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Source Code, February 28th, 2005.

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Autistic, it's Adam Curry.

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Yes indeed, it is the last day of February.

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The power of the door.

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Everybody, how you doing? It's been a while, but I'm back.

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Back at the cottage. This is your deadly source code.

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Today is Monday, it's the 20th, February 2005.

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I'm Adam Curry, bringing you the best when it comes to mash-ups,

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pod save music and all kinds of crap about podcasting.

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Oh, then again, is it really crap?

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Hey, you know, we got some shit going on.

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Boy, it's going to be back right now.

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I'm actually, I'm all alone in the Curry Cottage.

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Patricia's off for a two-day piz trip, yep.

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You know, I'm home and she leaves.

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She'll be back Wednesday, so I'm holding down the fort here,

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keeping the home fires burning.

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Christina's off at school.

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It is 10 minutes to 12, and I am so ready to bring you another source code.

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It's great to be back in the big green chair.

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Got my smoke here, and a little bit of tea.

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That's right. Nothing usual, sir.

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I kind of sensed out, I have to be quite honest.

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Maybe it's time to change the,

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the bylink on curry.com.

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Maybe it should start selling something else.

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By the way, I have sold double digits in the sensio machine arena.

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That means I've sold my latest check.

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My latest check is 23 sensio coffee machines,

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countless coffee pods.

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Somehow the stuff seems to be working, you know?

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It really does.

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You talk about something on your podcast.

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You make sure that you have a way to sell something on the website.

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People actually do come back and buy it.

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It's great. It's what we call a business model.

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And boy, there's a lot of them floating around these days, unbelievable.

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It seems like everyone's announcing a network or a hosting solution

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or something of that matter, it is really,

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it's just catch and fire ever since the New York Times started talking about it.

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We're all talking about how to make money with podcasting.

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And we've actually talked about that before.

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We've talked about commercialization.

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I think that was three or four podcasts to go when I was in San Francisco.

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Today, actually, I want to talk a little bit more about what producers are looking for,

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what we need, because I think that before we get to commercialization

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and selling advertising or sponsorships or underwriting or subscription,

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something else I've been hearing a lot about.

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People looking for avenues to make their podcasts for pay only.

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For instance, rumor is that audible.com is going to be doing something which would make total sense

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because at least on the Macintosh, I'm pretty sure it must work on Windows as well,

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otherwise it would be pretty silly, but audible allows you to subscribe to programs

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to X amount per month and they, well, they don't automatically show up on your iPod.

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You have to go into audible.com and download them, but they do have a billing mechanism,

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so that makes sense.

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So I'm sure that lots of people will be interested in providing their content that way.

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Campy too long before Apple opens up iTunes for exactly the same reason.

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So I think there's going to be some interesting stuff coming up in the next couple of,

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well, couple of months, maybe even couple of weeks.

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In fact, I was going to play this a little bit later on on the show, but mine is

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well hit it now.

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Welcome to the Bitter's Bill.

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Hi, Sam class.

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My daddy.

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My daddy.

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My daddy.

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This is 2005, the year of the podcast.

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I can't be the first person to say it, but you know what's true.

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This podcast thing is going to be gigantic.

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Oh yeah.

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You know, there's one thing that people consistently say to me when they know that I'm,

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that I'm the guy who does the daily source code.

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And by the way, it was pretty cool to be in the United States where I hadn't really been for a long time,

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and so many people know about podcasting, know about the source code,

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know about what's going on.

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It's just, it's really been pretty much endearing,

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but consistently, no matter where I go.

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Someone will always say, dude, where do you get those mashups?

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And my answer usually is, I get them from Pimp Daddy'sit.

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And email showed up this morning.

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Yo Curry, here's another track to kick start this new week.

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I heard on the daily source code that people ask you where you get your mashups.

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As a collector, I can show you in your listeners some cool sites that you can link to on your weblog,

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so people could explore the wonderful world of mashups themselves.

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No worries.

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The special ones are really hard to find, so there's always enough of this source code.

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This track, the one I know about the playboy, was made by Fuego.

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One of the best in this kind, also one of Sid's personal favorites.

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This is a mashup between Janet Jackson and Therapy.

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Many masses of, I want you back.

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This is one of the best ones he's ever heard of,

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and you can find that at Fuego.nl, of course.

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This is listed in the show notes, but I'll spell it for you.

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Curry style, Papa Hotel, Echo Uniform, Golf, Oscar, Oscar, dot, and L.

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[ Music ]

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Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar,

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[ Music ]

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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[ Music ]

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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[ Music ]

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Oscar, Oscar, Oscar, Oscar,

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[ Music ]

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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[ Music ]

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,

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Oscar, Oscar, Oscar, Oscar,