1 00:00:00,000 --> 00:00:05,000 Hey everybody! 2 00:00:05,000 --> 00:00:07,000 No, like, hey everybody! 3 00:00:07,000 --> 00:00:10,000 Hey everybody! 4 00:00:15,000 --> 00:00:17,000 Hey everybody, indeed! 5 00:00:17,000 --> 00:00:23,000 Welcome to the Daily Source Code for Tuesday, December 14, 2004, coming to you from Curricanage 6 00:00:23,000 --> 00:00:27,000 in the United Kingdom of the Great British Isle. 7 00:00:27,000 --> 00:00:30,000 It's your source code, let's party. 8 00:00:30,000 --> 00:00:33,000 It's our source code. 9 00:00:33,000 --> 00:00:35,000 It is intellect. 10 00:00:35,000 --> 00:00:37,000 Some are beginning the question of this. 11 00:00:37,000 --> 00:00:44,000 Is it the power of pure intellect or something completely unrelated? 12 00:00:44,000 --> 00:00:52,000 Alrighty, it is coming up on the evening hours here and once again it's been quite a day of 13 00:00:52,000 --> 00:00:55,000 excitement here in Good Old Guildford, UK. 14 00:00:55,000 --> 00:01:02,000 I've had my trip to Starbucks to upload and download and transfer all kinds of 15 00:01:02,000 --> 00:01:04,000 bits and bytes. 16 00:01:04,000 --> 00:01:07,000 And I've got promos and pod-said music. 17 00:01:07,000 --> 00:01:17,000 And a lot to talk about for users and developers as there's lots of stuff going on in the iPod 18 00:01:17,000 --> 00:01:18,000 world. 19 00:01:18,000 --> 00:01:19,000 It's about before. 20 00:01:19,000 --> 00:01:20,000 I continue. 21 00:01:20,000 --> 00:01:24,000 I want to play the entire promo that I started to show off with because it was so incredibly 22 00:01:24,000 --> 00:01:25,000 cute. 23 00:01:25,000 --> 00:01:26,000 Listen to that one more time. 24 00:01:26,000 --> 00:01:28,000 Hey everybody! 25 00:01:28,000 --> 00:01:31,000 No, like, hey everybody! 26 00:01:31,000 --> 00:01:33,000 Hey everybody! 27 00:01:33,000 --> 00:01:41,000 Alright, anyways, my next generation podcaster, my son Zika, learning how to do the 28 00:01:41,000 --> 00:01:42,000 ever pod at. 29 00:01:42,000 --> 00:01:48,000 Anyways, it's Earl from iampodcasting.com and just want to let you know the podcasts working 30 00:01:48,000 --> 00:01:49,000 now. 31 00:01:49,000 --> 00:01:53,000 So, stop on by, check it out and where we talk about how to market your podcasts and how 32 00:01:53,000 --> 00:01:56,000 to make some dough with your podcasts. 33 00:01:56,000 --> 00:01:58,000 We're just still in a need here. 34 00:01:58,000 --> 00:02:00,000 Take care and we'll talk to you later. 35 00:02:00,000 --> 00:02:03,000 Alright, Josh, since Zika to do the intro, you get to do the outro. 36 00:02:03,000 --> 00:02:10,000 Let's hear your best boyly-ly-ly-ly. 37 00:02:10,000 --> 00:02:40,000 Hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey 38 00:02:40,000 --> 00:03:10,000 hey, hey, hey, hey, hey, hey, hey, well, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, 39 00:03:10,000 --> 00:03:14,320 Microphone that is we see does actually have a type rating on it somewhere. It says 40 00:03:15,600 --> 00:03:17,600 That's stupid 41 00:03:17,600 --> 00:03:23,280 And I spent all this money on getting the hyped up. Oh, here it is. Oh, no, I'm sorry. I have p799 42 00:03:23,600 --> 00:03:27,440 It's the memory one gigabyte FCC ID 43 00:03:28,560 --> 00:03:31,040 QDmi fp799 44 00:03:32,160 --> 00:03:37,840 Battery 1.5 alkaline double a size times one a symbol in China 45 00:03:38,480 --> 00:03:43,120 Okay, so I got this because what I liked about the specs. Well, first of all 46 00:03:43,680 --> 00:03:47,920 It takes regular sized jacks the the Samsung yep that I was using before 47 00:03:49,040 --> 00:03:54,880 Doesn't take a regular jack. It has to have like some mini mini plug its own proprietary cable 48 00:03:56,080 --> 00:03:59,280 This one does have regular sized three and a half 49 00:04:01,040 --> 00:04:06,000 Whatever jacks, you know the regular headphone and lining or mic jack. Here's what I like about it 50 00:04:06,800 --> 00:04:10,000 First of all, I river it's like you know, I thought it was going to be like a really big 51 00:04:10,000 --> 00:04:14,800 Independent kind of vibe of heard a lot of people about about the company and that they've got some good stuff going on 52 00:04:14,800 --> 00:04:17,200 And they also I guess they do some video 53 00:04:17,840 --> 00:04:21,600 Versions of this this is like one of those it looks a lot like the yep actually. It's kind of 54 00:04:22,080 --> 00:04:25,840 You know triangular and shape and and tiny can slip right into your pocket 55 00:04:26,560 --> 00:04:28,560 the interface 56 00:04:28,960 --> 00:04:35,920 Wasn't too hard to learn basically it's got a file system and you route around the file system has a very rudimentary way of setting up a playlist 57 00:04:36,960 --> 00:04:42,640 Other features which very much like you know, I told you this that has to be one chip said that it's just come out that everyone's 58 00:04:42,880 --> 00:04:46,320 Using because it has a tune and FM tune or in it which you can record from 59 00:04:47,280 --> 00:04:52,000 It does what I do like it has it can switch between a microphone on the the in jack or a line 60 00:04:53,200 --> 00:04:56,960 And you can set your recording all the way up to I think a hundred ninety two 61 00:04:58,240 --> 00:05:03,120 Kilbitz at a 44.1 case sample and that's really what interested me in it 62 00:05:03,840 --> 00:05:05,120 Um 63 00:05:05,120 --> 00:05:09,840 a couple of things are a little well some strange and summer outright disappointing 64 00:05:10,960 --> 00:05:16,240 The first is it appears to be a USB one not a USB fast 65 00:05:16,240 --> 00:05:18,240 USB 2.0 66 00:05:18,960 --> 00:05:24,080 Which is all actually kind of a mood point because when you plug in this 67 00:05:25,280 --> 00:05:33,040 The I River the 799 into the USB port on your computer at least on my Mac and I'm pretty sure it's gonna be the same on 68 00:05:33,200 --> 00:05:35,840 Windows it doesn't mount your 69 00:05:36,880 --> 00:05:42,320 Device as a drive as the yep did or as you'd expect with any other kind of like storage device 70 00:05:43,280 --> 00:05:46,640 No, in fact you have to use their manager 71 00:05:47,200 --> 00:05:49,840 Wait a minute. Let me see if I can bring that up. It's called the 72 00:05:50,880 --> 00:05:52,880 I River music manager 73 00:05:53,440 --> 00:05:58,480 Boeing bad Boeing because you know, I'm not like I'm managing podcasts here not music 74 00:05:59,440 --> 00:06:04,080 So I want to talk about that and a few other rather strange things 75 00:06:04,080 --> 00:06:06,880 But first let's get out to all the the positive part of 76 00:06:08,080 --> 00:06:11,120 Of the I River is that on the built-in microphone 77 00:06:11,120 --> 00:06:16,880 I was extremely impressed how well it functioned how well it could pick up a conversation 78 00:06:17,440 --> 00:06:23,520 Because it's kind of most just made a plastic it you know you have to be careful shifting your fingers around if you're kind of holding it as a mic 79 00:06:23,840 --> 00:06:25,840 In fact you'd almost want to have an extender 80 00:06:26,400 --> 00:06:35,600 Beton that you could you like slip it into and then you know just use it as a microphone because I tried it out Sunday night with with Patricia here at 81 00:06:36,640 --> 00:06:40,240 At Curry Cottage as she was cooking now she cooks almost every single night 82 00:06:40,240 --> 00:06:43,440 I literally have to drag her away from the kitchen to say let's go eat out 83 00:06:44,000 --> 00:06:50,080 She likes cooking and she enjoys it and now that we have a kitchen that I can kind of fit into and has more workspace 84 00:06:51,280 --> 00:06:52,880 Yes, I too I'm 85 00:06:53,040 --> 00:07:00,720 Following along I'm the sous chef du cotage. I am learning very much and here's and we've always talked about doing a podcast 86 00:07:00,720 --> 00:07:03,520 We're Patricia would actually cook so this is not it, okay? 87 00:07:03,520 --> 00:07:08,800 This is us basically drinking a glass of wine and her talking about dinner and we don't drink at all 88 00:07:08,800 --> 00:07:12,160 So even one glass of wine kind of makes us a bit tipsy 89 00:07:12,160 --> 00:07:15,840 But this is just a precursor to what it could be and it was a handy test at the same time 90 00:07:16,400 --> 00:07:18,400 to check out the I River 91 00:07:18,480 --> 00:07:24,960 Wait a minute what's the model the IFP-799 MP3 recorded this is recorded 64 92 00:07:26,560 --> 00:07:30,560 Kilbitz and a 44.1k sample 93 00:07:31,680 --> 00:07:35,280 As we were in the kitchen at the cottage Sunday night okay 94 00:07:36,240 --> 00:07:39,760 Another test this is without the automatic gain control okay 95 00:07:40,720 --> 00:07:42,720 All right 96 00:07:43,120 --> 00:07:47,840 Today today dinner is 97 00:07:49,920 --> 00:07:52,800 Pointy Cabbage pointy habit point 98 00:07:54,800 --> 00:08:00,080 Well, there's a cabbage with a big point and we have sweet potatoes 99 00:08:00,880 --> 00:08:06,320 Said like yes, which we gonna yeah, which we're gonna prepare with 100 00:08:06,960 --> 00:08:08,960 butter 101 00:08:08,960 --> 00:08:10,960 By the way 102 00:08:10,960 --> 00:08:13,680 Check out the Madonna accent on Patricia there 103 00:08:14,080 --> 00:08:23,680 Give the girl one glass of wine and she's the material girl butter cinnamon cinnamon sugar a little bit of nutmeg pepper and salt 104 00:08:26,400 --> 00:08:28,400 Dash of milk 105 00:08:28,880 --> 00:08:30,880 Skin hole 106 00:08:31,440 --> 00:08:36,720 Whatever you prefer and then you can mesh mesh it and 107 00:08:37,760 --> 00:08:44,720 I think it's a lovely combination with my pointy cabbage. Yeah, how are you preparing your pointy cabbage? 108 00:08:45,760 --> 00:08:50,400 Also a little bit of nutmeg a little bit of a flower and a little bit of milk and 109 00:08:51,440 --> 00:08:54,720 because I really diced it really small a 110 00:08:55,600 --> 00:09:02,480 Piece of butter just really little piece of butter and some some pepper some black pepper 111 00:09:04,160 --> 00:09:11,040 And we have some meat today the meat is a turkey thigh coming out of the oven 112 00:09:12,240 --> 00:09:19,200 From Saintsbury that from Saintsbury nicely. It was two for one, but I forgot to buy to get the other one 113 00:09:20,560 --> 00:09:22,560 I saw that oh my saw 114 00:09:22,640 --> 00:09:27,040 Buy by one get one free and you want one, but you forgot your free one and I forgot my free one 115 00:09:27,600 --> 00:09:29,680 Yeah, I'm not used to that, you know 116 00:09:30,400 --> 00:09:33,600 Now because somebody else always did the grocery shopping 117 00:09:34,480 --> 00:09:38,560 But how much better is it now that you do it yourself? Well, I think we have 118 00:09:40,320 --> 00:09:42,320 I think I have a nicer 119 00:09:43,680 --> 00:09:45,680 Fantasy 120 00:09:46,320 --> 00:09:52,240 Oh, yes, we can't put yeah, nicer combinations and I think so and we 121 00:09:52,640 --> 00:10:00,320 I've prepared it right now and he saw that and what the important thing is you go while you are cooking 122 00:10:01,040 --> 00:10:02,640 Yes, have a nice 123 00:10:02,640 --> 00:10:06,960 Glass of symphony out white symphony though. This is why it's it's pinky 124 00:10:08,080 --> 00:10:10,480 We call it whites in from the I get ripped off 125 00:10:12,480 --> 00:10:14,480 It's a car 126 00:10:14,480 --> 00:10:19,280 It's oh, what do you think it's official colored? Yeah, it's not official. No, it's not 127 00:10:19,920 --> 00:10:25,840 But um, make sure you have something to drink normally we don't drink, but it's always nice on a Sunday 128 00:10:26,560 --> 00:10:32,720 And we thought why not it's called outside have a nice glass while you pretend dinner so 129 00:10:33,840 --> 00:10:35,840 Enjoy 130 00:10:35,840 --> 00:10:37,840 Cheers 131 00:10:40,080 --> 00:10:42,080 Okay, so 132 00:10:42,480 --> 00:10:44,800 The hell was that I was me turning it up oops, sorry about that 133 00:10:45,760 --> 00:10:47,760 So in all 134 00:10:47,760 --> 00:10:50,160 Considering that was just the built-in microphone, which sounds 135 00:10:51,120 --> 00:10:56,000 Reasonably shitty. I tried one test with the automatic gain control on and it was all over the place like a 136 00:10:56,800 --> 00:11:01,040 Big compressor, you know bringing up all the silent noises and you can set this thing 137 00:11:01,280 --> 00:11:04,400 Basically that you can use it as a spy recorder and put it somewhere and 138 00:11:04,960 --> 00:11:12,480 It can be voice activated or sound activated and it can record at this high quality of this quality that you just heard it can do 36 hours 139 00:11:12,800 --> 00:11:18,640 You know, so it's it's perfect in a pinch just to carry around you know if you if you want to record something and you need to be able to 140 00:11:19,440 --> 00:11:26,240 To get it at a good quality and know that it's gonna work. It'll be great and even better if you plug a real microphone into it 141 00:11:26,560 --> 00:11:30,080 So but in a pinch it's it's perfect and I'll be using it some more 142 00:11:30,800 --> 00:11:36,560 Also, you can just plug it into any any line out and you can record a really you know a decent decent sound 143 00:11:37,120 --> 00:11:45,360 As an MP3 player itself, it's interesting because you know the interface you you really just looking around in this root file system in fact 144 00:11:45,360 --> 00:11:47,360 It even says root and 145 00:11:47,760 --> 00:11:49,760 So if you open up the 146 00:11:49,760 --> 00:11:51,760 I river media manager 147 00:11:52,640 --> 00:11:54,640 how man's this 148 00:11:54,640 --> 00:11:57,360 lame they have it for windows and for 149 00:11:58,240 --> 00:12:00,800 And for mac and tosh for OS 9 and OS 10 150 00:12:01,760 --> 00:12:07,120 I don't want to mess with it right now. I'm opening up but basically what you have there is 151 00:12:10,400 --> 00:12:17,600 A window and in that window it represents the same file system tree that you can kind of see in the device itself 152 00:12:17,920 --> 00:12:19,280 And you can drag 153 00:12:19,280 --> 00:12:25,120 Drag and drop folders and or files right in there and that's kind of cool because you know you drag it in 154 00:12:26,080 --> 00:12:30,080 The downer as I said earlier is that it doesn't function like a USB drive 155 00:12:30,080 --> 00:12:32,880 That's the way it should be it's just mounts a drive and drop it right in 156 00:12:33,360 --> 00:12:38,320 So you have to go through this thing and I was like why the hell do I have to go through there particular window? 157 00:12:38,320 --> 00:12:42,240 Which you know I haven't seen the API for it or any other information 158 00:12:43,040 --> 00:12:46,160 It looks like that might be quite a barrier to entry and 159 00:12:46,880 --> 00:12:53,200 Well even worse so because there are a couple of songs on it which were MP3s and one of them actually was really cute 160 00:12:54,000 --> 00:12:59,040 It was like the I river song hold on let me just start this sucker up hold on a second 161 00:13:00,080 --> 00:13:02,080 Yeah, there it is 162 00:13:03,920 --> 00:13:05,920 Just go back 163 00:13:05,920 --> 00:13:08,560 It's called I river 164 00:13:09,280 --> 00:13:10,800 Catch 165 00:13:10,800 --> 00:13:12,800 Hold on catch the digital 166 00:13:16,000 --> 00:13:18,000 Flow foul 167 00:13:18,000 --> 00:13:20,000 Catch the digital 168 00:13:20,240 --> 00:13:21,760 Flow 169 00:13:21,840 --> 00:13:25,680 So I thought that'll be cool. I'll play that on on the source code very everybody 170 00:13:26,160 --> 00:13:27,120 Everybody 171 00:13:27,120 --> 00:13:31,680 So I dragged it out of that little super duper window onto my desktop and it went bloom 172 00:13:31,680 --> 00:13:34,240 Actually, I took a screenshot of it to include 173 00:13:34,880 --> 00:13:38,880 Today with the hell that I put it oh man, don't tell me I lost that what happened to it 174 00:13:41,120 --> 00:13:43,120 Oh 175 00:13:43,120 --> 00:13:45,280 Hold on I'll do it again. Oh, no, I can't 176 00:13:46,240 --> 00:13:51,680 Anyway, it basically I will find that that picture weight that I trash it by accident hold on 177 00:13:51,840 --> 00:13:53,840 I see 178 00:13:54,000 --> 00:13:56,800 How can that be I wouldn't have thrown that out that was too fucking good? 179 00:13:59,040 --> 00:14:05,760 I'm bear with me folks. Let me just scan everything. It looks like it's definitely not here. Okay 180 00:14:06,080 --> 00:14:12,960 Anyway, so it said cannot copy this because of digital rights management not allowed to copy like I would just want to play the song 181 00:14:14,080 --> 00:14:19,280 And what I don't have is I don't have a wire that will connect 182 00:14:20,240 --> 00:14:26,080 From the out well wait a minute. Do I have that? Do I have a wire that well? Oh, maybe I do hold on a second 183 00:14:26,080 --> 00:14:28,880 What an excellent idea. We're gonna root around the 184 00:14:29,920 --> 00:14:33,120 Hold on. I know how to do this wait let me in my bag. Oh 185 00:14:34,560 --> 00:14:37,920 This is good. This is good. Okay, so I'm gonna rout around their digital 186 00:14:40,160 --> 00:14:42,160 What am I looking for I'm looking for my 187 00:14:43,360 --> 00:14:45,360 cables 188 00:14:45,360 --> 00:14:47,360 Oh, she just love this 189 00:14:47,760 --> 00:14:53,760 Okay, here it is. What's our time right now? How are we doing 14 minutes good? Okay. Yes, I do have one 190 00:14:54,800 --> 00:15:00,320 I have a cable. So this is basically I'm gonna take this three and a half inch jack which is a part of my 191 00:15:03,520 --> 00:15:05,520 second 192 00:15:07,520 --> 00:15:09,520 This is a part of my 193 00:15:09,520 --> 00:15:15,520 Wireless mic set on plug that into the power book here into the mic in all right. This is gonna be cool 194 00:15:16,480 --> 00:15:17,760 Now take the 195 00:15:19,200 --> 00:15:21,840 headphone jack out right 196 00:15:24,000 --> 00:15:26,000 Now I just have to figure out 197 00:15:26,560 --> 00:15:28,560 Let's see so 198 00:15:30,960 --> 00:15:32,960 Let's get 199 00:15:34,240 --> 00:15:38,400 Line in here. Oh, this is gonna be awesome. Oh, we're stealing from the man 200 00:15:39,200 --> 00:15:41,200 Check it out everybody 201 00:15:42,160 --> 00:15:46,000 Okay, we're gonna send it out to 16 perfect built in 202 00:15:46,880 --> 00:15:51,280 Audio from line in oh, man. This is gonna rock if this works 203 00:15:52,560 --> 00:15:54,560 Okay, hold on 204 00:15:55,520 --> 00:15:57,520 Here it is. Let's see 205 00:15:59,680 --> 00:16:01,680 Okay, oh hold on of course 206 00:16:01,680 --> 00:16:03,680 I 207 00:16:08,000 --> 00:16:10,000 Everybody rock out down 208 00:16:32,320 --> 00:16:34,320 You 209 00:16:38,320 --> 00:16:40,320 Hey kids was that totally worth it or what 210 00:16:41,440 --> 00:16:42,960 There's more on here too 211 00:16:43,200 --> 00:16:45,600 So anyway, so that that totally sucked and then 212 00:16:46,960 --> 00:16:48,960 I thought that 213 00:16:48,960 --> 00:16:55,120 That was actually recording an MP3 and what it does is it records in its own funky format and doesn't actually 214 00:16:55,760 --> 00:17:01,840 Compress it into MP3 until you transfer what it will you drag and drop it out of this funky 215 00:17:02,800 --> 00:17:05,440 I River MIDI music manager 216 00:17:06,080 --> 00:17:10,960 Onto your desktop then it says do you want to make this an MP3? Would you like to leave it in this unrecognizable format? 217 00:17:11,280 --> 00:17:13,040 So of course you choose MP3 so 218 00:17:14,240 --> 00:17:17,600 Mixed feelings about this very mixed feelings like it a lot 219 00:17:18,000 --> 00:17:20,000 But and you know it's like 220 00:17:20,000 --> 00:17:24,880 I thought that you know these guys wanted to be different and all it seems that they're doing in the 221 00:17:24,960 --> 00:17:30,000 Differentiation game is you know different digital rights management, but I'll play with it some more 222 00:17:30,960 --> 00:17:36,320 Again using it purely for podcasting purposes trying to figure out you know what's what's the best 223 00:17:37,120 --> 00:17:39,120 Stuff to use and for the past 224 00:17:40,240 --> 00:17:43,600 Week of shows actually all of last week. I've been using audio hijack pro 225 00:17:43,600 --> 00:17:45,440 I think I should tell you about my new setup 226 00:17:45,920 --> 00:17:49,360 Ever since I got the breakout box which is the M audio two in 227 00:17:49,840 --> 00:17:55,600 Eight channels out. I'm only really using it for the microphone inputs whenever we clean up my office here and I get the 228 00:17:55,600 --> 00:17:59,760 Sennheiser when I find out where that is then we'll have a second, you know Mike that's plugged right in and 229 00:17:59,840 --> 00:18:04,240 The great thing about this is I'm basically hijacking the audio interface sending it to the 230 00:18:04,720 --> 00:18:09,040 To the headphones which I'm to the headphone jack in fact, which I'm wearing the headphones 231 00:18:09,040 --> 00:18:11,040 So I can crank up the sound nice and loud 232 00:18:11,600 --> 00:18:18,240 Haven't been able to do that because I was monitoring always monitoring off of the the Samsung yep as I was recording on to that 233 00:18:18,560 --> 00:18:22,960 So now I have an array of effects all set up 234 00:18:23,440 --> 00:18:30,400 Recording in AIFF and I compress to MP3 post show and I use the voice over plug in 235 00:18:30,960 --> 00:18:34,800 to basically channel sound flower 16 where I send all of my 236 00:18:35,840 --> 00:18:42,400 Quick-time players with MP3s anyone who knew with that just meant please write it down as we can 237 00:18:42,480 --> 00:18:44,480 Gotify what the fuck I just 238 00:18:45,200 --> 00:18:46,480 All right 239 00:18:46,480 --> 00:18:48,480 So more 240 00:18:48,480 --> 00:18:53,360 More fun tech stuff later on right now time for some music. I'm not very coral 241 00:18:54,400 --> 00:18:58,400 Through Howard Reenstein and he was he was so kind now is to 242 00:18:59,200 --> 00:19:02,800 Actually spell out his name because I've been this but I'm really good at bordering names 243 00:19:03,040 --> 00:19:09,760 It's Greenstein g r e n s t e i n which of course. I'm sure I've said was Howard Reenstein or 244 00:19:10,720 --> 00:19:13,200 Um, and I met him through the web 245 00:19:14,160 --> 00:19:17,520 I think we I think we knew each other from the MTV days and 246 00:19:18,960 --> 00:19:20,960 He basically 247 00:19:20,960 --> 00:19:26,640 Well, I'll read you this email which is a part of the production show notes for today's source code out of my favorite rock star and sister 248 00:19:26,960 --> 00:19:28,960 Barry corals about your release her second record 249 00:19:29,680 --> 00:19:33,440 Our next record and would love you to premiere track on the daily source code next week 250 00:19:34,400 --> 00:19:39,680 It's Barry's best for see record yet called confessions of an indie girl and it's officially available star 251 00:19:40,000 --> 00:19:47,040 December 12th at www dot Barry corals dot com b a r i k o r a l 252 00:19:47,760 --> 00:19:50,480 And the last time she was actually she toured in Europe for 253 00:19:51,920 --> 00:19:57,360 Little promotional tour and I was doing the big radio show at the time and she came on the show and a perform live 254 00:19:57,760 --> 00:20:02,240 Somewhere I still have that recording. I've been dying to dig it up. She's really talented 255 00:20:03,200 --> 00:20:05,200 Great great sound 256 00:20:06,080 --> 00:20:11,280 Totally right. I think for for pod safe music and more than happy to 257 00:20:12,240 --> 00:20:15,760 Present to you aspiring angel by Barry corals 258 00:20:18,750 --> 00:23:07,360 [ Music ] 259 00:23:07,360 --> 00:23:16,520 On safe and nutritious and good for you, Barry Coral, the planetary premiere on the Daily 260 00:23:16,520 --> 00:23:22,080 Source Code, aspiring angel more information about that in the production show notes for today's 261 00:23:22,080 --> 00:23:23,080 Daily Source Code. 262 00:23:23,080 --> 00:23:27,800 Today is Tuesday, December 14, 2004. 263 00:23:27,800 --> 00:23:33,720 And briefly just today we went to look for Stables for Christina's horse or herpony, Princess 264 00:23:33,720 --> 00:23:41,080 Arletta, who has been living back at the trainer's house, Luke's house for the past 265 00:23:41,080 --> 00:23:42,080 a couple of weeks. 266 00:23:42,080 --> 00:23:46,040 Christina was really antsy, of course she wants to see her baby. 267 00:23:46,040 --> 00:23:49,520 So we've been looking around for Stables in the Guilford area. 268 00:23:49,520 --> 00:23:52,480 This would be a major hint, anyone listening if you have any good ideas, something 269 00:23:52,480 --> 00:23:54,600 close by, it'd be very nice. 270 00:23:54,600 --> 00:23:58,680 We need like half-livery option, you know, during the week where they basically feed it so 271 00:23:58,680 --> 00:24:04,080 it doesn't starve and then we can show up four or five times a week and ride and have fun. 272 00:24:04,080 --> 00:24:10,480 But no, seriously, so we're shopping around, you know, it's a lot of horse-horse-suffices 273 00:24:10,480 --> 00:24:11,480 here. 274 00:24:11,480 --> 00:24:15,120 Can you tell that I'm not really a horse guy, but I really love my daughter who loves 275 00:24:15,120 --> 00:24:16,120 her horse. 276 00:24:16,120 --> 00:24:19,960 I do love her horse too, so we'll figure that out. 277 00:24:19,960 --> 00:24:24,880 Something else that we've been dealing with in the past couple of weeks, noticed a growing 278 00:24:24,880 --> 00:24:30,720 number of complaints about the accessibility of the daily source code MP3 files. 279 00:24:30,720 --> 00:24:40,400 Now, in all basic probability, I'd say 99% certainty, this is because of the enormous 280 00:24:40,400 --> 00:24:45,560 amount of subscribers to the show and we're seeing bits and pieces of the internet start 281 00:24:45,560 --> 00:24:47,320 to creek and to crack. 282 00:24:47,320 --> 00:24:51,680 And this is interesting because, well, you know, if this is happening to me now, it's 283 00:24:51,680 --> 00:24:54,840 going to happen to other people very soon if it's not happening already. 284 00:24:55,480 --> 00:24:59,400 And we're seeing some intermittent problems, basically what's happening is we're seeing 285 00:24:59,400 --> 00:25:02,360 downloads of the show fail. 286 00:25:02,360 --> 00:25:05,000 And Dave and I have been tracking this for quite a while. 287 00:25:05,000 --> 00:25:12,240 We basically, in November, at BloggerCon, I did before BloggerCon, we bought servers, 288 00:25:12,240 --> 00:25:16,720 as you probably remember, I was talking about that. 289 00:25:16,720 --> 00:25:20,520 And we got one or two servers with unmetered bandwidth. 290 00:25:20,560 --> 00:25:26,320 Now, it's a limited pipe, it's, you know, I believe it's 20 or 30 megabits. 291 00:25:26,320 --> 00:25:32,160 But in essence, you can pump only so much through it so that the 30 megabit pipe, but 292 00:25:32,160 --> 00:25:34,760 you can do that all day long without any penalty. 293 00:25:34,760 --> 00:25:37,960 And we have a couple of shows running on that server. 294 00:25:37,960 --> 00:25:43,720 The big ones, of course, would be source code, dawn and drew morning coffee notes and 295 00:25:43,720 --> 00:25:45,280 trade secrets. 296 00:25:46,080 --> 00:25:51,360 What we're seeing is these downloads fail and there's a whole bunch of different thoughts 297 00:25:51,360 --> 00:25:58,920 and ideas and really after doing a test today and before this show went up, I actually 298 00:25:58,920 --> 00:26:04,240 pinged the list that, of course, I'll point to in the production show notes, the list 299 00:26:04,240 --> 00:26:07,760 that the Dave set up, the little comment list there, where people could check to see 300 00:26:07,760 --> 00:26:11,200 how it was coming in from there different locations. 301 00:26:11,280 --> 00:26:14,920 We're seeing that most browser transfers are going quite well. 302 00:26:14,920 --> 00:26:20,720 Some of the iPodter clients, sometimes they'll break, sometimes they'll stop, then it'll 303 00:26:20,720 --> 00:26:23,280 be, and it's really it's unreplicable. 304 00:26:23,280 --> 00:26:25,280 You can't really figure out what the problem is. 305 00:26:25,280 --> 00:26:31,880 I'm pretty sure it's not going to be the iPodter clients because, you know, that's just 306 00:26:31,880 --> 00:26:37,840 and everyone's making an HTTP call, so it's somewhere along the line, it's failing. 307 00:26:38,480 --> 00:26:46,800 I don't know a lot about networking in bandwidth, this is also not Dave's area of expertise, 308 00:26:46,800 --> 00:26:51,640 but we have gotten a number of very good comments and good information. 309 00:26:51,640 --> 00:26:56,360 The basically says, okay, well, the problem is you're sitting on a tier three provider 310 00:26:56,360 --> 00:27:02,920 and, you know, the bandwidth that you've purchased is basically crap or not, you know, 311 00:27:02,920 --> 00:27:05,600 there's no service level agreement, perhaps, or, you know, there's a whole bunch of 312 00:27:05,600 --> 00:27:08,120 different issues that have to be looked at. 313 00:27:08,120 --> 00:27:10,120 That's part of the problem. 314 00:27:10,120 --> 00:27:14,560 You know, also, we're just, we're growing, you know, this stuff is getting so big, 315 00:27:14,560 --> 00:27:19,560 that it's going to come down to, well, a couple of different ways to solve it, eventually, 316 00:27:19,560 --> 00:27:23,200 I think there's just not going to be any other way, but to go with, you know, 100% bit 317 00:27:23,200 --> 00:27:28,080 torrent integration and everyone has to be able to support it and it has to work. 318 00:27:28,080 --> 00:27:33,960 And I think I'm going to start using bit torn pretty soon because no matter how many 319 00:27:34,000 --> 00:27:37,040 providers we get, you know, eventually, I think, when to get up to this point where it's 320 00:27:37,040 --> 00:27:41,120 just going to start breaking because there's too many iPod or clients and people who are interested 321 00:27:41,120 --> 00:27:46,680 in subscribe to the show, trying to get these MP3 files simultaneously, so spreading it out 322 00:27:46,680 --> 00:27:49,680 in a P to P fashion makes a lot of sense to me. 323 00:27:49,680 --> 00:27:57,200 Something that the, that the iPod of developers could do, it would certainly help me and 324 00:27:57,200 --> 00:28:01,720 and don and drew, and I'm sure more to come as the bandwidth crunch gets worse. 325 00:28:01,720 --> 00:28:06,680 And having developed an iPod or I know that this is something that may not, it's just 326 00:28:06,680 --> 00:28:10,720 basically a loop that you, that you could put into the program. 327 00:28:10,720 --> 00:28:16,720 If the download fails, it would be great if the iPod or client could not say, you know, 328 00:28:16,720 --> 00:28:21,880 skip it or put in the cash is not there or gone or whatever, but maybe you could go back 329 00:28:21,880 --> 00:28:25,920 in half an hour or 45 minutes and try it again or just some random time. 330 00:28:25,920 --> 00:28:31,360 And also, I, and I saw iPod or X do this, it sets up random times of grabbing the 331 00:28:31,360 --> 00:28:36,680 file for, you know, your iPod or goes out, not at the top of the hour, but at a random 332 00:28:36,680 --> 00:28:39,080 time that it's set, excuse me. 333 00:28:39,080 --> 00:28:47,800 So all that stuff is really going to help, and yeah, that would be the number one, the number 334 00:28:47,800 --> 00:28:51,320 one cool thing that we could do with our iPod or clients is to have some kind of 335 00:28:51,320 --> 00:28:53,160 resumable functionality. 336 00:28:53,160 --> 00:28:55,760 And I think that let me see Doppler had it in there. 337 00:28:55,760 --> 00:28:59,480 I'm looking at the comments here that, of course, are in the, in the show notes. 338 00:28:59,480 --> 00:29:04,520 Let's see this is from Erwin from Doppler Radio.net. 339 00:29:04,520 --> 00:29:09,120 Welcome early and flanders this day, download your lady, latest daily source code, heard 340 00:29:09,120 --> 00:29:11,600 you talk about download problems with a daily source code. 341 00:29:11,600 --> 00:29:17,840 I'm happy to tell you that Doppler 2.0, which I will release into the wild, is, supports 342 00:29:17,840 --> 00:29:20,720 resuming downloads, also known as byte-ranging. 343 00:29:20,720 --> 00:29:24,840 There you go, which helped me a lot to overcome the download stalling problems as you described 344 00:29:24,840 --> 00:29:25,840 in your podcast. 345 00:29:25,840 --> 00:29:26,840 Okay, thank you very much, Erwin. 346 00:29:26,840 --> 00:29:31,760 That would be great if we could get the other iPod or developers to do that. 347 00:29:31,760 --> 00:29:35,160 Because this is something that's, if it's happening to me, it's, you know, and of course, 348 00:29:35,160 --> 00:29:40,520 I'm going to work on finding new bandwidth solutions, and it seems only logical that 349 00:29:40,520 --> 00:29:45,480 we're going to run into, you know, bandwidth providers who are going to have some great ideas. 350 00:29:45,480 --> 00:29:51,000 But in the meantime, it would be great if we can definitely help each other by, you know, 351 00:29:51,000 --> 00:29:55,560 working around some of the, the nuttiness of the internet, if stuff breaks, that we can go 352 00:29:55,560 --> 00:30:00,040 back in kind of unbreak it, or at least try to still deliver on the promise. 353 00:30:00,040 --> 00:30:05,640 I'm also, hold on one second, and I just, sometimes I got to hijack the signal again, 354 00:30:05,640 --> 00:30:07,040 because I delay set signal. 355 00:30:07,040 --> 00:30:10,720 That's when you basically hear me talk like I'm drunk, that's when the delay sets it on 356 00:30:10,720 --> 00:30:11,720 my headphones. 357 00:30:11,720 --> 00:30:12,720 I got to figure out why it's doing that. 358 00:30:12,720 --> 00:30:14,720 That's not right. 359 00:30:14,720 --> 00:30:21,720 It also is going to say, um, but we had that about, oh shit, I don't know. 360 00:30:21,720 --> 00:30:22,720 You know what? 361 00:30:22,720 --> 00:30:24,640 You know what I need right now? 362 00:30:24,640 --> 00:30:26,400 You know what I really need? 363 00:30:26,400 --> 00:30:32,000 Put your hands on your iPod or your MP3 player at this moment, my brothers and sisters, 364 00:30:32,000 --> 00:30:33,840 and feel more cowbell. 365 00:30:44,720 --> 00:30:51,840 After a series of staggering defeats, Blue Oyster called assembled in the recording studio 366 00:30:51,840 --> 00:30:58,840 in late 1976 for a session with fame producer Bruce Dickinson, luckily for us, the cameras 367 00:30:58,840 --> 00:30:59,840 were rolling. 368 00:30:59,840 --> 00:31:05,720 Alright guys, I think we're ready to lay this first track down. 369 00:31:05,720 --> 00:31:12,360 By the way, my name is Bruce Dickinson, yes, the Bruce Dickinson, and I got to tell you 370 00:31:12,400 --> 00:31:17,000 if fellas, you have got what appears to be a dynamite sound. 371 00:31:17,000 --> 00:31:20,000 Coming from your Bruce, that means a lot. 372 00:31:20,000 --> 00:31:24,840 Yeah, I mean, you Bruce Dickinson, this is incredible. 373 00:31:24,840 --> 00:31:27,120 I can't believe Bruce Dickson digs our sound. 374 00:31:27,120 --> 00:31:32,920 These guys, I put my pants on just like the rest of you, one leg at a time. 375 00:31:32,920 --> 00:31:36,720 Except once my pants are on, I make gold records. 376 00:31:36,720 --> 00:31:40,120 Alright, here we go. 377 00:31:40,120 --> 00:31:45,560 If you don't feel the reaper, take one roll, one, two, three, four. 378 00:31:48,750 --> 00:32:08,750 [ Music ] 379 00:32:10,960 --> 00:32:12,960 Wait, wait. 380 00:32:12,960 --> 00:32:16,560 First, could you come in every second, please? 381 00:32:16,560 --> 00:32:19,280 That camera's going to be a great track, guys. 382 00:32:19,280 --> 00:32:20,280 What's the deal? 383 00:32:20,280 --> 00:32:22,000 Are you sure that was sounding okay? 384 00:32:22,000 --> 00:32:27,160 I'll be honest, fellas, it was sounding great, but I couldn't use the little more cowbell. 385 00:32:27,160 --> 00:32:37,320 So, let's take it again, and Jean, really explore the studio space this time. 386 00:32:37,320 --> 00:32:38,320 You got a Bruce? 387 00:32:38,360 --> 00:32:39,320 Really? 388 00:32:39,320 --> 00:32:40,320 Yeah. 389 00:32:40,320 --> 00:32:41,320 Explore the space. 390 00:32:41,320 --> 00:32:42,320 Okay. 391 00:32:42,320 --> 00:32:43,320 I like what I'm hearing. 392 00:32:43,320 --> 00:32:44,320 You're all there. 393 00:32:44,320 --> 00:32:46,320 One, two, three, four. 394 00:32:48,750 --> 00:33:08,320 [ Music ] 395 00:33:08,320 --> 00:33:16,320 Stop, Bruce, I'm sorry, could you come back in every second? 396 00:33:16,320 --> 00:33:17,320 Fellas. 397 00:33:17,320 --> 00:33:18,320 No. 398 00:33:18,320 --> 00:33:21,000 We just wasted two good tracks. 399 00:33:21,000 --> 00:33:25,560 This last one was even better than the first, but it's just that I find Jean's cowbell playing 400 00:33:25,560 --> 00:33:26,560 distract. 401 00:33:26,560 --> 00:33:27,560 I don't know. 402 00:33:27,560 --> 00:33:29,200 If I'm the only one I'll shut up. 403 00:33:29,200 --> 00:33:31,200 No, it's pretty rough. 404 00:33:31,200 --> 00:33:33,800 You know, I can pull it back a little if you like. 405 00:33:33,800 --> 00:33:34,800 Not too much, though. 406 00:33:34,800 --> 00:33:38,200 I'm telling you, Fellas, you're going to want that cowbell. 407 00:33:38,200 --> 00:33:39,200 I'm gonna drag. 408 00:33:39,200 --> 00:33:40,200 You know what? 409 00:33:40,200 --> 00:33:41,200 It's fine. 410 00:33:41,200 --> 00:33:42,200 Let's just do the thing. 411 00:33:42,200 --> 00:33:43,200 Roll it. 412 00:33:43,200 --> 00:33:45,200 One, two, three, four. 413 00:33:48,750 --> 00:34:08,750 [ Music ] 414 00:34:09,200 --> 00:34:15,200 Come on, Jean, don't do that. 415 00:34:15,200 --> 00:34:16,200 No. 416 00:34:16,200 --> 00:34:19,200 That, that, it doesn't work for me. 417 00:34:19,200 --> 00:34:21,200 I gotta have more cowbell. 418 00:34:21,200 --> 00:34:24,200 Don't blow this forest, Jean. 419 00:34:24,200 --> 00:34:27,200 Could be, could be itself a scene. 420 00:34:27,200 --> 00:34:29,200 Can I just say one thing? 421 00:34:29,200 --> 00:34:30,200 There, baby. 422 00:34:30,200 --> 00:34:31,200 Just say it. 423 00:34:31,200 --> 00:34:35,200 I'm stare at here, stare at rock legend, Bruce Dickinson. 424 00:34:35,200 --> 00:34:36,200 A cock and a walk, baby. 425 00:34:37,200 --> 00:34:39,200 And Bruce Dickinson wants more cowbell. 426 00:34:39,200 --> 00:34:41,200 We should probably give him more cowbell. 427 00:34:41,200 --> 00:34:42,200 Hey, baby. 428 00:34:42,200 --> 00:34:44,200 And Bobby, you are right. 429 00:34:44,200 --> 00:34:45,200 Ambex selfish. 430 00:34:45,200 --> 00:34:48,200 But the last time I checked, we don't have a whole lot of songs 431 00:34:48,200 --> 00:34:50,200 that feature the cowbell. 432 00:34:50,200 --> 00:34:52,200 I gotta have more cowbell, baby. 433 00:34:52,200 --> 00:34:56,200 I'm gonna be doing myself with the service. 434 00:34:56,200 --> 00:35:00,200 And every member of this band, if I did perform the hell out of this. 435 00:35:00,200 --> 00:35:02,200 Guess what? 436 00:35:02,200 --> 00:35:04,200 I got a fever. 437 00:35:05,200 --> 00:35:08,200 And the only prescription is more cowbell. 438 00:35:10,200 --> 00:35:12,200 Thank you, Bruce. 439 00:35:12,200 --> 00:35:16,200 I think if I just leave and maybe I'll come back later, 440 00:35:16,200 --> 00:35:18,200 and we can lay down the cowbell on, baby. 441 00:35:18,200 --> 00:35:20,200 Jean, wait. 442 00:35:22,200 --> 00:35:28,200 Why don't you lay down that cowbell right now with us together. 443 00:35:35,200 --> 00:35:38,200 Do you mean that, Eric? 444 00:35:38,200 --> 00:35:39,200 Yes. 445 00:35:39,200 --> 00:35:41,200 Thanks for all of us. 446 00:35:41,200 --> 00:35:42,200 Thank you. 447 00:35:42,200 --> 00:35:45,200 Baby, before we're done here, 448 00:35:45,200 --> 00:35:48,200 y'all be wearing gold-pitted diapers. 449 00:35:48,200 --> 00:35:50,200 What does that mean? 450 00:35:50,200 --> 00:35:52,200 Never question Bruce Dickinson. 451 00:35:52,200 --> 00:35:53,200 Go. 452 00:35:59,200 --> 00:36:02,200 One, two, three, four. 453 00:36:04,200 --> 00:36:07,200 One, two, three, four. 454 00:36:19,200 --> 00:36:20,200 Yeah, everybody. 455 00:36:20,200 --> 00:36:21,200 Class, et cetera. 456 00:36:21,200 --> 00:36:22,200 All right, mine. 457 00:36:22,200 --> 00:36:23,200 Lou, it's the call. 458 00:36:23,200 --> 00:36:27,200 And of course, Christopher Walken, need more cowbell. 459 00:36:27,200 --> 00:36:31,200 And it also, so typifies the big, 460 00:36:31,200 --> 00:36:34,200 with Dave calls the monoculture of entertainment. 461 00:36:34,200 --> 00:36:37,200 We have the producer of Walken, the legendary Bruce Dickinson, 462 00:36:37,200 --> 00:36:38,200 who I only know is, 463 00:36:38,200 --> 00:36:40,200 Bruce Dickinson from Iron Maiden, I guess. 464 00:36:40,200 --> 00:36:42,200 And needs more cowbell. 465 00:36:42,200 --> 00:36:45,200 Need more goddamn cowbell, otherwise it'll never be a hit, gentlemen. 466 00:36:45,200 --> 00:36:47,200 Need more cowbell. 467 00:36:47,200 --> 00:36:49,200 Love the cowbell. 468 00:36:49,200 --> 00:36:56,200 I wrote this down with a link to a post here. 469 00:36:56,200 --> 00:36:57,200 Okay. 470 00:36:57,200 --> 00:37:01,200 We were talking about the yesterday, actually, after I posted the source code, 471 00:37:01,200 --> 00:37:04,200 I was saying, you know, in the source code itself, 472 00:37:04,200 --> 00:37:07,200 I talked about the opml files and how we're going to link that together. 473 00:37:07,200 --> 00:37:11,200 And all of a sudden it hit me, or at least the part of it hit me after, 474 00:37:11,200 --> 00:37:14,200 you know, after we were talking about it, 475 00:37:14,200 --> 00:37:15,200 and I was listening back to the show, 476 00:37:15,200 --> 00:37:17,200 I kind of sample through it and listen to different bits, 477 00:37:17,200 --> 00:37:19,200 listen to the sound levels. 478 00:37:19,200 --> 00:37:22,200 And it hit me like, wouldn't it be cool? 479 00:37:22,200 --> 00:37:26,200 So here, so let's presume that from the directory. 480 00:37:26,200 --> 00:37:29,200 And when I say the directory, I kind of mean it like a big virtual thing. 481 00:37:29,200 --> 00:37:33,200 Yeah, it's the directory that's at the ipod.org site, 482 00:37:33,200 --> 00:37:36,200 if you go to podcast directory or podcast directory. 483 00:37:36,200 --> 00:37:38,200 You'll see the directory and I filled up a couple more. 484 00:37:38,200 --> 00:37:41,200 I have a backlog about 150 new podcasts that have to go in, 485 00:37:41,200 --> 00:37:44,200 just from this past week and a half alone. 486 00:37:44,200 --> 00:37:46,200 So working on that. 487 00:37:46,200 --> 00:37:48,200 And if it takes too long, ping me again, 488 00:37:48,200 --> 00:37:51,200 let me know there is a suggestion link, please. 489 00:37:51,200 --> 00:37:53,200 But there's lots of stuff still flowing in there 490 00:37:53,200 --> 00:37:57,200 through all of the multiple nodes that I'm not maintaining at all. 491 00:37:57,200 --> 00:38:02,200 But it's also the same directory that you see in the ipod or x ipod or client, 492 00:38:02,200 --> 00:38:07,200 in the ipod or 11 client, in jpod or in most of the ipodters, 493 00:38:07,200 --> 00:38:11,200 because it's a format that programmers, developers can use, 494 00:38:11,200 --> 00:38:13,200 and kind of, you know, it's a consistent format, 495 00:38:13,200 --> 00:38:15,200 so they can pull stuff in and use that, 496 00:38:15,200 --> 00:38:17,200 and it makes it easy for you to subscribe. 497 00:38:17,200 --> 00:38:19,200 They can glean new data from that. 498 00:38:19,200 --> 00:38:22,200 The ipod or x top picks and most subscribe to databases, 499 00:38:22,200 --> 00:38:25,200 a combination of their information and our data. 500 00:38:25,200 --> 00:38:28,200 So, you know, we're trying to share as much of this as possible. 501 00:38:28,200 --> 00:38:32,200 And what would be cool, of course, if you have your show nodes, 502 00:38:32,200 --> 00:38:34,200 as a part of that directory. 503 00:38:34,200 --> 00:38:37,200 So that's one part, which I'm trying to figure out. 504 00:38:37,200 --> 00:38:40,200 So basically, you should have an attachment. 505 00:38:40,200 --> 00:38:42,200 If you're in the directory, and again, 506 00:38:42,200 --> 00:38:44,200 it could be an HTML version of that directory. 507 00:38:44,200 --> 00:38:47,200 In an ipod or on your mp3 player itself, 508 00:38:47,200 --> 00:38:51,200 there you should be able to drop down into the next level, 509 00:38:51,200 --> 00:38:53,200 which is basically my production show nodes. 510 00:38:53,200 --> 00:38:54,200 And here's the cool thing. 511 00:38:54,200 --> 00:38:57,200 So let's say, like yesterday, I forgot half of the things 512 00:38:57,200 --> 00:38:59,200 that I was supposed to, you know, post along there, 513 00:38:59,200 --> 00:39:04,200 and links, and other mp3s to link to, 514 00:39:04,200 --> 00:39:06,200 wouldn't it be cool if all you did, 515 00:39:06,200 --> 00:39:09,200 if you saw something in my outline, 516 00:39:09,200 --> 00:39:11,200 basically my production show nodes and said, 517 00:39:11,200 --> 00:39:13,200 oh, I have information for Adam on that. 518 00:39:13,200 --> 00:39:17,200 And you sent me a link to an opml file itself. 519 00:39:17,200 --> 00:39:19,200 I could copy paste that right in, 520 00:39:19,200 --> 00:39:23,200 and would expand the information that I don't have, 521 00:39:23,200 --> 00:39:24,200 so you can contribute to it. 522 00:39:24,200 --> 00:39:27,200 So we have this big metadata thing 523 00:39:27,200 --> 00:39:29,200 that we're, you know, basically it's connecting 524 00:39:29,200 --> 00:39:30,200 a tree to each other. 525 00:39:30,200 --> 00:39:34,200 It's a lot like weblogs kind of tilted on its side, I guess. 526 00:39:34,200 --> 00:39:36,200 I know if that makes any sense, but I got pretty excited 527 00:39:36,200 --> 00:39:40,200 by the idea that you could add just like you're adding 528 00:39:40,200 --> 00:39:42,200 a directory with an opml file, 529 00:39:42,200 --> 00:39:45,200 you can add information to my podcast show nodes, 530 00:39:45,200 --> 00:39:47,200 which will basically show up anywhere. 531 00:39:47,200 --> 00:39:49,200 They'll show up in the directory, 532 00:39:49,200 --> 00:39:52,200 in the HTML version of the iPod or directory, 533 00:39:52,200 --> 00:39:55,200 but they can flow out to anywhere that the directory is being used. 534 00:39:55,200 --> 00:39:57,200 And you can kind of walk along this directory 535 00:39:57,200 --> 00:40:00,200 and do all kinds of cool things where you can look for new stuff. 536 00:40:00,200 --> 00:40:01,200 You could search it. 537 00:40:01,200 --> 00:40:04,200 It's really wonderful the way I understand it, 538 00:40:04,200 --> 00:40:06,200 which is still quite minimal. 539 00:40:06,200 --> 00:40:09,200 And then I just want to leave you with a couple of things. 540 00:40:10,200 --> 00:40:12,200 Well, first let me hit you with this one, 541 00:40:12,200 --> 00:40:14,200 because this is another great of 542 00:40:14,200 --> 00:40:17,200 another piece of great work from our daily source code listeners, 543 00:40:17,200 --> 00:40:19,200 as we almost wind down the show for today. 544 00:40:21,200 --> 00:40:22,200 Hey, they're Adam. 545 00:40:22,200 --> 00:40:25,200 It's fun time Ben over a tracks up the tree. 546 00:40:25,200 --> 00:40:27,200 Just sending you this audio comment to tell you 547 00:40:27,200 --> 00:40:30,200 that I'm going to be at the Bitty's Holiday Party. 548 00:40:30,200 --> 00:40:33,200 This Tuesday, December 14th, 549 00:40:33,200 --> 00:40:35,200 at the living room. 550 00:40:36,200 --> 00:40:38,200 You mentioned it on your show, 551 00:40:38,200 --> 00:40:40,200 and I said, hey, I should be there 552 00:40:40,200 --> 00:40:43,200 being that I'm a Manhattan resident, 553 00:40:43,200 --> 00:40:46,200 or at least I work in Manhattan. 554 00:40:46,200 --> 00:40:48,200 Hi, Adam. 555 00:40:48,200 --> 00:40:49,200 It's Dan, fun time day in, 556 00:40:49,200 --> 00:40:52,200 from fun time Ben's tracks up the tree. 557 00:40:52,200 --> 00:40:53,200 Podcast. 558 00:40:53,200 --> 00:40:54,200 I just want you know, 559 00:40:54,200 --> 00:40:55,200 I've been sitting in the other room, 560 00:40:55,200 --> 00:40:58,200 and Ben has been in here recording over and over 561 00:40:58,200 --> 00:40:59,200 and over again, 562 00:40:59,200 --> 00:41:01,200 his audio comment that he wants to leave for you. 563 00:41:01,200 --> 00:41:02,200 He wants to get it just right. 564 00:41:02,200 --> 00:41:04,200 But it's taking him a while. 565 00:41:04,200 --> 00:41:05,200 So this is what I thought I'd do. 566 00:41:05,200 --> 00:41:07,200 I just want to come in here and let you know 567 00:41:07,200 --> 00:41:09,200 that fun time Ben would love to invite you 568 00:41:09,200 --> 00:41:11,200 to join him for a, 569 00:41:11,200 --> 00:41:13,200 the Sylvie's Bitty's show at 11 o'clock 570 00:41:13,200 --> 00:41:14,200 in the living room at New York City. 571 00:41:14,200 --> 00:41:15,200 I'm at those street. 572 00:41:15,200 --> 00:41:16,200 I think it's 145. 573 00:41:16,200 --> 00:41:18,200 Let me say I've heard about 700 times 574 00:41:18,200 --> 00:41:20,200 that I think it's 145, 575 00:41:20,200 --> 00:41:21,200 let those street. 576 00:41:21,200 --> 00:41:23,200 Sorry, 154, 577 00:41:23,200 --> 00:41:24,200 let those street. 578 00:41:24,200 --> 00:41:27,200 And he would love to meet you 579 00:41:27,200 --> 00:41:30,200 if you'd like to come down and see the show. 580 00:41:30,200 --> 00:41:32,200 And he's going to be wearing, 581 00:41:32,200 --> 00:41:33,200 he's always in Britain. 582 00:41:33,200 --> 00:41:34,200 He's not coming to the show. 583 00:41:34,200 --> 00:41:36,200 Then why are we leaving this audio? 584 00:41:36,200 --> 00:41:37,200 I'm inviting the audience. 585 00:41:37,200 --> 00:41:38,200 Oh, sorry. 586 00:41:38,200 --> 00:41:39,200 Adam. 587 00:41:39,200 --> 00:41:40,200 I'm sorry. 588 00:41:40,200 --> 00:41:41,200 We're inviting the audience. 589 00:41:41,200 --> 00:41:42,200 I'm sorry. 590 00:41:42,200 --> 00:41:44,200 I didn't hear that part from the other room. 591 00:41:44,200 --> 00:41:45,200 700 times. 592 00:41:45,200 --> 00:41:47,200 But he's going to be wearing a yellow shirt 593 00:41:47,200 --> 00:41:50,200 with unicorns making love on it. 594 00:41:50,200 --> 00:41:52,200 And that's how you'll know it's him. 595 00:41:52,200 --> 00:41:53,200 Yellow T-shirt, right, 596 00:41:53,200 --> 00:41:55,200 with two unicorns making love. 597 00:41:55,200 --> 00:41:58,200 So dear listeners and Adam, 598 00:41:58,200 --> 00:41:59,200 thank you so much for your time, 599 00:41:59,200 --> 00:42:00,200 your patience, 600 00:42:00,200 --> 00:42:02,200 and we hope to see you at the show. 601 00:42:02,200 --> 00:42:03,200 All right. 602 00:42:03,200 --> 00:42:04,200 Take good care. 603 00:42:04,200 --> 00:42:05,200 Bye-bye. 604 00:42:06,250 --> 00:44:42,200 [ Music ] 605 00:44:42,200 --> 00:44:47,200 And do whatever I please. 606 00:44:47,200 --> 00:44:50,200 You don't own me. 607 00:44:50,200 --> 00:44:52,200 You never have. 608 00:44:52,200 --> 00:44:54,200 You never will. 609 00:44:54,200 --> 00:44:57,200 You don't own me. 610 00:44:57,200 --> 00:45:02,200 You don't own me. 611 00:45:02,200 --> 00:45:10,200 You don't own me. 612 00:45:10,200 --> 00:45:17,200 You don't own me. 613 00:45:17,200 --> 00:45:19,200 Check it out. 614 00:45:19,200 --> 00:45:24,200 Be these backmasking. 615 00:45:30,200 --> 00:45:35,200 Oh, that's for me, everybody. 616 00:45:36,200 --> 00:45:40,200 Remember I was telling Analy. 617 00:45:40,200 --> 00:45:43,200 We'll interview you for a while that the biddies did a backmasking song. 618 00:45:43,200 --> 00:45:46,200 Let's play that backwards and see what they say. 619 00:45:46,200 --> 00:45:47,200 Here it comes. 620 00:45:47,200 --> 00:45:48,200 Can I do that? 621 00:45:48,200 --> 00:45:49,200 Yeah, here we go. 622 00:45:49,200 --> 00:45:52,200 Play backwards. 623 00:45:52,200 --> 00:46:07,200 That was kind of disappointing. 624 00:46:07,200 --> 00:46:10,200 What the hell was that? 625 00:46:10,200 --> 00:46:12,200 Good night. 626 00:46:12,200 --> 00:46:14,200 Good night. 627 00:46:14,200 --> 00:46:16,200 That's what they're saying. 628 00:46:16,200 --> 00:46:17,200 Good night. 629 00:46:17,200 --> 00:46:18,200 Backwards. 630 00:46:18,200 --> 00:46:20,200 Tonight at the living room in Manhattan. 631 00:46:20,200 --> 00:46:24,200 It's the most serious bitties make sure you catch the show. 632 00:46:24,200 --> 00:46:26,200 And that's it for the source code for today. 633 00:46:26,200 --> 00:46:27,200 You're walks over. 634 00:46:27,200 --> 00:46:32,200 A little bit long, but you deserve the long walk. 635 00:46:32,200 --> 00:46:35,200 I just want to leave you with a thought that Ron Bloom. 636 00:46:35,200 --> 00:46:40,200 Dave and I have been talking with considering our new venture and podcasting, 637 00:46:40,200 --> 00:46:43,200 where we see each other at the beginning of the new year. 638 00:46:43,200 --> 00:46:47,200 You know, the iPod really made it hip to download music. 639 00:46:47,200 --> 00:46:52,200 But it's the podcast that you're determined just how hip you really are. 640 00:46:52,200 --> 00:46:55,200 Depending on what you have on your iPod. 641 00:46:55,200 --> 00:46:58,200 Or comfortable and be three players. 642 00:46:58,200 --> 00:47:01,200 With digital rights, music player management crafts. 643 00:47:01,200 --> 00:47:02,200 All right, everybody. 644 00:47:02,200 --> 00:47:04,200 Tomorrow I will be back. 645 00:47:04,200 --> 00:47:07,200 We've got Clark Boyd from Boyd. 646 00:47:07,200 --> 00:47:12,200 Boyd from WGBH coming into town into Lovely Gillford. 647 00:47:12,200 --> 00:47:16,200 Doing a piece about me and my lack of bandwidth. 648 00:47:16,200 --> 00:47:17,200 Oh, British telecom. 649 00:47:17,200 --> 00:47:21,200 You're going to love this because it's a co-production with the BBC. 650 00:47:21,200 --> 00:47:22,200 Oh yeah. 651 00:47:22,200 --> 00:47:25,200 What was the chairman's name again? 652 00:47:25,200 --> 00:47:26,200 Thank you. 653 00:47:26,200 --> 00:47:27,200 Thank you. 654 00:47:27,200 --> 00:47:28,200 Everybody. 655 00:47:28,200 --> 00:47:29,200 See you tomorrow. 656 00:47:29,200 --> 00:47:30,200 Bye.