1 00:00:00,000 --> 00:00:04,000 Koji is folks wide. It's so time. 2 00:00:04,000 --> 00:00:06,000 That is curry. 3 00:00:06,000 --> 00:00:08,000 The power of the door. 4 00:00:10,000 --> 00:00:12,000 Yeah. 5 00:00:12,000 --> 00:00:14,000 How did everybody welcome to the Daily Source code? 6 00:00:14,000 --> 00:00:16,000 It's Wednesday. 7 00:00:16,000 --> 00:00:18,000 November 24th, 2004. 8 00:00:18,000 --> 00:00:20,000 Coming to you from Curry Cottage in the United Kingdom. 9 00:00:20,000 --> 00:00:22,000 This is the Daily Source code. 10 00:00:22,000 --> 00:00:24,000 It's hard to say that. 11 00:00:24,000 --> 00:00:26,000 Good morning. Good evening. Good afternoon. 12 00:00:26,000 --> 00:00:28,000 Good evening. 13 00:00:30,000 --> 00:00:32,000 I've got a grit, you know. 14 00:00:32,000 --> 00:00:34,000 Someone called me the It's all going to podcast me out of the day. 15 00:00:34,000 --> 00:00:36,000 So I guess it's fair for me to say. 16 00:00:36,000 --> 00:00:38,000 We've got a really great shoe for everybody. 17 00:00:38,000 --> 00:00:40,000 It's all going to ever say it ever. 18 00:00:40,000 --> 00:00:42,000 I wonder if it's the ever. 19 00:00:42,000 --> 00:00:44,000 Oh man. 20 00:00:44,000 --> 00:00:46,000 Still no bandwidth to speak of. 21 00:00:46,000 --> 00:00:50,000 Looks like that's going to be another seven days from this moment on. 22 00:00:50,000 --> 00:00:54,000 Although my phone line now has officially been verified. 23 00:00:54,000 --> 00:00:56,000 So we're no longer on the professional thing. 24 00:00:56,000 --> 00:00:58,000 We're official, which means. 25 00:00:58,000 --> 00:01:02,000 Eventually we're going to get build for having a 26 00:01:02,000 --> 00:01:04,000 A diet of connection open for 23 hours of the day. 27 00:01:04,000 --> 00:01:06,000 Now we're on the door. 28 00:01:08,000 --> 00:01:10,000 We've got a couple of things lined up for you today, 29 00:01:10,000 --> 00:01:12,000 which I think are kind of cool. 30 00:01:12,000 --> 00:01:16,000 We've got some non-RIA music for you. 31 00:01:16,000 --> 00:01:20,000 Which actually comes from the cottage itself. 32 00:01:20,000 --> 00:01:22,000 So talk about that later on. 33 00:01:22,000 --> 00:01:24,000 Got a couple of comments. 34 00:01:24,000 --> 00:01:26,000 Come on, the net. 35 00:01:26,000 --> 00:01:30,000 Oh, and tonight. 36 00:01:30,000 --> 00:01:32,000 At least it's tonight here. 37 00:01:32,000 --> 00:01:34,000 It's 1026 p.m. 38 00:01:34,000 --> 00:01:36,000 We're going to get Patricia in here to talk about. 39 00:01:36,000 --> 00:01:38,000 Well, another one of Patricia's hippie stories. 40 00:01:38,000 --> 00:01:40,000 Actually, I don't think it's a hippie story. 41 00:01:40,000 --> 00:01:42,000 Actually, we were even married. 42 00:01:42,000 --> 00:01:48,000 I think when this particular instance occurred. 43 00:01:48,000 --> 00:01:52,000 Which should be talking about on today's source code. 44 00:01:52,000 --> 00:01:54,000 Something that I've teased before. 45 00:01:54,000 --> 00:01:58,000 It is a her story about Stevie Nix. 46 00:02:00,000 --> 00:02:02,000 So, I'm going to break the rules for just a second here, 47 00:02:02,000 --> 00:02:04,000 while we get into the mood. 48 00:02:04,000 --> 00:02:06,000 A lot of little bit of feet would make. 49 00:02:06,000 --> 00:02:08,000 Did you learn so bad? 50 00:02:08,750 --> 00:05:36,250 [ Music ] 51 00:05:39,720 --> 00:05:41,680 I thought there's going to be the full version. 52 00:05:41,680 --> 00:05:46,480 It's like the single version, three minutes, forty-six seconds. 53 00:05:46,480 --> 00:05:47,480 Damn. 54 00:05:47,480 --> 00:05:48,480 Did you love so bad? 55 00:05:48,480 --> 00:05:54,040 Fleetwood Mac on your daily source code for Wednesday, November 24th, 2004. 56 00:05:54,040 --> 00:05:57,520 Oh man, so much stuff happening today. 57 00:05:57,520 --> 00:06:01,280 There were some actually a friend of ours, was in the neighborhood you called up 58 00:06:01,280 --> 00:06:02,280 today. 59 00:06:02,280 --> 00:06:08,440 I'm visiting someone else in the neighborhood, had some tea with them, Patricia and I went 60 00:06:08,440 --> 00:06:09,440 out. 61 00:06:09,440 --> 00:06:10,440 Oh man. 62 00:06:10,440 --> 00:06:11,440 What do we do? 63 00:06:11,440 --> 00:06:24,000 We got all kinds of trash, waste baskets, dog food bowls, we had some grocery shopping 64 00:06:24,000 --> 00:06:30,600 and I'm still totally tripping from the flueberg, although it's much better, I had a sweaty 65 00:06:30,600 --> 00:06:38,880 ass night, literally a sweaty ass night, not good and Patricia just put a clean sheets on 66 00:06:38,880 --> 00:06:39,880 the bed too. 67 00:06:39,880 --> 00:06:46,000 Okay, so let me get Patricia, I'm going to turn on the roving mic here, I'll know 68 00:06:46,000 --> 00:06:47,000 what to say. 69 00:06:47,000 --> 00:06:48,000 On? 70 00:06:48,000 --> 00:06:53,600 It's a big advantage of smaller dwellings, there's even here each other when you call 71 00:06:53,600 --> 00:06:54,600 on. 72 00:06:54,600 --> 00:06:55,600 Huh? 73 00:06:55,600 --> 00:06:59,040 Are you there? 74 00:06:59,040 --> 00:07:00,440 Showtime baby. 75 00:07:00,440 --> 00:07:03,240 Come on, we're on the air. 76 00:07:03,240 --> 00:07:06,800 Yeah, come on up. 77 00:07:06,800 --> 00:07:12,320 I have a mic just for you, it's like really professional. 78 00:07:12,320 --> 00:07:20,160 We should take a picture of this right now, that's horrible. 79 00:07:20,160 --> 00:07:26,440 Yes, of course, he is sitting chair, this is like the guest chair, so it's like the 80 00:07:26,440 --> 00:07:27,440 tonight's show. 81 00:07:27,440 --> 00:07:29,920 Can I just put the microphone on you? 82 00:07:29,920 --> 00:07:30,920 Yep. 83 00:07:30,920 --> 00:07:32,920 Who do I say tonight? 84 00:07:33,000 --> 00:07:33,920 Show. 85 00:07:33,920 --> 00:07:38,920 Let's make sure I can hear you. 86 00:07:38,920 --> 00:07:39,920 Hello? 87 00:07:39,920 --> 00:07:40,920 Hello. 88 00:07:40,920 --> 00:07:43,480 Okay, let me turn you up just a little bit there, let's say. 89 00:07:43,480 --> 00:07:50,320 Okay, so I actually just played the flueberg mic, you do your love so bad. 90 00:07:50,320 --> 00:07:58,760 First of all, what do you think about the United Kingdom, but living here? 91 00:07:58,760 --> 00:08:09,000 Well, so far, I think if I compare it to Holland, I think a lot of Americans think 92 00:08:09,000 --> 00:08:16,000 that Dutch people are so nice, don't you think so and so friendly and we always look like 93 00:08:16,000 --> 00:08:17,000 yeah? 94 00:08:17,000 --> 00:08:19,840 Well, that's because they're confused with Scandinavians. 95 00:08:19,840 --> 00:08:20,840 I think so. 96 00:08:20,840 --> 00:08:21,840 Yeah, or German. 97 00:08:21,840 --> 00:08:25,040 Well, actually, it's the higher up you go the nicer they get when I think they say. 98 00:08:25,040 --> 00:08:28,280 Yeah, Swedes are really nice, and we're dealing with you talking. 99 00:08:28,280 --> 00:08:29,280 Well, it's Dutch. 100 00:08:29,280 --> 00:08:30,280 Oh, he said Dutch now. 101 00:08:30,280 --> 00:08:31,280 No, it's Dutch. 102 00:08:31,280 --> 00:08:32,280 Oh, Holland days. 103 00:08:32,280 --> 00:08:33,280 Oh, yeah. 104 00:08:33,280 --> 00:08:34,280 That's probably confused. 105 00:08:34,280 --> 00:08:37,280 It's the Holland days sauce from Holland? 106 00:08:37,280 --> 00:08:38,280 Yeah, yeah, yeah. 107 00:08:38,280 --> 00:08:39,280 Is it? 108 00:08:39,280 --> 00:08:43,280 But it's so far because we haven't been out a lot. 109 00:08:43,280 --> 00:08:44,280 No, no. 110 00:08:44,280 --> 00:08:45,280 No, because we're unpacking. 111 00:08:45,280 --> 00:08:46,280 Yeah, we've been out. 112 00:08:46,280 --> 00:08:53,280 Between boxes and boxes, we dream of boxes and everybody who moved knows that it's a pain 113 00:08:53,280 --> 00:08:54,280 in the air. 114 00:08:54,280 --> 00:08:55,280 Yeah. 115 00:08:55,280 --> 00:08:56,280 Well, especially international moves. 116 00:08:56,280 --> 00:08:57,280 It's time you're unaware. 117 00:08:57,280 --> 00:08:59,280 You don't know which box it is. 118 00:08:59,280 --> 00:09:00,280 Yeah. 119 00:09:00,280 --> 00:09:04,280 You can't read the things as on it, you know, written by the movers. 120 00:09:04,280 --> 00:09:09,280 See, people just don't understand how horrible that is, particularly for you. 121 00:09:09,280 --> 00:09:10,280 Yeah. 122 00:09:10,280 --> 00:09:12,280 Well, particularly, I think for you. 123 00:09:12,280 --> 00:09:16,280 Yeah, but that's your, you're, you're, you're working very, very organized. 124 00:09:16,280 --> 00:09:17,280 Yeah. 125 00:09:17,280 --> 00:09:18,280 I'm organized. 126 00:09:18,280 --> 00:09:20,280 I am a perfectionist. 127 00:09:20,280 --> 00:09:22,280 I have to say. 128 00:09:22,280 --> 00:09:25,280 And you look lovely in that outfit. 129 00:09:26,280 --> 00:09:27,280 Thank you. 130 00:09:27,280 --> 00:09:36,280 And so it's so hard to sit between all those boxes and, and, can't, it's just not, it doesn't look good. 131 00:09:36,280 --> 00:09:38,280 I, on the other hand, feel right at home. 132 00:09:38,280 --> 00:09:41,280 And we have to say, and they know that we're coming from a castle. 133 00:09:41,280 --> 00:09:42,280 Yeah. 134 00:09:42,280 --> 00:09:44,280 And we try to put the castle in the house. 135 00:09:44,280 --> 00:09:45,280 In the house. 136 00:09:45,280 --> 00:09:46,280 Very difficult. 137 00:09:46,280 --> 00:09:47,280 That's hard. 138 00:09:47,280 --> 00:09:49,280 You know, you can do that. 139 00:09:49,280 --> 00:09:50,280 To say the least. 140 00:09:50,280 --> 00:09:54,280 So what we're going to do is sort of a charity. 141 00:09:54,280 --> 00:09:56,280 We're going to look it up in the yellow pages. 142 00:09:56,280 --> 00:09:57,280 Yeah. 143 00:09:57,280 --> 00:10:00,280 And see if we can, you know, we have to give things away. 144 00:10:00,280 --> 00:10:01,280 Yeah. 145 00:10:01,280 --> 00:10:03,280 Because I was just talking to a friend. 146 00:10:03,280 --> 00:10:11,280 I said, isn't it strange that if you go, say, on vacation or you go in for a weekend, you take one bag. 147 00:10:11,280 --> 00:10:13,280 You have your, you know, your stuff in there. 148 00:10:13,280 --> 00:10:17,280 Your t-shirts and your jeans and, and sort of, and a toilet bag. 149 00:10:17,280 --> 00:10:18,280 And that's it. 150 00:10:18,280 --> 00:10:21,280 And again, and all those days, you never miss anything. 151 00:10:22,280 --> 00:10:24,280 No, you know, well, maybe some clothes, but other stuff. 152 00:10:24,280 --> 00:10:26,280 No, but she don't miss anything. 153 00:10:26,280 --> 00:10:27,280 No. 154 00:10:27,280 --> 00:10:30,280 And look, you know, you're schlepping all this stuff with you. 155 00:10:30,280 --> 00:10:31,280 And find nothing. 156 00:10:31,280 --> 00:10:32,280 Yeah. 157 00:10:32,280 --> 00:10:33,280 Why? 158 00:10:33,280 --> 00:10:35,280 You know, we, we are ants. 159 00:10:35,280 --> 00:10:36,280 Yeah. 160 00:10:36,280 --> 00:10:37,280 Yep. 161 00:10:37,280 --> 00:10:38,280 Yeah. 162 00:10:38,280 --> 00:10:39,280 Money can buy me love. 163 00:10:39,280 --> 00:10:40,280 Exactly. 164 00:10:40,280 --> 00:10:41,280 Okay. 165 00:10:41,280 --> 00:10:42,280 That too. 166 00:10:42,280 --> 00:10:46,280 We brought you here tonight on the daily source code. 167 00:10:46,280 --> 00:10:50,280 And the last time we spoke, we had a hippie story. 168 00:10:51,280 --> 00:10:53,280 The early seven days David Bowie. 169 00:10:53,280 --> 00:10:59,280 And man, thank you again for letting the world know that I am, um, better endowed than, 170 00:10:59,280 --> 00:11:01,280 than David Bowie. 171 00:11:01,280 --> 00:11:04,280 Let me tell you that that has been an incredible go boost. 172 00:11:04,280 --> 00:11:05,280 Yes. 173 00:11:05,280 --> 00:11:06,280 It's very important for me. 174 00:11:06,280 --> 00:11:10,280 And I know there are lots of guys out there who understand exactly what I'm talking about. 175 00:11:10,280 --> 00:11:11,280 Yeah. 176 00:11:11,280 --> 00:11:14,280 And tonight, we have another story from Patricia's archives. 177 00:11:14,280 --> 00:11:16,280 Uh, and this is a nice one. 178 00:11:16,280 --> 00:11:17,280 Which one too? 179 00:11:17,280 --> 00:11:19,280 This is, well, thank you. 180 00:11:19,280 --> 00:11:20,280 We have many more, right? 181 00:11:20,280 --> 00:11:21,280 Yeah. 182 00:11:21,280 --> 00:11:22,280 We have plenty. 183 00:11:22,280 --> 00:11:23,280 Right. 184 00:11:23,280 --> 00:11:25,280 So when I run out of shit to say on this show, then I could just bring you in. 185 00:11:25,280 --> 00:11:27,280 Uh, Stevie Nix was, uh, a store. 186 00:11:27,280 --> 00:11:28,280 It's a short one. 187 00:11:28,280 --> 00:11:29,280 Oh. 188 00:11:29,280 --> 00:11:30,280 Okay. 189 00:11:30,280 --> 00:11:31,280 A shorty but goody. 190 00:11:31,280 --> 00:11:32,280 Uh, yeah. 191 00:11:32,280 --> 00:11:33,280 Okay. 192 00:11:33,280 --> 00:11:35,280 It's very short action. 193 00:11:35,280 --> 00:11:41,280 It's, it's, it's not, not really, uh, something, uh, really important. 194 00:11:41,280 --> 00:11:43,280 Am I better endowed than Stevie Nix? 195 00:11:43,280 --> 00:11:45,280 Oh, that's, yeah. 196 00:11:45,280 --> 00:11:46,280 Well, no. 197 00:11:46,280 --> 00:11:50,280 So you have to, this is also about, about size. 198 00:11:50,280 --> 00:11:53,280 Um, I, how long has to go? 199 00:11:53,280 --> 00:11:55,280 We were in LA. 200 00:11:55,280 --> 00:11:56,280 Mm-hmm. 201 00:11:56,280 --> 00:11:58,280 And you had to tape a show for MTV. 202 00:11:58,280 --> 00:11:59,280 Mm-hmm. 203 00:11:59,280 --> 00:12:00,280 Remember that? 204 00:12:00,280 --> 00:12:01,280 We were not married yet. 205 00:12:01,280 --> 00:12:02,280 Oh, we weren't. 206 00:12:02,280 --> 00:12:04,280 Also, this was 1987, 88. 207 00:12:04,280 --> 00:12:06,280 I think it was in the beginning. 208 00:12:06,280 --> 00:12:07,280 Oh, yes. 209 00:12:07,280 --> 00:12:09,280 We just moved to, uh, to New York. 210 00:12:09,280 --> 00:12:10,280 Okay. 211 00:12:10,280 --> 00:12:11,280 So that was 87. 212 00:12:11,280 --> 00:12:12,280 Yeah. 213 00:12:12,280 --> 00:12:15,280 And you had to go out to LA and you took me with you. 214 00:12:15,280 --> 00:12:18,280 Because it was better weather there. 215 00:12:18,280 --> 00:12:20,280 So it was very nice. 216 00:12:20,280 --> 00:12:27,280 And we went out to a lovely restaurant that was one of the famous hot spots that we needed to see. 217 00:12:27,280 --> 00:12:29,280 Which one was that? 218 00:12:29,280 --> 00:12:30,280 The dome? 219 00:12:30,280 --> 00:12:31,280 The dome. 220 00:12:31,280 --> 00:12:32,280 Right. 221 00:12:32,280 --> 00:12:34,280 Oh, it wasn't Lionel Richie there that night as well. 222 00:12:34,280 --> 00:12:35,280 Yeah. 223 00:12:35,280 --> 00:12:36,280 I was so proud of this. 224 00:12:36,280 --> 00:12:40,280 They always said, like, you have to go there because lots, lots and lots. 225 00:12:40,280 --> 00:12:41,280 Yeah. 226 00:12:41,280 --> 00:12:42,280 I don't think it's like that anymore. 227 00:12:42,280 --> 00:12:44,280 I think it's completely, it may not even be there anymore. 228 00:12:44,280 --> 00:12:45,280 Right. 229 00:12:45,280 --> 00:12:48,280 But in these days, you know, it was that day with the sheep. 230 00:12:48,280 --> 00:12:49,280 She hot spot. 231 00:12:49,280 --> 00:12:50,280 Right. 232 00:12:50,280 --> 00:12:51,280 And there we were. 233 00:12:51,280 --> 00:12:52,280 So we were there. 234 00:12:52,280 --> 00:12:53,280 We were in the restaurant. 235 00:12:53,280 --> 00:12:54,280 And who do we with? 236 00:12:54,280 --> 00:12:55,280 Do you remember? 237 00:12:55,280 --> 00:12:57,280 Was it just MTV people Charlie Midnight? 238 00:12:57,280 --> 00:12:58,280 Maybe. 239 00:12:58,280 --> 00:12:59,280 No, no, no, no, no. 240 00:12:59,280 --> 00:13:00,280 I wasn't Charlie Midnight. 241 00:13:00,280 --> 00:13:01,280 I think it was only. 242 00:13:01,280 --> 00:13:02,280 Scott Shannon, maybe. 243 00:13:02,280 --> 00:13:03,280 Dana Miller. 244 00:13:03,280 --> 00:13:05,280 Now, I probably Scott Shannon. 245 00:13:05,280 --> 00:13:06,280 I don't know. 246 00:13:06,280 --> 00:13:07,280 Scott Shannon, everybody. 247 00:13:07,280 --> 00:13:08,280 If I would have. 248 00:13:08,280 --> 00:13:09,280 Back and see you. 249 00:13:09,280 --> 00:13:12,280 Well, maybe it was only the two of us because I told you right away. 250 00:13:12,280 --> 00:13:15,280 You mean just the two of us. 251 00:13:15,280 --> 00:13:16,280 Just the two of us. 252 00:13:16,280 --> 00:13:19,280 Now, so we said there. 253 00:13:19,280 --> 00:13:22,280 And while you ordered, I said have to go to the bathroom quickly. 254 00:13:22,280 --> 00:13:23,280 Ladies, really. 255 00:13:23,280 --> 00:13:26,280 So I have to go to the ladies room. 256 00:13:26,280 --> 00:13:31,280 And while I'm in the ladies room, there were, I think, three doors. 257 00:13:31,280 --> 00:13:33,280 And there were all locked. 258 00:13:33,280 --> 00:13:36,280 One of the doors went open. 259 00:13:36,280 --> 00:13:38,280 And out came Stephen X. 260 00:13:38,280 --> 00:13:40,280 Okay, let me just reset this. 261 00:13:40,280 --> 00:13:42,280 So you walk into the ladies room. 262 00:13:42,280 --> 00:13:43,280 There's three stalls. 263 00:13:43,280 --> 00:13:45,280 All three are busy. 264 00:13:45,280 --> 00:13:46,280 This is it. 265 00:13:46,280 --> 00:13:47,280 Up here. 266 00:13:47,280 --> 00:13:48,280 Did you look underneath to see the fee? 267 00:13:48,280 --> 00:13:49,280 No, no, no, no. 268 00:13:49,280 --> 00:13:51,280 I don't think the doors like that. 269 00:13:51,280 --> 00:13:53,280 No, we don't do that. 270 00:13:53,280 --> 00:13:54,280 Oh, guys do that. 271 00:13:54,280 --> 00:13:55,280 No, no, no, no. 272 00:13:55,280 --> 00:13:56,280 Who the hell? 273 00:13:56,280 --> 00:13:58,280 No, but when you walk in, you want to make sure there's no one in there. 274 00:13:58,280 --> 00:13:59,280 So you look underneath. 275 00:13:59,280 --> 00:14:00,280 No, no, no, no. 276 00:14:00,280 --> 00:14:01,280 They were closed. 277 00:14:01,280 --> 00:14:03,280 So Stephen X. 278 00:14:03,280 --> 00:14:04,280 Stephen X. 279 00:14:04,280 --> 00:14:05,280 I'm like, oh, Stephen X. 280 00:14:05,280 --> 00:14:06,280 I'm just going to do like. 281 00:14:06,280 --> 00:14:07,280 What was she wearing? 282 00:14:07,280 --> 00:14:09,280 No, I don't remember. 283 00:14:09,280 --> 00:14:10,280 It's something black. 284 00:14:10,280 --> 00:14:11,280 I remember that. 285 00:14:11,280 --> 00:14:12,280 Okay. 286 00:14:12,280 --> 00:14:13,280 Was it like her flowing clothes? 287 00:14:13,280 --> 00:14:14,280 Of course. 288 00:14:14,280 --> 00:14:15,280 Of course. 289 00:14:15,280 --> 00:14:16,280 And so she came out of there. 290 00:14:16,280 --> 00:14:17,280 The door went out. 291 00:14:17,280 --> 00:14:18,280 Oh, oh, oh. 292 00:14:18,280 --> 00:14:19,280 Oh, she taller than you. 293 00:14:19,280 --> 00:14:20,280 She taller than you. 294 00:14:20,280 --> 00:14:21,280 No, she's tiny. 295 00:14:21,280 --> 00:14:22,280 She's not that big. 296 00:14:22,280 --> 00:14:23,280 Really? 297 00:14:23,280 --> 00:14:24,280 Well, I can't remember. 298 00:14:24,280 --> 00:14:25,280 She's not not a very tall name. 299 00:14:25,280 --> 00:14:26,280 Really? 300 00:14:26,280 --> 00:14:27,280 I thought you were. 301 00:14:27,280 --> 00:14:28,280 No. 302 00:14:28,280 --> 00:14:29,280 Okay. 303 00:14:29,280 --> 00:14:30,280 So she came out. 304 00:14:30,280 --> 00:14:34,280 And actually behind her came sort of a roofed. 305 00:14:34,280 --> 00:14:38,280 So the way terrible smell. 306 00:14:38,280 --> 00:14:42,280 She was like, yeah, she was coming out of the straw. 307 00:14:42,280 --> 00:14:43,280 I was coming out of the straw. 308 00:14:43,280 --> 00:14:45,280 That's the way she came out. 309 00:14:45,280 --> 00:14:48,280 But I had no choice because the other door was. 310 00:14:48,280 --> 00:14:50,280 Stinky Nicks. 311 00:14:50,280 --> 00:14:53,280 Stinky Nicks. 312 00:14:53,280 --> 00:14:54,280 So. 313 00:14:54,280 --> 00:14:56,280 Why are you going? 314 00:14:56,280 --> 00:14:59,280 I had to, you know, go into that door. 315 00:14:59,280 --> 00:15:01,280 You know, in that bathroom. 316 00:15:01,280 --> 00:15:03,280 Because the other one, the other one, 317 00:15:03,280 --> 00:15:04,280 They'll do. 318 00:15:04,280 --> 00:15:05,280 And who was the other one? 319 00:15:05,280 --> 00:15:06,280 Like Oprah. 320 00:15:06,280 --> 00:15:09,760 I don't know if I'm a waltz or something. 321 00:15:09,760 --> 00:15:14,760 So I went into that one and the seat was still hot. 322 00:15:14,760 --> 00:15:17,240 I don't know if I felt very warm. 323 00:15:17,240 --> 00:15:20,840 But we have to say, before I sat down, 324 00:15:20,840 --> 00:15:21,680 I thought you were a... 325 00:15:21,680 --> 00:15:26,680 I saw that it hadn't, she flushed, but it was still there. 326 00:15:26,680 --> 00:15:28,760 So that was a big... 327 00:15:28,760 --> 00:15:30,160 It was a hair. 328 00:15:30,160 --> 00:15:31,360 It was a hair. 329 00:15:31,360 --> 00:15:35,920 Turling, probably too heavy 330 00:15:35,920 --> 00:15:37,600 to flunk. 331 00:15:37,600 --> 00:15:48,440 And then I said, I'm like, Jesus, you know, you're flushed in these turds. 332 00:15:48,440 --> 00:15:49,720 Yeah, right. 333 00:15:49,720 --> 00:15:50,720 Yeah. 334 00:15:50,720 --> 00:15:54,040 So every time I see her, I have to think, too. 335 00:15:54,040 --> 00:15:55,040 Turd. 336 00:15:55,040 --> 00:15:57,040 Excellent. 337 00:15:57,040 --> 00:15:58,040 Hold on a second. 338 00:15:58,040 --> 00:15:59,040 That was excellent. 339 00:15:59,040 --> 00:16:00,040 Thank you. 340 00:16:00,040 --> 00:16:01,640 That was an excellent story. 341 00:16:01,640 --> 00:16:03,640 Aren't you proud of yourself? 342 00:16:03,640 --> 00:16:05,640 Well, you know. 343 00:16:05,960 --> 00:16:10,440 OK, we have some other exciting news that happened today. 344 00:16:10,440 --> 00:16:17,720 Today, we bought the masters of Mamboitulliano, the song that you recorded. 345 00:16:17,720 --> 00:16:20,600 Just two months ago, three months ago. 346 00:16:20,600 --> 00:16:23,960 So I was thinking, first time I'm going to play it on the show. 347 00:16:23,960 --> 00:16:27,960 I was thinking, why don't we make it available for anyone to play on a podcast? 348 00:16:27,960 --> 00:16:28,960 Yeah. 349 00:16:28,960 --> 00:16:29,960 It's a good idea. 350 00:16:29,960 --> 00:16:31,400 So it's a big band. 351 00:16:31,400 --> 00:16:32,960 It's one of the different bands. 352 00:16:33,000 --> 00:16:34,200 Yeah, it's up to tell me about the song. 353 00:16:34,200 --> 00:16:37,040 Tell me about how you got it all set up and... 354 00:16:37,040 --> 00:16:44,480 Well, actually, it is from Mamboitulliano's thing. 355 00:16:44,480 --> 00:16:46,240 That was Dutch. 356 00:16:46,240 --> 00:16:48,640 Yeah, yeah, yeah. 357 00:16:48,640 --> 00:16:50,080 What do you want to say? 358 00:16:50,080 --> 00:16:51,040 It's so clear. 359 00:16:51,040 --> 00:16:51,680 Rose made a clue. 360 00:16:51,680 --> 00:16:52,680 Rose made a clue. 361 00:16:52,680 --> 00:16:54,520 Yeah, it's late. 362 00:16:54,520 --> 00:16:57,080 Yeah, I also have Frank Sinatra did it, too. 363 00:16:57,080 --> 00:16:58,400 I don't think, I don't know. 364 00:16:58,400 --> 00:16:59,520 No, Dean Martin. 365 00:16:59,520 --> 00:17:00,440 I have Frank Sinatra. 366 00:17:00,440 --> 00:17:01,440 No, Dean Martin. 367 00:17:01,440 --> 00:17:02,440 I have Frank Sinatra. 368 00:17:02,480 --> 00:17:04,680 It's a very famous song. 369 00:17:04,680 --> 00:17:05,680 Yeah. 370 00:17:05,680 --> 00:17:06,680 And it's... 371 00:17:06,680 --> 00:17:07,480 I think I have that. 372 00:17:07,480 --> 00:17:09,440 I think a 50's song. 373 00:17:12,000 --> 00:17:13,480 It's always a great. 374 00:17:13,480 --> 00:17:15,720 It's a wonderful, wonderful song. 375 00:17:15,720 --> 00:17:16,560 It's a... 376 00:17:16,560 --> 00:17:19,680 It's a Mambo, which is, of course, more Spanish. 377 00:17:19,680 --> 00:17:22,560 But it's an Italian Mambo. 378 00:17:22,560 --> 00:17:24,240 It's Italian Mambo. 379 00:17:24,240 --> 00:17:26,040 It's an Italian Mambo, yeah. 380 00:17:26,040 --> 00:17:27,240 Okay. 381 00:17:27,240 --> 00:17:28,720 And it's called Mambo. 382 00:17:28,720 --> 00:17:29,720 Well, that... 383 00:17:30,520 --> 00:17:33,600 First of all, this isn't just like some little thing you did here. 384 00:17:33,600 --> 00:17:37,440 You had like everything that all the instruments are real. 385 00:17:37,440 --> 00:17:38,440 Played by the music. 386 00:17:38,440 --> 00:17:39,440 Yeah, it's not like... 387 00:17:39,440 --> 00:17:40,440 It's not like... 388 00:17:40,440 --> 00:17:41,440 It was in real time. 389 00:17:41,440 --> 00:17:43,440 You guys are overdubs. 390 00:17:43,440 --> 00:17:44,800 I thought you recorded that whole thing. 391 00:17:44,800 --> 00:17:45,960 I thought you recorded that whole thing. 392 00:17:45,960 --> 00:17:46,960 Yeah, yeah, yeah. 393 00:17:46,960 --> 00:17:47,960 Life. 394 00:17:47,960 --> 00:17:48,960 I sang it live with it. 395 00:17:48,960 --> 00:17:49,960 Yeah. 396 00:17:49,960 --> 00:17:54,360 And afterwards, I did some backing vocals with Ivan, my sister. 397 00:17:54,360 --> 00:17:55,360 Right. 398 00:17:55,360 --> 00:17:57,080 But I sang it right away with the band. 399 00:17:57,080 --> 00:17:59,520 Like, Frank Sinatra used to do first studio. 400 00:17:59,920 --> 00:18:00,760 That was the band. 401 00:18:00,760 --> 00:18:01,920 That was me. 402 00:18:01,920 --> 00:18:02,760 And... 403 00:18:02,760 --> 00:18:03,760 You did some pickups here. 404 00:18:03,760 --> 00:18:05,080 You must have done some pickups. 405 00:18:05,080 --> 00:18:06,080 Just some insert. 406 00:18:06,080 --> 00:18:07,080 No, no. 407 00:18:07,080 --> 00:18:08,080 I don't know. 408 00:18:08,080 --> 00:18:09,080 No, I don't need some. 409 00:18:09,080 --> 00:18:10,080 I don't know. 410 00:18:10,080 --> 00:18:11,080 That's right, baby. 411 00:18:11,080 --> 00:18:12,080 That's right. 412 00:18:12,080 --> 00:18:13,080 And you're a turd's flush. 413 00:18:13,080 --> 00:18:14,080 All right. 414 00:18:14,080 --> 00:18:15,080 See you. 415 00:18:15,080 --> 00:18:16,080 All right. 416 00:18:16,080 --> 00:18:18,560 So we'll be sure to put this up for download. 417 00:18:18,560 --> 00:18:19,560 Mambo, if you don't know. 418 00:18:19,560 --> 00:18:20,560 I just shot. 419 00:18:20,560 --> 00:18:21,560 Thanks, honey. 420 00:18:21,560 --> 00:18:22,560 Thanks. 421 00:18:23,750 --> 00:20:37,760 [ Music ] 422 00:20:37,760 --> 00:20:38,760 Mambo, if you don't know. 423 00:20:38,760 --> 00:20:39,760 Mambo, if you don't know. 424 00:20:39,760 --> 00:20:40,760 Mambo, if you don't know. 425 00:20:40,760 --> 00:20:41,760 Mambo, if you don't know. 426 00:20:41,760 --> 00:20:42,760 Mambo, if you don't know. 427 00:20:42,760 --> 00:20:43,760 Mambo, if you don't know. 428 00:20:43,760 --> 00:20:44,760 Mambo, if you don't know. 429 00:20:44,760 --> 00:20:46,760 Mambo, if you don't know. 430 00:20:46,760 --> 00:20:47,760 Mambo, if you don't know. 431 00:20:47,760 --> 00:20:48,760 Mambo, if you don't know. 432 00:20:48,760 --> 00:20:50,120 We're gonna go here on the daily source code. 433 00:20:50,120 --> 00:20:51,880 You know, you should do something with your voice, huh? 434 00:20:51,880 --> 00:20:53,840 Oh, I don't know that. 435 00:20:53,840 --> 00:20:56,080 That's awesome. 436 00:20:56,080 --> 00:20:57,880 Oh, my mic. 437 00:20:57,880 --> 00:20:58,880 It's okay, here's another one. 438 00:20:58,880 --> 00:21:03,120 So we'll at least that under the Creative Commons license, 439 00:21:03,120 --> 00:21:08,120 which means anyone can use it non-commercialy. 440 00:21:08,120 --> 00:21:09,360 We'll choose for that one, not no. 441 00:21:09,360 --> 00:21:11,920 Oh, we're gonna have a DVD out soon. 442 00:21:11,920 --> 00:21:12,760 You know what I'm just saying? 443 00:21:12,760 --> 00:21:14,320 Anyone can use this song in their podcast 444 00:21:14,320 --> 00:21:17,480 that can use it non-commercial as long as they create it. 445 00:21:17,480 --> 00:21:19,800 It's ours, so we can do whatever you want to do. 446 00:21:19,800 --> 00:21:20,800 Isn't that fun? 447 00:21:20,800 --> 00:21:21,800 Isn't that fun? 448 00:21:21,800 --> 00:21:22,800 Yeah, I love that. 449 00:21:22,800 --> 00:21:23,800 That's cool. 450 00:21:23,800 --> 00:21:24,800 No. 451 00:21:24,800 --> 00:21:25,800 No. 452 00:21:25,800 --> 00:21:26,800 We cannot do that. 453 00:21:26,800 --> 00:21:27,800 That's cool. 454 00:21:27,800 --> 00:21:28,800 No. 455 00:21:28,800 --> 00:21:30,800 That's cool, baby. 456 00:21:30,800 --> 00:21:31,800 Anything else? 457 00:21:31,800 --> 00:21:32,800 No. 458 00:21:32,800 --> 00:21:33,800 No. 459 00:21:33,800 --> 00:21:34,800 Okay. 460 00:21:34,800 --> 00:21:35,800 It's nice here in your studio. 461 00:21:35,800 --> 00:21:36,800 Yeah, it's nice. 462 00:21:36,800 --> 00:21:37,800 It's very nice. 463 00:21:37,800 --> 00:21:39,800 Why don't you take off your dress? 464 00:21:39,800 --> 00:21:40,800 Oh. 465 00:21:40,800 --> 00:21:41,800 Okay. 466 00:21:41,800 --> 00:21:42,800 Oops. 467 00:21:42,800 --> 00:21:44,800 I'm gonna have a nice cup of tea. 468 00:21:44,800 --> 00:21:45,800 Yes. 469 00:21:45,800 --> 00:21:46,800 Okay. 470 00:21:46,800 --> 00:21:47,800 All right, see? 471 00:21:47,800 --> 00:21:48,800 You take off. 472 00:21:48,800 --> 00:21:50,440 Let's speak something English here. 473 00:21:50,440 --> 00:21:51,440 Oh, but... 474 00:21:51,440 --> 00:21:52,440 Crazy American. 475 00:21:52,440 --> 00:21:53,440 Yeah. 476 00:21:53,440 --> 00:21:54,440 Yeah. 477 00:21:54,440 --> 00:21:55,440 Yeah. 478 00:21:55,440 --> 00:21:56,440 I have to learn some English here. 479 00:21:56,440 --> 00:21:57,440 Well, sweetie, darling. 480 00:21:57,440 --> 00:21:58,440 Go downstairs. 481 00:21:58,440 --> 00:21:59,440 Okay, yeah. 482 00:21:59,440 --> 00:22:01,000 Could you make me a cup or two? 483 00:22:01,000 --> 00:22:02,000 A cup or two? 484 00:22:02,000 --> 00:22:03,000 A cup or two? 485 00:22:03,000 --> 00:22:04,000 A cup or two? 486 00:22:04,000 --> 00:22:05,000 A cup or two? 487 00:22:05,000 --> 00:22:06,000 All right. 488 00:22:06,000 --> 00:22:07,480 All right, then. 489 00:22:07,480 --> 00:22:10,680 Patricia Pi, everybody. 490 00:22:10,680 --> 00:22:11,680 Alrighty. 491 00:22:11,680 --> 00:22:13,320 Source code continues. 492 00:22:13,320 --> 00:22:14,320 Let's see. 493 00:22:14,320 --> 00:22:15,320 More comedy. 494 00:22:16,320 --> 00:22:21,000 Hello, and welcome to Adam Curry's One Minute Moving Tip. 495 00:22:21,000 --> 00:22:24,360 Things you need to know when you're moving. 496 00:22:24,360 --> 00:22:28,560 First of all, put all of your worldly belongings into cardboard boxes. 497 00:22:28,560 --> 00:22:32,360 Now be sure to tape them up a nice and tight and the way all the way. 498 00:22:32,360 --> 00:22:33,360 What was that? 499 00:22:33,360 --> 00:22:34,360 Look at the... 500 00:22:34,360 --> 00:22:38,760 Well, it looks like that box needs just a little bit more tailor. 501 00:22:38,760 --> 00:22:39,760 Hmm. 502 00:22:39,760 --> 00:22:43,280 More you're gonna have problems getting that through customs. 503 00:22:43,280 --> 00:22:47,400 Just a little something for you, Adam, to help you get through through this crazy move 504 00:22:47,400 --> 00:22:48,400 to the UK. 505 00:22:48,400 --> 00:22:49,400 Good luck. 506 00:22:49,400 --> 00:22:50,400 Boy on. 507 00:22:50,640 --> 00:22:55,520 When you walked in the door and you changed your shoes, you switched to a sweater 508 00:22:55,520 --> 00:23:00,120 and said, how do you do neighbor? 509 00:23:00,120 --> 00:23:02,720 How do you do? 510 00:23:02,720 --> 00:25:37,720 [ Music ] 511 00:25:37,720 --> 00:25:39,840 Thank you, friend. 512 00:25:39,840 --> 00:25:44,680 She was so pretty. 513 00:25:44,680 --> 00:25:48,320 Hey, Adam, I just want to give you the quote unquote shout out from Nashville, Tennessee. 514 00:25:48,320 --> 00:25:51,600 Love your show, love what you're doing, love this whole podcast thing. 515 00:25:51,600 --> 00:25:53,080 Keep up the good work. 516 00:25:53,080 --> 00:25:54,200 Oh, I am boy online. 517 00:25:54,200 --> 00:25:57,520 Yeah, before that, you heard Lassipia's Bitties. 518 00:25:57,520 --> 00:25:58,920 Yeah, my favorite. 519 00:25:58,920 --> 00:26:01,440 I had their whole new album and I'm allowed to play every single track. 520 00:26:01,440 --> 00:26:05,160 So my does all work through them, digging it that was neighbor. 521 00:26:05,240 --> 00:26:06,320 And you know, you should do that. 522 00:26:06,320 --> 00:26:08,400 You go over and say, how do your neighbor once in a while? 523 00:26:08,400 --> 00:26:09,960 We've got new neighbors now. 524 00:26:09,960 --> 00:26:12,120 We've met the neighbors on the left. 525 00:26:12,120 --> 00:26:15,240 Hope to meet the neighbors on the right pretty soon. 526 00:26:15,240 --> 00:26:16,240 Neighbors are a good thing. 527 00:26:16,240 --> 00:26:17,880 Neighbors are important. 528 00:26:17,880 --> 00:26:23,480 Quick plug for those of you that are new subscribers or, well, actually, the reason I'm doing this 529 00:26:23,480 --> 00:26:27,800 is because, you know, you may only be hearing this on Thursday by the time it gets uploaded. 530 00:26:27,800 --> 00:26:33,240 The BBC's Culture Show will be on BBC 2 Thursday night. 531 00:26:33,320 --> 00:26:35,880 So that's tomorrow night at 7 p.m. 532 00:26:35,880 --> 00:26:36,720 UK time. 533 00:26:36,720 --> 00:26:38,280 So 8 p.m. 534 00:26:38,280 --> 00:26:39,880 You're central European time. 535 00:26:39,880 --> 00:26:45,960 And if you go to bbc.co.uk slash culture, I think that's the link. 536 00:26:45,960 --> 00:26:50,760 I'll make sure I put the correct link in the production notes for today's show. 537 00:26:50,760 --> 00:26:55,360 Then you can probably see a reasonable online archive. 538 00:26:55,360 --> 00:26:59,200 What they do with the BBC is they're kind of in the middle of trying to figure out what 539 00:26:59,200 --> 00:27:00,200 they want to do with download. 540 00:27:00,240 --> 00:27:03,920 So they make a download of a show available for about seven days and they take it off, 541 00:27:03,920 --> 00:27:07,880 which is, I guess, is, you know, some kind of loophole in their own policy. 542 00:27:07,880 --> 00:27:12,200 There's also a couple of people who'll be recording a high quality digital version. 543 00:27:12,200 --> 00:27:15,720 And as soon as I get some links, we'll be sure to put that up so you can see it. 544 00:27:15,720 --> 00:27:16,720 I'm pumped. 545 00:27:16,720 --> 00:27:17,880 I'm hoping that it's going to be good. 546 00:27:17,880 --> 00:27:19,520 You never know. 547 00:27:19,520 --> 00:27:28,360 And I talked yesterday about extending RSS and how I was working with August and 548 00:27:28,360 --> 00:27:35,400 Ray of iPod Rex and of course with Dave on coming up with some, you know, some interesting 549 00:27:35,400 --> 00:27:41,040 ways of, you know, adding stuff that we really need for our podcast. 550 00:27:41,040 --> 00:27:44,800 One of them is, of course, what I'm working on is these OPML production notes. 551 00:27:44,800 --> 00:27:50,040 And how do we include that and how can we make iPoders aware that there's a show notes 552 00:27:50,040 --> 00:27:52,320 included with the show. 553 00:27:52,320 --> 00:27:56,120 And I haven't been able to respond yet because of my bandwidth woes. 554 00:27:56,360 --> 00:27:59,560 By the way, tomorrow, right after the trash guy comes and I help him load up all the 555 00:27:59,560 --> 00:28:04,960 ship we were accumulated, I'm going to go into town and, and really hop on the, on the 556 00:28:04,960 --> 00:28:10,600 high speed, high Wi-Fi because I'm, I really need to catch up with my podcast. 557 00:28:10,600 --> 00:28:18,520 So we now have, yeah, we're working on and I'm looking at it right now, the podcast RSS 558 00:28:18,520 --> 00:28:24,440 module, which will be a name space, which I think is going to be really great. 559 00:28:24,440 --> 00:28:27,960 It's really going to give us a lot of the tools that we've been looking for on the 560 00:28:27,960 --> 00:28:33,440 development side of, of ease of use and ease of production and connecting more bits 561 00:28:33,440 --> 00:28:35,040 together in podcasting. 562 00:28:35,040 --> 00:28:40,360 And I guess we'll be releasing this to the iPod of developers list pretty soon. 563 00:28:40,360 --> 00:28:43,040 At first, I, even I had to like, you know, look at this. 564 00:28:43,040 --> 00:28:44,040 Hey, is this right? 565 00:28:44,040 --> 00:28:45,040 Is it really that simple? 566 00:28:45,040 --> 00:28:48,800 This is giving us, if it's giving us everything we want, then it must be wrong. 567 00:28:48,800 --> 00:28:50,440 No, but it was right. 568 00:28:50,440 --> 00:28:52,400 So I'm, I'm way excited about that. 569 00:28:52,400 --> 00:28:55,880 And I just need to get some more bandwidth so I can concentrate a little bit more on this 570 00:28:55,880 --> 00:28:58,600 stuff instead of watching, you know, shit download. 571 00:28:58,600 --> 00:28:59,600 Oh, it's horrible. 572 00:28:59,600 --> 00:29:00,600 Okay. 573 00:29:00,600 --> 00:29:03,720 Boy, we've gone through almost everything I want to do. 574 00:29:03,720 --> 00:29:06,400 Oh, no, there's one thing I wanted to play for you. 575 00:29:06,400 --> 00:29:10,160 And we're currently, what are we at, almost 30 minutes into the show, perfect timing for 576 00:29:10,160 --> 00:29:11,160 today. 577 00:29:11,160 --> 00:29:13,520 And I'll have to look up who sent this to me. 578 00:29:13,520 --> 00:29:19,120 This is like a new, in your face, hard edge kind of poetry. 579 00:29:19,120 --> 00:29:22,360 It's called disillusioned filibuster. 580 00:29:22,360 --> 00:29:26,680 And it's a, I'm pretty sure it's a live performance piece. 581 00:29:26,680 --> 00:29:29,840 It's totally, you know, performance poetry art. 582 00:29:29,840 --> 00:29:34,240 So it's a little bit distorted, so I'll have to work on the levels. 583 00:29:34,240 --> 00:29:38,600 But listen to it and then, you'll catch on pretty quick. 584 00:29:38,600 --> 00:29:44,320 It's, there's no real title to it, but the whole theme of this disillusioned filibuster 585 00:29:44,320 --> 00:29:46,120 is America, your panties are showing. 586 00:29:46,360 --> 00:29:49,240 They're the night outside, we'll be talking about the life in times of really 587 00:29:49,240 --> 00:29:53,120 cars, where one friend checked another friend and said, yo, you're slick of saying 588 00:29:53,120 --> 00:29:58,120 you're saying, well, I'm telling my friend, my country, America, I can't, I can't, I can't 589 00:29:58,120 --> 00:29:59,120 see. 590 00:29:59,120 --> 00:30:00,120 Your slip is hanging. 591 00:30:00,120 --> 00:30:05,560 Somebody is looking at your ass, nation building in Iraq, regime changing in Africa, 592 00:30:05,560 --> 00:30:11,120 closing your eyes to genocide in the far, you are showing, you're ass, you showed it, you 593 00:30:11,120 --> 00:30:15,160 showed it, you showed your ass in territory of war, as when you let refugees from 594 00:30:15,160 --> 00:30:19,160 Cuba come to Miami, but you repatriate the Haitians, what they want to come here, you 595 00:30:19,160 --> 00:30:24,160 said, no, back home, told them they couldn't stay, your slip is hanging America, your 596 00:30:24,160 --> 00:30:28,360 slip is hanging right, you ain't got no problems with Mexicans crossing the barrel 597 00:30:28,360 --> 00:30:32,560 because they can work for you for less than minimum wage, they can get involved in rights 598 00:30:32,560 --> 00:30:37,160 labor, they can get involved in being slaves and indentured servants and that's in 599 00:30:37,160 --> 00:30:41,840 your best interest and number one, they can vote for you, the Mexican vote can get you 600 00:30:41,840 --> 00:30:45,840 elected, so you don't have no problem with them crossing the borders and coming over to 601 00:30:45,840 --> 00:30:50,840 Arizona, no, you don't have no problem with that, America, I can't, I can't, I can't, I can't see, 602 00:30:50,840 --> 00:30:51,840 your slip is hanging. 603 00:30:51,840 --> 00:30:56,840 And you think you think I'm the only one that sees your ass, America, look out the window, 604 00:30:56,840 --> 00:31:01,840 I know this is your house in that, you think you can walk around naked and think you can walk around 605 00:31:01,840 --> 00:31:05,840 disrespecting people, think you can act like you want to, do what you want to because you 606 00:31:05,840 --> 00:31:10,840 in your own house, but America, I can, I can, I can't, I can see, your slip is hanging 607 00:31:10,840 --> 00:31:15,840 and America, I'm not the only one who sees your ass, world of news tonight, so I'll show 608 00:31:15,840 --> 00:31:19,840 you, show your ass in front of the morgue, when you commit a war crimes, breaking the Geneva 609 00:31:19,840 --> 00:31:24,840 contract, show your independence of war on TV, show your independence of war on naked, show 610 00:31:24,840 --> 00:31:29,840 your independence of war being disrespected, show your independence of war, maximize your 611 00:31:29,840 --> 00:31:35,840 slip, your slip is showing America, your slip is showing women, when you capture the president of 612 00:31:35,840 --> 00:31:40,840 Iraq and and show them all TV being interrogated, show them all TV appearing weak and 613 00:31:40,840 --> 00:31:45,840 right, right, when he showed us all TV, when they show us all TV, it becomes a 614 00:31:45,840 --> 00:31:51,840 world crime, from America, America, America, I can, I can, I can, I can see, your slip 615 00:31:51,840 --> 00:31:56,840 is hanging, you are showing your ass to the world, and you are showing your ass to the 616 00:31:56,840 --> 00:32:00,840 black caucus too, every time you will meet with you, you are to wrap up, dial up, 617 00:32:01,840 --> 00:32:05,840 take it up in your whole empire, they're lost to it, service can come to the king unless 618 00:32:05,840 --> 00:32:10,840 they are selling, they're showing them respect, instead of showing them kindness, America, 619 00:32:10,840 --> 00:32:14,840 I show them the black caucus, they are ass, and still we are still so vulnerable 620 00:32:14,840 --> 00:32:18,840 to believe that America is the leading authority of morality, do people of morality go 621 00:32:18,840 --> 00:32:22,840 around stripping in front of people, no, no, people of morality go around showing 622 00:32:22,840 --> 00:32:27,840 their ass to everybody they don't like, hey, no, somebody somewhere needs to say 623 00:32:27,840 --> 00:32:32,840 something, somebody somewhere needs to do something, America, America, your slip is 624 00:32:32,840 --> 00:32:37,840 hanging, America, you are showing your ass like you didn't hate it, when a 625 00:32:37,840 --> 00:32:42,840 democratically elected president of Haiti was told he had to leave a coup d'état 626 00:32:42,840 --> 00:32:47,840 maxi, you want to speak this to this, he was told he had to leave, they, America, 627 00:32:47,840 --> 00:32:52,840 got together with guy for leap and committed a coup d'état and took the 628 00:32:52,840 --> 00:32:57,840 credit of Haiti out to him and his wife, Milquid, you got to leave or die, 629 00:32:57,840 --> 00:33:04,840 or die, or die, or die, America, America, America, America, I can see, I can see, 630 00:33:04,840 --> 00:33:09,840 your slip is hanging, you have a fight another country for democracy and yet 631 00:33:09,840 --> 00:33:14,840 when we have democracy, a democratically elected president in another country, you 632 00:33:14,840 --> 00:33:18,840 don't support him, you would join your truth because he's not doing what you 633 00:33:18,840 --> 00:33:23,840 want him to, he's not being manipulated, he want him to, and because of that, 634 00:33:23,840 --> 00:33:29,840 because of that, you commit a coup d'état, America, America, America, 635 00:33:29,840 --> 00:33:34,840 man, man, can see, I can see your slip, your slip, your slip is hanging, 636 00:33:34,840 --> 00:33:38,840 and I'm not doing it, I'm not doing it, I'm not doing it, peace, peace. 637 00:33:38,840 --> 00:33:42,840 Man, that's some powerful stuff, now that is exactly what Paul 638 00:33:42,840 --> 00:33:49,840 Boutin, Boutin, Boutin, Boutin, meant when he was talking about why doesn't 639 00:33:49,840 --> 00:33:56,840 Bano use his incredible voice and power through podcasting to start to change 640 00:33:56,840 --> 00:33:57,840 the world. 641 00:33:57,840 --> 00:34:02,840 Yeah, sure it's great that we can sell a black eye pod with all the YouTube 642 00:34:02,840 --> 00:34:06,840 songs on it, but why don't we add a little something else there, Bano? 643 00:34:06,840 --> 00:34:09,840 Shoot dude, you've got your own freaking eye pod. 644 00:34:09,840 --> 00:34:13,840 Is it just a thought maybe to put something on there? 645 00:34:13,840 --> 00:34:18,840 You know, like, hey, feed the world or something, just put a couple MP3, 646 00:34:18,840 --> 00:34:23,840 I'll do good with you Bano, put an AAC file on there, you know, so it's bookmarkable 647 00:34:23,840 --> 00:34:28,840 and it's D-R-M, perfect, go for it, dude, that would be awesome. 648 00:34:28,840 --> 00:34:33,840 That just blew me away, I mean it's more about Haiti at the end there, but just the whole, 649 00:34:33,840 --> 00:34:37,840 yeah, you know, disillusioned filibuster, pretty interesting stuff. 650 00:34:37,840 --> 00:34:39,840 And that's it for today's source code. 651 00:34:39,840 --> 00:34:43,840 More bandwidth tomorrow as we slipper away the Wi-Fi. 652 00:34:45,840 --> 00:34:49,840 I want to thank you very much for tuning in and subscribing. 653 00:34:49,840 --> 00:34:52,840 I want to thank our guest for today, the Trish and Pie. 654 00:34:52,840 --> 00:35:00,840 By the way, we are married and she does sometimes use my last name, but, yeah, she's a modern woman. 655 00:35:00,840 --> 00:35:09,840 As always, comments are welcome at the Prairie.com. 656 00:35:09,840 --> 00:35:13,840 You know, don't send it to me, you know, just send a link that's probably better, 657 00:35:13,840 --> 00:35:15,840 until I get some real bandwidth. 658 00:35:15,840 --> 00:35:18,840 And again, I'll be downloading lots of stuff. 659 00:35:18,840 --> 00:35:20,840 Tomorrow's, we'll play on the show. 660 00:35:20,840 --> 00:35:21,840 Comments. 661 00:35:21,840 --> 00:35:24,840 You can also leave them on the weblog at Prairie.com. 662 00:35:24,840 --> 00:35:28,840 And of course, the latest source code on the archives or data source code.com. 663 00:35:28,840 --> 00:35:34,840 We can also find out about cast-feed data source code.mums-carSS.com. 664 00:35:34,840 --> 00:35:37,840 We'll check out tomorrow on the source code. 665 00:35:37,840 --> 00:35:38,840 Bye-bye.