1 00:00:00,000 --> 00:00:18,000 Daily source code, March 10th, 2005. 2 00:00:18,000 --> 00:00:26,000 Oh boy, we got some stuff to talk about today. 3 00:00:26,000 --> 00:00:31,000 I'm probably already overmodulating in your headphones because of it. 4 00:00:31,000 --> 00:00:33,000 I'm not gonna be, yeah. 5 00:00:33,000 --> 00:00:36,000 Let me adjust a little bit here. There we go, that should work. 6 00:00:36,000 --> 00:00:39,000 It's the source code for March 10th, 2005. 7 00:00:39,000 --> 00:00:44,000 I'm actually pretty pleased with myself. 8 00:00:44,000 --> 00:00:52,000 I've been doing dual duty today, working with an entire team of lawyers who were in court 9 00:00:52,000 --> 00:00:55,000 on my behalf today. That was interesting. 10 00:00:55,000 --> 00:00:59,000 I always run the know that lawyers are talking to each other. 11 00:00:59,000 --> 00:01:01,000 Both parties of lawyers are building you. 12 00:01:01,000 --> 00:01:05,000 But also I worked on my setup here at the Curry Cottage. 13 00:01:05,000 --> 00:01:08,000 You've almost had castle. It's starting to feel a bit like the castle. 14 00:01:08,000 --> 00:01:09,000 All this gear all over the place. 15 00:01:09,000 --> 00:01:11,000 So we're talking about the setup. 16 00:01:11,000 --> 00:01:17,000 I got, you know, a mashup lined up and just normal stuff to talk about. 17 00:01:17,000 --> 00:01:27,000 And it was during preparations for today's show that I noticed that I really had no more promos. 18 00:01:27,000 --> 00:01:32,000 And I guess tomorrow will be my big suck to Gmail account dry day. 19 00:01:32,000 --> 00:01:37,000 Well, that's second. Let me just ensure that I'm not gonna turn off the recording here. 20 00:01:37,000 --> 00:01:39,000 So I hope you're enjoying the sound. 21 00:01:39,000 --> 00:01:44,000 I've worked on this most of the day trying to figure out different ways to route audio. 22 00:01:44,000 --> 00:01:55,000 And I have completely resorted to using outboard gear, which means boxes that are not native to software. 23 00:01:55,000 --> 00:02:03,000 Although just about everything that I purchased certainly does integrate perfectly with my max running OS 10. 24 00:02:03,000 --> 00:02:12,000 And if you hold on, I'll be happy to tell you all about it. 25 00:02:12,000 --> 00:02:16,000 First, let's crank it up with a mashup for you off. 26 00:02:16,000 --> 00:02:19,000 I mean, just easy top by themselves and be crying, right? 27 00:02:19,000 --> 00:02:23,000 But now sprinkle a little bit of pink on top. 28 00:02:23,000 --> 00:02:27,000 You've got the sharp dress party on this daily source curve. 29 00:02:28,750 --> 00:05:33,000 [ Music ] 30 00:05:33,000 --> 00:06:03,000 Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah yeah, yeah, yeah, yeah, yeah, yeah, yeah, you're good, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah yeah, yeah, yeah, yeah, yeah, yeah yeah, yeah, yeah, yeah, yeah 31 00:06:03,000 --> 00:06:09,120 It's an unfortunate sharp dress party that was ZZU top versus pink here on the daily source code. 32 00:06:09,120 --> 00:06:14,400 And hopefully you heard the sound was like kind of consistent now for the first time. 33 00:06:14,400 --> 00:06:15,760 Let's talk about that. 34 00:06:15,760 --> 00:06:17,080 First of all about my test yesterday. 35 00:06:17,080 --> 00:06:24,240 I did the new mobile test where I jacked the iPod and the microphone together into a 36 00:06:24,240 --> 00:06:28,880 single wire splitter that went into the iRiver as a recording device. 37 00:06:28,920 --> 00:06:30,200 It actually worked okay. 38 00:06:30,200 --> 00:06:34,960 I mean the sound was reasonably shitty on the microphone and sounded a bit overmodulated 39 00:06:34,960 --> 00:06:37,160 and just wasn't quite coming through right. 40 00:06:38,280 --> 00:06:41,680 But it also brought down the output volume significantly. 41 00:06:41,680 --> 00:06:46,800 Until of course the iPod turned off and then, well, I got a lot of emails like the 42 00:06:46,800 --> 00:06:47,480 following one. 43 00:06:47,480 --> 00:06:48,440 This is from Axel. 44 00:06:48,640 --> 00:06:52,160 Hello Adam, please refer to your regular hardware setup. 45 00:06:52,160 --> 00:06:56,880 Please, I listened to the daily source code via my power book hooked up to my stereo 46 00:06:56,880 --> 00:06:58,000 home cinema setup. 47 00:06:58,400 --> 00:07:00,280 I thought my speakers were going to explode. 48 00:07:00,280 --> 00:07:01,640 Please don't do this anymore. 49 00:07:01,640 --> 00:07:02,440 It really sucks. 50 00:07:02,440 --> 00:07:03,440 It really does. 51 00:07:03,640 --> 00:07:07,480 One of the things that made daily source code stand out or did until yesterday was it's 52 00:07:07,480 --> 00:07:09,280 a good broadcast quality. 53 00:07:10,680 --> 00:07:13,640 Okay, so I do apologize. 54 00:07:13,640 --> 00:07:18,000 It was, yeah, I was just kind of messing around and testing it out and that clearly 55 00:07:18,000 --> 00:07:19,400 didn't work out too well. 56 00:07:19,400 --> 00:07:21,000 Everybody complained about it. 57 00:07:21,360 --> 00:07:26,160 So the morning after I dropped Christina off at school, I'd already done my homework 58 00:07:26,160 --> 00:07:29,480 and checked out their website. 59 00:07:29,480 --> 00:07:36,320 I went to Anderton Music, which is a really great music store in Guildford, not far from 60 00:07:36,320 --> 00:07:39,200 Christina's school, actually, which was nice. 61 00:07:39,200 --> 00:07:44,560 I went in and I bought, first of all, I bought a whole bunch of cables that match the 62 00:07:44,560 --> 00:07:48,880 three and a half inch jack, the six inch jack, or whatever. 63 00:07:48,880 --> 00:07:54,040 All mixes and matches of different types of wires and connectors. 64 00:07:54,080 --> 00:07:58,560 In the music world, or in the professional audio world, they use different jacks than we 65 00:07:58,560 --> 00:08:01,160 use on our computers and our headphones. 66 00:08:01,160 --> 00:08:04,600 So I just needed some, you know, some adapter plugs. 67 00:08:04,600 --> 00:08:12,880 Then I also purchased a soundcraft compact 4 mixer, which is, I had, I had spec this 68 00:08:12,880 --> 00:08:13,880 one out before. 69 00:08:13,880 --> 00:08:19,280 I looked at this mixer, I'm using it in a very simple setup, basically I'm just pumping 70 00:08:19,280 --> 00:08:26,240 the microphone in and that is coming straight out, but it's better than any other mic 71 00:08:26,240 --> 00:08:30,520 in version that I've used, you know, I use the breakout box. 72 00:08:30,520 --> 00:08:35,200 These breakout boxes, even the fire wire, they just don't cut it because you get this 73 00:08:35,200 --> 00:08:39,720 latency and this latency builds up and you just, you know, you just can't get rid of it 74 00:08:39,720 --> 00:08:46,280 unless you, you know, re-regrab the interface and it just becomes unbearable after a bit. 75 00:08:46,280 --> 00:08:51,960 In fact, doing the Patricia Pride podcast, it took us a good 20 minutes to set up and get 76 00:08:51,960 --> 00:08:55,640 the levels right so that Patricia would actually, could bear having the headphones on, 77 00:08:55,640 --> 00:08:59,640 listening to herself talk, she said, you know, it's slowing me down and it is. 78 00:08:59,640 --> 00:09:04,400 I got used to it and, you know, now that I, that is gone, and I'll tell you how I solve 79 00:09:04,400 --> 00:09:07,360 that, I'm really digging it. 80 00:09:07,360 --> 00:09:08,840 So here's what I've done. 81 00:09:08,840 --> 00:09:12,080 Here's how I've set it up and there's more gear to come because now I'm starting to 82 00:09:12,080 --> 00:09:15,400 get the hang of all this and I'm getting pretty excited. 83 00:09:15,480 --> 00:09:24,120 Basically, I have my wireless mic, the receiver is going into one input, a mono channel 84 00:09:24,120 --> 00:09:30,000 on this mixer and the mixer is outputting a stereo signal which I'm putting into the line 85 00:09:30,000 --> 00:09:32,000 in of my power book. 86 00:09:32,000 --> 00:09:39,400 Now I had, why did I differently earlier today, where the output of my power book was 87 00:09:39,400 --> 00:09:45,360 routed through the mixer as well and so I could play back stuff, anything on the computer 88 00:09:45,440 --> 00:09:49,440 that I wanted to and then I could mix the microphone and that audio signal, I actually had my 89 00:09:49,440 --> 00:09:51,160 iPod hooked up to it as well. 90 00:09:51,160 --> 00:09:52,880 I could mix those together. 91 00:09:52,880 --> 00:09:57,080 Now what happened is I really started to miss the signal processing. 92 00:09:57,080 --> 00:10:02,360 You know, I work so hard on getting the reverb just right and, and, and getting the 93 00:10:02,360 --> 00:10:06,200 equalizing just sounding right and a little bit of compressor and I've got all these great 94 00:10:06,200 --> 00:10:10,240 effects in the computer that I'm affecting, I can't use in that setup. 95 00:10:10,240 --> 00:10:15,240 So I'm piping the microphone now into the, as I said, into the line in through the 96 00:10:15,240 --> 00:10:22,240 mixing board and I'm just using the hijack feature of audio hijack pro so that I can 97 00:10:22,240 --> 00:10:28,240 use all of their effects and basically put a chain together and the music of hijack 98 00:10:28,240 --> 00:10:35,240 that, as well, basically hijacked the line input and of hijacked the, the quick time 99 00:10:35,240 --> 00:10:40,840 player which I used to play my, my little clips of audio or mashups and so I've been 100 00:10:40,840 --> 00:10:45,960 able to process them both individually which is really nice and the recording I'm doing 101 00:10:45,960 --> 00:10:46,960 on my iRiver. 102 00:10:46,960 --> 00:10:52,400 I've decided this is a great recorder, because you just gobs and gobs of time, 17 hours 103 00:10:52,400 --> 00:11:01,640 to record it very high quality sample rate and so basically it's just recording the, 104 00:11:01,640 --> 00:11:06,640 it's getting its, it's input from the headphone jack on the power book and I just tried 105 00:11:06,760 --> 00:11:11,280 out where I brought a Skype call in and I hijacked the Skype application as well so 106 00:11:11,280 --> 00:11:18,280 I can process that so and then I, I can do VU meters for each individual channel so it's 107 00:11:18,280 --> 00:11:23,120 finally starting to look and feel like a studio and that for a, you know, like a $100 108 00:11:23,120 --> 00:11:28,680 mixer so I'm very, very happy with this setup currently and I'll keep you in the loop 109 00:11:28,680 --> 00:11:33,400 on what I, I might even go for some external effects on the microphone that might be something 110 00:11:33,480 --> 00:11:35,200 I could do, that might be cool. 111 00:11:35,200 --> 00:11:41,640 Actually, I'll just give you a little demo here, hold on, let me decouple from the headset. 112 00:11:41,640 --> 00:11:50,680 So I can actually turn this microphone off and now I have the other microphone on which 113 00:11:50,680 --> 00:11:52,880 is my sure. 114 00:11:52,880 --> 00:11:56,400 I need a mic stand for the sure so I can use it while I'm sitting down on the couch 115 00:11:56,400 --> 00:11:59,680 so that's why I'm not using it today so I'm just using the, the lovelier so I'm 116 00:11:59,680 --> 00:12:04,720 going to switch back to the lovelier, okay, I could make some, I just have it set up so 117 00:12:04,720 --> 00:12:09,320 I could hit a button that turns the entire channel off so are we, are we recording now 118 00:12:09,320 --> 00:12:10,320 is it working? 119 00:12:10,320 --> 00:12:11,320 Hold on. 120 00:12:11,320 --> 00:12:14,800 Hello, hello, hello, hello, yeah, okay, good. 121 00:12:14,800 --> 00:12:22,240 So very pleased with this, with this current setup, I'm loving the no lag feature, that's 122 00:12:22,240 --> 00:12:26,720 really, it really makes a difference, you know, I got to be honest, it makes a difference, 123 00:12:26,720 --> 00:12:27,720 not having that. 124 00:12:28,720 --> 00:12:32,720 Looks like we're still going to be moving towards external gear and I have received 125 00:12:32,720 --> 00:12:39,080 hundreds, literally, hundreds of URLs to different portable mixers and there's about 126 00:12:39,080 --> 00:12:44,480 three of them that pretty much do the job of just being portable, being able to add a 127 00:12:44,480 --> 00:12:48,000 sound source and a microphone and then out. 128 00:12:48,000 --> 00:12:54,240 So I could now essentially take my wireless microphone, my iPod and my I River and I could 129 00:12:54,240 --> 00:13:00,240 do, and a mixer, a little mixer and I could do a complete mobile podcast, but of course 130 00:13:00,240 --> 00:13:04,120 it's completely stupid because it should all be contained in one device, this would 131 00:13:04,120 --> 00:13:10,240 just be one device that says here, give me, you know, jam a microphone in here or use 132 00:13:10,240 --> 00:13:16,120 the built-in mic and if you want, you can mix in another line input, so if you want to 133 00:13:16,120 --> 00:13:20,720 hook up an external sound source, but you can also write there from the interface, mix 134 00:13:20,720 --> 00:13:21,720 in and be three. 135 00:13:21,720 --> 00:13:25,640 I mean, it's software, I know it can be done, it's just, you know, I don't think we can, 136 00:13:25,640 --> 00:13:30,160 we can't do it on the iPod because we don't know how to write software for it. 137 00:13:30,160 --> 00:13:34,800 Maybe the Linux guys will get there eventually, but I think it's still quite a ways off, 138 00:13:34,800 --> 00:13:38,840 but that's what we would need and it would be just perfect, you know, if we could do that, 139 00:13:38,840 --> 00:13:39,840 really would. 140 00:13:39,840 --> 00:13:48,280 So I haven't had the opportunity to email everybody back to thank them for all the links 141 00:13:48,280 --> 00:13:52,520 to these portable mixers, there's quite a bit out there and, you know, the more I look 142 00:13:52,520 --> 00:13:58,760 at it, the more I'm convinced that we will definitely be working with, you know, professional 143 00:13:58,760 --> 00:14:04,040 sound gear from music stores like Anderton and Gilford, you know, that's, it's just 144 00:14:04,040 --> 00:14:07,240 where they've got the stuff, they've got most of the stuff we need. 145 00:14:07,240 --> 00:14:11,080 So I was even considering, I think I just said that, you know, buying an external effects 146 00:14:11,080 --> 00:14:13,240 bank, I don't know, I'm just going to play around. 147 00:14:13,560 --> 00:14:20,200 I really want to, you know, just get the best sound possible and I love the, the lavalier 148 00:14:20,200 --> 00:14:25,240 microphone because it does give you a lot more ambience of the room, which I think a lot of 149 00:14:25,240 --> 00:14:28,680 people like, you know, if you, probably just a shut up for a second here and I can actually 150 00:14:28,680 --> 00:14:37,640 crank up the volume, you can even hear the TV downstairs, I would so loud know that my 151 00:14:37,640 --> 00:14:45,400 mic is almost getting feet, I have a feedback on my ear buds, anyway, okay, so we're back. 152 00:14:47,720 --> 00:14:53,080 Okay, so I did the mixers, oh, you were say today article, actually I should grab that, 153 00:14:53,080 --> 00:15:00,600 we can talk about it and now that I'm not recording on the Mac itself, that's going to be a lot 154 00:15:00,760 --> 00:15:10,680 easier. Because the processor isn't so overloaded that I can almost, I can just probably 155 00:15:10,680 --> 00:15:18,760 end up with it in no life. I can use my, my browser, nothing slowing down and it's all just 156 00:15:18,760 --> 00:15:27,480 happily recording away on the I River IFP 799. So the, what does it, music fans reach for the 157 00:15:27,480 --> 00:15:34,840 stars? It's a pretty long article, but I guess kind of the gist of it is that what's happening 158 00:15:34,840 --> 00:15:42,360 online and what's happening through file sharing and what's happening through, you know, groups like 159 00:15:44,360 --> 00:15:50,680 what is it, association of music podcasting, the independent music feeds, you know, we've got 160 00:15:50,680 --> 00:16:00,280 accident hash, we've got in some near radio, 300 with a $250 million radio show. I mean, there's 161 00:16:00,280 --> 00:16:05,640 all these different independent outlets and podcasting, of course, is going to really, you know, 162 00:16:05,640 --> 00:16:12,760 grab a hold in that arena that it's becoming more influential than MTV and, you know, kids are 163 00:16:12,760 --> 00:16:18,200 making decisions on what they want to buy based upon different recommendations, you know, it's not, 164 00:16:18,360 --> 00:16:22,840 it's not just the traditional channels, so there's a lot going on here, I'm really excited about that 165 00:16:22,840 --> 00:16:27,880 because I'm pretty sure in the new venture, I've been telling you a bit about, that's one of the things 166 00:16:27,880 --> 00:16:34,760 that I really look forward to, is helping people like, like the listidious bitty, you know, it's 167 00:16:34,760 --> 00:16:40,440 perfect and I've, I've already been kind of doing some of that with them, you know, they're going 168 00:16:40,440 --> 00:16:45,640 to be going out on tour soon. I actually did a South, was at SWSX, that's where they are right now 169 00:16:45,640 --> 00:16:52,360 and they're doing their podcast and they're selling music through their, you know, which they're 170 00:16:52,360 --> 00:16:59,640 retaining, you know, a large portion of the direct revenue. I mean, it's, it's really a good system. 171 00:16:59,640 --> 00:17:07,000 We're getting to something here and, and, and mainstream media is starting to take notice, 172 00:17:08,120 --> 00:17:13,880 which I guess is something they should be doing, so I'm just pretty, pretty jazzed about all that. 173 00:17:14,600 --> 00:17:21,160 So you got an email here from Eric, Eric says, hey man, just curious, what exactly you do? 174 00:17:21,160 --> 00:17:26,200 I just got into podcasting, you've heard that heard about you, so I've been listening lately, 175 00:17:26,200 --> 00:17:30,520 but what is your daily job or career? I just started listening, can't really figure it out. 176 00:17:30,520 --> 00:17:34,760 I'm on your site right now as well, and I'm trying to see what you do. I think you develop software 177 00:17:34,760 --> 00:17:41,880 I potter, I believe, but just curious. Well, Eric or Eric, it's a CH is the way you spell it, Eric. 178 00:17:42,440 --> 00:17:48,680 Um, well, first of all, thank you. I, uh, it's very, very nice of you to think of me as a software developer. 179 00:17:48,680 --> 00:17:54,520 That's great. Um, my entire claim to fame is the iPodder script, so I think I appreciate it. 180 00:17:55,560 --> 00:18:02,280 But no, I, um, I don't actually, this is all I'm doing right now. I, um, I had a, my previous 181 00:18:02,280 --> 00:18:07,640 company, well, I had a couple companies in between with my previous company in the United States. I sold in 182 00:18:07,720 --> 00:18:16,440 1999 with my partner, Ron Bloom, and, uh, you know, semi retired, although I, I was working on a lot of 183 00:18:17,000 --> 00:18:23,320 similar stuff, actually, the podcasting, but completely in video and, uh, based on job-a-platform. 184 00:18:24,200 --> 00:18:28,600 So what I did then was basically burn a lot of money. I've burned a lot of money in helicopters too. 185 00:18:29,640 --> 00:18:35,240 But, um, you know, since, uh, July or August, um, this is what I've been doing, and I'm a radio geek 186 00:18:35,320 --> 00:18:40,760 from way back. So I've been doing lots of radio, and this is so right up my alley, you know, the first 187 00:18:40,760 --> 00:18:46,280 day I saw an internet connection. I said, ah, that's something we can broadcast over. And it was at the 188 00:18:46,280 --> 00:18:52,760 wired rave awards that I hooked up with Carl Jacob, who I knew, uh, back then he contacted me 189 00:18:52,760 --> 00:18:59,240 he was working at Sun Microsystems. And we actually, uh, started, uh, on ramp, uh, in the very, 190 00:18:59,240 --> 00:19:04,120 very early days together. And he was out in San Francisco and, uh, the servers were in his apartment. 191 00:19:04,760 --> 00:19:13,720 And, uh, I think it was when the 9600, uh, bought modems rolled around, that he, um, 192 00:19:14,760 --> 00:19:23,000 transmitted an audio signal via the PCM codec, uh, from San Francisco to my, um, my home in New Jersey, 193 00:19:23,000 --> 00:19:30,200 where I had a 64K frame relay connection, I believe, um, and it actually worked, you know, it was, 194 00:19:30,280 --> 00:19:34,280 of course it was a single stream and it was really inefficient and it was pumping the bit straight 195 00:19:34,280 --> 00:19:39,480 through, nothing like, you know, what, uh, it will not much later after that. We, uh, saw things like 196 00:19:39,480 --> 00:19:46,680 was it progressive networks, which later became a real audio. Um, and, uh, you know, we were just 197 00:19:46,680 --> 00:19:51,880 thinking back to, uh, to those days and now, you know, look at, look at what's happening. This is just so 198 00:19:51,880 --> 00:19:56,200 incredibly amazing. That's what I said the other day when I realized that I was talking into a 199 00:19:56,280 --> 00:20:03,160 little stick of plastic, like a, the size of a cheese stick, a cheese snack and knowing that after, 200 00:20:03,160 --> 00:20:08,200 you know, a little bit of messing around on a keyboard and, uh, you know, some file transfers and 201 00:20:08,200 --> 00:20:13,640 some clicking of the, the mouse that, uh, all these people would be able to hear this, you know, that's, 202 00:20:13,640 --> 00:20:21,080 uh, that's definitely part of a dream come true. It's really, yeah, it's, uh, I'm digging it. 203 00:20:21,080 --> 00:20:24,840 So anyway, so what am I doing now? Well, I'll tell you one of the things I'm working on, 204 00:20:24,920 --> 00:20:28,920 is I'm working on getting the Gilmore gang back on the air because my weekends have been total 205 00:20:28,920 --> 00:20:34,680 crap without the gang. Um, I'm, um, really, you know, I'm like totally bogged out about this. I've been 206 00:20:34,680 --> 00:20:41,160 talking to Steve Gilmore, um, you know, have also been telling him a bit about our plans. And, uh, so 207 00:20:41,160 --> 00:20:46,360 help me, uh, I want to get the Gilmore gang back on the air very, very, very, very, very quickly. 208 00:20:47,320 --> 00:20:53,240 This is the hit test podcast. Yeah, test podcast featuring the hit test, heard on the daily source 209 00:20:53,240 --> 00:20:55,800 codes. Hey, who are you on? Hold it. All right. 210 00:20:56,840 --> 00:21:02,360 This is the opener of the hit test podcast. I'm working with a weekly podcast featuring an extended 211 00:21:02,360 --> 00:21:08,040 version of the hit test with five intros for you to identify. And of course, I will be talking about 212 00:21:08,040 --> 00:21:13,800 my favorite subjects. And that would be me. So check it out. Hey, y'all, let's dot to know that 213 00:21:13,800 --> 00:21:19,400 J and P.O.L. E.G. doesn't help. And I'll just see you for the next hit test podcast. All right. 214 00:21:23,960 --> 00:21:28,280 Time for Adam Curry to take the hit test. My goodness. I'm already tired. 215 00:21:29,640 --> 00:21:34,760 Well, I Adam, this hit test number 21. Hey, uh, and this is the last time I will mention the number 216 00:21:35,960 --> 00:21:40,040 because it's like it's very interesting for the listeners. Whoa. 217 00:21:40,680 --> 00:21:46,760 What keep you proud? Uh, you're able to identify which hit test it is by looking at the file name. 218 00:21:46,760 --> 00:21:51,960 So that will be enough. All right. This is number one. Okay. Here we go. 219 00:21:54,200 --> 00:22:02,520 Once again. I got it. But I'm about to get ready. Okay. That's talking in your sleep by the romantic. 220 00:22:04,760 --> 00:22:05,800 And this is number two. 221 00:22:10,680 --> 00:22:16,120 Oh, once again. It sounds like a hairband ballads. 222 00:22:19,960 --> 00:22:25,000 Wow. Now you've got me on that one, y'all. I'm definitely stumped. And the final one. Number three. 223 00:22:29,640 --> 00:22:30,680 One more time. Try. 224 00:22:30,920 --> 00:22:32,680 Oh, man. 225 00:22:38,200 --> 00:22:42,920 Y'all. I think you've stumped me. I only got one out of three as far as I know. 226 00:22:42,920 --> 00:22:48,680 Time for the answers. This is answer number one. Okay. That was romantic. That was romantic. 227 00:23:00,920 --> 00:23:07,160 I'm here. The secret facts to keep talking in your sleep. 228 00:23:10,600 --> 00:23:11,800 All right. Let's get to the number two. 229 00:23:13,080 --> 00:23:15,640 Here it is now. And answer number two. 230 00:23:17,240 --> 00:23:22,040 What was Boston? Oh, and a sunny styled Amanda. 231 00:23:22,040 --> 00:23:23,560 Oh, but of course. 232 00:23:23,640 --> 00:23:33,640 Oh, but it's the intro. It's like all our members, the decor. It's a nice, solid, sweet. 233 00:23:37,320 --> 00:23:39,640 Can you read the man? 234 00:23:47,560 --> 00:23:49,560 Okay, not entirely a hairband, so. 235 00:23:54,520 --> 00:23:57,560 And Amanda is number two in today's hit test. 236 00:23:58,840 --> 00:24:00,840 And this is answer number three. 237 00:24:05,640 --> 00:24:07,400 It's an oldie by Sharon Brown. 238 00:24:09,400 --> 00:24:14,600 I specialize in love. Oh, Jesus, you're kidding me. Oh, I never want to pray that. 239 00:24:16,680 --> 00:24:18,680 I love this song. 240 00:24:24,520 --> 00:24:40,600 Yeah, and this is really my kind of music specialized in love. Sharon Brown. 241 00:24:41,640 --> 00:24:43,640 Well, this concludes the hit test for today. 242 00:24:44,840 --> 00:24:48,600 As always, feedback is welcome at histest at gmail.com. 243 00:24:48,760 --> 00:24:56,440 You can find all information about this hit test and the hit test podcast at www.yumpolets.nl 244 00:24:56,440 --> 00:25:00,600 that's gannplt.nl. 245 00:25:00,600 --> 00:25:03,320 Let us see you next time for another edition of the hit test. Bye-bye. 246 00:25:04,280 --> 00:25:06,280 All right, buddy. Thank you very much. 247 00:25:06,280 --> 00:25:09,880 Young Polette with his infamous hit test. 248 00:25:09,960 --> 00:25:20,680 Well, what we're going to talk about. Oh, yes, I want to demonstrate the Skype phone to you. 249 00:25:22,920 --> 00:25:29,320 I ordered this cordless telephone, which you hook up to a PC. Of course, it only works on a PC. 250 00:25:29,320 --> 00:25:36,760 So I hook it up downstairs on the Christina's PC. And basically, it gives you a Skype, 251 00:25:37,720 --> 00:25:40,840 it hooks up to your Skype account. So you have to be online with Skype. 252 00:25:42,120 --> 00:25:49,240 And when someone calls you, it rings like a telephone. You pick it up and you use it like a telephone. 253 00:25:49,800 --> 00:26:00,360 Which is just really fucking cool. And if you use it to call out, then you can go to the 254 00:26:00,360 --> 00:26:05,240 phone book and it shows you all of your contacts that are online. You can scroll through and just hit 255 00:26:07,080 --> 00:26:11,640 the dial button and it'll call them. Or you of course can use Skype out. So I immediately set 256 00:26:11,640 --> 00:26:15,720 Patricia up with a Skype out account. And now she's calling all over the world that these wonderful 257 00:26:15,720 --> 00:26:22,120 rates, which is a penny and a half per minute, which is just unbelievable. I mean, that price is 258 00:26:22,120 --> 00:26:29,160 that's cheap. That's really dirt cheap. And now she's hooking up her sister's getting hooked up. 259 00:26:29,160 --> 00:26:33,400 And once she's got Skype installed and all working, then we send her one of these Skype phones. 260 00:26:33,400 --> 00:26:37,720 And then it can just basically call like they're using a telephone. And with this particular model, 261 00:26:37,720 --> 00:26:44,760 you can plug it into the regular phone line. And you can choose which phone line you want to use, 262 00:26:44,760 --> 00:26:49,240 and it'll ring for both for both incoming calls. So I'm telling you, man, Skype is going to be the 263 00:26:49,240 --> 00:26:55,000 phone company. It's just amazing. I want to demo this to you. So how should I do this? 264 00:26:57,000 --> 00:27:03,000 Well, first link, I'll tell you what, why don't I call downstairs, Christina's probably on the phone. 265 00:27:03,000 --> 00:27:08,920 So let's just listen to the quality of it. Okay, I'm hijacking Skype now. And I'm going to ask, 266 00:27:08,920 --> 00:27:13,960 this of course is a big, I'm going to ask Christina to come upstairs with the extension. You never know if a 267 00:27:13,960 --> 00:27:19,960 teenager will do that, right? But let's see. So it should be ringing. Oh, it was ringing. 268 00:27:26,040 --> 00:27:31,960 Hello. Hey, Sparky. Hey, Dad. Hey, I'm doing a podcast. I wanted to test the Skype phone. 269 00:27:33,240 --> 00:27:38,040 Oh, what works. Yeah. Well, can you do me a humongous favor? Sure. Would you mind coming 270 00:27:38,040 --> 00:27:45,480 upstairs and bringing the handset with you? Why? Well, so I can demo it. I want to let people here 271 00:27:45,480 --> 00:27:51,000 the ring. All right. Hey, Dad. What do I have a whole bunch of people on my Skype list with the name 272 00:27:51,000 --> 00:27:58,440 Gothenett? Uh, with the name Gothenett? On your Skype list? That's Mom's Skype list. 273 00:27:59,080 --> 00:28:08,600 Yeah, I have no idea. Oh, my God. The name Gothenett? All these jeans and stuff in it. 274 00:28:09,320 --> 00:28:13,480 I don't know. I'll take a look later, but you can just close that window. That should just be closed. 275 00:28:14,360 --> 00:28:18,040 All right. Bring the phone. You want me to bring the whole thing with the plug? 276 00:28:18,440 --> 00:28:22,840 No, no, no. Just you're on the phone now, right? Yeah. Yeah, no, just bring the phone up. Just walk 277 00:28:22,840 --> 00:28:28,040 up and talk to me while you're walking. So I can hear you walk up the stairs. The sound is great. It's just like 278 00:28:28,040 --> 00:28:33,880 a real phone, isn't it? Yep. Well, it kind of sounds like you're in a cave, like the back cave. 279 00:28:33,880 --> 00:28:39,400 But it's all right. Oh, is this any better? Wait a minute. You're listening to me. I don't even know 280 00:28:39,400 --> 00:28:45,400 how you're hearing me. Who knows? Oh, here you are. Hello. Hi. Oh, there's a little delay, isn't there? 281 00:28:45,400 --> 00:28:51,880 Yeah. Yeah, hold on one second. Hang up. Okay, hang up. Okay. Now, I want to call you just so people can hear the ring. 282 00:28:51,880 --> 00:29:04,120 Hold on. Take up. What's up? Cool. Okay. That was a thanks baby. All right. 283 00:29:06,840 --> 00:29:19,160 I love you. Oh, can you close my door? My gosh. Thanks. Five. There you go. The Skype phone. 284 00:29:19,160 --> 00:29:25,160 Inaction sounded pretty damn hot, didn't it? And, you know, the Skype out feature is just it's great. I love it. 285 00:29:25,160 --> 00:29:29,240 And I haven't looked at the book yet, but I'm sure there's a way to even do the conference calls. And 286 00:29:29,240 --> 00:29:33,320 oh, man, it's just so smart. And, you know, these guys are just cell and phone minutes. You know, 287 00:29:33,320 --> 00:29:38,680 it's working. I totally, totally dig it. Hey, you got another mashup lined up for you. It's actually, 288 00:29:38,680 --> 00:29:44,680 it's not a, it's not really a mashup more than like, well, it is, it is kind of a mashup. You know what? 289 00:29:44,760 --> 00:29:46,920 It's not just a mashup. It's the king. 290 00:30:04,840 --> 00:30:05,640 Give me another start. 291 00:30:05,640 --> 00:30:10,520 Hey, all of a sudden, I mean, there are three, five, six, three. 292 00:30:16,250 --> 00:33:16,250 [ Music ] 293 00:33:23,880 --> 00:33:38,100 So, no more What today ?? I have a beauty sauna on the side ofup on my foot. I have something a little better to do taking pictures of ashore doubts fixing my rummaging around here Actually, I'm actually building another, just showing another source code? 294 00:33:38,100 --> 00:33:41,920 So, anyway I've Newton Skype Sorry about that Right, you know what tomorrow? remember, Friday 295 00:33:41,920 --> 00:33:49,100 I've been looking forward to the weekend And we've got some fun stuffed plans 296 00:33:49,100 --> 00:33:55,100 And see, I think that we may even do another Patricia Pi podcast, I've kind of been 297 00:33:55,100 --> 00:33:59,100 hinting that people like it so much, and I haven't received a couple of songs through 298 00:33:59,100 --> 00:34:05,100 email MP3s and a like of stuff that Patricia has done in the past, and I think we'll 299 00:34:05,100 --> 00:34:10,100 be a big surprise to her. 300 00:34:11,100 --> 00:34:13,100 What's going on? 301 00:34:13,100 --> 00:34:14,100 Yes. 302 00:34:14,100 --> 00:34:18,100 The joke contains an old content that is brought to you by the letter 8. 303 00:34:18,100 --> 00:34:19,100 Yes. 304 00:34:19,100 --> 00:34:20,100 Yes. 305 00:34:20,100 --> 00:34:23,100 This is the whip report. 306 00:34:23,100 --> 00:34:27,100 Now, why am I going to play this for you? 307 00:34:27,100 --> 00:34:30,100 I thought I couldn't sound welcome to the show. 308 00:34:30,100 --> 00:34:33,100 This is the whip report on your host, my name is Whiplash. 309 00:34:33,100 --> 00:34:38,100 Coming up later, an exclusive whip report first interview with Murphy, and how he 310 00:34:38,100 --> 00:34:40,100 was about having his own law. 311 00:34:40,100 --> 00:34:45,100 The interview goes okay, but if something can go wrong, it probably will. 312 00:34:45,100 --> 00:34:49,100 Later, we'll chat with a man who has convinced that two poxikours are Jewish holiday. 313 00:34:49,100 --> 00:34:51,100 First, at these top stories. 314 00:34:51,100 --> 00:34:53,100 You should listen to that, the whip report. 315 00:34:53,100 --> 00:34:55,100 Find it on ipotter.org. 316 00:34:55,100 --> 00:35:00,100 Hey, by the way, the directory, I saw that Marcus was working on the static rendering, so the 317 00:35:00,100 --> 00:35:03,100 directory is going to be a lot faster now. 318 00:35:03,100 --> 00:35:07,100 Just about every single node has now been distributed, which is just great. 319 00:35:07,100 --> 00:35:13,100 I'm still working on getting some people's opml working a little bit better, and pretty soon 320 00:35:13,100 --> 00:35:18,100 I'm going to put in some interesting stuff for the node managers. 321 00:35:18,100 --> 00:35:24,100 I'm going to give you a couple more tools to work with, so you can really build out the node. 322 00:35:24,100 --> 00:35:29,100 And there's also going to be some money making opportunities. 323 00:35:29,100 --> 00:35:32,100 But that's for another podcast, my friends. 324 00:35:32,100 --> 00:35:39,100 I'm going to leave you with that thought. 325 00:35:39,100 --> 00:35:44,100 I'm going to go downstairs, 12 past 7 p.m., see if I can help out with dinner. 326 00:35:44,100 --> 00:35:49,100 And I will be back tomorrow to talk to you about the shoot. 327 00:35:49,100 --> 00:35:52,100 Whatever comes to mind, I guess. 328 00:35:52,100 --> 00:35:57,100 I'm going to come inside of acurry.com. 329 00:35:57,100 --> 00:36:01,100 Of course, you can leave a comment on my weblog www.curry.com. 330 00:36:01,100 --> 00:36:08,100 If you're looking for the newest show, all the archives, and the podcast feed for daily source code, 331 00:36:08,100 --> 00:36:10,100 go to dailysourcecode.com. 332 00:36:10,100 --> 00:36:13,100 Everybody I'll see tomorrow, take care. 333 00:36:31,100 --> 00:36:36,100 Thanks for watching.