1 00:00:00,000 --> 00:00:03,500 Daily source code, two, two, two, two, 2 00:00:03,500 --> 00:00:05,000 two thousand five transmitters. 3 00:00:05,000 --> 00:00:09,000 We don't need no stinkin' transmitters. 4 00:00:09,000 --> 00:00:13,000 Get ready for the generation of rockin' roll. 5 00:00:13,000 --> 00:00:16,000 Fantastic! It's Adam Curry. 6 00:00:16,000 --> 00:00:18,000 And it is Wednesday, officially, 7 00:00:18,000 --> 00:00:20,000 it's the second of February. 8 00:00:20,000 --> 00:00:22,000 The power of New York, New York, New York. 9 00:00:22,000 --> 00:00:24,000 Of course, yes, they are. I thought it was Wednesday, right? 10 00:00:24,000 --> 00:00:26,000 Hey, everybody, how you doing? Welcome to the hum day edition 11 00:00:26,000 --> 00:00:28,000 of the Daily Source Code. 12 00:00:28,000 --> 00:00:30,000 So, coming to you from the Curry Cottage, I'm alone once again. 13 00:00:30,000 --> 00:00:35,000 No camera crews, no journalists, no damn, no nothing. 14 00:00:35,000 --> 00:00:37,000 Just you and me, I pod listener. 15 00:00:37,000 --> 00:00:40,000 It's your source code. 16 00:00:40,000 --> 00:00:42,000 The power of New York, New York, New York, New York. 17 00:00:42,000 --> 00:00:44,000 It's the second of February, 2005, 18 00:00:44,000 --> 00:00:46,000 on the show today, some pod safe music. 19 00:00:46,000 --> 00:00:48,000 Update of the Blue Man group. 20 00:00:48,000 --> 00:00:52,000 Got some promos, including some of some pod safe music. 21 00:00:52,000 --> 00:00:56,000 Talk about some technical things. 22 00:00:56,000 --> 00:01:01,000 Like pod cast production consoles. 23 00:01:01,000 --> 00:01:05,000 An idea for a reality television show you can steal from me. 24 00:01:05,000 --> 00:01:08,000 Oh, and we have some trivia, yeah, that's right. 25 00:01:08,000 --> 00:01:12,000 I missed it yesterday somehow, but Young Plet got a new trivia test 26 00:01:12,000 --> 00:01:14,000 in there, so stay tuned for that. 27 00:01:14,000 --> 00:01:18,000 All that and more, in the next 40 minutes on your Daily Source Code. 28 00:01:18,000 --> 00:01:22,000 The power of New York, New York, New York, New York, New York. 29 00:01:22,000 --> 00:01:26,000 Got a second, just take a stick here at the coffee. 30 00:01:26,000 --> 00:01:27,000 Hmm. 31 00:01:27,000 --> 00:01:30,000 Actually, it wasn't completely prepared as I wanted to be. 32 00:01:30,000 --> 00:01:33,000 Normally, I got my smoke here as well, but on the second, I made it. 33 00:01:33,000 --> 00:01:36,000 I could just grab that for a moment, don't go away. 34 00:01:36,000 --> 00:01:38,000 Actually, you can come up with me now. 35 00:01:38,000 --> 00:01:40,000 Carry the mic. 36 00:01:40,000 --> 00:01:41,000 You know what? 37 00:01:41,000 --> 00:01:43,000 I needed a pair of wireless headphones. 38 00:01:43,000 --> 00:01:56,000 That's the last step of the podcast equipment that I'm looking for. 39 00:01:56,000 --> 00:01:58,000 And he's a pair of wireless headphones. 40 00:01:58,000 --> 00:02:00,000 We're going to pair those send hisers. 41 00:02:00,000 --> 00:02:05,000 Although, I think they're on IR and not on just a regular radio frequency 42 00:02:05,000 --> 00:02:07,000 because I've got the wireless mics. 43 00:02:07,000 --> 00:02:09,000 Actually, this is not the wireless mic. 44 00:02:09,000 --> 00:02:11,000 It's my sure mic, but I've got a really long cable. 45 00:02:12,000 --> 00:02:15,000 So I can walk all over the place, but then I can't hear the music. 46 00:02:15,000 --> 00:02:17,000 I can't hear the mix or I actually need like a. 47 00:02:17,000 --> 00:02:21,000 Well, maybe I just make my, my, my power book portable. 48 00:02:21,000 --> 00:02:24,000 Maybe I had some kind of straps like later hosin. 49 00:02:24,000 --> 00:02:26,000 Suspenders. 50 00:02:26,000 --> 00:02:28,000 So I go walk around with it. 51 00:02:28,000 --> 00:02:32,000 So I'll have the microphone and the headphones with me at all times. 52 00:02:32,000 --> 00:02:33,000 Hey, it could happen. 53 00:02:33,000 --> 00:02:35,000 So for the past, what is it now? 54 00:02:35,000 --> 00:02:40,000 Is it almost two weeks that we've been playing different versions of you don't own me? 55 00:02:40,000 --> 00:02:42,000 Let me see what we've had so far. 56 00:02:42,000 --> 00:02:45,000 We've had the bitties, of course, list of these bitties. 57 00:02:45,000 --> 00:02:47,000 We've had Leslie Gore. 58 00:02:47,000 --> 00:02:49,000 We've had Rasputin out. 59 00:02:49,000 --> 00:02:51,000 Yesterday, we had a shoot. 60 00:02:51,000 --> 00:02:53,000 What was the name of that? 61 00:02:53,000 --> 00:02:55,000 I should get yesterday's show notes up here. 62 00:02:55,000 --> 00:02:56,000 Hold on a second. 63 00:02:56,000 --> 00:02:58,000 I haven't had them close by. 64 00:02:58,000 --> 00:03:01,000 It's 120 in the afternoon, by the way. 65 00:03:01,000 --> 00:03:05,000 Just so you know, it doesn't really matter because you may be listening to this in the morning. 66 00:03:05,000 --> 00:03:08,000 You may be listening to this in the afternoon or in the evening. 67 00:03:09,000 --> 00:03:10,000 Let me see. 68 00:03:10,000 --> 00:03:11,000 I don't know. 69 00:03:11,000 --> 00:03:12,000 Oh, here it is. 70 00:03:12,000 --> 00:03:13,000 You don't owe me. 71 00:03:13,000 --> 00:03:14,000 Yes, there was by. 72 00:03:14,000 --> 00:03:15,000 Oh, clouds, no me. 73 00:03:15,000 --> 00:03:16,000 That's right. 74 00:03:16,000 --> 00:03:17,000 And Michael Butler. 75 00:03:17,000 --> 00:03:20,000 We all know and love him from the Rock and World Geek Show. 76 00:03:20,000 --> 00:03:24,000 It sent me, and actually it's kind of cool because it's cool when you see a familiar name 77 00:03:24,000 --> 00:03:28,000 show up in the in the Gmail account that I'm using for MP3 files. 78 00:03:28,000 --> 00:03:31,000 It's MP3 feedback at gmail.com. 79 00:03:31,000 --> 00:03:37,000 Michael Butler from the Rock and World Geek Show sent me a Joan jet in the black hearts version, which is kick ass. 80 00:03:37,000 --> 00:03:40,000 You don't owe me on the source code. 81 00:03:41,250 --> 00:06:11,250 [ Music ] 82 00:06:14,000 --> 00:06:22,000 Don't tell me what you want. 83 00:06:22,000 --> 00:06:26,000 Don't tell me what you want. 84 00:06:26,000 --> 00:06:31,000 Don't tell me what you want. 85 00:06:31,000 --> 00:06:35,000 Don't tell me what you want. 86 00:06:35,000 --> 00:06:38,000 Don't tell me what you want. 87 00:06:38,000 --> 00:06:42,000 Don't tell me what you want. 88 00:06:42,000 --> 00:06:48,000 Don't tell me what you want. 89 00:06:48,000 --> 00:06:52,000 Don't tell me what you want. 90 00:06:52,000 --> 00:06:57,000 Don't tell me what you want. 91 00:06:57,000 --> 00:07:00,000 Don't tell me what you want. 92 00:07:00,000 --> 00:07:03,000 Don't tell me what you want. 93 00:07:03,000 --> 00:07:05,000 Don't tell me what you want. 94 00:07:05,000 --> 00:07:08,000 Don't tell me what you want. 95 00:07:08,000 --> 00:07:11,000 Don't tell me what you want. 96 00:07:11,000 --> 00:07:14,000 Don't tell me what you want. 97 00:07:14,000 --> 00:07:17,000 Don't tell me what you want. 98 00:07:17,000 --> 00:07:20,000 Don't tell me what you want. 99 00:07:20,000 --> 00:07:23,000 Don't tell me what you want. 100 00:07:23,000 --> 00:07:26,000 Don't tell me what you want. 101 00:07:26,000 --> 00:07:29,000 Don't tell me what you want. 102 00:07:29,000 --> 00:07:32,000 Don't tell me what you want. 103 00:07:32,000 --> 00:07:34,000 Don't tell me what you want. 104 00:07:34,000 --> 00:07:37,000 Don't tell me what you want. 105 00:07:37,000 --> 00:07:40,000 Don't tell me what you want. 106 00:07:40,000 --> 00:07:43,000 Don't tell me what you want. 107 00:07:43,000 --> 00:07:46,000 Don't tell me what you want. 108 00:07:46,000 --> 00:07:48,000 Don't tell me what you want. 109 00:07:48,000 --> 00:07:50,000 Don't tell me what you want. 110 00:07:50,000 --> 00:07:52,000 Don't tell me what you want. 111 00:07:52,000 --> 00:07:55,000 Don't tell me what you want. 112 00:07:55,000 --> 00:07:57,000 Don't tell me what you want. 113 00:07:57,000 --> 00:07:59,000 Don't tell me what you want. 114 00:07:59,000 --> 00:08:01,000 Don't tell me what you want. 115 00:08:01,000 --> 00:08:03,000 Don't tell me what you want. 116 00:08:03,000 --> 00:08:06,000 Don't tell me what you want. 117 00:08:06,000 --> 00:08:09,000 Don't tell me what you want. 118 00:08:10,000 --> 00:08:15,000 I remember the big San Francisco earthquake earthquake. 119 00:08:15,000 --> 00:08:19,000 Right here at that birds singing outside. 120 00:08:19,000 --> 00:08:22,000 See what God is playing outside. 121 00:08:22,000 --> 00:08:25,000 That's very day when the earthquake took place. 122 00:08:25,000 --> 00:08:30,000 Patricia was actually doing some backing vocals on Johnny's album. 123 00:08:30,000 --> 00:08:33,000 Was that an emergency moment on the wall here? 124 00:08:33,000 --> 00:08:34,000 Or was it up your alley? 125 00:08:34,000 --> 00:08:35,000 That's right. 126 00:08:35,000 --> 00:08:37,000 Which wasn't an huge success, 127 00:08:37,000 --> 00:08:41,800 thing. Well, that's relative, right? I have a platinum album on the wall for a million 128 00:08:41,800 --> 00:08:49,480 sold. I guess it was pretty good. But so Steve said that you know everything's going great 129 00:08:49,480 --> 00:08:53,880 with him and it was fun to talk to Steve because as we found out he is actually doing some 130 00:08:53,880 --> 00:08:59,800 consulting now for a serious satellite radio and so of course I got to dig in and ask him 131 00:08:59,800 --> 00:09:03,240 some questions. Some of which I can't talk about because I promised I wouldn't because you know 132 00:09:03,240 --> 00:09:08,120 hey he has some kind of confidentiality confidentiality going on there. But I can't tell you 133 00:09:08,120 --> 00:09:13,560 have you talked to Stern because he certainly went back in the day when I was at MTV he would 134 00:09:13,560 --> 00:09:18,440 talk to Howard Stern a frequently. He says yeah I want him two times but he mainly talks with Gary 135 00:09:18,440 --> 00:09:25,720 Delabate. Better known as it. Baba Bowie. And I said oh man we need to get Stern in on this podcast 136 00:09:25,720 --> 00:09:29,880 and he said now he'll never do it because he just won't give it away for free. I think the words 137 00:09:29,960 --> 00:09:35,080 were he's a commercial fucker. I can't blame him I guess. But something interesting Steve 138 00:09:35,080 --> 00:09:39,720 did tell me because we were talking about well first I said hey dude did you put that deal together 139 00:09:39,720 --> 00:09:47,800 with Nina Blackwood Allen Hunter and Mark Goodman on like the 70s and 80s. Now the 80s channel 140 00:09:47,800 --> 00:09:52,440 on serious and he said no actually that that deal had already been put to bed before he got there 141 00:09:53,000 --> 00:09:59,400 but I said yeah so what are their channels or are expected he says well no channels because 142 00:09:59,400 --> 00:10:07,160 basically we're out of bandwidth. I was like whoa that's interesting. In fact it's gotten so here's 143 00:10:07,160 --> 00:10:13,000 how it works the government has apparently allocated by the FCC then has allocated x amount of 144 00:10:13,000 --> 00:10:18,120 spectrum there's that word which means you know frequencies in the air that you can't see touch 145 00:10:18,200 --> 00:10:25,080 taste or feel or hear for that reason not without a receiver and they yeah that's like bandwidth 146 00:10:25,080 --> 00:10:29,640 it's like you know so you have x number of megabits per second to use in fact I think it is 147 00:10:29,640 --> 00:10:37,640 measured in megabits per second satellite bandwidth. Excuse me and they filled it up so they 148 00:10:37,640 --> 00:10:42,120 had really they don't have any more channels left in fact to make more room the all talk channels 149 00:10:42,120 --> 00:10:48,600 are now being broadcast in mono so even though it's really cool and they have quite a future ahead 150 00:10:48,600 --> 00:10:54,200 of them it's interesting because they can't really add more channels whereas in podcasting hey 151 00:10:55,480 --> 00:11:01,080 we don't need those stinking trans meters. So that's good to talk this Steve and look forward to 152 00:11:01,080 --> 00:11:06,040 hooking up with him in New York hopefully I'll see him because I'm trying to get to New York around 153 00:11:06,040 --> 00:11:14,680 the 16th or at least for the for the Bitties cast launch on the 16th in in Wave I Yorker and 154 00:11:14,680 --> 00:11:19,400 oh yeah one other thing Steve said he was doing or he had he had done some some work at Virgin 155 00:11:19,400 --> 00:11:23,080 Records and of course then then you say oh so what talent were you working with he said oh 156 00:11:23,080 --> 00:11:28,840 Courtney love I said oh dude that's a podcast he said you bitch yeah so he's gonna tell us all about 157 00:11:28,840 --> 00:11:33,720 the nightmares he had with Courtney love if I get a hold of him in New York in the next couple of 158 00:11:34,600 --> 00:11:39,320 played the blue man group a couple days for you with that awesome version of I feel love 159 00:11:40,200 --> 00:11:44,600 got an email about that from Sebastian Adam greetings for Germany let me tell you about the podcast 160 00:11:44,600 --> 00:11:51,160 but wow what do you say here um okay it was on the 31st right you played a track from the blue man group 161 00:11:51,160 --> 00:11:55,400 with vocals from Venus hum that track is actually from the complex rock tour live 162 00:11:56,120 --> 00:12:02,840 it's a DVD he provides a URL so you can get that link from the show notes for today an awesome DVD 163 00:12:02,920 --> 00:12:07,320 music on it is awesome it's not the normal show or the program that you see in Las Vegas but 164 00:12:07,320 --> 00:12:14,760 it's a special rock tour which the blue man group did and it apparently well the theater program kicks 165 00:12:14,760 --> 00:12:19,400 ass but he says that the DVD is something you have to see the the rock show was perhaps even a 166 00:12:19,400 --> 00:12:25,240 little bit better so I guess we still need to go to Vegas and check that out because man that has that 167 00:12:25,240 --> 00:12:41,320 track kick but that's where I belong hold on let me hear that okay okay 168 00:12:41,400 --> 00:12:47,160 tape for all that and only all high where we go all the world why well oh dude start over making 169 00:12:47,160 --> 00:12:59,160 sure the net never gets predictable it's a modify it was a sound you tried out the new 170 00:12:59,160 --> 00:13:05,800 MSN search pretty interesting something really irritating that I found about the MSN search is 171 00:13:05,880 --> 00:13:12,040 when you when you live in a like in any country it basically searches under your country first 172 00:13:14,600 --> 00:13:20,840 which because Dave Warner said that he was the number one Dave on on the new search and had the 173 00:13:20,840 --> 00:13:25,800 number one RSS result and I and I clicked on the links that he provided and I got whole different 174 00:13:25,800 --> 00:13:31,720 results like whoa but then I noticed that no matter what I did I tried forcing the dot com you know 175 00:13:31,720 --> 00:13:37,000 as search dot MSN dot com and it kept going to dot code dot UK and yeah you can change it to 176 00:13:37,000 --> 00:13:41,400 the location to be the United States but I really want to be able to search the whole internet or 177 00:13:41,400 --> 00:13:51,320 all the internet as our president would say and I finally got a tip from Simon Simon's bait 178 00:13:51,320 --> 00:13:59,240 spiked something like that Simon who gave me the URL which you need to use it's well it's in the 179 00:13:59,240 --> 00:14:06,120 show notes search dot MSN dot com then it's like slash question mark no reader it equals one 180 00:14:07,320 --> 00:14:11,720 you just have to copy that from the show notes but essentially what it does is it lets you search 181 00:14:11,720 --> 00:14:16,840 the whole internet at the same time it sets your cookie so the next time you go to search dot 182 00:14:16,840 --> 00:14:21,800 MSN dot com it won't just redirect you to your own country version so that's something that I 183 00:14:21,800 --> 00:14:26,360 consider a bug really I mean why what I only I like the idea that you can say search locally 184 00:14:26,360 --> 00:14:32,440 because that is a button on the MSN search page but the default search should be the entire 185 00:14:32,440 --> 00:14:36,120 internet I mean there's there's absolutely no reason why I should whether default should go to the 186 00:14:36,120 --> 00:14:44,680 country that you're in so that's a solid guess hey I'm just a quick dot here I know 187 00:14:44,680 --> 00:14:52,040 one of your shows you were talking about having mp3 devices kind of like Linux on the iPod 188 00:14:52,600 --> 00:14:57,240 just have it display your show notes and one of the things I just wanted to make a comment what some 189 00:14:57,240 --> 00:15:05,640 newer mp3 players out of the box automatically support the displaying of song lyrics and those are 190 00:15:05,640 --> 00:15:12,680 just notes encoded with a timestamp and well it's not exactly the kind of thing you're looking for 191 00:15:12,680 --> 00:15:18,520 it might be a good first step to putting show notes that synchronize with the mp3 playback at a certain 192 00:15:18,520 --> 00:15:25,720 time you can have the show notes appear on the display of the mp3 device and I'll include a copy 193 00:15:25,720 --> 00:15:31,160 of that so you can see what the format of that is like but it's just an interesting side development 194 00:15:31,960 --> 00:15:36,600 just something I noticed some of the new portable mp3 players that are coming out in the market 195 00:15:37,240 --> 00:15:41,400 take care love the show yeah dude thank you very much I think this is actually really exciting I 196 00:15:42,040 --> 00:15:45,400 for the past couple of weeks I don't know if anyone noticed that at all but if you look at the 197 00:15:45,400 --> 00:15:51,320 daily source code file if you look at the ID3 tags I have been pasting the show notes into the 198 00:15:51,320 --> 00:15:57,000 lyrics field so of course that's not doing anything because apparently there's some special type 199 00:15:57,000 --> 00:16:02,520 of encoding that you need to use for the lyrics file but if I understand this correctly then there are 200 00:16:03,960 --> 00:16:10,120 some mp3 players that understand this particular file format and I don't know if it has to be 201 00:16:10,600 --> 00:16:16,120 encoded in the ID3 tags or if it's a separate file that needs to be picked up but apparently there's 202 00:16:16,120 --> 00:16:22,360 some kind of synchronizing that you can do so that if you say okay I want this particular lyric 203 00:16:22,360 --> 00:16:28,200 to show up at this particular time code that it will show up in the display of the mp3 player so 204 00:16:28,200 --> 00:16:34,760 this could be really interesting the email that that he sent me was so long I didn't post that 205 00:16:34,760 --> 00:16:38,840 into the show notes I'm looking for links looking looking for pointers looking for people who are 206 00:16:38,920 --> 00:16:43,560 experimenting with this because it's could be extremely cool and the question of course is does 207 00:16:43,560 --> 00:16:48,280 this work with the iPod does it work with the iRiver I mean I know nothing about this this is 208 00:16:48,280 --> 00:16:53,960 pretty new to me so let's work on this and see if we can figure out what what these lyrics are 209 00:16:53,960 --> 00:17:01,080 if we can use lyrics or use show notes in lieu of lyrics in our podcast very cool appreciate the 210 00:17:01,080 --> 00:17:09,880 feedback promise that update you on my progress with windows as I of course installed that for 211 00:17:09,880 --> 00:17:16,760 Christina downstairs so yesterday and by the way I love the fact that that I've installed windows 212 00:17:16,760 --> 00:17:21,320 for her because I'm pretty much the and I'm sure most people know this is like you know if if you 213 00:17:21,320 --> 00:17:26,120 know anything about computers and the increments then you pretty much become the default go to 214 00:17:26,120 --> 00:17:31,320 guy for your friends and family and whenever the computer's not working you know which can range from 215 00:17:31,320 --> 00:17:38,600 it's not plugged into something very complex you get the call right and sometimes it's sometimes 216 00:17:38,600 --> 00:17:46,200 it's like trying to help the flight attendant land the 747 from the control tower especially if 217 00:17:46,200 --> 00:17:51,560 you're helping people troubleshoot over the phone and I told Christina I said look the support I 218 00:17:51,560 --> 00:17:57,160 give you on fixing your computer issues is going to be less because I don't know very much about 219 00:17:57,160 --> 00:18:03,000 windows and quite honestly a lot of windows shit is mystery to me so she had a problem she has a 220 00:18:03,000 --> 00:18:08,520 vanilla site the land of the young and the hopeless dot com which is her good Charlotte 221 00:18:08,520 --> 00:18:17,240 vanilla site and vanilla site of course is it's a great weblog tool only it does want to see 222 00:18:17,320 --> 00:18:22,680 the refer coming from your browser and I've seen this error before and I thought it was usually 223 00:18:22,680 --> 00:18:29,400 something that had to be fixed inside vanilla itself when it says who couldn't find a refer or 224 00:18:29,400 --> 00:18:34,280 couldn't match the refer whatever it is so we can't post or we can't edit this particular page 225 00:18:34,280 --> 00:18:39,240 that you requested so I'm like oh man it's of course she comes to me and she says oh it's not working 226 00:18:39,240 --> 00:18:43,800 can't update and so the first thing I say is well it's windows so you know there you go I don't know 227 00:18:43,800 --> 00:18:48,200 if I can help you but it's pretty proud of myself because I figured it out first I copied and pasted 228 00:18:48,200 --> 00:18:53,560 the actual error message into Google I should try pasting it into MSN search actually see what comes 229 00:18:53,560 --> 00:19:00,680 up there and of course it turns out or one of the one of the results that I got was from a 230 00:19:00,680 --> 00:19:05,480 usual and hosted site that says well basically your browser is not passing off the refer information 231 00:19:06,040 --> 00:19:11,320 and it had a link down there to something called norton internet security which I had seen 232 00:19:11,400 --> 00:19:18,440 automatically installed when I when I installed the whole computer for her and indeed there is a 233 00:19:18,440 --> 00:19:22,920 security setting it's very down pretty deep it was very confusing to find but there's a browser 234 00:19:22,920 --> 00:19:27,480 security setting which doesn't really tell you what it does or doesn't send but apparently it's 235 00:19:27,480 --> 00:19:33,240 not going to be sending the refer so I unselected that and lo and behold it started working so 236 00:19:33,960 --> 00:19:38,040 well very cool I got to tell you man windows it's still a deep fucking hole 237 00:19:38,920 --> 00:19:42,600 I had on my name's christian stout and I just want to leave you a comment on your 238 00:19:42,600 --> 00:19:48,440 two most recent podcasts good to hear that you moved over to the windows world it's nice to 239 00:19:48,440 --> 00:19:57,640 see a hardcore Mac fan enjoy the the the thrills of windows of course yes indeed christian thrilling 240 00:19:57,640 --> 00:20:03,320 it is we all know that the Mac was built on better architecture really we want to tell people 241 00:20:03,320 --> 00:20:09,240 that will be about the hard drive you might want to actually go into system tools oh this is a 242 00:20:09,240 --> 00:20:14,200 me talking about the the windows hard drive making such a freaking ride to start programs accessories 243 00:20:14,200 --> 00:20:18,760 and bring up the disc defragment her and run that it might quiet it down a little bit 244 00:20:19,560 --> 00:20:25,080 also I'd go to windows update dot microsoft dot com yeah i did that do the update if you haven't 245 00:20:25,080 --> 00:20:29,880 now it it it it came through automatically you know get these pop up saying you have to download 246 00:20:29,880 --> 00:20:34,920 18 megabytes of stuff to update so make sure you turn on your automatic update yeah it's a 247 00:20:34,920 --> 00:20:40,120 you know I didn't hear about the section of your podcast where it was skipping but I do I did catch 248 00:20:40,120 --> 00:20:44,920 the comment about from the person about running off the dual hard drives okay just to make clear 249 00:20:44,920 --> 00:20:51,560 now this is going back to the Mac where I was having problems playing back huge AIFF files 250 00:20:51,560 --> 00:20:57,880 and recording a new one at the same time on the same disc suggestion came in to record the podcast 251 00:20:57,960 --> 00:21:04,120 on an external drive for instance fire wire and use everything else off of the internal drive 252 00:21:04,120 --> 00:21:09,240 that could work um you probably don't have to if you've got a powerful enough system but you need 253 00:21:09,240 --> 00:21:14,520 to consider how hard drives work and that when you're reading a file it's in one location when 254 00:21:14,520 --> 00:21:20,120 you're writing it it's in another location even though drive spin fast and access time is pretty fast 255 00:21:20,120 --> 00:21:24,680 nowadays you're still having to look at how big your files were and you're probably moving 256 00:21:24,680 --> 00:21:28,840 working that little hard drive you know head really hard bouncing all over the places it's trying 257 00:21:28,840 --> 00:21:35,080 to do two things it wants right you probably you could maybe fix some things by increasing your ram 258 00:21:35,080 --> 00:21:40,920 I'm not sure what your broadcasting off of but it would not hurt to double that if it's only 259 00:21:40,920 --> 00:21:46,760 like a gaker so that would definitely give you more available ram to pull in files as well as store 260 00:21:47,160 --> 00:21:54,280 your files before you even write them. Additionally you could probably go into the program you're 261 00:21:54,360 --> 00:21:59,800 using and bump up the ram that it uses so I'll try that or you could just I don't think 262 00:21:59,800 --> 00:22:05,160 that actually works can you do that on OS OS X now on OS 10 sorry is that possible keep the files 263 00:22:05,160 --> 00:22:09,640 smaller and not try to read and by the way I like saying OS X lots of people send me comments and 264 00:22:09,640 --> 00:22:16,840 say it's OS 10 not OS X OS 9 was the operating system before but it's OS X it's easier it's nicer 265 00:22:16,920 --> 00:22:24,360 sexier OS X and a 600 meg file lastly in the mind the magazines I was reading I get a bunch 266 00:22:24,360 --> 00:22:30,760 every week you know information overload sucks anyways it's called TV technology this is the February 267 00:22:30,760 --> 00:22:37,560 second issue in 2005 and on page 28 of Frank Beach and talks about podcasting and you know you're 268 00:22:37,560 --> 00:22:42,040 in the news everywhere and I didn't know if you knew about this one but there might be some of your 269 00:22:42,040 --> 00:22:46,680 listeners that read this magazine and if they don't they might want to pick it up it talks about 270 00:22:46,680 --> 00:22:53,320 everything we've called heard about as well as the video feature possible of this and who knows 271 00:22:53,320 --> 00:22:59,400 where else casting might go anyway I enjoy your podcast and just want to let you know now that you are 272 00:22:59,400 --> 00:23:04,040 in the windows world I definitely asked that you give my podcast to listen it's something I added to 273 00:23:04,040 --> 00:23:09,880 a website I've been running for a little bit that deals with the home network hopefully one day soon 274 00:23:10,200 --> 00:23:14,280 I'll get my Mac many and I'll be able to start supporting Macs but it talks about everything 275 00:23:15,160 --> 00:23:19,240 that's going to deal with your home network and environment and how to keep yourself secure 276 00:23:19,240 --> 00:23:24,280 manage it etc it's called home network help dot info all right and I would really like you to 277 00:23:24,280 --> 00:23:28,600 give it a listen and give me some of your great feedback I will do thank you very much Chris and 278 00:23:28,600 --> 00:23:33,880 appreciate the technical info there I understood just about every single bit of it a little bit 279 00:23:33,880 --> 00:23:39,240 of confusion there because I'm still recording the podcast on the on the Mac side but I'm 280 00:23:39,240 --> 00:23:44,200 exploring windows exploring when you hear me talk about buying a windows laptop that's when you 281 00:23:44,200 --> 00:23:55,880 really got to get worried oh yes hello Adam Curry hello and the listeners of the daily source 282 00:23:55,880 --> 00:24:02,440 code hello this is Michael Randall here from Cambridge podcast Cambridge podcast dot log spot dot 283 00:24:02,440 --> 00:24:07,960 com you know it was only last week I was sitting in the drawing room and wondering is there a 284 00:24:07,960 --> 00:24:13,800 way to help music in this university town this historic little aisle of ours and I think there is 285 00:24:14,360 --> 00:24:19,320 I think there is now with the Cambridge podcast our aim is to play the best and independent music 286 00:24:19,320 --> 00:24:24,360 that hasn't been heard before that hasn't been given a chance to be played and I think we've done 287 00:24:25,000 --> 00:24:31,560 and if you want to support us why not come on down hey haha yes I thought say at Cambridge podcast 288 00:24:31,560 --> 00:24:35,880 dot log spot dot com but not always this is eccentric most of the time we just play some 289 00:24:35,880 --> 00:24:40,440 darn good tunes and I hope you enjoy the show and at Cambridge podcast I don't miss a little 290 00:24:40,440 --> 00:24:45,640 shoot thank you very much so this is the podcast that is doing a podcast about local bands 291 00:24:45,640 --> 00:24:51,560 local to the school in this case Cambridge University and in their show notes they provide not only 292 00:24:51,640 --> 00:24:56,840 links to the songs but also where the bands are performing in the neighborhood so it's a very 293 00:24:58,040 --> 00:25:03,960 geographic community based type of podcast and send me a couple samples this is one of my 294 00:25:03,960 --> 00:25:11,400 liked bad well ash it's take as heard on the Cambridge podcast and today on the daily source code 295 00:25:13,750 --> 00:27:41,250 [ Music ] 296 00:27:48,680 --> 00:27:58,360 Cambridge podcast let me see oh yeah he's what I want to talk about audio hijack pro if you're 297 00:27:58,360 --> 00:28:02,520 a Mac user and you're in the podcast that you've probably noticed me talking about this before 298 00:28:02,520 --> 00:28:08,200 this is the program that I actually use to record my podcast and I think we've talked about 299 00:28:08,200 --> 00:28:15,320 the setup a couple times before what the way I'm using audio hijack pro by the way is not exactly 300 00:28:15,400 --> 00:28:22,120 the way the makers of the program intended it and I've been you know trying to get some attention 301 00:28:22,120 --> 00:28:26,920 for a long time actually had an email conversation a couple months ago with one of the guys 302 00:28:26,920 --> 00:28:31,640 from audio hijack pro it's only four guys I think and I saw blog post yesterday which I pointed 303 00:28:31,640 --> 00:28:37,560 to from curry dot com where Quentin one of the founders says hey you know what do we need to do 304 00:28:37,560 --> 00:28:44,920 to make this software better for podcasts and just looking at you know what they really intend 305 00:28:44,920 --> 00:28:49,320 they're software to do I can kind of understand what the confusion is coming from because what 306 00:28:49,320 --> 00:28:56,920 their marketing audio hijack pro mainly for is that you can record audio from any application which is 307 00:28:56,920 --> 00:29:03,400 of course where the name comes from audio hijack pro and you can also set them up on timers 308 00:29:03,400 --> 00:29:11,480 so you could basically say please start up my real player and fire up a URL which could be an 309 00:29:11,480 --> 00:29:18,920 NPR program if you will and record that either you know this day or every every time weekdays 310 00:29:18,920 --> 00:29:23,240 and you can set all these recording schedules up is pretty sophisticated and of course that is very 311 00:29:23,240 --> 00:29:29,320 much like an iPodder only it's a functionality of an iPodder but not really doing it the same way 312 00:29:30,200 --> 00:29:39,080 nor is it actually grabbing MP3 files oh not just got a Skype request from Michael Butler of course 313 00:29:39,560 --> 00:29:48,040 approve you dude you crazy there you go you know so but that would be like kind of like an iPodder 314 00:29:48,040 --> 00:29:54,520 for existing existing radio streams or if there's some other application you wanted to hijack the 315 00:29:54,520 --> 00:30:01,800 audio from at a set time the way I've been using it is is almost backwards what I've been doing is 316 00:30:01,800 --> 00:30:09,000 I've been hijacking my audio input and running that through all their great filters and plug-in 317 00:30:09,000 --> 00:30:15,480 et cetera and adding to that just basic you know sound out from from my Mac there's a couple of 318 00:30:15,480 --> 00:30:22,200 reasons and it's it's actually two technical to go into in a verbal explanation I think a couple 319 00:30:22,200 --> 00:30:27,400 of reasons why it's not really easy to use and a couple why it is very easy to use but I man I'm 320 00:30:27,400 --> 00:30:32,280 really looking forward to a dialogue with these guys and I don't know maybe we have to just draw 321 00:30:32,280 --> 00:30:37,480 diagrams and stuff to explain what we need but essentially they've got all the bits in there you know 322 00:30:37,480 --> 00:30:43,960 what records that does your ID three tags you can plug in audio the only thing that's a problem 323 00:30:43,960 --> 00:30:50,120 is well actually I'm using it backwards let me let me try and explain so typically let's say you play 324 00:30:50,120 --> 00:30:54,280 everything like your sweepers and your jingles and if you play any other audio except a microphone 325 00:30:55,160 --> 00:31:00,120 then you let's say I use quick time to play that so you would hijack quick time right and then 326 00:31:00,120 --> 00:31:08,360 this is voiceover plug-in which actually lets you add and add in a microphone that's why it's 327 00:31:08,360 --> 00:31:13,400 called voiceover and it can even do what they call auto ducking so if you start to talk it'll 328 00:31:13,400 --> 00:31:17,480 bring down the music automatically if you stop talking to bring it up again automatically 329 00:31:17,480 --> 00:31:22,600 I've tried this several times and it really works very well except it doesn't work 330 00:31:23,320 --> 00:31:28,680 and the program will not hijack audio if there's not an actual audio stream coming out of 331 00:31:28,680 --> 00:31:37,400 the application you've hijacked so let me try and explain so if I'm hijacking quick time it will 332 00:31:38,280 --> 00:31:44,040 it will only actually record if there's audio coming out of quick time I've tried this before and the 333 00:31:44,040 --> 00:31:49,960 solution that came up with was to have like a really long track running on a loop that had just a 334 00:31:49,960 --> 00:31:55,560 little bit of noise barely audible but just enough to kick audio hijack pro into record mode 335 00:31:56,520 --> 00:32:04,520 so actually that work pretty well but you know if actually every single time the loop would restart 336 00:32:04,520 --> 00:32:10,520 then the recording would just stop for like a miller second and it would throw off the latency 337 00:32:10,520 --> 00:32:18,040 and it'd become really complicated oh it's actually a phone call I gotta take tell you what 338 00:32:18,040 --> 00:32:25,560 hold on a sec how much do you hate that huh sorry that was the bank I just got yeah you 339 00:32:25,560 --> 00:32:29,080 don't want to hear my conversation well you do want to hear my kind of conversation with the bank 340 00:32:29,080 --> 00:32:34,680 probably but you're not gunna okay that's just the way it is uh let's see we're back at audio hijack 341 00:32:34,680 --> 00:32:39,560 pro I don't know where the where the hell I was I guess I kind of explained it but anyway 342 00:32:41,400 --> 00:32:45,400 I think there's a big disconnect between what the podcasters are looking for at least the 343 00:32:45,400 --> 00:32:51,480 ones that are using a Macintosh and what audio hijack pro is doing because they are almost an 344 00:32:51,480 --> 00:32:56,520 iPod or client as I explained where really we want to use their stuff as a production console so 345 00:32:57,880 --> 00:33:01,800 I'm going to keep working on that and it's just a we need a better way to describe it and I don't know 346 00:33:01,800 --> 00:33:07,880 if I can do that in in written words and maybe someone can help out let's see if we can get together 347 00:33:07,880 --> 00:33:13,400 with these guys quite and certainly seems to to be interested in getting stuff going and I love 348 00:33:13,480 --> 00:33:17,800 this company I love their products so let's see if we can work something out just a quick thing I 349 00:33:17,800 --> 00:33:26,520 want to mention I noticed this the other day I'm a I'm a horrible typist and I wonder I know 350 00:33:26,520 --> 00:33:34,440 in the states usually typing lessons are a part of grade school I don't know if it's extra 351 00:33:34,520 --> 00:33:46,120 curricular activity or and what have you but I never had typing lessons I'd just kind of taught 352 00:33:46,120 --> 00:33:52,600 myself then I type with I don't know one just maybe five fingers four and a half fingers something 353 00:33:52,600 --> 00:33:59,640 like that but I have to look at the keyboard so I'm I guess I'm not I can't blind type and I was 354 00:33:59,640 --> 00:34:05,000 wondering if anyone else you know has this and if there's a way to transition off of looking 355 00:34:05,000 --> 00:34:09,400 I mean I can do it if I type I pretty much know where all the keys are and I do pretty well I still 356 00:34:09,400 --> 00:34:16,520 have to glance down but you know I am just not a blind typist and if you have any is there of course 357 00:34:16,520 --> 00:34:22,760 that you know that can unlearn all these horrible you know typing methods that I have which of course 358 00:34:22,760 --> 00:34:29,320 are you know the shit it's no good let's see if if we can if we can improve that and let me 359 00:34:29,320 --> 00:34:33,560 know what kind of type you are you like a hunt and you know peck and peck and hit type of person 360 00:34:33,560 --> 00:34:38,200 or are you a complete blind typist you know I don't necessarily want to go through some computer 361 00:34:38,200 --> 00:34:42,760 program that's going to take me back to square one is there a shortcut to get from pecking 362 00:34:42,760 --> 00:34:48,200 at the keyboard but using you know really being able to to go pretty quickly it's just that I 363 00:34:48,200 --> 00:34:52,200 can't look at the screen at the same time anyway you get the idea so let me know what you find 364 00:34:52,200 --> 00:34:57,400 out okay 365 00:34:57,400 --> 00:35:01,800 huh I'm y'all pull it here with yet another hit test it's good time so I could not reach 366 00:35:01,800 --> 00:35:06,440 just making another one for you know it works your tracks lined up for you and here is number one 367 00:35:06,440 --> 00:35:11,160 there we go oh human league don't you want me easy one 368 00:35:15,800 --> 00:35:19,160 don't tell me gonna make it too easy for me now you got to be a challenge buddy 369 00:35:22,200 --> 00:35:31,000 yeah and this is number two 370 00:35:31,000 --> 00:35:33,480 the tears for fears everybody wants to rule the world 371 00:35:33,480 --> 00:35:39,000 ah come on I love the processing on this by the way it sounds so hard 372 00:35:41,560 --> 00:35:43,640 well done to your 373 00:35:44,600 --> 00:35:51,080 all right number three number three 374 00:35:55,080 --> 00:36:00,040 uh I love your smile um shenis shenis 375 00:36:00,040 --> 00:36:03,640 cherries shenis I think it's shenis 376 00:36:04,760 --> 00:36:08,920 yeah as I love your smile I like your smile I love your smile 377 00:36:08,920 --> 00:36:12,920 all right number four 378 00:36:14,200 --> 00:36:16,600 I made this test a little bit easier for you to 379 00:36:16,600 --> 00:36:17,800 oh there is no number four 380 00:36:17,800 --> 00:36:19,400 get some of them right 381 00:36:19,400 --> 00:36:21,240 okay and just this was number one 382 00:36:21,240 --> 00:36:24,040 okay don't you want me yeah human league 383 00:36:24,040 --> 00:36:27,880 we got one right 384 00:36:28,840 --> 00:36:43,880 and this was number two 385 00:36:43,880 --> 00:36:47,400 tears for fears everybody wants to rule the world 386 00:36:47,400 --> 00:36:51,560 by the way another favorite of tears for fears is shout 387 00:36:51,560 --> 00:36:54,200 that's the song you got to play in the car when you're sleeping 388 00:36:54,280 --> 00:36:57,960 shout shout let it all out 389 00:36:57,960 --> 00:37:00,040 and number three 390 00:37:00,040 --> 00:37:04,040 and the final one you're not allowed to have this one 391 00:37:04,040 --> 00:37:06,440 wrong you really had to have it right 392 00:37:06,440 --> 00:37:08,440 or really listen to what I mean 393 00:37:08,440 --> 00:37:10,440 for yourself to see one hundred I'm out of 394 00:37:10,440 --> 00:37:13,320 theory from MTV in the middle of thirty minutes of continuous 395 00:37:13,320 --> 00:37:16,680 commercial free music some time before six o'clock today 396 00:37:16,680 --> 00:37:19,320 I'll let you take a stab at guessing the identity of secret 397 00:37:19,320 --> 00:37:23,560 standards number my car New York's best in music first now from a young lady who made 398 00:37:23,560 --> 00:37:27,640 her first record age twelve show but over now we do like that 399 00:37:27,640 --> 00:37:31,640 her name shenese I love your smile the song and it's on W 400 00:37:31,640 --> 00:37:33,640 H T Z 401 00:37:35,480 --> 00:37:37,080 oh man that's cool 402 00:37:38,120 --> 00:37:40,680 where the hell did you get that 403 00:37:41,480 --> 00:37:43,480 awesome 404 00:37:46,280 --> 00:37:48,680 I'm sorry about the poor Sean quality but I just couldn't 405 00:37:48,680 --> 00:37:53,320 reach his to let Adam from the fast give the right answer 406 00:37:53,400 --> 00:37:55,320 I hope you don't mind 407 00:37:55,960 --> 00:37:57,960 okay that's it 408 00:37:58,360 --> 00:38:00,120 see you next time all the hit test 409 00:38:00,120 --> 00:38:01,400 love it 410 00:38:01,400 --> 00:38:03,400 love the hit test 411 00:38:03,960 --> 00:38:08,600 oh man that was crazy that was an air check from Z100 I guess that was uh 412 00:38:08,600 --> 00:38:11,480 was that eighty nine nine no it must have been later than that 413 00:38:11,480 --> 00:38:14,280 this is Z100 secret Santa oh my god 414 00:38:14,280 --> 00:38:16,360 there I was pushing line of cards 415 00:38:16,360 --> 00:38:19,240 reading it just hitting the button really easy 416 00:38:19,240 --> 00:38:22,680 cool very very cool thank you you and I love your hit test and I think 417 00:38:22,760 --> 00:38:26,520 actually um did I miss one yesterday or did I play it 418 00:38:26,520 --> 00:38:30,600 or let me see I have a hit test number two I thought I played this one maybe I 419 00:38:30,600 --> 00:38:34,360 didn't let's if if I played this one well let's see what it is let me 420 00:38:34,360 --> 00:38:34,760 let me just 421 00:38:34,760 --> 00:38:38,520 one girl in casting with Adam 422 00:38:38,520 --> 00:38:42,280 hey Adam this is a young boy with this week's hit test again three 423 00:38:42,280 --> 00:38:44,680 tracks next to the first one 424 00:38:45,960 --> 00:38:50,840 oh I guess no that we did do that one that was Tom Jones right okay we did do that one 425 00:38:50,920 --> 00:38:54,120 all right anyway young love them love them to death man keep 426 00:38:54,120 --> 00:38:58,040 them coming for sure last night I was watching uh celebrity 427 00:38:58,040 --> 00:39:02,520 fit club here in the UK which is a weight loss reality show 428 00:39:02,520 --> 00:39:07,560 it's really quite good actually um uh it's just one of those shows that's kind of 429 00:39:07,560 --> 00:39:12,360 addictive to watch and you know they go through uh exercise and eating but 430 00:39:12,360 --> 00:39:16,680 also um there's some psychological aspects to it and there's some 431 00:39:16,680 --> 00:39:20,360 regression uh hypnotic therapy whatever and I was 432 00:39:20,360 --> 00:39:23,000 watching it last night and I said the Patricia said you know what's coming next 433 00:39:23,000 --> 00:39:28,200 what is unavoidable uh it's going to be the celebrity stop smoking show 434 00:39:28,200 --> 00:39:31,640 and I think it actually would be a very good reality based show I mean we say 435 00:39:31,640 --> 00:39:34,920 reality but of course television has no right anymore to the use of word 436 00:39:34,920 --> 00:39:39,080 reality um but I think it would be cool imagine having you know a couple of 437 00:39:39,080 --> 00:39:43,400 celebs and you follow them around and you know of course you want to try and 438 00:39:43,400 --> 00:39:47,080 catch them sneak into smoke and you got to have all kinds of test built in you know 439 00:39:47,080 --> 00:39:50,520 where I also get a pop quiz and we have to smell your breath and 440 00:39:50,520 --> 00:39:53,240 I don't know if there's other ways to check if someone's been smoking you know 441 00:39:53,240 --> 00:39:56,680 nicotine check basically but that could be really cool just to watch how people 442 00:39:56,680 --> 00:40:01,240 go fucking crazy when they can't smoke so it's a free idea go ahead use it 443 00:40:01,240 --> 00:40:05,080 abuse it it's about to happen and besides uh it probably being something 444 00:40:05,080 --> 00:40:09,640 a lot of people would watch um uh you could probably get it subsidized by the 445 00:40:09,640 --> 00:40:14,600 government uh just a thought finally for today's source code is we're just a little bit 446 00:40:14,680 --> 00:40:19,640 over a 40 40 minute mark I'm gonna play one more song for you um I was introduced to 447 00:40:21,800 --> 00:40:27,960 a group called Clare Fader and the Vaude villains by uh Leon from the from the 448 00:40:27,960 --> 00:40:33,160 the city's bitties um and I've been listening to a couple of their tunes of course the site 449 00:40:33,160 --> 00:40:38,840 is listed in the uh in the show notes for today's podcast uh but hadn't really done anything 450 00:40:38,840 --> 00:40:42,120 with a yet cause I was still kind of you know trying to figure out which track I want to play 451 00:40:42,120 --> 00:40:48,680 and and uh it's a very uh interesting type of music and then yesterday I got an email 452 00:40:48,680 --> 00:40:54,280 from Mary Kay Elkins uh I'm gonna read a little bit of this because it it really caught my eye and you 453 00:40:54,280 --> 00:40:58,840 know and this and this really worked uh hi out of my girlfriend Leon Westover turned me on 454 00:40:58,840 --> 00:41:03,400 your podcast my friend and former co-worker Adam Howell spoke over the cube to me back in 455 00:41:03,400 --> 00:41:14,280 November about podcast blah blah blah blah where was it where was the good part um how shoot 456 00:41:15,880 --> 00:41:22,440 she plays okay so she plays the cello in what she calls the new generation cabaret band called 457 00:41:22,440 --> 00:41:28,840 Clare Fader and the Vaude villains if you like the idea of music which includes girl on cello action 458 00:41:28,920 --> 00:41:35,560 I'll repeat that if you like the idea of music which includes girl on cello action you love us 459 00:41:38,600 --> 00:41:44,520 oh my goodness yes I do like girl on cello action did I say that recently that um 460 00:41:45,800 --> 00:41:50,680 that girls playing cellos are basically hot and I think I got turned on to this first one 461 00:41:50,680 --> 00:41:56,520 what's your name from CNN she used to be on a CBS oh shoot now I was gonna room I thought I 462 00:41:56,600 --> 00:42:02,600 didn't have to write it down Paul is on that's it actually I have an autograph picture of Paul is on she 463 00:42:02,600 --> 00:42:09,400 once said no I was on uh I was on her show at one point she interviewed me when I was at MTV 464 00:42:10,440 --> 00:42:16,440 and and she plays cello and I told her I said oh Paul I gotta let you know that 465 00:42:17,320 --> 00:42:22,360 girl's who played cello really sexy it really turns me on and she signed this picture which of 466 00:42:22,440 --> 00:42:28,680 course I can't find anywhere just some like you know some half sexy note there saying oh yeah I'll 467 00:42:28,680 --> 00:42:37,240 play cello for you anytime bad boy and so Mary Kay Mary Kay Alkins sent off a couple of different 468 00:42:37,240 --> 00:42:46,920 clips from her from Clare Fader and the Vaude villains see uh and actually she's listed a couple of 469 00:42:46,920 --> 00:42:49,800 I don't know I should take this out of the show notes I don't know if I can actually put these 470 00:42:49,880 --> 00:42:58,120 URLs in there or I'll have to ask if I can I don't I don't know if I can list all of these but 471 00:42:58,120 --> 00:43:02,360 anyway she sent me links to a couple of different ones and like with comments like listen to me 472 00:43:02,360 --> 00:43:10,280 shred my solo on the Isle of Summer with the symphony so anyway I did get into this totally dig 473 00:43:10,280 --> 00:43:15,480 a lot of the tunes that you guys are making love the girl on cello action and chose the 474 00:43:15,560 --> 00:43:21,400 Martha Stewart rock and roll version of a song that did well just Martha Stewart rock and roll it's uh it's 475 00:43:21,400 --> 00:43:26,600 called Betty Crocker's bail listen to the lyrics you'll get it but also please pay attention to that 476 00:43:27,560 --> 00:43:29,560 girl on cello action 477 00:43:40,120 --> 00:43:51,160 Mrs. Betty Crocker is going to jail but chocolate brownie cake mix is looking mighty 478 00:43:51,160 --> 00:45:23,750 [ Music ] 479 00:45:24,920 --> 00:45:28,920 what you're going to do 480 00:45:29,480 --> 00:45:36,280 girl band has been telling on you what you're going to do what you're going to do make a 481 00:45:38,750 --> 00:46:43,750 [ Music ] 482 00:46:47,160 --> 00:46:51,480 well hot girl on chillow action coming to you thanks to Claire Fader in the 483 00:46:51,480 --> 00:46:55,640 vault villains and Betty Crocker's bail and that's it for the source code for today 484 00:46:55,640 --> 00:46:58,680 it's Wednesday the second February 2005 485 00:47:01,080 --> 00:47:04,840 has always thanks for all feedback give me give me if you got any freeze to send 486 00:47:04,840 --> 00:47:11,480 which could be promos pots if tunes comment whatever it's MP3 feedback at gmail.com 487 00:47:12,520 --> 00:47:18,200 my regular email address adam of curry.com and of course the daily source code.com for the current episode 488 00:47:18,200 --> 00:47:27,960 all the archives and for the podcast feed. www.curry.com is the weblog 489 00:47:28,760 --> 00:47:33,080 I guess it's time to end the show because my computer's freaking out all right everybody I'll 490 00:47:33,080 --> 00:47:38,520 see you tomorrow for the Thursday this is the daily source code take care bye bye