1 00:00:00,000 --> 00:00:03,620 In the source code, my third is out by h and h. 2 00:00:03,620 --> 00:00:05,760 Oh I wonder why, why, why, why, why, why? 3 00:00:05,760 --> 00:00:10,420 And this is one DJ, you don't want to fuck with. 4 00:00:10,420 --> 00:00:10,720 Cmondado! 5 00:00:14,760 --> 00:00:15,760 Hey everybody, 6 00:00:15,760 --> 00:00:17,560 that once again some studio stages. 7 00:00:20,060 --> 00:00:25,120 This is the Daily Source Code coming to you from just outside 8 00:00:25,120 --> 00:00:27,080 the BBC studios. 9 00:00:27,080 --> 00:00:34,680 To be precise, that would be the Southern Counties radio studios of the BBC, located 10 00:00:34,680 --> 00:00:37,840 at Surrey University right outside of Gilford. 11 00:00:37,840 --> 00:00:43,400 Oh man, I'm really pumping the tombs here. 12 00:00:43,400 --> 00:00:49,920 I got so many great responses to the past two days doing the podcast with St. Christina 13 00:00:49,920 --> 00:00:53,360 yesterday and in the kitchen the day before that I figured well. 14 00:00:53,360 --> 00:01:00,680 Maybe I just try to get my act together and do everything on remote or on location and 15 00:01:00,680 --> 00:01:05,520 just carry everything with me, which of course has me now carrying around tons of wires 16 00:01:05,520 --> 00:01:13,200 and my iPod and my iPod and all the gear that you need as well as my show notes in paper 17 00:01:13,200 --> 00:01:14,200 form. 18 00:01:14,200 --> 00:01:16,200 So it's the third of March, 2005. 19 00:01:16,200 --> 00:01:25,400 So the first thing I want to talk about is this interview that I just did. 20 00:01:25,400 --> 00:01:31,160 I've been here to the Southern Counties radio studio where they have an ISDN set which 21 00:01:31,160 --> 00:01:41,880 is basically a little mixer and a bridge that connects two studios together and have a microphone 22 00:01:41,880 --> 00:01:42,880 and some headphones. 23 00:01:43,200 --> 00:01:49,440 Kind of like some stuff that the equipment I think dates back from the 70s, it's pretty 24 00:01:49,440 --> 00:01:55,040 cruddy stuff but at least it works and I've been here several times whenever the BBC 25 00:01:55,040 --> 00:02:00,960 wanted to interview me and today it was and I've actually, I've said no in the past couple 26 00:02:00,960 --> 00:02:08,720 of weeks but this was for BBC Radio 4 which is I guess it's the pretty much the premiere 27 00:02:08,800 --> 00:02:16,080 like talk station for the BBC and I know that my neighbors listen to it and I'd love 28 00:02:16,080 --> 00:02:20,640 for Marion and Jimmy to hear me on Radio 4 so they'd know what the hell I'm doing and they'd 29 00:02:20,640 --> 00:02:26,480 finally could put some clues into place just to why I used to sit outside in my car in 30 00:02:27,360 --> 00:02:31,280 halfway between their driveway and the next neighbors sucking off bandwidth you know and 31 00:02:31,360 --> 00:02:38,800 what all this pod iPod stuff is about this pod casting so and let's see I was interviewed by 32 00:02:40,400 --> 00:02:50,080 you just see here I was interviewed by Rosie Goldsmith and this will air on April 1st can you 33 00:02:50,080 --> 00:02:56,960 believe that I mean April 1st that's like in a month is when they're going to air this I mean 34 00:02:57,440 --> 00:03:02,800 gee whiz anything could happen between now and then that was uh I kind of surprised me at the end 35 00:03:02,800 --> 00:03:08,240 there let me just hit the the hold button here on the i River so that I don't accidentally 36 00:03:08,240 --> 00:03:16,080 stop the recording um if he was kind of confrontational you know talking about uh it was actually 37 00:03:16,080 --> 00:03:22,800 it was pretty much a version of uh of you know mainstream media press saying web bloggers are you 38 00:03:22,880 --> 00:03:27,840 journalists and their pajamas who's kind of like well this is all amateur radio stuff and uh you 39 00:03:27,840 --> 00:03:30,960 know do you think you'll ever get professional I said well excuse me I've been broadcasting since 40 00:03:30,960 --> 00:03:37,200 I was 14 I'm a professional you know I've been paid lots of money to do radio programs and I'm doing 41 00:03:37,200 --> 00:03:44,000 you know my own creative thing uh only I'm doing it you know in a different distribution mechanism 42 00:03:44,000 --> 00:03:49,200 and there was something wonderful and I love it when when journalists report us do this and uh 43 00:03:49,200 --> 00:03:53,920 you know it's never gonna make make the air and you know I should have started the recording of 44 00:03:53,920 --> 00:03:58,160 today's source code while doing that interview but uh I knew there would be no way to get both 45 00:03:58,160 --> 00:04:03,760 what they were saying and I was saying so I figured I wouldn't do it but um what was the question 46 00:04:03,760 --> 00:04:11,840 let me think if I can I want to I don't want to miss a quote around this um she said um oops that's 47 00:04:11,840 --> 00:04:17,520 my uh my i-trip basically stopping okay I see when the iPod shuts off then the i-trip of course 48 00:04:17,600 --> 00:04:24,320 has no juice um she said well you know there's a reason for oh no um so unlike professional 49 00:04:25,360 --> 00:04:34,320 radio broadcast where there's a production and there's an editor and there's this whole process 50 00:04:34,320 --> 00:04:40,480 which of of course is uh is necessary and I said well why is it necessary why do you need all that 51 00:04:40,480 --> 00:04:46,880 she said well I'm not going to answer your questions okay that's fine so um anyway we've got a 52 00:04:46,960 --> 00:04:55,040 got a ways to go clearly so I'm back into car as you can tell I'm flying myself let me uh 53 00:04:55,040 --> 00:05:01,040 put the sheet well darn through the whoops through all the wires here I got my headphones I got the 54 00:05:01,040 --> 00:05:08,320 microphone but we do want to be safe let me see if I can position this mic a little bit better for 55 00:05:08,320 --> 00:05:15,600 y'all as I'm driving trying to find a good spot to put it so we have a maximum sound okay that's 56 00:05:15,600 --> 00:05:23,760 probably good there um yeah take a look my show notes because what I want to do is I want to 57 00:05:25,360 --> 00:05:31,280 back up it's actually gonna be quite a job to get out of here I wish you could see where it is 58 00:05:31,280 --> 00:05:37,840 it's really inconvenient and I have to back this mother load boat of a car through a very narrow passage 59 00:05:37,840 --> 00:05:44,240 way so just bear with me on this for a second and of course there's cars parked on all sides just to make 60 00:05:44,240 --> 00:05:51,840 my life a little more interesting okay let's see this is one of those where you actually have to do 61 00:05:51,840 --> 00:06:01,760 it on driving your mirrors okay we're doing good and there's some whoops some audible help from 62 00:06:02,800 --> 00:06:12,960 from the a8 the technicians at Audi woo this is tight so basically it's saying you are very close to 63 00:06:12,960 --> 00:06:22,640 obstacle sir okay so I'm looking good looking good whoops I mean I should shoot I wish I should 64 00:06:22,640 --> 00:06:29,200 I got to bring my camera along for these rides you would not believe how tightly packed this is 65 00:06:29,200 --> 00:06:34,240 this parking lot so now I'm probably gonna hit a little curb here as I back it out 66 00:06:34,240 --> 00:06:46,400 okay I actually have to now back down the hill in reverse because I can't turn around my goodness 67 00:06:46,400 --> 00:06:53,200 for the attitude the BBC has you'd expect that I have a little better facilities okay 68 00:06:55,840 --> 00:07:02,480 right oh okay so now I'm going down the hill in reverse you know what the screw it I'm going to go 69 00:07:02,480 --> 00:07:09,360 open see if I can turn them there all right while I'm doing this let's go to our first track today 70 00:07:10,400 --> 00:07:17,200 which I've got cut up here on the iPod which we're gonna play for you now through the 71 00:07:17,920 --> 00:07:22,480 stereo system so the great mashup that I found I thought you to enjoy it it's uh 72 00:07:22,480 --> 00:07:30,640 rather unusual version of let it be enjoy for a couple minutes 73 00:07:31,250 --> 00:11:09,680 [ Music ] 74 00:11:09,680 --> 00:11:19,760 go, let's go, let's go, let's go to the seats, go, let's go, let's go. 75 00:11:19,760 --> 00:11:26,280 All right how many different songs did you hear in that Mashup, huh? No woman no cry, 76 00:11:26,280 --> 00:11:33,500 a little bit of chili peppers in there and of course let it be by the beetles and as you 77 00:11:33,500 --> 00:11:42,260 You can tell I've taken to mixing longer tracks right in so that, you know, you don't 78 00:11:42,260 --> 00:11:46,020 just hear car noise the whole time, but you actually hear the track. 79 00:11:46,020 --> 00:11:51,300 Now I'm doing that in post-production, which is only necessary because I don't really 80 00:11:51,300 --> 00:11:55,460 have the required setup, the right tools to do it live. 81 00:11:55,460 --> 00:12:01,700 I've been looking desperately for a little battery powered mixer that'll just take 82 00:12:01,700 --> 00:12:06,980 a microphone and then, you know, hopefully with maybe a little bit of effects or 83 00:12:06,980 --> 00:12:14,300 processing or at least some, some equalizer settings and then one, but preferably two 84 00:12:14,300 --> 00:12:19,900 line inputs and then of course I wanted to have a headphone amplifier and it would 85 00:12:19,900 --> 00:12:24,460 have to have an out so that I could route that to my recording device, which is the 86 00:12:24,460 --> 00:12:30,820 I River IFP799 and then of course I wanted all in one box that I can just take with me. 87 00:12:30,820 --> 00:12:35,860 Now I have all kinds of things strapped together and actually on the way over I was thinking 88 00:12:35,860 --> 00:12:44,220 about this, maybe there's a way to combine all this in one of these smart phones, maybe 89 00:12:44,220 --> 00:12:51,900 a trio or perhaps a Microsoft smart phone because what I'm looking for is the following elements, 90 00:12:51,900 --> 00:12:59,900 I need to be able to record my voice, I need to be able to mix in MP3s with that, you know, 91 00:12:59,900 --> 00:13:06,020 and literally in real mix, right, not recording from the speaker through the microphone, 92 00:13:06,020 --> 00:13:12,340 but you know, some little software actually has to be built and it would be even cooler 93 00:13:12,340 --> 00:13:18,500 if you could add to that, see some of these phones have Wi-Fi and it's so that I could 94 00:13:18,500 --> 00:13:25,260 actually hook up to a network and perhaps utilize a handheld version of Skype. 95 00:13:25,260 --> 00:13:29,220 Give me that and I'm your man, I'm telling you, I mean, how hard can it be? 96 00:13:29,220 --> 00:13:33,660 I think that there are handheld devices out there that have all of these elements, we just 97 00:13:33,660 --> 00:13:37,940 need to kind of strap them all together and please don't make me go learn, you know, 98 00:13:37,940 --> 00:13:42,460 dot net or visual basic or some crap like that to get it done, surely there's some developer 99 00:13:42,460 --> 00:13:46,980 out there who's thinking, hmm, maybe that first Apple script that turned an iPod or maybe 100 00:13:46,980 --> 00:13:51,460 something there and I could go create something cool that people use as well, so, you 101 00:13:51,460 --> 00:13:57,940 know, don't wait around, I mean, Microsoft say what you will but they certainly provide tools 102 00:13:57,940 --> 00:14:02,700 for developers, so, you know, let's get cracking at, I mean, I wouldn't need my computer 103 00:14:02,700 --> 00:14:06,780 anymore if I could, if I could do it all on one device, but I have to, you know, and by 104 00:14:06,780 --> 00:14:11,620 the way, make, you know, hook up the buttons on the phone so you can, you know, map them 105 00:14:11,620 --> 00:14:16,300 to like starting a track or open up the microphone or something like that and if anyone 106 00:14:16,300 --> 00:14:21,060 out there feels they can develop this application, you know, I will be your number one 107 00:14:21,060 --> 00:14:27,100 beta tester and I will certainly, you know, take it around the block for multiple spins 108 00:14:27,100 --> 00:14:34,100 to, to make sure that it's, you know, that, that it's, it's matching the requirements. 109 00:14:34,100 --> 00:14:38,340 Let's see, so, and also, it'll be great if I could have an outline on that for my show 110 00:14:38,340 --> 00:14:44,140 notes because now I just have a piece of paper with basically a screen shot of my outline. 111 00:14:44,140 --> 00:14:48,660 And one of the things I need to talk to you about that I wrote down is, Libsin, just 112 00:14:48,660 --> 00:14:55,820 what, Libra is indication, they're a podcast, infrastructure provider, I guess, place 113 00:14:55,820 --> 00:15:01,420 where you can go drop your podcasts, they give you some file management, your RSS feed is 114 00:15:01,420 --> 00:15:05,380 created, you get a little show notes blog, really quite simple. 115 00:15:05,380 --> 00:15:11,940 And I mistakenly said that their pricing was, was a little bit too high for the, for the 116 00:15:11,940 --> 00:15:16,820 small amount of data that they were allowing and I received an email about that, which, 117 00:15:16,820 --> 00:15:25,660 of course, you can all retrieve from the show notes at dailysourcecode.com or from www.curry.com. 118 00:15:25,700 --> 00:15:30,380 Essentially, they have unmetored bandwidth and you're paying for the storage for the number 119 00:15:30,380 --> 00:15:31,380 of files. 120 00:15:31,380 --> 00:15:37,100 I think you start like it, five bucks for storing 100 megs worth of files, which is probably 121 00:15:37,100 --> 00:15:41,140 good, in my case, for about five shows, but of course, you could, you know, move one 122 00:15:41,140 --> 00:15:44,860 off archive at somewhere else or whatever, but the bandwidth is unmetored. 123 00:15:44,860 --> 00:15:49,980 So, I was mistaken about that, which makes that actually much more, you know, much more 124 00:15:49,980 --> 00:15:52,300 attractive proposition. 125 00:15:52,300 --> 00:15:57,740 And if anyone out there has knows about networking, maybe you can explain this to me. 126 00:15:57,740 --> 00:16:06,220 I've, it's been, people have tried to explain to me that internet service providers or hosting 127 00:16:06,220 --> 00:16:11,860 companies that have a tremendous amount of data traffic that is being requested from their 128 00:16:11,860 --> 00:16:17,620 network that is actually a benefit to them if they can provide that. 129 00:16:17,620 --> 00:16:20,940 So, whereas you might think, oh my gosh, you know, all this, this traffic that they're 130 00:16:20,940 --> 00:16:26,460 sending out, only cost gobs and gobs of money, it is my understanding, and again, I'm 131 00:16:26,460 --> 00:16:29,580 not quite sure how it works. 132 00:16:29,580 --> 00:16:37,500 It is my understanding that that is actually advantageous to a web host provider or an ISP 133 00:16:37,500 --> 00:16:40,420 who provides, who actually is hosting those shows. 134 00:16:40,420 --> 00:16:41,940 I'm not quite sure how it works. 135 00:16:41,940 --> 00:16:46,660 I don't know if it has something to do with peering agreements or, you know, whatever it 136 00:16:46,660 --> 00:16:52,580 is, but if that is true, I'd love to know how it works, because they know that stuff 137 00:16:52,580 --> 00:16:56,820 that happens up in the so-called cloud is just really, really fuzzy. 138 00:16:56,820 --> 00:16:59,620 I just, you know, I'm not quite sure I understand. 139 00:16:59,620 --> 00:17:06,180 So, Adam McCree dot com if I'm just siren, let's come it up, let me see, is that it's 140 00:17:06,180 --> 00:17:07,180 coming closer? 141 00:17:07,180 --> 00:17:08,180 Is it here? 142 00:17:08,180 --> 00:17:09,180 Oh ambulance? 143 00:17:09,180 --> 00:17:12,820 Okay, I'm sorry ambulance service. 144 00:17:13,820 --> 00:17:18,820 Okay, now I see, this is where I got to go over to my iPod again, and I got to line up 145 00:17:18,820 --> 00:17:19,820 the next track. 146 00:17:19,820 --> 00:17:21,420 Oh, this is great. 147 00:17:21,420 --> 00:17:26,140 I came across this on openpodcast.org, and it just blew me away. 148 00:17:26,140 --> 00:17:31,380 Let's listen to this little history lesson, which will actually help us, perhaps, understand 149 00:17:31,380 --> 00:17:32,380 the future somewhat. 150 00:17:32,380 --> 00:17:38,540 You're not fully matured in 1933 when Armstrong invented FM radio. 151 00:17:38,540 --> 00:17:41,780 They developed a receiver and a transmitter to drive it. 152 00:17:41,780 --> 00:17:46,180 They could tell the difference between lightning electric motors, atmospheric interference, 153 00:17:46,180 --> 00:17:48,620 and the radio broadcast itself. 154 00:17:48,620 --> 00:17:53,420 So you'd think that his employer, RSEA, would jump to the new technology. 155 00:17:53,420 --> 00:17:57,620 Instead, they did everything they could to kill it. 156 00:17:57,620 --> 00:17:58,620 Why? 157 00:17:58,620 --> 00:18:03,860 RSEA owned two radio networks in BC Red and in BC Blue, and some of the biggest radio stations 158 00:18:03,860 --> 00:18:06,620 that served large areas of the country. 159 00:18:06,620 --> 00:18:10,620 The stations that were protected against interference from smaller stations. 160 00:18:10,620 --> 00:18:17,180 FM stations would take away from NBC's power of position, so they sat on FM, and Armstrong 161 00:18:17,180 --> 00:18:19,580 ultimately killed himself. 162 00:18:19,580 --> 00:18:21,300 It's happening again. 163 00:18:21,300 --> 00:18:25,580 The big players, the phone companies, the terrestrial broadcasters, the old-line media 164 00:18:25,580 --> 00:18:30,540 rights holders, see their monopolies ending and their playing dirty, and it's only the 165 00:18:30,540 --> 00:18:31,540 beginning. 166 00:18:31,540 --> 00:18:37,420 Bill South told Lafayette Louisiana that if Lafayette utilities lay his fiber, Bill South 167 00:18:37,420 --> 00:18:42,780 will pull its singular wireless call center out of the city, and the jobs along with it. 168 00:18:42,780 --> 00:18:46,860 Texas Legislator Phil King, rich from big media corporate donations, is introduced 169 00:18:46,860 --> 00:18:50,100 to Bill to keep municipalities from installing broadband. 170 00:18:50,100 --> 00:18:54,900 Vonage is complained to the FCC about a rural telephone company who has blocked voice 171 00:18:54,900 --> 00:19:00,580 over IP on its internet connections, presumably, so that you'll use their phone instead. 172 00:19:00,580 --> 00:19:04,580 In Republican Senator Ted Stevens of Alaska, voted against a bill that would extend 173 00:19:04,580 --> 00:19:09,260 in decency regulation to cable, but he has told the group of broadcasters that he might 174 00:19:09,260 --> 00:19:11,540 be changing his mind. 175 00:19:11,540 --> 00:19:14,900 That's the latest way to support terrestrial broadcast owners. 176 00:19:14,900 --> 00:19:16,740 Make the competition illegal. 177 00:19:16,740 --> 00:19:21,340 If you dumb down cable and satellite radio, you get the same shit being shoveled over 178 00:19:21,340 --> 00:19:22,740 the air. 179 00:19:22,740 --> 00:19:27,620 Get ready, because direct internet delivery is next. 180 00:19:27,620 --> 00:19:33,140 A Los Angeles radio station owner petitioned the FCC last year to regulate XM and serious. 181 00:19:33,140 --> 00:19:36,260 Sal the Vines said he wasn't anti-free speech. 182 00:19:36,260 --> 00:19:40,380 He just wanted a level playing field, but the FCC's Powell sentiment out and said since 183 00:19:40,380 --> 00:19:45,380 kids can't receive satellite without their parents entering into an agreement, it just wasn't 184 00:19:45,380 --> 00:19:46,380 the same. 185 00:19:46,380 --> 00:19:47,700 So where are we? 186 00:19:47,700 --> 00:19:52,340 Vonage once the FCC to regulate Lex who regulate content by making it legal the 187 00:19:52,340 --> 00:19:54,060 block ports used for VoIP. 188 00:19:54,060 --> 00:19:58,460 The FCC hasn't decided that when yet, but has told Sal of Ian, that satellite radio 189 00:19:58,460 --> 00:20:01,500 gets a pass because kids can't get it. 190 00:20:01,500 --> 00:20:03,060 Kids can get podcasts. 191 00:20:03,060 --> 00:20:07,700 In fact, they're more likely to get them, so VoIP may not be the only four-liter word 192 00:20:07,700 --> 00:20:09,340 they regulate. 193 00:20:09,340 --> 00:20:11,300 And who benefits from all this? 194 00:20:11,300 --> 00:20:17,060 Legacy providers in Big Media, who loses the public and the poorer you are, the more you 195 00:20:17,060 --> 00:20:18,300 lose. 196 00:20:18,300 --> 00:20:22,380 I really like Lawrence Lessig's take on this on his wired podcast. 197 00:20:22,380 --> 00:20:27,740 Governor Ed Rendell last year signed an anti-manusable Wi-Fi bill in Pennsylvania. 198 00:20:27,740 --> 00:20:31,820 This is a pretty hard thing to sell, and he had to exempt Philadelphia because half the 199 00:20:31,820 --> 00:20:36,260 poorer neighborhoods would probably get no internet if it applied to everybody. 200 00:20:36,260 --> 00:20:41,940 But the gov dusted off that old socialism argument, which proves how far these guys are 201 00:20:41,940 --> 00:20:46,420 willing to go to take away from the people and make it look like there's some higher 202 00:20:46,420 --> 00:20:47,940 purpose in it. 203 00:20:47,940 --> 00:20:49,620 Lessig really skewered him on it. 204 00:20:49,620 --> 00:20:55,140 For if you look closely, you'll see that the communist menace has infiltrated governments 205 00:20:55,140 --> 00:20:56,460 everywhere. 206 00:20:56,460 --> 00:21:00,900 Ever noticed those free photons as you walk the city streets at night? 207 00:21:00,900 --> 00:21:05,940 Everything about the poor, street lamp companies run out of business because municipalities 208 00:21:05,940 --> 00:21:10,780 dain to do completely what private industry would only do incompletely. 209 00:21:10,780 --> 00:21:13,700 Yeah, yeah, but we're all preaching to the choir here. 210 00:21:13,700 --> 00:21:18,580 And most of the folks who remember the last time arguments like this were used are dead 211 00:21:18,620 --> 00:21:20,580 or dying. 212 00:21:20,580 --> 00:21:22,860 This is Adolf Margeau speaking. 213 00:21:22,860 --> 00:21:27,900 If the Visionski or Molotov had been sitting in Congress during the past six years, they 214 00:21:27,900 --> 00:21:31,900 could not have voted against the unemellican activities committee more consistently than 215 00:21:31,900 --> 00:21:32,900 did Helen Douglas. 216 00:21:32,900 --> 00:21:37,780 If she had had her way, a swarm of pro-Soviet turmites would still be knowing away 217 00:21:37,780 --> 00:21:39,820 at the foundations of our government. 218 00:21:39,820 --> 00:21:44,060 And now Mrs. Douglas hailed by the Communist line press as one of the heroes of the 219 00:21:44,980 --> 00:21:48,580 area of Congress, this contesting for the seat in the United States Senate against Congressman 220 00:21:48,580 --> 00:21:49,580 Richard Nixon. 221 00:21:49,580 --> 00:21:54,420 One thing you can be sure, every communist and California will vote for Mrs. Douglas. 222 00:21:54,420 --> 00:21:58,700 Now let's prompt them and tell you the votes for Richard Nixon, a man who is dignified 223 00:21:58,700 --> 00:22:01,980 the House of Representatives by his presence in his actions. 224 00:22:01,980 --> 00:22:06,860 People who cannot learn from history are doomed to repeat it. 225 00:22:06,860 --> 00:22:11,660 But that's just my opinion, as plagiarized from George Santa Ana. 226 00:22:11,660 --> 00:22:15,780 So I'm not quite sure who created this. 227 00:22:15,780 --> 00:22:22,060 It's podcast 1186 on openpodcast.org. 228 00:22:22,060 --> 00:22:29,140 Voight is a four or voice over IP is a four letter word by PBC Liberal, excellent piece. 229 00:22:29,140 --> 00:22:30,140 Enjoy that very much. 230 00:22:30,140 --> 00:22:32,500 And by now I've actually arrived home. 231 00:22:32,500 --> 00:22:41,580 So I'm going to see disconnect some stuff here and we're going to go inside. 232 00:22:41,580 --> 00:22:46,220 We'll continue from there because I have the same playlist. 233 00:22:46,220 --> 00:22:50,820 Now of course I've got to figure out how to carry all this stuff at the same time. 234 00:22:50,820 --> 00:22:51,820 Let's see. 235 00:22:51,820 --> 00:22:56,220 I've put the receiver side in the eye river in my pocket transmitter. 236 00:22:56,220 --> 00:22:58,500 We don't need no stink in transmitters. 237 00:22:58,500 --> 00:23:01,220 And the other pocket over here. 238 00:23:01,220 --> 00:23:04,340 Okay, well, let's slap the iPod in there. 239 00:23:04,340 --> 00:23:05,340 Show notes. 240 00:23:05,340 --> 00:23:07,340 Okay. 241 00:23:07,340 --> 00:23:10,340 Is that tight squeeze? 242 00:23:10,340 --> 00:23:11,340 Okay. 243 00:23:11,340 --> 00:23:16,340 There we go. 244 00:23:16,340 --> 00:23:19,340 It's not a very nice day today. 245 00:23:19,340 --> 00:23:25,340 Put the mic as close. 246 00:23:25,340 --> 00:23:27,340 What are we doing here? 247 00:23:27,340 --> 00:23:29,340 Oh hi, Pussycat. 248 00:23:29,340 --> 00:23:30,340 Hello. 249 00:23:30,340 --> 00:23:33,340 What's wrong? 250 00:23:33,340 --> 00:23:34,340 Baby. 251 00:23:34,340 --> 00:23:36,340 What is there? 252 00:23:36,340 --> 00:23:37,340 Here. 253 00:23:37,340 --> 00:23:39,340 What's wrong with you? 254 00:23:39,340 --> 00:23:41,340 What's wrong? 255 00:23:41,340 --> 00:23:42,340 What's wrong? 256 00:23:42,340 --> 00:23:45,340 It's a beautiful like Siamese cat. 257 00:23:45,340 --> 00:23:47,340 What's wrong? 258 00:23:47,340 --> 00:23:48,340 Let me pet him. 259 00:23:48,340 --> 00:23:50,340 Oh, he looks okay. 260 00:23:50,340 --> 00:23:53,340 There's no collar. 261 00:23:53,340 --> 00:23:56,340 I wonder if he belongs here. 262 00:23:56,340 --> 00:23:58,340 Maybe he's one of the neighbors cats. 263 00:23:58,340 --> 00:24:03,340 When you're making such a racket about baby, you make such a racket about. 264 00:24:03,340 --> 00:24:06,340 Okay, seems very friendly. 265 00:24:06,340 --> 00:24:07,340 All right. 266 00:24:07,340 --> 00:24:10,340 Maybe just wanted some attention. 267 00:24:10,340 --> 00:24:14,340 So we'll leave him for what he is. 268 00:24:14,340 --> 00:24:17,340 Let's move on. 269 00:24:17,340 --> 00:24:19,340 You can hear the wind. 270 00:24:19,340 --> 00:24:25,340 Not only is it cold, but the wind is just flowing down off the downs. 271 00:24:25,340 --> 00:24:35,340 Hello. 272 00:24:35,340 --> 00:24:37,340 Hello. 273 00:24:37,340 --> 00:24:40,340 I'm podcasting. 274 00:24:40,340 --> 00:24:41,340 Yes. 275 00:24:41,340 --> 00:24:42,340 Hello. 276 00:24:42,340 --> 00:24:43,340 Hello. 277 00:24:43,340 --> 00:24:48,340 I hope it doesn't finish off. 278 00:24:49,340 --> 00:24:54,340 BBC 4 confrontational. 279 00:24:54,340 --> 00:24:55,340 Yeah. 280 00:24:55,340 --> 00:24:57,340 So this is all just amateurs. 281 00:24:57,340 --> 00:24:58,340 Excuse me. 282 00:24:58,340 --> 00:25:00,340 I think I'm pretty damn professional. 283 00:25:00,340 --> 00:25:02,340 I've been doing it since I was 14. 284 00:25:02,340 --> 00:25:04,340 And I've been paid lots of money to. 285 00:25:04,340 --> 00:25:05,340 She. 286 00:25:05,340 --> 00:25:06,340 She. 287 00:25:06,340 --> 00:25:07,340 That's not the point. 288 00:25:07,340 --> 00:25:10,340 She was just saying podcasting is just amateurs. 289 00:25:10,340 --> 00:25:11,340 Exactly. 290 00:25:11,340 --> 00:25:12,340 That's the face I made. 291 00:25:12,340 --> 00:25:14,340 I hear a lot more amateurs on there. 292 00:25:14,340 --> 00:25:15,340 On the radio. 293 00:25:16,340 --> 00:25:17,340 Oh. 294 00:25:17,340 --> 00:25:20,340 And I went through this whole thing and said, you know, what? 295 00:25:20,340 --> 00:25:21,340 Why? 296 00:25:21,340 --> 00:25:22,340 Why does this appeal to? 297 00:25:22,340 --> 00:25:23,340 It's fine. 298 00:25:23,340 --> 00:25:24,340 Shoot. 299 00:25:24,340 --> 00:25:25,340 So why does this appeal to people? 300 00:25:25,340 --> 00:25:27,340 I said because we're living in a world of fakeness. 301 00:25:27,340 --> 00:25:28,340 Yeah. 302 00:25:28,340 --> 00:25:29,340 And we're tied to fake. 303 00:25:29,340 --> 00:25:30,340 I said, pick up a women's magazine. 304 00:25:30,340 --> 00:25:33,340 Look at Kate Moss with her to get the Rimal London look. 305 00:25:33,340 --> 00:25:34,340 Yeah. 306 00:25:34,340 --> 00:25:35,340 So she's wearing eyelash. 307 00:25:35,340 --> 00:25:36,340 Fake eyelashes. 308 00:25:36,340 --> 00:25:39,340 For selling mascara that makes your eyelashes look long. 309 00:25:39,340 --> 00:25:40,340 Yeah. 310 00:25:40,340 --> 00:25:42,340 And her life sucks. 311 00:25:42,340 --> 00:25:44,340 Thank you. 312 00:25:44,340 --> 00:25:45,340 Thank you, dear. 313 00:25:45,340 --> 00:25:46,340 Oh, shoot. 314 00:25:46,340 --> 00:25:50,340 I got a major crackling side. 315 00:25:50,340 --> 00:25:51,340 Yeah. 316 00:25:51,340 --> 00:25:53,340 What's she hanging out with that Pete guy? 317 00:25:53,340 --> 00:25:54,340 That drug addict? 318 00:25:54,340 --> 00:25:55,340 Yeah. 319 00:25:55,340 --> 00:25:56,340 I think he's over now. 320 00:25:56,340 --> 00:25:57,340 Hey, we're in jail. 321 00:25:57,340 --> 00:25:58,340 Yeah. 322 00:25:58,340 --> 00:25:59,340 Yeah. 323 00:25:59,340 --> 00:26:00,340 Okay. 324 00:26:00,340 --> 00:26:01,340 I'm going to go upstairs and finish. 325 00:26:01,340 --> 00:26:04,340 I don't know what's going on here with me. 326 00:26:04,340 --> 00:26:06,340 I hope you're not hearing that. 327 00:26:06,340 --> 00:26:08,340 For some reason. 328 00:26:08,340 --> 00:26:10,340 I'm getting major interference. 329 00:26:10,340 --> 00:26:11,340 Hold on. 330 00:26:11,340 --> 00:26:12,340 Maybe. 331 00:26:12,340 --> 00:26:14,340 Just a minute or the receiver. 332 00:26:14,340 --> 00:26:20,340 Maybe it's just all the frickin' frequencies being used throughout the house. 333 00:26:20,340 --> 00:26:21,340 So I'm going to have... 334 00:26:21,340 --> 00:26:22,340 There we go. 335 00:26:22,340 --> 00:26:23,340 It was the transmitter. 336 00:26:23,340 --> 00:26:26,340 Probably hitting up against something. 337 00:26:26,340 --> 00:26:33,340 I've got three Wi-Fi hotspots in the house. 338 00:26:33,340 --> 00:26:36,340 We've got cordless telephones. 339 00:26:36,340 --> 00:26:41,340 We've got wireless transmitters for... 340 00:26:41,340 --> 00:26:46,340 Or transmitter pair for the television, the kitchen. 341 00:26:46,340 --> 00:26:47,340 Shoot. 342 00:26:47,340 --> 00:26:48,340 So, you know. 343 00:26:48,340 --> 00:26:52,340 We've got to think that that's got to have something to do with it. 344 00:26:52,340 --> 00:26:53,340 Okay. 345 00:26:53,340 --> 00:27:01,340 So, I think I should be able to bring up my playlist here of stuff that I was playing. 346 00:27:01,340 --> 00:27:02,340 Okay. 347 00:27:02,340 --> 00:27:03,340 Yes. 348 00:27:03,340 --> 00:27:05,340 What was I going to do next? 349 00:27:06,340 --> 00:27:08,340 What's our time frame here? 350 00:27:08,340 --> 00:27:09,340 Okay. 351 00:27:09,340 --> 00:27:10,340 10 minutes left. 352 00:27:10,340 --> 00:27:13,340 Well, then, of course, we've got to play the final countdown. 353 00:27:13,340 --> 00:27:15,340 Your president at his best. 354 00:27:15,340 --> 00:27:17,340 Turn, turn, turn. 355 00:27:17,340 --> 00:27:18,340 Evil is real. 356 00:27:18,340 --> 00:27:19,340 Evil is real. 357 00:27:19,340 --> 00:27:21,340 Evil is real. 358 00:27:21,340 --> 00:27:22,340 Evil is real. 359 00:27:22,340 --> 00:27:24,340 Evil is real. 360 00:27:24,340 --> 00:27:25,340 8 years. 361 00:27:25,340 --> 00:27:29,340 It is a totalitarian political ideology to do it. 362 00:27:29,340 --> 00:27:32,340 Proceed with consuming zeal and do it. 363 00:27:32,340 --> 00:27:35,340 And without conscience, do it. 364 00:27:35,340 --> 00:27:36,340 Bring them on. 365 00:27:36,340 --> 00:27:39,340 tyranny and terrorism dot dot. 366 00:27:39,340 --> 00:27:42,340 I'm George W. Bush and I approve this and I want to share with you. 367 00:27:42,340 --> 00:27:47,340 Carry representing the geneticism, resentment, and terror. 368 00:27:47,340 --> 00:27:49,340 Made long ago on the day of our founding. 369 00:27:49,340 --> 00:27:50,340 We affirm it again today. 370 00:27:50,340 --> 00:27:51,340 Do it. 371 00:27:51,340 --> 00:27:55,340 I am determined to simmer in resentment and tyranny. 372 00:27:55,340 --> 00:28:00,340 Prone to ideologies that feed hatred and excuse murder. 373 00:28:00,340 --> 00:28:01,340 Bring them on. 374 00:28:01,340 --> 00:28:04,340 There can be no separate peace. 375 00:28:04,340 --> 00:28:09,340 Violence will gather and multiply and destructive power. 376 00:28:09,340 --> 00:28:11,340 Bring them on. 377 00:28:11,340 --> 00:28:18,340 Each attack is designed to demoralize our people and divide us from one another. 378 00:28:18,340 --> 00:28:22,340 The worst locomotive and raise a mortal threat to it. 379 00:28:22,340 --> 00:28:25,340 There's a mindset that rejoices in suicide. 380 00:28:25,340 --> 00:28:26,340 Do it. 381 00:28:26,340 --> 00:28:27,340 Insights murder. 382 00:28:27,340 --> 00:28:32,340 And celebrates every death when we release the shock truce of a hateful ideology. 383 00:28:32,340 --> 00:28:34,340 Army to threaten the peace of the world. 384 00:28:34,340 --> 00:28:35,340 Bring them on. 385 00:28:35,340 --> 00:28:37,340 Thousands of dangerous killers. 386 00:28:37,340 --> 00:28:42,340 School in the methods of murder are now spread throughout the world. 387 00:28:42,340 --> 00:28:44,340 Like the ticking time bombs. 388 00:28:44,340 --> 00:28:47,340 Set to go off without warning. 389 00:28:48,340 --> 00:28:51,340 America is a friend of the Muslim crowd. 390 00:28:51,340 --> 00:28:53,340 Terror, terror, terror. 391 00:28:53,340 --> 00:28:56,340 Violence, tyranny is not surrender to the country. 392 00:28:56,340 --> 00:28:58,340 Your enemy is ruling your country. 393 00:28:58,340 --> 00:28:59,340 Do it. 394 00:28:59,340 --> 00:29:02,340 We're living together. 395 00:29:02,340 --> 00:29:05,340 But still it's farewell. 396 00:29:05,340 --> 00:29:09,340 And maybe we'll come back to burn. 397 00:29:09,340 --> 00:29:12,340 Who can tell? 398 00:29:12,340 --> 00:29:16,340 Like there is no one to blame. 399 00:29:16,340 --> 00:29:19,340 We'll leave it grow. 400 00:29:19,340 --> 00:29:23,340 Will things ever be the same again. 401 00:29:23,340 --> 00:29:24,340 Do it. 402 00:29:24,340 --> 00:29:27,340 It's a fine no-to-one. 403 00:29:27,340 --> 00:29:31,340 I believe in the solemn duty of the American president. 404 00:29:31,340 --> 00:29:35,340 It's the district punishment for imaginary crimes. 405 00:29:35,340 --> 00:29:38,340 We celebrate the reign of hatred. 406 00:29:39,340 --> 00:29:42,340 The existence of permanent turning. 407 00:29:42,340 --> 00:29:46,340 The possibility of permanent slavery. 408 00:29:46,340 --> 00:29:50,340 We have led many have joined. 409 00:29:50,340 --> 00:29:54,340 And America in the world is a complicated mess. 410 00:29:54,340 --> 00:30:01,340 The wise excuse of America's strength is to advance the continuing danger of terrorism. 411 00:30:01,340 --> 00:30:06,340 And all of this has confirmed one belief in the end. 412 00:30:06,340 --> 00:30:08,340 We've come this far. 413 00:30:08,340 --> 00:30:12,340 Our tested and confident nations can achieve anything. 414 00:30:12,340 --> 00:30:15,340 Eight years of more dark violence will gather. 415 00:30:15,340 --> 00:30:16,340 Do it. 416 00:30:16,340 --> 00:30:17,340 Bring more. 417 00:30:17,340 --> 00:30:18,340 We're in front of the map. 418 00:30:18,340 --> 00:30:21,340 Evil is real. 419 00:30:21,340 --> 00:30:23,340 So not really intended. 420 00:30:23,340 --> 00:30:27,340 There's a political message more than an interesting mashup. 421 00:30:27,340 --> 00:30:30,340 And good editing job on that with the final countdown. 422 00:30:30,340 --> 00:30:32,340 By that wonderful Swedish band. 423 00:30:32,340 --> 00:30:33,340 You heard, remember them? 424 00:30:34,340 --> 00:30:38,340 You know, I was, see what, oh. 425 00:30:38,340 --> 00:30:42,340 I got to skip a couple of things here just because of the time. 426 00:30:42,340 --> 00:30:47,340 Gmail mentioned the Gmail have been down a couple of times, which freaked me out a little bit. 427 00:30:47,340 --> 00:30:52,340 And I got to email about that that perhaps it wasn't that they were down, but they might be performing an upgrade. 428 00:30:52,340 --> 00:30:58,340 Because now it seems that Gmail is working on more browsers, including some Linux flavors of browsers. 429 00:30:58,340 --> 00:31:01,340 So maybe that Gmail is doing upgrades, which is great. 430 00:31:01,340 --> 00:31:04,340 I'm still a big fan of the service. 431 00:31:04,340 --> 00:31:06,340 Some information about Father Roderick. 432 00:31:06,340 --> 00:31:07,340 We've talked about him. 433 00:31:07,340 --> 00:31:09,340 The Catholic Insider.com. 434 00:31:09,340 --> 00:31:14,340 He has not actually gotten Vatican Radio to start podcasting along with his podcast. 435 00:31:14,340 --> 00:31:19,340 Deep from the bowels of the Vatican where no journalists has ever gone before. 436 00:31:19,340 --> 00:31:20,340 Catholic Insider.com. 437 00:31:20,340 --> 00:31:23,340 I can't, I can't listen to that podcast enough. 438 00:31:23,340 --> 00:31:25,340 I really, really dig it. 439 00:31:25,340 --> 00:31:30,340 And I got some email from a Dutch listener because Father Roderick is a Dutch priest. 440 00:31:30,340 --> 00:31:34,340 Who's been podcasting from the Vatican for the past week or so. 441 00:31:34,340 --> 00:31:38,340 Turns out he's been active online for quite a while. 442 00:31:38,340 --> 00:31:43,340 Actually, he's been found in the Star Wars realm. 443 00:31:43,340 --> 00:31:45,340 He seems to be a geek. 444 00:31:45,340 --> 00:31:47,340 A Star Wars geek. 445 00:31:47,340 --> 00:31:48,340 Which is cool. 446 00:31:48,340 --> 00:31:49,340 And it makes total sense. 447 00:31:49,340 --> 00:31:52,340 And I still get a kick out of him saying, oh my gosh. 448 00:31:52,340 --> 00:31:54,340 Let's see. 449 00:31:54,340 --> 00:31:55,340 Oh, that's right. 450 00:31:55,340 --> 00:31:56,340 The blast on the past. 451 00:31:56,340 --> 00:32:02,340 The buddy of mine, Larry, who I met many, many years ago, is now up at Microsoft. 452 00:32:02,340 --> 00:32:05,340 And is working in the Xbox division. 453 00:32:05,340 --> 00:32:06,340 Larry, why don't you come on in? 454 00:32:06,340 --> 00:32:07,340 Thanks, Adam. 455 00:32:07,340 --> 00:32:08,340 Hey, this is Larry. 456 00:32:08,340 --> 00:32:10,340 Her better known as Xbox Live's Major Nelson. 457 00:32:10,340 --> 00:32:12,340 If you want to know what's going on with the future of gaming, 458 00:32:12,340 --> 00:32:16,340 there's no better place than the 2005 Game Developers Conference, 459 00:32:16,340 --> 00:32:18,340 March 7th through 10th in San Francisco. 460 00:32:18,340 --> 00:32:19,340 Not a game developer. 461 00:32:19,340 --> 00:32:20,340 Can't make it. 462 00:32:20,340 --> 00:32:22,340 But you still want to learn what the new trends are in gaming. 463 00:32:22,340 --> 00:32:23,340 No problem. 464 00:32:23,340 --> 00:32:27,340 Soon into my podcast at majornelson.com, and you'll be on the inside. 465 00:32:27,340 --> 00:32:31,340 Plus this year, I'll be podcasting Jay Howard's keynote speech about the future 466 00:32:31,340 --> 00:32:33,340 of gaming unlocking the opportunity. 467 00:32:33,340 --> 00:32:36,340 For more information and complete details, check out majornelson.com. 468 00:32:36,340 --> 00:32:38,340 Now back to the Daily Source Code. 469 00:32:38,340 --> 00:32:39,340 All right. 470 00:32:39,340 --> 00:32:40,340 Thank you very much. 471 00:32:40,340 --> 00:32:41,340 Ooh. 472 00:32:41,340 --> 00:32:42,340 Nice Xbox sound there. 473 00:32:42,340 --> 00:32:43,340 So at normal. 474 00:32:43,340 --> 00:32:45,340 Yeah, I wouldn't just go and pull out stuff like that. 475 00:32:45,340 --> 00:32:48,340 But I love the fact that Larry put a promo together and had it open ended. 476 00:32:48,340 --> 00:32:51,340 You know, so I could toss to him and he toss back to me. 477 00:32:51,340 --> 00:32:55,340 And a place where you can pick up promos, which I think is actually, 478 00:32:55,340 --> 00:32:58,340 it might be something cool to look into. 479 00:32:58,340 --> 00:33:04,340 If you like a certain show, podcastpromos.com has been created, 480 00:33:04,340 --> 00:33:07,340 where you can essentially drop off a promo for your show, 481 00:33:07,340 --> 00:33:09,340 and pick up promos from other shows. 482 00:33:09,340 --> 00:33:12,340 And it's kind of like a radio daddy type of exchange, 483 00:33:12,340 --> 00:33:15,340 where you can exchange a voiceover work on. 484 00:33:15,340 --> 00:33:17,340 This is just purely for promos. 485 00:33:17,340 --> 00:33:20,340 More information about that in the show notes for today's podcast. 486 00:33:20,340 --> 00:33:23,340 On daily source code.com. 487 00:33:23,340 --> 00:33:25,340 And now time for... 488 00:33:25,340 --> 00:33:26,340 Yeah. 489 00:33:26,340 --> 00:33:28,340 There you see my thinking cap. 490 00:33:28,340 --> 00:33:30,340 First, there have to put my thinking cap on. 491 00:33:30,340 --> 00:33:31,340 Come on. 492 00:33:31,340 --> 00:33:32,340 It's time for Adam. 493 00:33:32,340 --> 00:33:34,340 I'm curious to take the hint to us. 494 00:33:34,340 --> 00:33:35,340 With y'all. 495 00:33:35,340 --> 00:33:36,340 Pull it. 496 00:33:36,340 --> 00:33:38,340 I had him. 497 00:33:38,340 --> 00:33:39,340 Hey, y'all number 19. 498 00:33:39,340 --> 00:33:40,340 All right. 499 00:33:40,340 --> 00:33:41,340 Let's keep it short and simple. 500 00:33:41,340 --> 00:33:42,340 And this is... 501 00:33:42,340 --> 00:33:43,340 I'm on for that. 502 00:33:43,340 --> 00:33:44,340 I know. 503 00:33:44,340 --> 00:33:45,340 I know. 504 00:33:45,340 --> 00:33:46,340 I know. 505 00:33:46,340 --> 00:33:47,340 I know. 506 00:33:47,340 --> 00:33:48,340 That's easy. 507 00:33:49,340 --> 00:33:50,340 That would be... 508 00:33:50,340 --> 00:33:52,340 Odyssey going back to my roots. 509 00:33:52,340 --> 00:33:53,340 Ooh. 510 00:33:53,340 --> 00:33:55,340 Within the time limit even. 511 00:33:55,340 --> 00:33:57,340 And this is number two. 512 00:34:08,340 --> 00:34:09,340 Dubler? 513 00:34:09,340 --> 00:34:11,340 Something like that? 514 00:34:11,340 --> 00:34:12,340 I don't know. 515 00:34:12,340 --> 00:34:14,340 And this is number three. 516 00:34:14,340 --> 00:34:15,340 It's hard. 517 00:34:15,340 --> 00:34:16,340 Easy. 518 00:34:16,340 --> 00:34:17,340 Easy. 519 00:34:17,340 --> 00:34:18,340 Time guns. 520 00:34:18,340 --> 00:34:19,340 Haven't some funds. 521 00:34:19,340 --> 00:34:21,340 Gotta be George Michael and Andrew Rizley. 522 00:34:21,340 --> 00:34:22,340 And wham. 523 00:34:22,340 --> 00:34:23,340 Two for three. 524 00:34:23,340 --> 00:34:24,340 I think today. 525 00:34:24,340 --> 00:34:25,340 Time's up. 526 00:34:25,340 --> 00:34:26,340 Answer number one. 527 00:34:26,340 --> 00:34:27,340 It's fun. 528 00:34:27,340 --> 00:34:28,340 It's fun. 529 00:34:28,340 --> 00:34:29,340 It's fun. 530 00:34:29,340 --> 00:34:30,340 Yeah. 531 00:34:30,340 --> 00:34:32,340 Going back to my roots. 532 00:34:32,340 --> 00:34:36,340 And we played this one to death on the pirate radio station. 533 00:34:36,340 --> 00:34:37,340 Back in the release. 534 00:34:37,340 --> 00:34:40,340 Running for race, huh? 535 00:34:41,340 --> 00:34:43,340 There you go. 536 00:34:43,340 --> 00:34:44,340 There you go. 537 00:34:44,340 --> 00:34:46,340 There you go. 538 00:34:46,340 --> 00:34:50,340 There you go. 539 00:34:50,340 --> 00:34:53,340 And so there you go. 540 00:34:53,340 --> 00:34:55,340 We're back to my roots. 541 00:34:55,340 --> 00:34:56,340 Yeah. 542 00:34:56,340 --> 00:34:59,340 Do somebody come back. 543 00:34:59,340 --> 00:35:01,340 Odyssey and going back to my roots. 544 00:35:01,340 --> 00:35:04,340 And answer number one in today's internet station. 545 00:35:06,340 --> 00:35:07,340 And this is answer number two. 546 00:35:07,340 --> 00:35:12,340 I never would have guessed Johnny 547 00:35:14,340 --> 00:35:16,340 Johnny gave a hood force later 548 00:35:16,340 --> 00:35:18,340 One thing in a new addition with Bobby Brown 549 00:35:19,340 --> 00:35:21,340 I'm saying duets with Stacey Lattipo 550 00:35:28,340 --> 00:35:30,340 I never would have gotten out when you're too tough 551 00:35:30,340 --> 00:35:46,250 [ Music ] 552 00:35:47,340 --> 00:35:50,340 Johnny gave an answer number two 553 00:35:50,340 --> 00:35:53,340 and this is answer number three 554 00:35:53,340 --> 00:35:56,340 George Michael, together with Andrew Richley 555 00:35:56,340 --> 00:35:58,340 back in the days that they were called to win 556 00:35:58,340 --> 00:36:00,340 This is Young Guns 557 00:36:00,340 --> 00:36:01,340 Hey, Saka 558 00:36:01,340 --> 00:36:04,340 We're gonna get extra points for knowing Andrews name 559 00:36:05,340 --> 00:36:08,340 And Pepsi and Shirley singing back a vocal 560 00:36:11,340 --> 00:36:13,340 We don't know and try 561 00:36:14,340 --> 00:36:15,340 All you could say 562 00:36:15,340 --> 00:36:16,340 What's the point, George? 563 00:36:16,340 --> 00:36:17,340 My fiance 564 00:36:34,340 --> 00:36:35,340 Yeah 565 00:36:38,340 --> 00:36:39,340 When 566 00:36:39,340 --> 00:36:41,340 For third and final answer and Young Guns 567 00:36:41,340 --> 00:36:44,340 Well this wraps up hit this number 19 568 00:36:44,340 --> 00:36:47,340 Again, I hope you did well 569 00:36:47,340 --> 00:36:49,340 And I thank you 570 00:36:50,340 --> 00:36:51,340 Better than most days 571 00:36:51,340 --> 00:36:53,340 Welcome at hit there's the Gmail.com 572 00:36:54,340 --> 00:36:57,340 You can find information about hit there's the end of the hit there's practice 573 00:36:57,340 --> 00:37:01,340 at www.yumpolets.nl 574 00:37:01,340 --> 00:37:09,340 Let me see you next time for number 20 of the hit there 575 00:37:09,340 --> 00:37:10,340 Bye bye 576 00:37:10,340 --> 00:37:12,340 That's our second or fourth lobster 577 00:37:12,340 --> 00:37:13,340 What is that? 578 00:37:13,340 --> 00:37:14,340 Thank you very much Young Palette 579 00:37:14,340 --> 00:37:17,340 As always for bringing us a little bit of joy 580 00:37:17,340 --> 00:37:18,340 During the podcast 581 00:37:18,340 --> 00:37:20,340 A little bit of brain teasing 582 00:37:22,340 --> 00:37:24,340 That's it for today's Danny source code 583 00:37:24,340 --> 00:37:26,340 Just under the 40 minute mark 584 00:37:26,340 --> 00:37:27,340 Tomorrow I'll be back 585 00:37:27,340 --> 00:37:30,340 And I've asked Patricia to go and find some of her CDs 586 00:37:31,340 --> 00:37:33,340 Turns out they're actually here in my office 587 00:37:33,340 --> 00:37:36,340 So I kind of picked them the other day 588 00:37:36,340 --> 00:37:38,340 But I think it's time to play some of her work 589 00:37:38,340 --> 00:37:39,340 I could talk about her career 590 00:37:39,340 --> 00:37:40,340 That's going to be fun 591 00:37:43,340 --> 00:37:45,340 So hopefully I can get it all together 592 00:37:45,340 --> 00:37:46,340 To do that with her tomorrow 593 00:37:46,340 --> 00:37:47,340 Oh shoot no wait a bit 594 00:37:47,340 --> 00:37:49,340 Tomorrow I've got to go to London 595 00:37:49,340 --> 00:37:51,340 Maybe we'll do it over the weekend 596 00:37:51,340 --> 00:37:54,340 And what I'll do then is I'll probably do a podcast from London 597 00:37:54,340 --> 00:37:57,340 As I'm being interviewed by Dutch television show 598 00:37:57,340 --> 00:37:59,340 Which is kind of like 599 00:38:00,340 --> 00:38:02,340 I'd say on the level of like Charlie Rose 600 00:38:02,340 --> 00:38:05,340 You know so it's really intellectual 601 00:38:05,340 --> 00:38:07,340 So I'll have to dress it really nice 602 00:38:07,340 --> 00:38:09,340 And smartly and have Patricia be my hair 603 00:38:09,340 --> 00:38:11,340 Hey Adam and Curry dot com for the feedback 604 00:38:11,340 --> 00:38:13,340 And of course for the podcast feed 605 00:38:13,340 --> 00:38:15,340 And the archives is dailysourcecode dot com 606 00:38:15,340 --> 00:38:18,340 Or leave a comment on www.curry dot com 607 00:38:18,340 --> 00:38:21,340 I'll see you tomorrow everybody 608 00:38:21,340 --> 00:38:22,340 Bye bye 609 00:38:29,340 --> 00:38:31,340 You 610 00:38:59,340 --> 00:39:01,340 You