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Daily source code for February 17th, 2005, transmitters, we don't need no stinkin' transmitters!

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Autastic, it's Adam Curry!

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Yeah, everybody, how you doing Thursday's source code, good evening!

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The power of the Lord, the Lord, the Lord!

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That's right!

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Coming to you from the Health Hotel in Manhattan, New York!

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It's a daily source code, it is February 17th, 2005.

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I might have quite a little bit later than usual, but fun stuff to report from the Big Apple!

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Oh boy, I gotta tell you, I am one jet lag puppy!

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We got a lot to talk about today, man.

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What a day, what energy in this city, it's so good to be back.

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I haven't been in New York since the 4-9-11.

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Been in America, of course, since then, but I just hadn't been to the city.

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And this city was my home for 13, almost 14 years in a combination of MTV and my company from the late 90s.

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It's great to be there.

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Okay, so even though I posted that I certainly have time tonight to catch up on email and do all kinds of other important stuff,

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guess what?

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Life got in the way, man.

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There are so many people that I haven't seen in ages.

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It was just great catching up with all kinds of people all the time.

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I'm talking about someone that's some of the people I've been seeing and some of the stuff that I've been hearing about podcasting,

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and I tell you, it's certainly a lie, man.

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People are talking about it, and I just walk on the street and people are like, hey, how's the podcast or love the podcast?

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It's just that stuff you don't expect, you know, it's like anywhere you go now.

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Everyone knows what's going on and everybody's talking about it, and it's really, really exciting stuff.

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Okay, so we're going to try and do a reasonably traditional daily source code.

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Got a promo, got a pod save, tune lined up for you, see what else?

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Oh, I have a, it's not really a mashup, it's, I guess we've got to come up with a name for these things.

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It's a cover version, obviously, but it's kind of a wacky cover version.

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We've been playing, what do you play?

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The minimum, the minimum, the minimum, the minimum, the minimum, the minimum, the minimum, the minimum.

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Okay, remember the name of these guys?

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It is, by the way, it's, it's way past my bedtime, it's 11.05, which means it's 4 a.m. in the UK.

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I've only slept about four and a half hours each night, and that's just because, oh, man, it's just so much to do and so much to see and so many people.

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To talk to and hang out with, and then, you know, just want to think, okay, we're done, then someone calls, say, let's have dinner.

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And let me tell you, New York City, this week is completely full, it's crazy ass booked full.

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And I couldn't figure it out until, of course, I dropped by Central Park and, oh, yeah, the, the Christo art exhibit, which is the gates.

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You've probably heard about this or read about it or seen the picture of it.

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All of Central Park is basically covered in this, but what is art?

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And I have to agree that it's art, it's certainly a listening, a lot of responses, but it's these orange gates that are all throughout Central Park.

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And it has brought an amazing amount of people to the city.

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Every restaurant is full, every single hotel, book to the hill.

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In fact, the, the Hilton was the only hotel, I, this is not my first choice of hotel.

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In fact, if anything, I like a little more downscale from the Hilton.

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Although I have to say the Wi-Fi does kick ass here, but, yeah, this is like the only room I could get.

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And I'm basically in, kind of like a closet, you know, for 200 bucks a night.

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So, thanks to, to the Christo art exhibit, all the prices have been jacked up in the city.

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So I got the, got the lot of on.

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So I can walk around a little bit, look out the window and,

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yeah, let's see, what's it going to do? Okay, yeah, I was talking about this cover version and this song that I want to play for you.

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Let's see, it's by the gorge, and I think, I think you'll like this.

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This is pretty much a, a Snoop Dogg on Hacid acid, I guess.

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You know, gin and juice? Well, here's the source code version for you.

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[ Music ]

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I love that version. Totally cool. And so I'm listening to that and I'm like, yeah,

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I'll get into my D.O.W.G. mode and went to the top of the the cupboard or the, I guess the clothing

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closet that's in the room here where I had carefully stash away the half of my, let's just

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call it medicine. Soy, source code listeners, carefully brought into the country. And you know,

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that's like, that's risky. So you want to, you want to be able to enjoy your medicine. And you know

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that one of the cleaning ladies took that from me. And you know that she's walking around,

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kind of wacky on the, on the 40th floor. I hate that, man. When, you know, you think you've, you've

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stashed it and they won't find it and then it turns up this disappeared. Go, you, um, to anyway,

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I'm a New York boy, live to in, in, in the city actually for, um, a year in 1987, 1988,

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married my wife here. That was 1989. It actually was, end of 88, sorry. And just being up here reminds

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me a couple of things. First of all, how much fun it is to look out the window and look at all these

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other buildings and to kind of looking on other people's lives. I don't have a telescope used to

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have one when we were in, uh, we live in the Symphony House on, uh, 56 in Broadway. 42nd floor was

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beautiful corner penthouse apartment. It was just totally, you know, the, you know, Woody Allen view,

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everything was, you know, right on. We had a telescope and you kind of looked at on other people's

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lives. I know it's not like the thing you should be doing, but it's fun to look across. Now,

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I don't have any magnifying optics, but I can see lots of people at work. You know, here it is 1115

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people working hard. There's so much energy in, in this city. It just pumps me up. It really does.

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And of course, I'll even enjoy it even more after I get a good night's sleep with all the, uh,

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with all the jet lag. So I worked to, of course, at MTV. We moved out to Jersey in, uh, in 88,

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and you know, started a family, had a daughter there. And I commuted in every single day and then around

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1994, uh, in 1995, I left MTV, 94, 95, around there. Some of 94, I think, and started my own company

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on ramp, uh, which pretty quickly turned into, uh, one of the very first New York-based internet advertising

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companies. Um, now, so I kind of fell into that by default. Um, it wasn't exactly what we said

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out to do. We actually had a whole entertainment concept, Metaverse.com. We had, uh, the vibe and

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cyberslees, and I think I got my jacket here. It was, uh, it was a great, you know, we were really

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creating content for a lot of big companies at a certain point. And then of course, we weren't much

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more into an advertising service type businesses, you know, around 97, 98 people started to get

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kind of wacky with the internet. Um, so I know a lot of people, uh, in New York is, is totally all about,

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what's on New York's all about money, really. Um, it's where all the headquarters are the big companies.

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It's where the advertising world is. It's where the media companies have their headquarters. Um,

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and, uh, it's interesting, because I've met up with, you know, some old friends and radio advertising.

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And everyone's nuts about podcasting. That's for sure. Everyone is, you know, that's, you know,

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that's, you know, what I've been just meeting with people about, you know, they want to know what's

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going on. And of course, these are all friends or businesses associates, most of them really friends

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that I've known for a long time. And one thing I can guarantee you that there is a big fear

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that radio is dying. And what that means is that the, you know, the radio companies, marketing advertising

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companies are seeing that there's no new generation of listeners. Yeah, they know that there's radio,

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but they don't care about it. And that much rather, you know, listen to their, uh, to their MP3 player

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or sit on, you know, or do some Xbox gaming or, uh, in fact, that's where a lot of kids get their

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music from us from video games, you know, the, the, the, the soundtracks to those. And we're going to see

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more and more bands being launched through video games. That's what I'm hearing. Um, but we have no

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one really tuning into radio anymore. And it scares the, the Jesus out of, uh, the advertising world,

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we have some friends on Madison Avenue. Uh, this is with a big, you know, advertising companies

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are who at one point we even share holders, uh, OmniCom was a shareholder in, uh, in our company

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before we took it public. And gosh, I mean, they're, they are so interested in what can be done

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with podcasting, but they all have, I think, don't quite have the, you know, the right idea.

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They're trying to translate into radio, which, of course, it isn't. And we're going to talk

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about radio in, in a couple of minutes, because I had the good fortune today, uh, to be invited

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to go check out, um, and actually got a tour of serious radio, the satellite radio station,

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or stations, I should say, is about 120 channels. So we're going to talk about that.

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But first I want to play some pot-safe music for you from an old buddy. This is, uh, from Vladi,

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Vladi used to work at a company, think new ideas. In fact, he was at on-ramp, he was one of the,

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one of the first, who I'm going to say, one of the first 10 employees. And he's out in, uh,

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he's been out on the west coast for, uh, for quite a while now doing all kinds of wacky stuff,

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cinnamonow.com is, uh, where you can find a lot of bills work. Anyway, he sent me a podsafe tune,

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and, uh, he sent me some, uh, some info for the show notes. Uh, the title of the song is second

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best girl track off the misprint songs that girls like CD, and that is actually Vladi. Vladi,

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Vladi, Vladi, Vladi, Vladi, Vladi, Vladi, Vladi, Vladi, Vladi, Vladi. He plays guitar and sings

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back up. Uh, in fact, uh, on the track, I'm going to play for you right now. It features a slamming

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guitar solo by my buddy, Vladi, Vl help her. So check it out here's second best girl on the daily

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[ Music ]

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Aらly I laugh so weird

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Said you'd love to go home

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Said you'd love to go home

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[ Music ]

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Second must go

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this world that actually reminded me a lot of podcasting, there's just, you know, cool people

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all over the place, creativity, oozing out of every, just every nook and cranny, 42 studios

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at this place. I'll all on one floor, you would not believe the infrastructure, everything

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completely digital, mind boggling and mind blowing what these guys are doing, particularly because

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it's like so much like podcasting, only they've got this incredible infrastructure.

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I mean, it's, you know, I'm an idiot, I should have taken some pictures, I was just so

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in awe, you know, I've been plenty of studios, but I've never seen so many and such a

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just a production factory is set up, you know. Almost none of this stuff is actually live on

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serious, what the way they do it is, you know, well first of all they have knobs of these channels

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that are, you know, themed music channels, and every single channel has a program director

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and he's got a little office and he's, he or she is responsible for everything that happens

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on the channel. The shows that include people are, I think, just about all of them are pre-recorded

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and the way it works is the talent will actually record their voice tracks at home, they basically

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FTP them into into the mothership and there they've got a person for each show, pretty much

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doing the way MTV used to do because we never saw the videos, we would just record, you know,

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the links from one to the next and those would be inserted at the, at the knock the network

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operation center, the basically the satellite upstreaming place. It's, that's pretty much the way

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it's done here, it's, you know, I've spoken about some of these production systems. They're basically

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two radio production systems that are digital that are being used professionally. One is called

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Delet, that's used in, mainly Europe, things of German company and the states, most companies

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use profit and essentially, you know, you can just take this track and they insert it in between

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the songs and make it flow just like it was done live, which is the way I do the source code,

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you know, I start and that's it, you know, I hit stop when I'm done. So to do a three-hour show

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it's like 40 minutes of work for the air talent, but it doesn't matter because it, you know,

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it works and it sounds great and, you know, I heard, this is like, what is an alternative

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country and western channel, which was just mind boggling great stuff and as a mojo, nixon show

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and we talked about mojo recently, he was the one that did these stuff and Martha's mother's song.

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Wow, that guy's an amazing, he's a podcast, I'm telling you, it sounds great the way any

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of what he's talking about and then I listen, they have listener comment lines, you can call

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in, of course, that's also all recorded digitally and then can be fed into the shows.

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It sounds just like audio comments, I mean, it's really exciting and you know, they can say

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whatever they want and they can be irreverent, but still it's very hard and there's a lot of

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escapy radio talent working there. I was bumping into people I knew left and right, kid

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Kelly from, from as you 100 New York, human Newman, who I hadn't seen in ages, he's like

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one big hug fest, you know, and it just, it was mind boggling, but then to see, and everyone would say,

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oh, you know, if it weren't for the dot com hype, we wouldn't have all this infrastructure,

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no one would ever have built that, I'm like, whoa, okay, so what do you telling me? Well,

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telling me that is really the overhead of this place, it's just amazing, it's expensive, really expensive.

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But very interesting, it was fun to see and I apologize, I'm a dick, I really will have to get some

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pictures to show you this place and I'll ask Steve to do it because Steve just walked us all over the

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place, we were looking at, you know, anything, could touch anything, could sniff it all and really

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for a, for a podcasting broadcasting geek like me, it was wonderful, lots of winky,

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blinky lights and knobs and buttons and faders and, and the way it was all integrated, I mean,

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it was someone's dream project, so on basically said, hey, you know what, I'm going to build the

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ultimate and they did, I don't know how much it cost to build this place, but, uh, whoo, I was just,

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I was jealous, I was absolutely jealous, although when I compared and I see how much we can do just

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on our, you know, on our PCs and our, our max, it's, uh, you know, we sound pretty much the same,

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you know, uh, we're, although, now I guess technically we have more glitches, which I think is always fun,

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by the way, if you're hearing this big plopping sound just before a song ends or, uh, or I want to

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stong starts, that's because I don't have a mute button on the wireless microphone on the

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live, so I basically have to turn the receiver off, which sounds like that. See, turning it on,

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kind of gives a big plop. Somehow, I got, I need a button on this thing, or, of course,

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I need to figure out how to do it even better in, uh, audio hijack pro.

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Adam Curry, hey there, this is Greg Roach from Spirit of Place. That's triple dot dot

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Craig Roach online dot com slash spirit of place. So that's my shameless plug. Listen, I love

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your show, you're a freaking genius podcasting is ruining my life. So thanks a lot. Anyway, look,

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here's what's on my mind. I thought you were suggesting for a reality TV show where you watch

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celebrities get off cigarettes is brilliant, but I think we can do one better. I think you're missing

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the bird on this one, pal. Celebrity rehab. How does that sound? Because you not tune in to watch,

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Mary Kate and Ashley kick, like it in. I sure would. Anyway, thanks a lot, take care.

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Greg, excellent. Yeah, celebrity rehab. That's a podcast by the way. We can do that. We don't need

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video for that. We can do that in podcast, uh, excellent. There was something else I wanted to tell

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you about a podcast that I caught on, um, openpodcast.org. Hold on, we can bring up iTunes here.

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And it actually killed me what the host said in the show. Hold on a second. Let me see if

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I can find it. It was the, I don't want to get it wrong. Um, oh, that was it. It was the podcast

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from the front, here, front porch podcast. That's what it was. Love this podcast, comedian.

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Guy tells really funny, topical jokes. Um, and it happened to you this up, so I apologize. Let me,

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let me just see if I can get to this one particular point in the podcast. He was really slaying me with

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some of the humor. I've cast on the block. I'm doing this in iTunes. I had about a two mile

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rate. Fast forwarding when New York and these. If anybody can figure out how to spell it, I really

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appreciate it. And hopefully I can get some of that into my own way. This is okay. I'll get all the

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answers it. So he's talking about the source code, which of course I love, right? But that's not,

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that's not what it's about. It's, you're saying something else about opiuml show notes. Okay.

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It's okay. Um, and I should have killed this up. I apologize. Here we go.

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Quirky, I'm like, why, you're, you're, you're a flyer. That's good for you. But why am I listening?

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But I can't put it down. And I think, basically, you've somehow managed to, uh,

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enclose crack cocaine, uh, into your opiuml file. So whatever you're doing, you know, good looking

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out. Uh, I really appreciate it. And, uh, hopefully I can get some of that into my own podcast.

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More of a trial runs. So I might not even have it. So yeah, that's a new technology that I've

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been working on, uh, really hard at night. It's, uh, it's a way to enclose crack cocaine in the opiuml

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show notes. Yeah, we're really working hard on that. All right. Let me do another mashup for you.

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And then I'm going to get out of here, uh, see, uh, whoo, I'm going to meet up with some more friends

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tomorrow. Uh, hopefully, um, just get a little bit of sight seeing. And that'll be nice. The weather is cold.

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It hasn't been, it really hasn't been too nice. Uh, and I gotta say, I'm just, you know,

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it's like, yeah, the, uh, the UK and Europe have been kind of cold, but this is just, it's, yeah,

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it's like bitingly cold. You know, and it's not even that bad. It's like, I know, it's like 60,

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65 degrees, something like that. It's, uh, not bad. So I'm trying to open up. I had, uh,

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where's it go? Oh, here it is. Okay, here's another mashup that I want to play for you.

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I had one by Madonna. I'm going to skip that one. I thought the M&M versus Wild Cherry is this.

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Gonna be something you'd like to crank up on your MP3 player, your iPod, whatever your device of choice is.

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Play that funky music without me.

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M&M versus Wild Cherry.

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[ Music ]

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Mashup of M&M and Wild Cherryplay

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That funky music without me

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It's a JPL remix

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So you can find all kinds of info about JPL remixes and perhaps this one as well.

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You had mixfreaks.org and a fine Dutch association.

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By the way, hearing that wild cherry song, I was like, was that 1978 something like that?

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And I remember it, you know, it's one of those songs where you just go, oh yeah, that was the school dance.

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I think it was 13 or 14 at the time.

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And it was like, you know, that was the song, that was the head of the day.

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Oh boy, feeling really old right now.

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Okay, that's it.

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We're just about at our 40-minute mark for today's sort of the hour of the day.

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That'll do it for February 17th.

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Yeah, 2005.

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Tomorrow.

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Well, it's the thank God of Friday edition.

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Maybe we'll have a hit test.

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I didn't receive one from me on today, so.

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Of course, that's okay.

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I can't imagine how he does those hit tests anyway.

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And we're so far we've had 11 in rough, it's been great.

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So maybe we'll do some of that.

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Comment, add them at 3.com or actually hold off on the audio feedback.

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The NB3 feedback of Gmail.com.

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I'm now at 90% of my 1 gig and I guess I got to decide what I'm going to delete.

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If anyone has any ideas of what I can do to archive some of this stuff,

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still keep the same email address and let me know.

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Although archives in the latest show, a daily source code.com.

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That's it.

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Good night.

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New York.

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Good night, universe.

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I'll see you tomorrow.

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Bye-bye.