1 00:00:00,000 --> 00:00:10,000 Transmitters, we don't need no stinkin' transmitters. 2 00:00:10,000 --> 00:00:11,000 Everybody? 3 00:00:11,000 --> 00:00:12,000 It's Tuesday. 4 00:00:12,000 --> 00:00:15,000 The power of New York. 5 00:00:15,000 --> 00:00:16,000 The power of New York. 6 00:00:16,000 --> 00:00:17,000 The power of New York. 7 00:00:17,000 --> 00:00:18,000 The power of New York. 8 00:00:18,000 --> 00:00:19,000 The power of New York. 9 00:00:19,000 --> 00:00:20,000 The power of New York. 10 00:00:20,000 --> 00:00:21,000 The power of New York. 11 00:00:21,000 --> 00:00:22,000 The power of New York. 12 00:00:22,000 --> 00:00:23,000 The power of New York. 13 00:00:23,000 --> 00:00:24,000 The power of New York. 14 00:00:24,000 --> 00:00:25,000 The power of New York. 15 00:00:25,000 --> 00:00:26,000 The power of New York. 16 00:00:26,000 --> 00:00:27,000 The power of New York. 17 00:00:27,000 --> 00:00:28,000 The power of New York. 18 00:00:28,000 --> 00:00:30,000 The power of New York. 19 00:00:30,000 --> 00:00:31,000 The power of New York. 20 00:00:31,000 --> 00:00:32,000 The power of New York. 21 00:00:32,000 --> 00:00:33,000 The power ofNew York. 22 00:00:33,000 --> 00:00:35,000 The power of New York. 23 00:00:35,000 --> 00:00:36,000 The power of New York. 24 00:00:36,000 --> 00:00:37,000 The power of New York. 25 00:00:37,000 --> 00:00:40,000 The power of New York. 26 00:00:40,000 --> 00:00:42,000 The power of New York. 27 00:00:42,000 --> 00:00:44,000 The power of New York! 28 00:00:44,000 --> 00:00:46,000 The power of New York. 29 00:00:46,000 --> 00:00:50,000 The power of New York. 30 00:00:50,000 --> 00:00:52,000 The power of New York. 31 00:00:52,000 --> 00:00:53,000 The power of New York. 32 00:00:53,000 --> 00:00:54,000 The power of New York. 33 00:00:54,000 --> 00:00:55,000 The power of New York. 34 00:00:55,000 --> 00:00:56,000 The power of New York. 35 00:00:56,000 --> 00:00:58,000 You know always for emergency work and one of those guys 36 00:00:58,000 --> 00:01:00,000 like just leads it until the very end. 37 00:01:00,000 --> 00:01:03,000 It's like it's okay that big crater in my jaw. 38 00:01:03,000 --> 00:01:05,000 We'll deal with that another time. 39 00:01:05,000 --> 00:01:07,000 So anyway, so now that we're kind of settled in 40 00:01:07,000 --> 00:01:09,000 and Patricia found a good dentist, it was time 41 00:01:09,000 --> 00:01:10,000 to start cleaning stuff. 42 00:01:10,000 --> 00:01:16,000 So yesterday, we kind of decided on... 43 00:01:16,000 --> 00:01:19,000 Patricia has a movie star smile, by the way. 44 00:01:19,000 --> 00:01:22,000 If you've never seen her, Google Patricia Pi, 45 00:01:22,000 --> 00:01:25,000 P-A-A-Y, and you'll see more than just a beautiful smile. 46 00:01:25,000 --> 00:01:29,000 Actually, depending on the results, 47 00:01:29,000 --> 00:01:32,000 you return from Google. 48 00:01:32,000 --> 00:01:34,000 And it's all about symmetry and she's... 49 00:01:34,000 --> 00:01:38,000 She really deals with technicians and stuff 50 00:01:38,000 --> 00:01:41,000 when it comes to her mouth. 51 00:01:41,000 --> 00:01:43,000 And so she's doing the same with me, 52 00:01:43,000 --> 00:01:45,000 which is actually kind of cool because, 53 00:01:45,000 --> 00:01:48,000 you know, I'll have one of those million dollar smiles. 54 00:01:48,000 --> 00:01:51,000 I'm already, you know, like 250,000, I guess. 55 00:01:51,000 --> 00:01:54,000 So I'm working my way up the chain. 56 00:01:54,000 --> 00:01:58,000 So it's the daily source code for the next 40 minutes to give her take. 57 00:01:58,000 --> 00:02:01,000 I will be talking about stuff going on in podcasting. 58 00:02:01,000 --> 00:02:04,000 Of course, oh, by the way, I was going to say hit test. 59 00:02:04,000 --> 00:02:07,000 I see that Michael Butler is online. 60 00:02:07,000 --> 00:02:09,000 So why don't we see if we can get a hold of him, 61 00:02:09,000 --> 00:02:11,000 because I still have hit test number 22, 62 00:02:11,000 --> 00:02:14,000 which I decided I'd do with him together, 63 00:02:14,000 --> 00:02:17,000 which was a hit test. 64 00:02:17,000 --> 00:02:19,000 I've always had guitar solos. 65 00:02:19,000 --> 00:02:21,000 Let's just see if I can reach him. 66 00:02:21,000 --> 00:02:23,000 It says Skype says that he's online. 67 00:02:23,000 --> 00:02:28,000 So let's see if we can get him on the wireless. 68 00:02:32,000 --> 00:02:35,000 Let's see, it should be two... 69 00:02:35,000 --> 00:02:37,000 Oh, man, it's really early in California. 70 00:02:37,000 --> 00:02:40,000 It's like seven o'clock or something like that. 71 00:02:42,000 --> 00:02:45,000 Well, maybe the computer is just on. 72 00:02:45,000 --> 00:02:47,000 Okay. 73 00:02:47,000 --> 00:02:49,000 Alright, well, he'll see that I call. 74 00:02:49,000 --> 00:02:52,000 Hopefully he'll get to us if he is indeed awake. 75 00:02:52,000 --> 00:02:55,000 Okay, stuff to talk about today. 76 00:02:55,000 --> 00:02:58,000 Oh, this is something I've been holding on to for a couple of men. 77 00:02:58,000 --> 00:03:00,000 It's might be even a couple of weeks. 78 00:03:00,000 --> 00:03:04,000 By DJ Rico, R-I-K-O. 79 00:03:04,000 --> 00:03:07,000 Something called Whistler's Delight. 80 00:03:07,000 --> 00:03:09,000 22 tracks in this... 81 00:03:09,000 --> 00:03:12,000 It's kind of a combination mash up mix. 82 00:03:12,000 --> 00:03:15,000 It stands in a class by its own. 83 00:03:15,000 --> 00:03:18,000 Seven minutes of Whistling mash up madness. 84 00:03:18,000 --> 00:03:21,000 I'm going to give you some of the songs included in this. 85 00:03:21,000 --> 00:03:24,000 And you'll catch on pretty quickly when you hear the song. 86 00:03:24,000 --> 00:03:27,000 Peter Gabriel, Bangles, walk like an Egyptian. 87 00:03:27,000 --> 00:03:29,000 Sweet George Brown, Centerfold. 88 00:03:29,000 --> 00:03:32,000 You recognize some songs with Whistling in it. 89 00:03:32,000 --> 00:03:34,000 Bobby McFarron, don't worry. 90 00:03:34,000 --> 00:03:35,000 Be happy. 91 00:03:35,000 --> 00:03:36,000 Actually, too bad. 92 00:03:36,000 --> 00:03:37,000 I hate that song. 93 00:03:37,000 --> 00:03:39,000 Otis Redding sitting on the dock of the bay. 94 00:03:39,000 --> 00:03:41,000 Roger Miller. 95 00:03:42,000 --> 00:03:44,000 It's all in this song. 96 00:03:44,000 --> 00:03:46,000 It's seven minutes so you can skip through it. 97 00:03:46,000 --> 00:03:48,000 But I guarantee you want to check it out. 98 00:03:48,000 --> 00:03:49,000 Whistler's Delight. 99 00:03:49,000 --> 00:03:52,000 The full version DJ Rico on the daily source code. 100 00:03:53,750 --> 00:09:43,000 [ Music ] 101 00:09:43,000 --> 00:09:44,000 I like the voice of this. 102 00:09:44,000 --> 00:09:45,000 I like the voice of this. 103 00:09:45,000 --> 00:09:46,000 I like the voice of this. 104 00:09:46,000 --> 00:09:47,000 I like the voice of this. 105 00:09:47,000 --> 00:09:48,000 I like the voice of this. 106 00:09:48,000 --> 00:09:49,000 I like the voice of this. 107 00:09:49,000 --> 00:09:50,000 I like the voice of this. 108 00:09:50,000 --> 00:09:51,000 I like the voice of this. 109 00:09:51,000 --> 00:09:52,000 I like the voice of this. 110 00:09:52,000 --> 00:09:53,000 I like the voice of this. 111 00:09:54,000 --> 00:09:55,000 I like the voice of this. 112 00:09:55,000 --> 00:09:56,000 I like the voice of this. 113 00:09:56,000 --> 00:09:57,000 I like the voice of this. 114 00:09:57,000 --> 00:09:58,000 I like the voice of this. 115 00:09:58,000 --> 00:09:59,000 I like the voice of this. 116 00:09:59,000 --> 00:10:00,000 I like the voice of this. 117 00:10:00,000 --> 00:10:01,000 I like the voice of this. 118 00:10:01,000 --> 00:10:02,000 I like the voice of this. 119 00:10:02,000 --> 00:10:03,000 I like the voice of this. 120 00:10:03,000 --> 00:10:04,000 I like the voice of this. 121 00:10:04,000 --> 00:10:05,000 I like the voice of this. 122 00:10:05,000 --> 00:10:06,000 I like the voice of this. 123 00:10:06,000 --> 00:10:07,000 I like the voice of this. 124 00:10:07,000 --> 00:10:08,000 I like the voice of this. 125 00:10:08,000 --> 00:10:09,000 I like the voice of this. 126 00:10:09,000 --> 00:10:10,000 I like the voice of this. 127 00:10:10,000 --> 00:10:11,000 I like the voice of this. 128 00:10:11,000 --> 00:10:12,000 I like the voice of this. 129 00:10:12,000 --> 00:10:13,000 I like the voice of this. 130 00:10:13,000 --> 00:10:14,000 I like the voice of this. 131 00:10:14,000 --> 00:10:15,000 I like the voice of this. 132 00:10:15,000 --> 00:10:16,000 I like the voice of this. 133 00:10:16,000 --> 00:10:17,000 I like the voice of this. 134 00:10:17,000 --> 00:10:18,000 I like the voice of this. 135 00:10:18,000 --> 00:10:23,000 I like the voice of this. 136 00:10:23,000 --> 00:10:26,000 I like the voice of this. 137 00:10:31,000 --> 00:10:33,000 Very huge riding there. 138 00:10:33,000 --> 00:10:35,000 The whisklers . The light . 139 00:10:35,000 --> 00:10:38,000 The full version DJ Rico . 140 00:10:38,000 --> 00:10:40,000 The daily source code . 141 00:10:40,000 --> 00:10:45,840 interest after hearing it for the second time, but it's certainly something different. 142 00:10:45,840 --> 00:10:51,440 I discovered something really interesting while that was playing. I had this hum in my microphone, 143 00:10:51,440 --> 00:10:54,880 and of course I have all those great stuff right, and I've got all the right cables and all 144 00:10:54,880 --> 00:10:58,960 the right gear, and all of a sudden this hum appears, and I thought it was something in the 145 00:10:58,960 --> 00:11:05,440 mic cable or something with an insert cable, but I've discovered at least how to produce it 146 00:11:05,440 --> 00:11:09,200 and how to get rid of it and now I have to figure out what it is. The microphone is now 147 00:11:10,640 --> 00:11:19,840 directed pointed directly towards my mouth, and it's completely level. Now if I tilt the microphone 148 00:11:19,840 --> 00:11:24,320 up and I'll turn up the mic here for a second, so maybe you'll realize that files out there 149 00:11:24,320 --> 00:11:29,440 can help me. Listen to the, as I tilt it more towards the ceiling, the microphone, you'll hear how 150 00:11:29,440 --> 00:11:35,040 the hum appears. Listen, see now it's pointed up, you can hear the hum, and now 151 00:11:35,120 --> 00:11:41,840 I turn it down and the hum disappears. So what the hell is that all about? 152 00:11:41,840 --> 00:11:49,520 Can somebody please tell me? I was looking at the newspapers this morning. The UK is a real 153 00:11:49,520 --> 00:11:55,280 big newspaper country. I really love all the, all the different newspapers you can pick up. It's 154 00:11:55,280 --> 00:11:59,440 kind of like New York, you know, only instead of every corner where you combine newspapers, 155 00:11:59,440 --> 00:12:04,160 you combine every shop, every gas station, everyone is selling papers, and there's all kinds 156 00:12:04,240 --> 00:12:10,000 of different papers. And first of all, it's cool to see John Ren, a chairman of OmniCom 157 00:12:10,000 --> 00:12:17,840 in the financial time, like almost the entire page. John is someone who made an investment through 158 00:12:17,840 --> 00:12:26,960 OmniCom in our first company, which was Think New Ideas, and actually met him while I was 159 00:12:26,960 --> 00:12:32,000 in New York, saw him again. What was in New York was the couple, wasn't that? Was it two weeks back, 160 00:12:32,080 --> 00:12:38,400 three weeks back? And he totally, of course, understood podcasting was completely into it. And it was 161 00:12:38,400 --> 00:12:43,760 very interesting article about how, you know, what the strategy is, and you know, basically OmniCom 162 00:12:43,760 --> 00:12:49,920 has been secretly or secretly, quietly reorganizing, so they can really bring all of these combined 163 00:12:51,920 --> 00:12:58,480 services under one roof to each client, you know, so that you have your television commercial 164 00:12:58,480 --> 00:13:04,640 making, you have your planning, your media planning, where you're going to buy the commercials, 165 00:13:04,640 --> 00:13:12,240 then you have your direct marketing, and what was the fourth one? Counting your money, I think, 166 00:13:12,240 --> 00:13:18,160 was the fourth one. It was really interesting to see a big strategy change there for OmniCom. 167 00:13:18,160 --> 00:13:24,000 And I think it's the right one because, you know, everyone knows that television advertising, 168 00:13:24,080 --> 00:13:29,120 and certainly also radio advertising is not, you know, not as effective or cost effective as it 169 00:13:29,120 --> 00:13:35,120 once was. So, big changes, and it's good to see the big big guns in there, working on it. 170 00:13:35,120 --> 00:13:43,680 In the, in the times, so that's the London Times, there's this whole article, well, the headline 171 00:13:43,680 --> 00:13:52,960 is Vatican plots against a Vinci code. And apparently, the Vatican is worried that people will start 172 00:13:53,040 --> 00:13:59,360 to believe the blatant lies that are in the Vinci code. I got to tell you, I thought that 173 00:13:59,360 --> 00:14:05,200 Vinci code was pretty damn convincing. In fact, I didn't read the book, I listened to it on 174 00:14:07,200 --> 00:14:12,480 as an audio book, and it was really good. I recommend it. You can catch at audible.com. That's 175 00:14:12,480 --> 00:14:18,400 where I buy my audio books. And I don't think I have it here. I would certainly let you hear a 176 00:14:18,480 --> 00:14:23,440 piece of it, but they have, you know, good actors, good voices, good reading. But the Vatican is 177 00:14:23,440 --> 00:14:28,400 really freaked out about this. And there's like, you know, there's 18 million copies in circulation, 178 00:14:28,400 --> 00:14:34,080 44 languages, and just two years. And they're really going to do something about it. Not quite 179 00:14:34,080 --> 00:14:42,800 sure what they're going to do. But already, books have come out like the Vinci Hokes and the truth 180 00:14:42,880 --> 00:14:48,560 and fiction in the Vinci code. So interesting. I wonder if that stuff is in the US papers. 181 00:14:48,560 --> 00:14:52,560 And I think it's already starting what I pretty much predicted would happen. We're going to see 182 00:14:52,560 --> 00:14:58,480 the mainstream media now turning on the Michael Jackson's hand. And I've maintained that I cannot 183 00:14:58,480 --> 00:15:05,600 believe that he's guilty of any of these charges. And I just don't see, I hear a lot of talk, 184 00:15:05,600 --> 00:15:10,720 but I don't see a lot of evidence. I do see Michael Jackson getting slaughtered every single day 185 00:15:10,800 --> 00:15:15,600 in the press, just everywhere. And it really is, even just the little things, you say, you know, 186 00:15:15,600 --> 00:15:25,520 wacko jacko ha ha, boy, we didn't have a cute headline. I should hurt. So now it appears. 187 00:15:26,320 --> 00:15:31,280 And this was, of course, page 33. It's not, it's no longer front page news. But of course, 188 00:15:31,280 --> 00:15:34,960 it's the time. So I don't know if the time's actually writing anything front page about Michael Jackson. 189 00:15:35,680 --> 00:15:40,480 But now it's turning out that none of these witnesses are credible. They're saying, oh yeah, 190 00:15:40,480 --> 00:15:45,520 I lied at that point. No, I was lying there as well. You know, just completely no credibility. 191 00:15:46,320 --> 00:15:53,200 Told us, Dean, Michael Jackson did not molest me. It's just, you know, the defensive, of course, 192 00:15:53,200 --> 00:15:58,400 is tearing these kids to bits, which is also fucked up. You know, how can, how can all this happen? 193 00:15:58,400 --> 00:16:05,760 It just seems so incredibly, you know, no matter what happens, Michael Jackson has damaged beyond 194 00:16:05,840 --> 00:16:11,680 repair, as well, all the people involved in this, in this case. And God forbid, it turns out to be true. 195 00:16:11,680 --> 00:16:16,560 Well, then, of course, I'll have to eat my words. But man, I got to tell you, I've met this guy 196 00:16:18,080 --> 00:16:22,800 and I'll stand by my statement. I think he's asexual before he's anything else. 197 00:16:25,360 --> 00:16:31,520 Yes, today, I talked about the mashups that I thought that they were kind of like, you know, 198 00:16:32,480 --> 00:16:39,520 just stuff on the move and transition. And of course, Pimp Daddy said, got back to me on my comments. 199 00:16:39,520 --> 00:16:44,320 I'm just trying to open it my outline here. Your comment about mashups of temporary is completely wrong, 200 00:16:44,320 --> 00:16:48,720 Mr. Curry. It's the same with everything that's new and in reach for everybody. There's a lot of bullshit in the 201 00:16:48,720 --> 00:16:54,320 beginning and really quality will survive. I'll never forget the feeling when I heard Beyonce versus Michael Jackson, 202 00:16:54,400 --> 00:17:00,720 crazy in love and thriller, just you fork. If you don't know that one, here it is. So basically, 203 00:17:00,720 --> 00:17:05,760 the Pimp Daddy is going to convince us that it is true that even if you go back to a mashup, 204 00:17:05,760 --> 00:17:10,000 that, you know, you'll get the feeling just like you heard that song for the first time. 205 00:17:10,880 --> 00:17:16,960 So let's all do the experiment together with thriller in love. Oh, man, that was like 206 00:17:16,960 --> 00:17:27,520 not queued up. Very professional. Oh, yeah, I can see it. I'm really feeling good. 207 00:17:46,250 --> 00:20:34,160 [ Music ] 208 00:20:34,160 --> 00:20:39,760 Young, then hurry 209 00:20:39,760 --> 00:20:43,760 The darkness all across the land 210 00:20:43,760 --> 00:20:47,760 A midnight hour is close ahead 211 00:20:47,760 --> 00:20:50,760 Creatures crawling south of the land 212 00:20:50,760 --> 00:20:54,760 The terrorize all in the world 213 00:20:54,760 --> 00:20:57,760 And who's ever shall we find 214 00:20:57,760 --> 00:21:01,760 Without the souls all getting down 215 00:21:01,760 --> 00:21:05,760 My stand and face the harems of hell 216 00:21:05,760 --> 00:21:09,760 And rock inside a corpse and shell 217 00:21:11,760 --> 00:21:13,760 Yes, some place to lay down 218 00:21:15,760 --> 00:21:17,760 I'll spread away 219 00:21:19,760 --> 00:21:21,760 Shoot me out 220 00:21:21,760 --> 00:21:24,760 Leave me alone 221 00:21:24,760 --> 00:21:25,760 Young 222 00:21:28,760 --> 00:21:31,760 The foundest guarantee in the air 223 00:21:31,760 --> 00:21:34,760 The funker 40,000 years 224 00:21:34,760 --> 00:21:37,760 And grills and grills for every team 225 00:21:37,760 --> 00:21:41,760 A clown's in need to see your doom 226 00:21:41,760 --> 00:21:44,760 And though you found to stay alive 227 00:21:44,760 --> 00:21:48,760 Your body starts to shiver 228 00:21:48,760 --> 00:21:51,760 For your own mortal can resist 229 00:21:51,760 --> 00:21:54,760 The pain in your heart 230 00:21:54,760 --> 00:21:56,760 And thus you're in love 231 00:22:05,760 --> 00:22:09,760 What do you think of it? 232 00:22:09,760 --> 00:22:11,760 Hello? 233 00:22:11,760 --> 00:22:14,760 Oh, Patricia was standing right behind me 234 00:22:14,760 --> 00:22:17,760 I had the speakers on for, she must have left 235 00:22:17,760 --> 00:22:20,760 What do you think of that? 236 00:22:20,760 --> 00:22:22,760 The mash-up 237 00:22:22,760 --> 00:22:24,760 The mash-up 238 00:22:24,760 --> 00:22:26,760 The what that I just played 239 00:22:26,760 --> 00:22:29,760 I turned around and I said, what did you think of that and you were gone 240 00:22:29,760 --> 00:22:31,760 Oh, I'm sorry 241 00:22:31,760 --> 00:22:33,760 Did you hear it? 242 00:22:34,760 --> 00:22:36,760 Okay, never mind 243 00:22:36,760 --> 00:22:38,760 I'll play later for you 244 00:22:38,760 --> 00:22:39,760 I was too sure 245 00:22:39,760 --> 00:22:40,760 Okay, I'm sorry 246 00:22:40,760 --> 00:22:41,760 Get off my show now 247 00:22:41,760 --> 00:22:42,760 Yeah 248 00:22:42,760 --> 00:22:44,760 Michael Jackson with 249 00:22:48,760 --> 00:22:50,760 It's a crazy in love 250 00:22:50,760 --> 00:22:51,760 What's my Beyonce? 251 00:22:51,760 --> 00:22:53,760 Oh, great 252 00:22:53,760 --> 00:22:54,760 How's it? 253 00:22:54,760 --> 00:22:55,760 How's it? 254 00:22:55,760 --> 00:22:56,760 Thank you 255 00:22:56,760 --> 00:22:58,760 I'll check your number in a second 256 00:22:58,760 --> 00:22:59,760 Okay 257 00:23:00,760 --> 00:23:02,760 Oh, man 258 00:23:03,760 --> 00:23:05,760 Why don't we just try Michael Butler quickly 259 00:23:05,760 --> 00:23:06,760 One more time 260 00:23:06,760 --> 00:23:08,760 And then I'll move on with 261 00:23:08,760 --> 00:23:10,760 Some updates 262 00:23:10,760 --> 00:23:11,760 See, what is that? 263 00:23:11,760 --> 00:23:13,760 I'm like, now the phone is going like goodness 264 00:23:13,760 --> 00:23:15,760 It's just a busy fucking day today 265 00:23:15,760 --> 00:23:17,760 Isn't it? 266 00:23:17,760 --> 00:23:20,760 You can hear it vibrating 267 00:23:20,760 --> 00:23:22,760 So we've got one incoming, one outbound 268 00:23:22,760 --> 00:23:25,760 I don't think we're going to get a hold of Michael today 269 00:23:25,760 --> 00:23:27,760 Okay 270 00:23:27,760 --> 00:23:31,760 Anyway, got a lot of responses regarding podshow.com 271 00:23:32,760 --> 00:23:33,760 A lot of people wondering 272 00:23:33,760 --> 00:23:35,760 You know, what's going to happen 273 00:23:35,760 --> 00:23:36,760 Anticipating 274 00:23:36,760 --> 00:23:41,760 I'm hoping as I said to be able to make one or two announcements this week 275 00:23:41,760 --> 00:23:44,760 But we're really going to be starting 276 00:23:44,760 --> 00:23:48,760 First off with as I discussed in my previous podcast 277 00:23:48,760 --> 00:23:51,760 With an investment in 278 00:23:51,760 --> 00:23:53,760 In the content 279 00:23:53,760 --> 00:23:54,760 In talent, really 280 00:23:54,760 --> 00:23:57,760 And talent is not just people making podcasts 281 00:23:57,760 --> 00:24:01,760 They're all the forms of talent who were out there in podcast 282 00:24:01,760 --> 00:24:03,760 In the podcast community 283 00:24:03,760 --> 00:24:05,760 We've also been talking to for a while 284 00:24:05,760 --> 00:24:07,760 So that's where our first investment is going to go into 285 00:24:07,760 --> 00:24:10,760 Because we have a lot of 286 00:24:10,760 --> 00:24:13,760 Really interesting opportunities that 287 00:24:13,760 --> 00:24:17,760 These first investments will be working with 288 00:24:17,760 --> 00:24:19,760 You know, basically they can make money 289 00:24:19,760 --> 00:24:21,760 Doing what they already do 290 00:24:21,760 --> 00:24:23,760 So these are highly motivated people who 291 00:24:23,760 --> 00:24:25,760 Already have built up an audience 292 00:24:25,760 --> 00:24:28,760 And what's great about it is after our first phase 293 00:24:28,760 --> 00:24:30,760 When we start working with 294 00:24:30,760 --> 00:24:32,760 With our first talents 295 00:24:32,760 --> 00:24:34,760 Oh, that sounds like the internet that I would say 296 00:24:34,760 --> 00:24:35,760 Our first talents 297 00:24:35,760 --> 00:24:37,760 That's my Dutch coming through 298 00:24:37,760 --> 00:24:39,760 You know, then you'll be able to join if you're interested 299 00:24:39,760 --> 00:24:42,760 And again, this is what we're doing is commercial podcasting 300 00:24:42,760 --> 00:24:45,760 You know, there's clearly a market for this 301 00:24:45,760 --> 00:24:47,760 And anyone who wants to participate wants to make money 302 00:24:47,760 --> 00:24:48,760 Can make money 303 00:24:48,760 --> 00:24:51,760 You know, that's the entire point 304 00:24:51,760 --> 00:24:53,760 And you'll be able to participate with 305 00:24:53,760 --> 00:24:56,760 Success of some of these podcasters that we're working with 306 00:24:56,760 --> 00:24:57,760 In the first stages 307 00:24:57,760 --> 00:25:00,760 To be able to be a part of their success and to contribute to it 308 00:25:00,760 --> 00:25:02,760 And believe me, the way it's going to work 309 00:25:02,760 --> 00:25:04,760 The more you contribute, the more you can make 310 00:25:04,760 --> 00:25:06,760 So it's very simple 311 00:25:06,760 --> 00:25:09,760 And again, there's nothing that has to be done with 312 00:25:09,760 --> 00:25:11,760 Someone said, so what are you going to do about 313 00:25:11,760 --> 00:25:14,760 Advertisements? Well, you know, you tell me what's going to work 314 00:25:14,760 --> 00:25:16,760 That's really the big question 315 00:25:16,760 --> 00:25:19,760 I believe what Howard Stern has done for years 316 00:25:19,760 --> 00:25:21,760 Just think if you've ever heard Howard Stern is 317 00:25:21,760 --> 00:25:24,760 Snapple commercials, I mean, that's an excellent way of 318 00:25:24,760 --> 00:25:28,760 Advertising in a podcast 319 00:25:28,760 --> 00:25:31,760 But you may opt for some other way to do it 320 00:25:31,760 --> 00:25:34,760 It's I think that we're going to be okay with that 321 00:25:34,760 --> 00:25:36,760 And, you know, Bill boarding this program brought to you by 322 00:25:36,760 --> 00:25:39,760 Or this program was brought to you by that old works 323 00:25:39,760 --> 00:25:41,760 You know, not everything has to change 324 00:25:41,760 --> 00:25:43,760 Not all the models are completely wrong 325 00:25:43,760 --> 00:25:47,760 But you know, if you want to transport them over to this new world 326 00:25:47,760 --> 00:25:49,760 But a lot of it is going to work 327 00:25:49,760 --> 00:25:51,760 And we've got it teed up ready to go 328 00:25:51,760 --> 00:25:54,760 So, you know, that's the first phase of what you're going to see 329 00:25:54,760 --> 00:25:57,760 And at the same time, we want to enable 330 00:25:57,760 --> 00:26:01,760 Podcasting for much larger audience both on the creation side 331 00:26:01,760 --> 00:26:04,760 But also on the listening side, that has to become easier 332 00:26:04,760 --> 00:26:07,760 We want to introduce more audiences to podcasting 333 00:26:07,760 --> 00:26:10,760 People who don't necessarily have an MP3 player 334 00:26:10,760 --> 00:26:12,760 So there's all kinds of ways to do that 335 00:26:12,760 --> 00:26:14,760 And that is the kind of stuff that you're going to be seeing 336 00:26:14,760 --> 00:26:16,760 Coming out in the next couple of weeks 337 00:26:16,760 --> 00:26:20,760 As we start to unravel and unveil some of some of the plans 338 00:26:20,760 --> 00:26:22,760 I'm really, really, really, really excited about it 339 00:26:22,760 --> 00:26:25,760 Almost excited, by the way, as this email that came in 340 00:26:25,760 --> 00:26:27,760 Because, you know, I thought I had 341 00:26:27,760 --> 00:26:31,760 Really come up with the perfect idea of using two dishwashers 342 00:26:31,760 --> 00:26:35,760 Now, we already discussed that two dishwashers in your house 343 00:26:35,760 --> 00:26:39,760 Is a great idea because you basically just take the clean ones 344 00:26:39,760 --> 00:26:42,760 Out of one dishwasher when the dirty you put them back 345 00:26:42,760 --> 00:26:45,760 Into the dirty dishwasher and run the cycle 346 00:26:45,760 --> 00:26:49,760 And you always have, you know, clean place at your disposal 347 00:26:49,760 --> 00:26:52,760 And you don't have to keep taking them, you know, putting them into the 348 00:26:52,760 --> 00:26:55,760 Into the cupboards and taking them out is just one to the other 349 00:26:55,760 --> 00:26:57,760 And then I thought that that was going to be it 350 00:26:57,760 --> 00:27:01,760 Then John Hartnub sends me an email and says 351 00:27:01,760 --> 00:27:04,760 The two dishwasher plan was not new to me 352 00:27:04,760 --> 00:27:07,760 But as anyone described you, the logical extension of this plan 353 00:27:07,760 --> 00:27:11,760 Simple, you buy two houses next to each other with identical furnishings 354 00:27:11,760 --> 00:27:14,760 Live in one house until it's no longer habitable 355 00:27:14,760 --> 00:27:17,760 Then simply move next door while you're living in house number two 356 00:27:17,760 --> 00:27:22,760 Getting industrial cleaners to clean the dirty house 357 00:27:22,760 --> 00:27:25,760 And have it ready for when you're ready to swap houses again 358 00:27:25,760 --> 00:27:29,760 You know, when I'm rolling in all the hundreds of millions of 359 00:27:29,760 --> 00:27:32,760 Dollars from podshow.com, that's for all guests 360 00:27:32,760 --> 00:27:36,760 That's for all guests 361 00:27:36,760 --> 00:27:40,760 Time for Adam Curry to take the Hiptus 362 00:27:40,760 --> 00:27:43,760 With John Poelet 363 00:27:43,760 --> 00:27:45,760 Hi Adam, this is another hit this 364 00:27:45,760 --> 00:27:49,760 Just three simple in-throws and three answers 365 00:27:49,760 --> 00:27:51,760 You know how it all works 366 00:27:51,760 --> 00:27:53,760 I think we can handle this intro number one 367 00:27:55,760 --> 00:27:57,760 One more time 368 00:27:57,760 --> 00:28:00,760 One more time 369 00:28:00,760 --> 00:28:04,760 Let's clean all things 370 00:28:06,760 --> 00:28:08,760 And this is number two 371 00:28:10,760 --> 00:28:13,760 One more time 372 00:28:13,760 --> 00:28:15,760 I want to say 373 00:28:15,760 --> 00:28:19,760 Sheera and the black devotion with Spacer 374 00:28:19,760 --> 00:28:21,760 Can I have that for five out? 375 00:28:21,760 --> 00:28:23,760 And this is number three 376 00:28:23,760 --> 00:28:35,760 Oh no, it's not like that's the West Band or something 377 00:28:35,760 --> 00:28:38,760 It sounds really cheese like a DX7 378 00:28:38,760 --> 00:28:40,760 And these are the answer to answer number one 379 00:28:40,760 --> 00:28:41,760 Okay 380 00:28:43,760 --> 00:28:45,760 It's strong with y'all from try 381 00:28:45,760 --> 00:28:47,760 Okay, scare me down with that 382 00:28:48,750 --> 00:29:03,760 [ Music ] 383 00:29:03,760 --> 00:29:07,760 Where the hell you're going now 384 00:29:07,760 --> 00:29:09,760 Come in 385 00:29:09,760 --> 00:29:11,760 And answer number two 386 00:29:11,760 --> 00:29:14,760 Sheera and the black devotion 387 00:29:14,760 --> 00:29:17,760 The song is titled Spacer 388 00:29:18,760 --> 00:29:20,760 He's a ladies man 389 00:29:20,760 --> 00:29:23,760 Always with little kisses 390 00:29:26,760 --> 00:29:28,760 Got that one right in that 391 00:29:34,760 --> 00:29:36,760 And answer number three 392 00:29:37,760 --> 00:29:40,760 It's the time excursion for 393 00:29:40,760 --> 00:29:41,760 Oh, of course 394 00:29:41,760 --> 00:29:43,760 This is rumours right 395 00:29:43,760 --> 00:29:44,760 I'm sure 396 00:29:47,760 --> 00:29:49,760 I'll do it because you started 397 00:29:49,760 --> 00:29:51,760 Started by the jealous people 398 00:30:00,760 --> 00:30:02,760 I just need some time 399 00:30:02,760 --> 00:30:05,760 Some time to get away 400 00:30:05,760 --> 00:30:07,760 From all these rumours 401 00:30:07,760 --> 00:30:08,760 Yeah 402 00:30:08,760 --> 00:30:09,760 And so number three 403 00:30:09,760 --> 00:30:10,760 In today's hit test rumours 404 00:30:10,760 --> 00:30:12,760 The time excelsion club 405 00:30:12,760 --> 00:30:13,760 Well, that's it for today 406 00:30:13,760 --> 00:30:14,760 All right, young girl 407 00:30:14,760 --> 00:30:16,760 Feedback is welcome at hittestedgmail.com 408 00:30:16,760 --> 00:30:18,760 And you can find information about this hittest 409 00:30:18,760 --> 00:30:20,760 And a separate hittest podcast 410 00:30:20,760 --> 00:30:21,760 As a young boy, let's dot to an L 411 00:30:21,760 --> 00:30:25,760 That's J-A-N-E-O-L-E-T-D-T-N-L 412 00:30:25,760 --> 00:30:27,760 Well, let them see you next time 413 00:30:27,760 --> 00:30:29,760 For another edition of the hittest 414 00:30:29,760 --> 00:30:30,760 Bye 415 00:30:30,760 --> 00:30:31,760 Right on young, thank you very much 416 00:30:31,760 --> 00:30:32,760 Excellent 417 00:30:32,760 --> 00:30:35,760 And I'm still waiting for a Michael Butler to 418 00:30:35,760 --> 00:30:37,760 Wake up 419 00:30:37,760 --> 00:30:39,760 Oh, second, what is this? 420 00:30:39,760 --> 00:30:41,760 I thought I heard a Skype call 421 00:30:41,760 --> 00:30:44,760 Oh, it's not it's Ron Bloom 422 00:30:44,760 --> 00:30:45,760 All right, let's talk to him 423 00:30:46,760 --> 00:30:48,760 Hey, Ron, you're on the daily source code 424 00:30:48,760 --> 00:30:49,760 Well, good morning at him 425 00:30:49,760 --> 00:30:51,760 Good morning, daily source code 426 00:30:51,760 --> 00:30:52,760 Listener 427 00:30:52,760 --> 00:30:54,760 What are you? What time is it there in Miami? 428 00:30:54,760 --> 00:30:56,760 Miami is a 429 00:30:56,760 --> 00:30:58,760 Quarter past nine 430 00:30:58,760 --> 00:31:00,760 We had a big emergency here in the city this morning 431 00:31:00,760 --> 00:31:01,760 Oh, what happened? 432 00:31:01,760 --> 00:31:03,760 Yeah, it was quite a big deal 433 00:31:03,760 --> 00:31:04,760 A couple of us had to go outside 434 00:31:04,760 --> 00:31:05,760 And determine whether it was necessary 435 00:31:05,760 --> 00:31:07,760 To where longs leave shirts 436 00:31:07,760 --> 00:31:09,760 Ha ha ha ha ha 437 00:31:09,760 --> 00:31:11,760 Oh, man 438 00:31:11,760 --> 00:31:12,760 You got the light 439 00:31:12,760 --> 00:31:13,760 You got the light 440 00:31:14,760 --> 00:31:16,760 It's a beauty step in the temperature 441 00:31:16,760 --> 00:31:18,760 Climate and we are indeed in 442 00:31:18,760 --> 00:31:19,760 Short sleeve shirts 443 00:31:19,760 --> 00:31:21,760 Oh, well hate you 444 00:31:21,760 --> 00:31:23,760 We're in longs leave shirts here as well 445 00:31:23,760 --> 00:31:25,760 All of those people who are listening from the 446 00:31:25,760 --> 00:31:26,760 Colden societies of the world 447 00:31:26,760 --> 00:31:27,760 Yeah 448 00:31:27,760 --> 00:31:28,760 Back to visit 449 00:31:28,760 --> 00:31:29,760 So what's up for today 450 00:31:29,760 --> 00:31:30,760 Buddy, what are we going to be doing 451 00:31:30,760 --> 00:31:32,760 Today we have a lot to do 452 00:31:32,760 --> 00:31:34,760 We are kind of deluge with people 453 00:31:34,760 --> 00:31:35,760 wondering about pod show 454 00:31:35,760 --> 00:31:37,760 And how they can participate 455 00:31:37,760 --> 00:31:40,760 and hopefully they can help make it better 456 00:31:40,760 --> 00:31:42,760 So we're kind of getting into phase 457 00:31:42,760 --> 00:31:47,960 of responding to the first group of people, you know, we have our little secret target group 458 00:31:47,960 --> 00:31:51,800 that we're trying to kind of get involved first and then we have sort of our open target group. 459 00:31:53,000 --> 00:31:57,800 You see audience how this ties in exactly with what I just said. Of course it does, 460 00:31:57,800 --> 00:32:01,960 what the hell did you say? Something like that. It sounds really good only. Yeah, 461 00:32:01,960 --> 00:32:07,160 keep going. I like it. You know, something else I was thinking about after listening to your 462 00:32:07,160 --> 00:32:12,120 show yesterday was, you know, how important the directory, the personality of the 463 00:32:12,120 --> 00:32:17,320 directory is, I've been looking around as everyone else has sort of these automated things 464 00:32:17,320 --> 00:32:22,200 and just so excited to get ready to get to know our sort of our node managers and all these 465 00:32:22,200 --> 00:32:30,120 people that are really, they're hidden superstars of content as the content makers and producers 466 00:32:30,120 --> 00:32:35,720 start to proliferate the content editors, if you will, are really going to be the hidden superstars 467 00:32:35,800 --> 00:32:40,920 of the genre and the secret producers who produce other talents. Right. Right. 468 00:32:40,920 --> 00:32:45,640 Two groups very much like what happened that the good times in music and radio is when you 469 00:32:45,640 --> 00:32:49,160 had great, you know, used to say in music business, what makes a great producer and they used 470 00:32:49,160 --> 00:32:53,560 to say a great band. So by matching these great editors and producers to great talent, 471 00:32:53,560 --> 00:32:59,320 I think we're going to see a whole new generation of fantastic podcasts. Poetry, man. That's just poetry. 472 00:33:00,120 --> 00:33:03,400 Poetry and motion. 473 00:33:03,400 --> 00:33:11,320 Slow motion. All right, I'm telling you. All right. I'm going to wind up the show. I'll 474 00:33:11,320 --> 00:33:16,760 call you back later. All right. Thanks for putting me on. We're waiting for your first podcast, 475 00:33:16,760 --> 00:33:23,720 you know. Well, I'm making a mission to update my weblog. So that that I did last night. 476 00:33:23,800 --> 00:33:28,280 Really? Okay. What's the, what's the, what's the URL? Yeah, you're a genius. Oh, I'll 477 00:33:28,280 --> 00:33:35,560 put a link to it. Okay. Mm-hmm. Okay. Mm-hmm. All right. All right. All right. I'll talk to you later. 478 00:33:35,560 --> 00:33:40,200 Nice talk. All right. Take care. All right. And that's it for the daily source code, everybody. 479 00:33:45,000 --> 00:33:49,960 Comments. Atomacteria.com will leave them on the weblog where you can find the show notes for today's 480 00:33:49,960 --> 00:33:59,480 program. That's www.curry.com or we can go get the feed. It's daily source code.com. 481 00:33:59,480 --> 00:34:08,920 It can also find the archive of the show. Tomorrow I'll be back. I'm finishing up. 482 00:34:11,080 --> 00:34:17,880 Ron Skyping me. All right, everybody. Let's see, Friday going to London will definitely take 483 00:34:18,680 --> 00:34:25,160 the eye river for that. Doing two interviews. One with a, a Dutch serious news program. 484 00:34:26,040 --> 00:34:31,720 And the other one with BBC's Click Online. So I might as well do some sound seeing from the road. 485 00:34:31,720 --> 00:34:34,760 Take everybody. Talk to you tomorrow. Bye. Bye.