1 00:00:00,000 --> 00:00:13,000 Daily source code 1-26-25 Transmators, we don't need no stinkin' Transmators! 2 00:00:13,000 --> 00:00:18,000 Get ready for the generation of rockin' world! 3 00:00:18,000 --> 00:00:21,000 Autastic! It's Adam Curry! 4 00:00:21,000 --> 00:00:24,000 It's the hump day edition of your daily source code, everybody! 5 00:00:24,000 --> 00:00:27,000 It's the power of the door! 6 00:00:27,000 --> 00:00:33,000 It's the Wednesday, January 26, 2005, coming to you from Curry Cottage. 7 00:00:33,000 --> 00:00:40,000 I'm Adam Curry, it's a 122 in the afternoon sitting here on the Louis Vuittie Couture's couch. 8 00:00:40,000 --> 00:00:43,000 Man, we're bumping all over the place today, aren't we? 9 00:00:43,000 --> 00:00:45,000 Hey, good afternoon! 10 00:00:45,000 --> 00:00:47,000 It's the power of the door! It's the door! 11 00:00:47,000 --> 00:00:49,000 It's the door! Good morning! 12 00:00:49,000 --> 00:00:53,000 What evening, depending on when you happen to be checking the show out? 13 00:00:53,000 --> 00:00:59,000 Another 40 minutes jam packed of podcasts, promos, podsafe music. 14 00:00:59,000 --> 00:01:03,000 Everything you get you into is what's going on in podcasts today. 15 00:01:03,000 --> 00:01:05,000 Yes, it's kind of a show about nothing. 16 00:01:05,000 --> 00:01:09,000 Although that would be stealing Jimmy Jetside here. 17 00:01:09,000 --> 00:01:13,000 It's just like any other Ed Sullivan type show. 18 00:01:13,000 --> 00:01:18,000 Your daily source code, with good news today, because just arrives by a courier. 19 00:01:18,000 --> 00:01:22,000 The good Charlotte tickets for March at the Brickston Academy. 20 00:01:22,000 --> 00:01:26,000 The power of the door, the power of the door. 21 00:01:26,000 --> 00:01:31,000 That, of course, is for Christina, who asked me, I think sometimes around Christmas, 22 00:01:31,000 --> 00:01:34,000 she said, that good Charlotte, her favorite band, 23 00:01:34,000 --> 00:01:38,000 are playing at Brickston Academy, and she sent me a link. 24 00:01:38,000 --> 00:01:40,000 Where to get tickets. 25 00:01:40,000 --> 00:01:44,000 And I forget the name of this outfit, but it seemed pretty reputable, 26 00:01:44,000 --> 00:01:46,000 so I just ordered them online. 27 00:01:46,000 --> 00:01:48,000 And then we didn't hear from them. 28 00:01:48,000 --> 00:01:51,000 It was like, oh, well, you know, the tickets are coming, 29 00:01:51,000 --> 00:01:54,000 but it may take up until two weeks before the show. 30 00:01:54,000 --> 00:01:56,000 So we started to get a little bit worried about them actually showing up, 31 00:01:56,000 --> 00:01:59,000 and of course, but now the show is completely sold out. 32 00:01:59,000 --> 00:02:02,000 So today they arrived by courier. 33 00:02:02,000 --> 00:02:05,000 March 20th, good Charlotte Brickston Academy. 34 00:02:05,000 --> 00:02:08,000 That's going to be a sound seeing tour. 35 00:02:08,000 --> 00:02:12,000 I'm definitely taken by recording equipment to that gig. 36 00:02:12,000 --> 00:02:15,000 And the last time we saw it, or the first time, and last time, 37 00:02:15,000 --> 00:02:18,000 so far that we saw them was in Holland at 13, 38 00:02:18,000 --> 00:02:23,000 and I think that's Tilburg, or Tilburg, as we would say. 39 00:02:23,000 --> 00:02:25,000 And I was able to get the Christina and her friend, 40 00:02:25,000 --> 00:02:31,000 I ship backstage, because, well, I know, I know people at the location, 41 00:02:31,000 --> 00:02:34,000 I know the big promoter in Holland, and I said, hey, 42 00:02:34,000 --> 00:02:37,000 you know, can you see if you can get these girls backstage. 43 00:02:37,000 --> 00:02:40,000 And then once they told the band's manager that and the band, 44 00:02:40,000 --> 00:02:41,000 they said, oh, Adam Curry, well, of course, you know, 45 00:02:41,000 --> 00:02:43,000 we grew up watching him. 46 00:02:43,000 --> 00:02:46,000 Thank you for making me feel so fucking ancient. 47 00:02:46,000 --> 00:02:50,000 Now, this time around, of course, I want to be super dad again, 48 00:02:50,000 --> 00:02:53,000 but I know no one at the Brickston Academy. 49 00:02:53,000 --> 00:02:56,000 I don't know anything about the venue, the promoter, etc. 50 00:02:56,000 --> 00:02:58,000 So if any of the source code listeners in the UK, 51 00:02:58,000 --> 00:03:02,000 happen to have an in and can get word to the manager, 52 00:03:02,000 --> 00:03:05,000 the band that we'll be waiting to go backstage, 53 00:03:05,000 --> 00:03:08,000 turn me into super dad again, please, that would be really cool. 54 00:03:09,000 --> 00:03:11,000 And this morning is a drop Christina off, you know, 55 00:03:11,000 --> 00:03:14,000 what we do now these days is fill up the iPod, 56 00:03:14,000 --> 00:03:15,000 got the iPrip. 57 00:03:15,000 --> 00:03:17,000 I take her to school every single morning just to, 58 00:03:17,000 --> 00:03:20,000 you know, really just to get going to start my day, 59 00:03:20,000 --> 00:03:23,000 then I drive by the new stand, pick up newspapers, 60 00:03:23,000 --> 00:03:25,000 and I listened to a podcast. 61 00:03:25,000 --> 00:03:27,000 We listened to the daily download this morning, 62 00:03:27,000 --> 00:03:29,000 and I'm going to play some bits of that later for you. 63 00:03:29,000 --> 00:03:31,000 It was the fucking hilarious Christina loved it. 64 00:03:31,000 --> 00:03:35,000 On the way back, I noticed there was a new yeast radio, 65 00:03:35,000 --> 00:03:37,000 my friend, Madge Weinstein. 66 00:03:37,000 --> 00:03:39,000 And the whole show almost like started off, 67 00:03:39,000 --> 00:03:41,000 you know, with her talking to me, 68 00:03:41,000 --> 00:03:43,000 which was trippy, you know, I'm sitting there, 69 00:03:43,000 --> 00:03:45,000 and the car and Madge is yelling at me, 70 00:03:45,000 --> 00:03:47,000 and yelling at everyone else, and other people 71 00:03:47,000 --> 00:03:49,000 joining the conversation. 72 00:03:49,000 --> 00:03:50,000 Let's just go through this, 73 00:03:50,000 --> 00:03:52,000 so you can kind of hear what it was, 74 00:03:52,000 --> 00:03:54,000 and maybe it can address some of Madge's issues. 75 00:03:54,000 --> 00:03:56,000 I'm trying to have a podcast. 76 00:03:56,000 --> 00:04:02,000 I can keep forgetting to say that, 77 00:04:02,000 --> 00:04:04,000 hold on a second. 78 00:04:04,000 --> 00:04:08,000 The daily source code is often not safe for work. 79 00:04:08,000 --> 00:04:09,000 Everybody, this is Fausto, 80 00:04:09,000 --> 00:04:11,000 and we're with Jason Smith, 81 00:04:11,000 --> 00:04:12,000 and we're taking pictures. 82 00:04:12,000 --> 00:04:13,000 Hi, everybody. 83 00:04:13,000 --> 00:04:14,000 We're all auditioning for you. 84 00:04:14,000 --> 00:04:17,000 I was talking gay TV show. 85 00:04:17,000 --> 00:04:19,000 That sounds like there's a lot of fun going on there 86 00:04:19,000 --> 00:04:21,000 in the East Radio Studios. 87 00:04:21,000 --> 00:04:23,000 What's the sound I hear? 88 00:04:23,000 --> 00:04:25,000 Ah, it's all kinds of crap going on. 89 00:04:25,000 --> 00:04:26,000 I'm still at the window open here. 90 00:04:26,000 --> 00:04:28,000 I'm sitting underneath the window in the... 91 00:04:28,000 --> 00:04:30,000 Hear that? 92 00:04:30,000 --> 00:04:31,000 Oh, okay. 93 00:04:31,000 --> 00:04:33,000 Well, we'll just have to live with that. 94 00:04:33,000 --> 00:04:36,000 That's someone rebuilding their house, I guess. 95 00:04:36,000 --> 00:04:37,000 I'm not, I'm too old. 96 00:04:37,000 --> 00:04:40,000 Listen, so, um, here's the deal. 97 00:04:40,000 --> 00:04:42,000 Now I forgot what I was going to say. 98 00:04:42,000 --> 00:04:43,000 So, I'll time for this. 99 00:04:43,000 --> 00:04:45,000 I'll play this wonderful interview with John Farmy. 100 00:04:45,000 --> 00:04:47,000 But first, I need to talk to Adam Curry. 101 00:04:47,000 --> 00:04:48,000 Alright. 102 00:04:48,000 --> 00:04:49,000 I immediately go, huh? 103 00:04:49,000 --> 00:04:51,000 Alright, here it comes. 104 00:04:51,000 --> 00:04:52,000 Okay. 105 00:04:52,000 --> 00:04:53,000 Adam, what's the fucking deal? 106 00:04:53,000 --> 00:04:56,000 You're taking all the goddamn publicity for yourself. 107 00:04:56,000 --> 00:04:57,000 Everybody's calling you, 108 00:04:57,000 --> 00:04:58,000 because you're the one with the hair. 109 00:04:58,000 --> 00:05:00,000 Well, I got a hair too, Goddamn. 110 00:05:00,000 --> 00:05:01,000 And I want to, the next time, 111 00:05:01,000 --> 00:05:04,000 some fucking network calls, you send them over to Madge, 112 00:05:04,000 --> 00:05:07,000 because that's the least you only after that goddamn wine 113 00:05:07,000 --> 00:05:10,000 of bullshit on laying on the couch masturbating 114 00:05:10,000 --> 00:05:12,000 in South Beach, Fias. 115 00:05:12,000 --> 00:05:13,000 Hold on. 116 00:05:13,000 --> 00:05:16,000 Oh, yeah, maybe I was, you know. 117 00:05:16,000 --> 00:05:17,000 So, you'll give a mine number. 118 00:05:17,000 --> 00:05:19,000 That's Madge Weinstein. 119 00:05:19,000 --> 00:05:21,000 The loaded at Mad.com. 120 00:05:21,000 --> 00:05:22,000 That's how. 121 00:05:22,000 --> 00:05:24,000 The loaded at Mad.com. 122 00:05:24,000 --> 00:05:26,000 Send them by way. 123 00:05:26,000 --> 00:05:28,000 I'm funnyer than her anyway. 124 00:05:28,000 --> 00:05:30,000 Well, Madge, you know I love you. 125 00:05:30,000 --> 00:05:31,000 You know you're funny. 126 00:05:31,000 --> 00:05:33,000 I wish you didn't live in fucking Chicago, 127 00:05:33,000 --> 00:05:35,000 so I wouldn't have to stay up until two in the morning 128 00:05:35,000 --> 00:05:36,000 to call you. 129 00:05:36,000 --> 00:05:40,000 Well, Madge, I will certainly do that. 130 00:05:40,000 --> 00:05:45,000 And I'm sure that will really promote Madge Weinstein anyway. 131 00:05:45,000 --> 00:05:48,000 Time for the interview with John Vaughment. 132 00:05:48,000 --> 00:05:50,000 I told you this was going to be a quickie, 133 00:05:50,000 --> 00:05:52,000 but I had to get that little pronouncement 134 00:05:52,000 --> 00:05:53,000 announcement out of the way, 135 00:05:53,000 --> 00:05:56,000 because I'm sure I'm speaking for a lot of podcasts 136 00:05:56,000 --> 00:05:59,000 as when we say, why should she get all the attention? 137 00:05:59,000 --> 00:06:01,000 By the way, when I was at the vlog of Tharn, 138 00:06:01,000 --> 00:06:04,000 I did run into a couple of people that were resentful 139 00:06:04,000 --> 00:06:06,000 of the podcast. 140 00:06:06,000 --> 00:06:08,000 Because I'm like, listen, why are you so against podcast? 141 00:06:08,000 --> 00:06:10,000 And we said, well, it's all about personalities 142 00:06:10,000 --> 00:06:12,000 and it's basically all about Adam Curry. 143 00:06:12,000 --> 00:06:15,000 So, Adam, it's all about Nick. 144 00:06:15,000 --> 00:06:16,000 Show hold on, hold on. 145 00:06:16,000 --> 00:06:18,000 I hear some beages in the background. 146 00:06:18,000 --> 00:06:19,000 Stick an up for me now. 147 00:06:19,000 --> 00:06:20,000 This is getting interesting. 148 00:06:20,000 --> 00:06:21,000 I'll tell you fucking kisses. 149 00:06:21,000 --> 00:06:22,000 Yeah. 150 00:06:22,000 --> 00:06:23,000 Kiss it, baby. 151 00:06:23,000 --> 00:06:24,000 Show. 152 00:06:24,000 --> 00:06:27,000 Faustos taking your side as usual. 153 00:06:27,000 --> 00:06:30,000 And fucking a, of course she's taking my side. 154 00:06:30,000 --> 00:06:33,000 I'm taking your side manager, just not hear what I'm saying. 155 00:06:33,000 --> 00:06:35,000 I don't want to hear what you're saying. 156 00:06:35,000 --> 00:06:37,000 All right, what do you say? 157 00:06:37,000 --> 00:06:39,000 What? 158 00:06:39,000 --> 00:06:40,000 What? 159 00:06:40,000 --> 00:06:41,000 What? 160 00:06:41,000 --> 00:06:42,000 Self-loaded. 161 00:06:42,000 --> 00:06:43,000 Oh, sorry. 162 00:06:43,000 --> 00:06:44,000 It wasn't paying attention. 163 00:06:44,000 --> 00:06:46,000 Like most of their audience, 164 00:06:46,000 --> 00:06:47,000 imagine. 165 00:06:47,000 --> 00:06:49,000 They're probably scanning past this part. 166 00:06:49,000 --> 00:06:50,000 I have to make this point. 167 00:06:50,000 --> 00:06:52,000 It's okay for it to be about personalities 168 00:06:52,000 --> 00:06:54,000 because this is like early cable access. 169 00:06:55,000 --> 00:06:57,000 It's people expressing themselves. 170 00:06:57,000 --> 00:06:58,000 That's a good picture. 171 00:06:58,000 --> 00:06:59,000 That is a good picture. 172 00:06:59,000 --> 00:07:01,000 Well, of course it's about personalities. 173 00:07:01,000 --> 00:07:02,000 Absolutely. 174 00:07:02,000 --> 00:07:05,000 And it's all about Don and Drew and Mad Weinstein. 175 00:07:05,000 --> 00:07:08,000 And, and of course, Dave Weiner and the Daily Source Code. 176 00:07:08,000 --> 00:07:10,000 And yeah, it's all about personalities. 177 00:07:10,000 --> 00:07:12,000 It's about, it's not what blogs are about as well. 178 00:07:12,000 --> 00:07:14,000 It's all about personalities. 179 00:07:14,000 --> 00:07:15,000 Absolutely. 180 00:07:15,000 --> 00:07:18,000 In fact, if there's anything that's the problem with regular radio, 181 00:07:18,000 --> 00:07:22,000 go turn on any fucking radio station, except for a few 182 00:07:22,000 --> 00:07:26,000 personalities who still work that way. 183 00:07:26,000 --> 00:07:28,000 Everything has been homogenized. 184 00:07:28,000 --> 00:07:30,000 You know, sanitized for your protection. 185 00:07:30,000 --> 00:07:34,000 Everyone's sitting up there, clear channel, sitting in the DJ farm. 186 00:07:34,000 --> 00:07:36,000 And it's, you know, and they all have the same name. 187 00:07:36,000 --> 00:07:38,000 It's, you know, all above the love sponge. 188 00:07:38,000 --> 00:07:41,000 And, and hey, it's Gary Brian, everybody. 189 00:07:41,000 --> 00:07:43,000 They all have the same fucking names, 190 00:07:43,000 --> 00:07:46,000 but they're all promoting their station and the corporation they work for. 191 00:07:46,000 --> 00:07:47,000 Not the personality. 192 00:07:47,000 --> 00:07:49,000 So absolutely. 193 00:07:49,000 --> 00:07:54,000 Um, but I'm sure that, you know, exposing the world to this wonderful 194 00:07:54,000 --> 00:07:58,000 banter on yeast radio, yeast radio.com is certainly going to help 195 00:07:58,000 --> 00:08:01,000 Mad Weinstein's personality get more exposure. 196 00:08:01,000 --> 00:08:03,000 No, this is an advertising photographer. 197 00:08:03,000 --> 00:08:06,000 Are you be perfect, by the way, for USA today, Mad? 198 00:08:06,000 --> 00:08:07,000 Absolutely perfect. 199 00:08:07,000 --> 00:08:09,000 I love like I just couldn't sleep. 200 00:08:09,000 --> 00:08:11,000 This will get me an advertising job. 201 00:08:11,000 --> 00:08:13,000 Are you recording this? 202 00:08:13,000 --> 00:08:14,000 Yeah. 203 00:08:14,000 --> 00:08:15,000 Okay. 204 00:08:15,000 --> 00:08:16,000 We're doing a photo shoot channel. 205 00:08:16,000 --> 00:08:19,000 I just want to just say one thing before Fausto but it in, 206 00:08:19,000 --> 00:08:21,000 which is that Mike Kent stinks. 207 00:08:21,000 --> 00:08:23,000 No, um, what was I going to say? 208 00:08:23,000 --> 00:08:25,000 Oh, so whatever. 209 00:08:25,000 --> 00:08:26,000 And no hard feelings. 210 00:08:26,000 --> 00:08:27,000 I'm just joking. 211 00:08:27,000 --> 00:08:28,000 I know. 212 00:08:28,000 --> 00:08:29,000 I have to tell you when I'm joking. 213 00:08:29,000 --> 00:08:30,000 I know. 214 00:08:30,000 --> 00:08:31,000 You take everything. 215 00:08:31,000 --> 00:08:32,000 I do not. 216 00:08:32,000 --> 00:08:33,000 I'm in the hair. 217 00:08:33,000 --> 00:08:34,000 I got to talk to your wife for a second. 218 00:08:34,000 --> 00:08:35,000 She just left to do shopping. 219 00:08:35,000 --> 00:08:36,000 Okay. 220 00:08:36,000 --> 00:08:37,000 I'll, I'll vouch for her. 221 00:08:37,000 --> 00:08:38,000 Go ahead. 222 00:08:38,000 --> 00:08:39,000 What's up? 223 00:08:39,000 --> 00:08:40,000 Why am I talking to you? 224 00:08:40,000 --> 00:08:41,000 This is my podcast. 225 00:08:41,000 --> 00:08:42,000 Why am I talking to Adam Curry? 226 00:08:42,000 --> 00:08:43,000 Am I fucking podcast? 227 00:08:43,000 --> 00:08:45,000 Because you can't get around me, Mad. 228 00:08:45,000 --> 00:08:47,000 Your wife Patricia was kind of a bitch the other day. 229 00:08:47,000 --> 00:08:52,000 When she was saying that she was basically berating you about this haircuts. 230 00:08:52,000 --> 00:08:54,000 Now I have a whole on a second. 231 00:08:54,000 --> 00:08:56,000 I think she feels horrible about the haircut actually. 232 00:08:56,000 --> 00:08:59,000 Because let's just respin the the events here. 233 00:08:59,000 --> 00:09:03,000 She took me over to Sam and Dave's or Tony and Guy. 234 00:09:03,000 --> 00:09:06,000 And normally if she'd been feeling better, 235 00:09:06,000 --> 00:09:08,000 if there wasn't this time gap, 236 00:09:08,000 --> 00:09:10,000 if I didn't have to go, you know, 237 00:09:10,000 --> 00:09:12,000 felt's broadband off of Starbucks, 238 00:09:12,000 --> 00:09:14,000 she would have stayed with me and then we would have been protected. 239 00:09:14,000 --> 00:09:17,000 Because when once I got my glasses off, 240 00:09:17,000 --> 00:09:20,000 and once I'm sitting there with these people who are way to hit for the room, 241 00:09:20,000 --> 00:09:21,000 I get in trouble. 242 00:09:21,000 --> 00:09:22,000 I don't pay attention. 243 00:09:22,000 --> 00:09:23,000 And I couldn't see it. 244 00:09:23,000 --> 00:09:24,000 And it was too late. 245 00:09:24,000 --> 00:09:25,000 So she feels bad. 246 00:09:25,000 --> 00:09:27,000 I don't think she was berating me. 247 00:09:27,000 --> 00:09:28,000 She feels horrible. 248 00:09:28,000 --> 00:09:29,000 I feel horrible. 249 00:09:29,000 --> 00:09:30,000 It's shitty. 250 00:09:30,000 --> 00:09:32,000 And my dear friend, 251 00:09:32,000 --> 00:09:33,000 I'm not going to say his name, 252 00:09:33,000 --> 00:09:35,000 but he used to work for Tony and Guy. 253 00:09:35,000 --> 00:09:36,000 And they're a very good hair salon. 254 00:09:36,000 --> 00:09:37,000 Oh, please. 255 00:09:37,000 --> 00:09:39,000 I'm not saying that they're not. 256 00:09:39,000 --> 00:09:42,000 I think that they're all superstars at Tony and Guy. 257 00:09:42,000 --> 00:09:45,000 You know, everyone wants to be the next Sam and Dave superstar, 258 00:09:45,000 --> 00:09:47,000 and they do whatever they want. 259 00:09:47,000 --> 00:09:49,000 You know, I, what I should do here's something I'll do. 260 00:09:49,000 --> 00:09:52,000 I'll see if I can find the picture that we showed, 261 00:09:52,000 --> 00:09:54,000 and said, here's what I wanted to look like. 262 00:09:54,000 --> 00:09:57,000 And then I'll do a picture of what it turned out as. 263 00:09:57,000 --> 00:10:00,000 And then you tell me if I got my money's worth. 264 00:10:00,000 --> 00:10:02,000 So don't dis them because you're not hip, 265 00:10:02,000 --> 00:10:05,000 and you don't know what's a hip hairstyle. 266 00:10:05,000 --> 00:10:07,000 So I say post the picture, 267 00:10:07,000 --> 00:10:09,000 let's the audience decide, 268 00:10:09,000 --> 00:10:12,000 and particularly let Madge decide if this is a good haircut. 269 00:10:12,000 --> 00:10:13,000 Okay. 270 00:10:13,000 --> 00:10:15,000 Because I think your wife is just being nasty. 271 00:10:15,000 --> 00:10:18,000 She has a reason to feel superior to you. 272 00:10:18,000 --> 00:10:19,000 But she is superior. 273 00:10:19,000 --> 00:10:20,000 But not Madge. 274 00:10:20,000 --> 00:10:22,000 Madge feels that we are equals. 275 00:10:22,000 --> 00:10:26,000 By the way, I got a little secret for you, Madge. 276 00:10:26,000 --> 00:10:28,000 My wife's a lesbian. 277 00:10:28,000 --> 00:10:31,000 No corporate radio crap. 278 00:10:31,000 --> 00:10:33,000 No major labels. 279 00:10:33,000 --> 00:10:38,000 Only the best music you've never heard on the insomnia radio podcast. 280 00:10:39,000 --> 00:10:41,000 How cool is that, eh? 281 00:10:41,000 --> 00:10:43,000 That's a great sweeper. 282 00:10:43,000 --> 00:10:44,000 Let me see. 283 00:10:44,000 --> 00:10:46,000 That was insomnia radio. 284 00:10:46,000 --> 00:10:48,000 I can't remember where this all came from. 285 00:10:48,000 --> 00:10:49,000 I'm looking through my show notes, 286 00:10:49,000 --> 00:10:50,000 and it's already messed up. 287 00:10:50,000 --> 00:10:53,000 Madge completely messed me up there. 288 00:10:53,000 --> 00:10:55,000 I think what I wanted to say about this. 289 00:10:55,000 --> 00:10:57,000 First of all, is that I got this email. 290 00:10:57,000 --> 00:11:00,000 Yeah, this is Jason from insomnia radio. 291 00:11:00,000 --> 00:11:03,000 He says that he's hooked up with, 292 00:11:03,000 --> 00:11:05,000 what is this? 293 00:11:05,000 --> 00:11:09,000 The service, which is called radiodaddy.com. 294 00:11:09,000 --> 00:11:12,000 I've seen other people talk about this before. 295 00:11:12,000 --> 00:11:14,000 It's kind of like a way you can, 296 00:11:14,000 --> 00:11:19,000 a place where you can go swap and get sweepers done. 297 00:11:19,000 --> 00:11:21,000 I guess it's kind of like a database or something. 298 00:11:21,000 --> 00:11:22,000 I should check it out. 299 00:11:22,000 --> 00:11:24,000 Maybe I should go to the website and check it out. 300 00:11:24,000 --> 00:11:27,000 But you can get these really cool professional sweepers done. 301 00:11:27,000 --> 00:11:29,000 And it's kind of like on a barter basis, I guess, 302 00:11:29,000 --> 00:11:30,000 and this radiodaddy.com. 303 00:11:30,000 --> 00:11:33,000 You should check it out, because it's a good resource for podcasters. 304 00:11:33,000 --> 00:11:37,000 Not quite sure what you have to do in return, 305 00:11:37,000 --> 00:11:42,000 if you have no voice, I don't know what you can actually contribute. 306 00:11:42,000 --> 00:11:44,000 Let's check it out, hold on. 307 00:11:44,000 --> 00:11:46,000 Let's stop this insanity. 308 00:11:46,000 --> 00:11:52,000 Let's go to radiodaddy.com. 309 00:11:52,000 --> 00:11:56,000 If you're at home, follow along with me by all means. 310 00:11:56,000 --> 00:12:00,000 Let's see if we can find out together what this is. 311 00:12:00,000 --> 00:12:02,000 Okay, radiodaddy.com. 312 00:12:02,000 --> 00:12:03,000 God, it's great to have bandwidth again, 313 00:12:03,000 --> 00:12:05,000 and actually have stuff coming in when you type. 314 00:12:05,000 --> 00:12:07,000 Size being developed is a free site to allow 315 00:12:07,000 --> 00:12:10,000 to change your voice overs between radio stations worldwide. 316 00:12:10,000 --> 00:12:11,000 Prime is the simple. 317 00:12:11,000 --> 00:12:12,000 Need a voice over recorded. 318 00:12:12,000 --> 00:12:14,000 You come to radiodaddy.com. 319 00:12:14,000 --> 00:12:15,000 Post your request and a member of Courage 320 00:12:15,000 --> 00:12:19,000 of Voiceovers and MP3 upload it back to radiodaddy. 321 00:12:19,000 --> 00:12:21,000 You return to your site, download, blah, blah, blah. 322 00:12:21,000 --> 00:12:23,000 Absolutely free. 323 00:12:23,000 --> 00:12:26,000 All we ask is you do some voice overs for our members as well. 324 00:12:26,000 --> 00:12:28,000 Okay, interesting. 325 00:12:28,000 --> 00:12:30,000 I think I'll donate to that. 326 00:12:30,000 --> 00:12:32,000 I'll do a couple of sweepers for some people. 327 00:12:32,000 --> 00:12:35,000 Okay, let me see. 328 00:12:35,000 --> 00:12:37,000 Got an email here. 329 00:12:37,000 --> 00:12:38,000 What was this? 330 00:12:38,000 --> 00:12:40,000 Oh, this is some indie music. 331 00:12:40,000 --> 00:12:41,000 Shoot. 332 00:12:41,000 --> 00:12:42,000 I'm just going to leave that in the show notes. 333 00:12:42,000 --> 00:12:43,000 You can check that out for yourself. 334 00:12:43,000 --> 00:12:46,000 I already played the promo here. 335 00:12:46,000 --> 00:12:49,000 Okay, bound unto the daily download. 336 00:12:49,000 --> 00:12:51,000 And this is a great podcast. 337 00:12:51,000 --> 00:12:53,000 This is a podcast about poop. 338 00:12:53,000 --> 00:12:57,000 And it's really great. 339 00:12:57,000 --> 00:13:01,000 The host of this podcast does a show from his studio. 340 00:13:01,000 --> 00:13:04,000 What he calls the studio, which is basically his bathroom. 341 00:13:04,000 --> 00:13:07,000 And he had a great guest on this morning. 342 00:13:07,000 --> 00:13:10,000 And I guess he's doing this through Wi-Fi and his laptop 343 00:13:10,000 --> 00:13:12,000 and through Skype. 344 00:13:12,000 --> 00:13:15,000 It was the maker of, 345 00:13:15,000 --> 00:13:19,000 it was a shrink to ring. 346 00:13:19,000 --> 00:13:22,000 The minty fresh feeling. 347 00:13:22,000 --> 00:13:24,000 This is a very interesting product. 348 00:13:24,000 --> 00:13:26,000 Let's just play a little bit of the daily downloads 349 00:13:26,000 --> 00:13:28,000 so you get an idea what this podcast is about. 350 00:13:28,000 --> 00:13:30,000 This is what Christine and I listened to this morning 351 00:13:30,000 --> 00:13:31,000 on the way to school. 352 00:13:31,000 --> 00:13:32,000 Crack this up. 353 00:13:32,000 --> 00:13:33,000 Gather round children. 354 00:13:33,000 --> 00:13:36,000 It's time for the daily download with Chris Rockwell. 355 00:13:44,000 --> 00:13:45,000 Welcome everyone. 356 00:13:45,000 --> 00:13:46,000 This is the daily download. 357 00:13:46,000 --> 00:13:48,000 And I'm your host, Chris Rockwell. 358 00:13:48,000 --> 00:13:51,000 It's January 25th, 2005. 359 00:13:51,000 --> 00:13:54,000 Just one day from when I shoot coffee up my ass. 360 00:13:55,000 --> 00:13:56,000 Oh, joy. 361 00:13:56,000 --> 00:13:58,000 Well, we have a great guest on the show today. 362 00:13:58,000 --> 00:13:59,000 And I have a filling. 363 00:13:59,000 --> 00:14:01,000 It's going to be a long show. 364 00:14:01,000 --> 00:14:03,000 We better get into the studio right now. 365 00:14:03,000 --> 00:14:07,000 Last night for dinner, we had hamburgers and raw spinach. 366 00:14:07,000 --> 00:14:08,000 Hmm. 367 00:14:08,000 --> 00:14:10,000 Seriously, didn't the fucking blast? 368 00:14:10,000 --> 00:14:11,000 I know. 369 00:14:11,000 --> 00:14:13,000 I received some spink terrain in the middle last week. 370 00:14:13,000 --> 00:14:15,000 So let me just talk about this spink terrain. 371 00:14:15,000 --> 00:14:16,000 This is an actual product. 372 00:14:16,000 --> 00:14:19,000 And I want you to listen to the daily download. 373 00:14:19,000 --> 00:14:23,000 I'm, in fact, I'm going to put it into that cast plaster feed 374 00:14:23,000 --> 00:14:26,000 that I've been talking about, which you can subscribe to. 375 00:14:26,000 --> 00:14:29,000 So anything I drop in there, you'll automatically get if you subscribe to that feed. 376 00:14:29,000 --> 00:14:31,000 So I'll drop in a daily download. 377 00:14:31,000 --> 00:14:38,000 Because here is a podcast actually promoting a product which can only really work in this realm. 378 00:14:38,000 --> 00:14:40,000 I mean, sure on the on the web as well. 379 00:14:40,000 --> 00:14:43,000 But this is a series of business. 380 00:14:43,000 --> 00:14:44,000 I'm going to load down on this product. 381 00:14:44,000 --> 00:14:47,000 So I've invited the inventor to come on the show to answer some questions. 382 00:14:47,000 --> 00:14:49,000 I'm joined now with Bruce last. 383 00:14:49,000 --> 00:14:51,000 Wow, that sounded like an edit right there. 384 00:14:51,000 --> 00:14:53,000 There is spink terrain. 385 00:14:53,000 --> 00:14:54,000 Welcome to the show. 386 00:14:54,000 --> 00:14:56,000 Hey man, how's it going? 387 00:14:56,000 --> 00:15:02,000 You know, if you want to like get on the inner circle, I like to be for it to as a Thomas Edison of ass. 388 00:15:02,000 --> 00:15:03,000 Thomas Edison. 389 00:15:03,000 --> 00:15:08,000 This whole show is filled with ass and poop references at one point. 390 00:15:08,000 --> 00:15:11,000 Question is, you know, so what is the target audience for the, 391 00:15:11,000 --> 00:15:13,000 I should find find that home outside. 392 00:15:13,000 --> 00:15:18,000 But right now, we have a, you can move or get in deep. 393 00:15:18,000 --> 00:15:20,000 You know, when I was squatting, 394 00:15:21,000 --> 00:15:23,000 and of course, let's see if I can find it. 395 00:15:23,000 --> 00:15:26,000 195 Gs for a common. 396 00:15:26,000 --> 00:15:28,000 And you can. 397 00:15:28,000 --> 00:15:29,000 Great. 398 00:15:29,000 --> 00:15:30,000 Wow. 399 00:15:30,000 --> 00:15:31,000 Yeah, it's a big demographic. 400 00:15:31,000 --> 00:15:32,000 So, you know, here it is. 401 00:15:32,000 --> 00:15:35,000 There's got to be a product that could address this situation. 402 00:15:35,000 --> 00:15:39,000 And that's when I went into the lab and I developed spink terrain. 403 00:15:39,000 --> 00:15:40,000 Wow. 404 00:15:40,000 --> 00:15:41,000 I think I'm one second. 405 00:15:41,000 --> 00:15:43,000 I need to push a little bit. 406 00:15:43,000 --> 00:15:45,000 All right. 407 00:15:45,000 --> 00:15:46,000 This whole world. 408 00:15:46,000 --> 00:15:48,000 No problem. 409 00:15:48,000 --> 00:15:51,000 Is there a demographic for citrus? 410 00:15:51,000 --> 00:15:52,000 Who uses that? 411 00:15:52,000 --> 00:15:53,000 Yeah. 412 00:15:53,000 --> 00:15:57,000 My demographic for the product is anybody with an ass. 413 00:15:57,000 --> 00:16:00,000 I love it. 414 00:16:00,000 --> 00:16:02,000 MindyFresh.com. 415 00:16:02,000 --> 00:16:04,000 And the daily download you can find it. 416 00:16:04,000 --> 00:16:07,000 And I put it on not org in the podcast directory. 417 00:16:07,000 --> 00:16:11,000 And of course, I'll post a link to this in the show notes. 418 00:16:11,000 --> 00:16:13,000 He's a Dutch band called Tracker. 419 00:16:13,000 --> 00:16:16,000 Brand new podcast music on the source code. 420 00:16:18,750 --> 00:19:31,250 [ Music ] 421 00:19:33,000 --> 00:19:48,000 We'll be there until we're free. 422 00:19:48,000 --> 00:20:03,000 We'll be there until we're free. 423 00:20:03,000 --> 00:20:18,000 We'll be there until we're free. 424 00:20:18,000 --> 00:20:38,000 We'll be there until we're free. 425 00:20:38,000 --> 00:21:03,000 We'll be there until we're free. 426 00:21:03,000 --> 00:21:31,000 We'll be there until we're free. 427 00:21:31,000 --> 00:21:56,000 We'll be there until we're free. 428 00:21:56,000 --> 00:22:21,000 We'll be there until we're free. 429 00:22:21,000 --> 00:22:46,000 We'll be there until we're free. 430 00:22:46,000 --> 00:23:11,000 We'll be there until we're free. 431 00:23:11,000 --> 00:23:39,000 We'll be there until we're free. 432 00:23:39,000 --> 00:24:04,000 We'll be there until we're free. 433 00:24:04,000 --> 00:24:29,000 We'll be there until we're free. 434 00:24:29,000 --> 00:24:54,000 We'll be there until we're free. 435 00:24:54,000 --> 00:25:22,000 We'll be there until we're free. 436 00:25:22,000 --> 00:25:47,000 We'll be there until we're free. 437 00:25:47,000 --> 00:26:13,000 We'll be there until we're free. 438 00:26:13,000 --> 00:26:38,000 We'll be there until we're free. 439 00:26:38,000 --> 00:27:03,000 We'll be there until we're free. 440 00:27:03,000 --> 00:27:31,000 We'll be there until we're free. 441 00:27:33,000 --> 00:28:01,000 We'll be there until we're free. 442 00:28:03,000 --> 00:28:18,000 We'll be there until we're free. 443 00:28:18,000 --> 00:28:46,000 We'll be there until we're free. 444 00:28:48,000 --> 00:29:13,000 We'll be there until we're free. 445 00:29:13,000 --> 00:29:38,000 We'll be there until we're free. 446 00:29:43,000 --> 00:30:09,000 We'll be there until we're free. 447 00:30:13,000 --> 00:30:41,000 We'll be there until we're free. 448 00:30:43,000 --> 00:31:08,000 We'll be there until we're free. 449 00:31:13,000 --> 00:31:38,000 We'll be there until we're free. 450 00:31:43,000 --> 00:32:08,000 We'll be there until we're free. 451 00:32:13,000 --> 00:32:38,000 We'll be there until we're free. 452 00:32:38,000 --> 00:33:03,000 We'll be there until we're free. 453 00:33:08,000 --> 00:33:34,000 We'll be there until we're free. 454 00:33:38,000 --> 00:34:06,000 We'll be there until we're free. 455 00:34:08,000 --> 00:34:33,000 We'll be there until we're free. 456 00:34:38,000 --> 00:35:04,000 We'll be there until we're free. 457 00:35:08,000 --> 00:35:33,000 We'll be there until we're free. 458 00:35:33,000 --> 00:35:58,000 We'll be there until we're free. 459 00:36:03,000 --> 00:36:28,000 We'll be there until we're free. 460 00:36:33,000 --> 00:36:58,000 We'll be there until we're free. 461 00:36:58,000 --> 00:37:23,000 We'll be there until we're free. 462 00:37:23,000 --> 00:37:48,000 We'll be there until we're free. 463 00:37:48,000 --> 00:38:13,000 We'll be there until we're free. 464 00:38:13,000 --> 00:38:41,000 We'll be there until we're free. 465 00:38:41,000 --> 00:39:09,000 We'll be there until we're free. 466 00:39:11,250 --> 00:41:21,250 [ Music ] 467 00:41:28,750 --> 00:41:59,000 [ Music ] 468 00:41:59,000 --> 00:42:27,000 We'll be there until we're free. 469 00:42:27,000 --> 00:42:55,000 We'll be there until we're free. 470 00:42:57,000 --> 00:43:22,000 We'll be there until we're free. 471 00:43:22,000 --> 00:43:48,000 We'll be there until we're free. 472 00:43:52,000 --> 00:44:18,000 We'll be there until we're free.