78 00:03:30,000 --> 00:03:33,000 and one leads to your right ear and there's a little, you know, 79 00:03:33,000 --> 00:03:38,000 kind of like a triangle thing there that's supposed to keep all the wires 80 00:03:38,000 --> 00:03:41,000 to keep them from stripping apart further. 81 00:03:41,000 --> 00:03:43,000 But now the shielding is starting to come apart. 82 00:03:43,000 --> 00:03:46,000 So, I figured I'd be ahead of the game, but I guess, you know, 83 00:03:46,000 --> 00:03:47,000 you've got headphones and headphones. 84 00:03:47,000 --> 00:03:50,000 The Sony little ear buds there are no good. 85 00:03:50,000 --> 00:03:52,000 So, back to the iPods. 86 00:03:52,000 --> 00:03:53,000 Man, my ears just hurt. 87 00:03:53,000 --> 00:03:54,000 All right. 88 00:03:54,000 --> 00:03:55,000 Anyway. 89 00:03:55,000 --> 00:03:56,000 Wow. 90 00:03:56,000 --> 00:03:59,000 Back from, back from BloggerCon. 91 00:03:59,000 --> 00:04:02,000 You know, we're still talking about it here and there on the podcast. 92 00:04:02,000 --> 00:04:06,000 And we'll have some of that coming up on the daily source code later on as well. 93 00:04:06,000 --> 00:04:08,000 Some good comments, some interesting comments. 94 00:04:08,000 --> 00:04:12,000 Got some music on the way by a BloggerCon participant. 95 00:04:12,000 --> 00:04:17,000 And while I did not catch it while I was waiting at the airport, 96 00:04:17,000 --> 00:04:20,000 but you know, a big fan of OpenPodcast.org is always cool. 97 00:04:20,000 --> 00:04:25,000 Just to just a great feed to subscribe to, if someone wants to target you 98 00:04:25,000 --> 00:04:29,000 with kind of like a promo about what's coming up on their podcast 99 00:04:29,000 --> 00:04:30,000 or something's new. 100 00:04:30,000 --> 00:04:34,000 So, I listened to that a lot besides checking out audio.weblogs.com, 101 00:04:34,000 --> 00:04:39,000 which is probably the best place to sample new podcast that come in. 102 00:04:39,000 --> 00:04:47,000 So, audio.weblogs.com with every new podcast that's put up there that's pinged 103 00:04:47,000 --> 00:04:48,000 that server. 104 00:04:48,000 --> 00:04:53,000 You can read everything that was accompanied in the posted notes that goes with it. 105 00:04:53,000 --> 00:04:56,000 You can subscribe to the feed right there. 106 00:04:56,000 --> 00:04:57,000 You can listen to the show. 107 00:04:57,000 --> 00:04:58,000 You can go to the website. 108 00:04:58,000 --> 00:05:02,000 So, it's excellent for sampling out sampling new podcasts. 109 00:05:02,000 --> 00:05:07,000 So, I do check those regularly and loan behold once the model message shows up. 110 00:05:08,000 --> 00:05:10,000 In there, this is Ian McLeod. 111 00:05:10,000 --> 00:05:13,000 Actually, an interesting attempt, at least I think it's interesting. 112 00:05:13,000 --> 00:05:20,000 I've noticed on Adam Curry's live.cray.com that you deleted an airport 113 00:05:20,000 --> 00:05:23,000 for four hours and it's been there with live life. 114 00:05:23,000 --> 00:05:25,000 I second up the podcast. 115 00:05:25,000 --> 00:05:26,000 Here's a shot. 116 00:05:26,000 --> 00:05:30,000 I started a challenge to see if possibly he's checking the OpenPodcast.org 117 00:05:30,000 --> 00:05:33,000 and if so, then Adam you're listening to this. 118 00:05:33,000 --> 00:05:35,000 Trying to get your attention. 119 00:05:35,000 --> 00:05:36,000 Not just your attention. 120 00:05:36,000 --> 00:05:37,000 Can I get everybody's attention? 121 00:05:37,000 --> 00:05:41,000 Specifically, would like to see if I can get a dialogue going with you 122 00:05:41,000 --> 00:05:42,000 at some point. 123 00:05:42,000 --> 00:05:51,000 Check out quest.empowerweb.ca-rss.xml. 124 00:05:51,000 --> 00:05:53,000 That's the feed for you. 125 00:05:53,000 --> 00:05:56,000 We're just going to quest.empowerweb.ca. 126 00:05:56,000 --> 00:05:59,000 I created a podcast. 127 00:05:59,000 --> 00:06:00,000 Put it up. 128 00:06:00,000 --> 00:06:03,000 Late last week, I'm going to be putting together a follow-up 129 00:06:03,000 --> 00:06:08,000 about a whole bunch of really, really cool, very interesting thoughts 130 00:06:08,000 --> 00:06:13,000 that I've had aggregated from a few different sources about where we're going 131 00:06:13,000 --> 00:06:14,000 to go with podcasting. 132 00:06:14,000 --> 00:06:17,000 What tools do you need to create on the aggregators to the site 133 00:06:17,000 --> 00:06:20,000 and on the podcast production site? 134 00:06:20,000 --> 00:06:22,000 I've seen the future. 135 00:06:22,000 --> 00:06:23,000 Yes, my brother. 136 00:06:23,000 --> 00:06:27,000 I wanted to put your hands on the podcast a few of the future coming 137 00:06:27,000 --> 00:06:28,000 down the pipe. 138 00:06:28,000 --> 00:06:32,000 So that's a good way to get something out in the open. 139 00:06:32,000 --> 00:06:34,000 That's what people hear about while you're promoting. 140 00:06:34,000 --> 00:06:37,000 Open podcast.org, love it. 141 00:06:37,000 --> 00:06:41,000 I also listened to Dave's morning coffee notes. 142 00:06:41,000 --> 00:06:43,000 Another one he did on the road. 143 00:06:43,000 --> 00:06:48,000 I was afraid for a second that his recording was going to be skipping again. 144 00:06:48,000 --> 00:06:50,000 I kind of figured that out with him. 145 00:06:50,000 --> 00:06:52,000 It skipped a couple of times in the beginning, 146 00:06:52,000 --> 00:06:55,000 but then it turned out to be a really clean, good recording. 147 00:06:55,000 --> 00:06:58,000 And he cranked some tunes at the beginning on the car stereo. 148 00:06:58,000 --> 00:07:01,000 It's almost impossible to excerpt something from what's on 149 00:07:01,000 --> 00:07:02,000 morning coffee notes. 150 00:07:02,000 --> 00:07:05,000 And I'm pretty sure Dave does that by design because he doesn't really want to 151 00:07:05,000 --> 00:07:07,000 just have the excerpt he wants to go and listen to the whole thing. 152 00:07:07,000 --> 00:07:09,000 And I do encourage you to listen to this one. 153 00:07:09,000 --> 00:07:15,000 Because he had some really good thoughts about what I like 154 00:07:15,000 --> 00:07:18,000 particularly around 35 minutes into his podcast. 155 00:07:18,000 --> 00:07:20,000 How we're going to work with the red states. 156 00:07:20,000 --> 00:07:24,000 He touched on a lot of big things that came out of 157 00:07:24,000 --> 00:07:27,000 bloggercon. 158 00:07:27,000 --> 00:07:33,000 And how should we look at it for bloggercons to come? 159 00:07:33,000 --> 00:07:37,000 I think it was really just a brain dump that he really needed to do. 160 00:07:37,000 --> 00:07:38,000 And it's cool. 161 00:07:38,000 --> 00:07:40,000 So you should check that out from scripting.com. 162 00:07:40,000 --> 00:07:43,000 The morning coffee notes podcast. 163 00:07:43,000 --> 00:07:47,000 And as I was listening around to stuff that came in 164 00:07:47,000 --> 00:07:50,000 through iPod. 165 00:07:51,000 --> 00:07:56,000 I came across, well actually I subscribed to promiscuous bullet. 166 00:07:56,000 --> 00:08:00,000 It was a Thomas and Stephen Bates. 167 00:08:00,000 --> 00:08:03,000 And they had their thoughts about bloggercon. 168 00:08:03,000 --> 00:08:05,000 I just wanted to play a little bit of a commentary. 169 00:08:05,000 --> 00:08:08,000 And they had about the podcast session. 170 00:08:08,000 --> 00:08:10,000 What session did you go to? 171 00:08:10,000 --> 00:08:11,000 What do you think about it? 172 00:08:11,000 --> 00:08:13,000 Well, I went to the podcast to one, of course. 173 00:08:13,000 --> 00:08:16,000 It was kind of interesting. 174 00:08:16,000 --> 00:08:19,000 Adam Curry was not what I expected. 175 00:08:20,000 --> 00:08:22,000 Can't have a rock star on. 176 00:08:22,000 --> 00:08:25,000 The thanks sunglasses were a little bit overboard. 177 00:08:25,000 --> 00:08:27,000 Now that's interesting. 178 00:08:27,000 --> 00:08:31,000 Because I got to tell you that I used to wear contact lenses 179 00:08:31,000 --> 00:08:35,000 until I was flying one time. 180 00:08:35,000 --> 00:08:38,000 And I put on my regular glasses, which you know, 181 00:08:38,000 --> 00:08:42,000 glasses that I had from the 1975 or whatever. 182 00:08:42,000 --> 00:08:46,000 And then I discovered how much I was actually missing viewing 183 00:08:47,000 --> 00:08:49,000 the world through contact lenses. 184 00:08:49,000 --> 00:08:51,000 They're like, this is just as inferior. 185 00:08:51,000 --> 00:08:54,000 So I should go back to wearing glasses. 186 00:08:54,000 --> 00:08:56,000 And so I ordered out the pair of sunglasses, 187 00:08:56,000 --> 00:08:58,000 which remains specifically for flying. 188 00:08:58,000 --> 00:09:01,000 And Patricia suggested I get pink glasses, 189 00:09:01,000 --> 00:09:05,000 rose tinted glasses actually in my prescription. 190 00:09:05,000 --> 00:09:08,000 Because she said, you know, the world looks so beautiful. 191 00:09:08,000 --> 00:09:11,000 And I never really considered it from the other way around. 192 00:09:11,000 --> 00:09:13,000 I haven't really done any public speaking. 193 00:09:13,000 --> 00:09:15,000 I haven't been on television in a long time. 194 00:09:15,000 --> 00:09:18,000 I consider that people would think that that was some kind of rock star 195 00:09:18,000 --> 00:09:20,000 trip, you know, that they're not sunglasses. 196 00:09:20,000 --> 00:09:21,000 They're just rose tinted glasses. 197 00:09:21,000 --> 00:09:23,000 And you know, the world looks nice better 198 00:09:23,000 --> 00:09:25,000 through rose tinted glasses. 199 00:09:25,000 --> 00:09:27,000 I just never really considered the other side. 200 00:09:27,000 --> 00:09:30,000 I guess it could look kind of rock starish. 201 00:09:30,000 --> 00:09:32,000 Wasn't intended that way, certain? 202 00:09:32,000 --> 00:09:35,000 Other than that, he looked like a guy used to know 203 00:09:35,000 --> 00:09:38,000 in Colorado that ran all of the battle bands 204 00:09:38,000 --> 00:09:42,000 shows that I judged on named Biff. 205 00:09:42,000 --> 00:09:44,000 And of course that makes everyone who's hearing 206 00:09:44,000 --> 00:09:48,000 this thing about Biff Henderson from back to the future. 207 00:09:48,000 --> 00:09:50,000 Well, it wasn't his real name. 208 00:09:50,000 --> 00:09:52,000 I'm a Biff, ladies and gentlemen. 209 00:09:52,000 --> 00:09:54,000 But he made everyone call him Biff. 210 00:09:54,000 --> 00:09:56,000 Yeah, I remember Biff. 211 00:09:56,000 --> 00:09:59,000 And I thought that Mkree was a little bit like that too. 212 00:09:59,000 --> 00:10:00,000 He was alright though. 213 00:10:00,000 --> 00:10:01,000 Oh yeah, I liked Biff. 214 00:10:01,000 --> 00:10:04,000 But I'm crazy. 215 00:10:04,000 --> 00:10:05,000 Like we could be. 216 00:10:05,000 --> 00:10:06,000 I never actually got to talk to him. 217 00:10:06,000 --> 00:10:07,000 I see that's a shame. 218 00:10:07,000 --> 00:10:11,000 And they're going to go on and they're going to talk a little bit more about the session. 219 00:10:11,000 --> 00:10:15,000 They went through a whole thing about the microphones. 220 00:10:15,000 --> 00:10:18,000 David and I have discussed that on a trade secrets. 221 00:10:18,000 --> 00:10:22,000 And he's discussed it in morning coffee notes that he's posted on his 222 00:10:22,000 --> 00:10:25,000 on his on his on scripting news. 223 00:10:25,000 --> 00:10:27,000 And you know, there's a lot that we learned from that. 224 00:10:27,000 --> 00:10:28,000 And I think that a lot that can be done. 225 00:10:28,000 --> 00:10:32,000 But let's just continue to listen to the promiscuous bullet conversation. 226 00:10:32,000 --> 00:10:33,000 But he was kind of elite. 227 00:10:33,000 --> 00:10:35,000 See, that hurts. 228 00:10:35,000 --> 00:10:39,000 I certainly didn't want to be elite in any way shape or form. 229 00:10:40,000 --> 00:10:44,000 Yeah, it seemed like when he was doing the podcast thing. 230 00:10:44,000 --> 00:10:50,000 He stood up there and basically went down his list of people that he found and enjoyed 231 00:10:50,000 --> 00:10:52,000 and had decided to elevate. 232 00:10:52,000 --> 00:10:54,000 Oh. 233 00:10:54,000 --> 00:10:55,000 Oh. 234 00:10:55,000 --> 00:11:00,000 I certainly, of course, the people that I knew. 235 00:11:00,000 --> 00:11:02,000 And I didn't know any of these people. 236 00:11:02,000 --> 00:11:03,000 I didn't. 237 00:11:03,000 --> 00:11:05,000 The only person I knew was Dave. 238 00:11:05,000 --> 00:11:08,000 But certainly now the podcast is not face to face. 239 00:11:08,000 --> 00:11:10,000 It never met them before. 240 00:11:10,000 --> 00:11:11,000 I was happy to point him out. 241 00:11:11,000 --> 00:11:13,000 But I wasn't trying to elevate anyone. 242 00:11:13,000 --> 00:11:17,000 And so one pointed out, you know, rightly, it's a, hey, can't any, you know, 243 00:11:17,000 --> 00:11:19,000 non-famous people get the mic. 244 00:11:19,000 --> 00:11:22,000 And this is a whole problem about using the mics of Blader Khan. 245 00:11:22,000 --> 00:11:26,000 And I think really the only reason we were using them in hindsight was, 246 00:11:26,000 --> 00:11:29,000 so that everything could be recorded properly for a podcast. 247 00:11:29,000 --> 00:11:31,000 And it probably hurt more than it did good because 248 00:11:31,000 --> 00:11:35,000 the blog was supposed to be like screaming and talking through each other and showing 249 00:11:35,000 --> 00:11:39,000 respect that appropriate times and jumping up and having comments. 250 00:11:39,000 --> 00:11:40,000 And, but I think we're past that. 251 00:11:40,000 --> 00:11:43,000 I think we, we understand that that could have been better. 252 00:11:43,000 --> 00:11:45,000 But certainly certainly sucks. 253 00:11:45,000 --> 00:11:49,000 But I like, sounds like I'm trying to elevate people to some certain status. 254 00:11:49,000 --> 00:11:51,000 Because this is a place for everyone to participate. 255 00:11:51,000 --> 00:11:53,000 I was going to do his level and said, okay, is this guy here? 256 00:11:53,000 --> 00:11:54,000 Quick. 257 00:11:54,000 --> 00:11:55,000 Tell us something about your stuff. 258 00:11:55,000 --> 00:11:56,000 And then is this guy? 259 00:11:56,000 --> 00:11:57,000 Well, shit. 260 00:11:57,000 --> 00:11:59,000 I didn't, you know, I'm just waiting for people to raise their hands. 261 00:11:59,000 --> 00:12:04,000 Like, tell us about something about your stuff without actually letting the conversation flow 262 00:12:04,000 --> 00:12:06,000 and I didn't have dynamic way. 263 00:12:06,000 --> 00:12:07,000 Hmm. 264 00:12:07,000 --> 00:12:11,000 Well, I certainly tried to make it flow better in a dynamic way. 265 00:12:11,000 --> 00:12:13,000 And some parts were slower than others. 266 00:12:13,000 --> 00:12:18,000 And it was just a way to get some energy going, I guess. 267 00:12:18,000 --> 00:12:19,000 Yeah. 268 00:12:19,000 --> 00:12:25,000 Yeah, I sort of felt that that session was a little bit tight like that, too. 269 00:12:25,000 --> 00:12:26,000 Yeah. 270 00:12:26,000 --> 00:12:27,000 Now, I agree. 271 00:12:27,000 --> 00:12:30,000 I certainly certainly a lot more I wanted to get out of it. 272 00:12:30,000 --> 00:12:33,000 But it was a blogger call, right? 273 00:12:33,000 --> 00:12:37,000 People are going to jump in and say stuff and then we're going to point around the room. 274 00:12:37,000 --> 00:12:39,000 So have the way it went. 275 00:12:39,000 --> 00:12:42,000 There's Matthew Bischoff calling in. 276 00:12:42,000 --> 00:12:43,000 So we answer. 277 00:12:43,000 --> 00:12:44,000 Kind of busy. 278 00:12:44,000 --> 00:12:46,000 Real quick, then. 279 00:12:46,000 --> 00:12:47,000 Hey, Matthew. 280 00:12:47,000 --> 00:12:49,000 Hey, Adam, what's up? 281 00:12:49,000 --> 00:12:51,000 I'm recording the source code right now. 282 00:12:51,000 --> 00:12:53,000 Awesome. 283 00:12:54,000 --> 00:12:56,000 I was just talking about the microphones of Blogger Khan. 284 00:12:56,000 --> 00:12:59,000 And I was listening to the promiscuous bullet podcast. 285 00:12:59,000 --> 00:13:02,000 And they're saying that I was elite. 286 00:13:02,000 --> 00:13:03,000 And I made it a leadist. 287 00:13:03,000 --> 00:13:04,000 And I'm hurting. 288 00:13:04,000 --> 00:13:05,000 Yeah. 289 00:13:05,000 --> 00:13:07,000 So we're going to do. 290 00:13:07,000 --> 00:13:09,000 What can I do for you, Matthew? 291 00:13:09,000 --> 00:13:11,000 Just want to your opinion on this. 292 00:13:11,000 --> 00:13:14,000 I just started up a cafe pressure up at a cafepress.com. 293 00:13:14,000 --> 00:13:16,000 So I thought I just wanted to take a look at it. 294 00:13:16,000 --> 00:13:18,000 You realize I'm recording this, right? 295 00:13:18,000 --> 00:13:19,000 Yeah. 296 00:13:19,000 --> 00:13:20,000 No problem. 297 00:13:20,000 --> 00:13:21,000 Okay. 298 00:13:21,000 --> 00:13:23,000 If I press dot com slash I potter, what is it? 299 00:13:23,000 --> 00:13:24,000 I potter merchandise? 300 00:13:24,000 --> 00:13:25,000 Yes. 301 00:13:25,000 --> 00:13:26,000 Cool. 302 00:13:26,000 --> 00:13:27,000 Hold on. 303 00:13:27,000 --> 00:13:29,000 Well, right now everyone listening to the source code 304 00:13:29,000 --> 00:13:31,000 is surfing off to it immediately. 305 00:13:31,000 --> 00:13:33,000 So what is it? 306 00:13:33,000 --> 00:13:35,000 Explain what it is. 307 00:13:35,000 --> 00:13:39,000 Well, I saw that if you've seen the Doppler video. 308 00:13:39,000 --> 00:13:42,000 I potter client, they started a cafe pressure up. 309 00:13:42,000 --> 00:13:45,000 And so I figured the I potter limited it. 310 00:13:45,000 --> 00:13:46,000 Do you call it? 311 00:13:46,000 --> 00:13:47,000 Should have a shop as well. 312 00:13:47,000 --> 00:13:48,000 Okay. 313 00:13:48,000 --> 00:13:49,000 I'm going to it now. 314 00:13:49,000 --> 00:13:50,000 Hopefully. 315 00:13:51,000 --> 00:13:53,000 All the stuff won't crash. 316 00:13:53,000 --> 00:13:54,000 Okay. 317 00:13:54,000 --> 00:13:55,000 Here we go. 318 00:13:55,000 --> 00:13:56,000 Cool. 319 00:13:56,000 --> 00:13:58,000 I potter lemon t-shirt. 320 00:13:58,000 --> 00:14:00,000 Excellent. 321 00:14:00,000 --> 00:14:03,000 That looks great. 322 00:14:03,000 --> 00:14:04,000 Very cool. 323 00:14:04,000 --> 00:14:05,000 Okay. 324 00:14:05,000 --> 00:14:07,000 Well, you called it the perfect time. 325 00:14:07,000 --> 00:14:09,000 We got your little plug in there. 326 00:14:09,000 --> 00:14:10,000 Oh, yes. 327 00:14:10,000 --> 00:14:11,000 Matthew Bishop.com. 328 00:14:11,000 --> 00:14:12,000 Okay. 329 00:14:12,000 --> 00:14:13,000 Have you taken it easy, bud? 330 00:14:13,000 --> 00:14:14,000 Thanks, everybody. 331 00:14:14,000 --> 00:14:15,000 Okay. 332 00:14:15,000 --> 00:14:16,000 Take care. 333 00:14:16,000 --> 00:14:17,000 Oh, right on. 334 00:14:17,000 --> 00:14:18,000 And now we're back. 335 00:14:19,000 --> 00:14:21,000 I guess that was enough of a transition. 336 00:14:21,000 --> 00:14:24,000 As you listen to more of a promiscuous bullet. 337 00:14:24,000 --> 00:14:27,000 The guys do go into something that I think is really cool. 338 00:14:27,000 --> 00:14:30,000 They play Brad sucks from Brad sucks. 339 00:14:30,000 --> 00:14:31,000 He said Brad sucks.net. 340 00:14:31,000 --> 00:14:32,000 I think it is. 341 00:14:32,000 --> 00:14:37,000 You'll see it in the production notes on the daily source code site. 342 00:14:37,000 --> 00:14:40,000 I think it was actually Dave Slusher who started playing Brad sucks. 343 00:14:40,000 --> 00:14:42,000 It's, you know, Brad is this guy who does everything. 344 00:14:42,000 --> 00:14:44,000 He's a one man band with no fans. 345 00:14:44,000 --> 00:14:47,000 It's kind of the mantra of what he's doing. 346 00:14:47,000 --> 00:14:52,000 And so we've been picking this guy up and we've been playing parts of his demos 347 00:14:52,000 --> 00:14:57,000 and of his, you know, what I guess they're called albums and stuff that is yet unreleased. 348 00:14:57,000 --> 00:15:03,000 But, you know, here we have an opportunity to make one of our first non-RIA stars. 349 00:15:03,000 --> 00:15:05,000 So I'm going to jump on the bandwagon. 350 00:15:05,000 --> 00:15:07,000 You know, you've got three podcasts playing him. 351 00:15:07,000 --> 00:15:10,000 Please enjoy Brad sucks. 352 00:15:10,000 --> 00:15:14,000 Sounds a little bit like back sometimes a little bit like status quo. 353 00:15:14,000 --> 00:15:16,000 And you don't have to listen. 354 00:15:16,000 --> 00:15:17,000 It's not bad. 355 00:15:17,000 --> 00:15:19,000 It's a dark band. 356 00:15:21,250 --> 00:18:28,750 [ Music ] 357 00:18:29,000 --> 00:18:33,000 It's about 10 minutes to 11pm, so I'm just going to get this one 358 00:18:33,000 --> 00:18:36,000 In under the wire for today 359 00:18:36,000 --> 00:18:39,000 It's going to be busy, I mean we are so close to move date 360 00:18:39,000 --> 00:18:41,000 I'm Monday the movers come in 361 00:18:41,000 --> 00:18:43,000 Tuesday the movers are still here 362 00:18:43,000 --> 00:18:47,000 Then Wednesday Patricia is already in 363 00:18:47,000 --> 00:18:50,000 Actually Tuesday night Patricia flies out with her sister 364 00:18:50,000 --> 00:18:53,000 They're going to receive all the goods on Wednesday 365 00:18:53,000 --> 00:18:57,000 Christina and I stay here in the completely empty castle bar for one bed 366 00:18:57,000 --> 00:18:59,000 And then we fly out Thursday 367 00:18:59,000 --> 00:19:03,000 We're going with a private plane with our dogs 368 00:19:03,000 --> 00:19:08,000 And our cats to get them in at the very last minute 369 00:19:08,000 --> 00:19:10,000 So hopefully all the doors are closed 370 00:19:10,000 --> 00:19:13,000 Because the cats have to stay in doors for six weeks 371 00:19:13,000 --> 00:19:15,000 Or whatever so they get oriented 372 00:19:15,000 --> 00:19:18,000 Then all of a sudden got a nice curveball 373 00:19:18,000 --> 00:19:21,000 Where the re-letters send a new rental agreement 374 00:19:21,000 --> 00:19:23,000 Yeah, because the owner had come up with some stuff 375 00:19:23,000 --> 00:19:25,000 He still wanted to put in there 376 00:19:26,000 --> 00:19:28,000 I've never rented a house with this 377 00:19:28,000 --> 00:19:30,000 There's a lot of shit in there 378 00:19:30,000 --> 00:19:32,000 If I do anything wrong 379 00:19:32,000 --> 00:19:34,000 I'm going to jail for so long 380 00:19:34,000 --> 00:19:36,000 After throw the key away 381 00:19:36,000 --> 00:19:39,000 It's like Christ, I have to review all that 382 00:19:39,000 --> 00:19:42,000 What's just a pain 383 00:19:42,000 --> 00:19:45,000 And then on top of that 384 00:19:45,000 --> 00:19:48,000 Now the BBC has a new show called The Culture Show 385 00:19:48,000 --> 00:19:51,000 Which actually it starts the first episode 386 00:19:51,000 --> 00:19:54,000 It was tomorrow night on BBC 2 at 730 387 00:19:54,000 --> 00:19:57,000 So that's 830 European Central Time 388 00:19:57,000 --> 00:20:01,000 And I guess they have one of these really cute hosts 389 00:20:01,000 --> 00:20:04,000 That host on Saturday or like the other big Saturday show 390 00:20:04,000 --> 00:20:07,000 Or the Sunday morning show on the BBC 391 00:20:07,000 --> 00:20:09,000 And they've got it totally set up 392 00:20:09,000 --> 00:20:12,000 They've got producers, they've got writers, they've got 393 00:20:12,000 --> 00:20:15,000 The crew, they're coming a day early, they're staying overnight 394 00:20:15,000 --> 00:20:17,000 They insist on coming to the castle 395 00:20:17,000 --> 00:20:19,000 They want to see how a podcast is done 396 00:20:19,000 --> 00:20:22,000 Well great, it's going to be a freaking mess 397 00:20:22,000 --> 00:20:24,000 It's going to be as real as you can get it 398 00:20:24,000 --> 00:20:27,000 Because everything's in boxes 399 00:20:27,000 --> 00:20:30,000 Basically everything's going to be torn down around me 400 00:20:30,000 --> 00:20:34,000 Except for me and my laptop and my microphone 401 00:20:34,000 --> 00:20:36,000 And everything else will be gone 402 00:20:36,000 --> 00:20:38,000 So that's coming up 403 00:20:38,000 --> 00:20:40,000 That's on Friday 404 00:20:40,000 --> 00:20:44,000 So Friday, I will just cut a source code and do it with them 405 00:20:44,000 --> 00:20:46,000 But then there's all kinds of other stuff 406 00:20:46,000 --> 00:20:49,000 Banking matters, just coordination 407 00:20:49,000 --> 00:20:52,000 And I missed a last minute guy 408 00:20:52,000 --> 00:20:54,000 So this is usually when I get into my crunch 409 00:20:54,000 --> 00:20:57,000 So if it's the podcasts are coming up a little bit late 410 00:20:57,000 --> 00:21:00,000 And if you're not seeing a lot of posting going on on my site 411 00:21:00,000 --> 00:21:03,000 There you go, it's going to at least take the next week 412 00:21:03,000 --> 00:21:05,000 Until next Thursday 413 00:21:05,000 --> 00:21:08,000 And even then, the whole town we're moving to 414 00:21:08,000 --> 00:21:11,000 It's pretty much wi-fi but 415 00:21:11,000 --> 00:21:13,000 Yeah, we'll have the car there 416 00:21:13,000 --> 00:21:16,000 It's a logistical nightmare late as a gentleman 417 00:21:16,000 --> 00:21:19,000 So anyway, new podcasts that I found 418 00:21:19,000 --> 00:21:24,000 The one minute tip you can find this on audio.weblogs.com 419 00:21:24,000 --> 00:21:28,000 Or also in ipod.org in the directory 420 00:21:28,000 --> 00:21:32,000 And by the way, if you're doing a podcast 421 00:21:32,000 --> 00:21:34,000 And you want to show up 422 00:21:34,000 --> 00:21:37,000 If whatever you're making your RSS 2.0 feed 423 00:21:37,000 --> 00:21:40,000 Whether you're your podcast feed 424 00:21:40,000 --> 00:21:44,000 If it's not automatically pinging audio.weblogs.com 425 00:21:44,000 --> 00:21:49,000 You can go to audio.weblogs.com slash pingform.html 426 00:21:49,000 --> 00:21:53,000 PINGFOR and pingform.html 427 00:21:53,000 --> 00:21:57,000 And then you can just enter into the name of your podcast 428 00:21:57,000 --> 00:21:59,000 Enter the podcast feed 429 00:21:59,000 --> 00:22:02,000 And it'll accept your ping and it'll put you right up on that list 430 00:22:02,000 --> 00:22:05,000 So it's pretty important if you want to get your stuff out there 431 00:22:05,000 --> 00:22:07,000 So this is where I found one minute tip 432 00:22:07,000 --> 00:22:09,000 Today it's the JKL keys and Final Cut Pro 433 00:22:09,000 --> 00:22:11,000 Yeah, it's a short computer tip 434 00:22:11,000 --> 00:22:14,000 Hello and welcome to the one minute tip 435 00:22:14,000 --> 00:22:18,000 A place to pick up quick tips to make you more computer efficient 436 00:22:18,000 --> 00:22:22,000 Today's tip JK and L 437 00:22:22,000 --> 00:22:24,000 In Apple's Final Cut Pro 438 00:22:24,000 --> 00:22:27,000 Oh yeah, it's right there 439 00:22:27,000 --> 00:22:34,000 But sometimes you just don't want to reach down and touch the mouse 440 00:22:34,000 --> 00:22:36,000 When you've got your hands on the keyboard 441 00:22:36,000 --> 00:22:38,000 In Apple's Final Cut Pro 442 00:22:38,000 --> 00:22:40,000 Here is a great tip 443 00:22:40,000 --> 00:22:42,000 The JK and L keys 444 00:22:42,000 --> 00:22:44,000 Clustered right there on your right hand 445 00:22:44,000 --> 00:22:48,000 And what I need like some of these keyboard shortcuts for I chat 446 00:22:48,000 --> 00:22:50,000 For the video conference 447 00:22:50,000 --> 00:22:51,000 When you go to 448 00:22:51,000 --> 00:22:54,000 If you check it out, I chat naked.com 449 00:22:54,000 --> 00:22:57,000 Believe me, that's where you want some short cut keys 450 00:22:57,000 --> 00:22:58,000 The JK and L keys 451 00:22:58,000 --> 00:23:01,000 Excited your keyboard are great for moving around 452 00:23:01,000 --> 00:23:02,000 Inside of clips 453 00:23:02,000 --> 00:23:05,000 The K key will stop the playback head 454 00:23:05,000 --> 00:23:07,000 Okay, so you get the idea that's the one minute tip 455 00:23:07,000 --> 00:23:09,000 Don't just get the URL 456 00:23:09,000 --> 00:23:10,000 Moments? 457 00:23:10,000 --> 00:23:14,000 Email us at tipat1minute.com 458 00:23:14,000 --> 00:23:16,000 Okay one minute tip.com 459 00:23:16,000 --> 00:23:18,000 That's where you can find out about 460 00:23:18,000 --> 00:23:20,000 Well, you can subscribe to the podcast 461 00:23:20,000 --> 00:23:24,000 I don't know if they have separate podcasts for separate applications 462 00:23:24,000 --> 00:23:27,000 Or platforms if there's one for macro windows 463 00:23:27,000 --> 00:23:30,000 Probably this is a Mac one since it's about the Final Cut Pro 464 00:23:30,000 --> 00:23:32,000 But it's kind of cool, you know 465 00:23:32,000 --> 00:23:36,000 Not the JK L keys, but that's probably an exception 466 00:23:36,000 --> 00:23:37,000 More than the rule 467 00:23:37,000 --> 00:23:40,000 Got an email now as we move on to 468 00:23:40,000 --> 00:23:45,000 Concentrating on non-RIA music from Jason 469 00:23:45,000 --> 00:23:47,000 From Hardcore and some of the radio 470 00:23:47,000 --> 00:23:49,000 Of course, the podcast 471 00:23:49,000 --> 00:23:52,000 Been around for almost ever since podcasting started 472 00:23:52,000 --> 00:23:56,000 Hold on, let me just expand the note here 473 00:23:56,000 --> 00:23:58,000 He says you recently proposed listeners 474 00:23:58,000 --> 00:24:00,000 Out here in podcasting 475 00:24:00,000 --> 00:24:03,000 Land, hunt down great music by indie bands 476 00:24:03,000 --> 00:24:05,000 And you would produce the show 477 00:24:05,000 --> 00:24:07,000 However, I'd like to steer you in a different direction 478 00:24:07,000 --> 00:24:10,000 He says he's teamed up with the Chris at indie feed 479 00:24:10,000 --> 00:24:13,000 And true blues that this has major potential for promoted bands 480 00:24:13,000 --> 00:24:16,000 Is already having talks with labels about sending us 481 00:24:16,000 --> 00:24:17,000 The catalogs, things are moving 482 00:24:17,000 --> 00:24:20,000 So that's great, sounds like they're finding 483 00:24:20,000 --> 00:24:23,000 People who want to participate 484 00:24:23,000 --> 00:24:25,000 Participate by giving them the music 485 00:24:25,000 --> 00:24:28,000 And we're giving the permission to play the music 486 00:24:29,000 --> 00:24:32,000 So things are moving quickly in a positive direction 487 00:24:32,000 --> 00:24:34,000 So what better way to recruit help 488 00:24:34,000 --> 00:24:38,000 Then they want to ask for some help 489 00:24:38,000 --> 00:24:40,000 Pretty basically here comes 490 00:24:40,000 --> 00:24:42,000 Need you to ask people why the daily source code 491 00:24:42,000 --> 00:24:45,000 If anyone would be interested in helping to maintain certain indie feeds 492 00:24:45,000 --> 00:24:48,000 Okay, so if you look at the iPodder.org directory 493 00:24:48,000 --> 00:24:51,000 There's a number of, if you go into the music section 494 00:24:51,000 --> 00:24:54,000 There's a number of independent indie feeds 495 00:24:54,000 --> 00:24:58,000 So he's handling the alternative modern rock channel with Chris 496 00:24:58,000 --> 00:25:00,000 But the more moving activity get, of course 497 00:25:00,000 --> 00:25:02,000 The more successful it will be and so he needs more people 498 00:25:02,000 --> 00:25:05,000 Well, I totally agree, you know, I think that we can have all kinds of 499 00:25:05,000 --> 00:25:08,000 Different subcategories at indie feeds 500 00:25:08,000 --> 00:25:11,000 And I love the whole concept of the way indie feeds works 501 00:25:11,000 --> 00:25:13,000 You know, where there's basically a little start-up 502 00:25:13,000 --> 00:25:15,000 Before the song and it says, you know, this is where it's from 503 00:25:15,000 --> 00:25:17,000 This is who these guys are about 504 00:25:17,000 --> 00:25:19,000 And then you hear the song 505 00:25:19,000 --> 00:25:22,000 And then at the end there's another tag that came from 506 00:25:22,000 --> 00:25:26,000 Which indie feed it came and what you can do with it 507 00:25:26,000 --> 00:25:29,000 But I still think that just like I played the Brad sucks, you know 508 00:25:29,000 --> 00:25:31,000 You have to have to build a little bit of a platform 509 00:25:31,000 --> 00:25:33,000 I won't, you know, if you guys get that set up 510 00:25:33,000 --> 00:25:36,000 And please anyone who wants to help contribute 511 00:25:36,000 --> 00:25:40,000 Just go to Hardcore and something to radio.blogspot.com 512 00:25:40,000 --> 00:25:45,000 And Jason, I'm sure we have to have you help out 513 00:25:45,000 --> 00:25:47,000 And, you know, someone wants to maintain 514 00:25:47,000 --> 00:25:49,000 Some of those indie feeds 515 00:25:49,000 --> 00:25:52,000 And we can just use more, you know, all I'll do is subscribe to them 516 00:25:52,000 --> 00:25:54,000 And check it out and if I find something I'll start playing it 517 00:25:54,000 --> 00:25:57,000 But still we got to keep playing attention to each other 518 00:25:57,000 --> 00:26:00,000 And make sure that we can, you know, across the board 519 00:26:00,000 --> 00:26:03,000 If, you know, if we're playing the same songs, you know, that's good 520 00:26:03,000 --> 00:26:06,000 For at least it'll, it'll elevate something 521 00:26:06,000 --> 00:26:08,000 I think. Let's see what happens with Brad sucks, you know, 522 00:26:08,000 --> 00:26:10,000 If you like it, you know, play it on your podcast 523 00:26:10,000 --> 00:26:11,000 Let's see what happens 524 00:26:11,000 --> 00:26:16,000 Um, now, let's see where it was. Oh, yes, this was another 525 00:26:16,000 --> 00:26:19,000 promo that came in on, actually this is very cool 526 00:26:19,000 --> 00:26:21,000 Because we were talking about radio dramas 527 00:26:21,000 --> 00:26:26,000 Um, and the long came, the human dog podcast 528 00:26:26,000 --> 00:26:30,000 And of course, it was promoted on openpodcast.org 529 00:26:30,000 --> 00:26:33,000 And you've got to listen to the drama piece 530 00:26:33,000 --> 00:26:36,000 Well, actually, this is basically a trailer of 531 00:26:36,000 --> 00:26:41,000 Human Dogs work in the podcasting drama sphere 532 00:26:41,000 --> 00:26:46,000 And we've got to listen to the drama 533 00:26:46,000 --> 00:26:51,000 And we've got to listen to the drama 534 00:26:51,000 --> 00:26:56,000 And we've got to listen to the drama 535 00:26:56,000 --> 00:27:10,000 [ Music ] 536 00:27:10,000 --> 00:27:29,000 And we've got to listen to the drama 537 00:27:29,000 --> 00:27:32,000 And we've got to listen to the drama 538 00:27:32,000 --> 00:27:33,000 Um, now, let's listen to the drama 539 00:27:33,000 --> 00:27:37,000 And we've got to listen to the drama 540 00:27:37,000 --> 00:27:44,000 of cast-drama anthology that Volgae Odeo, host by yours true. 541 00:27:44,000 --> 00:27:51,000 The series begins this week with the premiere of the casual absurds. 542 00:27:51,000 --> 00:27:55,000 I hope you enjoy your stay within the Volgae Odeo, 543 00:27:55,000 --> 00:28:00,000 and please feel free to produce the rest of the website. 544 00:28:00,000 --> 00:28:09,000 Address again is www.human-dog.com 545 00:28:09,000 --> 00:28:14,000 and please, dear friends, do not forget to add that dish. 546 00:28:14,000 --> 00:28:20,000 They're all of the way to waste those who do not end by warnings. 547 00:28:20,000 --> 00:28:26,000 I look forward to our meeting, but until that time, I am the man named Ryan. 548 00:28:26,000 --> 00:28:33,000 I received it into the darkness. 549 00:28:33,000 --> 00:28:40,000 Okay, so the promo is hokeyer than the shows. Seriously, you should check them out, 550 00:28:40,000 --> 00:28:43,000 but I didn't want to take anything out of contact with the show itself, 551 00:28:43,000 --> 00:28:45,000 but you should definitely check it out. 552 00:28:45,000 --> 00:28:51,000 It's real drama on podcasting, and it's cool that we've got yet another category. 553 00:28:51,000 --> 00:28:56,000 We've got more categories being thought up and created every day 554 00:28:56,000 --> 00:28:58,000 that they're going to start flowing to the directory. 555 00:28:58,000 --> 00:29:01,000 Now, I know that iPodr1.1, the lemon stuff is out. 556 00:29:01,000 --> 00:29:05,000 I guess the new iPodrX is out as well with its directory integration. 557 00:29:05,000 --> 00:29:12,000 So if you want to read about it, just go to iPodr.org and check out the directory 558 00:29:12,000 --> 00:29:17,000 and how you can contribute to building that directory. 559 00:29:17,000 --> 00:29:21,000 So I'm pretty fried. I've got about half an hour down now. 560 00:29:21,000 --> 00:29:25,000 Oh, you know what? I have now officially from the man himself, 561 00:29:25,000 --> 00:29:27,000 from the base player from the band, American Heartbreak. 562 00:29:27,000 --> 00:29:31,000 So I'm going to have already played a couple times on the daily source code. 563 00:29:31,000 --> 00:29:35,000 Actually, going back more than two months ago, I think. 564 00:29:35,000 --> 00:29:39,000 He gave me some of their existing CDs and the new one, which is now yet. 565 00:29:39,000 --> 00:29:41,000 I think it's titled This is Rock and Roll. 566 00:29:41,000 --> 00:29:45,000 From that, the song that I've been playing ever since I heard it on his own podcast, 567 00:29:45,000 --> 00:29:49,000 Rock and Roll to Geek Show. This is the last of the superheroes. 568 00:29:49,000 --> 00:29:53,000 American Heartbreak. I'm a daily source code. 569 00:29:53,750 --> 00:33:11,250 [ Music ] 570 00:33:13,880 --> 00:33:19,880 Man, back in hard break, the last of the Superheroes on your daily source code. 571 00:33:19,880 --> 00:33:21,880 Whoops. 572 00:33:21,880 --> 00:33:24,880 Sorry, took off the headphones, forgot the Microsoft attached. 573 00:33:25,880 --> 00:33:29,880 Wednesday, November 10th, 2004. 574 00:33:29,880 --> 00:33:35,880 Can you hear it? Actually, I'm just going to listen to, listen to how hollow it sounds now. 575 00:33:35,880 --> 00:33:37,880 Now I'm walking into, listen to this. 576 00:33:37,880 --> 00:33:38,880 Hello. 577 00:33:38,880 --> 00:33:44,880 One, two, see everything's empty almost in the main room. 578 00:33:44,880 --> 00:33:47,880 And the curtains are all down. 579 00:33:47,880 --> 00:33:50,880 We're moving on out of here, just a reminder that 580 00:33:51,880 --> 00:33:56,880 I'm not quite sure how the source codes are going to be going for the next couple of days. 581 00:33:56,880 --> 00:34:04,880 But I'm pretty sure I'll be able to still be able to get to my packing down this weekend. 582 00:34:04,880 --> 00:34:07,880 And so this is one of the last times you're going to be hearing 583 00:34:07,880 --> 00:34:11,880 the tranquil outdoors of Belgium of Flanders. 584 00:34:11,880 --> 00:34:13,880 So, have a listen. 585 00:34:13,880 --> 00:34:18,880 Because in one week from now, it'll be a different sound. 586 00:34:18,880 --> 00:34:21,880 I mean, it's quiet there as well because we're out in the sticks. 587 00:34:21,880 --> 00:34:23,880 But it's going to be a different kind of quiet. 588 00:34:23,880 --> 00:34:25,880 I bet you we can really tell the difference. 589 00:34:25,880 --> 00:34:31,880 So I'll just shut up for a couple of seconds here so you can hear it. 590 00:34:31,880 --> 00:34:34,880 Right on. 591 00:34:34,880 --> 00:34:35,880 Okay. 592 00:34:35,880 --> 00:34:38,880 Now I got to get to bed because it's past 11. 593 00:34:38,880 --> 00:34:41,880 My body doesn't know what the hell time it is. 594 00:34:41,880 --> 00:34:45,880 To my girlfriend, Dawn, I say, I'm still fighting the man. 595 00:34:45,880 --> 00:34:47,880 She knows what I mean. 596 00:34:47,880 --> 00:34:54,880 And everyone else, who I haven't raised to in a lettuce level. 597 00:34:54,880 --> 00:34:57,880 I'd love for you to tune in tomorrow. 598 00:34:57,880 --> 00:35:01,880 When we bring you another daily source code, live from Flanders, Belgium. 599 00:35:01,880 --> 00:35:07,880 As always, you can leave a comment. 600 00:35:07,880 --> 00:35:08,880 Adam and Cory.com. 601 00:35:08,880 --> 00:35:10,880 I'm catching up on the email by the way. 602 00:35:10,880 --> 00:35:15,880 I had a good 10 hours of computer time on the way back. 603 00:35:15,880 --> 00:35:25,880 So I'm getting better in the directories about the flood with new podcasts that I potter.org. 604 00:35:25,880 --> 00:35:26,880 Sample all the latest podcasts. 605 00:35:26,880 --> 00:35:29,880 Don't forget to check out audio.weblogs.com 606 00:35:29,880 --> 00:35:34,880 And then you can always find the latest source code to then sourcecode.com 607 00:35:34,880 --> 00:35:39,880 And when I got some time to post and check it out on 5.4.com 608 00:35:39,880 --> 00:35:40,880 I'll be back tomorrow. 609 00:35:40,880 --> 00:35:42,880 We're going to another source code. 610 00:35:42,880 --> 00:35:46,880 We're going to use our developers to get one of the ones that party together. 611 00:35:46,880 --> 00:35:48,880 Take care, Adam. 612 00:35:59,880 --> 00:36:02,880 Our door, our door, our door.