1 00:00:00,000 --> 00:00:11,000 Daily source code 123 2005, what do I do? Do I press pound or what? Is this thing on? 2 00:00:11,000 --> 00:00:18,000 On ground casting with Adam Curry. Hey everybody, it's a special weekend source code. 3 00:00:19,000 --> 00:00:28,000 Right on, sitting up here in the lovely office at Curry Cottage. Hi everybody, it is Sunday. 4 00:00:28,000 --> 00:00:32,000 It's late afternoon. Actually it's almost the evening. It's a 615. 5 00:00:32,000 --> 00:00:37,000 As promised, in lieu of Friday show, this is the weekend source code. 6 00:00:37,000 --> 00:00:45,000 Well, good news is, got back from Amsterdam. 7 00:00:45,000 --> 00:00:49,000 And the bandwidth was still here. 8 00:00:49,000 --> 00:00:55,000 So this is going to be kind of a little mellow show today. 9 00:00:55,000 --> 00:00:59,000 Since, well, I haven't really prepared much. I think we just listened to a couple things. 10 00:00:59,000 --> 00:01:04,000 But, you know, every once in a while when I come across an MP3 or a podcast or something that I like. 11 00:01:04,000 --> 00:01:13,000 I drop it into a folder on my desktop. And then when I get ready to do a source code, then I just tell my application here. 12 00:01:13,000 --> 00:01:16,000 My production suite to go scan through all the new files. 13 00:01:16,000 --> 00:01:21,000 And it pulls out all the ID3 tags and makes a little shortcut in my outline. 14 00:01:21,000 --> 00:01:25,000 But I can then copy and paste into a rundown. 15 00:01:25,000 --> 00:01:28,000 Like, you care how I do that, right? 16 00:01:28,000 --> 00:01:33,000 Anyway, so I hadn't really organized any stuff specifically to play today. 17 00:01:33,000 --> 00:01:37,000 But I found a few things. I've been playing around with Net Newswire. 18 00:01:37,000 --> 00:01:41,000 As, you know, I try to get my hands on everything eye-patter. 19 00:01:41,000 --> 00:01:44,000 Everything that looks, smells, feels like an eye-patter. 20 00:01:44,000 --> 00:01:47,000 And I'm actually in the throes of ordering a Windows machine. 21 00:01:47,000 --> 00:01:52,000 Specifically to check out a couple of eye-patter's that just won't run on a Mac and thought. 22 00:01:53,000 --> 00:02:02,000 So, playing around with Net Newswire, which I have to say, does eye-potting extremely well? 23 00:02:02,000 --> 00:02:07,000 Yeah, it doesn't have the vacation feature, any of those things. 24 00:02:07,000 --> 00:02:10,000 But it does do multiple concurrent downloads. 25 00:02:10,000 --> 00:02:14,000 But downloads, I think it's default setting is for eight files at once. 26 00:02:14,000 --> 00:02:19,000 Well, with a pipe that I've got now, I didn't even notice that it was downloading all these shows all over again. 27 00:02:19,000 --> 00:02:21,000 So that wasn't too bad. 28 00:02:21,000 --> 00:02:27,000 I-patter, the Lemon Edition apparently has come out with their beta. 29 00:02:27,000 --> 00:02:31,000 There are two-point-o-beta-one. 30 00:02:31,000 --> 00:02:35,000 I couldn't get it to run on my Mac. I submitted a bug report. 31 00:02:35,000 --> 00:02:40,000 Something with, I looked at the console log, something about, I don't know if there's some error that's wrong. 32 00:02:40,000 --> 00:02:42,000 But, of course, it's beta, so that's what it's supposed to do, right? 33 00:02:42,000 --> 00:02:46,000 So, you're supposed to be reporting errors and helping the development team out. 34 00:02:46,000 --> 00:02:49,000 Looks pretty good though, the screenshots are beautiful. 35 00:02:49,000 --> 00:02:57,000 I've really- I started to notice that there's really two main approaches to iPodders. 36 00:02:57,000 --> 00:03:03,000 And I guess the thing that- it really tip me off when I was looking at Net Newswire, like, wait a minute. 37 00:03:03,000 --> 00:03:06,000 This is- this has a whole bunch of features that I really like. 38 00:03:06,000 --> 00:03:10,000 And of course, that's an aggregator. It's been an aggregator since day one. 39 00:03:10,000 --> 00:03:18,000 And it does a really good job with just aggregating and, you know, putting stuff away, downloading special times, filtering through 40 00:03:18,000 --> 00:03:24,000 different types of fields. I mean, it really does have a lot of excellent options and rules settings. 41 00:03:24,000 --> 00:03:29,000 And yeah, it's a Swiss Army knife of Macintosh aggregators. 42 00:03:29,000 --> 00:03:31,000 Although, I do not like the three- pane approach. 43 00:03:31,000 --> 00:03:35,000 I hate having an indicator. That's what I don't like about Net Newswire. 44 00:03:35,000 --> 00:03:41,000 Now, there's an indicator in my- in my doc that says that, you know, has a little satellite icon for Net Newswire. 45 00:03:41,000 --> 00:03:47,000 And it says, it has a three on it right now, meaning that there's three new pieces of information. 46 00:03:47,000 --> 00:03:50,000 Now, I know that I'm only subscribed to podcasts and Net Newswire. 47 00:03:50,000 --> 00:03:53,000 So the place I go to look for new shows is in iTunes. 48 00:03:53,000 --> 00:03:58,000 And that's where it kind of came through, and it's like, well, wait a minute. 49 00:03:58,000 --> 00:04:03,000 There are also some iPodder developments out there that are focusing from the player side. 50 00:04:03,000 --> 00:04:07,000 iPodder X, by the way, I think, is looking a lot more at the player, although, 51 00:04:07,000 --> 00:04:11,000 I think they're pretty much using all the quick time components. 52 00:04:11,000 --> 00:04:16,000 But really, a combination of the two is what seems to be like the sweet spot. 53 00:04:16,000 --> 00:04:22,000 And I don't know if anyone's quite hit it yet, but maybe on some of the windows version that just haven't had a chance to check out. 54 00:04:22,000 --> 00:04:28,000 So definitely looking forward to seeing some of those new windows things as well. 55 00:04:28,000 --> 00:04:31,000 But Net Newswire, I'm going to try it out for a little bit more. 56 00:04:31,000 --> 00:04:36,000 And I believe that there's also an iPodder X, 2.0 beta on the way. 57 00:04:36,000 --> 00:04:43,000 So I'm excited. This is the second round of iPodder development of the first two big teams. 58 00:04:43,000 --> 00:04:47,000 So let's see what we've learned. I am really, really excited about this. 59 00:04:47,000 --> 00:04:51,000 Let's see, Sunday afternoon, early evening. 60 00:04:51,000 --> 00:04:54,000 It is, by the way, the 23rd of January 2005. 61 00:04:54,000 --> 00:05:00,000 For the first time in a long time, I looked at my calendar, and it was absolutely nothing in it for the coming week, 62 00:05:00,000 --> 00:05:08,000 although now it's filling up with the phone interviews and a couple of people want to do a photo shoot. 63 00:05:08,000 --> 00:05:12,000 Particularly now, because, well, the hair is ruined, right? 64 00:05:12,000 --> 00:05:18,000 And notice by the way that I haven't posted any pictures of that, there is good reason my friends believe me. 65 00:05:18,000 --> 00:05:25,000 And in the mail, I received, while I was an Amsterdam, I received two CDs from Dynamo's River Maces. 66 00:05:25,000 --> 00:05:29,000 You remember we talked about them, also played a track or two. 67 00:05:29,000 --> 00:05:31,000 So I actually got this from one of the band members. 68 00:05:31,000 --> 00:05:38,000 And I will put a link once again to their site in the production show notes for today's show. 69 00:05:38,000 --> 00:05:41,000 But now I have real good quality recordings. This is great stuff. 70 00:05:41,000 --> 00:05:46,000 Hold on, let me just get the, let me get them hot. 71 00:05:46,000 --> 00:05:49,000 There we go. 72 00:05:49,000 --> 00:05:52,000 Oh, shit. 73 00:05:52,000 --> 00:05:58,000 Okay, this is Dynamo's River Maces. This one is, I'm not saying, I'm just saying. 74 00:05:58,000 --> 00:06:02,000 Okay, but basically they do all these great versions of classic songs. 75 00:06:02,000 --> 00:06:07,000 Like, addicted to love dancing in the street, hit me with your rhythm stick. 76 00:06:07,000 --> 00:06:16,000 Born to run, see what a jump, ace of spades, hajo, my generation. 77 00:06:16,000 --> 00:06:23,000 So all pod safe music and obviously stuff that we'll be playing for, well, I think about 24 tracks there. 78 00:06:23,000 --> 00:06:27,000 I can play a lot of this on the source code for the next coming shows. 79 00:06:27,000 --> 00:06:30,000 And every single one is a hit, done just a little bit differently. 80 00:06:30,000 --> 00:06:31,000 I think you'll like it. 81 00:06:31,000 --> 00:06:35,000 This is a classic by Queen brought to you my Dynamo's River Maces. 82 00:06:35,000 --> 00:06:40,000 Tonight, well, I'm going to have myself a real good sign. 83 00:06:40,000 --> 00:06:43,000 Because I feel alive, man. I feel alive. 84 00:06:43,000 --> 00:06:45,000 Like, I can take the world. 85 00:06:45,000 --> 00:06:51,000 I'm just turning inside out, baby, and floating around in ecstasy. 86 00:06:51,000 --> 00:06:54,000 So don't stop me now. 87 00:06:54,000 --> 00:06:56,000 Don't stop me, man. 88 00:06:56,000 --> 00:07:00,000 Because I'm having a good sign, I'm having a good sign. 89 00:07:00,000 --> 00:08:23,750 [ Music ] 90 00:08:24,000 --> 00:08:26,000 I don't want to stop at all. 91 00:08:26,000 --> 00:08:28,000 So don't stop me. 92 00:08:31,250 --> 00:09:08,000 [ Music ] 93 00:09:08,000 --> 00:09:10,000 Man, I'm like a refugee. 94 00:09:10,000 --> 00:09:12,000 But don't wait a month. 95 00:09:12,000 --> 00:09:13,000 I'm a collision cause. 96 00:09:13,000 --> 00:09:14,000 I'm like a satellite. 97 00:09:14,000 --> 00:09:16,000 You've got an out of control. 98 00:09:16,000 --> 00:09:17,000 I'm a refugee. 99 00:09:17,000 --> 00:09:18,000 Ready to do reload. 100 00:09:18,000 --> 00:09:19,000 Not good at bomb. 101 00:09:19,000 --> 00:09:23,000 I got a, got a, got a, got a man who got his vote. 102 00:09:23,000 --> 00:10:12,500 [ Music ] 103 00:10:12,500 --> 00:10:16,500 It's not me, it's not me, it's not me, it's not me, it's not me 104 00:10:18,500 --> 00:10:22,500 Bloody record, the usual city 105 00:10:24,500 --> 00:10:27,500 First time I heard that it did freak me out. I was like oh shit, something stuck 106 00:10:28,500 --> 00:10:33,500 There was a future tense that came through the other aperture through that out shit. That was stupid 107 00:10:33,500 --> 00:10:40,500 There was a future tense that I was talking about the record scratch and that even though the record scratch that 108 00:10:40,500 --> 00:10:49,500 That's you know a needle being dragged off of a record even though that's one of the most used sound effects in advertising today 109 00:10:50,500 --> 00:10:52,500 Seeing if I still have it somewhere here 110 00:10:56,500 --> 00:11:02,500 They did a survey and they asked a whole bunch of kids if they knew what that sound was they went 111 00:11:03,500 --> 00:11:08,500 Yeah, that's from the commercial they had never heard of it actually scratching on a record 112 00:11:08,500 --> 00:11:10,500 Let me see if I have that it was 113 00:11:10,500 --> 00:11:12,500 I bet you don't have that anymore shoot 114 00:11:14,500 --> 00:11:18,500 Future tense. Oh, maybe this is it. Hold on. It'll be great if I still had that one. Let's check it out first 115 00:11:18,500 --> 00:11:23,500 Libraries get hip to really simple syndication. No, this is future 116 00:11:23,500 --> 00:11:25,500 That wasn't that shoot 117 00:11:25,500 --> 00:11:29,500 Shoot, let me just check iTunes for a second. I bet you I tossed that out 118 00:11:29,500 --> 00:11:33,500 Okay, I'm probably get the yeah now it's gone darn 119 00:11:33,500 --> 00:11:35,500 That would have been great to play for you right now 120 00:11:36,500 --> 00:11:42,500 It was on the media anyway. I'll look it up for you. Okay, it was it was a podcast. That's for sure 121 00:11:42,500 --> 00:11:48,500 That I do remember here's something that came across I think open podcast.org it showed up in my iTunes 122 00:11:48,500 --> 00:11:55,500 And it's almost like poetry, but it was pretty good. It's about it's called Dead TV 123 00:11:55,500 --> 00:11:58,500 It's done by Jenny Gillespie Gillespie 124 00:11:59,500 --> 00:12:07,500 It speaks it speaks for itself. Let's sit back and chill. It's about two and a half minutes, but you won't want to fast forward because it's it's good 125 00:12:08,500 --> 00:12:17,500 Life TV is an even live TV. It's so dead to me. So orchestrated so seamlessly so perfectly. I'm telling you it's dead TV 126 00:12:17,500 --> 00:12:24,500 Our perfect people they brush their teeth before they go on the air someone somewhere counts down from five to one 127 00:12:24,500 --> 00:12:31,500 Making their colgate smile shine on like the sun and over their paper props and coffee mugs painted a stylish navy blue 128 00:12:31,500 --> 00:12:40,500 They deliver us the news with delicate creases and their dry clean sports jackets and their neat little bundles of free striped telecast packets 129 00:12:40,500 --> 00:12:48,500 They have appropriate faces and tones for all their heart wrenching recitals with a rather catchy title that rhymes of course 130 00:12:49,500 --> 00:12:57,500 About some golden retriever dancing for the sick kids that we who and we are over because you know that stories vital 131 00:12:57,500 --> 00:13:07,500 But not so urgent so meaningful so necessary that we can't lay our heads down on our pillows and sleep that night leaving behind us the senses sympathy 132 00:13:07,500 --> 00:13:12,500 We like to portray to star new day where no one else matters but ourselves 133 00:13:13,500 --> 00:13:18,500 But those people from the news God damn they have it's so great 134 00:13:18,500 --> 00:13:23,500 They're everyone super hero everyone's best friend our favorite face on our cable access station 135 00:13:23,500 --> 00:13:28,500 They're so trustworthy so reliable. They have that that chronic dedication 136 00:13:28,500 --> 00:13:33,500 They have the stuff that it takes to relate 45 minutes worth of truth and nothing but 137 00:13:33,500 --> 00:13:40,500 Okay, maybe there's a bud there's you know societies buy a certain in there to spice it up a bit 138 00:13:41,500 --> 00:13:47,500 But I mean they have plastic hair like burvey dolls and spray paint and make up it's fucking impenetrable 139 00:13:47,500 --> 00:13:55,500 So what's the new fat in the news today politics or politics and when it comes down to it we could care less really 140 00:13:55,500 --> 00:14:03,500 We want a generic black man with a sought off shotgun running rampant and someone else is suburban streets killing him some 141 00:14:04,500 --> 00:14:10,500 Blonde hair blue eyed chair leaders so sweet. We want the story. We want it concrete 142 00:14:10,500 --> 00:14:15,500 Who cares about the sources or if the you know facts are incomplete? 143 00:14:15,500 --> 00:14:24,500 We'll put it on repeat on every fucking channel until everyone from the Pope to your grandmother wants to donate just 50 cents to the cause 144 00:14:24,500 --> 00:14:32,500 So the informed public will raise you up in a plus the thank you being a great aid citizen 145 00:14:34,500 --> 00:14:36,500 That's simply just a perp 146 00:14:36,500 --> 00:14:40,500 Great stuff, huh? Yeah, first time I heard that I was like wow 147 00:14:40,500 --> 00:14:46,500 That's good Jenny Gillespie don't know anything about her. I presume she wrote it herself 148 00:14:46,500 --> 00:14:49,500 But don't like that very much when I heard it 149 00:14:49,500 --> 00:14:54,500 A lot of people pointed me towards this podcast from what is it? 150 00:14:54,500 --> 00:14:57,500 This show has no name is the name of the podcast 151 00:14:58,500 --> 00:15:01,500 I pointed to it in the production show notes 152 00:15:01,500 --> 00:15:05,500 It's got a home page stop macadress 153 00:15:05,500 --> 00:15:08,500 So it shouldn't be a problem if you want to download the show 154 00:15:08,500 --> 00:15:14,500 Because I know that sometimes when I mention someone's podcast and we get it like a little mini slash dot effect 155 00:15:14,500 --> 00:15:17,500 Not that there's so many people that I'm sending over your way, but 156 00:15:17,500 --> 00:15:20,500 Because the files are so big 157 00:15:21,500 --> 00:15:26,500 Anyway, I listened to it and I was like wow, you know 158 00:15:26,500 --> 00:15:31,500 Here's a guy who listens to the daily source code every single day and a second tired of me 159 00:15:31,500 --> 00:15:34,500 Finally, I'm sure there's more out there 160 00:15:34,500 --> 00:15:38,500 But he put it in a podcast something I totally, totally appreciate 161 00:15:38,500 --> 00:15:43,500 And I thought we'd listen to it together because there's some interesting things in here that I'm sure other people are thinking 162 00:15:43,500 --> 00:15:47,500 They're maybe a few misconceptions and some things, I think he's probably right about 163 00:15:47,500 --> 00:15:52,500 A couple of the things I want to talk about is that I want to make it official now that I'm pretty much sick of Adam Curry 164 00:15:52,500 --> 00:15:56,500 Okay, I'm glad you made that official, that's a good start 165 00:15:56,500 --> 00:16:01,500 I'm sick of him in general, I'm sick of his podcast 166 00:16:01,500 --> 00:16:05,500 Even though I listen to it all the time and I'm relatively addicted to it 167 00:16:05,500 --> 00:16:08,500 And there's some couple things that I'm really bothered by 168 00:16:08,500 --> 00:16:12,500 And mainly because, you know, everybody's pretty nice 169 00:16:12,500 --> 00:16:17,500 And he seems like a nice guy, but it's really his podcast, it's kind of bothered me more than anything 170 00:16:17,500 --> 00:16:22,500 Okay, I've seen like a nice guy only when I'm podcasting, which is the only way he knows me 171 00:16:22,500 --> 00:16:24,500 That's not starting to bother me 172 00:16:24,500 --> 00:16:28,500 And it's just that not that I want to be sour grapes or anything 173 00:16:28,500 --> 00:16:33,500 But you know what, drum cadence suck 174 00:16:33,500 --> 00:16:35,500 Okay, let me just put that out there 175 00:16:35,500 --> 00:16:37,500 There was maybe one or two that was pretty good 176 00:16:37,500 --> 00:16:41,500 I understand that he's having a hard time because you can't get any good RIA 177 00:16:42,500 --> 00:16:48,500 No, no, that's not true. No, I'm receiving more drum cadences than any other music period 178 00:16:48,500 --> 00:16:50,500 That's why I think playing so much of it 179 00:16:50,500 --> 00:16:54,500 Actually, I haven't played a lot in the past week and a half to be free music and that's running 180 00:16:54,500 --> 00:16:58,500 But the drum kids, just they just got to go 181 00:16:58,500 --> 00:17:01,500 I mean, really, you know 182 00:17:01,500 --> 00:17:06,500 Dude, fast forward, that's all, he'll show you how it works 183 00:17:06,500 --> 00:17:08,500 So the 10 that's a drum case 184 00:17:08,500 --> 00:17:10,500 That's not that cool, I'm sorry 185 00:17:10,500 --> 00:17:13,500 I found myself just skipping through the whole thing 186 00:17:13,500 --> 00:17:15,500 Right, this thing is just that 187 00:17:15,500 --> 00:17:18,500 You know, I'm so sick of those serious bitties 188 00:17:18,500 --> 00:17:20,500 Maybe he's got some sort of a financial thing 189 00:17:20,500 --> 00:17:22,500 He keeps saying that he is a businessman 190 00:17:22,500 --> 00:17:26,500 And I think that people keep forgetting that in their days 191 00:17:26,500 --> 00:17:28,500 Oh, hold on a second, hold on a second 192 00:17:28,500 --> 00:17:35,500 First of all, I have absolutely no financial arrangement or any type of deal 193 00:17:35,500 --> 00:17:38,500 whatsoever with any of the list of his bitties 194 00:17:38,500 --> 00:17:42,500 Except they have promised me a big hug when we meet up in New York 195 00:17:42,500 --> 00:17:44,500 That they have promised 196 00:17:44,500 --> 00:17:46,500 Because believe me, dude 197 00:17:46,500 --> 00:17:49,500 I think that's something I would have to disclose 198 00:17:49,500 --> 00:17:51,500 Right, like tell you about 199 00:17:51,500 --> 00:17:55,500 Believe me, I would tell you if I had any financial gain 200 00:17:55,500 --> 00:17:57,500 But yes, I am a businessman, absolutely 201 00:17:57,500 --> 00:18:00,500 And I love it when I see people who are already doing business 202 00:18:00,500 --> 00:18:02,500 Like those serious bitties 203 00:18:02,500 --> 00:18:05,500 Do more business because of something really simple 204 00:18:05,500 --> 00:18:08,500 Mainly people who like their music or play in their music and podcast 205 00:18:08,500 --> 00:18:10,500 So I see that as a good thing 206 00:18:10,500 --> 00:18:14,500 That's a ties by the fact that he's going to find a way to make money 207 00:18:14,500 --> 00:18:16,500 Either this podcast and thing 208 00:18:16,500 --> 00:18:19,500 He's going to milk it for his good 209 00:18:19,500 --> 00:18:20,500 Oh, all right, okay 210 00:18:20,500 --> 00:18:23,500 And you know what that's probably what they said 211 00:18:23,500 --> 00:18:25,500 Well, okay, yes, of course 212 00:18:25,500 --> 00:18:28,500 Of course, I'm going to milk it to death, damn it 213 00:18:28,500 --> 00:18:30,500 Oh, wow 214 00:18:31,500 --> 00:18:33,500 If you know how 215 00:18:33,500 --> 00:18:37,500 Please put that in your podcast so I can start milking 216 00:18:37,500 --> 00:18:40,500 And I think that's something that people should be very aware of 217 00:18:40,500 --> 00:18:43,500 And understand that the reason he's so pumped about this 218 00:18:43,500 --> 00:18:46,500 Because he sees a monetary opportunity there 219 00:18:46,500 --> 00:18:48,500 Okay, first of all 220 00:18:48,500 --> 00:18:51,500 The reason this all got started was out of frustration 221 00:18:51,500 --> 00:18:55,500 Because I wanted to get pod cat or MP3 files onto my iPod 222 00:18:55,500 --> 00:18:57,500 It was no absolutely no fine 223 00:18:57,500 --> 00:19:00,500 In fact, I tried to pay people to do that for me 224 00:19:00,500 --> 00:19:03,500 But I have to admit 225 00:19:03,500 --> 00:19:06,500 That there's totally 226 00:19:06,500 --> 00:19:10,500 A lot of interest from the business community 227 00:19:10,500 --> 00:19:12,500 From the financial community 228 00:19:12,500 --> 00:19:15,500 A lot of people are saying, hey, how can we monetize this 229 00:19:15,500 --> 00:19:17,500 Am I looking, of course I'm looking 230 00:19:17,500 --> 00:19:19,500 To have ideas, of course I have ideas 231 00:19:19,500 --> 00:19:21,500 Of course I do, is that wrong? 232 00:19:22,500 --> 00:19:23,500 Apparently 233 00:19:23,500 --> 00:19:25,500 It's reminds me so much of 234 00:19:25,500 --> 00:19:27,500 When I started out 235 00:19:27,500 --> 00:19:30,500 With something I called cyber sleeves 236 00:19:30,500 --> 00:19:33,500 And I was promoting that on my radio shows 237 00:19:33,500 --> 00:19:36,500 And it's actually this was before mtv.com 238 00:19:36,500 --> 00:19:39,500 And I remember that all the, not all 239 00:19:39,500 --> 00:19:42,500 But the, the quote community at the time 240 00:19:42,500 --> 00:19:45,500 Was very against the commercial internet 241 00:19:45,500 --> 00:19:48,500 It was like, you know, commercial was bad 242 00:19:48,500 --> 00:19:49,500 It's not going to happen 243 00:19:49,500 --> 00:19:52,500 It's going to fight against it, will hack you to death 244 00:19:52,500 --> 00:19:54,500 It sounds like the same thing, you know 245 00:19:54,500 --> 00:19:56,500 It's like, of course someone's going to 246 00:19:56,500 --> 00:19:58,500 Commercialize parts of pod casting 247 00:19:58,500 --> 00:20:01,500 I heard someone say, I don't know where it was 248 00:20:01,500 --> 00:20:04,500 I think it was maybe it was a pod cat 249 00:20:04,500 --> 00:20:06,500 I'm thinking, I'm going to say pod cast brothers 250 00:20:06,500 --> 00:20:09,500 Because it was a brilliant analogy 251 00:20:09,500 --> 00:20:11,500 That whenever there's a, there's a gold rush 252 00:20:11,500 --> 00:20:13,500 The people who always make the money 253 00:20:13,500 --> 00:20:14,500 Are the outfitters 254 00:20:14,500 --> 00:20:16,500 So that's the people who supply the horses 255 00:20:16,500 --> 00:20:18,500 The wagons, the donkeys 256 00:20:19,500 --> 00:20:22,500 The shovels, the spades, you know, the tents 257 00:20:22,500 --> 00:20:24,500 Whatever, of course 258 00:20:24,500 --> 00:20:28,500 And we really don't have a pod casting service 259 00:20:28,500 --> 00:20:30,500 Yeah, do we, this is one of the things of course 260 00:20:30,500 --> 00:20:32,500 That we've been looking at 261 00:20:32,500 --> 00:20:34,500 And what does that entail? 262 00:20:34,500 --> 00:20:36,500 I think the number one place to make money right now 263 00:20:36,500 --> 00:20:39,500 Is helping people make pod casts 264 00:20:39,500 --> 00:20:41,500 I don't think there's a lot of people making money 265 00:20:41,500 --> 00:20:43,500 On their pod casts right now 266 00:20:43,500 --> 00:20:45,500 Nor is it clear if they will 267 00:20:45,500 --> 00:20:47,500 I got some ideas 268 00:20:48,500 --> 00:20:50,500 But yeah, of course I'm looking at ways to make money 269 00:20:50,500 --> 00:20:51,500 But I'm not hiding that 270 00:20:51,500 --> 00:20:54,500 I'm not doing the source code 271 00:20:54,500 --> 00:20:56,500 Because I have some genius plan 272 00:20:56,500 --> 00:20:58,500 That's going to make me billions of dollars 273 00:20:58,500 --> 00:21:00,500 Through that show alone 274 00:21:00,500 --> 00:21:01,500 I like doing it dude 275 00:21:01,500 --> 00:21:03,500 And don't be lulled 276 00:21:03,500 --> 00:21:05,500 Into thinking that this guy 277 00:21:05,500 --> 00:21:06,500 Who is now 278 00:21:06,500 --> 00:21:08,500 God, I've seen it now on 279 00:21:08,500 --> 00:21:09,500 In a macadic magazine 280 00:21:09,500 --> 00:21:11,500 I've seen it in New York Times 281 00:21:11,500 --> 00:21:12,500 I've seen it on ABC 282 00:21:12,500 --> 00:21:14,500 I've seen it everywhere 283 00:21:14,500 --> 00:21:16,500 Because they all call me up 284 00:21:16,500 --> 00:21:18,500 And ask me for interviews 285 00:21:18,500 --> 00:21:21,500 It actually takes a lot of time 286 00:21:21,500 --> 00:21:24,500 And I don't have an actual job at the moment 287 00:21:24,500 --> 00:21:26,500 We'll talk about that in a second 288 00:21:26,500 --> 00:21:27,500 I'm sure 289 00:21:27,500 --> 00:21:29,500 So I could make time 290 00:21:29,500 --> 00:21:31,500 Which I think is also help 291 00:21:31,500 --> 00:21:33,500 Propel pod casting 292 00:21:33,500 --> 00:21:35,500 For good or for bad 293 00:21:35,500 --> 00:21:38,500 He's going to make money off of this 294 00:21:38,500 --> 00:21:40,500 Oh, I can't wait 295 00:21:40,500 --> 00:21:43,500 And you and me are probably not going to do that 296 00:21:44,500 --> 00:21:47,500 You and me presuming me the listener 297 00:21:47,500 --> 00:21:48,500 The way to me 298 00:21:48,500 --> 00:21:49,500 You just told me I was 299 00:21:49,500 --> 00:21:50,500 But as a listener, I'm not 300 00:21:50,500 --> 00:21:53,500 Mainly because we're probably a really well-versed 301 00:21:53,500 --> 00:21:55,500 And making money off of something like this 302 00:21:55,500 --> 00:21:59,500 Dude, I've never made money off of anything like this 303 00:21:59,500 --> 00:22:01,500 Let me tell you how I made my money 304 00:22:01,500 --> 00:22:02,500 Okay 305 00:22:02,500 --> 00:22:03,500 I might be good 306 00:22:03,500 --> 00:22:04,500 I started 307 00:22:04,500 --> 00:22:06,500 Actually, it did start a content company 308 00:22:06,500 --> 00:22:08,500 Called OnRamp 309 00:22:08,500 --> 00:22:11,500 And we had actually Metaverse.com 310 00:22:11,500 --> 00:22:13,500 And we had cyber sleeves 311 00:22:13,500 --> 00:22:15,500 And we had a whole bunch of cool sites 312 00:22:15,500 --> 00:22:18,500 This is around the time that addicted to noise 313 00:22:18,500 --> 00:22:19,500 It was also a 314 00:22:19,500 --> 00:22:21,500 Some of you might remember that website 315 00:22:21,500 --> 00:22:23,500 That was purchased later by MTV 316 00:22:23,500 --> 00:22:27,500 And we were making content for 317 00:22:27,500 --> 00:22:29,500 Re-box for Budweiser 318 00:22:29,500 --> 00:22:31,500 For continental airlines 319 00:22:31,500 --> 00:22:33,500 For Procter and Gamble 320 00:22:33,500 --> 00:22:36,500 Hey, we did tampax.com 321 00:22:36,500 --> 00:22:42,500 The website you'll want to visit more than once a month 322 00:22:42,500 --> 00:22:44,500 We haven't fun 323 00:22:44,500 --> 00:22:47,500 And we just started going more and more into the service side of stuff 324 00:22:47,500 --> 00:22:50,500 She's going to be providing services for companies 325 00:22:50,500 --> 00:22:53,500 At the time when you could charge $40,000 326 00:22:53,500 --> 00:22:55,500 For what I knew eventually 327 00:22:55,500 --> 00:22:58,500 And what now are indeed tools that cost $40 328 00:22:58,500 --> 00:23:01,500 And so we did a good job 329 00:23:01,500 --> 00:23:03,500 We worked really hard for about five years 330 00:23:03,500 --> 00:23:05,500 And we sold the company in 1999 331 00:23:05,500 --> 00:23:07,500 Always made a profit 332 00:23:07,500 --> 00:23:09,500 At the end of our tenure 333 00:23:09,500 --> 00:23:11,500 There I say ours, my partner Ron 334 00:23:11,500 --> 00:23:15,500 We had a pay roll of $65 million 335 00:23:15,500 --> 00:23:17,500 And we always made pay roll 336 00:23:17,500 --> 00:23:19,500 And we were profitable and we had 337 00:23:19,500 --> 00:23:21,500 Happy clients 338 00:23:21,500 --> 00:23:23,500 And we did good work 339 00:23:23,500 --> 00:23:25,500 We were advertising agency basically 340 00:23:25,500 --> 00:23:27,500 And I made money on that 341 00:23:27,500 --> 00:23:31,500 But the real money I made came from lucky investments 342 00:23:31,500 --> 00:23:33,500 And the real money I lost by the way 343 00:23:33,500 --> 00:23:35,500 I also lost a lot of money came from unlucky investments 344 00:23:35,500 --> 00:23:37,500 But that's his goal 345 00:23:37,500 --> 00:23:38,500 And I think... 346 00:23:38,500 --> 00:23:41,500 No, no, sorry, that's so my goal is not to make money 347 00:23:41,500 --> 00:23:42,500 My goal is to... 348 00:23:42,500 --> 00:23:45,500 Well, to have fun doing whatever I'm doing 349 00:23:45,500 --> 00:23:47,500 And if possible 350 00:23:47,500 --> 00:23:49,500 Make the world a better place while we do it 351 00:23:49,500 --> 00:23:51,500 And fuck yeah, I'd like to get paid 352 00:23:51,500 --> 00:23:52,500 Doesn't everybody? 353 00:23:52,500 --> 00:23:55,500 I mean, everyone has bandwidth bills 354 00:23:55,500 --> 00:23:59,500 Has, you know, your time is worth something 355 00:23:59,500 --> 00:24:02,500 And either you say this is 100% hobby for me 356 00:24:02,500 --> 00:24:04,500 Or you say, hey, I'm going to try and make something out of this 357 00:24:04,500 --> 00:24:05,500 Not in wrong with that 358 00:24:05,500 --> 00:24:06,500 Yeah, as much as he would like to be 359 00:24:06,500 --> 00:24:08,500 Befriending all these other people 360 00:24:08,500 --> 00:24:10,500 Well, no, I am actually befriending people 361 00:24:10,500 --> 00:24:12,500 Because I make friends pretty easily 362 00:24:12,500 --> 00:24:14,500 And I would pretty good track record with friends 363 00:24:14,500 --> 00:24:16,500 You can look it up dude 364 00:24:16,500 --> 00:24:18,500 And whether it's he wants to be the little 365 00:24:18,500 --> 00:24:20,500 Sivius Bitties Manager or whatever that 366 00:24:20,500 --> 00:24:21,500 I don't... 367 00:24:21,500 --> 00:24:22,500 I wish, God damn 368 00:24:22,500 --> 00:24:24,500 I'd love to be their manager 369 00:24:24,500 --> 00:24:27,500 Hmm, I think they have that all sold up 370 00:24:27,500 --> 00:24:29,500 I actually, I was talking to Leon 371 00:24:30,500 --> 00:24:32,500 I've got you such an angelic voice 372 00:24:32,500 --> 00:24:35,500 Even on the phone she sounds so, so pretty 373 00:24:35,500 --> 00:24:40,500 And she was telling me about, oh, we just shoot in the shit actually 374 00:24:40,500 --> 00:24:45,500 And I said, well, you know, because they were interviewed by CBS 375 00:24:45,500 --> 00:24:47,500 For the CV, I don't know when this piece is going to air 376 00:24:47,500 --> 00:24:49,500 But it should be reasonably soon, I guess 377 00:24:49,500 --> 00:24:51,500 And I was so happy for it 378 00:24:51,500 --> 00:24:54,500 And I said, you know, you're going to get calls pretty soon 379 00:24:54,500 --> 00:24:58,500 And stuff's going to happen, she said, oh, we, you know, we have had such a luxury over 380 00:24:58,500 --> 00:25:00,500 They've been doing it for like seven or eight years 381 00:25:00,500 --> 00:25:02,500 They really have all their finances, their legal stuff 382 00:25:02,500 --> 00:25:05,500 It's all, I mean, not that they have a lot of finances 383 00:25:05,500 --> 00:25:07,500 But it's, they have that all set 384 00:25:07,500 --> 00:25:09,500 And I said, anything you need, let me know 385 00:25:09,500 --> 00:25:11,500 Dude, of course I'd like to be their manager 386 00:25:11,500 --> 00:25:13,500 But that's not why I'm playing their songs 387 00:25:13,500 --> 00:25:15,500 Because I'd like their songs, that's why 388 00:25:15,500 --> 00:25:18,500 But I think that that's something that is 389 00:25:18,500 --> 00:25:20,500 Is true in call speed of speed 390 00:25:20,500 --> 00:25:21,500 You know, and any... 391 00:25:21,500 --> 00:25:23,500 You know, he's, he's alluded to that 392 00:25:23,500 --> 00:25:25,500 He said, you know, hey, he's a businessman 393 00:25:25,500 --> 00:25:27,500 He's the most big money, there's nothing wrong with that 394 00:25:27,500 --> 00:25:30,500 But don't be low than the thinking that 395 00:25:30,500 --> 00:25:34,500 He's just this super nice guy that's just trying to 396 00:25:34,500 --> 00:25:36,500 Really help everybody out 397 00:25:36,500 --> 00:25:38,500 Yeah, I actually believe it or not 398 00:25:38,500 --> 00:25:41,500 I mean, I'd be a super nice guy 399 00:25:41,500 --> 00:25:43,500 But I do like to help everybody out 400 00:25:43,500 --> 00:25:46,500 And I think that by helping each other 401 00:25:46,500 --> 00:25:48,500 We'll be able to figure some stuff out 402 00:25:48,500 --> 00:25:51,500 And actually maybe, you know, work together on some things 403 00:25:51,500 --> 00:25:55,500 That could be fun to work on or could generate revenue together 404 00:25:55,500 --> 00:25:57,500 Or kinds of stuff, but I'm not like 405 00:25:57,500 --> 00:25:59,500 Something like job and life to go around 406 00:25:59,500 --> 00:26:01,500 You know, sucking up to people 407 00:26:01,500 --> 00:26:03,500 And getting to be my friends 408 00:26:03,500 --> 00:26:05,500 And then go make money off of them 409 00:26:05,500 --> 00:26:07,500 Which of course we haven't established exactly how to do that 410 00:26:07,500 --> 00:26:09,500 I think in a lot of ways you may be 411 00:26:09,500 --> 00:26:11,500 But I think in the back of his money he's going to say 412 00:26:11,500 --> 00:26:12,500 You know what? 413 00:26:12,500 --> 00:26:13,500 I kind of think money at this 414 00:26:13,500 --> 00:26:16,500 I mean, just look at the sound scene thing 415 00:26:16,500 --> 00:26:17,500 Hey, baby 416 00:26:17,500 --> 00:26:18,500 Hey 417 00:26:18,500 --> 00:26:19,500 I'm doing a podcast 418 00:26:21,500 --> 00:26:22,500 New? 419 00:26:22,500 --> 00:26:23,500 Umm Hmm 420 00:26:23,500 --> 00:26:25,500 How much time would I have? 421 00:26:25,500 --> 00:26:26,500 Are you ready right now? 422 00:26:26,500 --> 00:26:27,500 Okay, what should I do? 423 00:26:27,500 --> 00:26:29,500 So till the audience, or I've put them on paws 424 00:26:29,500 --> 00:26:32,500 Or should I put its good stuff right now? 425 00:26:32,500 --> 00:26:34,500 Should I put the audience on paws? 426 00:26:34,500 --> 00:26:35,500 Yeah 427 00:26:35,500 --> 00:26:37,500 Alright everybody, you're going on paws 428 00:26:37,500 --> 00:26:38,500 I'm going to have dinner 429 00:26:38,500 --> 00:26:40,500 Come back and we'll continue 430 00:26:40,500 --> 00:26:41,500 Do do do want 431 00:26:41,500 --> 00:26:45,500 Right, okay 432 00:26:45,500 --> 00:26:47,500 So I'm back 433 00:26:47,500 --> 00:26:52,500 That was two and a half hours ago that we last spoke. 434 00:26:52,500 --> 00:26:54,500 Okay. 435 00:26:54,500 --> 00:26:55,500 You get the fast forward. 436 00:26:55,500 --> 00:26:57,500 I get to hit the pause button once in a while. 437 00:26:57,500 --> 00:27:01,500 And actually it's pretty good because I was thinking, 438 00:27:01,500 --> 00:27:05,500 but after dinner, Patricia and I were watching, 439 00:27:05,500 --> 00:27:08,500 we were watching, and Tiggs Roadshow. 440 00:27:08,500 --> 00:27:10,500 Love that show. 441 00:27:10,500 --> 00:27:14,500 Of course, it's not really about the antiques or the objects that they display. 442 00:27:14,500 --> 00:27:15,500 It's what's worth. 443 00:27:15,500 --> 00:27:16,500 That's the game, right? 444 00:27:16,500 --> 00:27:17,500 Okay. 445 00:27:17,500 --> 00:27:19,500 I think that's going to be worth about, 446 00:27:19,500 --> 00:27:21,500 and probably about 3,400, 447 00:27:21,500 --> 00:27:25,500 and then once when you get the 10,000 pound valuable item, 448 00:27:25,500 --> 00:27:27,500 whatever. 449 00:27:27,500 --> 00:27:31,500 And then Patricia Files sleep, so I went to clean up the kitchen. 450 00:27:31,500 --> 00:27:36,500 And I was thinking about the comment about the Sylvia's Bitties. 451 00:27:36,500 --> 00:27:41,500 And I was thinking, you know, what is it that I like so much? 452 00:27:41,500 --> 00:27:52,500 And I thought back to the early 80s when I was just really getting into top 40 radio. 453 00:27:52,500 --> 00:27:56,500 It was, you know, there was still an opportunity back then to actually play a song that you thought, 454 00:27:56,500 --> 00:28:01,500 and I think it was like once an hour in most formats that that I worked with, 455 00:28:01,500 --> 00:28:02,500 at most radio stations. 456 00:28:02,500 --> 00:28:06,500 Not really in the, yeah, it was very early 80s. 457 00:28:06,500 --> 00:28:09,500 At least had one song an hour that you could kind of, you know, 458 00:28:09,500 --> 00:28:12,500 fuzzle around or legally play as one of your own picks. 459 00:28:12,500 --> 00:28:14,500 And before that, you know, we used to just, you know, 460 00:28:14,500 --> 00:28:16,500 bring whatever, whatever the hell we wanted to play, 461 00:28:16,500 --> 00:28:21,500 but of course those weren't very commercially successful radio stations, 462 00:28:21,500 --> 00:28:23,500 which will tell you a lot about, you know, 463 00:28:23,500 --> 00:28:26,500 what needs to be done to become commercially successful. 464 00:28:26,500 --> 00:28:30,500 But, and it could be anything, particularly in Holland, 465 00:28:30,500 --> 00:28:33,500 where I started my radio career, 466 00:28:33,500 --> 00:28:39,500 and Bruce Springsteen never really caught on big in the chart. 467 00:28:39,500 --> 00:28:42,500 And I say chart because back then, you know, there was a chart, 468 00:28:42,500 --> 00:28:44,500 it was the top 40. 469 00:28:44,500 --> 00:28:46,500 And then, of course, we got the, the top 50, 470 00:28:46,500 --> 00:28:49,500 and then the top 40 album and singles and airplane. 471 00:28:49,500 --> 00:28:51,500 And these days, you have the top download chart. 472 00:28:51,500 --> 00:28:53,500 So there's no real authority, you know, it's a, 473 00:28:53,500 --> 00:28:54,500 but that used to be very simple. 474 00:28:54,500 --> 00:28:58,500 It was compiled based upon actual sales figures. 475 00:28:59,500 --> 00:29:02,500 But also, some audience research was put in there. 476 00:29:02,500 --> 00:29:07,500 And it was, it was a, it was a good chart. 477 00:29:07,500 --> 00:29:10,500 And you could get it, you know, and if you played a song 478 00:29:10,500 --> 00:29:13,500 and then some of the other DJs from other stations 479 00:29:13,500 --> 00:29:15,500 or your own station would also play that song, 480 00:29:15,500 --> 00:29:17,500 then it could get some momentum, you know, 481 00:29:17,500 --> 00:29:19,500 and then you'd break an artist. 482 00:29:19,500 --> 00:29:22,500 And that was something that we were proud of, you know, 483 00:29:22,500 --> 00:29:23,500 it's like dude. 484 00:29:23,500 --> 00:29:27,500 And I've actually broken a couple artists in Holland 485 00:29:27,500 --> 00:29:29,500 that people will attribute to me. 486 00:29:32,500 --> 00:29:36,500 I laughed because Renee Froker is probably, 487 00:29:36,500 --> 00:29:39,500 the one that became most famous after I, 488 00:29:39,500 --> 00:29:41,500 I broke him as an artist. 489 00:29:41,500 --> 00:29:43,500 It sounds weird, doesn't it? 490 00:29:43,500 --> 00:29:45,500 It's like a real industry term. 491 00:29:45,500 --> 00:29:46,500 I broke you, boy. 492 00:29:46,500 --> 00:29:50,500 He's kind of like the Dutch Engelbert Humperding. 493 00:29:50,500 --> 00:29:53,500 So that's why I'm chuckling. 494 00:29:53,500 --> 00:29:56,500 But anyway, I digress. 495 00:29:57,500 --> 00:29:59,500 I was had a joint after dinner. 496 00:29:59,500 --> 00:30:00,500 I forgot to mention that. 497 00:30:00,500 --> 00:30:02,500 So that's why you get like. 498 00:30:02,500 --> 00:30:05,500 Okay. 499 00:30:05,500 --> 00:30:09,500 So, but it really was all about, you know, 500 00:30:09,500 --> 00:30:11,500 it was just pride. 501 00:30:11,500 --> 00:30:14,500 And then it would be even better if that artist went on 502 00:30:14,500 --> 00:30:16,500 to get a gold record. 503 00:30:16,500 --> 00:30:19,500 And, you know, somewhere down the line, 504 00:30:19,500 --> 00:30:22,500 you would actually be presented with something like that, 505 00:30:22,500 --> 00:30:25,500 like a gold record or platinum record or whatever. 506 00:30:25,500 --> 00:30:28,500 And it says, you know, thanks for your thanks for contributing 507 00:30:28,500 --> 00:30:32,500 to the success of the album or the artist or whatever, 508 00:30:32,500 --> 00:30:34,500 depending on what your contribution was. 509 00:30:34,500 --> 00:30:35,500 Literally. 510 00:30:35,500 --> 00:30:36,500 And there was no money that passed hands. 511 00:30:36,500 --> 00:30:38,500 You know, this is just a part of a thing that happened. 512 00:30:38,500 --> 00:30:40,500 And it just started to roll and snowball. 513 00:30:40,500 --> 00:30:44,500 And, you know, and something would catch on. 514 00:30:44,500 --> 00:30:47,500 And then the audience would catch on and it just goes, right? 515 00:30:47,500 --> 00:30:49,500 But sometimes songs need a little bit more. 516 00:30:49,500 --> 00:30:53,500 And you know, I guess they're more complex or something or whatever. 517 00:30:53,500 --> 00:30:57,500 So, as I was saying, Bruce Springsteen was something that 518 00:30:57,500 --> 00:31:00,500 buddy and I broke in Holland. 519 00:31:00,500 --> 00:31:03,500 It was dancing in the dark. 520 00:31:03,500 --> 00:31:06,500 It just wasn't catching on. 521 00:31:06,500 --> 00:31:09,500 But there's been, you know, lots of examples like that. 522 00:31:09,500 --> 00:31:13,500 And even at MTV in the very early days when I was there, 523 00:31:13,500 --> 00:31:15,500 which was still the 80s, you know, 524 00:31:15,500 --> 00:31:17,500 you could still kind of have some kind of influence. 525 00:31:17,500 --> 00:31:18,500 But it just went away. 526 00:31:18,500 --> 00:31:21,500 And also, the gold record started going to everybody, 527 00:31:21,500 --> 00:31:24,500 like the sales guy and, you know, the station manager, 528 00:31:24,500 --> 00:31:25,500 and became more cheesy. 529 00:31:25,500 --> 00:31:29,500 And, you know, more like production work, nothing, 530 00:31:29,500 --> 00:31:32,500 it used to be that you could actually play these records. 531 00:31:32,500 --> 00:31:34,500 They would be the, they weren't really, well, 532 00:31:34,500 --> 00:31:35,500 they were dipped in gold, I think. 533 00:31:35,500 --> 00:31:39,500 But most of them, the original records that were given to, you know, 534 00:31:39,500 --> 00:31:43,500 given to the artist based upon huge amounts of sales, 535 00:31:43,500 --> 00:31:49,500 were the mother or father masters when they were still pressing records. 536 00:31:49,500 --> 00:31:53,500 And you could actually take them out and play them. 537 00:31:53,500 --> 00:31:55,500 You have to play them backwards, though, 538 00:31:55,500 --> 00:31:59,500 because it's a reverse of what you'd actually have in the vinyl. 539 00:31:59,500 --> 00:32:03,500 And Patricia has a lot of the original type of gold records. 540 00:32:03,500 --> 00:32:07,500 And one time by my radio show, we took one out of the casing 541 00:32:07,500 --> 00:32:09,500 and played it backwards. 542 00:32:09,500 --> 00:32:11,500 And it actually was the real record. 543 00:32:11,500 --> 00:32:15,500 But I never got the casing back together the way it was intended to be. 544 00:32:15,500 --> 00:32:17,500 So I'm not allowed to demonstrate that anymore. 545 00:32:17,500 --> 00:32:21,500 I've been banned from touching the gold records and rightly so. 546 00:32:21,500 --> 00:32:25,500 But anyway, it's nothing about, you know, 547 00:32:25,500 --> 00:32:29,500 about wanting to do anything more than just have that feeling. 548 00:32:29,500 --> 00:32:31,500 That's a great feeling when it works. 549 00:32:31,500 --> 00:32:35,500 And that, I guess that's what kind of, what, 550 00:32:35,500 --> 00:32:38,500 what, that's what the kick is about that. 551 00:32:38,500 --> 00:32:41,500 I get out of playing the civvies, bitis, and bitis, 552 00:32:41,500 --> 00:32:43,500 and hearing people catch on and like it, 553 00:32:43,500 --> 00:32:46,500 and watching them get famous. 554 00:32:46,500 --> 00:32:49,500 You know what? 555 00:32:49,500 --> 00:32:51,500 I'm tired of this. 556 00:32:51,500 --> 00:32:52,500 Let's do something else. 557 00:32:52,500 --> 00:32:53,500 We do live from your headphones. 558 00:32:53,500 --> 00:32:55,500 It's asked Uncle Know It All. 559 00:32:55,500 --> 00:33:02,500 Hello everyone and welcome to this week's edition of Ask Uncle Know It All. 560 00:33:02,500 --> 00:33:06,500 This week's question comes to us from Sex Kitten, who asks? 561 00:33:06,500 --> 00:33:08,500 Dear Uncle Know It All. 562 00:33:08,500 --> 00:33:12,500 I'm writing because I'm wondering, what's the deal with the cowbell? 563 00:33:12,500 --> 00:33:14,500 Thanks so much. 564 00:33:14,500 --> 00:33:15,500 Hugs and kisses. 565 00:33:15,500 --> 00:33:16,500 Love you. 566 00:33:16,500 --> 00:33:17,500 Sex Kitten. 567 00:33:17,500 --> 00:33:19,500 Well, Sex Kitten. 568 00:33:19,500 --> 00:33:21,500 Sometime ago, VH1 aired a documentary 569 00:33:21,500 --> 00:33:24,500 of the blue oyster cult in studio recording their hit song, 570 00:33:24,500 --> 00:33:26,500 don't fear the reaper. 571 00:33:26,500 --> 00:33:28,500 While they were recording, Bruce Dickinson made comments 572 00:33:28,500 --> 00:33:30,500 about how he loved the cowbell sound 573 00:33:30,500 --> 00:33:32,500 who, done by one of the band members. 574 00:33:32,500 --> 00:33:35,500 Now, this caused something of a stir in the current music industry. 575 00:33:35,500 --> 00:33:37,500 And as a result of this footage, 576 00:33:37,500 --> 00:33:40,500 next March, Virgin Records is releasing the cowbell collection, 577 00:33:40,500 --> 00:33:43,500 which is a collection of both old and new songs 578 00:33:43,500 --> 00:33:45,500 featuring Greg Groups on cowbell. 579 00:33:45,500 --> 00:33:48,500 Now, if managed to secure an advanced copy of this CD, 580 00:33:48,500 --> 00:33:51,500 and I'll be playing a couple of samples for you. 581 00:33:51,500 --> 00:33:53,500 Our first sample is, 582 00:33:53,500 --> 00:33:56,500 Stip Tiffany's recorded by Deep Blue Something. 583 00:34:05,500 --> 00:34:07,500 This next song was recorded by Metallica, 584 00:34:07,500 --> 00:34:09,500 entitled Enter Sandman. 585 00:34:09,500 --> 00:34:10,500 And last but not least, 586 00:34:10,500 --> 00:34:11,500 we have gin and juice, 587 00:34:11,500 --> 00:34:13,500 courtesy of Grandmaster Rapa, Snoop Dogg. 588 00:34:17,500 --> 00:34:19,500 As you can see, or rather, here, 589 00:34:19,500 --> 00:34:22,500 the cowbell can be used with a variety of different music styles. 590 00:34:22,500 --> 00:34:25,500 In fact, there's only one style of music that the cowbell 591 00:34:25,500 --> 00:34:26,500 cannot help. 592 00:34:26,500 --> 00:34:27,500 It's not that easy. 593 00:34:27,500 --> 00:34:29,500 It's not that easy. 594 00:34:29,500 --> 00:34:32,500 As you can see, or rather, here, 595 00:34:32,500 --> 00:34:35,500 the cowbell can be used with a variety of different music styles. 596 00:34:35,500 --> 00:34:38,500 In fact, there's only one style of music that the cowbell 597 00:34:38,500 --> 00:34:40,500 cannot help, and that's country, 598 00:34:40,500 --> 00:34:43,500 because nothing can help country music. 599 00:34:43,500 --> 00:34:46,500 Now, inside sources also tell me that 600 00:34:46,500 --> 00:34:49,500 P. Diddy will be releasing a new album entitled 601 00:34:49,500 --> 00:34:50,500 Cowbell in the Hizzles, 602 00:34:50,500 --> 00:34:53,500 which features remakes of every song 603 00:34:53,500 --> 00:34:55,500 on the Cowbell collection. 604 00:34:55,500 --> 00:34:57,500 And that about wraps it up for this week. 605 00:34:57,500 --> 00:34:59,500 Don't forget, send me your questions, 606 00:34:59,500 --> 00:35:01,500 your questions, make the show. 607 00:35:01,500 --> 00:35:03,500 You can email Soundclips or just type the question 608 00:35:03,500 --> 00:35:04,500 if you prefer. 609 00:35:04,500 --> 00:35:08,500 The email address is Uncle Know It All at gmail.com. 610 00:35:08,500 --> 00:35:09,500 Thanks. 611 00:35:09,500 --> 00:35:12,500 On Cowboy Casting with Adam Curry. 612 00:35:13,750 --> 00:35:48,750 [ Music ] 613 00:35:50,500 --> 00:35:52,500 Well, you might as well jump. 614 00:35:52,500 --> 00:35:55,500 Go ahead and jump. 615 00:35:55,500 --> 00:35:57,500 Man, I'll say jump. 616 00:35:57,500 --> 00:36:00,500 Go ahead and jump. 617 00:36:03,750 --> 00:36:31,500 [ Music ] 618 00:36:31,500 --> 00:36:36,500 I said jump, jump, go ahead and jump 619 00:36:36,500 --> 00:36:41,500 People I said jump, jump, go ahead and jump 620 00:36:41,500 --> 00:36:43,500 Hold jump the whole time 621 00:36:43,750 --> 00:37:11,500 [ Music ] 622 00:37:11,500 --> 00:37:18,500 Hold jump, go ahead and jump 623 00:37:19,500 --> 00:37:21,500 Oh, they're a classic difference 624 00:37:21,500 --> 00:37:23,500 Say you might as well jump 625 00:37:23,500 --> 00:37:26,500 You're head and jump 626 00:37:26,500 --> 00:37:28,500 Come on and jump 627 00:37:28,500 --> 00:37:31,500 Go ahead and jump 628 00:37:31,500 --> 00:37:33,500 Man I said jump 629 00:37:33,500 --> 00:37:36,500 Go ahead and jump 630 00:37:36,500 --> 00:37:37,500 Come on, now jump 631 00:37:37,500 --> 00:37:40,500 Time is rhythm and sense 632 00:37:40,500 --> 00:37:43,500 And then all I know for today's daily source code 633 00:37:43,500 --> 00:37:47,500 Actually, this special one we can make up for this new source code 634 00:37:47,500 --> 00:37:50,500 How's the difference? 635 00:37:50,500 --> 00:37:53,500 How's the difference? 636 00:37:53,500 --> 00:37:55,500 Yeah, I've got to play more of those guys. 637 00:37:55,500 --> 00:37:56,500 I say rock. 638 00:37:56,500 --> 00:37:57,500 All right, everybody, that's it. 639 00:37:57,500 --> 00:37:58,500 Have a good weekend. 640 00:37:58,500 --> 00:38:00,500 Oh, oh, oh, oh, oh. 641 00:38:00,500 --> 00:38:02,500 Or maybe you're just getting this. 642 00:38:02,500 --> 00:38:03,500 And it's already Monday morning. 643 00:38:03,500 --> 00:38:05,500 So then you have another source code on the way later on. 644 00:38:05,500 --> 00:38:08,500 I'm going to leave it for this for now. 645 00:38:08,500 --> 00:38:09,500 Of course, comments. 646 00:38:09,500 --> 00:38:11,500 I don't have to worry.com. 647 00:38:11,500 --> 00:38:12,500 If you've got an MP3 comment, 648 00:38:12,500 --> 00:38:14,500 send it to MP3 feedback at gmail.com. 649 00:38:14,500 --> 00:38:16,500 And of course, comments on the web 650 00:38:16,500 --> 00:38:18,500 longer, always run. 651 00:38:18,500 --> 00:38:19,500 Some power. 652 00:38:19,500 --> 00:38:20,500 Some power. 653 00:38:20,500 --> 00:38:21,500 Some power. 654 00:38:21,500 --> 00:38:23,500 www.create.com. 655 00:38:26,250 --> 00:38:46,250 [ Music ] 656 00:38:46,500 --> 00:38:49,500 Thanks for watching.