1
00:00:00,000 --> 00:00:13,000
Hey everybody, who listens to the Daily Source Code?

2
00:00:13,000 --> 00:00:28,000
The Daily Source Code podcast.

3
00:00:28,000 --> 00:00:31,000
It's for everybody.

4
00:00:31,000 --> 00:00:32,000
Testing.

5
00:00:32,000 --> 00:00:33,000
All's live.

6
00:00:33,000 --> 00:00:34,000
Adam Curry.

7
00:00:34,000 --> 00:00:35,000
Yeah.

8
00:00:35,000 --> 00:00:38,000
Monday, everybody good afternoon.

9
00:00:38,000 --> 00:00:41,000
I you're doing and welcome to the Daily Source Code.

10
00:00:41,000 --> 00:00:42,000
Today is Monday.

11
00:00:42,000 --> 00:00:44,000
It's December 6, 2004.

12
00:00:44,000 --> 00:00:48,000
I'm out of curry coming to you from Curry Cottage in the United Kingdom.

13
00:00:48,000 --> 00:00:49,000
That's right.

14
00:00:49,000 --> 00:00:52,000
With a brand new set of new sounds.

15
00:00:52,000 --> 00:00:56,000
And lots of reverb by special requests.

16
00:00:56,000 --> 00:01:03,000
I'm not even going to get into the entire set up and exactly what I've changed.

17
00:01:03,000 --> 00:01:06,000
But boy, a lot of thought went into it.

18
00:01:06,000 --> 00:01:11,000
In fact, Patricia actually spent a lot of time with me coming up with the microphone sound.

19
00:01:11,000 --> 00:01:12,000
It's pretty good.

20
00:01:12,000 --> 00:01:14,000
In fact, it could be a hell of a lot worse.

21
00:01:14,000 --> 00:01:16,000
You know, I could be at Starbucks right now.

22
00:01:16,000 --> 00:01:17,000
That's how bad it could be.

23
00:01:17,000 --> 00:01:25,000
That's interesting.

24
00:01:25,000 --> 00:01:27,000
Still kind of working on the entire set up.

25
00:01:27,000 --> 00:01:28,000
All the pieces and bits.

26
00:01:28,000 --> 00:01:29,000
Everything that goes together.

27
00:01:29,000 --> 00:01:30,000
It's all right here.

28
00:01:30,000 --> 00:01:37,000
This is where users and developers party together.

29
00:01:37,000 --> 00:01:40,000
And I kind of feel like a little bit of a developer.

30
00:01:40,000 --> 00:01:43,000
If you look at the setup that I've got going here.

31
00:01:43,000 --> 00:01:46,000
And part of the reason for this entire setup is

32
00:01:46,000 --> 00:01:51,000
I've been catching some some flack about the sound.

33
00:01:51,000 --> 00:01:56,000
The, you know, basically the big room that I had at the castle.

34
00:01:56,000 --> 00:02:01,000
Some folks seem to actually miss the kind of echoey reverb thing.

35
00:02:01,000 --> 00:02:05,000
And sometimes they even are pretty vocal about it.

36
00:02:05,000 --> 00:02:08,000
Listen to this that came in on my iPod or just over the weekend.

37
00:02:08,000 --> 00:02:09,000
Hey.

38
00:02:09,000 --> 00:02:10,000
How are you?

39
00:02:10,000 --> 00:02:11,000
Okay, how are you?

40
00:02:11,000 --> 00:02:12,000
Very well.

41
00:02:12,000 --> 00:02:15,000
So are we recording?

42
00:02:15,000 --> 00:02:16,000
We are.

43
00:02:16,000 --> 00:02:17,000
Okay.

44
00:02:17,000 --> 00:02:18,000
So.

45
00:02:18,000 --> 00:02:23,000
Oh, this is the sound of excitement in the background.

46
00:02:23,000 --> 00:02:25,000
Yeah, exactly.

47
00:02:25,000 --> 00:02:28,000
So what do you want to say?

48
00:02:28,000 --> 00:02:29,000
Uh, I don't know.

49
00:02:29,000 --> 00:02:31,000
I'm not a podcaster, you know.

50
00:02:31,000 --> 00:02:33,000
So here we are.

51
00:02:33,000 --> 00:02:34,000
You're not?

52
00:02:34,000 --> 00:02:35,000
No.

53
00:02:35,000 --> 00:02:36,000
Are you a podcaster?

54
00:02:36,000 --> 00:02:37,000
No.

55
00:02:37,000 --> 00:02:38,000
Okay.

56
00:02:38,000 --> 00:02:39,000
So we're not good at this off the coast all the way.

57
00:02:39,000 --> 00:02:40,000
No.

58
00:02:40,000 --> 00:02:42,000
We're not going to sit there and do a David Adam.

59
00:02:42,000 --> 00:02:43,000
No.

60
00:02:43,000 --> 00:02:44,000
And did that our way?

61
00:02:44,000 --> 00:02:45,000
No.

62
00:02:45,000 --> 00:02:46,000
No.

63
00:02:46,000 --> 00:02:47,000
Okay.

64
00:02:47,000 --> 00:02:48,000
So are we here?

65
00:02:48,000 --> 00:02:58,000
Because Adam insists upon having some sort of a seat for his iPod or network.

66
00:02:58,000 --> 00:02:59,000
Right.

67
00:02:59,000 --> 00:03:00,000
All right.

68
00:03:00,000 --> 00:03:01,000
So Adam.

69
00:03:01,000 --> 00:03:02,000
This will have to do.

70
00:03:02,000 --> 00:03:03,000
This will have to do.

71
00:03:03,000 --> 00:03:04,000
All right.

72
00:03:04,000 --> 00:03:12,000
So, you know, one of those of you who haven't heard the last week show down low that one.

73
00:03:12,000 --> 00:03:14,000
That was a show with Jonathan Schwartz, right?

74
00:03:14,000 --> 00:03:15,000
Yeah.

75
00:03:15,000 --> 00:03:22,000
It got a lot of good reviews except for people like, you know, who are concerned about,

76
00:03:22,000 --> 00:03:27,000
how am I, big ego or HP?

77
00:03:27,000 --> 00:03:33,000
Well, those complaints happen no matter what.

78
00:03:33,000 --> 00:03:34,000
Yeah.

79
00:03:34,000 --> 00:03:40,000
So I think it was a good show and I hope people will listen to all the way through because some of the stuff towards the end of some of the best as well.

80
00:03:40,000 --> 00:03:41,000
All right.

81
00:03:41,000 --> 00:03:42,000
The point about me, come on.

82
00:03:42,000 --> 00:03:43,000
Get to me.

83
00:03:43,000 --> 00:03:45,000
That's what the second I am.

84
00:03:45,000 --> 00:03:47,000
Stephen, I'm great except.

85
00:03:47,000 --> 00:03:48,000
Right.

86
00:03:48,000 --> 00:03:49,000
Yeah.

87
00:03:49,000 --> 00:03:50,000
Well.

88
00:03:50,000 --> 00:03:51,000
Okay.

89
00:03:51,000 --> 00:03:52,000
So what are we going to do next week?

90
00:03:52,000 --> 00:03:54,000
We're going to try and do the full show next week, right?

91
00:03:54,000 --> 00:03:55,000
Yeah.

92
00:03:55,000 --> 00:03:57,000
We're going to try and record it on Monday.

93
00:03:57,000 --> 00:04:02,000
But we'll have to leave that one for perhaps another little down low.

94
00:04:02,000 --> 00:04:03,000
Okay.

95
00:04:03,000 --> 00:04:04,000
We're good.

96
00:04:04,000 --> 00:04:05,000
All right.

97
00:04:05,000 --> 00:04:06,000
All right.

98
00:04:06,000 --> 00:04:08,000
So let's hope everybody does go back.

99
00:04:08,000 --> 00:04:11,000
Listen to last week's Gilmour Gang with Jonathan Schwartz, great show.

100
00:04:11,000 --> 00:04:12,000
I know I will.

101
00:04:12,000 --> 00:04:14,000
You know, I will too.

102
00:04:14,000 --> 00:04:15,000
Okay.

103
00:04:15,000 --> 00:04:17,000
When Friday rolls around, that's what I'm going to do.

104
00:04:17,000 --> 00:04:19,000
Get to the part about me.

105
00:04:19,000 --> 00:04:20,000
Thanks.

106
00:04:20,000 --> 00:04:21,000
Yeah.

107
00:04:21,000 --> 00:04:26,000
Let's hope he gets his broadband as of noon here on Thursday, which is when we're recording this.

108
00:04:26,000 --> 00:04:34,000
Adam just said email that the British telecom people have not, no, whoever it is is not come through with his DSL line.

109
00:04:34,000 --> 00:04:42,000
Not as this saying because, you know, there's just something different about the sound of this voice when he's got dial up.

110
00:04:42,000 --> 00:04:43,000
Not the attention here.

111
00:04:43,000 --> 00:04:44,000
It's the bit.

112
00:04:44,000 --> 00:04:47,000
You know, he needs more reverb.

113
00:04:47,000 --> 00:04:48,000
Yeah.

114
00:04:48,000 --> 00:04:49,000
That's it.

115
00:04:49,000 --> 00:04:50,000
That's it.

116
00:04:50,000 --> 00:04:51,000
There's something about that Mike changed that he's done.

117
00:04:51,000 --> 00:04:52,000
It's just not right.

118
00:04:52,000 --> 00:04:53,000
We missed the castle.

119
00:04:53,000 --> 00:04:54,000
It's just not right.

120
00:04:54,000 --> 00:04:57,000
Well, I, you know, when the jury's out on the cottage.

121
00:04:57,000 --> 00:04:59,000
But it doesn't really matter.

122
00:04:59,000 --> 00:05:02,000
It's what, uh, Adam thinks.

123
00:05:02,000 --> 00:05:03,000
That's true.

124
00:05:03,000 --> 00:05:04,000
Oh.

125
00:05:04,000 --> 00:05:05,000
Okay.

126
00:05:05,000 --> 00:05:06,000
Steve, have a great weekend.

127
00:05:06,000 --> 00:05:07,000
And we'll talk to you on Monday.

128
00:05:07,000 --> 00:05:08,000
Okay.

129
00:05:08,000 --> 00:05:09,000
Thanks for that.

130
00:05:09,000 --> 00:05:11,000
So nice of you guys to be thinking of me.

131
00:05:11,000 --> 00:05:14,000
And so nice to say that it sounds like shit now that I'm in the cottage.

132
00:05:14,000 --> 00:05:15,000
So I've cranked up the reverb.

133
00:05:15,000 --> 00:05:17,000
Make sure you guys got plenty of it.

134
00:05:17,000 --> 00:05:18,000
Oops.

135
00:05:18,000 --> 00:05:19,000
Sorry about that.

136
00:05:19,000 --> 00:05:21,000
Still don't have the windscreen happening on the new microphone.

137
00:05:21,000 --> 00:05:23,000
So I think we kind of got this vibe going.

138
00:05:23,000 --> 00:05:26,000
You know, I've got the drum cadence now on the background.

139
00:05:26,000 --> 00:05:31,000
This is the last time I played that drum drum line, the drum cadence.

140
00:05:31,000 --> 00:05:39,000
I got so many responses that actually started up an email thread with Joel Hawksley.

141
00:05:39,000 --> 00:05:42,000
He said, uh, actually I'll read this email to you.

142
00:05:42,000 --> 00:05:44,000
Because I said it was really awesome.

143
00:05:44,000 --> 00:05:47,000
A lot of people had commented on these cadences.

144
00:05:47,000 --> 00:05:48,000
And I said, you know, how did you record it?

145
00:05:48,000 --> 00:05:50,000
He says it turns out the file.

146
00:05:50,000 --> 00:05:51,000
I sent you a record a while ago.

147
00:05:51,000 --> 00:05:54,000
My friend Sony microphone and Sony mini disc recorder.

148
00:05:54,000 --> 00:05:56,000
And, uh, what it is, he sent me another one.

149
00:05:56,000 --> 00:05:59,000
And this is of our shoot.

150
00:05:59,000 --> 00:06:00,000
What was this?

151
00:06:01,000 --> 00:06:04,000
I think this is the Michigan Michigan State drum band.

152
00:06:04,000 --> 00:06:08,000
Hold on, I'm trying to get my show notes to scroll up,

153
00:06:08,000 --> 00:06:11,000
which apparently is going to be a problem today.

154
00:06:11,000 --> 00:06:12,000
Let's see.

155
00:06:12,000 --> 00:06:13,000
Yeah.

156
00:06:13,000 --> 00:06:15,000
Come on everybody.

157
00:06:17,000 --> 00:06:19,000
Oh, there we go. Okay.

158
00:06:19,000 --> 00:06:20,000
Um, right.

159
00:06:20,000 --> 00:06:23,000
So of course, doesn't tell me anything about that in the show notes.

160
00:06:23,000 --> 00:06:28,000
Uh, before that, uh, as we opened up, you heard a little bit of, uh,

161
00:06:29,000 --> 00:06:31,000
Steve Gilmore and Doug K.

162
00:06:31,000 --> 00:06:35,000
Apparently there was no Gilmore gang to be recorded this week.

163
00:06:35,000 --> 00:06:39,000
And, uh, so that you don't go running off and start checking your, uh,

164
00:06:39,000 --> 00:06:42,000
your iPodder and, uh, your scripts to see if something broke.

165
00:06:42,000 --> 00:06:44,000
You know, there actually just was no show recorded.

166
00:06:44,000 --> 00:06:47,000
So hopefully they'll have one, uh, one up pretty soon.

167
00:06:47,000 --> 00:06:48,000
Um, okay.

168
00:06:48,000 --> 00:06:50,000
So this, oh, there we go.

169
00:06:50,000 --> 00:06:51,000
Uh, street beats.

170
00:06:51,000 --> 00:06:52,000
It's Florida State.

171
00:06:52,000 --> 00:06:54,000
Florida State drum line.

172
00:06:54,000 --> 00:06:57,000
The license is non-R-I-A-A.

173
00:06:57,000 --> 00:06:59,000
Why did these cats crank?

174
00:06:59,000 --> 00:07:00,000
Check it out.

175
00:07:06,000 --> 00:07:07,000
I love that.

176
00:07:07,000 --> 00:07:09,000
No, I used to love it.

177
00:07:09,000 --> 00:07:12,000
I really used to love it when, um, when they'd be doing a, um, a parade.

178
00:07:12,000 --> 00:07:15,000
And then they'd walk by and they'd do, um,

179
00:07:15,000 --> 00:07:17,000
the theme from entertainment tonight.

180
00:07:17,000 --> 00:07:20,000
Have you ever heard of a high school or college drum band

181
00:07:20,000 --> 00:07:22,000
or the theme to entertainment?

182
00:07:24,000 --> 00:07:26,000
Uh, anyway, I'm kind of getting into drum, uh, drum band.

183
00:07:27,000 --> 00:07:29,000
Uh, should we be concerned about me?

184
00:07:29,000 --> 00:07:31,000
Possibly.

185
00:07:33,000 --> 00:07:38,000
Good morning and welcome to today's podcast for December 3rd, 2004.

186
00:07:38,000 --> 00:07:42,000
This is a brief daily offering of words for the wise and the other wise.

187
00:07:42,000 --> 00:07:47,000
Today's words from an article Adam Curry read on his abbreviated daily source code.

188
00:07:47,000 --> 00:07:51,000
The article by Felicity Lawrence is a wake-up call for the Western world's food

189
00:07:51,000 --> 00:07:52,000
humorous.

190
00:07:52,000 --> 00:07:55,000
The way we eat is not just ecologically unsustainable,

191
00:07:55,000 --> 00:08:00,000
but also morally and even biologically unsustainable.

192
00:08:00,000 --> 00:08:02,000
The word is profligate.

193
00:08:02,000 --> 00:08:03,000
Let's listen.

194
00:08:05,000 --> 00:08:10,000
Food is flown around the world to meet the supermarkets requirements for just in time ordering.

195
00:08:10,000 --> 00:08:14,000
Their demand for cosmetic perfection and a perpetual glow.

196
00:08:14,000 --> 00:08:18,000
In case you had noticed, this is, uh, basically me, um,

197
00:08:18,000 --> 00:08:22,000
fucking up the read that I did on, uh, what was it, um,

198
00:08:22,000 --> 00:08:26,000
what was I supposed to get my broadband? Was that, um, on the first of December?

199
00:08:26,000 --> 00:08:28,000
So that was, was that Wednesday, I think?

200
00:08:28,000 --> 00:08:30,000
When I, when was I really pissed off?

201
00:08:30,000 --> 00:08:31,000
Yeah, something like that.

202
00:08:31,000 --> 00:08:33,000
And then instead of doing a daily source code,

203
00:08:33,000 --> 00:08:36,000
I'd read this article from the Guardian,

204
00:08:36,000 --> 00:08:38,000
which I've actually linked to on ipodder.org.

205
00:08:38,000 --> 00:08:41,000
And I couldn't get this, this word right.

206
00:08:41,000 --> 00:08:43,000
Well, you'll, you'll hear it.

207
00:08:43,000 --> 00:08:49,000
We'll summer can be met by producers only if they use agrochemicals intensively

208
00:08:49,000 --> 00:08:54,000
and allow for a, uh, prof, uh, a big fucking word,

209
00:08:54,000 --> 00:08:56,000
degree of waste.

210
00:08:56,000 --> 00:09:01,000
A third of Kenyan green beans are thrown away because they are the wrong size or shape.

211
00:09:01,000 --> 00:09:02,000
Prophligate.

212
00:09:03,000 --> 00:09:06,000
PRO, FLI, G-A-T-E.

213
00:09:06,000 --> 00:09:10,000
Volume is an adjective that, in this context,

214
00:09:10,000 --> 00:09:13,000
means recklessly wasteful, wildly extravagant.

215
00:09:13,000 --> 00:09:17,000
It can also be used as a noun to describe a profligate person.

216
00:09:17,000 --> 00:09:20,000
Adam, I want to thank you for reading this editorial to us.

217
00:09:20,000 --> 00:09:25,000
I think you and Felicity draw much needed attention to the very serious problem.

218
00:09:25,000 --> 00:09:30,000
Um, hope all of your listeners read this article and hope a few of mine do too.

219
00:09:31,000 --> 00:09:36,000
You can find a link to this article as well as Adam's reading of it at today's podcast.com.

220
00:09:36,000 --> 00:09:38,000
Please email me with questions.

221
00:09:38,000 --> 00:09:45,000
Scott at today's podcast.com or send me a voice mail at 435-514-4859.

222
00:09:45,000 --> 00:09:48,000
Thanks for listening and please tell your friends about podcast.

223
00:09:48,000 --> 00:09:49,000
Yeah, right on.

224
00:09:49,000 --> 00:09:50,000
Okay.

225
00:09:50,000 --> 00:09:51,000
Thank you very much Scott.

226
00:09:51,000 --> 00:09:52,000
Send me straight there.

227
00:09:52,000 --> 00:09:53,000
Profligate.

228
00:09:53,000 --> 00:09:54,000
I can do that.

229
00:09:54,000 --> 00:09:55,000
Profligate.

230
00:09:55,000 --> 00:09:57,000
And it's good to know what words mean once in a while.

231
00:09:57,000 --> 00:09:58,000
Profligate.

232
00:09:58,000 --> 00:10:02,000
So we're sitting here in my new office in the castle.

233
00:10:02,000 --> 00:10:03,000
A couple things still wrong with it.

234
00:10:03,000 --> 00:10:07,000
I've got this beautiful desk that's antique desk that's Louis the 14th desk.

235
00:10:07,000 --> 00:10:09,000
But my chair doesn't fit under it.

236
00:10:09,000 --> 00:10:14,000
I guess the Louis guys were really small back in the Louis the 14th day.

237
00:10:14,000 --> 00:10:18,000
So I kind of like my knees are banging against the bottom of the desk.

238
00:10:18,000 --> 00:10:22,000
So we've got to figure a way to raise that up to give me a little more.

239
00:10:22,000 --> 00:10:25,000
A little more breathing room perhaps would be good.

240
00:10:25,000 --> 00:10:30,000
And as you can hear, I'm still using the new mega mic, the the sure SM7.

241
00:10:30,000 --> 00:10:33,000
I've got my reverb set up, Steve, and Doug, hope you like that.

242
00:10:33,000 --> 00:10:38,000
So I get a little bit of that castle vibe regardless of the size of the room these days.

243
00:10:38,000 --> 00:10:42,000
And even though I still don't have my broadband and you know,

244
00:10:42,000 --> 00:10:44,000
I'm so past the pissed off stage.

245
00:10:44,000 --> 00:10:47,000
I'm just kind of rolling with the flow on all of that.

246
00:10:47,000 --> 00:10:54,000
I've kind of relearned how much I love the concept of enclosures.

247
00:10:54,000 --> 00:11:02,000
And the whole iPod or concept because basically what I've done now is I've thrown out all my subscriptions completely.

248
00:11:02,000 --> 00:11:07,000
All I have is just basically the pod squad that I subscribe to.

249
00:11:07,000 --> 00:11:13,000
And of course link to the pod squad is on the production notes for today's show.

250
00:11:13,000 --> 00:11:17,000
And I only have that download the minute I go to bed.

251
00:11:18,000 --> 00:11:23,000
So actually the computer wakes up at 2 a.m. at 2 a.m. at wakes up.

252
00:11:23,000 --> 00:11:26,000
And the first thing it does, it fires up iPodder.

253
00:11:26,000 --> 00:11:30,000
And it goes off and downloads the pod squad.

254
00:11:30,000 --> 00:11:36,000
So pretty much every single day I've been lucky enough to have all of the all the files sitting there waiting for me.

255
00:11:36,000 --> 00:11:39,000
Because it's not so much that the bandwidth is slow.

256
00:11:39,000 --> 00:11:46,000
Because you know, some some podcasts really because they're so crunched just by so many people

257
00:11:46,000 --> 00:11:49,000
requesting the MP3 files. They come in pretty slow as is.

258
00:11:49,000 --> 00:11:53,000
The problem with not having the bandwidth is that you can't multitask.

259
00:11:53,000 --> 00:11:56,000
You can't download two things at the same time.

260
00:11:56,000 --> 00:11:58,000
Because that really of course is just no bandwidth.

261
00:11:58,000 --> 00:12:01,000
So it's not so much that's about the speed of stuff coming in.

262
00:12:01,000 --> 00:12:05,000
But it's about being able to do multiple simultaneous parallel processes.

263
00:12:05,000 --> 00:12:10,000
Like get your email at the same time check a web page.

264
00:12:10,000 --> 00:12:14,000
So I'm shifting all that stuff off into the middle of the night.

265
00:12:14,000 --> 00:12:19,000
So actually where I was telling you to please send me just a link to an MP3 file instead of an attachment.

266
00:12:19,000 --> 00:12:21,000
I'm back now to attachments.

267
00:12:21,000 --> 00:12:27,000
Please, if you're sending me something, if you're sending me a promo to your podcast and I love playing people's promos.

268
00:12:27,000 --> 00:12:29,000
Send it to me as an attachment.

269
00:12:29,000 --> 00:12:34,000
As long as it fits within, I think it's three or five megs that my email server allows in.

270
00:12:34,000 --> 00:12:40,000
Because that, you know, basically I just look at the headers and look at the body of the messages.

271
00:12:40,000 --> 00:12:45,000
And at night once again, I say go out and cash all of all of the attachments.

272
00:12:45,000 --> 00:12:49,000
So by the time I'm up and we're going to bed late, you know,

273
00:12:49,000 --> 00:12:52,000
I'm we're going to bed around 1 a.m. for some reason.

274
00:12:52,000 --> 00:12:54,000
Of course, we're seeing a still isn't in school.

275
00:12:54,000 --> 00:12:57,000
Hopefully this coming week looks like she'll be able to start and boy,

276
00:12:57,000 --> 00:12:59,000
she really wants to start.

277
00:12:59,000 --> 00:13:00,000
This is a great kid.

278
00:13:00,000 --> 00:13:01,000
She's like, I want to go to school.

279
00:13:01,000 --> 00:13:02,000
I'm so bored.

280
00:13:02,000 --> 00:13:08,000
So I then will obviously be going to bed a little bit more in a more timely fashion.

281
00:13:09,000 --> 00:13:11,000
Probably before midnight.

282
00:13:11,000 --> 00:13:18,000
So there's a good nine hours, you know, of just time for the computer to do what's work.

283
00:13:18,000 --> 00:13:20,000
And it's really not that bad.

284
00:13:20,000 --> 00:13:23,000
What sucks, of course, is when someone says, hey, check this out.

285
00:13:23,000 --> 00:13:25,000
And I can't do that in real time.

286
00:13:25,000 --> 00:13:27,000
I can't really do Skype calls.

287
00:13:27,000 --> 00:13:30,000
I can, but the Skype calls like four or five second delay.

288
00:13:30,000 --> 00:13:32,000
So, in fact, what I'm going to suggest today,

289
00:13:32,000 --> 00:13:34,000
if now that he more or less has his voice back,

290
00:13:34,000 --> 00:13:37,000
I'm going to ask if he'll do a trade secrets with me later this week.

291
00:13:37,000 --> 00:13:40,000
And what we're going to do is we're going to do a double ender,

292
00:13:40,000 --> 00:13:42,000
the way Don and Drew taught us.

293
00:13:42,000 --> 00:13:44,000
So Dave will basically record on his end.

294
00:13:44,000 --> 00:13:45,000
I'll record on my end.

295
00:13:45,000 --> 00:13:48,000
We'll have a communication like a phone.

296
00:13:48,000 --> 00:13:50,000
Probably, I think that'll be the best one,

297
00:13:50,000 --> 00:13:51,000
phone to communicate.

298
00:13:51,000 --> 00:13:53,000
And we'll both record our individual sides.

299
00:13:53,000 --> 00:13:55,000
We'll slap those two bits together.

300
00:13:55,000 --> 00:13:58,000
And we'll have a trade secrets and boys time for one.

301
00:13:58,000 --> 00:14:00,000
So much has happened.

302
00:14:00,000 --> 00:14:05,000
A lot of email, a lot of cool links to non-RIA-based music,

303
00:14:05,000 --> 00:14:09,000
which, of course, is what we try to play most of here on the daily source code.

304
00:14:09,000 --> 00:14:12,000
For instance, and again, all of these emails that I'm reading to you,

305
00:14:12,000 --> 00:14:15,000
all that information is in the podcast show notes,

306
00:14:15,000 --> 00:14:18,000
email from Joshua.

307
00:14:18,000 --> 00:14:22,000
Josh on the train, actually, who's listened to the source code on the train

308
00:14:22,000 --> 00:14:24,000
and it's called me about that before.

309
00:14:24,000 --> 00:14:25,000
He says, a thought here.

310
00:14:25,000 --> 00:14:30,000
Non-RIA music should be freer, freer, freer,

311
00:14:30,000 --> 00:14:33,000
F-R-E-F-R-I-A-A,

312
00:14:34,000 --> 00:14:38,000
which stands for F-R-I-A-A, freer, freer,

313
00:14:38,000 --> 00:14:39,000
I don't know Josh.

314
00:14:39,000 --> 00:14:40,000
I think we've got to work on that.

315
00:14:40,000 --> 00:14:43,000
I don't know if that's going to work.

316
00:14:43,000 --> 00:14:45,000
Some freer music that we have been playing,

317
00:14:45,000 --> 00:14:48,000
that I played a couple times, is the lascivious bitis.

318
00:14:48,000 --> 00:14:51,000
Bittisforever.com is their website.

319
00:14:51,000 --> 00:14:56,000
Excuse me, and I've had kind of an ongoing email conversation

320
00:14:56,000 --> 00:15:00,000
with Leanne from the lascivious bitis.

321
00:15:00,000 --> 00:15:03,000
And what was really nice is, she sent me an email,

322
00:15:03,000 --> 00:15:05,000
and she said, I want you to know,

323
00:15:05,000 --> 00:15:07,000
we've sold a ton of CDs,

324
00:15:07,000 --> 00:15:10,000
and have gotten much more fan mail than usual

325
00:15:10,000 --> 00:15:13,000
after your podcast of the list of these bitis.

326
00:15:13,000 --> 00:15:15,000
We've done plenty of radio and TV,

327
00:15:15,000 --> 00:15:17,000
and I think the only other thing that got people going

328
00:15:17,000 --> 00:15:19,000
like that was when we did the Bobby Flasho

329
00:15:19,000 --> 00:15:21,000
on the Food Network.

330
00:15:21,000 --> 00:15:24,000
All right, we're up there.

331
00:15:24,000 --> 00:15:28,000
Podcasting equals Food Network.

332
00:15:29,000 --> 00:15:32,000
Hey, the Food Network's all right.

333
00:15:32,000 --> 00:15:34,000
And I haven't had the courage actually

334
00:15:34,000 --> 00:15:36,000
to ask what a ton of CDs means,

335
00:15:36,000 --> 00:15:40,000
but just the fact that by playing someone's band

336
00:15:40,000 --> 00:15:42,000
on the daily source code that people are going out

337
00:15:42,000 --> 00:15:44,000
and buying that CD.

338
00:15:44,000 --> 00:15:46,000
They're probably buying it from the website.

339
00:15:46,000 --> 00:15:48,000
I cannot tell you how good that makes me feel.

340
00:15:48,000 --> 00:15:50,000
It's the same thing with Leanne Wilkins,

341
00:15:50,000 --> 00:15:53,000
who we'll talk about later on in the show.

342
00:15:53,000 --> 00:15:55,000
And Jenny, they're two dogs.

343
00:15:55,000 --> 00:15:57,000
You've probably heard this from the Friday podcast,

344
00:15:57,000 --> 00:15:59,000
where I basically had him on the show,

345
00:15:59,000 --> 00:16:02,000
and he's trying to get his dogs out of jail.

346
00:16:02,000 --> 00:16:04,000
In Atlanta, I total fuck up,

347
00:16:04,000 --> 00:16:08,000
and he's really just too much money for them to cough up.

348
00:16:08,000 --> 00:16:10,000
I spoke to him this morning,

349
00:16:10,000 --> 00:16:12,000
already they had like $700,

350
00:16:12,000 --> 00:16:15,000
and it was so incredibly cool that people don't know.

351
00:16:15,000 --> 00:16:17,000
I mean, people are doing $10,

352
00:16:17,000 --> 00:16:21,000
$20, $25 to help them out.

353
00:16:21,000 --> 00:16:24,000
And really, I cannot tell you how much I appreciate that.

354
00:16:24,000 --> 00:16:26,000
And most people really understood the,

355
00:16:26,000 --> 00:16:30,000
the issue and really understood what it means to have

356
00:16:30,000 --> 00:16:34,000
your dogs in jail, basically.

357
00:16:34,000 --> 00:16:37,000
And the people really understood it donated quite generously,

358
00:16:37,000 --> 00:16:39,000
and that's so incredibly nice.

359
00:16:39,000 --> 00:16:41,000
And what it tells me is that,

360
00:16:41,000 --> 00:16:43,000
hey, wait a minute, we have a business model.

361
00:16:43,000 --> 00:16:46,000
We have an absolute fucking business model for podcasting.

362
00:16:46,000 --> 00:16:48,000
I know how to make other people money.

363
00:16:48,000 --> 00:16:49,000
That's what I know.

364
00:16:49,000 --> 00:16:51,000
I know how to make those serious bitties money.

365
00:16:51,000 --> 00:16:54,000
I know how to make money for worthy causes.

366
00:16:54,000 --> 00:16:58,000
That's a real serious business model that we cannot overlook.

367
00:16:58,000 --> 00:17:01,000
And quite honestly, I'm pretty fucking proud.

368
00:17:01,000 --> 00:17:04,000
I was sitting to Adam Curry show last week,

369
00:17:04,000 --> 00:17:05,000
the Tuesday show,

370
00:17:05,000 --> 00:17:07,000
and I was surprised to hear him play Battalica.

371
00:17:07,000 --> 00:17:13,000
Battalica are a band that take Battalica as a sort of a style,

372
00:17:13,000 --> 00:17:18,000
and then take the riffs and the backing music of the Beatles,

373
00:17:18,000 --> 00:17:20,000
in this case it was, hey, Jude,

374
00:17:20,000 --> 00:17:22,000
and sort of mash them together.

375
00:17:22,000 --> 00:17:23,000
He introduced it as a mashup,

376
00:17:23,000 --> 00:17:26,000
although mashups are usually working with a crawled at works.

377
00:17:26,000 --> 00:17:30,000
And in this case, I would call it more of a live mashup.

378
00:17:30,000 --> 00:17:34,000
So I thought it'd be interesting to play a band that I know of in San Francisco,

379
00:17:34,000 --> 00:17:37,000
called Smashup Derby, who are actually doing live mashups.

380
00:17:37,000 --> 00:17:40,000
They're doing these actually live,

381
00:17:40,000 --> 00:17:42,000
and actually playing events,

382
00:17:42,000 --> 00:17:44,000
whereas Battalica, a very secretive,

383
00:17:44,000 --> 00:17:47,000
and friends I know only do recordings.

384
00:17:47,000 --> 00:17:51,000
So, here they are taking Franz Ferdinand,

385
00:17:51,000 --> 00:17:54,000
mixing it with talking heads. I'll see what you think.

386
00:18:03,000 --> 00:18:05,000
By the way, this is pretty fucked up, chef.

387
00:18:05,000 --> 00:18:07,000
But I think you're like it.

388
00:18:13,750 --> 00:21:41,250
[ Music ]

389
00:21:42,480 --> 00:21:45,480
That was talking friends by SmashUp Derby

390
00:21:45,480 --> 00:21:48,480
Now if you want to find out more about SmashUp Derby

391
00:21:48,480 --> 00:21:53,480
They have their websites, which is at www. SmashUp Derby.com

392
00:21:53,480 --> 00:21:56,480
That's Derby or the need Derby as in Derby and Joan

393
00:21:56,480 --> 00:22:00,480
Now I love that song, I love the idea of sort of mashing things

394
00:22:00,480 --> 00:22:04,480
That were live, because so often I'm messing around in acid

395
00:22:04,480 --> 00:22:07,480
Or not on acid, I mean in acid the problem

396
00:22:07,480 --> 00:22:10,480
And actually trying to get things to work

397
00:22:10,480 --> 00:22:14,480
And you can do so much more with a real band

398
00:22:14,480 --> 00:22:19,480
And of course Adrian and Matti C are both involved with

399
00:22:20,480 --> 00:22:22,480
The club in San Francisco

400
00:22:22,480 --> 00:22:25,480
So they're quite heavily involved in the bootleg scene

401
00:22:25,480 --> 00:22:28,480
And it's really nice to sort of hear something that's sort of live

402
00:22:28,480 --> 00:22:30,480
And something that's quite dynamic like that

403
00:22:30,480 --> 00:22:32,480
And I would love to see them alive at some point

404
00:22:39,480 --> 00:22:40,480
Shit

405
00:22:41,480 --> 00:22:43,480
Let me just explain what happened

406
00:22:43,480 --> 00:22:44,480
Can you take this question there?

407
00:22:44,480 --> 00:22:46,480
Oh, cool

408
00:22:47,480 --> 00:22:50,480
But I want that, I don't want a free mouse pad, I want my mouse

409
00:22:50,480 --> 00:22:51,480
By mouse and Matt

410
00:22:51,480 --> 00:22:56,480
Okay, so I was so enthusiastic about that live mashup

411
00:22:56,480 --> 00:22:59,480
That essentially in my entire cup of tea

412
00:22:59,480 --> 00:23:02,480
Spilled all over the desk, all over the Louis 14

413
00:23:02,480 --> 00:23:04,480
The Louis Qatar's

414
00:23:04,480 --> 00:23:05,480
Shit

415
00:23:07,480 --> 00:23:11,480
And Christina was nice enough to get me a big roll of paper towel

416
00:23:11,480 --> 00:23:14,480
It didn't spill on the keyboard

417
00:23:14,480 --> 00:23:19,480
Fuck, all over the desk, all over the breakout box

418
00:23:19,480 --> 00:23:23,480
Over the mouse pad

419
00:23:23,480 --> 00:23:24,480
Christina

420
00:23:24,480 --> 00:23:27,480
Okay

421
00:23:27,480 --> 00:23:29,480
All right

422
00:23:31,480 --> 00:23:34,480
Okay, so sometimes shit just sucks

423
00:23:34,480 --> 00:23:37,480
Let me see what can I do with like continue to clean up here

424
00:23:37,480 --> 00:23:39,480
Listen to the sports pod, okay?

425
00:23:39,480 --> 00:23:41,480
Yeah, you'll enjoy that

426
00:23:44,480 --> 00:23:46,480
Oh, it's fun, who goes crazy

427
00:23:46,480 --> 00:23:48,480
Down goes crazy

428
00:23:48,480 --> 00:23:49,480
Oh, it's fun

429
00:23:49,480 --> 00:23:52,480
I don't believe what I just thought

430
00:23:52,480 --> 00:23:53,480
Oh, it's fun

431
00:23:53,480 --> 00:23:55,480
And check the ball

432
00:23:55,480 --> 00:23:57,480
And check the ball

433
00:23:57,480 --> 00:23:58,480
Oh, it's fun

434
00:23:58,480 --> 00:24:00,480
You believe in miracles

435
00:24:00,480 --> 00:24:02,480
Yeah

436
00:24:02,480 --> 00:24:04,480
Okay, we're going to the sports pod for Friday

437
00:24:04,480 --> 00:24:07,480
December 2,000 and four

438
00:24:07,480 --> 00:24:11,480
Sports pod on demand through pod task technology

439
00:24:12,480 --> 00:24:14,480
I'm good, it's talking to you at 9

440
00:24:14,480 --> 00:24:15,480
15

441
00:24:15,480 --> 00:24:16,480
10

442
00:24:16,480 --> 00:24:18,480
Yeah, yeah, it's just a good time

443
00:24:18,480 --> 00:24:20,480
And I want to hear from you

444
00:24:20,480 --> 00:24:21,480
Tech that voice emails

445
00:24:21,480 --> 00:24:22,480
Go to

446
00:24:22,480 --> 00:24:23,480
Curtis

447
00:24:23,480 --> 00:24:24,480
At these sports pod

448
00:24:24,480 --> 00:24:27,480
Okay, so basically I just wanted to give you a little

449
00:24:27,480 --> 00:24:30,480
Just a little bit of promo there about the sports pod

450
00:24:30,480 --> 00:24:32,480
I didn't want to play the whole thing for you. Okay

451
00:24:32,480 --> 00:24:34,480
Hold on, let me just reset the microphone

452
00:24:34,480 --> 00:24:35,480
Okay, that's better

453
00:24:35,480 --> 00:24:36,480
There we go

454
00:24:37,480 --> 00:24:38,480
Shoot

455
00:24:38,480 --> 00:24:39,480
I hate that

456
00:24:39,480 --> 00:24:40,480
So rocking, man

457
00:24:40,480 --> 00:24:43,480
I was like totally jamming out to that mashup

458
00:24:43,480 --> 00:24:45,480
And then it's like this huge cup

459
00:24:45,480 --> 00:24:47,480
It's not like a little teensy weeny

460
00:24:47,480 --> 00:24:50,480
You know, a little wanky tea cup

461
00:24:50,480 --> 00:24:52,480
It's a big, I love my pony coffee cup

462
00:24:52,480 --> 00:24:54,480
You know, and the whole thing

463
00:24:54,480 --> 00:24:56,480
I just like, I think my headphone

464
00:24:56,480 --> 00:24:58,480
Wire caught on it or something

465
00:24:58,480 --> 00:25:00,480
Oh, man, totally sucked

466
00:25:00,480 --> 00:25:03,480
Okay, you're still tuned into the daily source code

467
00:25:03,480 --> 00:25:05,480
Madam Curry coming to you from the United Kingdom

468
00:25:05,480 --> 00:25:07,480
We're in Guildford

469
00:25:07,480 --> 00:25:10,480
And it disclosed cottage location

470
00:25:10,480 --> 00:25:12,480
And

471
00:25:12,480 --> 00:25:15,480
I'm still getting lots of email about

472
00:25:15,480 --> 00:25:19,480
You know, UK culture and who invented what?

473
00:25:19,480 --> 00:25:21,480
Another email here from

474
00:25:21,480 --> 00:25:23,480
Let's see

475
00:25:23,480 --> 00:25:25,480
I would this email come from

476
00:25:25,480 --> 00:25:28,480
Oh man, it's a long email

477
00:25:28,480 --> 00:25:30,480
That's for sure

478
00:25:30,480 --> 00:25:34,480
Okay, well, can I even tell who the email is from

479
00:25:34,480 --> 00:25:37,480
But the gist of the email is

480
00:25:37,480 --> 00:25:39,480
Inventors of the TV

481
00:25:39,480 --> 00:25:42,480
Remember we were talking about this on a previous source code

482
00:25:42,480 --> 00:25:44,480
Well, it's a tie

483
00:25:44,480 --> 00:25:46,480
Okay, Adam, you won't remember me

484
00:25:46,480 --> 00:25:50,480
But I love when people start off the emails to me like that

485
00:25:50,480 --> 00:25:52,480
Adam, you won't remember me

486
00:25:52,480 --> 00:25:54,480
However

487
00:25:54,480 --> 00:25:55,480
Oh, a number of years ago

488
00:25:55,480 --> 00:25:57,480
When you needed assistance with your power book

489
00:25:57,480 --> 00:25:58,480
At Media Plaza

490
00:25:58,480 --> 00:26:01,480
I was the new Mac headed American webmaster there

491
00:26:01,480 --> 00:26:02,480
Of course I remember

492
00:26:03,480 --> 00:26:07,480
So whoever said that low-key barred was the inventor of the television

493
00:26:07,480 --> 00:26:10,480
Only told you part of the truth apparently

494
00:26:10,480 --> 00:26:12,480
You see it's a little more complicated than that

495
00:26:12,480 --> 00:26:14,480
Barred invented a technique for television

496
00:26:14,480 --> 00:26:16,480
Referred to his mechanical television

497
00:26:16,480 --> 00:26:19,480
And publicly display that in 1924

498
00:26:19,480 --> 00:26:21,480
Now what it is, it used huge hungs of wood

499
00:26:21,480 --> 00:26:24,480
And a spinning disk kind of like a flat

500
00:26:24,480 --> 00:26:27,480
Zoatrop to collect the image

501
00:26:27,480 --> 00:26:29,480
Oh, there's all kinds of links to this shit

502
00:26:29,480 --> 00:26:31,480
So at the same time in 1923

503
00:26:31,480 --> 00:26:32,480
In 1923

504
00:26:32,480 --> 00:26:34,480
A first up towards electronic television

505
00:26:34,480 --> 00:26:37,480
Developed into today's cathode rate

506
00:26:37,480 --> 00:26:39,480
Toot patented in 1924

507
00:26:39,480 --> 00:26:41,480
And he called it at the time

508
00:26:41,480 --> 00:26:42,480
The kinoscope

509
00:26:42,480 --> 00:26:45,480
Meanwhile in 22 in the town of Rigby, Idaho

510
00:26:45,480 --> 00:26:48,480
Philo T. Farnsworth, the high school science teacher

511
00:26:48,480 --> 00:26:50,480
With no history of electronics

512
00:26:50,480 --> 00:26:51,480
Engineering sketched his design

513
00:26:51,480 --> 00:26:52,480
For electrical engineering

514
00:26:52,480 --> 00:26:55,480
Toot and the high school science teacher

515
00:26:55,480 --> 00:26:56,480
With no history of electronics

516
00:26:56,480 --> 00:26:57,480
Engineering sketched his design

517
00:26:57,480 --> 00:27:00,480
For electrical engineering

518
00:27:00,480 --> 00:27:02,480
Design for electronic television

519
00:27:02,480 --> 00:27:04,480
The model we used today

520
00:27:04,480 --> 00:27:06,480
So you've got to go through this email

521
00:27:06,480 --> 00:27:08,480
It's in the podcast show notes

522
00:27:08,480 --> 00:27:11,480
It's just it continues to bugle my mind

523
00:27:11,480 --> 00:27:13,480
How you grow up

524
00:27:13,480 --> 00:27:15,480
Depending on where you grow up

525
00:27:15,480 --> 00:27:17,480
Thinking that certain people

526
00:27:17,480 --> 00:27:20,480
Usually of your own country, origin and culture

527
00:27:20,480 --> 00:27:22,480
Discovered certain things

528
00:27:22,480 --> 00:27:24,480
And when you really get down to it

529
00:27:24,480 --> 00:27:26,480
There seems to be some dispute about stuff

530
00:27:26,480 --> 00:27:27,480
Some people say, well

531
00:27:27,480 --> 00:27:29,480
Yeah, it depends on how you look at it

532
00:27:30,480 --> 00:27:33,480
So check that out in the podcast show notes for today's

533
00:27:33,480 --> 00:27:34,480
DailySource Code

534
00:27:34,480 --> 00:27:37,480
Which can find on dailySourcecode.com

535
00:27:37,480 --> 00:27:40,480
Hey Adam, hope you're settled in at the Prairie Cottage

536
00:27:40,480 --> 00:27:43,480
Well, yeah kind of

537
00:27:43,480 --> 00:27:45,480
Patricia said yesterday

538
00:27:45,480 --> 00:27:48,480
She said, we finally unpacked

539
00:27:48,480 --> 00:27:50,480
It doesn't mean we're completely settled

540
00:27:50,480 --> 00:27:51,480
But we're unpacked

541
00:27:51,480 --> 00:27:54,480
I just wanted to go and tell you a few things

542
00:27:54,480 --> 00:27:56,480
One struggle comments

543
00:27:56,480 --> 00:27:58,480
Love in your show

544
00:27:58,480 --> 00:27:59,480
You can work ass

545
00:27:59,480 --> 00:28:01,480
Maybe back in MTV

546
00:28:01,480 --> 00:28:03,480
Didn't see her for a while

547
00:28:03,480 --> 00:28:05,480
And I'll get them not seen you now

548
00:28:05,480 --> 00:28:07,480
But definitely hearing a loud and clear

549
00:28:07,480 --> 00:28:08,480
Thanks

550
00:28:08,480 --> 00:28:10,480
Number two

551
00:28:10,480 --> 00:28:12,480
I got a little behind on my podcasts

552
00:28:12,480 --> 00:28:14,480
And so I thought I'd just listen to them

553
00:28:14,480 --> 00:28:16,480
Oh man, this sounds kind of crappy

554
00:28:16,480 --> 00:28:17,480
What are you using?

555
00:28:17,480 --> 00:28:18,480
On the plane ride

556
00:28:18,480 --> 00:28:22,480
Well, I was listening to one of your podcast

557
00:28:22,480 --> 00:28:24,480
And it was you on a plane

558
00:28:24,480 --> 00:28:26,480
On your way to Amsterdam

559
00:28:26,480 --> 00:28:28,480
And that's where I was headed to

560
00:28:28,480 --> 00:28:30,480
Just a little funny deja vu

561
00:28:30,480 --> 00:28:32,480
I guess that's the word for it

562
00:28:32,480 --> 00:28:34,480
And number three

563
00:28:34,480 --> 00:28:36,480
I've seen one of you talking about

564
00:28:36,480 --> 00:28:39,480
The idea of being able to do podcasts

565
00:28:39,480 --> 00:28:41,480
From like your iPod

566
00:28:41,480 --> 00:28:42,480
Thought I'd let you know

567
00:28:42,480 --> 00:28:45,480
That there is a non iPod alternative

568
00:28:45,480 --> 00:28:46,480
Okay

569
00:28:46,480 --> 00:28:47,480
Hard to I've played

570
00:28:47,480 --> 00:28:48,480
Not like the little yups

571
00:28:48,480 --> 00:28:50,480
It's the I River

572
00:28:50,480 --> 00:28:51,480
I HP

573
00:28:51,480 --> 00:28:52,480
So

574
00:28:52,480 --> 00:28:54,480
And I'm doing it from that

575
00:28:54,480 --> 00:28:56,480
Actually, I think I ordered one of those

576
00:28:56,480 --> 00:28:58,480
And are you recording it on the on the I River?

577
00:28:58,480 --> 00:28:59,480
Damn

578
00:28:59,480 --> 00:29:00,480
I hope it's

579
00:29:00,480 --> 00:29:02,480
I wonder what the is it like

580
00:29:02,480 --> 00:29:05,480
32k or is it 64k?

581
00:29:05,480 --> 00:29:06,480
You need to

582
00:29:06,480 --> 00:29:08,480
Wait, that maybe I can see that

583
00:29:08,480 --> 00:29:10,480
From the info on the file

584
00:29:10,480 --> 00:29:11,480
Let's see

585
00:29:11,480 --> 00:29:12,480
Oh

586
00:29:12,480 --> 00:29:13,480
Data rate

587
00:29:13,480 --> 00:29:14,480
4.8k

588
00:29:14,480 --> 00:29:15,480
Bites per second

589
00:29:15,480 --> 00:29:16,480
Ah

590
00:29:16,480 --> 00:29:17,480
Okay

591
00:29:17,480 --> 00:29:19,480
That explains the quality

592
00:29:19,480 --> 00:29:20,480
So

593
00:29:20,480 --> 00:29:22,480
If you think it sounds like crap

594
00:29:22,480 --> 00:29:24,480
Maybe it's not good for you to use

595
00:29:24,480 --> 00:29:26,480
But does have a digital

596
00:29:26,480 --> 00:29:28,480
And a analog

597
00:29:28,480 --> 00:29:30,480
Lines and line out

598
00:29:30,480 --> 00:29:32,480
It's pretty nice tool

599
00:29:32,480 --> 00:29:34,480
Okay, that's it

600
00:29:34,480 --> 00:29:35,480
Just wanted to go

601
00:29:35,480 --> 00:29:36,480
And main point was

602
00:29:36,480 --> 00:29:38,480
Thank you for the killer cast

603
00:29:38,480 --> 00:29:39,480
Oh man

604
00:29:39,480 --> 00:29:40,480
Degadise

605
00:29:40,480 --> 00:29:42,480
No, you don't have to thank me

606
00:29:42,480 --> 00:29:43,480
Thank you

607
00:29:43,480 --> 00:29:44,480
Boy or only

608
00:29:44,480 --> 00:29:45,480
Thank you all so very much

609
00:29:45,480 --> 00:29:48,480
More on the source code now

610
00:29:48,480 --> 00:29:50,480
Um

611
00:29:50,480 --> 00:29:52,480
Let's listen to the latest Don and Drew

612
00:29:52,480 --> 00:29:54,480
Uh show

613
00:29:54,480 --> 00:29:56,480
And a couple things

614
00:29:56,480 --> 00:29:57,480
First of all, it turns out

615
00:29:57,480 --> 00:29:59,480
They're banned in Finland

616
00:29:59,480 --> 00:30:01,480
Apparently

617
00:30:01,480 --> 00:30:03,480
Uh one or multiple

618
00:30:03,480 --> 00:30:05,480
Finish ISPs no longer

619
00:30:05,480 --> 00:30:09,480
Allow access to the Donandrew.com

620
00:30:09,480 --> 00:30:11,480
Man those fins, you know

621
00:30:11,480 --> 00:30:12,480
There's there

622
00:30:12,480 --> 00:30:14,480
They're so politically correct

623
00:30:14,480 --> 00:30:17,480
Don't try and show a nipple in Finland

624
00:30:17,480 --> 00:30:19,480
Either everybody

625
00:30:20,480 --> 00:30:22,480
But Dons get really pissed about all this press

626
00:30:22,480 --> 00:30:23,480
That they're getting

627
00:30:23,480 --> 00:30:26,480
And basically, and this happens all the time

628
00:30:26,480 --> 00:30:28,480
With people who are married

629
00:30:28,480 --> 00:30:30,480
You know, they'll kind of

630
00:30:30,480 --> 00:30:32,480
Assume or presume

631
00:30:32,480 --> 00:30:34,480
Certainly the press will assume that you have

632
00:30:34,480 --> 00:30:35,480
Your husband's last name

633
00:30:35,480 --> 00:30:36,480
So

634
00:30:36,480 --> 00:30:38,480
So she's being quoted as

635
00:30:38,480 --> 00:30:40,480
Don Dunkus

636
00:30:40,480 --> 00:30:42,480
So it's Drew

637
00:30:42,480 --> 00:30:43,480
Dunkus

638
00:30:43,480 --> 00:30:45,480
And Don Miss Sally

639
00:30:45,480 --> 00:30:46,480
And she's getting pissed

640
00:30:46,480 --> 00:30:48,480
And we got to watch out, you know

641
00:30:48,480 --> 00:30:49,480
Journalists out there

642
00:30:49,480 --> 00:30:50,480
Because you know she's going to stop

643
00:30:50,480 --> 00:30:51,480
She's getting into a half

644
00:30:51,480 --> 00:30:52,480
And then you show a puff off

645
00:30:52,480 --> 00:30:53,480
And she

646
00:30:53,480 --> 00:30:55,480
And she won't want to do any more podcast

647
00:30:55,480 --> 00:30:57,480
So we got to be careful

648
00:30:57,480 --> 00:30:58,480
Don Miss Sally

649
00:30:58,480 --> 00:30:59,480
It's Don Miss Sally

650
00:30:59,480 --> 00:31:00,480
Everybody

651
00:31:00,480 --> 00:31:02,480
And

652
00:31:02,480 --> 00:31:04,480
There's something else that I don't

653
00:31:04,480 --> 00:31:05,480
Don't have a queue up for you

654
00:31:05,480 --> 00:31:07,480
But there's something that Don says

655
00:31:07,480 --> 00:31:09,480
In, uh, let's see

656
00:31:09,480 --> 00:31:11,480
That is the December second podcast

657
00:31:11,480 --> 00:31:12,480
So the Don and Drew show

658
00:31:12,480 --> 00:31:14,480
Where she says something

659
00:31:14,480 --> 00:31:15,480
There's been haunting my mind

660
00:31:15,480 --> 00:31:17,480
For the longest time

661
00:31:17,480 --> 00:31:19,480
Because it works

662
00:31:19,480 --> 00:31:21,480
You know in order to stop smoking

663
00:31:21,480 --> 00:31:23,480
And I'm talking about evil smoke

664
00:31:23,480 --> 00:31:25,480
Right cigarette smoke

665
00:31:25,480 --> 00:31:26,480
Let's just forget all other types of smoke

666
00:31:26,480 --> 00:31:28,480
For the time being

667
00:31:28,480 --> 00:31:31,480
You have to have some kind of incentive

668
00:31:31,480 --> 00:31:32,480
Death is a good one

669
00:31:32,480 --> 00:31:34,480
That works for a lot of people

670
00:31:34,480 --> 00:31:36,480
It's really hard to stay off smoking

671
00:31:36,480 --> 00:31:39,480
And I guess for me

672
00:31:39,480 --> 00:31:41,480
The worst part is

673
00:31:41,480 --> 00:31:43,480
In the Netherlands

674
00:31:43,480 --> 00:31:45,480
If you go by a

675
00:31:45,480 --> 00:31:47,480
Prefabricated split

676
00:31:47,480 --> 00:31:49,480
They basically mix the

677
00:31:49,480 --> 00:31:51,480
Marijuana with tobacco

678
00:31:51,480 --> 00:31:53,480
And that's not good

679
00:31:53,480 --> 00:31:55,480
It tastes really good

680
00:31:55,480 --> 00:31:56,480
I got to tell you that

681
00:31:56,480 --> 00:31:57,480
It tastes wonderful

682
00:31:57,480 --> 00:31:59,480
And I can dream about that

683
00:31:59,480 --> 00:32:00,480
But I can't have it

684
00:32:00,480 --> 00:32:01,480
I can't have it

685
00:32:01,480 --> 00:32:03,480
Because I'm an addict

686
00:32:03,480 --> 00:32:04,480
I am a

687
00:32:04,480 --> 00:32:05,480
Nicotine addict

688
00:32:05,480 --> 00:32:06,480
And if I have one of those

689
00:32:06,480 --> 00:32:07,480
Then I basically fall off the wagon

690
00:32:07,480 --> 00:32:09,480
And then I want to smoke again

691
00:32:09,480 --> 00:32:10,480
And Don said something to me

692
00:32:10,480 --> 00:32:11,480
At a blogger con

693
00:32:11,480 --> 00:32:12,480
Hey, hon

694
00:32:12,480 --> 00:32:13,480
Hello

695
00:32:13,480 --> 00:32:14,480
Can I help you?

696
00:32:14,480 --> 00:32:17,480
No, no, no

697
00:32:17,480 --> 00:32:19,480
It only spilled on the Louis Cetsware desk

698
00:32:19,480 --> 00:32:20,480
Oh, shit

699
00:32:20,480 --> 00:32:22,480
It did spill on the carpet

700
00:32:22,480 --> 00:32:23,480
Yes

701
00:32:23,480 --> 00:32:24,480
Fuck

702
00:32:24,480 --> 00:32:27,480
It was this whole thing spilled

703
00:32:27,480 --> 00:32:29,480
I'm sorry

704
00:32:29,480 --> 00:32:30,480
I didn't even see it on that

705
00:32:30,480 --> 00:32:32,480
Yeah, that was a bonfire

706
00:32:32,480 --> 00:32:34,480
It's just a little bit

707
00:32:34,480 --> 00:32:36,480
Will that come out?

708
00:32:36,480 --> 00:32:38,480
A T

709
00:32:38,480 --> 00:32:39,480
No, a T won't come

710
00:32:39,480 --> 00:32:40,480
It's like pain

711
00:32:40,480 --> 00:32:41,480
It's like pain

712
00:32:42,480 --> 00:32:44,480
Hold on

713
00:32:44,480 --> 00:32:45,480
We can't hear you

714
00:32:45,480 --> 00:32:46,480
We used to die

715
00:32:46,480 --> 00:32:47,480
Are underwear in there

716
00:32:47,480 --> 00:32:48,480
In T

717
00:32:48,480 --> 00:32:49,480
You're underwear?

718
00:32:49,480 --> 00:32:51,480
Yeah, if you want to have sort of

719
00:32:51,480 --> 00:32:53,480
Well, who's going to see underwear?

720
00:32:53,480 --> 00:32:55,480
Skin collar underwear

721
00:32:55,480 --> 00:32:57,480
Well, sometimes you need it under

722
00:32:57,480 --> 00:32:59,480
Under something that's a little bit

723
00:32:59,480 --> 00:33:00,480
Yeah, see you

724
00:33:00,480 --> 00:33:01,480
See you through

725
00:33:01,480 --> 00:33:03,480
So you wear something

726
00:33:03,480 --> 00:33:04,480
Wait everybody

727
00:33:04,480 --> 00:33:06,480
Here's clothing tips from Patricia

728
00:33:06,480 --> 00:33:08,480
You put it in the T

729
00:33:08,480 --> 00:33:09,480
Well

730
00:33:09,480 --> 00:33:10,480
You can now wear my carpet

731
00:33:11,480 --> 00:33:13,480
You can steep it a little bit

732
00:33:13,480 --> 00:33:15,480
And then after we're afterwards

733
00:33:15,480 --> 00:33:17,480
You got beautiful skin color

734
00:33:17,480 --> 00:33:18,480
Underwear

735
00:33:18,480 --> 00:33:20,480
But it's not good on the carpet

736
00:33:20,480 --> 00:33:21,480
No

737
00:33:21,480 --> 00:33:22,480
No

738
00:33:22,480 --> 00:33:23,480
That's not good

739
00:33:23,480 --> 00:33:24,480
That's not going to come out

740
00:33:24,480 --> 00:33:25,480
Is it?

741
00:33:25,480 --> 00:33:26,480
That's going to suck

742
00:33:26,480 --> 00:33:27,480
Ah

743
00:33:27,480 --> 00:33:30,480
It's probably already in there

744
00:33:30,480 --> 00:33:32,480
Oh yeah, it's already leaking

745
00:33:32,480 --> 00:33:33,480
Down towards the very good

746
00:33:33,480 --> 00:33:34,480
I did a good job, huh?

747
00:33:34,480 --> 00:33:35,480
Yeah

748
00:33:35,480 --> 00:33:36,480
I did a good job

749
00:33:36,480 --> 00:33:37,480
Stepping on it with my big boots

750
00:33:37,480 --> 00:33:38,480
You know, and I was in the shower

751
00:33:38,480 --> 00:33:40,480
I took a nice and relaxed shower

752
00:33:40,480 --> 00:33:41,480
I didn't do anything

753
00:33:41,480 --> 00:33:42,480
I didn't do anything

754
00:33:42,480 --> 00:33:43,480
I didn't do anything

755
00:33:43,480 --> 00:33:44,480
I didn't do anything

756
00:33:44,480 --> 00:33:45,480
I didn't do anything

757
00:33:45,480 --> 00:33:46,480
I didn't do anything

758
00:33:46,480 --> 00:33:47,480
Nothing

759
00:33:47,480 --> 00:33:48,480
Nothing, dear

760
00:33:48,480 --> 00:33:49,480
Okay, thank you

761
00:33:49,480 --> 00:33:51,480
I'll continue with my show now

762
00:33:51,480 --> 00:33:52,480
Love you, mean it

763
00:33:52,480 --> 00:33:53,480
Bye

764
00:33:53,480 --> 00:33:56,480
So Dawn

765
00:33:56,480 --> 00:33:58,480
Let's get back to Dawn for a second

766
00:33:58,480 --> 00:33:59,480
My other wife

767
00:33:59,480 --> 00:34:01,480
She

768
00:34:01,480 --> 00:34:03,480
She said something that haunted me

769
00:34:03,480 --> 00:34:05,480
And it just works so well as an incentive

770
00:34:05,480 --> 00:34:07,480
And I've been to Amsterdam in the meantime

771
00:34:07,480 --> 00:34:09,480
She said

772
00:34:09,480 --> 00:34:11,480
Smoking cigarettes

773
00:34:11,480 --> 00:34:12,480
Smoking tobacco

774
00:34:12,480 --> 00:34:14,480
Is like sucking on

775
00:34:14,480 --> 00:34:16,480
The man's dick

776
00:34:16,480 --> 00:34:18,480
The man being the man

777
00:34:18,480 --> 00:34:20,480
Not a man, but the man

778
00:34:20,480 --> 00:34:23,480
And she says it again in that podcast

779
00:34:23,480 --> 00:34:25,480
December 2nd podcast

780
00:34:25,480 --> 00:34:27,480
I'm going to have to drag that up

781
00:34:27,480 --> 00:34:29,480
Because it's going to work for other people

782
00:34:29,480 --> 00:34:30,480
I really will

783
00:34:30,480 --> 00:34:31,480
When you hear the way she says it, it's just like

784
00:34:31,480 --> 00:34:33,480
Whoa, you know, and it makes so much sense

785
00:34:33,480 --> 00:34:35,480
Because totally, you know, like you're being addicted

786
00:34:36,480 --> 00:34:38,480
And it's, you know, and it's

787
00:34:38,480 --> 00:34:41,480
They're putting shit in there to keep you addicted

788
00:34:41,480 --> 00:34:45,480
Okay, so anyway, just want to

789
00:34:45,480 --> 00:34:48,480
Just want to say hi to my other wife Dawn

790
00:34:48,480 --> 00:34:52,480
And more helpful hints from around town

791
00:34:52,480 --> 00:34:54,480
People trying to help me out

792
00:34:54,480 --> 00:34:56,480
With my ADSL problems

793
00:34:56,480 --> 00:34:59,480
I actually posted it pretty long

794
00:34:59,480 --> 00:35:01,480
Outline of

795
00:35:01,480 --> 00:35:04,480
What's gone wrong and what my options are

796
00:35:04,480 --> 00:35:07,480
And it will get fixed obviously, but it's just

797
00:35:07,480 --> 00:35:09,480
It's a pain, you know, two weeks without

798
00:35:09,480 --> 00:35:12,480
Any type of real connectivity sucks

799
00:35:12,480 --> 00:35:14,480
People who have been there can feel my pain

800
00:35:14,480 --> 00:35:16,480
But I got a great comment

801
00:35:16,480 --> 00:35:19,480
Again on the podcast show notes

802
00:35:19,480 --> 00:35:20,480
Here's all you have to do

803
00:35:20,480 --> 00:35:22,480
Step one, get a shovel

804
00:35:22,480 --> 00:35:25,480
Step two, dig around until you find a trunk line

805
00:35:25,480 --> 00:35:27,480
Step three, tap into the green blue yellow

806
00:35:27,480 --> 00:35:29,480
And move white stripe wires

807
00:35:29,480 --> 00:35:33,480
Number four, run those to an RJ 45

808
00:35:33,480 --> 00:35:36,480
On pins 1, 2, 3, 6

809
00:35:36,480 --> 00:35:39,480
And then plug into your switch

810
00:35:39,480 --> 00:35:41,480
Plug into your switch in the house

811
00:35:41,480 --> 00:35:44,480
And then cover everything with dirt

812
00:35:44,480 --> 00:35:46,480
Maybe a couple of ferns

813
00:35:46,480 --> 00:35:48,480
And you're good to go

814
00:35:48,480 --> 00:35:49,480
I'm like, uh-huh

815
00:35:49,480 --> 00:35:51,480
Yeah, I want to dry that

816
00:35:51,480 --> 00:35:53,480
Seriously, there are some of those options

817
00:35:53,480 --> 00:35:55,480
That are pretty similar, there's the SDSL

818
00:35:55,480 --> 00:35:57,480
I mean, I'm getting a real education

819
00:35:57,480 --> 00:36:00,480
Different ways you can get connected to the internet

820
00:36:01,480 --> 00:36:04,480
When I'm hoping most will happen

821
00:36:04,480 --> 00:36:07,480
Just for a short interim is this WDSL

822
00:36:07,480 --> 00:36:09,480
Which is wireless DSL

823
00:36:09,480 --> 00:36:11,480
Which is should be hearing about today

824
00:36:11,480 --> 00:36:14,480
So perhaps more on the podcast tomorrow

825
00:36:14,480 --> 00:36:16,480
And see a gaff

826
00:36:16,480 --> 00:36:19,480
Which means a fuck up on my part high Adam

827
00:36:19,480 --> 00:36:21,480
Says Tim Biedle

828
00:36:21,480 --> 00:36:22,480
Really enjoying your show

829
00:36:22,480 --> 00:36:24,480
Especially your experiences adjusting to UK life

830
00:36:24,480 --> 00:36:26,480
So many things we take for granted

831
00:36:27,480 --> 00:36:30,480
And also I'm sorry I do that again

832
00:36:30,480 --> 00:36:32,480
So many things we take for granted

833
00:36:32,480 --> 00:36:34,480
Take on new meaning when we see it through the eyes of a stranger

834
00:36:34,480 --> 00:36:35,480
There you go

835
00:36:35,480 --> 00:36:36,480
Just one thing though

836
00:36:36,480 --> 00:36:40,480
BBC SCR does not stand for South Coast radio

837
00:36:40,480 --> 00:36:43,480
As I said, I was really in my American mode

838
00:36:43,480 --> 00:36:46,480
I guess it stands for Southern Counties radio

839
00:36:46,480 --> 00:36:48,480
Love your cockney accent

840
00:36:48,480 --> 00:36:50,480
Better than Dick Van Dykes

841
00:36:50,480 --> 00:36:53,480
I feel so incredibly special

842
00:36:53,480 --> 00:36:55,480
Time for another promo

843
00:36:55,480 --> 00:36:58,480
If you have any promos that you want to air it on a daily source code

844
00:36:58,480 --> 00:37:01,480
Which basically just kind of promotes your podcast

845
00:37:01,480 --> 00:37:02,480
Happy to play them

846
00:37:02,480 --> 00:37:04,480
The more creative, the better obviously

847
00:37:04,480 --> 00:37:06,480
Just email them to atamercurry.com

848
00:37:11,480 --> 00:37:12,480
Hey podcast world, this is Greg

849
00:37:12,480 --> 00:37:13,480
And Lisa

850
00:37:13,480 --> 00:37:15,480
And we want to tell you about a great new podcast

851
00:37:15,480 --> 00:37:18,480
Coming to you from the Deserts of New Mexico

852
00:37:18,480 --> 00:37:21,480
It's called Viva podcast

853
00:37:21,480 --> 00:37:23,480
So for more information visit us

854
00:37:23,480 --> 00:37:26,480
at vivapodcast.com

855
00:37:26,480 --> 00:37:29,480
That's vivapodcast.com

856
00:37:29,480 --> 00:37:30,480
Adios

857
00:37:30,480 --> 00:37:33,480
Right on

858
00:37:33,480 --> 00:37:36,480
The vivapodcast vivapodcast.com

859
00:37:36,480 --> 00:37:39,480
I don't know if you know who a peeper del is

860
00:37:39,480 --> 00:37:42,480
Pete is actually the guy who I think I don't

861
00:37:42,480 --> 00:37:43,480
And Drew started on podcasting

862
00:37:43,480 --> 00:37:44,480
It's all his fault

863
00:37:44,480 --> 00:37:48,480
He responded to the guardian article

864
00:37:48,480 --> 00:37:51,480
Actually he talked about a lot about

865
00:37:51,480 --> 00:37:53,480
I call him produce Pete now

866
00:37:53,480 --> 00:37:55,480
About how he cooks

867
00:37:55,480 --> 00:37:57,480
A lot of people took this article to heart

868
00:37:57,480 --> 00:37:59,480
They were really thinking about

869
00:37:59,480 --> 00:38:01,480
What are we stuffing into our face these days

870
00:38:01,480 --> 00:38:03,480
And what are we eating and where is it coming from

871
00:38:03,480 --> 00:38:06,480
And how is it being produced and how is it being processed

872
00:38:06,480 --> 00:38:09,480
And shoot, it's kind of scary

873
00:38:09,480 --> 00:38:12,480
Just food is basic

874
00:38:12,480 --> 00:38:15,480
If we can get past this idea of putting

875
00:38:15,480 --> 00:38:17,480
Burning tobacco in our face

876
00:38:17,480 --> 00:38:19,480
We should certainly look at

877
00:38:19,480 --> 00:38:21,480
At all the other things we stuff in there

878
00:38:21,480 --> 00:38:23,480
Dawn

879
00:38:23,480 --> 00:38:25,480
No, what I mean girl

880
00:38:25,480 --> 00:38:28,480
Here's Pete with the rastery body

881
00:38:32,480 --> 00:38:35,480
This is rastery body of four

882
00:38:35,480 --> 00:38:36,480
2004

883
00:38:36,480 --> 00:38:38,480
Well, oh two

884
00:38:38,480 --> 00:38:41,480
So why did the British guy

885
00:38:41,480 --> 00:38:43,480
Bring two of hookers into his robot

886
00:38:43,480 --> 00:38:47,480
Someone told him he needed a pair of arms

887
00:38:47,480 --> 00:38:49,480
He said

888
00:38:49,480 --> 00:38:51,480
Thank you

889
00:38:51,480 --> 00:38:53,480
And good night

890
00:38:53,480 --> 00:38:55,480
People are living

891
00:38:55,480 --> 00:38:57,480
Rastery body

892
00:38:57,480 --> 00:38:59,480
That is the show for December 2nd 2004

893
00:38:59,480 --> 00:39:01,480
This is the daily source code

894
00:39:01,480 --> 00:39:05,480
I'm out of curry coming to you from the curry cottage in the UK and lovely

895
00:39:05,480 --> 00:39:07,480
Guildford and sorry

896
00:39:07,480 --> 00:39:09,480
And not far from here

897
00:39:09,480 --> 00:39:11,480
Todd Maffin was in Berlin

898
00:39:11,480 --> 00:39:13,480
Looking for the Berlin Wall

899
00:39:13,480 --> 00:39:15,480
I've got to play a bit of this because this is like the tower of

900
00:39:15,480 --> 00:39:16,480
Where

901
00:39:16,480 --> 00:39:18,480
And you have to listen to this whole thing

902
00:39:18,480 --> 00:39:19,480
I've put a link to the show

903
00:39:19,480 --> 00:39:20,480
Well, just listen to a bit of it

904
00:39:20,480 --> 00:39:22,480
And then we'll explain what happens

905
00:39:27,480 --> 00:39:28,480
Hi, I'm Todd Maffin

906
00:39:28,480 --> 00:39:31,480
Thanks for tuning into the iLoveReadyow.org podcast

907
00:39:31,480 --> 00:39:34,480
Today we are coming to you from Berlin Germany

908
00:39:34,480 --> 00:39:36,480
And my goal today is to find

909
00:39:36,480 --> 00:39:37,480
The Wall

910
00:39:37,480 --> 00:39:39,480
Or what's left of the Berlin Wall anyway

911
00:39:39,480 --> 00:39:41,480
Which I understand is not very much

912
00:39:41,480 --> 00:39:43,480
But I'm

913
00:39:43,480 --> 00:39:45,480
Basically in the wander around the streets

914
00:39:45,480 --> 00:39:47,480
The Concierge is pointed me toward the right

915
00:39:47,480 --> 00:39:49,480
Which

916
00:39:49,480 --> 00:39:51,480
Good as the instructions as he was able to give me

917
00:39:51,480 --> 00:39:54,480
So I'm going to walk along here and

918
00:39:54,480 --> 00:39:56,480
Follow along as we try and find the wall

919
00:40:01,480 --> 00:40:03,480
So besides I'm the kick-in

920
00:40:03,480 --> 00:40:05,480
John Lymus

921
00:40:05,480 --> 00:40:07,480
He listened to the cab driver

922
00:40:07,480 --> 00:40:09,480
I think this is it

923
00:40:10,480 --> 00:40:11,480
Oh, who is this English?

924
00:40:13,480 --> 00:40:14,480
We're going to terminate

925
00:40:14,480 --> 00:40:15,480
Do you speak English?

926
00:40:22,480 --> 00:40:23,480
Hello

927
00:40:23,480 --> 00:40:24,480
Do you speak English?

928
00:40:24,480 --> 00:40:26,480
No, but I'm going to kick your ass

929
00:40:26,480 --> 00:40:27,480
You fucking American

930
00:40:28,480 --> 00:40:30,480
Can you tell me how to find the wall?

931
00:40:33,480 --> 00:40:34,480
I wonder if did the

932
00:40:34,480 --> 00:40:36,480
Todd, you have to let us know

933
00:40:36,480 --> 00:40:38,480
Did you have like a big fucking microphone while you're doing this?

934
00:40:38,480 --> 00:40:40,480
Hi, I'm a fucking American tourist

935
00:40:40,480 --> 00:40:42,480
Do you know where the fucking wall is?

936
00:40:42,480 --> 00:40:44,480
The wall, what's left of the wall?

937
00:40:44,480 --> 00:40:46,480
The wall? What's left of the wall?

938
00:40:46,480 --> 00:40:48,480
The wall?

939
00:40:48,480 --> 00:40:49,480
It's not here.

940
00:40:49,480 --> 00:40:50,480
Okay, we're in food

941
00:40:50,480 --> 00:40:52,480
And

942
00:40:52,480 --> 00:40:54,480
You see the mirror?

943
00:40:54,480 --> 00:40:56,480
Is he the mirror right here?

944
00:40:56,480 --> 00:40:59,480
He's 50 meters here

945
00:40:59,480 --> 00:41:02,480
How many euros is that for you to take me?

946
00:41:02,480 --> 00:41:04,480
Okay, now this is the beautiful part

947
00:41:04,480 --> 00:41:06,480
The cab driver says

948
00:41:06,480 --> 00:41:07,480
And I'm good at this

949
00:41:07,480 --> 00:41:08,480
Because I've lived in Europe

950
00:41:08,480 --> 00:41:09,480
Most of my life

951
00:41:09,480 --> 00:41:11,480
The cab driver is having a real hard time explaining

952
00:41:11,480 --> 00:41:14,480
But he's saying it's only like 50 meters from here

953
00:41:14,480 --> 00:41:18,480
And Todd says, how many euros will it cost to get me there?

954
00:41:18,480 --> 00:41:23,480
Now, 50 meters is about, you know, 55 yards

955
00:41:23,480 --> 00:41:24,480
Basically

956
00:41:24,480 --> 00:41:27,480
So this whole podcast and you have to listen to this

957
00:41:27,480 --> 00:41:28,480
Because it's hilarious

958
00:41:28,480 --> 00:41:30,480
And I can just imagine him walking around

959
00:41:30,480 --> 00:41:32,480
With this big ass microphone

960
00:41:32,480 --> 00:41:34,480
Asking people where the wall are

961
00:41:34,480 --> 00:41:36,480
And they're like, oh, the fucker

962
00:41:36,480 --> 00:41:37,480
It's like right there

963
00:41:37,480 --> 00:41:38,480
That's where it was

964
00:41:38,480 --> 00:41:40,480
So of course he finds out

965
00:41:40,480 --> 00:41:42,480
In the end that he really only had to walk

966
00:41:42,480 --> 00:41:44,480
Like, you know, half a football field to get there

967
00:41:44,480 --> 00:41:46,480
But an excellent podcast

968
00:41:46,480 --> 00:41:48,480
And I'm considering moving

969
00:41:48,480 --> 00:41:50,480
I love radio

970
00:41:50,480 --> 00:41:52,480
The podcast into the comedy section

971
00:41:52,480 --> 00:41:54,480
Because it's just really, really good

972
00:41:54,480 --> 00:41:56,480
All right, time for some free music

973
00:41:56,480 --> 00:42:00,480
This, let's see, I played

974
00:42:00,480 --> 00:42:03,480
Something a while ago

975
00:42:03,480 --> 00:42:06,480
From, let's see, what was it?

976
00:42:06,480 --> 00:42:08,480
From chosen

977
00:42:08,480 --> 00:42:10,480
I think it was chosen

978
00:42:10,480 --> 00:42:13,480
And I got a whole email

979
00:42:13,480 --> 00:42:15,480
Going on with

980
00:42:15,480 --> 00:42:18,480
The manager

981
00:42:18,480 --> 00:42:21,480
Or the actually the management and marketing guy

982
00:42:21,480 --> 00:42:24,480
Who does this for these bands

983
00:42:24,480 --> 00:42:25,480
And you just have to read the email

984
00:42:25,480 --> 00:42:27,480
To get all the background on it

985
00:42:27,480 --> 00:42:29,480
Sent me another song

986
00:42:29,480 --> 00:42:31,480
And I think this is the right one

987
00:42:31,480 --> 00:42:33,480
I don't know if I have the right track queue

988
00:42:33,480 --> 00:42:34,480
I'm so frazzled now with all this tea

989
00:42:34,480 --> 00:42:36,480
Spilling all over the carpet

990
00:42:36,480 --> 00:42:37,480
Here's a track from

991
00:42:37,480 --> 00:42:39,480
Remained to one, our artist

992
00:42:39,480 --> 00:42:41,480
He says, let me know what you think

993
00:42:41,480 --> 00:42:43,480
The track is called I Candy

994
00:42:46,250 --> 00:44:26,250
[ Music ]

995
00:44:26,480 --> 00:44:27,480
I'm not sure what's going on

996
00:44:27,480 --> 00:44:28,480
I'm going to let you play

997
00:44:28,480 --> 00:44:29,480
For another time

998
00:44:29,480 --> 00:44:30,480
It keeps crapping out

999
00:44:30,480 --> 00:44:31,480
That's no good

1000
00:44:31,480 --> 00:44:32,480
I don't know what's up with that

1001
00:44:32,480 --> 00:44:34,480
I've heard that her up on a couple of times

1002
00:44:34,480 --> 00:44:35,480
Was it with MP3's

1003
00:44:35,480 --> 00:44:36,480
Okay

1004
00:44:36,480 --> 00:44:37,480
I can't you will get to that

1005
00:44:37,480 --> 00:44:38,480
Another time in the source code

1006
00:44:38,480 --> 00:44:39,480
Hope you didn't put the automatic

1007
00:44:39,480 --> 00:44:40,480
Three minutes skip in there

1008
00:44:40,480 --> 00:44:42,480
Because now you probably missed this

1009
00:44:42,480 --> 00:44:43,480
Bit and you're already off into

1010
00:44:43,480 --> 00:44:44,480
Something else

1011
00:44:44,480 --> 00:44:46,480
I got to remember

1012
00:44:46,480 --> 00:44:47,480
What was this?

1013
00:44:47,480 --> 00:44:50,480
Was this the last Starbucks podcast

1014
00:44:50,480 --> 00:44:51,480
I guess that must have been

1015
00:44:51,480 --> 00:44:52,480
Must have been Fridays

1016
00:44:53,480 --> 00:44:56,480
I was trying to get a hold of Lee Wilkins

1017
00:44:56,480 --> 00:44:58,480
Wilkins to talk about his dogs

1018
00:44:58,480 --> 00:45:00,480
And I was looking for some

1019
00:45:00,480 --> 00:45:02,480
Dialing music and I just basically hit the first thing

1020
00:45:02,480 --> 00:45:03,480
That came up in iTunes

1021
00:45:03,480 --> 00:45:05,480
And it was a king of the road

1022
00:45:05,480 --> 00:45:07,480
By was it Roger Miller

1023
00:45:07,480 --> 00:45:09,480
And I came up with this

1024
00:45:09,480 --> 00:45:10,480
With a little lyric

1025
00:45:10,480 --> 00:45:13,480
Which was Prince of the pod

1026
00:45:13,480 --> 00:45:15,480
And of course you got to figure

1027
00:45:15,480 --> 00:45:16,480
Someone wrote lyrics to it

1028
00:45:16,480 --> 00:45:18,480
Kim Black did a great job

1029
00:45:18,480 --> 00:45:19,480
She says

1030
00:45:19,480 --> 00:45:21,480
I'm no songwriter

1031
00:45:21,480 --> 00:45:23,480
But here it is

1032
00:45:23,480 --> 00:45:26,480
And and I for a long time I thought

1033
00:45:26,480 --> 00:45:28,480
You know what I'm going to do with this

1034
00:45:28,480 --> 00:45:30,480
I should maybe I should

1035
00:45:30,480 --> 00:45:32,480
Maybe I should try and do something

1036
00:45:32,480 --> 00:45:33,480
Do a song

1037
00:45:33,480 --> 00:45:36,480
Patricia hates it when I sing

1038
00:45:36,480 --> 00:45:37,480
And she's right

1039
00:45:37,480 --> 00:45:39,480
Because you know it's like I can't sing

1040
00:45:39,480 --> 00:45:41,480
I really cannot sing

1041
00:45:41,480 --> 00:45:42,480
I suck at singing

1042
00:45:42,480 --> 00:45:44,480
And if you really do know how to sing

1043
00:45:44,480 --> 00:45:45,480
Like she does then

1044
00:45:45,480 --> 00:45:47,480
You know that's like painful

1045
00:45:47,480 --> 00:45:49,480
And by the way I think most

1046
00:45:49,480 --> 00:45:50,480
These jockeys

1047
00:45:50,480 --> 00:45:52,480
Really are frustrated singers

1048
00:45:52,480 --> 00:45:53,480
Or performers

1049
00:45:53,480 --> 00:45:54,480
And whenever

1050
00:45:54,480 --> 00:45:55,480
You'll notice this

1051
00:45:55,480 --> 00:45:56,480
Whenever DJs

1052
00:45:56,480 --> 00:45:57,480
Radio DJs

1053
00:45:57,480 --> 00:45:58,480
Have a chance

1054
00:45:58,480 --> 00:45:59,480
To sing

1055
00:45:59,480 --> 00:46:00,480
They jump right in boy

1056
00:46:00,480 --> 00:46:01,480
They love singing

1057
00:46:01,480 --> 00:46:02,480
And I have to admit

1058
00:46:02,480 --> 00:46:03,480
I have some of that

1059
00:46:03,480 --> 00:46:05,480
Not what's not a frustration

1060
00:46:05,480 --> 00:46:06,480
But I don't know what to do

1061
00:46:06,480 --> 00:46:07,480
I think

1062
00:46:07,480 --> 00:46:09,480
Most of it's just the whole process

1063
00:46:09,480 --> 00:46:11,480
Of putting a song together

1064
00:46:11,480 --> 00:46:12,480
That is fascinating

1065
00:46:12,480 --> 00:46:13,480
Because when you're DJ

1066
00:46:13,480 --> 00:46:14,480
You're already into sound

1067
00:46:14,480 --> 00:46:15,480
You're into

1068
00:46:15,480 --> 00:46:16,480
Into mixing boards

1069
00:46:16,480 --> 00:46:17,480
You're into

1070
00:46:17,480 --> 00:46:18,480
You know just put

1071
00:46:18,480 --> 00:46:19,480
Really your it's in life

1072
00:46:19,480 --> 00:46:20,480
It's performance art

1073
00:46:20,480 --> 00:46:22,480
It's just what podcasting is

1074
00:46:22,480 --> 00:46:23,480
So

1075
00:46:23,480 --> 00:46:26,480
When I saw the lyrics

1076
00:46:26,480 --> 00:46:28,480
I said well you know all I really need

1077
00:46:28,480 --> 00:46:30,480
And I have garage band

1078
00:46:30,480 --> 00:46:32,480
And you know I should be able to

1079
00:46:32,480 --> 00:46:33,480
I thought no I can't do that

1080
00:46:33,480 --> 00:46:34,480
Because I don't know how to

1081
00:46:34,480 --> 00:46:35,480
Fucking play

1082
00:46:35,480 --> 00:46:36,480
Yeah

1083
00:46:36,480 --> 00:46:37,480
I studied piano for two years

1084
00:46:37,480 --> 00:46:38,480
But no way

1085
00:46:38,480 --> 00:46:39,480
Am I going to be able to

1086
00:46:39,480 --> 00:46:41,480
Even figure out how to do

1087
00:46:41,480 --> 00:46:42,480
King of the Road

1088
00:46:42,480 --> 00:46:43,480
By the way the piano

1089
00:46:43,480 --> 00:46:44,480
Was still sitting in the empty castle

1090
00:46:44,480 --> 00:46:45,480
Life

1091
00:46:45,480 --> 00:46:46,480
If you want a piano

1092
00:46:46,480 --> 00:46:47,480
Let me know

1093
00:46:47,480 --> 00:46:48,480
I need to sell it

1094
00:46:48,480 --> 00:46:50,480
Or I have to send it somewhere

1095
00:46:50,480 --> 00:46:51,480
Within two weeks

1096
00:46:51,480 --> 00:46:52,480
So it's going to be safe

1097
00:46:52,480 --> 00:46:53,480
Anyway so

1098
00:46:53,480 --> 00:46:54,480
Why not

1099
00:46:54,480 --> 00:46:55,480
And Google for

1100
00:46:55,480 --> 00:46:57,480
For a MIDI version of King of the Road

1101
00:46:57,480 --> 00:47:00,480
And I actually found something

1102
00:47:00,480 --> 00:47:01,480
That was

1103
00:47:01,480 --> 00:47:02,480
Let me see

1104
00:47:02,480 --> 00:47:03,480
Sequenced

1105
00:47:03,480 --> 00:47:04,480
By

1106
00:47:04,480 --> 00:47:05,480
Here comes

1107
00:47:05,480 --> 00:47:06,480
I'm playing for you now

1108
00:47:06,480 --> 00:47:08,480
Harry Todd

1109
00:47:08,480 --> 00:47:10,480
I put a link to these original

1110
00:47:10,480 --> 00:47:12,480
Page in there as well

1111
00:47:12,480 --> 00:47:13,480
And I listen to this

1112
00:47:13,480 --> 00:47:14,480
So yeah

1113
00:47:14,480 --> 00:47:15,480
That's kind of like

1114
00:47:16,480 --> 00:47:17,480
Harps Accord

1115
00:47:17,480 --> 00:47:19,480
Like

1116
00:47:19,480 --> 00:47:20,480
I like that

1117
00:47:20,480 --> 00:47:21,480
If I'm going to do this

1118
00:47:21,480 --> 00:47:22,480
I'm going to do it right

1119
00:47:22,480 --> 00:47:23,480
Now what I found is

1120
00:47:23,480 --> 00:47:25,480
There's a way to

1121
00:47:25,480 --> 00:47:27,480
Take a MIDI file

1122
00:47:27,480 --> 00:47:29,480
And through another little program

1123
00:47:29,480 --> 00:47:31,480
Which I forget what it's called

1124
00:47:31,480 --> 00:47:33,480
Montemedi

1125
00:47:33,480 --> 00:47:34,480
Something like that

1126
00:47:34,480 --> 00:47:35,480
Montemedi

1127
00:47:35,480 --> 00:47:36,480
I mean you could just

1128
00:47:36,480 --> 00:47:37,480
Search Google for

1129
00:47:37,480 --> 00:47:39,480
Import MIDI into Garage Band

1130
00:47:39,480 --> 00:47:40,480
Because Garage Band

1131
00:47:40,480 --> 00:47:41,480
Doesn't do it natively

1132
00:47:41,480 --> 00:47:42,480
For some reason

1133
00:47:42,480 --> 00:47:44,480
So you take this MIDI file

1134
00:47:44,480 --> 00:47:46,480
Drag it onto this application

1135
00:47:46,480 --> 00:47:48,480
And it does all kinds of magic

1136
00:47:48,480 --> 00:47:49,480
And it creates a folder for you

1137
00:47:49,480 --> 00:47:50,480
And in that folder

1138
00:47:50,480 --> 00:47:53,480
Is all the instruments in separate files

1139
00:47:53,480 --> 00:47:55,480
And you drag that into a Garage Band

1140
00:47:55,480 --> 00:47:57,480
Song and new project

1141
00:47:57,480 --> 00:47:59,480
And low and behold

1142
00:47:59,480 --> 00:48:00,480
It gives you all these tracks

1143
00:48:00,480 --> 00:48:02,480
In this case it had like ten tracks

1144
00:48:02,480 --> 00:48:04,480
And it gave me the opportunity

1145
00:48:04,480 --> 00:48:06,480
To then go and select

1146
00:48:06,480 --> 00:48:07,480
Different instruments

1147
00:48:07,480 --> 00:48:08,480
Because I wanted to

1148
00:48:08,480 --> 00:48:09,480
I already had the score

1149
00:48:09,480 --> 00:48:10,480
Right

1150
00:48:10,480 --> 00:48:11,480
But I needed

1151
00:48:11,480 --> 00:48:13,480
I just needed a little more

1152
00:48:14,480 --> 00:48:16,480
And just some kick and stuff

1153
00:48:16,480 --> 00:48:18,480
A little heavier bass

1154
00:48:18,480 --> 00:48:20,480
And some guitars in there

1155
00:48:20,480 --> 00:48:21,480
And I'll shut up

1156
00:48:21,480 --> 00:48:22,480
And you know

1157
00:48:22,480 --> 00:48:24,480
Well, see for yourself

1158
00:48:24,480 --> 00:48:26,480
Cast your phone

1159
00:48:26,480 --> 00:48:28,480
See your rent

1160
00:48:28,480 --> 00:48:30,480
Cut it just left

1161
00:48:30,480 --> 00:48:32,480
For 50 cents

1162
00:48:32,480 --> 00:48:34,480
No Wi-Fi

1163
00:48:34,480 --> 00:48:36,480
And almost no mess

1164
00:48:36,480 --> 00:48:37,480
And John

1165
00:48:37,480 --> 00:48:38,480
Look, girl

1166
00:48:38,480 --> 00:48:39,480
No cigarettes

1167
00:48:39,480 --> 00:48:40,480
So that

1168
00:48:40,480 --> 00:48:42,480
Two hours of

1169
00:48:42,480 --> 00:48:43,480
And whatever money

1170
00:48:43,480 --> 00:48:45,480
Makes me a podcast

1171
00:48:46,250 --> 00:49:56,250
[ Music ]

1172
00:49:56,480 --> 00:49:57,480
And some other

1173
00:49:57,480 --> 00:49:58,480
And some other

1174
00:49:58,480 --> 00:49:59,480
And some other

1175
00:49:59,480 --> 00:50:00,480
And some other

1176
00:50:00,480 --> 00:50:01,480
And some other

1177
00:50:01,480 --> 00:50:02,480
And some other

1178
00:50:02,480 --> 00:50:03,480
And some other

1179
00:50:03,480 --> 00:50:04,480
And some other

1180
00:50:04,480 --> 00:50:06,480
And some other

1181
00:50:06,480 --> 00:50:07,480
And some other

1182
00:50:07,480 --> 00:50:08,480
And some other

1183
00:50:08,480 --> 00:50:10,480
And some other

1184
00:50:10,480 --> 00:50:11,480
And some other

1185
00:50:11,480 --> 00:50:12,480
And some other

1186
00:50:12,480 --> 00:50:13,480
And some other

1187
00:50:13,480 --> 00:50:14,480
And some other

1188
00:50:14,480 --> 00:50:15,480
And other

1189
00:50:15,480 --> 00:50:16,480
And some other

1190
00:50:16,480 --> 00:50:17,480
And some other

1191
00:50:17,480 --> 00:50:18,480
And other

1192
00:50:18,480 --> 00:50:19,480
And some other

1193
00:50:19,480 --> 00:50:20,480
And other

1194
00:50:20,480 --> 00:50:21,480
And other

1195
00:50:21,480 --> 00:50:22,480
And other

1196
00:50:22,480 --> 00:50:23,480
So other

1197
00:50:23,480 --> 00:50:24,480
And other

1198
00:50:24,480 --> 00:50:25,480
And...

1199
00:50:25,480 --> 00:50:26,480
And...

1200
00:50:26,480 --> 00:50:46,250
[ Music ]

1201
00:50:47,960 --> 00:50:55,160
Okay, Prince of the Pod, everybody. This will never air again and no, I'm not going to put up an MP3

1202
00:50:55,160 --> 00:50:56,400
No

1203
00:50:56,400 --> 00:50:59,260
Just did it because people were so nice to do the lyrics and

1204
00:50:59,740 --> 00:51:06,140
And basically so nice to put a MIDI file up there and share and so I thought I'd share something back. Don't you love it?

1205
00:51:08,300 --> 00:51:11,420
Good and interesting comment came in from Bill Kennedy from

1206
00:51:11,820 --> 00:51:15,180
Indianapolis who of course followed the Lee will Lee and Jenny

1207
00:51:15,900 --> 00:51:22,620
Story of their of their two, you know, they're two beautiful little doggies who have been caught up in the airline and quarantine

1208
00:51:23,020 --> 00:51:25,660
Hell and he had an interesting idea. I said

1209
00:51:26,140 --> 00:51:30,540
Couldn't a podcast listener in Atlanta get the dogs out of the kennel hold them for

1210
00:51:33,260 --> 00:51:36,060
For Lee and Jenny until they get all the money

1211
00:51:37,500 --> 00:51:39,500
To get them back to United Kingdom

1212
00:51:40,220 --> 00:51:45,260
In fact, they also could you know if they could find like a really good you have family

1213
00:51:46,060 --> 00:51:50,620
Because he has the way it works basically you have to the animals have to have a rabies shot

1214
00:51:50,620 --> 00:51:55,340
Forget all the other stuff the passport and the chip and the neck but they have a rabies shot and then they have to wait for

1215
00:51:55,420 --> 00:52:01,980
Six months before they can enter the United Kingdom. So six months after the rabies shot

1216
00:52:01,980 --> 00:52:07,740
I presume they've probably had that rabies shot by now and they've probably so it's about like a week or two

1217
00:52:08,620 --> 00:52:10,620
Maybe just a full week

1218
00:52:10,620 --> 00:52:15,420
But they would have to stay in the states for another six months. Maybe there's a really great family who would want to

1219
00:52:16,220 --> 00:52:18,620
You know take care of them instead of

1220
00:52:19,260 --> 00:52:23,900
Bring them over to the United Kingdom and curing huge costs. I think it's for two dogs

1221
00:52:23,980 --> 00:52:29,420
It'll probably be about five thousand dollars for the six months. They have to stay in quarantine. I'm not kidding you about this

1222
00:52:30,940 --> 00:52:36,540
And you know sure you can visit them, but they're basically in jail. You know, so it's just a thought anyway

1223
00:52:37,180 --> 00:52:42,540
But again really cool that everyone has helping out on at least getting something going and getting it back

1224
00:52:43,500 --> 00:52:44,860
to the UK

1225
00:52:44,860 --> 00:52:48,860
If it all possible within the next way have another ten days to go or something

1226
00:52:49,340 --> 00:52:54,220
Another email I wanted to share with you. Hi Adam. I've been listening to the daily source code for a few weeks

1227
00:52:54,220 --> 00:52:56,220
I've been following the growth of podcasting

1228
00:52:56,620 --> 00:53:01,420
My addiction to podcast will have to stop cold turkey for a while since I was strong armed and my

1229
00:53:01,420 --> 00:53:08,140
iPod was stolen this evening while yes, indeed listening to your star-bucky and Skype adventures on the daily source code

1230
00:53:09,180 --> 00:53:15,340
Incidentally says this occurred on a quiet street in Residential Menlo Park about two miles away from the blogger

1231
00:53:15,420 --> 00:53:18,620
on three location at Stanford University. This is freaking me out

1232
00:53:22,700 --> 00:53:26,780
It goes into explaining exactly how this happened. This is will by the way

1233
00:53:28,140 --> 00:53:31,820
And it's horrible. He was walking along with his iPod

1234
00:53:32,380 --> 00:53:36,620
He said actually a realize later must have been following me because I was unaware

1235
00:53:37,820 --> 00:53:43,900
And couldn't hear anything over the exciting beat of the rockman enough, which of course is the power of your intellect

1236
00:53:44,860 --> 00:53:51,100
And they basically grabbed the iPod ripped you know ripped it right off of right off of them

1237
00:53:51,100 --> 00:53:56,460
Kind of ripping the headphones out and boom took off with that. So, you know

1238
00:53:57,820 --> 00:53:59,820
Menlo Park

1239
00:54:00,620 --> 00:54:01,660
Sox

1240
00:54:01,660 --> 00:54:05,100
Sorry about that dude. I'm really sorry. Oh good news

1241
00:54:05,980 --> 00:54:11,820
The new Jay Potter is out. Jay Potter is an iPod are variant. It's based on Java, so it works

1242
00:54:12,300 --> 00:54:15,900
On anything that will run Java, at least that's the promise of Java, right?

1243
00:54:16,460 --> 00:54:20,380
Couple of new features in that though, and the thing that I like the most is

1244
00:54:22,940 --> 00:54:24,940
The vacation switch

1245
00:54:25,660 --> 00:54:29,980
Oh, so I'm just trying to look at a different email here. I was talking about this

1246
00:54:31,580 --> 00:54:35,020
On the source code. I might even post it something about it on on my weblog is

1247
00:54:35,820 --> 00:54:39,900
When you have a loss of connection for a couple days. You could be on vacation or

1248
00:54:40,460 --> 00:54:45,420
Like me you could be without bandwidth when you go to start you know syncing up with your shows

1249
00:54:45,420 --> 00:54:49,020
iPod or is going to bring in everything. Every single iPod has done this to date

1250
00:54:49,020 --> 00:54:54,300
It'll go and try and bring in every single show that that you've missed and what we need is some more

1251
00:54:55,260 --> 00:54:59,100
Intelligent content management and Jay Potter as well as

1252
00:54:59,820 --> 00:55:03,420
What is that the bottom feeder something that I found

1253
00:55:04,140 --> 00:55:06,140
Through email

1254
00:55:06,140 --> 00:55:09,900
Actually, it's on Apple's website Apple was had a link to it

1255
00:55:10,460 --> 00:55:12,460
If then soft.com

1256
00:55:12,460 --> 00:55:16,460
Also has this feature and you know, it's it's great to see that

1257
00:55:17,100 --> 00:55:23,260
You know, we're we're helping me help and a brother out need who has like no fucking bandwidth

1258
00:55:25,660 --> 00:55:27,900
What's this in the daily source code comment?

1259
00:55:28,460 --> 00:55:31,900
What are we? We're like 55 minutes shoot. It's gonna be an hour long show

1260
00:55:32,060 --> 00:55:34,060
That's for sure. Let's check out the comment

1261
00:55:34,780 --> 00:55:42,060
Yeah, this is Kurt from Minnesota first off. Thank you for podcasting in the daily source code

1262
00:55:42,060 --> 00:55:45,260
I really enjoyed listening to it well just about every day

1263
00:55:46,300 --> 00:55:52,700
Right now I had downloaded it onto my i-book and I'm sitting in a car in a parking ramp in herndon Virginia

1264
00:55:53,420 --> 00:55:56,220
And what you would talked about with regards to

1265
00:55:56,380 --> 00:55:59,260
All nations which I'm like right please. Please tell me

1266
00:55:59,980 --> 00:56:01,980
You have your pants on

1267
00:56:02,700 --> 00:56:07,420
Rank true in my situation. I have no bandwidth during the day and then I've got great bandwidth at night

1268
00:56:08,300 --> 00:56:13,100
And I thought would really be great as a feature instead of having you have a vacation switch

1269
00:56:13,420 --> 00:56:15,020
Is have a bandwidth slider

1270
00:56:15,020 --> 00:56:22,860
So you can slide it all over do. I've got nothing no net to I've got dial up in which case it'll prioritize what it downloads up to

1271
00:56:22,940 --> 00:56:26,300
I've got my normal full net set up so just a thought

1272
00:56:27,020 --> 00:56:34,220
I thought I'd voice it as a as a sound file here. I'm using garage band for the first time and it's kind of an interesting experience

1273
00:56:34,220 --> 00:56:38,860
Turning off like the metronome and some other things, but anyway, it was just my thought up for a feature

1274
00:56:38,860 --> 00:56:43,420
I thought that would be more useful than something that just toggles on and off for vacation

1275
00:56:43,980 --> 00:56:50,540
Anyway again, thanks for daily source code and keep at it. It sounds great. Yeah, that's a good idea

1276
00:56:50,540 --> 00:56:53,180
So that's actually a very good interface

1277
00:56:55,740 --> 00:57:01,420
So oh, yeah, just say okay, right now I have X bandwidth and it's gonna make decisions based upon your bandwidth

1278
00:57:01,420 --> 00:57:05,820
What to do that would be really cool. I don't know how you set it up if that's a

1279
00:57:06,380 --> 00:57:11,180
Pre-determined matrix that we come up with or if that's something you can you should always be able to configure it yourself

1280
00:57:11,180 --> 00:57:13,180
But good idea

1281
00:57:13,180 --> 00:57:15,180
very cool very cool

1282
00:57:15,580 --> 00:57:19,500
It's I was like he's sitting in this in the parking lot in the car

1283
00:57:19,580 --> 00:57:25,020
You know, what is he doing there? Is he hijacking someone's Wi-Fi or jacking something else?

1284
00:57:25,820 --> 00:57:31,260
You know, we got to get out of here. It's almost time it's almost an hour for this show and and I'm

1285
00:57:31,260 --> 00:57:33,820
I have so much to do well tomorrow

1286
00:57:33,820 --> 00:57:36,780
I already have tomorrow show almost planned and when I look at it this way

1287
00:57:38,380 --> 00:57:42,140
I'm gonna leave you with a little piece that was sent to me by

1288
00:57:42,540 --> 00:57:46,620
Well, I can't tell you who sent it to me because he basically broke the wall by sharing this with me

1289
00:57:47,580 --> 00:57:52,220
And it's definitely I'm breaking the law too. I'm gonna play it play it for you. It's a classic

1290
00:57:53,260 --> 00:57:58,140
I'm gonna end the show with this so don't wait for the rock money off power up your intellect

1291
00:57:59,100 --> 00:58:01,500
I'm just gonna play the last minute of this song

1292
00:58:01,820 --> 00:58:09,820
Please listen to the foresight that these genius musicians had and I what I mean songwriters producers musicians

1293
00:58:10,620 --> 00:58:15,260
Genius when they wrote this and they recorded this they knew that one day

1294
00:58:15,260 --> 00:58:19,420
podcasting would be for ever body