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Okay, testing one, two, one, two, check one, two, three, hey everybody hold on, I don't think

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it's just right yet.

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Let me crank that up a bit.

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Okay.

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Is that working?

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This is the daily source code.

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It's Wednesday.

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It's the ninth of March, sorry, April.

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No.

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March, 2005.

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I'm trying out something entirely new, which is so beautiful and elegant.

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That if it actually does work, it'll just be a breakthrough in sensing, podcasting, and mobile

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podcasting, you can tell I'm missing around with my microphone right now.

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Okay.

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Shoot.

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This is not going the way I planned it.

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Hold on.

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Put the mic there.

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Okay.

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It's a little hard to tell if the mic quality is up to speed.

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Hold on a sec.

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I'm now outputting as much as possible from my wireless setup.

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What I've done upon the recommendation from a couple people, as I was on a continuing

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quest to find the perfect mobile mixer, said, why don't you use one of those splitters

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that people use for headphones?

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Hopefully, so one headphone out jack turns into two headphone out jacks, both stereo,

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and reverse the process and use that for your input.

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Combining the input from my microphone, I won't say.

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And the input from a portable player, such as an iPod, and combining those two through

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that splitter, and then, you know, just basically it's a one-to-one mixer, and you control

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the volume of the audio on the...

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Whoa.

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Okay.

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So I just turned the iPod on.

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I think that really...

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Well, that's probably the answer to the question, will this work?

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Wow.

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That was pretty weird.

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Let me see if I disconnect the iPod.

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Whoops.

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Wow.

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Hold on.

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That's...wait.

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Wait a minute.

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That's not...Oh, of course not.

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I'm not doing it right.

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I'm not doing it.

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Am I doing it right?

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Holy moly.

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I'm so confused.

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Hold on a second.

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I'll put your impulse while I try and think this through for a second.

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Okay.

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I think you're on pause, by the way.

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Okay.

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I think I figured it out.

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So I have the splitter going into the microphone jack.

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The one part, so I'm using the...

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What normally would be the out as the...

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Is the in part?

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Oh.

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Man, that sounds so confusing.

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And now I'm going to connect...

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Bitch is going to do the same thing.

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This is probably why you need a mixer,

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it's because when you...

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Just connect basically the two wires together.

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Yeah.

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You get that shoot.

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That's not really going to work.

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At least I don't think.

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Unless...

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Unless I really...

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Can I crank up the volume anymore on the microphone set?

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I doubt that, too.

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Hello, hello, hello.

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Hello, hello, hello, hello.

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Okay.

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So that's like maximum.

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But that could even be overmodulating at this point.

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I cannot...

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Literally cannot hear myself to the headphones.

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So let me just...

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See...

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I'll just play something sort of...

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I have something really...

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Short here, don't I?

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I've sounded of the day.

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Let's play the see what happens.

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Okay.

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So I can volume down and talk over the music.

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And then...

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And then I can...

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Put it up.

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The sound of the day is...

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The sound of the day is...

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The singing of the music.

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Well, there we go.

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Watching machine.

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All right.

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So the question is...

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What's the level of the microphone?

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Like, it doesn't sound like it's going to be very good.

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So I have to say this test is...

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Not good.

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Not to...

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Successful.

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Well, let's say the test was successful.

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Just the outcome is not what we wanted.

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Okay.

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I'm going to listen back to this and then we'll start the show.

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It's kind of working.

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Hey, everybody.

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It's kind of working.

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Hey.

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Welcome to the Daily Source Code.

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It's Adam Curry coming to you from the Curry Cottage here in Guilford.

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And the lovely...

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Was it...

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Suburb of Surrey and the United Kingdom.

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All mobile today.

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The power of the Lord is coming.

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I'm trying out the set up.

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You just heard me basically set up.

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It's kind of interesting because I control the volume of the background or the tune in this case.

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Just by twirling my thumb on the iPod wheel.

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But I used a headphone connecting wire for the microphone.

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Which means there's a little volume control right on the wire.

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And I can start to turn that down.

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Because that's one thing when you're playing a mashup.

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You want to be able to mute your microphone.

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So that's now possible.

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And it's kind of working.

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So we'll give it a shot.

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But essentially, I'm doing something that should not be done by any...

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Electro-technical...

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You know, means or terms.

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Because this is exactly why I need a mixer.

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You don't have these basically these two outputs just connected to each other.

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There's all kinds of crap that's going on.

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I'm sure you can probably blow something up doing this as well.

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That wouldn't surprise me at all.

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But all in the name of science, my friends, all in the name of science.

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You know, I didn't...

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Oh, man, I didn't even grab my show notes.

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Normally I have that all set up because I record direct onto my power book.

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So here we go.

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Wow, this is kind of cool.

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Oh, is it already starting to sound crappy now?

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Is that?

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Well, we'll just go through the whole show and then see where we wind up.

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How about a mash-up?

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Ooh, how about the D.J. skills?

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This can skip me to the next track on the iPod.

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This is a mash-up.

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This is the saled-y-said.

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The Beatles vs. Paul McCartney.

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It's the Bradmix on the source code.

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[ Music ]

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The Beatles vs. Paul McCartney.

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Say Lady say the Vietnamese just one of the many nice workshops I got received.

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Well, over the past couple of weeks, it seems to just really pick up a lot.

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A couple of things I want to talk with you about today, let's see.

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One of them I received an email from, we'll just call this person, DJ Ultra Violet,

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and I hope this is sounding okay.

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I can hear kinds of crackling and shit.

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And she's a lawyer.

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And basically, she said, hey, if you have any questions about this music licensing stuff,

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why don't you let me know, and then I said, well, very simply, is there a way for me to pay

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to play R-I-A-A licensed music on a podcast, and how much is it?

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That was the only question.

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And I think one of the problems is, shit, I'm sorry, that's the crackling.

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There we go.

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And that's literally all I wanted to know.

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And she actually came back with some very interesting thoughts and ideas,

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which I can't publish in the show notes, because she checked it with her law firm.

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And obviously there's no one need the aggravation of having to check all this stuff.

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If she could say that, or if I could podcast it, but sound exchange, sound exchange.com

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is the royalty collection agency for digital music webcasting.

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And so the question now, of course, does podcasting belong in the webcasting category?

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I don't think so.

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It seems like just about everything would fit within their license.

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But let me see, I'm reading here, yeah, because podcasts are basically archived,

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and not, you know, streamed that could be a problem.

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And it's also, it will be $500 a year.

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Oh, oh, that was interesting.

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Crap, of course.

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So the iPod switched off.

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And then it automatically gave control back to the microphone.

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This may not be a very handy way of doing this.

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I'm going to have to pay attention to how this is going now.

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Okay.

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So sound exchange.com, you know, I'm going to be reading through it and see if there's anything,

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that might actually work, and who knows, maybe someone over there is listening,

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and they can help us out.

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Email from bicyclemark.

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Oh, yeah, he was doing something interesting.

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I wanted to tell you about.

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And just go to Google and search for a bicycle mark, the bicycle mark communique,

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or, of course, you can go into the iPod directory at iPod about org.

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And you can pick up there under sound seeing tours or sound seeing tours.com.

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You can find bicycle mark almost anywhere you want.

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But he's done a reverse sound seeing tour, as it were.

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Remember, he did that cool thing with the flicker photos,

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which is not really catching on, where he plays a little tone.

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And then you click through the flicker slide show.

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So now he's actually doing it like Uncle Stan's slide show.

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You know, when he comes over and boars the whole family,

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only it's not that boring.

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And he's doing the audio commentary after he photographed the slide show.

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God, this sounds horrible.

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Oh my god, you know, I'm just going to check this and see how this sounds.

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This is, this is starting to become worrisome.

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00:13:06,280 --> 00:13:10,040
Yeah. So, you know, kind of as I thought it doesn't sound too hot,

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00:13:10,040 --> 00:13:13,720
but I'll just leave it for now and we'll just use it as an experiment.

216
00:13:13,720 --> 00:13:17,720
So, hey, all I really need is just a mixture between those two inputs.

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00:13:17,720 --> 00:13:21,880
One little mixture, and with, you know, with a way to pot down the microphone,

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00:13:21,880 --> 00:13:24,440
which I think I've already found. I mean, that they were almost there.

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00:13:25,480 --> 00:13:27,000
Okay, so that was bicycle mark.

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00:13:27,720 --> 00:13:30,280
I had to, what is this? The next track I wanted to play,

221
00:13:30,920 --> 00:13:34,200
mouse pad report. I think I know if that was a promo or not.

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00:13:34,200 --> 00:13:39,640
It's, uh, I compiled this, uh, the day before yesterday, so I'm a little fuzzy on exactly what we're

223
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going to do. Let's check it out. Adam Curry, the pod father, our father in pod.

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00:13:45,480 --> 00:13:49,560
Oh, yeah. King Curry, give my love to the queen, Dawn.

225
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I got to save the queen. This is a promo with no production value.

226
00:13:54,680 --> 00:13:58,840
Uh-huh. Who why what else do we need? Me, you, the mic, we got everything.

227
00:13:59,640 --> 00:14:04,280
This is a three-ring pod cast. WWEW.3ringpodcast.com.

228
00:14:05,320 --> 00:14:08,920
It's about life, the universe, and everything.

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No more pod cast about nothing. Who wants to listen to that?

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We're about everything. So, come on. Show some love for the new boys on the block.

231
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We were down with the mashups and the hit test. It's all good. But come on.

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There's new boys on the block. We're not getting any. We're not getting any love.

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Lightly from you. Spreading love. It's a more promo. It's all right.

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I discovered some of my favorite pod castes through your show. So, let's go.

235
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One or two a day. Won't kill you. Never one will love it. So, come on. Jump on my train.

236
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We're having a good time at the three-ringpodcast. Check us out. Thanks.

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Late. Oh, is that it now? That's the new thing. Late. All right, bro. Late. Cool. Uh, absolutely.

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So, um, the mixer that I would love to have is, you know, it runs on like a, um,

239
00:14:58,360 --> 00:15:02,760
it runs on like one battery, right? And it just mixes these two input signals. And that's really all it

240
00:15:02,760 --> 00:15:09,960
has to do. Um, and it, but it has to, you know, I'm sure radio shacket has something like this.

241
00:15:09,960 --> 00:15:14,680
I just got to go visit one. I get to find them. My nearest radio shack. You know that in America,

242
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I think it's every American, almost every American lives within 15 minutes of a radio shack.

243
00:15:22,280 --> 00:15:26,120
Yeah, we pitched their business once. Didn't get it, but it was fun pitching. Learning about radio

244
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shack. I was like, I kind of grew up in radio shack. So, obviously, you know, it's kind of silly.

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I'm sitting here with a, uh, you know, 350 dollar iPod. I've got a, uh, it was a $250 dollar, uh,

246
00:15:38,840 --> 00:15:43,400
I river. I've got my wireless set, which is not necessary, of course. But that's, you know,

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the only, uh, love microphone I have. I can kind of walk around with. So, it's an expensive solution,

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00:15:48,600 --> 00:15:52,760
but still even those two devices. I mean, it could easily be combined in the one, just put the

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input on the box. And, um, and kind of, uh, yeah, this playlist, uh, what ideas I just, uh,

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compiled a little playlist on iTunes of the stuff I wanted to play in today's show. And, uh,

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and, you know, I scroll to that in the iPod, and there you go. It's, uh, uh, it's basically,

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I'm trying to keep it from popping off. So, they're setting for that, actually, let me see.

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So, they're setting, oh, man, iPod is not great. Let me see, shuffle repeat.

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Does it have a timeout? Has the backlight timer, but that's, hmm, interesting. So, I guess you

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can't set that. All right. I go back to today's playlist. Ah. Um, now I had something written down

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about podcast alley. I know that podcast alley has changed its voting system. Um, to, what is it?

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And I think you can vote once a month. That's interesting. I'm talking with the Chris from podcast

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alley. It's a very interesting guy. He's got some fun stuff going on over there. But I think that

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we can do, um, there is a real ratings component to, uh, podcast, and that I haven't really looked

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at that much, but I hear, uh, lots of people talking about it. And obviously, I think what we're looking

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at is, um, because the mainstream media really loves, um, you know, easy, easy ways to show

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their readership or their viewership or listenership, um, you know, what is going on in a certain

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community. It's really easy to, to pick something and say, oh, well, here's the top 10 of anything.

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And so, and, and that's actually not that bad. Um, but, you know, the, the gripes are that, you know,

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it's the top 10 of why. There's kind of like having a top 10 of web logs. So maybe if we define

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it a little bit better, and we made, uh, I, I think we can do something with this voting. I guess that's

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what I'm saying. Um, and we should be able to convert that energy into something really good for

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everybody. So I've been thinking about that thinking about it a lot. Um, and, uh, who knows what

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else, uh, you may be you're out there thinking about some things as well, um, because it's just

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amazing to see this happen. It's really cool. Um, to have all this fury flying and then you're

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here, uh, Don and Drew talking about, oh, no, we were not, we're not going to talk about it anymore.

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And, uh, and Madge Weinstein over East Radio, um, you know, has, has her take on it as well. It's just,

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it's, uh, it's been interesting. And this new podcast that I found, and I, at first I thought I was

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going to be repurposed content kind of like the Pepsi Max, um, what they call that Pepsi Max is doing

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a promotion. It's a, I think they do it on UK radio stations. And they're basically just repurposing

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that in a podcast, which is, it's cool, um, although the, ah, shit, did it again. Although the, um,

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uh, what is it? The humor is, it's very British humor. So, you know, it's a, a wind up, that's what

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they call it, a wind up is where, you know, basically the prank phone calling people. Um, but this

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podcast is something that, uh, I think it can actually get into. And once I get my life a little bit,

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you know, more structured, uh, just been a lot going on as you heard yesterday. I'm still traveling a

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lot and, uh, and tying up loose ends all over the globe. Um, I'd like to, you know, get back into

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the habit of, uh, walking or, you know, more regular exercise, uh, I've threatened Patricia that

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we're actually going to, uh, uh, you know, go to the gym one of these days and get that started as well.

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And we will, uh, but this podcast is from Marina and actually, uh, it's, uh, it's what you want,

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you know, you want a daily fresh mix of exercise music with someone, very motivated about helping

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you exercise. Here's the first of the podcast by Marina. This is Marina and you're listening to my

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high energy fitness, sing off the pound. If you work out all the time or you never worked out before,

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we're going to have a great time today, burn lots of calories. Whoo! You see, it doesn't matter what

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kind of workout you're into, walking, running, spinning, aerobic fans, as long as you never stop

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moving. So come on, let's have better times. Yeah, okay. Let's work out. Let's have better times together.

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And then I thought it was like, oh, this is just one of those exercise tapes, but then somewhere

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I heard the word podcast pop up, probably around here somewhere because, I don't think I could

293
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listen to this music for a very long. But, uh, is that her singing? No. And mine feet. That's interesting.

294
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It's a 10-minute, you know. So it's the perfect, uh, perfect length, too. It's not one of those,

295
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you know, really long ones that you're going to pause midway anyway. We see if I can pass forward.

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I knew there was something about podcast. I knew it's that.

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All right, wait, it must have been that piece, hold on.

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You're doing a great job. Thanks for being with me today. On the part.

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There it is, you see? Yeah, that's cool. All right, let's go everybody.

300
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Okay. Oh, baby, whoa, whoa, whoa, whoa. Okay.

301
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Okay, all right. All right, all right, it may be way too early for you for this

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crap. So I'll turn this down. You know, I'll keep it on in the background so I can use that as my

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don't turn off the iPod mechanism while we talk a little bit more.

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Well, I discovered something interesting. The gaming guys out there, I got an email from, uh,

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was it Aaron? And, uh, we starts off as email, which I will put in the show notes, you know,

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by saying that he received started playing Grand Theft Auto, Vice City, uh, as Xbox after,

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you know, finishing it months ago. It turns out that there's a lot of stuff going on with Xbox

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and Xbox Live, and basically the gaming developers who I think use the dot net infrastructure,

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or, or, or, I'm sorry, direct X, God, I know nothing about Windows. But they are, uh, creating

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some really cool audio tools. Uh, in fact, you can, uh, you can listen to different radio stations now

311
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while you're driving the car in the game. And they're also this Xbox Live stuff is, you know,

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it's, I've been looking into it. I'm not a gamer at all. We have an Xbox, uh, Christina has an

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Xbox. I don't even think we unpacked it, you know, we're just not really gamers. And, uh, but I was

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interested because this stuff obviously runs in, uh, in Windows, and there may be some really

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good slick tools that can be made from the gaming community. So I'm pretty excited about that,

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and I reached out to Larry, remember we played Larry's promo, he's from Microsoft. He's from the

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Xbox division. So, no, we'll see if we can get any traction with that. I just thought it was kind

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of interesting that all this activity is going on. And, and there's some, uh, gamers now Xbox,

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I don't know if their developers are just gamers or both, but they are also doing podcasts,

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you know, about gaming. So there's something going on. I'm definitely going to try and figure

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out where the community is and, uh, and, you know, introduce myself and see if we can connect

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something here, because I think there is something going on for sure. And now, cue the next track.

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Oops. Oh, that's just from my buddy, P.W. Fenton.

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Oh, Adam, and welcome to the geriatric hit test. We have a doozy for you today. So what do you say?

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We get started. We get out three great songs for you to identify. So what do you say?

326
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We get started. Rock and roll. Oh, you said that already. Oh, I did it. Okay, then get

327
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ready, Adam. Here comes number one. Oh, what was that? It's a neat little drop.

328
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Okay, what a wonderful song. Yeah. Okay, let's begin with number one.

329
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Grandpa, he did that one already. Look, we're 21. We have two. Oh, we're two.

330
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Okay, then here comes number three. Oh, number three. Nice bumper.

331
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White Christmas? No.

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Now, here comes the answers. Okay, we missed number two. Number one was the Pentalvania

333
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Polka by Miron Florian in his accordion. Oh, okay.

334
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And the Pental. Okay, I should have known that actually. Patricia would have known that one.

335
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Number two was when the we do number two. No, you didn't. No, grandpa. You skipped number two.

336
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Well, he answered a number two would have been when the moon comes over the mountain by Kate Smith.

337
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Oh, sorry, I didn't play. In finding number three.

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Freak grandpa. Uh, it's getting me. Number three. Number three.

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Oh, wait, I could find it. Wait, number. Number three was tenderly by Rosemary Clooney.

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Another one Patricia would have known. I'm sure.

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They've never seen it before.

342
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Oh, yeah.

343
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Let's ramble in trees and brace the brain.

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Okay, well, that's today's hit test. Where's Nan? Lunchtime yet.

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We already had lunch, grandpa. Go tell Nan. It's lunch time and we're ready for lunch.

346
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I think yeah, that is from my buddy Peter. It's great creativity, my man. Thank you very, very much.

347
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Oh, boy. Um, let's see. What else we're going to talk about? Have a couple of things written down here.

348
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Um, a lot of, um, these are really, I prepared, as I said, prepared this the day before yesterday.

349
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And I'm not quite sure what I was thinking at the time. But I wrote down to talk about the death of

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radio. And there is a discussion as a conversation going on now about radio. And I think the

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wired article really picked up on that or wired magazine, you know, looked at different angles.

352
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Uh, I think that even the cover says the death of radio as we know it and they looked at

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different types of broadcasting and distribution methods really that are taking some hold.

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But more importantly, and I think that that's really where the conversation should be going is not

355
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necessarily about the distribution. But, um, I think that we have a whole generation of people growing

356
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up and we've talked about this before who really just, you know, are not interested in what radio

357
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has to offer. Um, and, and the, uh, I don't know if you remember the, um, the podcast I did

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with Christina when I took her to school and I said, you know, what, what radio station do you do?

359
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Listen, the radio, I think I said. And she said, yeah, listen to, uh, the eagle. And in the same

360
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breath, she said, because you can go up there to the studio and hold up her request in front of the

361
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window. And I'm like, yeah, that is exactly what this whole new generation that grew up with messenger

362
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and, uh, and, you know, so MSN and hotmail or Xbox, you know, that's exactly what they're used to,

363
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you know, it is feedback, direct immediate feedback where something happens, you know, a way to

364
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be a part of the process, to be a part of, um, of the creation of the output of the product. And that is,

365
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I think a big part of what weblogs, uh, are about, uh, or met many whoop, holy crap. This is just not a

366
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good way to do it. Um, uh, wait, can I put on? Let's, uh, let's find a track.

367
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Wow, this really screws it all up, doesn't it? Oh, man, why do I shouldn't have done this way?

368
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Hold on. Well, now I'm committed. We find something from the 70s music been, uh,

369
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oh, man. Okay, we'll just put this in the background. Really, quietly. Okay.

370
00:30:13,720 --> 00:30:19,000
Right. So I was talking about, uh, yeah, that Christina really liked being able to be a part

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of the process of what is happening on that radio station. And of course, the fact that her friends are

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listening to it because it's local. And that's when radio really does work best. And I think that's what

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radio has proven throughout its history to do incredibly well. Um, is within a local community. And,

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you know, that is a little bit more than the local temperature and the local traffic conditions.

375
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Granted, those are probably, you know, 70% of the information people need from their local

376
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radio stations. But, you know, there's a lot. And whenever you hear that, you know, uh, the community,

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bullet board or whatever, uh, whatever the, that particular segment may be called, which is basically

378
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run as a PSA public service announcement. That's important. That's an important part of, um,

379
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of what radio broadcasting is about. And it's also a part of the license of these stations and

380
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obligation, uh, to work for the community. And that's for a reason. And I think part of that

381
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reason is because that's what radio really does extremely well. And then you're using, you know,

382
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the public airwaves to their maximum benefit. Wow. Um, so if podcasting is, uh, going to follow

383
00:31:25,800 --> 00:31:33,400
that model or any type of, um, uh, communication audio communication, maybe I should call it,

384
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that is mobile. Because that's real important, right? It's very important that this stuff is mobile.

385
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Because that, that's what, you know, part of the big revelation of radio was, is that, you know,

386
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this could be, um, enjoyed anywhere. Notice it didn't say receives, but it could be enjoyed anywhere.

387
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So, um, podcasting, whether it's, uh, I guess any type of content really, but let's just, you know,

388
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look at audio because that seems to be happening will work really well in smaller communities.

389
00:31:59,800 --> 00:32:05,880
The, uh, the thing that that we're then going to bump up against is, well, you know, it takes

390
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a time to do this. And, uh, some people not all, certainly not all, probably only a few,

391
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really on a grand scale, will want to make money, um, by doing this. And to me, it's, it's all

392
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down to the content, you know, uh, you can be just as funny as John Stewart, and you're going to have

393
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just as much opportunity, uh, to be as successful. Um, you know, it's take away the TV show part,

394
00:32:33,320 --> 00:32:38,200
but, you know what I'm saying? Uh, because those barriers are coming down and it's, and it's only

395
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going to come down to who can move fast, who can be the best. It's going to be quality, uh,

396
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over anything else, which is going to make the playing field incredibly level and very,

397
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very interesting. We'll be able to see the battle much better when there are no hills on the

398
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battle field. And I'm looking forward to a lot of that. Uh, so in the background, you've been

399
00:32:58,280 --> 00:33:03,960
listening to Food Rotten, fell in love, uh, Elven Bishop with, um, it was a Mickey Hart who, uh,

400
00:33:03,960 --> 00:33:11,400
who's saying on that particular track. Uh, and now I'm going to move over to a bit of cadence,

401
00:33:11,400 --> 00:33:16,200
which we haven't heard in a while, and I thought I'd play one for you. Uh, the Leland Standford,

402
00:33:16,200 --> 00:33:20,840
Jr. University, marching band. Here's the incomparables.

403
00:33:23,750 --> 00:34:46,840
[ Music ]

404
00:34:46,840 --> 00:35:06,200
Yeah. More than just a cadence, actually. And the crowd goes absolutely wild.

405
00:35:07,080 --> 00:35:13,800
Roundabout, the Leland Standford, Jr. University, marching band. Uh, here on the daily source code.

406
00:35:14,760 --> 00:35:19,160
Actually, I'm, I have about, uh, what is it? To 10 more minutes, and then I'm going to do a Skype call.

407
00:35:19,720 --> 00:35:25,080
It's almost 2pm here in the UK. So, uh, I'll be 9 a.m. people on the East Coast waking up.

408
00:35:26,200 --> 00:35:31,400
Um, and, um, may I just say, although I'm always a bit wary of complimenting technology too much,

409
00:35:31,400 --> 00:35:37,240
because that's usually when Murphy goes, ah, pound of fuck with you. Um, Skype really is rocking.

410
00:35:37,240 --> 00:35:42,280
I mean, these guys, they have it. Stay ahead. It's great. I love it. I totally love it. I,

411
00:35:42,760 --> 00:35:49,000
can build a virtual company using Skype. You know, it is, it's just outrageous. The conferencing capability.

412
00:35:49,000 --> 00:35:53,400
Certainly now they're available on the Mac. You know, a conference in two, three people who are on Skype,

413
00:35:53,400 --> 00:35:59,000
then conference in someone just by calling a phone number. Um, and, you know, make no mistake.

414
00:35:59,000 --> 00:36:03,960
Skype is the phone company. This is what's going to happen. They, uh, they already have,

415
00:36:03,960 --> 00:36:09,640
what is it? How many people are online right now? So, 2.2 million users online,

416
00:36:10,600 --> 00:36:17,480
a percentage of them has Skype out. I think it's like 900,000 of them have Skype out and are using that.

417
00:36:17,480 --> 00:36:25,480
So, you pay 1.1 euro cents a minute anywhere in the world to make a phone call. As a little bit more,

418
00:36:25,480 --> 00:36:31,000
if you call cell phones in the Netherlands, for instance, but still it's a great deal. It's good

419
00:36:31,000 --> 00:36:36,120
to deal. You're going to get almost anywhere else down to pennies. Um, so everyone's kind of used

420
00:36:36,120 --> 00:36:41,560
to this combination of free-foning and then using Skype to make phone calls because it's incredibly

421
00:36:41,560 --> 00:36:46,600
cost-effective. And next, they give everybody Skype in, which means you can have a phone number

422
00:36:46,600 --> 00:36:51,000
wherever you are, wherever you want it to be. And then they're the phone companies, as far as I'm concerned.

423
00:36:51,000 --> 00:36:57,240
So, excellent. I really love what those guys are doing. And that is, that to me is ground-breaking

424
00:36:57,240 --> 00:37:03,800
stuff. Um, congratulations to the former Cazard dudes who served their shop once in Amsterdam. Very cool.

425
00:37:04,600 --> 00:37:10,440
Okay. So, finishing it off just following on some questions or some questions that

426
00:37:11,320 --> 00:37:17,320
were raised during one of my, I think, Mr. Mom Podcast, Terry Wogan Show on BBC 2 on Radio 2,

427
00:37:17,880 --> 00:37:25,480
runs from 730 to 930. Um, and that's according to an email from Jonathan, who goes through a

428
00:37:25,480 --> 00:37:30,760
little more detail about Terry's show. So, if you want to find out about that, check the show notes

429
00:37:30,840 --> 00:37:37,800
for today's podcast, which is March 9th, 2005. And also, it says something very interesting about

430
00:37:37,800 --> 00:37:42,120
dish washes. I'm going to, because I'm saying, I'm not a big fan of dish washes, because basically

431
00:37:42,120 --> 00:37:47,320
you're handling the plates twice, you know, putting a minute taking about. And here's what Jonathan

432
00:37:47,320 --> 00:37:52,440
said, and I like this. He says, there's a school of thought that holds that you need two dish washers

433
00:37:52,440 --> 00:37:58,440
and no cupboards in your kitchen. Start off with one dishwasher full of clean crockery and cutlery,

434
00:37:58,520 --> 00:38:04,520
which means plates and so forth. As items are used, stack them in the other dishwasher. When

435
00:38:04,520 --> 00:38:08,520
it's full, run it, take the clean dishes, as needed from it, then stack them in the first one,

436
00:38:08,520 --> 00:38:15,160
and so on. I'm like, dude, that's like totally a great idea. I'm really digging that.

437
00:38:15,160 --> 00:38:19,960
Two dish washes. I think that we have stumbled upon something really, really, really big here.

438
00:38:28,440 --> 00:38:32,760
Right on, the official one. Well, hello Adam. This is hit test number 20. Right on.

439
00:38:32,760 --> 00:38:35,480
And if you're ready, we haven't done this one yet, have we?

440
00:38:35,480 --> 00:38:38,200
Wait, this is number one. Okay.

441
00:38:38,920 --> 00:38:40,920
And one more time.

442
00:38:42,440 --> 00:38:43,320
I'm Genesis.

443
00:38:43,320 --> 00:38:45,320
Time. Time.

444
00:38:45,320 --> 00:38:46,360
Second time.

445
00:38:46,360 --> 00:38:48,840
Fan. My being. I can't walk. I can't walk.

446
00:38:48,840 --> 00:38:51,000
This is number two. I can't dance. I can't dance.

447
00:38:51,000 --> 00:38:51,480
I can't dance.

448
00:38:51,480 --> 00:38:52,520
I can't. I can't.

449
00:38:52,520 --> 00:38:53,240
I can't.

450
00:38:53,240 --> 00:38:54,520
I can't.

451
00:38:54,520 --> 00:38:55,480
Yeah.

452
00:38:56,440 --> 00:39:01,880
I know this is, that's Jenna Jackson and Nasty, and you're playing all those songs that I guess that we're wrong.

453
00:39:01,880 --> 00:39:02,840
And this is number three.

454
00:39:07,800 --> 00:39:08,600
Yeah, one more time.

455
00:39:09,400 --> 00:39:10,440
Right over that is.

456
00:39:13,960 --> 00:39:18,120
That's the guys who remind me of my horrible hairdressers, Tony and Guy, there will be

457
00:39:18,120 --> 00:39:19,960
salmon Dave and hold on. I'm coming.

458
00:39:20,760 --> 00:39:23,960
And these are the answers. This is so man, so man, so man.

459
00:39:24,600 --> 00:39:26,600
I'm a soulmate with Genesis.

460
00:39:26,600 --> 00:39:28,120
I can't dance.

461
00:39:31,250 --> 00:39:53,750
[ Music ]

462
00:39:54,360 --> 00:39:56,360
Genesis.

463
00:39:56,360 --> 00:39:58,760
And so number one. And this is answer number two.

464
00:40:01,160 --> 00:40:02,360
It's Jenna Jackson.

465
00:40:03,560 --> 00:40:04,600
Nasty. Yeah.

466
00:40:06,250 --> 00:40:33,750
[ Music ]

467
00:40:35,960 --> 00:40:37,960
Jenna Jackson, Nasty.

468
00:40:37,960 --> 00:40:39,640
And this is answer number three.

469
00:40:41,160 --> 00:40:42,920
Well, hey, everybody, it's Tony and Guy.

470
00:40:44,440 --> 00:40:46,440
And salmon.

471
00:40:54,120 --> 00:40:55,080
That's not bad.

472
00:40:57,080 --> 00:40:57,480
Thank you.

473
00:41:06,280 --> 00:41:07,720
Well, that's what you call stereo.

474
00:41:08,280 --> 00:41:09,080
Yeah, I'm not sure.

475
00:41:09,080 --> 00:41:10,600
salmon Dave and soul man.

476
00:41:11,640 --> 00:41:13,480
Well, this wraps up here to us number 20.

477
00:41:15,880 --> 00:41:17,880
And I hope you're still enjoying the hit us.

478
00:41:17,880 --> 00:41:18,280
Yeah.

479
00:41:18,280 --> 00:41:20,840
If you don't, please let me know.

480
00:41:21,800 --> 00:41:27,840
And if you do, please also let me know information about the hit us can be found at

481
00:41:27,840 --> 00:41:32,520
www.yumplelet.nl that's J-A-N-V-O-L-E-T.nl.

482
00:41:33,720 --> 00:41:36,520
And feedback is welcome at Hit us at gmail.com.

483
00:41:38,280 --> 00:41:40,280
Well, Adam, see you next time for number 21.

484
00:41:40,280 --> 00:41:40,920
Bye-bye.

485
00:41:40,920 --> 00:41:43,400
No, I mean, and do, I totally love this.

486
00:41:43,400 --> 00:41:47,240
I mean, I'm wondering, are it is Yana use sending me a message that maybe you're

487
00:41:47,240 --> 00:41:49,640
getting tired of it? Is that is that possible?

488
00:41:49,720 --> 00:41:51,480
I mean, I think it's amazing you do this thing.

489
00:41:51,480 --> 00:41:55,240
And obviously, it doesn't fit in all the time when I'm on the road.

490
00:41:55,240 --> 00:41:59,880
Although, if I have this kind of setup and it didn't sound like crappy and it, you know,

491
00:41:59,880 --> 00:42:04,040
well, you've heard the things that are going wrong, but it feels very powerful to actually

492
00:42:04,040 --> 00:42:10,600
sit here just be holding the iPod and controlling the recording of the show or basically

493
00:42:10,600 --> 00:42:12,600
all the elements of the show through it.

494
00:42:12,600 --> 00:42:13,640
It feels great.

495
00:42:13,640 --> 00:42:15,720
So, no, Yana, I totally love it, totally.

496
00:42:16,600 --> 00:42:21,080
And, you know, if I skip one, don't worry about it, you know, you can skip one too.

497
00:42:21,080 --> 00:42:23,480
I should not be a problem, really.

498
00:42:25,720 --> 00:42:29,320
One more thing I wanted to mention, and then I have, you know, what we're going to do

499
00:42:29,320 --> 00:42:33,400
another mash-up just to end it off today because I feel, well, no, should we do another mash-up?

500
00:42:34,120 --> 00:42:36,600
No, we shouldn't do another mash-up. I happen to make this phone call too.

501
00:42:36,600 --> 00:42:40,920
So, let me just get the final tunes queued up here a whole lot of a second.

502
00:42:42,760 --> 00:42:43,880
Can I still pause that?

503
00:42:44,360 --> 00:42:47,080
No, no, no, pause. Okay. What that work?

504
00:42:48,120 --> 00:42:51,880
Shoot. Okay, so there's some interface stuff we go to think about here.

505
00:42:53,640 --> 00:42:55,320
No, what I, I just want to final thing,

506
00:42:57,000 --> 00:43:01,240
continuing what I told you about yesterday about this new company that I'm really excited about.

507
00:43:02,200 --> 00:43:03,960
A big part of this company will be about

508
00:43:05,720 --> 00:43:09,800
creativity, content, and the people that produce that.

509
00:43:10,440 --> 00:43:17,000
And in the next few days, I'll be talking to you about a couple of names that we'll be working with,

510
00:43:17,000 --> 00:43:18,760
and I'm very, very excited.

511
00:43:19,640 --> 00:43:21,560
And that's it for your source code for today.

512
00:43:24,600 --> 00:43:27,160
I'm going to leave you hanging at that. If you have any comments,

513
00:43:27,160 --> 00:43:32,440
it's adamantcurry.com. You can get the new shows and final the archives at dailysourceco.com.

514
00:43:32,440 --> 00:43:35,000
Of course, that's also where you can find the podcast feed.

515
00:43:35,080 --> 00:43:40,680
It's RSS 2.0. And that is my weblog. That's www.curry.com.

516
00:43:44,600 --> 00:43:48,040
So I'm going to do some some calls, some Skype calls,

517
00:43:48,040 --> 00:43:50,920
enjoy every moment of that. And I'll be back tomorrow.

518
00:43:52,200 --> 00:43:56,920
Who knows what we'll do. We'll find something fun. I really do want to say thank you all very much for the

519
00:43:56,920 --> 00:44:03,320
wonderful emails we've received about the Patricia Pi podcast. We will definitely do more.

520
00:44:03,320 --> 00:44:08,600
And I'll also thank you for sending in songs. I mean, people are sending us MP3s that Patricia

521
00:44:08,600 --> 00:44:12,920
didn't even recognize that anymore. So if you've got cool stuff at home, let's see if we can

522
00:44:12,920 --> 00:44:18,040
stump her with her own stuff. All right, everybody, take care. I'll talk to you tomorrow. Bye-bye.