1 00:00:00,000 --> 00:00:04,120 Daily source code February 8th 2005. 2 00:00:04,120 --> 00:00:08,640 Transmeters? We don't need no stinking transmeters. 3 00:00:08,640 --> 00:00:11,680 Autastic! It's Adam Curry. 4 00:00:11,680 --> 00:00:14,600 Hey everybody, how you doing? It's Tuesday, February 8th. 5 00:00:14,600 --> 00:00:16,800 The power of the door. 6 00:00:16,800 --> 00:00:21,680 Once again, coming you from Curry Cottage, it is the Daily Source Code. 7 00:00:21,680 --> 00:00:24,840 Well man, I've got some stuff lined up for you today. 8 00:00:24,840 --> 00:00:29,560 I could not be happier about a couple of bits of news that I received today through email. 9 00:00:29,800 --> 00:00:34,360 Time here in the UK and Gulford is 1224. 10 00:00:37,880 --> 00:00:41,080 Once again, I'm back in the big green oversized ugly chair. 11 00:00:41,080 --> 00:00:43,560 I've got everything all set up. 12 00:00:43,560 --> 00:00:51,880 I actually have my second mic standing my just in case Patricia decides to come in and give me some shit about yesterday's hit test on. 13 00:00:51,880 --> 00:00:59,240 Man! Thank you very much for all the great emails that I've received about not even recognizing one of my wife's biggest hit 14 00:00:59,240 --> 00:01:07,560 songs. I figured out what the problem is right away. It was 1981 and I was either in between doing pirate radio broadcasts 15 00:01:07,560 --> 00:01:12,840 or I think I might have been in college for that lost semester in West Virginia. 16 00:01:16,440 --> 00:01:22,120 Okay, coming up today we have some technology stuff to talk about about iPodder and about 17 00:01:23,080 --> 00:01:31,960 a podcast recording tool, have some pod save music and also some not so pod save music. 18 00:01:31,960 --> 00:01:40,040 Why you might wonder why why well it was brought to my attention today and then I'm so excited about this. 19 00:01:40,040 --> 00:01:46,360 Oops. That was me bringing up Firefox. It was brought to my attention today 20 00:01:46,680 --> 00:01:56,840 that ASCAP which of course is the American Society of Composer's author and publishers have 21 00:01:58,840 --> 00:02:09,400 put out a license for podcasts. Yes, this is apparently was effective as of January 1st. I'm not sure when this 22 00:02:09,400 --> 00:02:13,560 license agreement came out. Of course, a link to the license agreement you can find in the 23 00:02:13,560 --> 00:02:18,120 show notes for today. I'm going to read you a couple of parts of this because I'm just so excited to see 24 00:02:18,120 --> 00:02:23,640 a word that didn't even exist barely half a year ago. Now show up in legal documents and 25 00:02:23,640 --> 00:02:30,280 good legal documents, not the kind that say we're suing your ass. Here it is. The ASCAP 26 00:02:30,280 --> 00:02:37,080 experimental license agreement for internet sites and services released 5.0 was designed for sites and 27 00:02:37,080 --> 00:02:44,360 services that perform ASCAP music in a non interactive manner. What does that mean? You might ask. 28 00:02:44,360 --> 00:02:50,360 Well, non interactive means that users cannot select individual songs or posted songs, 29 00:02:50,360 --> 00:02:56,600 song collections unless the performance is not more than 60 seconds in duration. So first of all, 30 00:02:56,600 --> 00:03:02,360 if you play anything for instance, young poet with his with his hit test would be less than 60 seconds. 31 00:03:02,360 --> 00:03:06,680 Although I think the answer sometimes it goes a little bit longer than that. But he would not have to 32 00:03:06,680 --> 00:03:10,840 pay a license. Okay, almost second. I'm going to have to sit with my T here because we're going to 33 00:03:10,840 --> 00:03:16,920 talk about this for just a couple of minutes. This is exciting shit. Okay, examples of non interactive 34 00:03:16,920 --> 00:03:25,480 music, that music uses that qualify for release 5.0 include. Here comes music that is embedded 35 00:03:25,480 --> 00:03:31,960 on one or more pages of a site or service such as a flash intro. Okay, that makes sense. By the way, 36 00:03:31,960 --> 00:03:35,320 you know, if you have a podcast and you're using an opening theme song like you just heard my 37 00:03:35,400 --> 00:03:40,520 rock money enough. Now, rock money enough. I don't think I think the copyright is pretty much 38 00:03:40,520 --> 00:03:45,080 inspired on the rock money enough. But it's a remix, right? So someone else performs a music and 39 00:03:45,080 --> 00:03:51,560 if they're an ask cap member, they deserve to get paid for it. Second, webcasts of live performances 40 00:03:52,440 --> 00:03:59,240 and here comes. Here's the one. Radio broadcasts or podcasts. Now, they hi-finated podcast. I'm 41 00:03:59,240 --> 00:04:04,280 not quite sure why, but I'll just read that again. Radio broadcasts or podcasts that do not 42 00:04:04,920 --> 00:04:12,440 offer a playlist program guide and do not make advanced lists of the songs contained in the programs 43 00:04:12,440 --> 00:04:19,000 available prior to their transmission. And finally, song samples are excerpts that are not 44 00:04:19,000 --> 00:04:25,800 more than 60 seconds in duration. So if I reread this one piece, okay? Radio broadcasts or podcasts. 45 00:04:25,800 --> 00:04:33,400 I love seeing this show up on the ask cap site that do not offer a playlist program guide and do 46 00:04:33,400 --> 00:04:38,600 not make advanced lists of the songs contained in the programs available prior to their 47 00:04:38,600 --> 00:04:46,680 transmission. So I think what that means is show notes can't contain the title or any 48 00:04:46,680 --> 00:04:51,880 information about the ask cap song, which is kind of makes it, I understand what they're doing 49 00:04:51,880 --> 00:04:58,840 this. So I guess you can't search it and then apparently pull out that one particular piece of music, 50 00:04:59,160 --> 00:05:04,600 would be quite an interesting technological feat actually if you could do that with a podcast. 51 00:05:04,600 --> 00:05:08,920 I think, yeah, I guess technically it is possible if you had the time codes and everything you 52 00:05:08,920 --> 00:05:13,000 might be able to suck it out, but that's I think that's kind of a technicality, but okay, 53 00:05:13,000 --> 00:05:16,520 so that means you would not be able to list the songs in your show notes. And of course, 54 00:05:16,520 --> 00:05:20,920 you have to pay some money. Now, this is where it broke down for me because I immediately was like, 55 00:05:20,920 --> 00:05:26,280 whoa, give me the license. Let me see what's going on. I downloaded the non-interactive 5.0 56 00:05:26,280 --> 00:05:33,480 license agreement. Hello lawyers. I know that you listened to the show. I've received many 57 00:05:33,480 --> 00:05:37,720 an email from you and had conversations. Some of you, my friends, some of you aren't. Some of you 58 00:05:37,720 --> 00:05:44,360 were my friends before you lit a gate on the other side. We need some help from lawyer. Hold on, 59 00:05:44,360 --> 00:05:51,240 what's that? That's the neighbor. What is he doing? Is he sharpening his throwing knives? 60 00:05:51,560 --> 00:05:57,640 Hmm, lawyers. Yes, I know that lawyers listen to the daily source code. Please help me out, 61 00:05:57,640 --> 00:06:03,480 help me understand what this license is. As far as I can tell, if you have no revenue on your show, 62 00:06:03,480 --> 00:06:07,160 that means you have no sponsoring or advertising, no money coming in based upon the show, 63 00:06:07,160 --> 00:06:14,760 you pay $250 a year and that's it. You can play any ASCAP license music on your podcast. 64 00:06:15,320 --> 00:06:20,840 If you do make money, then you have to pay a percentage of revenue and that's where we've got 65 00:06:20,840 --> 00:06:26,520 really complicated. They have like three different schedules and examples and my eyes fucking glazed over 66 00:06:26,520 --> 00:06:31,080 when I saw that shit. So they're far from understanding what we need as podcasts, which is just a 67 00:06:31,080 --> 00:06:37,240 fairly simple license. If you're a lawyer, please, I really, I would appreciate so much if you could 68 00:06:38,040 --> 00:06:41,800 look through this document. Again, it's linked from the show notes. I think it is legal actually 69 00:06:41,800 --> 00:06:48,520 to point to the license from your show notes and see if you can figure it out. What does it mean? 70 00:06:48,520 --> 00:06:58,120 What exactly do we have to do? And I'll say right off the bat that I think I saw like 15% so if I 71 00:06:58,120 --> 00:07:05,640 understand just in general terms, if I say I make $100 a month in advertising on my podcast, 72 00:07:05,640 --> 00:07:11,000 I would have to pay $15 to ASCAP if I played music. Now the question is, if I just have an opening 73 00:07:11,000 --> 00:07:16,040 tune, which presumably would be more than 60 seconds, of course, that's your way out, right? 74 00:07:16,040 --> 00:07:20,200 If you do it list less than 60 seconds. Or if you play maybe one song of the day, 75 00:07:21,480 --> 00:07:25,800 do you still have to pay the full amount? I mean, the scheduling, as they call it, the schedule 76 00:07:25,800 --> 00:07:31,000 of how you pay for this performance ride is just fucking complicated, you know, and I'm not a lawyer 77 00:07:31,000 --> 00:07:36,600 and I plead all lawyers who are listening, please help us out. And as easily as possible, 78 00:07:36,600 --> 00:07:43,320 please record this in MP3, send it to MP3feedback at gmail.com. So we can all understand and we can do 79 00:07:43,320 --> 00:07:49,160 this in a fair and safe manner because wow, you know, I'm not looking forward to playing Britney Spears 80 00:07:49,160 --> 00:07:53,720 or anything like that, but I totally would love to share some memories of old tunes with you guys. 81 00:07:53,720 --> 00:07:57,080 And I know that you would love to do it as well. And I think it would be really, really good for 82 00:07:57,080 --> 00:08:02,040 podcasting. It would be great for artists who have big back catalogs who are selling them 83 00:08:03,000 --> 00:08:09,000 through their own website, for instance. It could just be really, really good for the music industry in general. 84 00:08:09,000 --> 00:08:14,360 And, you know, the terms are, of course, debatable, but the fact that it's shown up now, 85 00:08:15,640 --> 00:08:24,040 hold on. Oh, yes. The fact that it's shown up as, as podcasts on a license just is such 86 00:08:24,040 --> 00:08:29,000 such good news. I'm incredibly happy about this. So today I'm going to be playing a couple of 87 00:08:29,160 --> 00:08:35,320 what we would deem non-pod-safe tunes. And I'm just going to think that it won't be a problem 88 00:08:35,320 --> 00:08:40,600 for me to, you know, add this on to whatever payment I'm going to make. Because of course, I'm 89 00:08:40,600 --> 00:08:47,480 going to pay the $250, right? So as of today, I'll just consider myself licensed, 90 00:08:48,280 --> 00:08:53,960 licensed, armed, and licensed is what I think. And it's good because I was talking the past two shows 91 00:08:54,040 --> 00:09:00,040 I've been talking about Michael Jackson and how I believe that he's being framed in this particular 92 00:09:00,040 --> 00:09:07,640 case. I've met this man a couple of times. He comes across this very polite, although freaky individual, 93 00:09:07,640 --> 00:09:13,000 but, you know, what's normal? I'm normal sitting here, smoking, drinking, yapping into a microphone. 94 00:09:13,000 --> 00:09:17,480 And it's just whatever you consider normal. But I think he's totally being framed and what's worse. 95 00:09:17,640 --> 00:09:24,840 What's much worse is that we're completely forgetting about the musical profit that Michael Jackson 96 00:09:24,840 --> 00:09:32,120 is. He said something really interesting on that Haraldo interview on Fox News. He said, 97 00:09:32,120 --> 00:09:37,400 I think Haraldo said, well, you know, these days it's hip hop, it's rap, it's, you know, there's all kinds 98 00:09:37,400 --> 00:09:42,600 of different musical styles. And you're still kind of what Haraldo was basically saying he was 99 00:09:42,600 --> 00:09:46,120 being nice about it. He was saying, you're kind of still stuck in the 80s and 90s, Michael. 100 00:09:46,200 --> 00:09:49,560 You know, you haven't really upgraded your sound or whatever. And Michael said, 101 00:09:49,560 --> 00:09:55,880 you know, Haraldo, cultural change, style will change, fashion will change, but music stays the same. 102 00:09:55,880 --> 00:10:01,720 The songs always remain. And that's kind of the theme of today's podcast, but I also want to 103 00:10:01,720 --> 00:10:06,360 make sure that we don't forget the musical genius that Michael Jackson is. So let's kick it off 104 00:10:06,360 --> 00:10:12,440 today with Don't Stop till you get enough. This is your daily source code for February 8, 2005. 105 00:10:12,440 --> 00:10:14,680 You ready? Crank it off. 106 00:10:18,750 --> 00:11:23,750 [ Music ] 107 00:11:31,250 --> 00:14:56,440 [ Music ] 108 00:14:56,440 --> 00:15:10,440 Just rise in the air. 109 00:15:10,440 --> 00:15:12,440 Just rise in the air. 110 00:15:40,440 --> 00:15:42,440 Just rise in the air. 111 00:16:10,440 --> 00:16:12,440 Just rise in the air. 112 00:16:40,440 --> 00:16:42,440 Just rise in the air. 113 00:17:10,440 --> 00:17:12,440 Just rise in the air. 114 00:17:40,440 --> 00:17:44,440 Just rise in the air. 115 00:18:10,440 --> 00:18:12,440 Just rise in the air. 116 00:18:40,440 --> 00:18:42,440 Just rise in the air. 117 00:19:10,440 --> 00:19:12,440 Just rise in the air. 118 00:19:40,440 --> 00:19:42,440 Just rise in the air. 119 00:19:42,440 --> 00:19:44,440 Just rise in the air. 120 00:20:10,440 --> 00:20:14,440 Just rise in the air. 121 00:20:14,440 --> 00:20:16,440 Just rise in the air. 122 00:20:40,440 --> 00:20:44,440 Just rise in the air. 123 00:21:10,440 --> 00:21:14,440 Just rise in the air. 124 00:21:14,440 --> 00:21:16,440 Just rise in the air. 125 00:21:40,440 --> 00:21:42,440 Just rise in the air. 126 00:21:42,440 --> 00:21:44,440 Just rise in the air. 127 00:21:44,440 --> 00:21:46,440 Just rise in the air. 128 00:21:46,440 --> 00:21:48,440 Just rise in the air. 129 00:21:48,440 --> 00:21:50,440 Just rise in the air. 130 00:21:50,440 --> 00:21:52,440 Just rise in the air. 131 00:21:52,440 --> 00:21:54,440 Just rise in the air. 132 00:21:54,440 --> 00:21:56,440 Just rise in the air. 133 00:21:56,440 --> 00:21:58,440 Just rise in the air. 134 00:21:58,440 --> 00:22:00,440 Just rise in the air. 135 00:22:00,440 --> 00:22:02,440 Just rise in the air. 136 00:22:02,440 --> 00:22:04,440 Just rise in the air. 137 00:22:04,440 --> 00:22:06,440 Just rise in the air. 138 00:22:06,440 --> 00:22:08,440 Just rise in the air. 139 00:22:08,440 --> 00:22:10,440 Just rise in the air. 140 00:22:10,440 --> 00:22:12,440 Just rise in the air. 141 00:22:12,440 --> 00:22:14,440 Just rise in the air. 142 00:22:14,440 --> 00:22:16,440 Just rise in the air. 143 00:22:16,440 --> 00:22:18,440 Just rise in the air. 144 00:22:18,440 --> 00:22:20,440 Just rise in the air. 145 00:22:20,440 --> 00:22:22,440 Just rise in the air. 146 00:22:22,440 --> 00:22:24,440 Just rise in the air. 147 00:22:24,440 --> 00:22:26,440 Just rise in the air. 148 00:22:26,440 --> 00:22:28,440 Just rise in the air. 149 00:22:28,440 --> 00:22:30,440 Just rise in the air. 150 00:22:30,440 --> 00:22:32,440 Just rise in the air. 151 00:22:32,440 --> 00:22:34,440 Just rise in the air. 152 00:22:34,440 --> 00:22:36,440 Just rise in the air. 153 00:22:36,440 --> 00:22:38,440 Just rise in the air. 154 00:22:38,440 --> 00:22:40,440 Just rise in the air. 155 00:22:40,440 --> 00:22:42,440 Just rise in the air. 156 00:22:42,440 --> 00:22:44,440 Just rise in the air. 157 00:22:44,440 --> 00:22:46,440 Just rise in the air. 158 00:22:46,440 --> 00:22:48,440 Just rise in the air. 159 00:22:48,440 --> 00:22:50,440 Just rise in the air. 160 00:22:50,440 --> 00:22:52,440 Just rise in the air. 161 00:22:52,440 --> 00:22:54,440 Just rise in the air. 162 00:22:54,440 --> 00:22:56,440 Just rise in the air. 163 00:22:56,440 --> 00:22:58,440 Just rise in the air. 164 00:22:58,440 --> 00:23:00,440 Just rise in the air. 165 00:23:00,440 --> 00:23:02,440 Just rise in the air. 166 00:23:02,440 --> 00:23:04,440 Just rise in the air. 167 00:23:04,440 --> 00:23:06,440 Just rise in the air. 168 00:23:06,440 --> 00:23:12,440 Good luck tonight. 169 00:23:12,440 --> 00:23:16,440 Hey. 170 00:23:16,440 --> 00:23:18,440 Hey, Adam. 171 00:23:18,440 --> 00:23:20,440 It's Richard Landå…¨warchorid.com 172 00:23:20,440 --> 00:23:23,440 I'd like to point your listeners on something real special, 173 00:23:23,440 --> 00:23:25,440 On February 15t. 174 00:23:25,440 --> 00:23:29,440 Then it will be possible to listen to you in real life 175 00:23:29,440 --> 00:23:32,440 on the topic of nero costing and also in storage media. 176 00:23:32,440 --> 00:23:34,440 But I think the nero costing part 177 00:23:34,440 --> 00:23:41,640 part in combination with podcasting can be quite interesting. As far as I know, the first 178 00:23:41,640 --> 00:23:47,800 opportunity for weeks or even months that people can see you live and there's something 179 00:23:47,800 --> 00:23:53,800 interesting as well. The conference is for free. So I'll suggest your podcast listeners to 180 00:23:53,800 --> 00:23:59,800 sign on and there's this special website which can be found on November in the 181 00:23:59,800 --> 00:24:07,720 Mike-congress.nl. That's November in your Mike-congress.nl. And I think it's quite 182 00:24:07,720 --> 00:24:13,640 interesting conference and I suggest the podcast listeners who live in the 183 00:24:13,640 --> 00:24:20,280 Netherlands Belgium or maybe even Germany can join this conference on February to 184 00:24:20,280 --> 00:24:24,920 15th and the location is called Happy Days. And what I did see but I'm sure that's 185 00:24:24,920 --> 00:24:30,280 just a coincidence that the founding partner is Grandmasterview. You see you on the 15th 186 00:24:30,280 --> 00:24:34,440 I will be speaking there as well and I will speak about business models for podcasting and stuff 187 00:24:34,440 --> 00:24:38,440 like that. 188 00:24:46,440 --> 00:24:52,440 Richard that was created completely with Nick's cast live. Sounds good although it's just looking at the 189 00:24:52,440 --> 00:24:56,200 meters here at my output meters. Looks like the left channel was a little bit lower than the 190 00:24:56,200 --> 00:24:59,720 right channel. I don't know if that's a problem with Nick's cast live or not. You can hear that 191 00:24:59,720 --> 00:25:05,880 Richard had all these little bits mapped keys and he was firing him off and the sound actually 192 00:25:05,880 --> 00:25:09,400 was really good. I don't know if there's any processing sound in Nick's cast live but it's pretty 193 00:25:09,400 --> 00:25:14,840 impressive. Nick's cast live.com download that sucker. If you're looking for something to create 194 00:25:16,120 --> 00:25:20,600 live podcast with on the fly this is not something you record you used to record and go back and 195 00:25:20,600 --> 00:25:25,560 edit this is for kind of life performance version of the podcast which is the way I do the 196 00:25:25,560 --> 00:25:35,080 daily source code. Adam Bloom sent me some tunes. Yes he's related to Ron and I just wanted to 197 00:25:35,080 --> 00:25:42,360 share this with you because he's so fucking crazy to hear this version of an ACD C2. Here's Hasing Dixie 198 00:25:42,360 --> 00:25:49,240 on the source code. Oh by the way you're allowed to sing along if you know the words. 199 00:25:49,240 --> 00:25:57,240 Probably the first time you could understand that. I'm not going to plug in your own electric guitar 200 00:25:57,240 --> 00:26:05,240 and the jamblers are fast with scenes. She kept motorclaims. She was the best damn woman that I've ever seen 201 00:26:05,240 --> 00:26:13,960 she had decided that I still and we no lies out in me out in America that I've eaten more than 202 00:26:13,960 --> 00:26:21,480 their share. Had me fat for a year. She told me to come but I was already there. The walls were 203 00:26:21,480 --> 00:26:30,120 shaking. Earth was a curtain from mine. We were shaking. We wasn't making it in here. She made 204 00:26:30,120 --> 00:26:45,240 [ Music ] 205 00:26:45,240 --> 00:26:52,520 looks in the light. She didn't want to catch it. She kissed mine all night long. No lies just 206 00:26:52,520 --> 00:27:00,120 a matter of health. Made a meal out of me. Come back for my own. Had to come down to taking 207 00:27:00,120 --> 00:27:08,520 movies around. Now I'm back in the rain to take it. Let the swing and the walls was shaking. Earth was 208 00:27:08,520 --> 00:27:33,720 [ Music ] 209 00:27:33,720 --> 00:27:42,920 Got it now. I'm standing here. She made all night long. Yeah, you should make. 210 00:27:46,250 --> 00:28:45,480 [ Music ] 211 00:28:45,480 --> 00:28:52,680 Yeah, you should make it in here. You're able to make it in here. 212 00:28:52,680 --> 00:29:01,640 Oh, god, oh. Hey, Adam and all the daily source code listeners. My name's Travis Hoffman 213 00:29:01,640 --> 00:29:06,840 and I'm the proprietor of the Ponderplace podcast. What's the Ponderplace podcast you ask? 214 00:29:06,840 --> 00:29:10,520 It's a place where I take a look into the tales of the odd and moronic found in everyday life. 215 00:29:11,240 --> 00:29:15,080 So exactly. What kind of tales of odd and moronic behavior am I talking about? 216 00:29:15,880 --> 00:29:19,800 Well, there's always like how we just own cheese. How come you never see any metal sports? 217 00:29:19,800 --> 00:29:23,160 How can you get 130% vitamin C in the orange juice? Why do they always hide the Valentine's day 218 00:29:23,160 --> 00:29:26,360 candy and health information underneath the candy? Is it impossible to blow your nose well driving? 219 00:29:26,360 --> 00:29:28,760 Do those blizz greens of death on one nose machine? You'll have to be that annoying. 220 00:29:28,760 --> 00:29:31,800 Is lots of hair pigment threes on old people with their web turned signal on well driving? 221 00:29:31,800 --> 00:29:35,000 Does everything need a four-none date these days? Why do charming compare toilet paper to pillows? 222 00:29:35,000 --> 00:29:37,400 How come in Walmart? There's a mirror for your car that has a rhinoceros in it. 223 00:29:37,400 --> 00:29:41,000 They show on your love by spinning or doing your pets really showing love at all. How exactly do you puff? 224 00:29:41,000 --> 00:29:44,920 Puff rise and pump bleak. The secret service just hasn't blown anyone anymore. It's really not that big of a secret. 225 00:29:44,920 --> 00:29:47,640 I think it'd be funny to put strawberry milk on an empty petal business model and just drink a lot. 226 00:29:47,640 --> 00:29:51,000 How come mallwalkers are so dangerous? I think it'd be funny if that grocery store had sales on can do it. 227 00:29:51,000 --> 00:29:53,880 And then hung up from the ceiling just out of reach two words, nerped car. 228 00:29:53,880 --> 00:29:57,880 How come scientists have kept calcium and sodium yet? Why do you need a careful of your own? 229 00:29:57,880 --> 00:30:00,840 Sorry. I get kind of carried away sometimes. 230 00:30:00,840 --> 00:30:07,240 If you're curious about these pondering and many others, be sure to check out the Ponderplace podcast at www. 231 00:30:07,240 --> 00:30:12,520 Travishopman.com slash ponderplace. Thanks. And back to you Adam. 232 00:30:16,520 --> 00:30:18,520 Yeah, I'm tired. I'm tired. I'm tired. 233 00:30:18,520 --> 00:30:19,080 Oh, I'm tired. 234 00:30:19,080 --> 00:30:20,120 Oh, I'm tired. 235 00:30:20,120 --> 00:30:21,400 With your own polo. 236 00:30:21,400 --> 00:30:22,680 I know. 237 00:30:22,680 --> 00:30:26,040 Hi, Adam. Hey, young polo, I take you with a hit test number seven. 238 00:30:26,040 --> 00:30:29,080 Alright, buddy. Again, I've lined up three tracks for you. 239 00:30:29,080 --> 00:30:29,880 I bet you have. 240 00:30:29,880 --> 00:30:30,680 I hope you're ready. 241 00:30:30,680 --> 00:30:32,040 Yes, this is number one. 242 00:30:32,040 --> 00:30:33,800 Don't forget to buy my wife in there, okay? 243 00:30:34,040 --> 00:30:36,040 Oh, Charlie Wattley. 244 00:30:36,040 --> 00:30:38,040 Oh, it's Chalamara, Charlie. 245 00:30:38,040 --> 00:30:40,840 It's, I think it's Charlie Wattley. 246 00:30:40,840 --> 00:30:44,040 I'm looking for new. 247 00:30:44,040 --> 00:30:45,480 Look. Listen to that cow. 248 00:30:46,840 --> 00:30:47,640 Do I hear a cow though? 249 00:30:50,600 --> 00:30:51,640 And this is number two. 250 00:30:58,760 --> 00:31:00,440 Yes, this is a Dutch group. 251 00:31:00,520 --> 00:31:01,880 Frog with your fruit. 252 00:31:01,880 --> 00:31:02,440 Swine bits. 253 00:31:04,280 --> 00:31:06,760 No one else will know that outside of Holland or Portugal. 254 00:31:08,200 --> 00:31:10,200 Your Dutch, you probably guessed it. Big hit. 255 00:31:12,680 --> 00:31:14,040 And the last one. Number three. 256 00:31:16,360 --> 00:31:18,200 Hmm, yeah, I know this one. 257 00:31:20,280 --> 00:31:22,280 This is uh, Alice and Moier. 258 00:31:22,280 --> 00:31:25,080 Oh, my head. Alice and Moier. It's all sung out. 259 00:31:26,440 --> 00:31:27,240 Oh, cry. 260 00:31:27,240 --> 00:31:28,680 I'll cry it out, I think it is. 261 00:31:29,560 --> 00:31:31,560 And these are the answers. 262 00:31:31,560 --> 00:31:32,600 And so number one. 263 00:31:33,560 --> 00:31:34,760 It's Charlie Wattley. 264 00:31:34,760 --> 00:31:36,760 And she's looking for a new love. 265 00:31:41,720 --> 00:31:42,600 I hear a cow though. 266 00:31:42,600 --> 00:31:59,320 [ Music ] 267 00:31:59,320 --> 00:32:01,320 I'm really, yeah. 268 00:32:03,000 --> 00:32:03,640 Charlie Wattley. 269 00:32:05,320 --> 00:32:07,000 The former singer of Schalemar. 270 00:32:08,600 --> 00:32:09,800 See, I see a lot of people. 271 00:32:09,800 --> 00:32:11,400 I knew love. This is number two. 272 00:32:11,400 --> 00:32:12,280 We're going extra points. 273 00:32:14,120 --> 00:32:15,320 It's a Dutch track. 274 00:32:15,320 --> 00:32:15,640 Yeah. 275 00:32:16,440 --> 00:32:17,640 It's Frank Weier. 276 00:32:18,680 --> 00:32:21,080 And the song is titled, The Swatch Vits. 277 00:32:24,920 --> 00:32:28,520 I should tell the listeners that this guy married 278 00:32:28,680 --> 00:32:29,640 Amanda Redington. 279 00:32:31,400 --> 00:32:33,880 She's a UK TV presenter and his hero wondering. 280 00:32:35,560 --> 00:32:36,600 It's a nice guy, Frank. 281 00:32:45,560 --> 00:32:46,920 So really good lyric in this. 282 00:32:50,440 --> 00:32:51,720 I'm not white. I'm not black. 283 00:32:51,720 --> 00:32:53,080 I don't think white. I don't think black. 284 00:32:53,880 --> 00:32:55,160 I think in the color of your heart. 285 00:32:55,720 --> 00:32:56,520 I don't think white. 286 00:32:58,520 --> 00:33:00,760 No, it's Frank Weier. 287 00:33:03,000 --> 00:33:03,720 And Swatch Vits. 288 00:33:05,720 --> 00:33:06,360 Black and white. 289 00:33:07,240 --> 00:33:08,840 Something in line of don't think black. 290 00:33:08,840 --> 00:33:09,640 Don't say white. 291 00:33:09,640 --> 00:33:11,240 But think in the color of your heart. 292 00:33:11,240 --> 00:33:12,280 It's answer number three. 293 00:33:12,280 --> 00:33:12,600 All right. 294 00:33:13,880 --> 00:33:14,360 Allison. 295 00:33:14,360 --> 00:33:15,640 It's Allison Weier. 296 00:33:16,680 --> 00:33:17,800 And she's all cried out. 297 00:33:17,800 --> 00:33:18,520 I'll cry it out. 298 00:33:21,250 --> 00:33:46,440 [ Music ] 299 00:33:46,440 --> 00:33:47,400 Oh yeah. 300 00:33:48,520 --> 00:33:52,280 You took a whole lot of love and for a handful of nothing. 301 00:33:53,240 --> 00:33:54,840 It's great. 302 00:33:54,840 --> 00:33:55,560 Great young. 303 00:33:55,560 --> 00:33:56,200 Excellent. 304 00:33:58,120 --> 00:33:59,160 Oh my favorite songs. 305 00:34:00,600 --> 00:34:02,360 Man, they made some good music in the A.E. 306 00:34:02,840 --> 00:34:03,800 It's a bad hair. 307 00:34:03,800 --> 00:34:05,560 Crad out with answer number three. 308 00:34:05,560 --> 00:34:07,000 And this hit test. 309 00:34:07,000 --> 00:34:09,080 Number seven already. 310 00:34:09,080 --> 00:34:10,040 It's going fast. 311 00:34:11,160 --> 00:34:13,320 Well, I'm still still working on the air checks. 312 00:34:14,360 --> 00:34:15,720 You can't have too many of those. 313 00:34:16,280 --> 00:34:20,120 Still searching for a piece that I can use in the hit test. 314 00:34:21,080 --> 00:34:26,600 If you've got one, please send it to hittestatgmail.com. 315 00:34:27,880 --> 00:34:32,760 And that's also the address to send your feedback to hittestatgmail.com. 316 00:34:34,760 --> 00:34:37,640 If you want to download this edition of the hittest 317 00:34:38,600 --> 00:34:45,320 or earlier episodes, you can find them at www.helpat hands.nl slash hittest. 318 00:34:46,600 --> 00:34:48,920 So that's www.helpat hands. 319 00:34:49,880 --> 00:34:51,560 That's an L slash hittest. 320 00:34:53,000 --> 00:34:54,280 That's it for today. 321 00:34:55,560 --> 00:34:57,080 See you next time for another 322 00:34:57,080 --> 00:34:59,240 edition of the hittest. Bye-bye. 323 00:34:59,240 --> 00:35:00,360 Thank you very much, young. 324 00:35:00,360 --> 00:35:01,160 Excellent. 325 00:35:01,160 --> 00:35:03,240 As always, the hit test. 326 00:35:03,240 --> 00:35:06,040 And I forgot to put the site in there. 327 00:35:06,040 --> 00:35:08,040 Yesterday in the show notes, it's in there today. 328 00:35:08,040 --> 00:35:08,680 Hi Adam. 329 00:35:08,680 --> 00:35:09,640 This is Kevin. 330 00:35:09,640 --> 00:35:12,280 And if my voice sounds a little bit familiar to you, 331 00:35:12,280 --> 00:35:14,600 but you can't quite place it, let me give you a hand. 332 00:35:15,400 --> 00:35:17,720 It's time for Adam Curry to take the hittest. 333 00:35:19,320 --> 00:35:22,440 I'm just one of the fellows that post over at radeogaddy.com. 334 00:35:22,440 --> 00:35:24,440 And I just wanted to drop in and clarify 335 00:35:24,440 --> 00:35:28,360 key things because I've noticed a few people have heard about the site 336 00:35:28,360 --> 00:35:31,880 through you and other places and have come by and made requests 337 00:35:31,880 --> 00:35:34,760 and been a little bit disappointed and not understood why. 338 00:35:34,760 --> 00:35:37,480 And so I thought I might just drop in clarify 339 00:35:37,480 --> 00:35:41,800 key things and help people get a little bit better response perhaps. 340 00:35:42,600 --> 00:35:48,440 I first think to understand is that radeogaddy.com builds itself 341 00:35:48,440 --> 00:35:50,440 as free voiceovers and more. 342 00:35:50,440 --> 00:35:54,840 The original intent was to help low-power non-profit radio stations. 343 00:35:54,840 --> 00:36:00,200 Exchange voice work so that, you know, if I have a station in the mean guy, 344 00:36:00,200 --> 00:36:02,840 you know, you don't hear my voice all day long. 345 00:36:02,840 --> 00:36:07,400 I'll have other people do voices like I have an Australian fellow 346 00:36:07,400 --> 00:36:09,960 on my little home station that you'll hear. 347 00:36:12,280 --> 00:36:18,760 A few clarifications on what things are voiceover talking. 348 00:36:19,880 --> 00:36:22,520 If you ask for a voiceover or a dry read, 349 00:36:22,520 --> 00:36:24,600 you'll probably get that filled pretty quick. 350 00:36:24,600 --> 00:36:29,720 Somebody will just read what you type in and do give them a script. 351 00:36:29,720 --> 00:36:31,320 Tell them what you want. 352 00:36:31,320 --> 00:36:34,840 Just saying drop by my website and check it out and get an idea what I want. 353 00:36:34,840 --> 00:36:37,320 That's not going to get a good response. 354 00:36:37,320 --> 00:36:40,600 So say clearly what it is you're looking for. 355 00:36:40,600 --> 00:36:41,880 And what style? 356 00:36:41,880 --> 00:36:46,040 Upbeat, newsy, mellow, laidback, however you want to phrase it. 357 00:36:46,040 --> 00:36:47,480 Next, a jingle. 358 00:36:47,480 --> 00:36:48,760 Jingle has singing. 359 00:36:48,760 --> 00:36:50,520 We do not do jingles. 360 00:36:50,520 --> 00:36:51,960 You don't want to hear me sing. 361 00:36:51,960 --> 00:36:53,000 That's all there is to that. 362 00:36:53,000 --> 00:36:59,800 A sweeper or a produced element is what a lot of people are asking for. 363 00:36:59,800 --> 00:37:03,880 And I want folks to understand that you have to have the stuff to make those. 364 00:37:05,240 --> 00:37:06,760 And a lot of guys do not. 365 00:37:06,760 --> 00:37:08,440 And you have to have the time to do them. 366 00:37:08,440 --> 00:37:10,360 There's a lot of work involved in that. 367 00:37:10,360 --> 00:37:15,000 So occasionally somebody will find something they think is a challenge. 368 00:37:15,000 --> 00:37:18,600 Like this one I did for a game's podcast. 369 00:37:18,600 --> 00:37:21,080 I'd rather like it and just kind of proud of it and enjoy doing it. 370 00:37:21,080 --> 00:37:36,680 We're not talking your dad's video games. 371 00:37:36,680 --> 00:37:39,720 So that's an example of a produced sweeper. 372 00:37:39,720 --> 00:37:42,840 But as I say, not everybody's time to do that. 373 00:37:42,840 --> 00:37:47,720 So if that's not what you get, please don't be disappointed that nobody answered. 374 00:37:48,200 --> 00:37:52,520 Sometimes your post gets knocked down the list and just gets missed. 375 00:37:56,760 --> 00:38:00,840 I hope this explains things a little bit and that folks will drop by and check things out. 376 00:38:00,840 --> 00:38:04,600 And I enjoy doing the stuff for Yon and for you and for the hit test. 377 00:38:04,600 --> 00:38:08,760 And I did not know about your podcast before, but now I'm enjoying listening. 378 00:38:09,960 --> 00:38:14,680 Take care and I'm sure you'll be hearing me often because I don't think Yon and the hit 379 00:38:14,680 --> 00:38:16,280 test are going anywhere anytime soon. 380 00:38:19,320 --> 00:38:29,240 So this is Kevin, known over at radiodaddy.com is power FM saying now back to Adam Curry and the 381 00:38:29,240 --> 00:38:30,360 Daily Source Co. 382 00:38:32,360 --> 00:38:35,560 Awesome. Awesome. Thank you very much, Kevin. That's great. 383 00:38:35,560 --> 00:38:39,400 That's clarification because I've been sending people over to radiodaddy.com without really 384 00:38:39,400 --> 00:38:42,520 thinking too much about what the implications of that could be. 385 00:38:42,520 --> 00:38:45,560 And perhaps we need to do something specifically for podcasts for that. 386 00:38:45,560 --> 00:38:51,640 And I'd certainly contribute and you're right, creating sweepers and bumpers and jingles and stuff is hard work. 387 00:38:52,680 --> 00:38:56,840 And usually I wound up paying people significant sums of money to do that for me is a guy in 388 00:38:56,840 --> 00:39:04,520 New York, Dave Fox, WX Fox on the run.com is his site and he does, I actually have an exclusive 389 00:39:04,520 --> 00:39:11,000 arrangement with him for for Europe when I do stuff on, you know, traditional radio and television. 390 00:39:11,960 --> 00:39:16,280 But if you have a little bit of a cash and you want him to produce some stuff and he has the 391 00:39:16,280 --> 00:39:22,040 time too, he is absolutely the best. But when it comes to a community-based thing like this, 392 00:39:22,040 --> 00:39:26,920 yeah, I'd be happy to, you know, happy to cut some liners. Maybe, well, you know, we should think 393 00:39:26,920 --> 00:39:30,840 about that where we can do if we can come up with some kind of central resource because the idea is 394 00:39:30,840 --> 00:39:38,280 great. But, you know, maybe radiodaddy.com should be for a little, you know, for a different audience 395 00:39:38,360 --> 00:39:42,680 than the podcasters. But the clarification was excellent Kevin, I really appreciate. And of course, 396 00:39:42,680 --> 00:39:48,760 I appreciate the sweeper and the bumper for the hit test. As do I appreciate, 397 00:39:48,760 --> 00:39:52,760 young pull-out putting that together every single day, I really appreciate that. Don't forget, 398 00:39:52,760 --> 00:39:58,120 on Thursdays, we have our trivia Thursday, I have, oh man, I have such a big, 399 00:40:00,360 --> 00:40:06,680 yeah, I got a big, you know, I was big. I have this Beatles-based trivia, I've got another 400 00:40:06,680 --> 00:40:11,640 lost in translation trivia, I've got him here, one, two, three, four, five, six, seven, 401 00:40:11,640 --> 00:40:17,560 five, seven, yeah, seven different trivia to us so far. And of course, there'll be, so let's 402 00:40:17,560 --> 00:40:23,160 make that eight with young pull-outs Thursday edition. All right, almost, well, actually, it's 403 00:40:23,160 --> 00:40:27,400 40 minutes, so I could end it here, but Christine and I were in the car this morning. What I, 404 00:40:27,400 --> 00:40:33,800 when I tend to do is, I got my iPod running overnight and the iPod has plugged in, so, you know, 405 00:40:33,800 --> 00:40:38,520 true to form, I pick up the iPod, jack in the iPrip and on the way to school, which is about a 406 00:40:38,520 --> 00:40:43,640 15 minute drive in the morning, sometimes a little bit longer. Then we listen to whatever's come 407 00:40:43,640 --> 00:40:49,560 through, whatever the latest podcasts were. And this morning, we heard this awesome mashup, 408 00:40:49,560 --> 00:40:53,560 which I just wanted to share with you. So, you know, you can end if your walk is over, 409 00:40:53,560 --> 00:40:57,480 if your commute is over, you're at the 40 minute mark, you can save this for later, 410 00:40:57,480 --> 00:41:02,920 or you can listen to it right now, but I guarantee you, I guarantee you're going to want to crank 411 00:41:02,920 --> 00:41:08,360 this one out. YouTube versus lyrics more, it's called calling on a Sunday. 412 00:41:11,250 --> 00:43:55,640 [ Music ] 413 00:43:55,640 --> 00:44:00,440 Call it up to all, every group you go make it all happy night you're right next. 414 00:44:02,840 --> 00:44:05,560 Call it on Sunday, it's, uh, 415 00:44:05,560 --> 00:44:09,240 YouTube versus lyrics born at the end of the Tuesday source code. 416 00:44:12,200 --> 00:44:15,480 Alrighty, oh, man, so, uh, 10 after one, 417 00:44:15,480 --> 00:44:18,200 gonna have some lunch with my wife and, uh, 418 00:44:18,200 --> 00:44:22,360 shoot this up to the bird, that would be the server, right? 419 00:44:22,360 --> 00:44:28,280 That's it, feedback at amaccharry.com or for audio feedback, MP3 feedback at gmail.com. 420 00:44:31,960 --> 00:44:36,360 Keep it all coming, and of course, I'm expecting lots of lawyers to be emailing about this brand new 421 00:44:36,360 --> 00:44:41,080 license that we found. So, please send that off. And of course, you can find all of the source codes, 422 00:44:41,080 --> 00:44:45,480 data source code.com for the archives, the latest show and the podcast feed. 423 00:44:46,200 --> 00:44:52,120 And, uh, if you have a chance, you can also check out the weblog www.curry.com. 424 00:44:52,120 --> 00:44:56,280 Thanks for tuning in. Thanks for subscribing. Thanks for downloading. I really appreciate it. 425 00:44:56,280 --> 00:45:00,440 I'll see you tomorrow on the HumphDeadish Network source code. Take care everybody. Bye. Bye.