1
00:00:01,000 --> 00:00:02,000
Warning.

2
00:00:02,000 --> 00:00:08,000
The following podcast contains extremely annoying geeky talk about studio setups and mixing gear.

3
00:00:13,000 --> 00:00:15,000
Yeah, we're off to a great start there.

4
00:00:15,000 --> 00:00:17,000
Hey everybody, it's the day to source code.

5
00:00:17,000 --> 00:00:18,000
It's Friday.

6
00:00:20,000 --> 00:00:21,000
Oh, man.

7
00:00:22,000 --> 00:00:23,000
Okay.

8
00:00:24,000 --> 00:00:28,000
I think that her maiden voyage is going to turn out just fine.

9
00:00:28,000 --> 00:00:31,000
Well, I'll be just some levels here.

10
00:00:31,000 --> 00:00:34,000
If you hadn't seen the picture on curry.com yet,

11
00:00:34,000 --> 00:00:37,000
I got some new gear that I'm testing out today on the source code.

12
00:00:41,000 --> 00:00:42,000
Oh, okay.

13
00:00:42,000 --> 00:00:47,000
So besides the usual stuff, we will be discussing the studio setup.

14
00:00:48,000 --> 00:00:51,000
I can't believe I finally broke down and did it.

15
00:00:51,000 --> 00:00:56,000
I went out to the music store and I got everything I need to create.

16
00:00:56,000 --> 00:01:03,000
More or less exactly the sound and the connections between different pieces of equipment that

17
00:01:03,000 --> 00:01:06,000
I've wanted to do that I've been trying to do on software on my computer.

18
00:01:06,000 --> 00:01:11,000
I just went ahead and bought all the outboard gear and I am totally loving it.

19
00:01:11,000 --> 00:01:15,000
I hope the sound is starting to come along there.

20
00:01:20,000 --> 00:01:25,000
So at this point, I again want to warn you that I'll be talking a lot.

21
00:01:26,000 --> 00:01:31,000
I'm particularly beginning about these new boxes that I've purchased and I set up

22
00:01:31,000 --> 00:01:34,000
and all the different pieces and how they all fit together.

23
00:01:34,000 --> 00:01:38,000
But I also have a hit test coming up.

24
00:01:39,000 --> 00:01:42,000
Something that was listed on your pod safe, but I'm not quite sure it is.

25
00:01:42,000 --> 00:01:44,000
It sounds more like a mashup.

26
00:01:44,000 --> 00:01:48,000
And I got another podcast to go along.

27
00:01:48,000 --> 00:01:50,000
Listen to it together.

28
00:01:50,000 --> 00:01:56,000
Okay, let me just try one thing here.

29
00:01:56,000 --> 00:01:59,000
First thing I want to do is switch to the other microphone.

30
00:01:59,000 --> 00:02:01,000
So I did that almost seamlessly.

31
00:02:01,000 --> 00:02:05,000
Now you're on the live microphone so I can get up and walk around.

32
00:02:05,000 --> 00:02:09,000
And I need to go over to the computer you see.

33
00:02:09,000 --> 00:02:11,000
So that doesn't sound too bad, does it?

34
00:02:11,000 --> 00:02:12,000
Hold on a second.

35
00:02:12,000 --> 00:02:13,000
It makes back to the first mic.

36
00:02:13,000 --> 00:02:16,000
So that's the, this is the sure the SM7.

37
00:02:16,000 --> 00:02:19,000
I'm not quite happy with the way it sounds.

38
00:02:19,000 --> 00:02:23,000
It's a little high on the S6.

39
00:02:23,000 --> 00:02:26,000
Have you ever heard people who speak like that when the S?

40
00:02:26,000 --> 00:02:28,000
And it keeps on singing.

41
00:02:28,000 --> 00:02:30,000
Isn't that annoying?

42
00:02:30,000 --> 00:02:33,000
It surely does bug the hell out of me.

43
00:02:33,000 --> 00:02:34,000
Okay.

44
00:02:34,000 --> 00:02:36,000
Let's see if we can get this going.

45
00:02:36,000 --> 00:02:40,000
When you grow up, let it hit like a good boy out of.

46
00:02:40,000 --> 00:02:46,000
And your mama digs it shine a perfect sun.

47
00:02:46,000 --> 00:02:47,000
Something different.

48
00:02:47,000 --> 00:02:51,000
Oh, the girls are seeming like you.

49
00:02:51,000 --> 00:02:56,000
Because your pants are like you don't fit in the pool out of fun.

50
00:02:56,250 --> 00:06:46,250
[ Music ]

51
00:06:52,000 --> 00:06:55,000
Oops, sorry, that was a rather abrupt fade out there.

52
00:06:55,000 --> 00:06:57,000
Oh, I was really digging that too.

53
00:06:57,000 --> 00:07:00,000
From DJEarWorm.com,

54
00:07:00,000 --> 00:07:02,000
Scissors, Sisters, Beatles, George Michael,

55
00:07:02,000 --> 00:07:04,000
A Reath of Franklin.

56
00:07:04,000 --> 00:07:06,000
It was almost like a mega mix,

57
00:07:06,000 --> 00:07:10,000
and a traditional mashup.

58
00:07:10,000 --> 00:07:12,000
Right, too.

59
00:07:12,000 --> 00:07:15,000
Okay, so let me tell you what happened this morning.

60
00:07:15,000 --> 00:07:17,000
I went out, well, first of all,

61
00:07:17,000 --> 00:07:19,000
I dropped Christina off at school,

62
00:07:19,000 --> 00:07:22,000
and then I went to Anderton's Music Store in Guilford,

63
00:07:22,000 --> 00:07:25,000
which is just as you enter the town,

64
00:07:25,000 --> 00:07:29,000
the road kind of a busy two-way lane street,

65
00:07:29,000 --> 00:07:31,000
and I was able to pick up a cup of coffee

66
00:07:31,000 --> 00:07:33,000
at the gas station just before it

67
00:07:33,000 --> 00:07:35,000
because they don't open until 930.

68
00:07:35,000 --> 00:07:37,000
So I read the newspaper,

69
00:07:37,000 --> 00:07:38,000
didn't have the financial times,

70
00:07:38,000 --> 00:07:41,000
read the Guardian front to cover,

71
00:07:41,000 --> 00:07:44,000
basically, waiting for the store to open.

72
00:07:44,000 --> 00:07:47,000
And really nice guy, sales guy named Andy,

73
00:07:47,000 --> 00:07:50,000
helped me out, and he knew what podcasting was.

74
00:07:50,000 --> 00:07:52,000
And so I tried to explain to him,

75
00:07:52,000 --> 00:07:54,000
you know, what I was looking to do.

76
00:07:54,000 --> 00:07:56,000
And I'd purchase the,

77
00:07:56,000 --> 00:07:58,000
Con the Soundcraft Compact 6 Mixer,

78
00:07:58,000 --> 00:08:02,000
which I put in the show notes for yesterday's daily source code.

79
00:08:02,000 --> 00:08:04,000
So you can purchase that,

80
00:08:04,000 --> 00:08:05,000
and if you buy it,

81
00:08:05,000 --> 00:08:07,000
then I actually make 5.25%

82
00:08:07,000 --> 00:08:09,000
until I sell another 70 items,

83
00:08:09,000 --> 00:08:11,000
when I move up to 5.5%.

84
00:08:11,000 --> 00:08:13,000
But it's actually product those movies,

85
00:08:13,000 --> 00:08:15,000
pretty interesting.

86
00:08:16,000 --> 00:08:19,000
So he already knew what gear I had at home,

87
00:08:19,000 --> 00:08:21,000
and I told him, you know, what mics I had.

88
00:08:21,000 --> 00:08:23,000
And basically, what I wanted,

89
00:08:23,000 --> 00:08:25,000
I wanted a preamp for the microphone.

90
00:08:25,000 --> 00:08:27,000
So, you know, I can do a little bit of effects.

91
00:08:27,000 --> 00:08:29,000
You know, I have a little bit of the,

92
00:08:29,000 --> 00:08:30,000
I didn't put reverb on,

93
00:08:30,000 --> 00:08:34,000
I put just a very little faint bit of,

94
00:08:34,000 --> 00:08:35,000
what is it?

95
00:08:35,000 --> 00:08:37,000
It's an echo plate actually.

96
00:08:37,000 --> 00:08:41,000
And a little bit of compression on the microphone.

97
00:08:41,000 --> 00:08:43,000
And I don't know if it's too much or not,

98
00:08:43,000 --> 00:08:46,000
I just can turn out once it's all compressed to MP3.

99
00:08:46,000 --> 00:08:48,000
You know, it may sound horrible,

100
00:08:48,000 --> 00:08:51,000
but I've been working out all day.

101
00:08:51,000 --> 00:08:52,000
And what happens, you know,

102
00:08:52,000 --> 00:08:53,000
as you're fiddling around with sound,

103
00:08:53,000 --> 00:08:54,000
at a certain point,

104
00:08:54,000 --> 00:08:56,000
you just don't know what you're hearing anymore.

105
00:08:56,000 --> 00:08:57,000
It's really hard.

106
00:08:57,000 --> 00:08:58,000
So let me see.

107
00:08:58,000 --> 00:09:00,000
And actually, as I move over to the mixing board,

108
00:09:00,000 --> 00:09:03,000
I'll switch over to the second,

109
00:09:03,000 --> 00:09:04,000
the lavelier mic,

110
00:09:04,000 --> 00:09:06,000
which I have on,

111
00:09:06,000 --> 00:09:09,000
which I have here on a second fader.

112
00:09:09,000 --> 00:09:12,000
Okay, so I'm in front of my 19 inch rack.

113
00:09:12,000 --> 00:09:14,000
One of those 19 inch tabletop racks,

114
00:09:14,000 --> 00:09:16,000
to do the job,

115
00:09:16,000 --> 00:09:18,000
because I had two pieces of gear,

116
00:09:18,000 --> 00:09:20,000
and I also had the M audio fire wire box.

117
00:09:20,000 --> 00:09:21,000
So on the top,

118
00:09:21,000 --> 00:09:23,000
it's kind of a cheap thing,

119
00:09:23,000 --> 00:09:25,000
but it's a multi-effects,

120
00:09:25,000 --> 00:09:28,000
it's a TC electronic dual engine processor,

121
00:09:28,000 --> 00:09:31,000
the M300, everybody.

122
00:09:31,000 --> 00:09:34,000
And so it has compression,

123
00:09:34,000 --> 00:09:37,000
which is running only on the microphone,

124
00:09:37,000 --> 00:09:41,000
because I took an insert from the mixer,

125
00:09:41,000 --> 00:09:43,000
so that's basically inserting it into the line,

126
00:09:43,000 --> 00:09:45,000
before it goes into the compression part.

127
00:09:45,000 --> 00:09:49,000
But after the mic preamp on this other beautiful box

128
00:09:49,000 --> 00:09:50,000
that I bought,

129
00:09:50,000 --> 00:09:53,000
which is the TL audio, TLA,

130
00:09:53,000 --> 00:09:54,000
ivory series.

131
00:09:54,000 --> 00:09:57,000
This is the stereo valve processor.

132
00:09:57,000 --> 00:10:00,000
And what that means is actually,

133
00:10:00,000 --> 00:10:02,000
it has tubes in it,

134
00:10:02,000 --> 00:10:05,000
and tubes were used before transistors.

135
00:10:05,000 --> 00:10:07,000
And actually,

136
00:10:07,000 --> 00:10:09,000
it's getting harder for,

137
00:10:10,000 --> 00:10:12,000
to find the replacement tubes.

138
00:10:12,000 --> 00:10:14,000
I think Phillips and Holland actually pretty much

139
00:10:14,000 --> 00:10:17,000
makes most of them at this point.

140
00:10:17,000 --> 00:10:22,000
But most audio files swear by the sound of two processing.

141
00:10:22,000 --> 00:10:26,000
So it's two units in one.

142
00:10:26,000 --> 00:10:28,000
It's four units in one.

143
00:10:28,000 --> 00:10:30,000
It has two channels,

144
00:10:30,000 --> 00:10:34,000
and it has a microphone preamp

145
00:10:34,000 --> 00:10:37,000
with a limiter.

146
00:10:37,000 --> 00:10:40,000
And then that's where I've put the insert

147
00:10:40,000 --> 00:10:43,000
to go out to the effects generator.

148
00:10:43,000 --> 00:10:47,000
After the microphone preamp,

149
00:10:47,000 --> 00:10:48,000
then it comes back,

150
00:10:48,000 --> 00:10:50,000
and then it goes through the compressor,

151
00:10:50,000 --> 00:10:53,000
and then it goes through an equalizer,

152
00:10:53,000 --> 00:10:55,000
which has a pre equalizer,

153
00:10:55,000 --> 00:10:57,000
and a main equalizer,

154
00:10:57,000 --> 00:10:59,000
and I have the two link together

155
00:10:59,000 --> 00:11:02,000
so that provides the stereo output signal.

156
00:11:02,000 --> 00:11:03,000
And of course,

157
00:11:03,000 --> 00:11:05,000
I'm still recording on my very trusty,

158
00:11:05,000 --> 00:11:08,000
I River IPF799,

159
00:11:08,000 --> 00:11:10,000
which is now also listed on curry.com,

160
00:11:10,000 --> 00:11:13,000
and another fine piece of equipment to buy.

161
00:11:13,000 --> 00:11:15,000
And I got some mic stands,

162
00:11:15,000 --> 00:11:17,000
which actually I'm struggling with right now.

163
00:11:17,000 --> 00:11:18,000
Hold on a sec.

164
00:11:18,000 --> 00:11:21,000
So I'm back on the main microphone,

165
00:11:21,000 --> 00:11:22,000
on the sure.

166
00:11:22,000 --> 00:11:24,000
Yeah, I got one of those really,

167
00:11:24,000 --> 00:11:25,000
you know, those boom mic stands,

168
00:11:25,000 --> 00:11:28,000
and I finally got a windscreen for the microphone.

169
00:11:28,000 --> 00:11:30,000
So the piece,

170
00:11:30,000 --> 00:11:32,000
and I say Patricia Pi's podcast,

171
00:11:32,000 --> 00:11:33,000
it won't plop too much.

172
00:11:34,000 --> 00:11:36,000
That's saying for better, excuse me,

173
00:11:36,000 --> 00:11:37,000
a little Dutch that slipped in,

174
00:11:37,000 --> 00:11:41,000
it's much better in any case than it was.

175
00:11:41,000 --> 00:11:45,000
So hooking it all up was really quite a feat,

176
00:11:45,000 --> 00:11:46,000
actually,

177
00:11:46,000 --> 00:11:48,000
just trying to figure out all the routing

178
00:11:48,000 --> 00:11:50,000
in which wires go in wire,

179
00:11:50,000 --> 00:11:53,000
and Andy had drawn me a diagram,

180
00:11:53,000 --> 00:11:55,000
which came in really handy,

181
00:11:55,000 --> 00:11:57,000
handy,

182
00:11:57,000 --> 00:11:58,000
and he's diagram.

183
00:11:58,000 --> 00:12:00,000
And it's kind of worked out.

184
00:12:00,000 --> 00:12:02,000
I think there's a slight hum in this microphone,

185
00:12:02,000 --> 00:12:05,000
though, excuse me.

186
00:12:05,000 --> 00:12:09,000
That's probably because I haven't really cleaned up the wires,

187
00:12:09,000 --> 00:12:11,000
yet Patricia's nagging me,

188
00:12:11,000 --> 00:12:12,000
and she's right, of course.

189
00:12:12,000 --> 00:12:15,000
Oh, and I got a second boom microphone

190
00:12:15,000 --> 00:12:18,000
for the handheld that I had,

191
00:12:18,000 --> 00:12:19,000
and a windscreen for that.

192
00:12:19,000 --> 00:12:23,000
So Patricia and I can both sit here and do,

193
00:12:23,000 --> 00:12:24,000
you know,

194
00:12:24,000 --> 00:12:26,000
we can do a PPP,

195
00:12:26,000 --> 00:12:28,000
triple P podcast,

196
00:12:28,000 --> 00:12:31,000
but with all the luxury that you'd expect from,

197
00:12:31,000 --> 00:12:34,000
a studio that actually works and everything all together,

198
00:12:34,000 --> 00:12:35,000
which includes like the headphones,

199
00:12:35,000 --> 00:12:37,000
so I have a separate headphone extension jack,

200
00:12:37,000 --> 00:12:41,000
and it's no longer with latency or delay.

201
00:12:41,000 --> 00:12:45,000
Oh, by the way, I've also routed one output from this mixer

202
00:12:45,000 --> 00:12:48,000
through the M audio fire wire device,

203
00:12:48,000 --> 00:12:50,000
which goes into the, this is the cool part,

204
00:12:50,000 --> 00:12:52,000
goes into the,

205
00:12:52,000 --> 00:12:54,000
my old laptop,

206
00:12:54,000 --> 00:12:56,000
which the screen doesn't work anymore,

207
00:12:56,000 --> 00:12:58,000
but that's hooked up to the big cinema display.

208
00:12:58,000 --> 00:13:00,000
So I have a monitor output,

209
00:13:00,000 --> 00:13:02,000
I'll turn it up now.

210
00:13:02,000 --> 00:13:03,000
It's delayed a little bit,

211
00:13:03,000 --> 00:13:06,000
because that's basically the latency that I used to deal with.

212
00:13:06,000 --> 00:13:08,000
That's the delay I used to have on my headphones,

213
00:13:08,000 --> 00:13:09,000
when I was talking,

214
00:13:09,000 --> 00:13:10,000
and of course,

215
00:13:10,000 --> 00:13:12,000
the delay that most of you recognize,

216
00:13:12,000 --> 00:13:14,000
if you're using garage band and sound flower,

217
00:13:14,000 --> 00:13:16,000
and eventually this is the shit that crops up,

218
00:13:16,000 --> 00:13:17,000
so,

219
00:13:17,000 --> 00:13:19,000
oh man, there's such a big,

220
00:13:19,000 --> 00:13:21,000
big hole in the software market,

221
00:13:21,000 --> 00:13:23,000
to create something that actually works for us,

222
00:13:23,000 --> 00:13:24,000
but we're not quite there yet.

223
00:13:24,000 --> 00:13:26,000
Maybe it's hardware, I'm not sure.

224
00:13:26,000 --> 00:13:28,000
Oh, and I also, by the way,

225
00:13:29,000 --> 00:13:32,000
a lot of people sent me schematics and diagrams,

226
00:13:32,000 --> 00:13:36,000
and how to create a T-splitter that I can plug my iPod,

227
00:13:36,000 --> 00:13:39,000
and my microphone into simultaneously,

228
00:13:39,000 --> 00:13:42,000
without having the levels get all messed up like they were.

229
00:13:42,000 --> 00:13:46,000
And basically I need to 10k own resistors,

230
00:13:46,000 --> 00:13:48,000
and in order to box,

231
00:13:48,000 --> 00:13:50,000
I ordered the resistors,

232
00:13:50,000 --> 00:13:52,000
and I ordered the three and a half inch jack,

233
00:13:52,000 --> 00:13:54,000
so it's going to be completely cool.

234
00:13:54,000 --> 00:13:55,000
Of course,

235
00:13:55,000 --> 00:13:57,000
I'd already placed the order,

236
00:13:57,000 --> 00:13:59,000
and I realized that in order to do stereo,

237
00:13:59,000 --> 00:14:01,000
I have to have four resistors,

238
00:14:01,000 --> 00:14:02,000
instead of the two that I ordered,

239
00:14:02,000 --> 00:14:04,000
and I'm like, what kind of dork am I?

240
00:14:04,000 --> 00:14:06,000
In ordering two fucking resistors,

241
00:14:06,000 --> 00:14:07,000
at 50 cents a pop,

242
00:14:07,000 --> 00:14:09,000
I probably should've just gotten a couple extra

243
00:14:09,000 --> 00:14:11,000
just for the hell of it.

244
00:14:11,000 --> 00:14:12,000
So anyway,

245
00:14:12,000 --> 00:14:14,000
back to the desktop,

246
00:14:14,000 --> 00:14:15,000
because you see,

247
00:14:15,000 --> 00:14:17,000
and I put a picture up on curry.com,

248
00:14:17,000 --> 00:14:18,000
the laptop,

249
00:14:18,000 --> 00:14:20,000
which really has all my production stuff on it,

250
00:14:20,000 --> 00:14:22,000
has my outline for the show,

251
00:14:22,000 --> 00:14:25,000
and the quick time player in sequence,

252
00:14:25,000 --> 00:14:27,000
is to the right of the 19 inch rack.

253
00:14:27,000 --> 00:14:29,000
Now, that's not very convenient to sit,

254
00:14:29,000 --> 00:14:31,000
and do the show.

255
00:14:31,000 --> 00:14:33,000
So I opened up VNC.

256
00:14:33,000 --> 00:14:34,000
I don't know if you know what VNC is,

257
00:14:34,000 --> 00:14:35,000
but it's basically,

258
00:14:35,000 --> 00:14:39,000
it's a cross-platform open source application.

259
00:14:39,000 --> 00:14:43,000
There has many clients for all different platforms,

260
00:14:43,000 --> 00:14:45,000
and you can control a desktop.

261
00:14:45,000 --> 00:14:47,000
So seeing is it's on the same network,

262
00:14:47,000 --> 00:14:50,000
there's almost no delay in dragging stuff around,

263
00:14:50,000 --> 00:14:52,000
and basically I've brought the desktop

264
00:14:53,000 --> 00:14:58,000
on the power book that runs everything up on my main screen here,

265
00:14:58,000 --> 00:15:00,000
on the cinema display,

266
00:15:00,000 --> 00:15:04,000
and I'm just kind of controlling it with the mouse over here.

267
00:15:04,000 --> 00:15:06,000
So it works.

268
00:15:06,000 --> 00:15:10,000
I have a setup that is almost starting to look official.

269
00:15:10,000 --> 00:15:12,000
I feel kind of official too.

270
00:15:12,000 --> 00:15:14,000
Right on.

271
00:15:14,000 --> 00:15:17,000
Okay, so that's the new setup.

272
00:15:17,000 --> 00:15:19,000
Now let's move on.

273
00:15:20,000 --> 00:15:21,000
I want to talk about here.

274
00:15:21,000 --> 00:15:24,000
Oh, I got an email from Craig Patchett,

275
00:15:24,000 --> 00:15:27,000
who said that recommends keeping the eye river

276
00:15:27,000 --> 00:15:31,000
that's saying the device I used to record my sound scene tours on,

277
00:15:31,000 --> 00:15:34,000
and also now I'm using it as a final end recorder.

278
00:15:34,000 --> 00:15:36,000
Keep it away from your cell phone,

279
00:15:36,000 --> 00:15:37,000
while you're recording,

280
00:15:37,000 --> 00:15:42,000
he says his IFP795 got reset to 00.0020,

281
00:15:42,000 --> 00:15:44,000
20 minutes into a recording yesterday,

282
00:15:44,000 --> 00:15:46,000
after some weird interference with his phone,

283
00:15:46,000 --> 00:15:48,000
while the two were sitting next to each other.

284
00:15:49,000 --> 00:15:51,000
Which is pretty frightening,

285
00:15:51,000 --> 00:15:54,000
and Craig and I mailed back and forth a little bit more,

286
00:15:54,000 --> 00:15:57,000
and he said that actually the recording was also lost,

287
00:15:57,000 --> 00:16:00,000
and this is something that seems to happen more often.

288
00:16:00,000 --> 00:16:03,000
So when you're doing those sound scene tours,

289
00:16:03,000 --> 00:16:06,000
and you're recording and put the cell phone in the left pocket,

290
00:16:06,000 --> 00:16:08,000
put the eye river in the right pocket,

291
00:16:08,000 --> 00:16:09,000
but that sounds kind of weird though,

292
00:16:09,000 --> 00:16:12,000
that's not something that really I guess should happen.

293
00:16:12,000 --> 00:16:16,000
But before warned, that's what's going on.

294
00:16:17,000 --> 00:16:20,000
It's kind of fun in the UK today.

295
00:16:20,000 --> 00:16:22,000
It's Red Nose Day,

296
00:16:22,000 --> 00:16:24,000
and I don't know if you've heard of this.

297
00:16:24,000 --> 00:16:27,000
It's affiliated with Comic Relief,

298
00:16:27,000 --> 00:16:29,000
oh, this is those birds.

299
00:16:29,000 --> 00:16:32,000
And not just on television,

300
00:16:32,000 --> 00:16:34,000
which really does drive it.

301
00:16:34,000 --> 00:16:36,000
They've been ramping up to this day

302
00:16:36,000 --> 00:16:38,000
for the past couple weeks,

303
00:16:38,000 --> 00:16:42,000
and celebrities doing a version of pop idols,

304
00:16:42,000 --> 00:16:45,000
and just everyone kind of really good fun,

305
00:16:45,000 --> 00:16:48,000
and just everyone kind of pitching in.

306
00:16:48,000 --> 00:16:51,000
You can tell that people are really into it,

307
00:16:51,000 --> 00:16:54,000
and they're really surpassing their boundaries

308
00:16:54,000 --> 00:16:57,000
of what they normally might do on television

309
00:16:57,000 --> 00:17:01,000
because it is for a good cause, and it's for kids.

310
00:17:01,000 --> 00:17:04,000
And you can purchase these red noses

311
00:17:04,000 --> 00:17:08,000
at different stores, Saintsbury is one,

312
00:17:08,000 --> 00:17:11,000
where we do a lot of our grocery shopping,

313
00:17:11,000 --> 00:17:13,000
and people are wearing them.

314
00:17:13,000 --> 00:17:16,000
Right, you know, you drive by the gas station,

315
00:17:16,000 --> 00:17:21,000
they might be wearing two red antennae headset balls,

316
00:17:21,000 --> 00:17:23,000
kind of, you know, like the Martian balls,

317
00:17:23,000 --> 00:17:25,000
whether it be red with red noses on top,

318
00:17:25,000 --> 00:17:28,000
or that actually have a red nose, or a red nose pin.

319
00:17:28,000 --> 00:17:30,000
And it's just really cool.

320
00:17:30,000 --> 00:17:32,000
And tonight is the big grand finale.

321
00:17:32,000 --> 00:17:34,000
And I guess there's a big TV show

322
00:17:34,000 --> 00:17:35,000
to go with that or whatever,

323
00:17:35,000 --> 00:17:37,000
and you still kind of get the feel here

324
00:17:37,000 --> 00:17:38,000
when something, you know,

325
00:17:38,000 --> 00:17:40,000
a big Saturday night or Friday night show

326
00:17:40,000 --> 00:17:44,000
is on the BBC, that a lot of people are watching.

327
00:17:44,000 --> 00:17:46,000
Oh, shoot, what time is it?

328
00:17:46,000 --> 00:17:49,000
603. Oh, man. Oh, damn.

329
00:17:49,000 --> 00:17:53,000
Oh, Christina is, I just remembered Christina's out,

330
00:17:53,000 --> 00:17:55,000
and she's not coming home until later,

331
00:17:55,000 --> 00:17:59,000
in Patricia and I have dinner reservations at 6.30.

332
00:17:59,000 --> 00:18:02,000
Okay, so I'll just be able to make this before,

333
00:18:02,000 --> 00:18:03,000
oh, man, I gotta get dressed.

334
00:18:03,000 --> 00:18:05,000
I look like shit, I gotta be here.

335
00:18:05,000 --> 00:18:08,000
Okay, well, then let me just move on quickly

336
00:18:08,000 --> 00:18:12,000
to Michael Jackson, but following the news.

337
00:18:12,000 --> 00:18:17,000
Man, I just want to say again,

338
00:18:17,000 --> 00:18:20,000
you know, what people are saying is one thing

339
00:18:20,000 --> 00:18:22,000
and what the evidence will be is another,

340
00:18:22,000 --> 00:18:26,000
and I still have a hard time believing

341
00:18:26,000 --> 00:18:28,000
what's being suggested,

342
00:18:28,000 --> 00:18:32,000
and the press is just using this and having a feel day,

343
00:18:32,000 --> 00:18:35,000
and is really, really, really not giving you any information

344
00:18:35,000 --> 00:18:37,000
that I think is anywhere near the truth,

345
00:18:37,000 --> 00:18:40,000
so we just really gotta be careful.

346
00:18:40,000 --> 00:18:42,000
Tim, you know, more importantly,

347
00:18:42,000 --> 00:18:43,000
you know, let justice take its course,

348
00:18:43,000 --> 00:18:46,000
which it will, I believe in the justice system.

349
00:18:46,000 --> 00:18:50,000
It should also work for entertainers like Michael Jackson,

350
00:18:50,000 --> 00:18:53,000
but his life is tiring, you know, right now,

351
00:18:53,000 --> 00:18:55,000
and I can feel a little bit of his pain,

352
00:18:55,000 --> 00:18:58,000
and it's definitely, you know,

353
00:18:58,000 --> 00:19:00,000
it would give me a headache and make me throw up

354
00:19:00,000 --> 00:19:02,000
all day too, believe me.

355
00:19:02,000 --> 00:19:05,000
But justice will take its course,

356
00:19:05,000 --> 00:19:08,000
and you know, let's just lay off a little bit

357
00:19:08,000 --> 00:19:10,000
on all the name calling, you know,

358
00:19:10,000 --> 00:19:13,000
even just saying wacko, jacko, which is so easy,

359
00:19:13,000 --> 00:19:15,000
you know, but there is a guy behind that,

360
00:19:15,000 --> 00:19:16,000
and there is a family and friends,

361
00:19:16,000 --> 00:19:19,000
and it does hurt, it really does.

362
00:19:19,000 --> 00:19:22,000
So, backslash on rant.

363
00:19:22,000 --> 00:19:24,000
Now let's listen to a cool little podcast

364
00:19:24,000 --> 00:19:25,000
I ran across the other day.

365
00:19:25,000 --> 00:19:28,000
Behind the scenes, February 14th, 2000,

366
00:19:28,000 --> 00:19:29,000
listen to the opening.

367
00:19:30,000 --> 00:19:33,000
We don't need no stinking transmittance.

368
00:19:33,000 --> 00:19:34,000
Love that.

369
00:19:34,000 --> 00:19:35,000
It's behind the scenes,

370
00:19:35,000 --> 00:19:37,000
an inside look at what it takes

371
00:19:37,000 --> 00:19:39,000
to put together a podcast

372
00:19:39,000 --> 00:19:41,000
and make it work.

373
00:19:41,000 --> 00:19:42,000
Check it out.

374
00:19:48,000 --> 00:19:50,000
So basically, this is a podcast

375
00:19:50,000 --> 00:19:52,000
you want to subscribe to if you're new to this scene.

376
00:19:52,000 --> 00:19:53,000
It's a great package,

377
00:19:53,000 --> 00:19:54,000
and welcome back.

378
00:19:54,000 --> 00:19:57,000
It's a great thing to request for a 20 minute edition

379
00:19:57,000 --> 00:19:58,000
of Behind the Scenes.

380
00:19:58,000 --> 00:20:01,000
It's Monday, February 14th, 2005,

381
00:20:01,000 --> 00:20:03,000
and I have to tell you there is no love

382
00:20:03,000 --> 00:20:07,000
in the air tonight, at least not when it comes down to.

383
00:20:07,000 --> 00:20:09,000
And you'll have to listen to the show to find out why.

384
00:20:09,000 --> 00:20:11,000
It's almost like the Craig Patchett show,

385
00:20:11,000 --> 00:20:12,000
but that's okay.

386
00:20:12,000 --> 00:20:14,000
But that is a cool podcast.

387
00:20:14,000 --> 00:20:16,000
It's behind the scenes,

388
00:20:16,000 --> 00:20:19,000
and this was indeed the show about the RIA.

389
00:20:19,000 --> 00:20:21,000
Listen to the next videos talking about it.

390
00:20:21,000 --> 00:20:24,000
The legalities of music in podcasts

391
00:20:24,000 --> 00:20:26,000
as you're going to find out over the next

392
00:20:26,000 --> 00:20:30,000
20, 30, or who knows how many minutes of this show.

393
00:20:30,000 --> 00:20:32,000
I have spent a lot of time this week

394
00:20:32,000 --> 00:20:36,000
researching the legalities of music in podcasts.

395
00:20:36,000 --> 00:20:37,000
You know what's cool?

396
00:20:37,000 --> 00:20:39,000
It's now I can really regulate the volume

397
00:20:39,000 --> 00:20:41,000
of these podcasts and these promos

398
00:20:41,000 --> 00:20:43,000
and the stuff comes in too hot or too low.

399
00:20:43,000 --> 00:20:44,000
I can really crank it up.

400
00:20:44,000 --> 00:20:46,000
And the compressor does a lot of work.

401
00:20:46,000 --> 00:20:49,000
So yeah, yeah, I'm totally liking it.

402
00:20:49,000 --> 00:20:50,000
Okay, let's do this then.

403
00:20:50,000 --> 00:20:51,000
Let's get started.

404
00:20:51,000 --> 00:20:52,000
Let's get started.

405
00:20:52,000 --> 00:20:53,000
Let's get started.

406
00:20:53,000 --> 00:20:54,000
Let's get started.

407
00:20:54,000 --> 00:20:55,000
Thank you.

408
00:20:55,000 --> 00:20:57,000
I'm still a little bit tired for the hit test.

409
00:20:57,000 --> 00:20:58,000
I mean, it's bright, right?

410
00:20:58,000 --> 00:20:59,000
I'm right.

411
00:20:59,000 --> 00:21:01,000
Hey Adam, pay Adam this is Craig Shumaker

412
00:21:01,000 --> 00:21:03,000
from the Polymorphic podcast.

413
00:21:03,000 --> 00:21:04,000
Oh, okay, right.

414
00:21:04,000 --> 00:21:05,000
In order to keep you on your toes,

415
00:21:05,000 --> 00:21:07,000
Yann and I come up with a twist for the hit test for you.

416
00:21:07,000 --> 00:21:08,000
Uh-oh.

417
00:21:08,000 --> 00:21:09,000
As an alumni of Headbangers Ball,

418
00:21:09,000 --> 00:21:12,000
you'll be able to recognize these songs by their guitar cell.

419
00:21:12,000 --> 00:21:13,000
Oh, no.

420
00:21:13,000 --> 00:21:15,000
Now it shouldn't be too hard as they're all hair metal bands

421
00:21:15,000 --> 00:21:16,000
and they've charted with these singles.

422
00:21:16,000 --> 00:21:17,000
I'm so scared.

423
00:21:17,000 --> 00:21:18,000
Number one.

424
00:21:20,000 --> 00:21:22,000
I don't know because our cell is.

425
00:21:23,000 --> 00:21:25,000
Oh, no, no, no.

426
00:21:28,000 --> 00:21:29,000
Oh, man.

427
00:21:29,000 --> 00:21:30,000
Woo!

428
00:21:30,000 --> 00:21:32,000
It's definitely a Friday hit test.

429
00:21:32,000 --> 00:21:33,000
But, uh...

430
00:21:36,000 --> 00:21:37,000
Number two.

431
00:21:41,000 --> 00:21:42,000
Where's Michael Butler when you're here?

432
00:21:42,000 --> 00:21:44,000
Where's Michael Butler on?

433
00:21:50,000 --> 00:21:51,000
A number three.

434
00:21:52,000 --> 00:21:53,000
Yeah.

435
00:21:58,000 --> 00:21:59,000
Oh man, fuck good.

436
00:22:03,000 --> 00:22:05,000
Oh no way.

437
00:22:05,000 --> 00:22:06,000
Are you ready?

438
00:22:06,000 --> 00:22:07,000
Here's the answer.

439
00:22:07,000 --> 00:22:08,000
No, no, no, no.

440
00:22:08,000 --> 00:22:09,000
Number one.

441
00:22:09,000 --> 00:22:10,000
Straight.

442
00:22:10,000 --> 00:22:11,000
I'm gonna turn it down.

443
00:22:11,000 --> 00:22:12,000
I want to hear it right now.

444
00:22:12,000 --> 00:22:13,000
Okay, I didn't.

445
00:22:13,000 --> 00:22:14,000
Let's pretend I didn't hear anything.

446
00:22:14,000 --> 00:22:15,000
Oh my, second.

447
00:22:15,000 --> 00:22:18,000
Um, like, I was moving my windows around

448
00:22:18,000 --> 00:22:20,000
through the VNC connection and got really slow

449
00:22:20,000 --> 00:22:23,500
I'm really slow and I'm like trying to stop the hit test from playing and it won't stop.

450
00:22:23,500 --> 00:22:28,000
But now I've got my Skype window just, okay, here we go, stop.

451
00:22:28,000 --> 00:22:30,000
Good, I see that Michael butt goes online.

452
00:22:30,000 --> 00:22:33,500
Let's see if we can get him on the Skype, he'll be able to do this.

453
00:22:33,500 --> 00:22:35,500
I know he will, hold on.

454
00:22:35,500 --> 00:22:40,500
I've got to hit this button here so that my microphone will play through to him, hold on.

455
00:22:45,500 --> 00:22:47,000
Come on buddy, be home.

456
00:22:50,000 --> 00:22:52,000
Skype says he's there.

457
00:22:53,000 --> 00:22:54,000
Come on.

458
00:23:05,000 --> 00:23:06,500
I need him now.

459
00:23:11,500 --> 00:23:15,500
You know, I gotta say I'm the guy that always has my Skype on a way.

460
00:23:16,500 --> 00:23:21,500
Even though I'm here, I just sit here clicking windows, closed and rejecting them.

461
00:23:22,500 --> 00:23:23,500
Ah, he's out there.

462
00:23:23,500 --> 00:23:24,500
Ah, shoes.

463
00:23:25,500 --> 00:23:26,500
That's a bummer.

464
00:23:29,500 --> 00:23:30,500
Oh man.

465
00:23:30,500 --> 00:23:32,500
Okay, you know what, I'm gonna keep it though.

466
00:23:32,500 --> 00:23:33,500
I'm not gonna play this hit test.

467
00:23:33,500 --> 00:23:35,500
I want to keep that one from Michael Butler.

468
00:23:35,500 --> 00:23:36,500
I want to do that with him.

469
00:23:36,500 --> 00:23:40,500
Let's play this kind of weird mashup that I found instead.

470
00:23:40,500 --> 00:23:44,500
So more hit test after the weekend and we'll do it with Michael Butler.

471
00:23:46,250 --> 00:26:36,250
[ Music ]

472
00:26:36,500 --> 00:26:41,500
I know time

473
00:26:41,500 --> 00:26:47,220
So my favorite movie of all times Willy Wonka's Charlie and the chocolate factory.

474
00:26:47,220 --> 00:26:48,940
Oh, I love that movie.

475
00:26:48,940 --> 00:26:53,460
Okay, so I gotta go because there you go.

476
00:26:53,460 --> 00:26:57,220
I'm getting Skype from downstairs now.

477
00:26:57,220 --> 00:27:00,860
I have to shave, I have to do my hair, which of course I'm taking these long as it

478
00:27:00,860 --> 00:27:01,860
used to.

479
00:27:01,860 --> 00:27:07,660
Hold on, now it's Ron, hold on, let me just tell him I'm going out for, yeah, get a kick out

480
00:27:07,660 --> 00:27:08,660
of this.

481
00:27:08,740 --> 00:27:10,740
Oh, that's like, is that working?

482
00:27:10,740 --> 00:27:11,740
Yeah.

483
00:27:11,740 --> 00:27:13,980
Hey, Ron, I'm recording the show.

484
00:27:13,980 --> 00:27:16,380
Yeah, I just saw you nailing with him.

485
00:27:16,380 --> 00:27:17,980
Like I'm recording you now.

486
00:27:17,980 --> 00:27:18,980
Hey.

487
00:27:18,980 --> 00:27:19,980
Okay, hey.

488
00:27:19,980 --> 00:27:22,580
So anyway, I gotta go out, Patricia and I are having dinner and we're having sushi

489
00:27:22,580 --> 00:27:25,180
so I gotta run, but, um, talk to you later?

490
00:27:25,180 --> 00:27:31,260
Yeah, this makes sure you get the cook stuff because, uh, something fishy about it.

491
00:27:31,260 --> 00:27:32,260
Okay, my mom.

492
00:27:32,260 --> 00:27:34,060
Okay, I'm a lot of goto.

493
00:27:34,060 --> 00:27:35,060
Talk to you later.

494
00:27:35,060 --> 00:27:36,060
Bye.

495
00:27:36,060 --> 00:27:37,060
Okay.

496
00:27:37,380 --> 00:27:40,980
Oh, shit, I could have done the, the test with him too, with the rocks on his ass shit,

497
00:27:40,980 --> 00:27:41,980
whatever.

498
00:27:41,980 --> 00:27:42,980
Okay.

499
00:27:42,980 --> 00:27:45,700
Dude, I, I, I do, and do that.

500
00:27:45,700 --> 00:27:52,340
I promise you, I will, uh, hold on, see, do you hear that I'm getting Skype messages

501
00:27:52,340 --> 00:27:53,340
now?

502
00:27:53,340 --> 00:27:54,340
It's distracting me.

503
00:27:54,340 --> 00:27:55,340
I should shut Skype off.

504
00:27:55,340 --> 00:27:56,340
I'm doing this, really.

505
00:27:56,340 --> 00:27:59,020
I promise you, over the weekend, I'll get a hold of Michael, uh, Butler, Rock and

506
00:27:59,020 --> 00:28:02,260
Will Geek, and we'll definitely get him to do the hit test because that's should

507
00:28:02,260 --> 00:28:05,700
that'll be a, uh, who would, I mean, I'll never know, but he should certainly know

508
00:28:05,700 --> 00:28:07,020
at least some of them, right?

509
00:28:07,940 --> 00:28:10,820
So that's it for the source code, little shorter than normal.

510
00:28:10,820 --> 00:28:12,620
I'll work on the door.

511
00:28:12,620 --> 00:28:14,500
But only by 11 or 12 minutes.

512
00:28:14,500 --> 00:28:16,700
Comments at amcurry.com.

513
00:28:16,700 --> 00:28:20,260
Send a promo there as well if you're showed you want to.

514
00:28:20,260 --> 00:28:22,260
Yeah, my got to do that too.

515
00:28:22,260 --> 00:28:25,060
I got to fix the 350 back at gmail.com.

516
00:28:25,060 --> 00:28:31,260
Um, or leave a comment on my weblog www.curry.com.

517
00:28:31,260 --> 00:28:36,940
As always, the latest show in the archives can be found at DailySource.

518
00:28:36,940 --> 00:28:37,940
sourcecode.com.

519
00:28:37,940 --> 00:28:40,740
That's also where you will find the podcast fee.

520
00:28:40,740 --> 00:28:41,740
That's it.

521
00:28:41,740 --> 00:28:43,020
I'll talk to you over the weekend for sure.

522
00:28:43,020 --> 00:28:44,020
Take care.

523
00:28:44,020 --> 00:28:45,020
Bye.

524
00:28:46,250 --> 00:29:06,250
[ Music ]