1 00:00:00,000 --> 00:00:04,000 Okay, here we are at Curry Castle. 2 00:00:05,000 --> 00:00:08,000 Well, the second is to make sure I've got everything rolling here. 3 00:00:08,000 --> 00:00:13,000 We are just wrapping up the BBC stuff. 4 00:00:16,000 --> 00:00:20,000 It wasn't really a chance for me to podcast or to record anything earlier, 5 00:00:20,000 --> 00:00:22,000 because we were doing exteriors. 6 00:00:22,000 --> 00:00:27,000 They did a cool show for them arrived by a helicopter. 7 00:00:28,000 --> 00:00:30,000 So we've got quite a crew here. 8 00:00:31,000 --> 00:00:33,000 So now I've got a record for my podcast. 9 00:00:33,000 --> 00:00:35,000 I'll just say anything you say, 10 00:00:35,000 --> 00:00:36,000 kind of we'll be used against you. 11 00:00:36,000 --> 00:00:38,000 In a podcast of law. 12 00:00:39,000 --> 00:00:41,000 I'm recording. 13 00:00:41,000 --> 00:00:42,000 I certainly am. 14 00:00:42,000 --> 00:00:43,000 This is reality. 15 00:00:43,000 --> 00:00:44,000 Oh my god. 16 00:00:44,000 --> 00:00:46,000 So anything you say, Colin. 17 00:00:48,000 --> 00:00:51,000 Hello, everybody in America. 18 00:00:51,000 --> 00:00:52,000 This is the BBC. 19 00:00:52,000 --> 00:00:54,000 So you're talking to my chest. 20 00:00:54,000 --> 00:00:56,000 I'm not very convenient. 21 00:00:56,000 --> 00:00:57,000 Hi. 22 00:00:57,000 --> 00:00:58,000 Yes, it works. 23 00:00:58,000 --> 00:01:00,000 I want to meet my wife. 24 00:01:06,000 --> 00:01:08,000 Okay, here we go. 25 00:01:15,000 --> 00:01:20,000 Well, it's coming up on 620 coming to you from Flanders Belgium from Curry Castle. 26 00:01:20,000 --> 00:01:21,000 Almost live. 27 00:01:21,000 --> 00:01:23,000 It is the daily source code. 28 00:01:23,000 --> 00:01:25,000 And God is Friday, everybody. 29 00:01:25,000 --> 00:01:27,000 I mean, everybody. 30 00:01:27,000 --> 00:01:31,000 Adam Curry here bringing you kind of an interesting daily source code. 31 00:01:31,000 --> 00:01:35,000 It's probably the first time that I'm ever going to edit pieces of the show in. 32 00:01:35,000 --> 00:01:41,000 I've had the BBC visiting here for most of the day for a new program that actually just started 33 00:01:41,000 --> 00:01:43,000 airing the other day on that BBC 2. 34 00:01:43,000 --> 00:01:45,000 The culture show. 35 00:01:45,000 --> 00:01:49,000 And while of course, when you come to interview someone about podcasting, 36 00:01:49,000 --> 00:01:51,000 you basically want to see him podcasting. 37 00:01:51,000 --> 00:01:55,000 So I'm not only going to show some of that, 38 00:01:55,000 --> 00:01:59,000 but also I'll cut in some bits of the whole day that I recorded while they were here. 39 00:01:59,000 --> 00:02:00,000 We had a good time. 40 00:02:00,000 --> 00:02:03,000 We had the Wing Commander William flying me in. 41 00:02:03,000 --> 00:02:07,000 We actually, we look like a real professional, unprofessional proof, 42 00:02:07,000 --> 00:02:09,000 which is kind of what podcasting is all about. 43 00:02:09,000 --> 00:02:12,000 Planks and tunes you've heard before on the source code. 44 00:02:12,000 --> 00:02:14,000 It's no Jones from Holland and Revolution. 45 00:02:14,000 --> 00:02:20,000 So they're going on the side. 46 00:02:20,000 --> 00:02:22,000 And the way it is, my mind. 47 00:02:22,000 --> 00:02:26,000 Or since telling me, I should think about it before I act. 48 00:02:26,000 --> 00:02:28,000 But every time I look at you, 49 00:02:28,000 --> 00:02:32,000 and then you don't leave the word I say on my Jones. 50 00:02:32,000 --> 00:02:36,000 My Jones still do to do an unplug set here at the castle, 51 00:02:36,000 --> 00:02:40,000 but they'd better hurry up because we only have a couple more days before we move and 52 00:02:40,000 --> 00:02:42,000 we're off to the UK ourselves. 53 00:02:42,000 --> 00:02:45,000 Maybe if we move fast enough, we can watch this on TV. 54 00:02:45,000 --> 00:02:50,000 So I figured that we'd to show some of the real power of podcasting, 55 00:02:50,000 --> 00:02:54,000 and what we can do as a demo. 56 00:02:54,000 --> 00:02:56,000 Are you guys still rolling on this? 57 00:02:56,000 --> 00:02:58,000 Beautiful. Beautiful. 58 00:02:58,000 --> 00:03:00,000 Is we'll show you how we have, 59 00:03:00,000 --> 00:03:04,000 even though we're just using PCs, personal computers, 60 00:03:04,000 --> 00:03:07,000 laptops, we have a lot of the stuff that the big guys have. 61 00:03:07,000 --> 00:03:09,000 And I figured what I do is I see these online. 62 00:03:09,000 --> 00:03:11,000 We'll actually bring in a phone call. 63 00:03:11,000 --> 00:03:13,000 We're going to bring in Dave Weiner, 64 00:03:13,000 --> 00:03:15,000 the Mac Daddy of RSS and a weblog. 65 00:03:15,000 --> 00:03:18,000 So I'm going to give them a call right now on Skype. 66 00:03:18,000 --> 00:03:20,000 Hey, Dave, how are you doing, buddy? 67 00:03:20,000 --> 00:03:23,000 Hey, a new drip is going to send you an instant message. 68 00:03:23,000 --> 00:03:25,000 Well, I was just in your instant message, 69 00:03:25,000 --> 00:03:27,000 but I can tell you now. 70 00:03:27,000 --> 00:03:28,000 Well, you know what? 71 00:03:28,000 --> 00:03:30,000 First of all, say hi to the BBC. 72 00:03:30,000 --> 00:03:31,000 Hey, BBC. 73 00:03:31,000 --> 00:03:33,000 I've revolted. 74 00:03:33,000 --> 00:03:37,000 I tried to explain to them about the American radio voices and the 75 00:03:37,000 --> 00:03:39,000 everybody thing. 76 00:03:39,000 --> 00:03:41,000 And I think they kind of get it. 77 00:03:41,000 --> 00:03:43,000 They don't have that horrible fish. 78 00:03:43,000 --> 00:03:45,000 Yeah. 79 00:03:45,000 --> 00:03:47,000 And everybody, let's do some horrible English accents. 80 00:03:47,000 --> 00:03:49,000 That'll make us real popular. 81 00:03:49,000 --> 00:03:51,000 Yeah. 82 00:03:51,000 --> 00:03:54,000 So what you got going on, buddy? 83 00:03:54,000 --> 00:03:56,000 Lots, lots of stuff. 84 00:03:56,000 --> 00:03:57,000 A couple of things. 85 00:03:57,000 --> 00:04:00,000 Like first, I was talking with Drew this morning really early. 86 00:04:00,000 --> 00:04:04,000 And they did a really interesting thing on the Don and Drew show. 87 00:04:04,000 --> 00:04:05,000 Oh, yeah. 88 00:04:05,000 --> 00:04:06,000 Yeah. 89 00:04:06,000 --> 00:04:07,000 The way they recorded it. 90 00:04:07,000 --> 00:04:10,000 She was in Los Althos and he was in Wisconsin. 91 00:04:10,000 --> 00:04:11,000 Yeah. 92 00:04:11,000 --> 00:04:12,000 Yeah. 93 00:04:12,000 --> 00:04:13,000 I heard that show. 94 00:04:13,000 --> 00:04:14,000 And it sounded great. 95 00:04:14,000 --> 00:04:15,000 Yeah. 96 00:04:15,000 --> 00:04:17,000 And they used, they recorded. 97 00:04:17,000 --> 00:04:19,000 Bloodshed band on their end. 98 00:04:19,000 --> 00:04:20,000 Yeah. 99 00:04:20,000 --> 00:04:21,000 He emailed him. 100 00:04:21,000 --> 00:04:22,000 Her side of it. 101 00:04:22,000 --> 00:04:23,000 Yeah. 102 00:04:23,000 --> 00:04:24,000 They were talking on his own. 103 00:04:24,000 --> 00:04:25,000 But. 104 00:04:25,000 --> 00:04:27,000 And then he just like overlaid them. 105 00:04:27,000 --> 00:04:28,000 And it came out fun. 106 00:04:28,000 --> 00:04:31,000 And something that I was thinking that we definitely need to try that. 107 00:04:31,000 --> 00:04:34,000 Because then we could get good quality on both ends when we do that. 108 00:04:34,000 --> 00:04:35,000 Yeah. 109 00:04:35,000 --> 00:04:36,000 It was really good quality. 110 00:04:36,000 --> 00:04:37,000 Yeah. 111 00:04:37,000 --> 00:04:38,000 Yeah. 112 00:04:38,000 --> 00:04:41,000 So now we have a good cell phone connection that kind of makes a difference. 113 00:04:41,000 --> 00:04:44,000 Well, buying an actual cell phone that works Dave helped. 114 00:04:44,000 --> 00:04:45,000 Yeah. 115 00:04:45,000 --> 00:04:46,000 No kidding. 116 00:04:46,000 --> 00:04:49,000 The way they think of next. 117 00:04:49,000 --> 00:04:50,000 Yeah, really. 118 00:04:50,000 --> 00:04:51,000 Anyway. 119 00:04:51,000 --> 00:04:53,000 It was this great story. 120 00:04:53,000 --> 00:04:57,000 I have to go find it about Dick Cheney's penis. 121 00:04:57,000 --> 00:04:58,000 Oh, really? 122 00:04:58,000 --> 00:04:59,000 Yeah. 123 00:04:59,000 --> 00:05:02,000 It was really a story about Dick Cheney's penis. 124 00:05:02,000 --> 00:05:06,000 I think this is perfect podcast material to prove what we're on the right track here, 125 00:05:06,000 --> 00:05:08,000 changing the world. 126 00:05:08,000 --> 00:05:10,000 It's the man's head like a horse. 127 00:05:10,000 --> 00:05:11,000 No way. 128 00:05:11,000 --> 00:05:12,000 Yeah. 129 00:05:12,000 --> 00:05:13,000 Apparently. 130 00:05:13,000 --> 00:05:14,000 And. 131 00:05:14,000 --> 00:05:15,000 Boy. 132 00:05:15,000 --> 00:05:16,000 Boy. 133 00:05:16,000 --> 00:05:17,000 Boy. 134 00:05:17,000 --> 00:05:19,000 They had a picture of it to prove it. 135 00:05:19,000 --> 00:05:20,000 Oh. 136 00:05:20,000 --> 00:05:21,000 Yes. 137 00:05:21,000 --> 00:05:23,000 Some of that threw instant message. 138 00:05:23,000 --> 00:05:24,000 No. 139 00:05:24,000 --> 00:05:25,000 It's all serious. 140 00:05:25,000 --> 00:05:26,000 It was in the middle. 141 00:05:26,000 --> 00:05:27,000 They had it. 142 00:05:27,000 --> 00:05:28,000 It was really good. 143 00:05:28,000 --> 00:05:30,000 Down to are we recording this? 144 00:05:30,000 --> 00:05:31,000 Yeah. 145 00:05:31,000 --> 00:05:31,500 Of course. 146 00:05:31,500 --> 00:05:32,500 Great. 147 00:05:32,500 --> 00:05:33,500 Let's see. 148 00:05:33,500 --> 00:05:34,500 Hold on a second. 149 00:05:34,500 --> 00:05:35,500 So it's taken gotter. 150 00:05:35,500 --> 00:05:36,500 T.A. 151 00:05:36,500 --> 00:05:37,500 E.G.A. 152 00:05:37,500 --> 00:05:38,500 And. 153 00:05:38,500 --> 00:05:39,500 There it is. 154 00:05:39,500 --> 00:05:40,500 Okay. 155 00:05:40,500 --> 00:05:41,500 Oh. 156 00:05:41,500 --> 00:05:42,500 Boy. 157 00:05:42,500 --> 00:05:43,500 All right. 158 00:05:43,500 --> 00:05:45,500 The article is entitled Big Dick Cheney. 159 00:05:45,500 --> 00:05:46,500 Oh, wow. 160 00:05:46,500 --> 00:05:47,500 It's a new paper. 161 00:05:47,500 --> 00:05:50,500 I created a Dick Cheney editor with Scott Sampane. 162 00:05:50,500 --> 00:05:52,500 It's the top is causing quite a stir. 163 00:05:52,500 --> 00:05:54,500 The long magazine has seen. 164 00:05:54,500 --> 00:05:55,500 Let's just say. 165 00:05:55,500 --> 00:05:59,500 So snugged in the Chinese penis little little to the imagination. 166 00:06:00,500 --> 00:06:02,500 And we're not talking baseline. 167 00:06:02,500 --> 00:06:05,500 Unfortunately, you can't see the picture yourself. 168 00:06:05,500 --> 00:06:07,500 They're not reselling the photo. 169 00:06:07,500 --> 00:06:11,500 But it is at the public library if you live in Wisconsin. 170 00:06:11,500 --> 00:06:13,500 Are we better send on and drew down? 171 00:06:13,500 --> 00:06:14,500 Yeah. 172 00:06:14,500 --> 00:06:16,500 It's a Milwaukee Journal, basically. 173 00:06:16,500 --> 00:06:21,500 And apparently the guy's got a big one. 174 00:06:21,500 --> 00:06:24,500 Yeah. 175 00:06:24,500 --> 00:06:25,500 Okay. 176 00:06:25,500 --> 00:06:28,500 That was that thought pretty interesting. 177 00:06:29,500 --> 00:06:30,500 Whatever. 178 00:06:30,500 --> 00:06:31,500 You're not going to hear about that on BBC. 179 00:06:31,500 --> 00:06:32,500 No. 180 00:06:32,500 --> 00:06:33,500 I doubt you will. 181 00:06:33,500 --> 00:06:37,500 But hopefully they'll pick it up from the podcast and maybe catch on to that. 182 00:06:37,500 --> 00:06:39,500 And they got a humor over there in the UK. 183 00:06:39,500 --> 00:06:41,500 They talk about sex all the time. 184 00:06:41,500 --> 00:06:42,500 And all the TV shows. 185 00:06:42,500 --> 00:06:43,500 Yeah. 186 00:06:43,500 --> 00:06:44,500 They do more than America. 187 00:06:44,500 --> 00:06:45,500 America. 188 00:06:45,500 --> 00:06:46,500 Hold on. 189 00:06:46,500 --> 00:06:47,500 Now they say. 190 00:06:47,500 --> 00:06:48,500 Wait. 191 00:06:48,500 --> 00:06:49,500 You saying they don't talk about sex? 192 00:06:49,500 --> 00:06:51,500 Not a seven o'clock. 193 00:06:51,500 --> 00:06:53,500 We're on the wrong show, Dave. 194 00:06:53,500 --> 00:06:55,500 We clearly got the wrong show. 195 00:06:55,500 --> 00:06:57,500 We wanted the late night show. 196 00:06:57,500 --> 00:07:00,500 Actually, it was baseball dead. 197 00:07:00,500 --> 00:07:03,500 I don't know what. 198 00:07:03,500 --> 00:07:04,500 All right. 199 00:07:04,500 --> 00:07:09,500 I'm going to go into another tune here and show these guys some more. 200 00:07:09,500 --> 00:07:13,500 Actually, I'm going to do a play a tap dancing podcast or news piece. 201 00:07:13,500 --> 00:07:17,500 Is it usually where much still to the BBC people? 202 00:07:17,500 --> 00:07:20,500 Is that usually we much more serious than this? 203 00:07:20,500 --> 00:07:22,500 Well, we're pretty serious right now. 204 00:07:22,500 --> 00:07:23,500 Oh, that's true. 205 00:07:23,500 --> 00:07:24,500 I've been serious all. 206 00:07:24,500 --> 00:07:26,500 For the past five hours, they've been here. 207 00:07:26,500 --> 00:07:27,500 I've been deadly serious. 208 00:07:27,500 --> 00:07:29,500 Why are they taking so long? 209 00:07:29,500 --> 00:07:30,500 Because it's the BBC. 210 00:07:30,500 --> 00:07:31,500 You have no idea. 211 00:07:31,500 --> 00:07:35,500 They've got, I mean, they have producers and lighting people and sound. 212 00:07:35,500 --> 00:07:37,500 They even, Dave, they had tracks. 213 00:07:37,500 --> 00:07:40,500 They laid down tracks to move the camera. 214 00:07:40,500 --> 00:07:41,500 Like in a movie. 215 00:07:41,500 --> 00:07:43,500 I mean, these guys got money. 216 00:07:43,500 --> 00:07:44,500 They know how to produce television, man. 217 00:07:44,500 --> 00:07:46,500 They've got it all down. 218 00:07:46,500 --> 00:07:47,500 That's amazing. 219 00:07:47,500 --> 00:07:48,500 Yeah. 220 00:07:48,500 --> 00:07:50,500 You've been here for so far. 221 00:07:50,500 --> 00:07:51,500 You've been here for so far. 222 00:07:51,500 --> 00:07:52,500 Those nice BBC people. 223 00:07:52,500 --> 00:07:53,500 They need to do it. 224 00:07:53,500 --> 00:07:54,500 Oh, a second. 225 00:07:54,500 --> 00:07:55,500 Yeah. 226 00:07:55,500 --> 00:07:56,500 It's not mentioned this now. 227 00:07:56,500 --> 00:07:57,500 10, we're not here. 228 00:07:57,500 --> 00:07:58,500 And this is us. 229 00:07:58,500 --> 00:08:00,500 We're not even in the room. 230 00:08:00,500 --> 00:08:02,500 They want us to fake it, Dave. 231 00:08:02,500 --> 00:08:03,500 Yeah, we'll be kidding. 232 00:08:03,500 --> 00:08:04,500 I'll do it. 233 00:08:04,500 --> 00:08:05,500 I'll do it. 234 00:08:05,500 --> 00:08:07,500 You don't talk about Dick Cheney. 235 00:08:07,500 --> 00:08:09,500 What do you mean we don't talk about Dick Cheney? 236 00:08:09,500 --> 00:08:11,500 I mean, I mean, not the root stuff for me. 237 00:08:11,500 --> 00:08:12,500 I can't use it. 238 00:08:12,500 --> 00:08:13,500 Only I know. 239 00:08:13,500 --> 00:08:14,500 But that was just a, that's funny. 240 00:08:14,500 --> 00:08:15,500 But it's, I can't use it. 241 00:08:15,500 --> 00:08:17,500 They can't use the penis stuff, Dave. 242 00:08:18,500 --> 00:08:22,500 So I, I want as much chat from you in vision because we can see you. 243 00:08:22,500 --> 00:08:23,500 Right. 244 00:08:23,500 --> 00:08:24,500 That I've listened to before. 245 00:08:24,500 --> 00:08:25,500 Yeah. 246 00:08:25,500 --> 00:08:26,500 It's very good. 247 00:08:26,500 --> 00:08:27,500 And you're good at good broadcasting. 248 00:08:27,500 --> 00:08:28,500 So I just want to get some of that. 249 00:08:28,500 --> 00:08:32,500 And it's fun to have input down the phone. 250 00:08:32,500 --> 00:08:33,500 Like banter. 251 00:08:33,500 --> 00:08:34,500 Yeah. 252 00:08:34,500 --> 00:08:37,500 If it's, if it's lots and lots of chat from him, we can't see him. 253 00:08:37,500 --> 00:08:38,500 Gotcha. 254 00:08:38,500 --> 00:08:39,500 It's boring for the viewer. 255 00:08:39,500 --> 00:08:41,500 But we love you forever. 256 00:08:41,500 --> 00:08:42,500 You hear that, Dave? 257 00:08:42,500 --> 00:08:43,500 Yeah. 258 00:08:43,500 --> 00:08:44,500 I don't know what we got to do about this. 259 00:08:44,500 --> 00:08:46,500 This is a clash of the media here. 260 00:08:47,500 --> 00:08:48,500 Totally. 261 00:08:48,500 --> 00:08:50,500 Well, I was talking about your daughter. 262 00:08:50,500 --> 00:08:53,500 And about how, like, you know, did you get a chance to think about, 263 00:08:53,500 --> 00:08:55,500 you know, the whole bit. 264 00:08:55,500 --> 00:08:57,500 Maybe you didn't want to talk about this. 265 00:08:57,500 --> 00:08:58,500 I don't know. 266 00:08:58,500 --> 00:08:59,500 Well, I'll tell you what. 267 00:08:59,500 --> 00:09:00,500 I'll tell you what. 268 00:09:00,500 --> 00:09:01,500 I'm going to, I'm going to play a couple things. 269 00:09:01,500 --> 00:09:02,500 So at least they have what they want. 270 00:09:02,500 --> 00:09:03,500 So hold on a second. 271 00:09:03,500 --> 00:09:04,500 So they're with me. 272 00:09:04,500 --> 00:09:05,500 Bear with me. 273 00:09:05,500 --> 00:09:07,500 Because the one thing that we've been talking about, 274 00:09:07,500 --> 00:09:09,500 uh, on not only trade secrets, 275 00:09:09,500 --> 00:09:11,500 but on the daily source code as well, 276 00:09:11,500 --> 00:09:14,500 is about trying to get this one wonderful podcast 277 00:09:14,500 --> 00:09:17,500 who was out there who was bringing us her daily report. 278 00:09:17,500 --> 00:09:21,500 Well, actually, it's almost a daily report in a complete, 279 00:09:21,500 --> 00:09:24,500 new way of presenting the news. 280 00:09:24,500 --> 00:09:26,500 Do you know what I'm talking about here, Dave? 281 00:09:26,500 --> 00:09:27,500 I do. 282 00:09:27,500 --> 00:09:31,500 It's got to be the tap dance and podcast news. 283 00:09:31,500 --> 00:09:32,500 Check it out. 284 00:09:32,500 --> 00:09:34,500 Dallas, and then later, if that has died, 285 00:09:34,500 --> 00:09:36,500 or he is not of liver failure, 286 00:09:36,500 --> 00:09:39,500 a mysterious blood disease or a poisoning plot, 287 00:09:39,500 --> 00:09:40,500 like, Schrodinger's cat. 288 00:09:40,500 --> 00:09:42,500 He may be half dead and half alive. 289 00:09:43,500 --> 00:09:45,500 Hold on. This is the one where I got to provide the tap dancing for her. 290 00:09:45,500 --> 00:09:48,500 Invisitors fighting to take this place for nine. 291 00:09:48,500 --> 00:09:52,500 Lower the voters and back to our seeking therapy. 292 00:09:52,500 --> 00:09:55,500 Deep hypnosis because they're wearing and staring at walls 293 00:09:55,500 --> 00:09:56,500 when there's nothing to see. 294 00:09:56,500 --> 00:09:59,500 It's called post-delections lecture trauma. 295 00:09:59,500 --> 00:10:03,500 Suckers want to move to Canada or back home with Mama. 296 00:10:03,500 --> 00:10:07,500 And the Scott Peterson trial thing of yours 297 00:10:07,500 --> 00:10:10,500 has been dismissed for doing research on her own. 298 00:10:11,500 --> 00:10:13,500 If she was holding out for not guilty, 299 00:10:13,500 --> 00:10:15,500 there'll be a fewer, 300 00:10:15,500 --> 00:10:16,500 as Scott gets the tear. 301 00:10:16,500 --> 00:10:17,500 And Derek also says to her, 302 00:10:17,500 --> 00:10:20,500 he was blowing up this bulletin just in 303 00:10:20,500 --> 00:10:22,500 aircraft that's condition is worse. 304 00:10:22,500 --> 00:10:24,500 He's in a coma or he's eating 305 00:10:24,500 --> 00:10:26,500 or heading for Palestine in a hurry. 306 00:10:26,500 --> 00:10:27,500 Damn, this is an old one. 307 00:10:27,500 --> 00:10:28,500 He's already dead by now. 308 00:10:28,500 --> 00:10:30,500 We need an update on the podcasting tap dance 309 00:10:30,500 --> 00:10:31,500 or news, don't we? 310 00:10:34,500 --> 00:10:35,500 Am I on the air? 311 00:10:35,500 --> 00:10:36,500 Yeah, you're on the air now. 312 00:10:36,500 --> 00:10:37,500 Sure, absolutely. 313 00:10:37,500 --> 00:10:38,500 Come on in. 314 00:10:39,500 --> 00:10:41,500 I just want to tell this BBC guy is that 315 00:10:41,500 --> 00:10:42,500 I'm going to be on C-Spare. 316 00:10:42,500 --> 00:10:43,500 I don't know. 317 00:10:43,500 --> 00:10:44,500 I don't know. 318 00:10:44,500 --> 00:10:48,500 Maybe it's more letters than BBC, 319 00:10:48,500 --> 00:10:51,500 but I still think there's a big difference. 320 00:10:51,500 --> 00:10:54,500 They know Ariana Huffington. 321 00:10:54,500 --> 00:10:56,500 They know Ariana Huffington. 322 00:10:56,500 --> 00:10:57,500 I don't know. 323 00:10:57,500 --> 00:10:58,500 I don't know. 324 00:10:58,500 --> 00:11:00,500 I'm going to be on with... 325 00:11:00,500 --> 00:11:03,500 Maybe they know her as Ariana status. 326 00:11:03,500 --> 00:11:06,500 I'm not supposed to talk to them. 327 00:11:07,500 --> 00:11:09,500 They're not even there. 328 00:11:09,500 --> 00:11:11,500 No, there's no one here. 329 00:11:11,500 --> 00:11:12,500 There's no camera. 330 00:11:12,500 --> 00:11:13,500 There's no BBC. 331 00:11:13,500 --> 00:11:14,500 I don't see anything. 332 00:11:14,500 --> 00:11:15,500 I don't think. 333 00:11:17,500 --> 00:11:18,500 What? 334 00:11:18,500 --> 00:11:19,500 I'm not objecting. 335 00:11:19,500 --> 00:11:21,500 I'm not about to be someone. 336 00:11:21,500 --> 00:11:22,500 You know what? 337 00:11:22,500 --> 00:11:24,500 I am not a British stud. 338 00:11:24,500 --> 00:11:25,500 I'm not. 339 00:11:25,500 --> 00:11:26,500 I'm sorry. 340 00:11:30,500 --> 00:11:32,500 This is calling by the way Dave. 341 00:11:32,500 --> 00:11:33,500 Hi Dave. 342 00:11:33,500 --> 00:11:34,500 Hi Dave. 343 00:11:34,500 --> 00:11:35,500 Can you hear me? 344 00:11:36,500 --> 00:11:37,500 You're great. 345 00:11:37,500 --> 00:11:38,500 Good. 346 00:11:38,500 --> 00:11:44,500 I'm going to be borrowing Adam for about five minutes to do another intro to the show. 347 00:11:44,500 --> 00:11:47,500 And I want him to pretend that we're not even here. 348 00:11:47,500 --> 00:11:48,500 He's going to... 349 00:11:48,500 --> 00:11:49,500 Well, he says, 350 00:11:49,500 --> 00:11:50,500 Bumpy's Gums. 351 00:11:50,500 --> 00:11:54,500 I'm going to make that an international expression for talking. 352 00:11:54,500 --> 00:11:56,500 He's going to Bumpy's Gums about stuff. 353 00:11:56,500 --> 00:11:57,500 Nothing through the BBC. 354 00:11:57,500 --> 00:11:59,500 Nothing through the fact that we're here. 355 00:11:59,500 --> 00:12:03,500 That we can use as an introduction to his show and what he does. 356 00:12:04,500 --> 00:12:05,500 So we're going to go for that. 357 00:12:05,500 --> 00:12:06,500 Can I know? 358 00:12:06,500 --> 00:12:07,500 I don't really add him. 359 00:12:07,500 --> 00:12:08,500 So you hear that Dave? 360 00:12:08,500 --> 00:12:09,500 I'm being directed. 361 00:12:09,500 --> 00:12:11,500 It's entirely what you add him. 362 00:12:11,500 --> 00:12:12,500 Yeah. 363 00:12:14,500 --> 00:12:15,500 Yeah. 364 00:12:15,500 --> 00:12:17,500 I feel for you, my brother. 365 00:12:17,500 --> 00:12:18,500 Yeah. 366 00:12:18,500 --> 00:12:20,500 I understand what they want. 367 00:12:20,500 --> 00:12:21,500 Yeah. 368 00:12:21,500 --> 00:12:22,500 But it's exactly what it is. 369 00:12:22,500 --> 00:12:24,500 The thing is that it's no problem at all. 370 00:12:24,500 --> 00:12:27,500 But it's exactly counter to what podcasting is, of course. 371 00:12:27,500 --> 00:12:28,500 Yeah. 372 00:12:28,500 --> 00:12:29,500 But that's OK. 373 00:12:29,500 --> 00:12:32,500 So I'm going to give them a nice little... 374 00:12:32,500 --> 00:12:35,500 A nice little demonstration. 375 00:12:35,500 --> 00:12:36,500 Hold on. 376 00:12:36,500 --> 00:12:39,500 I'm going to get my stuff set up here. 377 00:12:39,500 --> 00:12:41,500 OK. 378 00:12:41,500 --> 00:12:43,500 I'll call you back in five minutes, Dave. 379 00:12:43,500 --> 00:12:44,500 OK. 380 00:12:44,500 --> 00:12:45,500 All right. 381 00:12:45,500 --> 00:12:46,500 Let's see. 382 00:12:46,500 --> 00:12:50,500 So I don't want to make this two-stock term. 383 00:12:50,500 --> 00:12:51,500 The bell. 384 00:12:51,500 --> 00:12:52,500 Let's go. 385 00:12:52,500 --> 00:12:53,500 All right. 386 00:12:53,500 --> 00:12:55,500 So how often do you post costs? 387 00:12:55,500 --> 00:12:57,500 I do it five days a week. 388 00:12:57,500 --> 00:12:59,500 I just do it every single day. 389 00:12:59,500 --> 00:13:01,500 But then I got a real trouble with my two girls. 390 00:13:01,500 --> 00:13:03,500 My wife and my daughter. 391 00:13:03,500 --> 00:13:06,500 And I said, well, can we like have no podcasting on the weekend? 392 00:13:06,500 --> 00:13:07,500 So... 393 00:13:07,500 --> 00:13:08,500 But this is it. 394 00:13:08,500 --> 00:13:10,500 This is... 395 00:13:10,500 --> 00:13:15,500 Well, this is actually my office when we bought the castle. 396 00:13:15,500 --> 00:13:16,500 Well, yeah. 397 00:13:16,500 --> 00:13:17,500 It's a bar. 398 00:13:17,500 --> 00:13:18,500 So it's actually... 399 00:13:18,500 --> 00:13:20,500 You know what's so great about it? 400 00:13:20,500 --> 00:13:21,500 The height is perfect. 401 00:13:21,500 --> 00:13:23,500 So you're not that small either. 402 00:13:23,500 --> 00:13:26,500 But the height is perfect to put the laptop right up here. 403 00:13:26,500 --> 00:13:27,500 I've got everything in front of me. 404 00:13:27,500 --> 00:13:29,500 This is the beauty about podcasting. 405 00:13:29,500 --> 00:13:32,500 We basically have all this stuff on our computers. 406 00:13:32,500 --> 00:13:35,500 So here you see a little microphone processor. 407 00:13:35,500 --> 00:13:36,500 No. 408 00:13:36,500 --> 00:13:37,500 You're being from radio. 409 00:13:37,500 --> 00:13:39,500 You recognize some of the things, right? 410 00:13:39,500 --> 00:13:42,500 There's a little meter that's registering. 411 00:13:42,500 --> 00:13:46,500 And really what's fun is it's all being recorded on this little device here. 412 00:13:46,500 --> 00:13:47,500 Okay. 413 00:13:47,500 --> 00:13:48,500 How... 414 00:13:48,500 --> 00:13:49,500 Okay. 415 00:13:49,500 --> 00:13:50,500 You've got a power book here. 416 00:13:50,500 --> 00:13:51,500 Yeah. 417 00:13:51,500 --> 00:13:52,500 Yeah. 418 00:13:52,500 --> 00:13:53,500 What was the market then? 419 00:13:53,500 --> 00:13:54,500 Okay. 420 00:13:54,500 --> 00:13:56,500 Well, now, of course, I'm a rich podcaster. 421 00:13:56,500 --> 00:13:58,500 So I got a little wireless. 422 00:13:58,500 --> 00:14:00,500 That's my very much like the ones you use. 423 00:14:00,500 --> 00:14:01,500 So here's your microphone. 424 00:14:01,500 --> 00:14:02,500 There's my microphone. 425 00:14:02,500 --> 00:14:04,500 What about pulpy for wadding me? 426 00:14:04,500 --> 00:14:07,500 Oh, well, four people talking to the microphone here. 427 00:14:07,500 --> 00:14:09,500 There's a microphone built in. 428 00:14:09,500 --> 00:14:12,500 Or actually, you know, for like 20, 20 euros, 429 00:14:12,500 --> 00:14:14,500 you can buy one of these microphones, which is just that. 430 00:14:14,500 --> 00:14:15,500 There you go. 431 00:14:15,500 --> 00:14:16,500 How many pounds? 432 00:14:16,500 --> 00:14:17,500 About 12, 15 pounds. 433 00:14:17,500 --> 00:14:18,500 Yeah, something like that. 434 00:14:18,500 --> 00:14:22,500 It's just a USB microphone that you can plug right into into your computer. 435 00:14:22,500 --> 00:14:23,500 Right. 436 00:14:23,500 --> 00:14:24,500 And that's really all you need. 437 00:14:24,500 --> 00:14:25,500 All the recording stuff. 438 00:14:25,500 --> 00:14:27,500 You can record directly onto your computer. 439 00:14:27,500 --> 00:14:28,500 Where for that? 440 00:14:28,500 --> 00:14:29,500 Okay. 441 00:14:29,500 --> 00:14:33,500 Personally, I like, this is all, this is like a 70 pounds external MP3 recorder. 442 00:14:33,500 --> 00:14:35,500 I plug it right into the headphones jack. 443 00:14:35,500 --> 00:14:36,500 Okay. 444 00:14:36,500 --> 00:14:38,500 So you're sitting here and you're just talking about whatever the help 445 00:14:38,500 --> 00:14:39,500 puts into your head. 446 00:14:39,500 --> 00:14:41,500 Well, so what would I do first? 447 00:14:41,500 --> 00:14:42,500 Hold on a second. 448 00:14:42,500 --> 00:14:43,500 I get my monitoring system here. 449 00:14:43,500 --> 00:14:45,500 I get my headphones. 450 00:14:45,500 --> 00:14:47,500 I want to start off the show. 451 00:14:47,500 --> 00:14:49,500 So I've got my opening here. 452 00:14:49,500 --> 00:14:53,500 My opening theme song, which is by Rachmaninoff. 453 00:14:53,500 --> 00:14:56,500 And I cue a sweeper over that. 454 00:14:56,500 --> 00:14:58,500 So I show you how that's done. 455 00:14:58,500 --> 00:15:01,500 So basically, it's all in the fingers now. 456 00:15:01,500 --> 00:15:02,500 Pay attention, Zeener. 457 00:15:02,500 --> 00:15:04,500 This is podcasting 101. 458 00:15:04,500 --> 00:15:06,500 So I hit the space bar. 459 00:15:06,500 --> 00:15:07,500 That starts to play. 460 00:15:07,500 --> 00:15:08,500 Then I hit the sweeper. 461 00:15:08,500 --> 00:15:12,500 And so basically, I welcome everybody here. 462 00:15:12,500 --> 00:15:13,500 So daily source code. 463 00:15:13,500 --> 00:15:15,500 This is for Friday. 464 00:15:15,500 --> 00:15:18,500 And here with the lovely Zeener Warrior Princess. 465 00:15:18,500 --> 00:15:19,500 From the... 466 00:15:19,500 --> 00:15:20,500 That's original. 467 00:15:20,500 --> 00:15:22,500 You've never heard that one. 468 00:15:22,500 --> 00:15:28,500 You don't even spell it the same way. 469 00:15:28,500 --> 00:15:31,500 So basically, when I start off the show, 470 00:15:31,500 --> 00:15:34,500 I'm just using the keyboard for volume controls. 471 00:15:34,500 --> 00:15:38,500 Whereas in a radio studio, you probably have a sliding fader to... 472 00:15:38,500 --> 00:15:40,500 The first that we put costing now. 473 00:15:40,500 --> 00:15:41,500 So you're a podcast. 474 00:15:41,500 --> 00:15:42,500 And you're a podcast. 475 00:15:42,500 --> 00:15:43,500 And you're a podcast. 476 00:15:43,500 --> 00:15:44,500 50,000 more or less. 477 00:15:44,500 --> 00:15:46,500 So what's costing to 50,000? 478 00:15:46,500 --> 00:15:47,500 At least. 479 00:15:47,500 --> 00:15:48,500 Yeah, sure. 480 00:15:48,500 --> 00:15:49,500 At least. 481 00:15:49,500 --> 00:15:51,500 And look at how easy it is. 482 00:15:51,500 --> 00:15:52,500 It's completely simple. 483 00:15:52,500 --> 00:15:54,500 So yeah, what I do is... 484 00:15:54,500 --> 00:15:57,500 I usually have a list here of stuff that I want to talk about. 485 00:15:57,500 --> 00:15:59,500 And I talk about other podcasts. 486 00:15:59,500 --> 00:16:03,500 But the great thing about this wireless microphone is that if I want, 487 00:16:03,500 --> 00:16:05,500 you know, this I do this all the time. 488 00:16:05,500 --> 00:16:06,500 We'll just... 489 00:16:06,500 --> 00:16:08,500 Step outside, you know. 490 00:16:08,500 --> 00:16:09,500 And we'll... 491 00:16:09,500 --> 00:16:10,500 Well, now it's dark, of course. 492 00:16:10,500 --> 00:16:11,500 But... 493 00:16:11,500 --> 00:16:14,500 And it takes you outside of the whole idea of a studio. 494 00:16:14,500 --> 00:16:15,500 And sometimes I just come out here and say, 495 00:16:15,500 --> 00:16:18,500 let's just listen to the Belgian air for a moment. 496 00:16:19,500 --> 00:16:20,500 And you hear the fountain in the background. 497 00:16:20,500 --> 00:16:21,500 I can hear the fountain in the background. 498 00:16:21,500 --> 00:16:23,500 And it's really tranquil. 499 00:16:23,500 --> 00:16:26,500 And then it's time to go play something to music. 500 00:16:26,500 --> 00:16:27,500 But that... 501 00:16:27,500 --> 00:16:28,500 But it can really... 502 00:16:28,500 --> 00:16:29,500 Literally be... 503 00:16:29,500 --> 00:16:30,500 Anyway, you like it. 504 00:16:30,500 --> 00:16:31,500 Yeah, whatever you want to do. 505 00:16:31,500 --> 00:16:33,500 I mean, I've done this while flying. 506 00:16:33,500 --> 00:16:35,500 I've done it while in my car. 507 00:16:35,500 --> 00:16:38,500 And see what I do here is... 508 00:16:38,500 --> 00:16:39,500 I remember I was... 509 00:16:39,500 --> 00:16:43,500 I was telling you about music, about music, 510 00:16:43,500 --> 00:16:46,500 that we're allowed to play in our podcasts. 511 00:16:46,500 --> 00:16:48,500 So something that people are playing a lot of right now, 512 00:16:48,500 --> 00:16:50,500 is this guy named Brad Sox. 513 00:16:50,500 --> 00:16:52,500 He's... he calls himself the one... 514 00:16:52,500 --> 00:16:54,500 the one man banned with no fans. 515 00:16:54,500 --> 00:16:55,500 Which, of course, is funny, because he has lots of... 516 00:16:55,500 --> 00:16:57,500 But he makes this all by himself on his computer. 517 00:16:57,500 --> 00:16:58,500 Yeah. 518 00:16:58,500 --> 00:17:01,500 And so, you know, while we screw around here a little bit more, 519 00:17:01,500 --> 00:17:03,500 we'll listen to a dirt bag. 520 00:17:03,500 --> 00:17:07,500 Brad Sox on the special BBC edition of the Daily Source Code. 521 00:17:08,750 --> 00:20:36,500 [ Music ] 522 00:20:36,500 --> 00:20:47,500 So, there's George Abbott School, which is where we really wanted to go, which is convenient. 523 00:20:47,500 --> 00:20:48,500 Yeah. 524 00:20:48,500 --> 00:20:49,500 Yeah. 525 00:20:49,500 --> 00:20:52,500 I mean, if it comes down to it, private school. 526 00:20:52,500 --> 00:20:53,500 Yeah. 527 00:20:53,500 --> 00:20:54,500 Okay. 528 00:20:54,500 --> 00:20:55,500 But it's on. 529 00:20:55,500 --> 00:20:57,500 It's on the U.K. public school, private school. 530 00:20:57,500 --> 00:20:58,500 Yeah. 531 00:20:58,500 --> 00:20:59,500 It's the other way around, right? 532 00:20:59,500 --> 00:21:00,500 Yeah, I know. 533 00:21:00,500 --> 00:21:01,500 Well, the same thing. 534 00:21:01,500 --> 00:21:02,500 Public school is the same. 535 00:21:02,500 --> 00:21:03,500 It's the perfect school. 536 00:21:03,500 --> 00:21:04,500 Right. 537 00:21:04,500 --> 00:21:05,500 It's Comprehensive. 538 00:21:05,500 --> 00:21:06,500 Comprehensive. 539 00:21:06,500 --> 00:21:07,500 Comprehensive. 540 00:21:07,500 --> 00:21:08,500 So, what? 541 00:21:08,500 --> 00:21:11,500 So, are we in America or hear a call of public schools? 542 00:21:11,500 --> 00:21:12,500 Public schools. 543 00:21:12,500 --> 00:21:13,500 Comprehensive. 544 00:21:13,500 --> 00:21:14,500 Yeah. 545 00:21:14,500 --> 00:21:15,500 But any of them private schools? 546 00:21:15,500 --> 00:21:16,500 Yeah. 547 00:21:16,500 --> 00:21:17,500 Public schools. 548 00:21:17,500 --> 00:21:18,500 Right. 549 00:21:18,500 --> 00:21:19,500 Okay. 550 00:21:19,500 --> 00:21:21,500 So, a public school, a big, a public schools. 551 00:21:21,500 --> 00:21:23,500 More famous ones are eaten. 552 00:21:23,500 --> 00:21:24,500 Right. 553 00:21:24,500 --> 00:21:25,500 Okay. 554 00:21:25,500 --> 00:21:26,500 Okay. 555 00:21:26,500 --> 00:21:27,500 Okay. 556 00:21:27,500 --> 00:21:29,500 So, I guess this would be comprehensive, because... 557 00:21:29,500 --> 00:21:30,500 It's the regular school. 558 00:21:30,500 --> 00:21:32,500 There's three good schools right in the neighborhood. 559 00:21:32,500 --> 00:21:33,500 Right. 560 00:21:33,500 --> 00:21:34,500 Schools. 561 00:21:34,500 --> 00:21:35,500 Yeah. 562 00:21:35,500 --> 00:21:36,500 But getting her in is... 563 00:21:36,500 --> 00:21:39,500 Here in Holland is like, you know, well, we're filled up. 564 00:21:39,500 --> 00:21:40,500 But, oh. 565 00:21:40,500 --> 00:21:42,500 Oh, Mr. Curry, Mr. Ms. Patricia. 566 00:21:42,500 --> 00:21:43,500 Yes. 567 00:21:43,500 --> 00:21:44,500 Well, no problem. 568 00:21:44,500 --> 00:21:45,500 We'll hook you up there. 569 00:21:45,500 --> 00:21:46,500 No one knows me. 570 00:21:46,500 --> 00:21:47,500 No one knows me. 571 00:21:47,500 --> 00:21:48,500 No one knows me. 572 00:21:48,500 --> 00:21:49,500 No one knows me. 573 00:21:49,500 --> 00:21:50,500 No one knows me. 574 00:21:50,500 --> 00:21:51,500 No clue. 575 00:21:51,500 --> 00:21:52,500 Zero. 576 00:21:52,500 --> 00:21:54,500 I have no reputation there. 577 00:21:54,500 --> 00:21:55,500 Even if I had it, I don't think I would make any difference. 578 00:21:55,500 --> 00:21:56,500 So, we just got to figure that out. 579 00:21:56,500 --> 00:21:58,500 But there's lots of really good schools in that area. 580 00:21:58,500 --> 00:22:00,500 It's a nice part of the country. 581 00:22:00,500 --> 00:22:01,500 Yeah. 582 00:22:01,500 --> 00:22:02,500 Totally, totally vibrant. 583 00:22:02,500 --> 00:22:03,500 I'm going. 584 00:22:03,500 --> 00:22:04,500 I'm so ready. 585 00:22:04,500 --> 00:22:07,500 Now, I've got to figure out this driving on the left hand side thing. 586 00:22:07,500 --> 00:22:08,500 But... 587 00:22:08,500 --> 00:22:09,500 I can do it. 588 00:22:09,500 --> 00:22:10,500 Yeah. 589 00:22:10,500 --> 00:22:11,500 Yeah. 590 00:22:11,500 --> 00:22:13,500 And... 591 00:22:13,500 --> 00:22:15,500 It's funny money you got. 592 00:22:15,500 --> 00:22:17,500 We've got funny money that I work on. 593 00:22:17,500 --> 00:22:18,500 Funny ways we're talking. 594 00:22:18,500 --> 00:22:19,500 No, I like that. 595 00:22:19,500 --> 00:22:20,500 The danger is... 596 00:22:20,500 --> 00:22:21,500 This is the difference. 597 00:22:21,500 --> 00:22:23,500 If you travel 45 miles... 598 00:22:23,500 --> 00:22:24,500 Oh, yeah. 599 00:22:24,500 --> 00:22:26,500 You can completely change the experience. 600 00:22:26,500 --> 00:22:27,500 Sure. 601 00:22:27,500 --> 00:22:30,500 The danger that I always find, particularly being American... 602 00:22:30,500 --> 00:22:36,500 Lots of English friends, is that before too long you slip into doing kind of like this 603 00:22:36,500 --> 00:22:38,500 fucked up Madonna accent and then... 604 00:22:38,500 --> 00:22:39,500 And I'm... 605 00:22:39,500 --> 00:22:40,500 And you don't do it on purpose. 606 00:22:40,500 --> 00:22:41,500 You know, you just... 607 00:22:41,500 --> 00:22:43,500 It just kind of assumed these... 608 00:22:43,500 --> 00:22:44,500 Hello love. 609 00:22:44,500 --> 00:22:45,500 And you say that. 610 00:22:45,500 --> 00:22:46,500 And I know that the English people are going like, 611 00:22:46,500 --> 00:22:48,500 She should be American shut up. 612 00:22:48,500 --> 00:22:49,500 You know? 613 00:22:49,500 --> 00:22:50,500 She should be saying bullets. 614 00:22:50,500 --> 00:22:51,500 There's Madonna say bullets. 615 00:22:51,500 --> 00:22:52,500 Yes, she does. 616 00:22:52,500 --> 00:22:54,500 Now, she should be kicking the ballics for doing that. 617 00:22:54,500 --> 00:22:56,500 I don't think it's possible. 618 00:22:56,500 --> 00:22:57,500 You know, it should be flatter. 619 00:22:57,500 --> 00:22:59,500 But I know that it irritates. 620 00:22:59,500 --> 00:23:00,500 And so... 621 00:23:00,500 --> 00:23:02,500 And I'm really worried about that because I know what happens. 622 00:23:02,500 --> 00:23:03,500 Yeah, I'm a sponge. 623 00:23:03,500 --> 00:23:04,500 I soak it up and I start... 624 00:23:04,500 --> 00:23:05,500 And it starts with a few words. 625 00:23:05,500 --> 00:23:09,500 Before I come from it, it's the Shina Eastern factor. 626 00:23:09,500 --> 00:23:12,500 Shina Eastern is from Glasgow. 627 00:23:12,500 --> 00:23:13,500 Yeah. 628 00:23:13,500 --> 00:23:14,500 Gold love the woman. 629 00:23:14,500 --> 00:23:16,500 But, you know, where she starts... 630 00:23:16,500 --> 00:23:18,500 That may be the only person who loves her. 631 00:23:18,500 --> 00:23:19,500 Yeah. 632 00:23:19,500 --> 00:23:21,500 But now she's like... 633 00:23:21,500 --> 00:23:23,500 So many Atlantic skin. 634 00:23:23,500 --> 00:23:24,500 Right. 635 00:23:24,500 --> 00:23:25,500 Well, it's like listening to Tina Turner. 636 00:23:25,500 --> 00:23:26,500 From it's conversely. 637 00:23:26,500 --> 00:23:29,500 Tina Turner is any may-ballock from, you know, from the south. 638 00:23:29,500 --> 00:23:30,500 And he or going... 639 00:23:30,500 --> 00:23:31,500 Edward, no. 640 00:23:31,500 --> 00:23:33,500 I would like to do dedicated song, you know. 641 00:23:33,500 --> 00:23:34,500 I know. 642 00:23:34,500 --> 00:23:36,500 Where the hell is this island thing come from, Tina? 643 00:23:36,500 --> 00:23:37,500 Yeah. 644 00:23:37,500 --> 00:23:38,500 She's so kind of like... 645 00:23:38,500 --> 00:23:40,500 She's the Swiss. 646 00:23:40,500 --> 00:23:41,500 She's the Swiss. 647 00:23:41,500 --> 00:23:42,500 She's the Swiss. 648 00:23:42,500 --> 00:23:43,500 Exactly. 649 00:23:43,500 --> 00:23:44,500 She's the Swiss. 650 00:23:44,500 --> 00:23:45,500 She's the Swiss. 651 00:23:45,500 --> 00:23:46,500 She's the Swiss. 652 00:23:46,500 --> 00:23:47,500 She's the Swiss. 653 00:23:47,500 --> 00:23:48,500 Exactly. 654 00:23:48,500 --> 00:23:49,500 She's the Swiss. 655 00:23:49,500 --> 00:23:50,500 Mm-hmm. 656 00:23:50,500 --> 00:23:53,500 Well, she lives with her men, her German husband, her boyfriend. 657 00:23:53,500 --> 00:23:54,500 Yeah. 658 00:23:54,500 --> 00:23:56,500 What's the name of the boy in the guy? 659 00:23:56,500 --> 00:23:57,500 She actually has it. 660 00:23:57,500 --> 00:23:59,500 You know, they all have this little set. 661 00:23:59,500 --> 00:24:01,500 And they all drink sweet and clear. 662 00:24:01,500 --> 00:24:02,500 It's podcasting. 663 00:24:02,500 --> 00:24:04,500 All's live. 664 00:24:04,500 --> 00:24:05,500 Adam Curry.