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The Lays there began as you reach web to tackle.

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There were chances this hit shut out of your Texas Ranger's final score last night at 9B.

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First on 635 OVJ.

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It's Adam Curry and it is your daily source code.

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And when I say that I'm meeting my friend, my family, my lovers, my world leaders, this is your daily source code.

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Coming to you from South Beach, Florida, from my bed.

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On the top of the bed, that is from the hotel room.

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It's the source code for Wednesday, January 5, 2005.

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Okay, I got a one year front. I'm completely unprepared.

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Yes, I got some show notes, the typical stuff that I basically collected an outline as I prepare for the show.

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But I haven't really done any shifting around or positioning or really haven't formatted it.

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I just want to fly a little bit by the seat of my pants because quite honestly, I'm tired.

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And it's good because the tiredness comes from all things good.

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My body said, yeah, we can do a podcast. My brain said, hmm.

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Look at what you want to do, body.

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So, it's like a couple of hours.

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I just want to wrap a little bit, give you a little update where we're at right now.

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Today, as I said, as Wednesday is January 5, 2005, it's about quarter to three in the afternoon.

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And got back about 45 minutes ago from breakfast, slash lunch.

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And now it wasn't brunch because Dave and I actually intended to get some breakfast, but could not get served at the big pink sucked.

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Actually, I got into like a something I never do.

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I got angry, I got irritated that we just couldn't get any service.

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I don't know, I think with the position the table was bad, but then there was like no apology.

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It's just, you know, fuck you.

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It's kind of, I guess that sometimes that is a little bit of the attitude, certainly in the extremely hip South Beach quadrant.

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But we're having a good time and really good time.

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We had a, what I consider, I think, break through day yesterday between Ron, Dave and I.

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We really got to a point where we said, okay, yeah, now we've got, you know, now the shit's starting to click.

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It's falling into place.

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We, you know, this is exactly what we were, we're hoping for what we were expecting.

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And, and so that was last night until 11, then I got back.

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And really, I intended to go to bed, but I couldn't stop listening to yeast radio.

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And I'm glad I did because 33 minutes into the show that, um, aired the day before yesterday.

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Mad started talking about Dave.

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And, um, if you haven't heard it, let me share that with you right now because, um, this magic is a smart cookie boy.

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I tell you, I have to blow my nose and I have the lava layer on.

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So cover your ears.

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I've got, now I sound like Dave wine and sneezing all over the, driving the car.

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I love his podcast, by the way.

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I think it's, it's absolutely one of my favorites.

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Because it's just, you know, very down in the car.

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The way he sort of has this hippie accent and the smell.

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And those kinds of, kind of, but let's face the guys, you know, he's, he's got an amazing mind.

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And it's sort of like what I was talking about was Nicole Kidman.

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And, oh, that's a horrible comparison.

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But, no, wait a minute.

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I think that's a beautiful comparison.

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Dave Winner.

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Nicole Kidman.

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Dave Winner.

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Nicole Kidman.

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You know, it's like Nicole Kidman is so beautiful.

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It doesn't matter what she does.

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It doesn't matter.

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Because she's beautiful.

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She can be a Kant.

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I don't care.

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Because she's beautiful.

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And she's got a little bit of talent.

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But you see, Dave, why?

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She got a little bit of talent.

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She got a humongous amount of Botox and that forehead match.

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Come on, be honest there.

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Hmm.

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I wouldn't exactly say he's beautiful, but you see, he's got a good brain.

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And that entitles him to be kind of, you know, nuts.

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And a little bit of a mess or whatever.

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And I don't know the guy, so I'm judging him.

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And I'm just making examples.

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But I'm just talking about what I've, you know,

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from what I'm guessing based on his personality.

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I guess I'm guessing that he tends to be a little overbearing.

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I certainly can relate to this sort of thing.

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I have relatives that are overbearing.

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I'm certainly not.

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I've always tried not to be overbearing in my life.

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Because I don't want to repeat the mistakes.

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My mother made it.

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So you know, I get the impression that he's a little difficult to deal with.

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He seems to rub people the wrong way at times.

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It sounds like this RSS business was a bit difficult for him,

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because a bunch of people basically.

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I don't know, but see, this is all.

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This is what I'm hearing basically from Dave's own podcast.

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And from, you know, that's just the impression I get.

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And since I am a lesbian, I'm a little psychic.

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So I'm reading this.

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It's sort of a reading that I'm giving him for free.

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If he's listening, which he probably isn't.

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Oh, but match.

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That's why you're wrong.

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Because of course we're listening to you.

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Of course we are.

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And well, maybe he isn't.

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Because now that I think of it,

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I've never seen Dave and Madge together in the same picture.

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I don't know.

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But anyway.

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I don't forget what I was talking about.

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So then Madge, unfortunately, did forget to continue the comparison

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between Nicole Kidman and Dave Winner and to continue with the psychic reading.

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I was totally into the psychic reading.

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So anyway, I heard this.

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It was like 130.

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And I was laughing out loud throughout the whole podcast.

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It wasn't just a David.

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It was fabulous.

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It's almost like Joan Rivers, Howard Stern, and Rush Limbaugh,

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not his politics per se, but they had a love child.

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And out, you know, pop, Madge.

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And I sent Madge an email.

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I said, Madge, you know, I worship you.

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You are so awesome.

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The stuff you say and how you present it,

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it does it for me.

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And the only place that a podcast like East Radio

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would work is in a podcast.

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It doesn't work on radio.

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The way she talks, what she says,

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how she presents it, the language,

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which is, you know,

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it would never make it past anything.

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It couldn't even make it up to

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Michael Powell's front door.

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He's the chairman of the FCC, by the way.

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So I was just totally digging it and I said,

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you know, would you please make an appearance on a daily source code?

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Could it call you up?

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So I was hoping to be able to do it today,

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but it's not going to work.

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So just a timing issue.

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I'm going to call Madge later tonight.

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We'll record it and of course we'll use that on the source code for tomorrow.

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So you can look forward to that.

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I'm certainly looking forward to talking to Madge.

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I think it's going to be quite a hoot.

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So anyway, this morning at 9 o'clock,

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Fox television showed up.

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This was pre-arranged,

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pre-read, Fox television in Chicago.

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Although it wasn't the Chicago folks,

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I had spoken to the producer Nina over there at Great Length,

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and previously before I even left for the trip,

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because they wanted to interview me.

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Well, you know, it's like shoot.

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I'm here in the States, mine as well,

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but I'm not going to come to Chicago.

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That's no problem, because what they do then is they send their affiliate,

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their local Fox affiliate, which is,

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I forget what the call sign is here.

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And they said over a really nice young lady, producer,

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and she had all the questions.

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And I could tell that this was well prepared,

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and they did a good job of really lighting the room.

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Of course, you know, they want me to, you know,

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after you do all the questions,

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then they need what they call B-roll.

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The term B-roll.

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Yeah, I guess B-roll comes from the term,

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well, if you look at, you have the A-roll and the B-roll.

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So the role, of course, used to be the film role,

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and A is pretty much the interview role,

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and B-roll is like all the stuff,

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you know, of me walking on the street,

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of me sitting in front of my computer,

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typing on the keypad, you know,

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the shit that you've done a million times

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when people want to put together a nice little package.

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It's really the only reason for the B-roll

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is to cover up the edits that they do in the interview.

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So of course, they're not going to air the hour and a half

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that we spoke about all these different things

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about podcasting and about enclosures

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and users and developers partying together

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in the daily source code and morning coffee notes,

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and all this.

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So they're going to take a little snippet side of it

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because, yeah, who knows how much, you know,

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can be made out of the item or how much time

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they'll get, maybe, a couple minutes tops.

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And so is to not see me, you know,

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jumping all over the camera because you're cutting

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right in the middle of my, of what I was saying,

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or my answers, that's when they paste a bit.

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It'd be roll over it.

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So you basically hear my voice,

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continue underneath the B-roll.

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Now in this particular B-roll,

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they need a little bit more than just me

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working on the computer.

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Every single television program,

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including the BBC,

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always wants to video me doing a podcast.

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Personally, I'm not a big fan of this.

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I really don't like it.

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And why?

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Because I believe in theater of the mind.

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Theater of the mind is,

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if you're good at it,

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you can kick ass on radio.

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In fact, we used to have theater on radio,

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and it was a bunch of guys stay.

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I'll never forget my dad.

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One of the things I remember that my dad told me

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is that he will never forget the day

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that he went, he was taken by,

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I guess his dad,

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to a radio studio to see how they did the old-time drama.

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I think I don't know if it was loan-ranger

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or, but he was going to be in the studio audience.

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And it was so disappointing.

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He said, you know, had this entire vision

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of how the actors looked and, you know,

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and the sound effects.

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And, but really, he was pretty much imagining a movie

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in his head, which was the theater of the mind.

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You know, they created this reality

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of what the show should look like.

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Very much like when you read a book.

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You know, you have a movie that plays in your head

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and you see the pictures,

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and you can kind of envision that,

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which is the beauty of using your mind,

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which, by the way,

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doesn't happen when you're watching television.

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You're polluting your mind,

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and I know, because I come from television,

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and I used to be a big,

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a big polluter, major league pollution dude.

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And, so, of course,

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they wanted to see me podcasting.

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I don't want to, you know, it's like right now.

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I say, I'm laying in my bed in my hotel room,

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and you have a vision of that.

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You know, and maybe you think in this big rest,

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waterbed, and have a friendship,

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named Jerome.

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So maybe you think that,

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or maybe you think a fuzzy bed,

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or maybe you're thinking,

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like, one of those honeymoon porn sweets,

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or who knows what you're thinking?

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You know, that's your thoughts,

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and you have an idea of how I'm sitting or laying down,

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or what I'm wearing,

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and I want that to be,

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you know, that's the magic stuff,

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that is a big part of the magic of radio.

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Who was it, the other?

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It was an article,

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and I forget who wrote it,

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00:10:58,000 --> 00:11:00,000
who said, you know,

253
00:11:00,000 --> 00:11:02,000
I don't really don't want to see Adam set up,

254
00:11:02,000 --> 00:11:05,000
because I have the idea of him sitting there with the headphones,

255
00:11:05,000 --> 00:11:07,000
and a big fuzzy microphone in front of him,

256
00:11:07,000 --> 00:11:09,000
and kind of like a dimly lit room with the,

257
00:11:09,000 --> 00:11:12,000
you know, smoke, whisping up from the astray.

258
00:11:12,000 --> 00:11:16,000
You get the, like the Dr. Johnny fever vibe from WKRP,

259
00:11:16,000 --> 00:11:17,000
and Cincinnati.

260
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And so the minute kind of show that,

261
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a lot of it goes away,

262
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and then also basically I have to fake doing a podcast,

263
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because they needed the audio,

264
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so I was wearing my headphones,

265
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but they weren't really plugged in,

266
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because you were hearing the audio coming through the speakers,

267
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and yeah, so it's not entirely,

268
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you know, the stuff I like to do,

269
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but I think with a little bit of luck,

270
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we will get the Sylvia Speedy's played on this,

271
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because I talked about him in the interview,

272
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and I played him in my faux podcast.

273
00:11:48,000 --> 00:11:49,000
I want to be famous,

274
00:11:49,000 --> 00:11:53,000
I want to wear minks and sattens and pearls.

275
00:11:53,000 --> 00:11:56,000
I want to be famous,

276
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more than just any old girl.

277
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[ Music ]

278
00:12:56,000 --> 00:12:58,000
how they'll smile,

279
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and me photo grass to sign.

280
00:13:01,000 --> 00:13:04,000
I will say sorry babe.

281
00:13:04,000 --> 00:13:07,000
Talk to my assistant.

282
00:13:07,000 --> 00:13:09,000
I want to be famous.

283
00:13:09,000 --> 00:13:12,000
Stabloids will print what I eat.

284
00:13:14,000 --> 00:13:16,000
I want to be famous

285
00:13:16,000 --> 00:13:20,000
who I do will be news on the street.

286
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[ Music ]

287
00:13:36,000 --> 00:13:38,000
on my enemies' bed.

288
00:13:38,000 --> 00:13:40,000
All I don't want one in cheese

289
00:13:40,000 --> 00:13:42,000
when I'm famous.

290
00:13:42,000 --> 00:13:44,000
Spameless.

291
00:13:44,000 --> 00:13:45,000
Spameless.

292
00:13:45,000 --> 00:13:47,000
So exhausting.

293
00:13:48,750 --> 00:14:55,000
[ Music ]

294
00:14:55,000 --> 00:14:58,500
Every morning I don't get high on

295
00:14:58,500 --> 00:15:01,500
Colored hills, Margines dry

296
00:15:01,500 --> 00:15:04,500
A little wee and just a touch

297
00:15:07,500 --> 00:15:14,500
I wanna be my famous better than all of my fellow much better than all of her

298
00:15:14,500 --> 00:15:19,500
I wanna be famous, lonely and alone at the end

299
00:15:19,500 --> 00:15:43,000
[ Music ]

300
00:15:43,000 --> 00:15:49,000
I'm famous, I'm famous

301
00:15:49,000 --> 00:15:52,000
So we're freshing to hear the Bitties once again

302
00:15:52,000 --> 00:15:54,000
Check them out at Bittiesforever.com

303
00:15:54,000 --> 00:15:58,000
That's B-I-D-D-I-E-S for number forever.com

304
00:15:58,000 --> 00:16:01,000
And I'm talking to their production manager

305
00:16:01,000 --> 00:16:05,000
On email, who by the way is also a pilot

306
00:16:05,000 --> 00:16:08,000
And he's been recording all kinds of live shows

307
00:16:08,000 --> 00:16:11,000
And he says, standby, I'm gonna bring it to you

308
00:16:11,000 --> 00:16:15,000
I'm very excited about some of the CBS Bitties live music

309
00:16:15,000 --> 00:16:18,000
And just excited about them getting famous

310
00:16:18,000 --> 00:16:20,000
You know they will, you know they will

311
00:16:20,000 --> 00:16:21,000
That's so good.

312
00:16:21,000 --> 00:16:23,000
Talk about music for a second

313
00:16:23,000 --> 00:16:27,000
That seems to be a topic that we've been hitting here in Miami a couple of times

314
00:16:27,000 --> 00:16:28,000
I've been talking about

315
00:16:28,000 --> 00:16:32,000
Now you have to understand that Ron has had quite a

316
00:16:32,000 --> 00:16:34,000
Quite a career as a producer and a writer

317
00:16:34,000 --> 00:16:38,000
A little bit as a performer, certainly as a musician

318
00:16:38,000 --> 00:16:40,000
Oh, by the way

319
00:16:40,000 --> 00:16:42,000
Don't tell anyone

320
00:16:42,000 --> 00:16:47,000
Ron actually lived with Princess Stephanie of Monaco for about two or three years

321
00:16:47,000 --> 00:16:49,000
Okay, don't tell anyone I told you that

322
00:16:49,000 --> 00:16:52,000
He actually produced that horrible record she did

323
00:16:52,000 --> 00:16:55,000
I have to say it wasn't a horrible record

324
00:16:55,000 --> 00:16:58,000
It was a poppy record, that's for sure

325
00:16:58,000 --> 00:17:00,000
I remember because I met Princess Stephanie of Monaco

326
00:17:00,000 --> 00:17:02,000
When she was like she's like my age

327
00:17:02,000 --> 00:17:05,000
And I was 19 or 20 just starting

328
00:17:05,000 --> 00:17:07,000
Television, music television in Holland

329
00:17:07,000 --> 00:17:10,000
At Veronica doing the show Countdown

330
00:17:10,000 --> 00:17:12,000
She came to promote a record

331
00:17:12,000 --> 00:17:14,000
And I did connect with her, she was really nice

332
00:17:14,000 --> 00:17:18,000
Very sweet, you know she spoke very limited English and my French will

333
00:17:18,000 --> 00:17:21,000
Now, as Madge would say

334
00:17:21,000 --> 00:17:23,000
Yeah, French, that's what kind

335
00:17:23,000 --> 00:17:25,000
Right, Madge

336
00:17:25,000 --> 00:17:27,000
Um

337
00:17:27,000 --> 00:17:32,000
But yeah, so anyway that was the long long long ago connection that I had with Ron

338
00:17:32,000 --> 00:17:35,000
But Ron has done some, he done some good stuff

339
00:17:35,000 --> 00:17:37,000
And he's working a lot of different people in the music industry

340
00:17:37,000 --> 00:17:40,000
He's a great musician, he plays guitar and plays piano

341
00:17:40,000 --> 00:17:43,000
He actually, the piece here, the the The La Civius bitties

342
00:17:43,000 --> 00:17:45,000
Let me see if I can pick that piece up here this little

343
00:17:45,000 --> 00:17:47,000
Intro Ludes

344
00:17:51,000 --> 00:17:53,000
All of my thoughts

345
00:17:53,000 --> 00:17:54,000
Yeah, this bit

346
00:17:54,000 --> 00:17:56,000
Yeah, this bit, this is the piano

347
00:17:56,000 --> 00:17:59,000
This is pretty wrong, can play like this

348
00:17:59,000 --> 00:18:01,000
I was imagine Ron playing this before he got married

349
00:18:01,000 --> 00:18:02,000
And I gave him

350
00:18:02,000 --> 00:18:04,720
Don't you come over here to go for your friends when I play a little bit of fun?

351
00:18:04,720 --> 00:18:06,720
Yeah, I will.

352
00:18:09,120 --> 00:18:15,280
But I think we really see, and it's great, because Ron has such a take on how the music industry works.

353
00:18:15,280 --> 00:18:18,640
You know, he actually gets paid from ASCAP via my. That's where he does get money.

354
00:18:18,640 --> 00:18:24,000
In fact, after every Christmas holiday season, after the air supply records, the Christmas

355
00:18:24,000 --> 00:18:27,840
album has been out, you know, Ron received a check. So that system is working for him.

356
00:18:27,840 --> 00:18:33,040
And he approaches it as a musician who's getting paid that way and where the system is working for him.

357
00:18:33,040 --> 00:18:37,680
And we've really gotten deep into this. And we're all very excited about the possibilities.

358
00:18:37,680 --> 00:18:43,920
Did I see Dave post something that he wrote in 2000? Yeah, 2000, I think. Let me just see.

359
00:18:45,440 --> 00:18:48,640
How was it? It was a quote he put on the scripting today.

360
00:18:49,520 --> 00:18:52,880
Um, I'm going to be fine at for you.

361
00:18:55,280 --> 00:19:00,000
Uh, okay, yeah, this was April, April 7th. Was that July 7th?

362
00:19:00,000 --> 00:19:05,600
Oh, dates are such a hard thing to do, man. When it comes to seven. No, that would be

363
00:19:05,600 --> 00:19:09,280
January, March, June, July, okay, July 4th, July 4th.

364
00:19:11,280 --> 00:19:16,960
With that, we'll come new music, a new ways to play it, new ways to explore the emotions it brings up,

365
00:19:17,040 --> 00:19:21,600
and new kinds of community, deep ones, far deeper than those who've been able to create

366
00:19:21,600 --> 00:19:26,720
on the silent web. That's right, ladies and gentlemen, the silent web is no longer silent.

367
00:19:26,720 --> 00:19:31,600
We've gone from silent to talkies. And I think we could be in the space for a little while. We don't

368
00:19:31,600 --> 00:19:37,600
necessarily have to go to video just in just yet. Nor can we. Sure, on a personal basis, you know,

369
00:19:37,600 --> 00:19:43,520
if I wanted a couple people to subscribe to a private podcast feed where I put a, you know, a

370
00:19:43,600 --> 00:19:49,360
500 or 600 megabyte file for for you to enjoy. And I'm not talking about a movie that I'd rip off,

371
00:19:49,360 --> 00:19:52,960
but just maybe something I created, right, or a Mad Weinstein as all kinds of videos.

372
00:19:54,640 --> 00:19:59,440
Problem is, um, that's just too much bandwidth. We don't have the hard drives. We don't have the pipes,

373
00:19:59,440 --> 00:20:02,720
uh, not if you're going to go over like those five people. If you're going to go over, if you

374
00:20:02,720 --> 00:20:06,720
want to have 50,000 people grabbing it, it's not going to work. Not yet. You know, that's, uh,

375
00:20:06,720 --> 00:20:10,320
that's a very important part of what we're doing here. Yeah, sure. This solution is all kinds of stuff.

376
00:20:10,320 --> 00:20:16,000
We've been talking about that, too. You know, I think Bitcoin will play a role in that. So anyway,

377
00:20:16,000 --> 00:20:22,880
regardless of all that, um, it's just been interesting to, to work through all the different issues.

378
00:20:22,880 --> 00:20:26,560
And, you know, I want to work with these people. I want to work with the biddies. I want to,

379
00:20:26,560 --> 00:20:33,520
I really do want to make them famous. I seriously do. And, um, God, we have such a unique combination

380
00:20:33,520 --> 00:20:39,440
of people in this, uh, in this community. And it's going to be great. That's all I can say. God,

381
00:20:39,520 --> 00:20:43,120
dammit. It's just going to be great. See, a man just rubbing off on me. I'm starting to get rank and,

382
00:20:43,120 --> 00:20:50,640
and, and talk crappy and shit. But anyway, I got a, um, an email from Susie, uh, Susie Puggsley

383
00:20:50,640 --> 00:20:57,920
says, uh, I put together this podcast called Hotline. And, uh, of course, in the show notes,

384
00:20:57,920 --> 00:21:07,280
you couldn't, uh, actually have the, the podcast feed right there. And I caught the show before

385
00:21:07,280 --> 00:21:10,880
or she sent me the email, actually. I'm going to just play a little bit for you. Because I think that

386
00:21:10,880 --> 00:21:15,920
this is a podcast that, uh, would probably be very interesting to listen to. And, uh, it's the

387
00:21:15,920 --> 00:21:20,880
type of podcast that needs a little push, um, because, um, well, you can't really have an, you know,

388
00:21:20,880 --> 00:21:25,920
an interaction if you don't have people to interact with. So check out Susie's idea for her podcast.

389
00:21:25,920 --> 00:21:34,800
Hello and welcome to my first official podcast. My name's Susie. S.U. Z. Y. And now what I'm going to do,

390
00:21:34,880 --> 00:21:40,400
I'm basically your, one of the mill average human being, but I just happen to be good

391
00:21:40,400 --> 00:21:46,160
giving advice and helping people out. And it's what I like to do. Um, so basically what I'm

392
00:21:46,160 --> 00:21:52,560
going to do on a weekly basis, I am going to try and help those people who may not have anybody else

393
00:21:52,560 --> 00:21:56,320
to talk to or, you know, just going to problem that they don't, you know, the thing embarrassed

394
00:21:56,320 --> 00:22:01,200
about talking about. And I'm, you know, completely open minded. You can't really shock me,

395
00:22:01,280 --> 00:22:05,360
or, although I'm always up for a challenge. So feel free to try and shock me on that one. I'm sure

396
00:22:05,360 --> 00:22:11,280
it'll give everyone out there all that. Um, so what really I'd like you to do with, if there's

397
00:22:11,280 --> 00:22:15,920
anyone out there who would like to talk or if they've got a certain problem or anything that they're

398
00:22:15,920 --> 00:22:20,720
fascinated about and want to just go. So, you know, just end all, anything general, you know,

399
00:22:20,720 --> 00:22:28,320
topics or problems just give them any mail. And, uh, I'll talk about it or, you know, problems, I'll

400
00:22:28,400 --> 00:22:33,440
help you out and I'll give you some advice of what I think best. And instead, I'm not a doctor.

401
00:22:33,440 --> 00:22:39,040
I'm not qualified in any way whatsoever. But I'm a good human being and I'm honest. I'm always

402
00:22:39,040 --> 00:22:45,920
honest, you know, however hard the situation may be and however, you know, complicated the problem might

403
00:22:45,920 --> 00:22:53,760
be. I will give you my, you know, my utmost best to try and help you out. Uh, so my email address

404
00:22:53,840 --> 00:23:05,120
is Suzy at SuzyP.co.uk. Um, feel free to email me with anything, however small or however big.

405
00:23:05,120 --> 00:23:10,560
And I'll talk you through it and mention it next time I do a podcast. I'm going to try and do it

406
00:23:10,560 --> 00:23:16,800
on a weekly basis. So, once a week, once I get all the emails back through. And we'll just see where

407
00:23:16,800 --> 00:23:21,040
we go from there because obviously I'm, you know, I'm free and easy. I quite like helping people.

408
00:23:21,040 --> 00:23:26,960
So it seemed a logical step. So there you go. So my name's Suzy. And if you've got anything you'd

409
00:23:26,960 --> 00:23:33,120
like to talk about, then please feel free to email me. Take care and I hope to have your response.

410
00:23:33,120 --> 00:23:37,840
Okay. Thank you, Suzy. I'm pretty sure that Suzy is going to get some comments and it's kind of like

411
00:23:37,840 --> 00:23:44,240
the idea of a podcasting, right? You're Suzy. I'm pretty glad we did this. Uh, it's kind of like off

412
00:23:44,240 --> 00:23:50,400
the cuff kind of like un-unprepared type show for today because it's, uh, it's even more creative

413
00:23:50,400 --> 00:23:57,680
than it usually is for me. Rick Resowitz, who does the ICM RAW podcast, um, and, um, as you remember,

414
00:23:57,680 --> 00:24:03,040
I played Rick Deringer, played a couple songs, uh, including Hang On Slupee, which started

415
00:24:03,040 --> 00:24:11,120
an entire slupee cover, you know, Mania in podcast space. Oh my god, I said space in podcast

416
00:24:11,120 --> 00:24:16,880
lamb. He sent me a press release with some excellent news. He says that, uh, watch of this press release

417
00:24:16,960 --> 00:24:22,640
came from, uh, Rick Deringer. Uh, he and Rick has the, uh, a request which has the connection with

418
00:24:22,640 --> 00:24:28,080
Rick Deringer. He recorded those live tracks February 5, 2005, Rick Deringer in conjunction with

419
00:24:28,080 --> 00:24:32,800
the John and Twistle Foundation, John and Twistle from the who will present the musicians for

420
00:24:32,800 --> 00:24:38,160
hurricane relief benefit concert. I'm just reading from the, uh, from the, uh, the press release here.

421
00:24:38,160 --> 00:24:42,000
Superstar guitars, Rick Deringer will not only perform at the concert, but as executive music

422
00:24:42,000 --> 00:24:45,920
director, he's been the driving force behind the event, gathering many of his famous friends

423
00:24:46,000 --> 00:24:51,360
joined this very worthy cause. All proceeds from the concert and CD DVD of the event will go to

424
00:24:51,360 --> 00:24:55,840
Florida hurricane relief in the American Red Cross. The event will be held at Universal theme park in

425
00:24:55,840 --> 00:25:03,040
Orlando, Florida. God, wrong month to be here. Um, and, uh, what I understand is that Rick will, uh,

426
00:25:03,040 --> 00:25:07,440
Rick, our Rick, not well, Rick Deringer is also our Rick now. We've been deared him. He's, he's totally

427
00:25:07,440 --> 00:25:12,400
our Rick. Rick Wesowitz is, uh, I think he's going to record this live and, uh, as far, what I understood

428
00:25:12,400 --> 00:25:17,840
from his accompanying email, it will be, um, pod safe. So we'll be able to play anything we want.

429
00:25:17,840 --> 00:25:22,640
And of course, we're going to work on the honor system, uh, and, uh, you know, we're going to

430
00:25:22,640 --> 00:25:27,680
expect that if, you know, if you're listening to that particular podcast that you are, or have donated to, uh,

431
00:25:30,240 --> 00:25:36,080
to the, um, hurricane relief. Why does it say hurricane relief? Right. Okay, a Florida of course,

432
00:25:36,080 --> 00:25:41,920
hurricane. They've donated to the hurricane relief. Now look at this lineup. This is going to blow you away.

433
00:25:42,880 --> 00:25:47,840
Actually, let's play a little game here. Let's play a little game of what does Adam have in his iTunes.

434
00:25:48,480 --> 00:25:54,640
And I certain this is, by the way, is not my entire library. Um, Erasmith's Steven Tyler's going to be there.

435
00:25:54,800 --> 00:26:03,520
Um, hold on. Why did my iTunes start up? What's going on here? Uh, I say, I don't want to

436
00:26:03,520 --> 00:26:08,480
read the, okay, here we go. Because in iTunes, like you can just basically just search and let's see if

437
00:26:08,560 --> 00:26:12,560
anything pops up. Let's see if I had the song. So we can do a little promo here.

438
00:26:13,760 --> 00:26:20,480
God, this is like, fun. Okay. Uh, erasmith's Steven Tyler. Do we have anything by Erasmith?

439
00:26:21,760 --> 00:26:25,440
Yes, I believe we do. Let's see if we have my erasmith. Oops.

440
00:26:27,680 --> 00:26:31,120
Right, sweet emotion. I have another one by erasmith. I got this one.

441
00:26:31,760 --> 00:26:37,840
It's don't pop. I got to come and run DMC here. Oh, okay. Uh,

442
00:26:37,840 --> 00:26:43,840
Banjovies, Richie Sambora. God, do I have Banjovies and, uh, probably do.

443
00:26:45,440 --> 00:26:49,280
Banjovies? What do I have? Oh, yeah, we got all kinds of Banjovies.

444
00:26:50,960 --> 00:26:52,240
I wanted to see this one. Check it.

445
00:26:56,240 --> 00:27:00,080
Okay, we got some Banjovies. AC DCs, Brian Johnson.

446
00:27:00,160 --> 00:27:04,320
Man, this is a great frickin' lineup. Okay, let's see if I got some AC DC. AC DC.

447
00:27:04,960 --> 00:27:10,720
Ooh, how come we don't have AC DC? Oh, please. Please, don't tell me I don't have AC DC because

448
00:27:10,720 --> 00:27:13,440
of course I got some frickin' AC DC.

449
00:27:13,440 --> 00:27:18,240
Banjovies, Banjovies, Banjovies, Banjovies, Banjovies, Banjovies, Banjovies, Banjovies, Banjovies,

450
00:27:18,720 --> 00:27:19,520
One, two.

451
00:27:28,160 --> 00:27:34,160
Okay, uh, else we have almond brothers. Dude, do you think Adam Curry has almond brothers?

452
00:27:37,920 --> 00:27:45,040
Oh. Uh, nope. No almond brothers. Okay. Uh, three dog night.

453
00:27:45,120 --> 00:27:49,760
Uh, who from three dog night's coming Chuck Negrin? Uh, okay. So do we have any three dog night?

454
00:27:51,680 --> 00:27:56,080
Three dog dog. Well, of course we got some three dog night.

455
00:28:00,960 --> 00:28:04,960
This is like the show that's totally gonna be for me. It's gonna be such an awesome show to see.

456
00:28:05,840 --> 00:28:11,840
Let's move it along here. Grand Funk Railroad. Okay, there's anyone who knows a great Grand Funk Railroad

457
00:28:11,840 --> 00:28:18,160
tournament. Well, of course you do. It's some kind of wonderful, oh man, these sounds.

458
00:28:18,160 --> 00:28:23,760
I wish I could play them all for you. I don't need a whole lot of money.

459
00:28:25,760 --> 00:28:34,480
You know how, um, you know how, um, you know how you can mess up the lyrics and you think that

460
00:28:34,480 --> 00:28:41,200
for years sometimes that they're singing one thing and and and you're basically singing another

461
00:28:41,280 --> 00:28:44,640
thing. Let's just see how I do with the rest of the lyrics here.

462
00:28:45,520 --> 00:28:50,960
What have we missed here? Chief trick. Uh, of course we've got my favorite team, Chief Trick

463
00:28:50,960 --> 00:29:03,280
track here. I want you to want me. Okay, uh, Michael Bolton also on the ticket. My

464
00:29:03,360 --> 00:29:10,400
old neighbor, Michael Bolton. He lived next to me, uh, at the apartment on the 56th and Broadway

465
00:29:10,400 --> 00:29:14,640
and when we lived in the symphony house. He was a nice guy. Really nice guy. In fact, I got him

466
00:29:14,640 --> 00:29:19,920
on MTV when he was so totally not frickin' hip to be on MTV. They all wanted him to be on VH1

467
00:29:20,720 --> 00:29:25,760
and uh, after that he got it. He had the big hit with Doc of the Bay and that was kind of

468
00:29:25,760 --> 00:29:28,800
then unfortunately. This is, uh, what was that? That's what loves all about.

469
00:29:31,600 --> 00:29:36,000
Oh, wait. I have a different one, my Michael Bolton. What's that? This is Michael Bolton.

470
00:29:36,000 --> 00:29:39,920
Nobody's home right now, but at the time, please leave a message and they'll get back to you.

471
00:29:41,120 --> 00:29:48,720
I don't know why I have that. Oh, this is, this is possibly, I've done many appearances with,

472
00:29:48,720 --> 00:29:53,520
with this guy. Uh, oh my god, I can't believe it. Don't tell me,

473
00:29:53,520 --> 00:29:56,960
don't have Eddie money in my iTunes. Where's two tickets to Paradise?

474
00:29:58,400 --> 00:30:03,920
Oh, this is horrible. Don't tell me, I don't have shit. Okay, no Eddie money.

475
00:30:04,560 --> 00:30:11,360
Joan Jet, we shared the same manager, Kenny Laguna, Kenny Laguna, uh, used to be, uh, in, uh,

476
00:30:11,360 --> 00:30:16,240
in the Shondales, I think. But Joan Jet's gonna be there. Of course, the classic Joan Jet,

477
00:30:16,240 --> 00:30:20,480
I love rock and roll. Doing pretty good so far, only missed out one.

478
00:30:21,360 --> 00:30:24,800
Um, what do we have? Pat Traverse. I don't think I have any

479
00:30:25,360 --> 00:30:30,720
Pat Traverse. No, no Pat Traverse. Sticks. Yeah, of course. I got some sticks. Of course. Do

480
00:30:30,720 --> 00:30:36,480
little, little, little, little. Yeah, that's my favorite song. It's like three minutes and two seconds.

481
00:30:36,480 --> 00:30:42,720
It's the song you always played at the very end. It's like, babe, I'm leaving. Must be on my way.

482
00:30:43,680 --> 00:30:47,360
My time is drawn in the air.

483
00:30:48,640 --> 00:30:51,840
Just get the first line there, just to enjoy it there.

484
00:30:52,960 --> 00:30:54,960
Oh, here comes the due to the loop loop part.

485
00:30:55,680 --> 00:31:00,160
By the way, as a podcast that does this, uh, the podcast is called as it was played to me.

486
00:31:00,560 --> 00:31:05,520
And it's in the iPod.org directory, and it's essentially the guy does the same thing. I'm doing.

487
00:31:05,520 --> 00:31:09,200
Just talks over the records and, you know, and sings one with lyrics.

488
00:31:13,600 --> 00:31:18,080
Beautiful. Okay. Let me just see what are we doing on time here. Okay. Good. I do have a

489
00:31:18,080 --> 00:31:21,120
couple more things I want to talk to about, but I'm almost through the list. I just

490
00:31:21,120 --> 00:31:26,560
giving you an idea of how incredible this show is going to be on February 5th. Spencer Davis,

491
00:31:26,560 --> 00:31:29,360
well, of course, I could play Steve Winwood and get away with it.

492
00:31:31,200 --> 00:31:35,840
But that's always good to have the original of that give me some love and maybe

493
00:31:36,800 --> 00:31:42,000
the Ham and Oregon man would be three, I guess. When I kick them, this is just

494
00:31:42,000 --> 00:31:44,080
giving me goose bumps. Look at that.

495
00:31:51,280 --> 00:31:58,000
Uh, so we had that. Oh, rig deranger. Okay. Now, I'm going to play something different from rig deranger.

496
00:31:58,000 --> 00:32:05,040
Of course, we, we played two songs, including Hang on Slopey, but the one deranger song, of course,

497
00:32:05,040 --> 00:32:09,440
that I grew up with was rock and roll, whoo cheek, whoo baby.

498
00:32:11,280 --> 00:32:14,640
I asked him, I probably could play the whole thing, but we'll just leave it at this for now.

499
00:32:17,840 --> 00:32:19,200
It also sounds like Randy MC.

500
00:32:26,080 --> 00:32:34,000
Okay. Uh, Connie Wilson. So, Connie Wilson, we'd have to say Wilson Phillips, I guess, right?

501
00:32:35,040 --> 00:32:41,440
Do we have any Wilson Phillips? Uh, yeah, of course. We got hold on. Yeah.

502
00:32:43,520 --> 00:32:46,400
God, that thing was huge. That was a big hit.

503
00:32:49,120 --> 00:32:50,160
So it was Kanye.

504
00:32:58,080 --> 00:33:04,480
I got flock of seagulls, shoot. The only song I would have by flock of seagulls is I ran and I don't have that one.

505
00:33:05,920 --> 00:33:09,120
Lauren Hill, uh, don't have Lauren Hill.

506
00:33:10,160 --> 00:33:15,840
That's it. Plus, many more surprised guests to be out of between now and show time. Please join us

507
00:33:15,840 --> 00:33:19,040
and making a difference in the lives of tens of thousands of Floridians who've been forever

508
00:33:19,040 --> 00:33:24,560
changed by the record breaking tragedies of the summer of 2004. My sincerest thanks, Rick Deranger,

509
00:33:24,560 --> 00:33:29,920
executive music director, musicians for Hurricane Relief, excellent. And of course,

510
00:33:29,920 --> 00:33:35,600
I'm going to support you, Rick. You know we will. See, quick email that I got from Stuart Hunter.

511
00:33:35,600 --> 00:33:40,080
We were talking about Tim Bird, the Birdman, everybody. Just the other day. I'm, uh, I'm a sure.

512
00:33:40,640 --> 00:33:45,920
We're talking about real voices and, and, uh, well, oh, no, it's talking about VH1. That's right.

513
00:33:45,920 --> 00:33:52,720
With Tim Bird was on VH1. And Stuart sent in, uh, little note and said, uh, Adam,

514
00:33:53,680 --> 00:34:00,960
Tim Bird, the Birdman is a DJ on sunny 104.3 FM in Palm Beach County, Florida.

515
00:34:02,000 --> 00:34:06,640
I tried, I couldn't receive it on the on the radio here in the hotel room, because I would have been great to

516
00:34:06,640 --> 00:34:12,560
record a little bit. Hey, everybody's Tim Bird Birdman, I just want to go 4.3 FM right here in Palm Beach,

517
00:34:12,560 --> 00:34:21,360
Florida. Rome, Rome, cadence of the day. Today's cadence comes on the USC Trojans to go along with a big

518
00:34:21,360 --> 00:34:23,360
game in the Orange Bowl.

519
00:34:23,750 --> 00:38:36,250
[ Music ]

520
00:38:42,420 --> 00:38:49,420
what we need now is we need a drum cadence of the day, specialized podcast feed and

521
00:38:49,420 --> 00:38:55,980
I've been in touch with Taylor who puts us together and has actually been putting his out

522
00:38:55,980 --> 00:39:02,180
on overpodcast.org, which for Anna, you can subscribe to OpenPodcast.org and you'll get the

523
00:39:02,180 --> 00:39:06,060
drum cadence of the day, but I wanted to have it zone feed and so I'm going to help them set

524
00:39:06,060 --> 00:39:11,060
that up and work on that because it clearly has accents to the stuff, there is an audience,

525
00:39:11,060 --> 00:39:17,240
I know that because everyone says the drum cadence is even day, and I thought the

526
00:39:17,240 --> 00:39:22,180
Dave just loved it kind of for walking, but here's the story that Dave Wiener told me,

527
00:39:22,180 --> 00:39:29,260
he said that he actually is pretty good at drumming because what happened was when he was

528
00:39:29,260 --> 00:39:35,500
back in the day when I guess right after punch cards, when computers actually needed

529
00:39:35,500 --> 00:39:41,380
to compile, he had to wait around for quite a while where the shit was compiling,

530
00:39:41,380 --> 00:39:49,260
it's none of this like F5, and it's compiled business, none of those would take hours

531
00:39:49,260 --> 00:39:55,300
or 10, 20, 30 minutes, I don't know, and to pass the time he would play the drums, and

532
00:39:55,300 --> 00:39:59,620
he can say he got pretty good at it, and there's something about the cadence is that

533
00:39:59,620 --> 00:40:05,740
people just totally dig. Also, I think it's a very American art form, it's probably

534
00:40:05,740 --> 00:40:16,980
the closest thing culturally, it's probably very close to Africa, don't you think?

535
00:40:16,980 --> 00:40:21,740
I mean, I've seen lots, I used to live in Uganda, I was very young, but I remember the rhythm

536
00:40:21,820 --> 00:40:30,260
is kind of the same, digging it, digging it. Alrighty, so what's on the agenda for today?

537
00:40:30,260 --> 00:40:37,180
I think we're going to see if Dave is a welcome from his Nat, then we're going to do some stuff

538
00:40:37,180 --> 00:40:44,420
together, I think, well, maybe a little bit of, look, he's going to work on a podcast, I'm

539
00:40:44,420 --> 00:40:47,460
going to work on some programming, that's what that's basically what our relationship is,

540
00:40:47,460 --> 00:40:54,460
and it really works. That was the drone room cadence of the day.

541
00:41:09,460 --> 00:41:15,460
That's right, and leaving you with this final thought, mad, I'm going to show it tomorrow.

542
00:41:17,460 --> 00:41:24,460
Alright, thanks everybody for listening in, but what are we going to do? Just about right

543
00:41:24,460 --> 00:41:30,460
for me, a little different today, a little different, not bad at all. Okay, oh by the way,

544
00:41:30,460 --> 00:41:38,460
if you didn't see my weblog, the bandwidth has arrived at home. I could not be happier.

545
00:41:38,460 --> 00:41:43,460
I'm going to try and get Christina to hook it up tomorrow and see if it actually works.

546
00:41:43,460 --> 00:41:48,460
So, it looks like the easy net guys that are really good by me, then, of course, I expected that.

547
00:41:48,460 --> 00:41:53,460
Hey, if you've got to comment, leave it for me on the weblog, www.curry.com,

548
00:41:53,460 --> 00:42:00,460
or adamantcurry.com tomorrow, as said, be busy, we've got some people flying in,

549
00:42:00,460 --> 00:42:07,460
that we're going to be talking to here, but on the phone or on Skype, the one, the only badge

550
00:42:07,460 --> 00:42:14,460
I'm staying from you is to radio on the daily source code. Talk to you tomorrow, y'all. Bye bye.