1 00:00:00,000 --> 00:00:10,000 Transmators, we don't need no stinking transmitters. 2 00:00:10,000 --> 00:00:12,000 Did this is one DJ? 3 00:00:12,000 --> 00:00:15,000 You don't want to f**k with honesty. 4 00:00:15,000 --> 00:00:17,000 It's embarrassing. 5 00:00:17,000 --> 00:00:18,000 It's humb day. 6 00:00:18,000 --> 00:00:19,000 It's Wednesday, everybody. 7 00:00:19,000 --> 00:00:20,000 How you doing? 8 00:00:20,000 --> 00:00:22,000 Oh, oh, oh, oh, oh. 9 00:00:22,000 --> 00:00:23,000 That's right. 10 00:00:23,000 --> 00:00:25,000 March 16, 2005. 11 00:00:25,000 --> 00:00:28,000 Welcome to the Daily Source Code coming to you 12 00:00:28,000 --> 00:00:31,000 from a sun-bathed curry cottage. 13 00:00:31,000 --> 00:00:33,000 Man, it's beautiful today. 14 00:00:33,000 --> 00:00:36,000 I can see for miles and miles and miles. 15 00:00:36,000 --> 00:00:38,000 Got the windows wide open here on the studio 16 00:00:38,000 --> 00:00:40,000 and we're ready for about 40 minutes of fun. 17 00:00:40,000 --> 00:00:43,000 Oh, oh, oh, oh, oh. 18 00:00:43,000 --> 00:00:44,000 Oh, oh, oh. 19 00:00:44,000 --> 00:00:45,000 Oh, yes. 20 00:00:45,000 --> 00:00:46,000 Got some cool things to play for you today. 21 00:00:46,000 --> 00:00:49,000 Gonna talk a little bit about radio. 22 00:00:49,000 --> 00:00:52,000 Gonna talk about world calm. 23 00:00:52,000 --> 00:00:55,000 We've got an extremely not safe for work cover version 24 00:00:56,000 --> 00:00:58,000 of an excellent song. 25 00:00:58,000 --> 00:01:00,000 And of course, we've got a hit test. 26 00:01:00,000 --> 00:01:03,000 I'm recording a little bit on the early side. 27 00:01:03,000 --> 00:01:06,000 I can't, I just couldn't wait any longer. 28 00:01:06,000 --> 00:01:10,000 Michael Butler is not due to be up and about until, 29 00:01:10,000 --> 00:01:12,000 for about another hour and a half. 30 00:01:12,000 --> 00:01:16,000 So what I'm gonna do is I'm gonna pre-tape that once he comes online. 31 00:01:16,000 --> 00:01:19,000 We finally set a date for hit test number 21. 32 00:01:20,000 --> 00:01:22,000 Maybe that was 22. 33 00:01:22,000 --> 00:01:25,000 Anyway, it's the, it's the guitar metal intro's one. 34 00:01:25,000 --> 00:01:28,000 Okay, I've been following OpenPodcast.org, 35 00:01:28,000 --> 00:01:31,000 which is kind of my, my radio station, if you will, 36 00:01:31,000 --> 00:01:33,000 during the day, I have it hooked up 37 00:01:33,000 --> 00:01:36,000 so that whenever something new comes through on OpenPodcast.org 38 00:01:36,000 --> 00:01:38,000 it just gets queued up in my, 39 00:01:38,000 --> 00:01:41,000 my iTunes playlist. 40 00:01:41,000 --> 00:01:44,000 And the stuff that comes through there is just, 41 00:01:44,000 --> 00:01:47,000 just how rages as old conversations going on. 42 00:01:48,000 --> 00:01:50,000 And something I came across, actually, 43 00:01:50,000 --> 00:01:52,000 was sent to me an email as well. 44 00:01:52,000 --> 00:01:54,000 Let me just pull up the outline here. 45 00:01:54,000 --> 00:01:58,000 Of course, all of this is in the show notes for today's podcast. 46 00:02:01,000 --> 00:02:03,000 Yeah, recording, perfect. 47 00:02:03,000 --> 00:02:05,000 Hey Adam, with your years of experience, 48 00:02:05,000 --> 00:02:06,000 you've got natural rhythm, 49 00:02:06,000 --> 00:02:10,000 so I spent a couple hours in front of a ACID studio. 50 00:02:10,000 --> 00:02:11,000 What is that AC? 51 00:02:11,000 --> 00:02:12,000 Oh, acid. 52 00:02:12,000 --> 00:02:14,000 In front of acid studio, I guess, 53 00:02:14,000 --> 00:02:17,000 this is two years of form of software. 54 00:02:17,000 --> 00:02:20,000 ACID studio, I'm sorry, being a dick. 55 00:02:20,000 --> 00:02:23,000 Some of the clips that I chose weren't necessarily the most flattering, 56 00:02:23,000 --> 00:02:24,000 but I did it with love. 57 00:02:24,000 --> 00:02:27,000 Remember the worst thing about being in radio was when the production manager sat me down 58 00:02:27,000 --> 00:02:29,000 to go over my air check each week. 59 00:02:29,000 --> 00:02:31,000 He pointed out all of my stumbles and bumbles, 60 00:02:31,000 --> 00:02:33,000 but I always thought those bumbles were part of my charm. 61 00:02:33,000 --> 00:02:34,000 Exactly. 62 00:02:34,000 --> 00:02:36,000 That's what Patricia used to do to me all the time. 63 00:02:36,000 --> 00:02:37,000 It's when you stumble and bumble. 64 00:02:37,000 --> 00:02:40,000 That's when you become a human for a second, 65 00:02:40,000 --> 00:02:41,000 for just a nanosecond. 66 00:02:41,000 --> 00:02:44,000 So here it is, Scott Fletcher's Adam's groove mix 67 00:02:44,000 --> 00:02:49,000 as broadcast slash podcast on openpodcast.org. 68 00:02:49,000 --> 00:02:52,000 On your power book, it's function, 69 00:02:52,000 --> 00:02:56,000 or on your regular key, it's the control key. 70 00:02:56,000 --> 00:02:59,000 On your power book, it's function, 71 00:02:59,000 --> 00:03:01,000 or I don't want to do it. 72 00:03:01,000 --> 00:03:02,000 Shoot. 73 00:03:02,000 --> 00:03:04,000 I just want you to know that. 74 00:03:04,000 --> 00:03:07,000 He drives and we talk. 75 00:03:07,000 --> 00:03:09,000 I don't want to do it. 76 00:03:09,000 --> 00:03:10,000 Shoot. 77 00:03:10,000 --> 00:03:11,000 This is worth it. 78 00:03:11,000 --> 00:03:12,000 I'm doing it. 79 00:03:12,000 --> 00:03:13,000 Rain. 80 00:03:13,000 --> 00:03:16,000 I'm almost out. 81 00:03:16,000 --> 00:03:18,000 Shoot. 82 00:03:18,000 --> 00:03:19,000 What's up? 83 00:03:19,000 --> 00:03:20,000 It's just an hour. 84 00:03:20,000 --> 00:03:22,000 Shoot. 85 00:03:22,000 --> 00:03:23,000 I'm almost out. 86 00:03:23,000 --> 00:03:24,000 Shoot. 87 00:03:24,000 --> 00:03:25,000 I'm almost out of time. 88 00:03:25,000 --> 00:03:26,000 Shoot. 89 00:03:26,000 --> 00:03:27,000 I love having that. 90 00:03:27,000 --> 00:03:28,000 I use that all the time. 91 00:03:28,000 --> 00:03:29,000 I'm almost out. 92 00:03:29,000 --> 00:03:30,000 Shoot. 93 00:03:30,000 --> 00:03:31,000 I'm almost out. 94 00:03:31,000 --> 00:03:32,000 Shoot. 95 00:03:32,000 --> 00:03:33,000 I'm almost out. 96 00:03:33,000 --> 00:03:35,000 I'm almost out. 97 00:03:35,000 --> 00:03:37,000 I'm almost out. 98 00:03:37,000 --> 00:03:38,000 Shoot. 99 00:03:38,000 --> 00:03:39,000 I'm almost out. 100 00:03:39,000 --> 00:03:40,000 No. 101 00:03:40,000 --> 00:03:41,000 Shit. 102 00:03:41,000 --> 00:03:42,000 We're the only way. 103 00:03:42,000 --> 00:03:43,000 Shoot. 104 00:03:43,000 --> 00:03:44,000 Form automated. 105 00:03:44,000 --> 00:03:45,000 Filin' forms. 106 00:03:45,000 --> 00:03:46,000 I get it. 107 00:03:46,000 --> 00:03:47,000 Shoot. 108 00:03:47,000 --> 00:03:48,000 I want to say how I do it. 109 00:03:48,000 --> 00:03:49,000 I get it. 110 00:03:49,000 --> 00:03:50,000 I'll take you to the top of the page all the way. 111 00:03:50,000 --> 00:03:53,000 You can take, the top of the page all the way. 112 00:03:53,000 --> 00:03:55,000 It can rotate, um. 113 00:03:55,000 --> 00:03:56,000 Can rotate. 114 00:03:56,000 --> 00:03:59,000 Now I just need to find out how I can actually, um. 115 00:03:59,000 --> 00:04:00,000 Can rotate. 116 00:04:00,000 --> 00:04:02,000 You get, you get my drift there. 117 00:04:02,000 --> 00:04:04,000 You get, you get my drift there. 118 00:04:04,000 --> 00:04:05,000 Um, let's see. 119 00:04:05,000 --> 00:04:06,000 Ah! 120 00:04:06,000 --> 00:04:07,000 Of course. 121 00:04:07,000 --> 00:04:08,000 Remember Ribball Day? 122 00:04:08,000 --> 00:04:12,000 Yeah, probably has an MP3 player. 123 00:04:12,000 --> 00:04:14,000 It's the... 124 00:04:14,000 --> 00:04:18,000 on your power, this function, or on your regular kids, 125 00:04:18,000 --> 00:04:20,000 the control key, the control key, the control key, 126 00:04:20,000 --> 00:04:24,000 the control key, the control key, the control key. 127 00:04:24,000 --> 00:04:26,000 So anyway, and a more good news, 128 00:04:26,000 --> 00:04:29,000 it's actually cheaper if you want to know what this is all about. 129 00:04:29,000 --> 00:04:32,000 You want to know this way to complicated and discuss. 130 00:04:32,000 --> 00:04:35,000 Let's take it some more about, to come over to our side. 131 00:04:35,000 --> 00:04:37,000 You got to listen to the whole thing. 132 00:04:39,000 --> 00:04:41,000 No, I just... 133 00:04:41,000 --> 00:04:42,000 No, I just... 134 00:04:42,000 --> 00:04:43,000 That is the answer. 135 00:04:43,000 --> 00:04:45,000 It's just a great place to get stuff. 136 00:04:45,000 --> 00:04:47,000 It's just a great place to get stuff. 137 00:04:47,000 --> 00:04:49,000 No, this is an excellent way to do it. 138 00:04:49,000 --> 00:04:51,000 No, this is an excellent way to do it. 139 00:04:51,000 --> 00:04:53,000 No, I just need... 140 00:04:53,000 --> 00:04:55,000 No, I just need... 141 00:04:55,000 --> 00:04:57,000 Hey, guess what? 142 00:04:57,000 --> 00:04:59,000 No, I just... 143 00:04:59,000 --> 00:05:01,000 reagis all the... 144 00:05:01,000 --> 00:05:03,000 reagis all the... 145 00:05:03,000 --> 00:05:05,000 No, I just... 146 00:05:05,000 --> 00:05:07,000 No, I just absolutely... 147 00:05:07,000 --> 00:05:09,000 No, I just... 148 00:05:09,000 --> 00:05:10,000 I don't know, I just... 149 00:05:10,000 --> 00:05:12,000 It just wants you to know that. 150 00:05:12,000 --> 00:05:13,000 Uh... 151 00:05:13,000 --> 00:05:15,000 ... 152 00:05:15,000 --> 00:05:16,000 ... 153 00:05:16,000 --> 00:05:17,000 ... 154 00:05:17,000 --> 00:05:19,000 ... 155 00:05:19,000 --> 00:05:20,000 ... 156 00:05:20,000 --> 00:05:21,000 ... 157 00:05:21,000 --> 00:05:23,000 ... 158 00:05:23,000 --> 00:05:24,000 ... 159 00:05:24,000 --> 00:05:25,000 ... 160 00:05:25,000 --> 00:05:26,000 ... 161 00:05:26,000 --> 00:05:27,000 ... 162 00:05:27,000 --> 00:05:30,000 Just like we were in a freaking movie with like... 163 00:05:30,000 --> 00:05:31,000 ... 164 00:05:31,000 --> 00:05:32,000 ...This is like a movie set. 165 00:05:32,000 --> 00:05:35,000 My life is like a movie set, which I installed myself, right? 166 00:05:35,000 --> 00:05:38,000 I don't think that's gonna work. 167 00:05:38,000 --> 00:05:41,000 Nothing works anymore. 168 00:05:41,000 --> 00:05:44,000 Bingo, bingo, bingo, bingo, god. 169 00:05:44,000 --> 00:05:46,000 This is sad. 170 00:05:46,000 --> 00:05:48,000 Uh-huh. 171 00:05:48,000 --> 00:05:50,000 It's very frustrating for him, I'm sure. 172 00:05:50,000 --> 00:05:53,000 Well, why doesn't he just use the iPod? 173 00:05:53,000 --> 00:05:54,000 Okay. 174 00:05:54,000 --> 00:05:55,000 The Adam's groove mix. 175 00:05:55,000 --> 00:05:57,000 It's the ego filler for the day. 176 00:05:57,000 --> 00:05:58,000 God love it. 177 00:05:58,000 --> 00:06:00,000 Thank you very much. 178 00:06:01,000 --> 00:06:02,000 Okay. 179 00:06:02,000 --> 00:06:03,000 That's... 180 00:06:03,000 --> 00:06:05,000 You can find that an open podcast that it works. 181 00:06:05,000 --> 00:06:06,000 It's number one, three, four, eight. 182 00:06:06,000 --> 00:06:07,000 Amazing. 183 00:06:07,000 --> 00:06:09,000 One thousand, three hundred, four, eight podcast. 184 00:06:09,000 --> 00:06:10,000 Been pumped through that already. 185 00:06:10,000 --> 00:06:11,000 That's pretty cool. 186 00:06:11,000 --> 00:06:12,000 Okay. 187 00:06:12,000 --> 00:06:15,000 Um, so again, about, about today's weather. 188 00:06:15,000 --> 00:06:19,000 It's, uh, it's giving me a real, real drive towards flying today. 189 00:06:19,000 --> 00:06:20,000 Let me tell you. 190 00:06:20,000 --> 00:06:24,000 Um, and, uh, next week, I'm actually gonna go on another, uh, 191 00:06:24,000 --> 00:06:29,000 I think, uh, maybe I can convince the wind commander to fly me or let me fly over the... 192 00:06:29,000 --> 00:06:32,000 Uh, over the, uh, over the canal. 193 00:06:32,000 --> 00:06:37,000 Um, that would be the channel, I mean, uh, between the mainland and the UK. 194 00:06:37,000 --> 00:06:43,000 So maybe, uh, I'm gonna go to Antwerp on, see, maybe Tuesday, 195 00:06:43,000 --> 00:06:46,000 and then maybe fly back Wednesday or whatever. 196 00:06:46,000 --> 00:06:50,000 I mean, I'm training really, really hard, uh, because somewhere in June, 197 00:06:50,000 --> 00:06:53,000 I will be doing my test for my PPL. 198 00:06:53,000 --> 00:06:57,000 And it has to happen in the States, because I have, I'm doing an FAA certification. 199 00:06:57,000 --> 00:06:59,000 So, uh, looking forward to that. 200 00:06:59,000 --> 00:07:02,000 And then maybe, maybe we'll actually do that podcast from the air. 201 00:07:02,000 --> 00:07:04,000 It's just that we're training so hard. 202 00:07:04,000 --> 00:07:06,000 There's no time to concentrate on talking to you guys. 203 00:07:06,000 --> 00:07:09,000 You basically just have to sit there and listen to, uh, 204 00:07:09,000 --> 00:07:11,000 to William take me through all the motions, berating me. 205 00:07:11,000 --> 00:07:14,000 And it's kind of funny, though, the way he, the way he teaches is he's really, uh, 206 00:07:14,000 --> 00:07:16,000 he's like, uh, he's like, uh, when he's burning, guys. 207 00:07:16,000 --> 00:07:17,000 Come on, man. 208 00:07:17,000 --> 00:07:19,000 I've gotta push the metal to metal is what we need. 209 00:07:19,000 --> 00:07:21,000 So maybe we'll do that next week. 210 00:07:21,000 --> 00:07:23,000 Doug Ritter sent me an email. 211 00:07:23,000 --> 00:07:26,000 He says, um, Adam, let's step into the time machine. 212 00:07:26,000 --> 00:07:29,000 And pretend Christina was actually born Christopher, 213 00:07:29,000 --> 00:07:33,000 which is interesting because that was the name we would have chosen 214 00:07:33,000 --> 00:07:35,000 if Christina had been a boy. 215 00:07:35,000 --> 00:07:39,000 Would you let Chris, do you want to know why, by the way? 216 00:07:39,000 --> 00:07:42,000 Uh, the reason why is because, uh, 217 00:07:42,000 --> 00:07:45,000 Christina was conceived at Christmas time. 218 00:07:45,000 --> 00:07:50,000 And we, we know this for a fact due to careful, 219 00:07:50,000 --> 00:07:53,000 um, archival work of my wife. 220 00:07:54,000 --> 00:07:56,000 He could calculate it precisely back to Christmas. 221 00:07:56,000 --> 00:08:00,000 And it was a loving moment underneath the dinner table. 222 00:08:00,000 --> 00:08:02,000 It was just the do of us that didn't matter. 223 00:08:02,000 --> 00:08:04,000 Anyway, so let's step into that time machine. 224 00:08:04,000 --> 00:08:06,000 Present, pretend Christina was actually born Christopher. 225 00:08:06,000 --> 00:08:11,000 Would you let Christopher stay at Michael Jackson's house with all the, uh, 226 00:08:11,000 --> 00:08:14,000 all the, actually he, he opened it up by saying, um, 227 00:08:14,000 --> 00:08:17,000 you know, this is, uh, you know, 228 00:08:17,000 --> 00:08:20,000 so this is the real question that you should be asking yourself. 229 00:08:20,000 --> 00:08:22,000 And I replied to him, Doug and Philadelphia said, 230 00:08:22,000 --> 00:08:24,000 you fucking crazy. 231 00:08:24,000 --> 00:08:27,000 You know, I wouldn't let my wife stay at Michael Jackson's house. 232 00:08:27,000 --> 00:08:29,000 I don't let my daughter stay, you know, 233 00:08:29,000 --> 00:08:31,000 even at her friend's house, it takes me, you know, 234 00:08:31,000 --> 00:08:32,000 I want to meet the parents. 235 00:08:32,000 --> 00:08:33,000 I want to know what's going on. 236 00:08:33,000 --> 00:08:35,000 I want to know where they're going to be sleeping. 237 00:08:35,000 --> 00:08:36,000 You know, of course not. 238 00:08:36,000 --> 00:08:39,000 I mean, that's just a stupid of these parents to, you know, 239 00:08:39,000 --> 00:08:43,000 to, or cunning as you will, um, 240 00:08:43,000 --> 00:08:45,000 you know, just, there's your answer. 241 00:08:45,000 --> 00:08:46,000 No, of course not. 242 00:08:46,000 --> 00:08:47,000 There's no reason to. 243 00:08:47,000 --> 00:08:49,000 Absolutely no reason. 244 00:08:49,000 --> 00:08:53,000 But that still doesn't mean that Michael Jackson is guilty 245 00:08:53,000 --> 00:08:56,000 just because he's fucking wacky or he's perceived as wacky 246 00:08:56,000 --> 00:08:58,000 because when I met him, he wasn't that wacky. 247 00:08:58,000 --> 00:09:01,000 Yeah, no more wacky than anyone else in show business. 248 00:09:01,000 --> 00:09:05,000 Um, but, you know, innocent until proven guilty. 249 00:09:05,000 --> 00:09:07,000 And that goes for court gestures as well, 250 00:09:07,000 --> 00:09:09,000 at least last time I checked the law I did. 251 00:09:09,000 --> 00:09:11,000 I've been getting some, um, 252 00:09:11,000 --> 00:09:15,000 comments about, uh, this blip at the beginning of each show, 253 00:09:15,000 --> 00:09:17,000 which, of course, I'm hearing it as well. 254 00:09:17,000 --> 00:09:22,000 You'll know that, um, I've moved over to using the iRiver iFP799 255 00:09:22,000 --> 00:09:24,000 as my mastering device. 256 00:09:24,000 --> 00:09:28,000 So essentially everything that happens here in the studio at the cottage, 257 00:09:28,000 --> 00:09:31,000 uh, winds up going through a little cable into the iRiver 258 00:09:31,000 --> 00:09:33,000 and I actually stick my headphones into the iRiver. 259 00:09:33,000 --> 00:09:35,000 So I can hear what's really being recorded. 260 00:09:35,000 --> 00:09:37,000 I can hear the levels and everything. 261 00:09:37,000 --> 00:09:39,000 So I think that that's getting much better. 262 00:09:39,000 --> 00:09:42,000 Um, but for some reason, when I turn on the recording, 263 00:09:42,000 --> 00:09:43,000 and this doesn't happen. 264 00:09:43,000 --> 00:09:46,000 I played back on the iRiver, but only when it converts to an MP3, 265 00:09:46,000 --> 00:09:51,000 you hear this little, this irritating, like, digital burp at the beginning. 266 00:09:51,000 --> 00:09:53,000 And I think there's a way to set up the iRiver, 267 00:09:53,000 --> 00:09:58,000 so that it won't start recording until it receives a signal. 268 00:09:58,000 --> 00:10:01,000 Um, but of course, I don't have the manual anymore. 269 00:10:01,000 --> 00:10:04,000 You know, that got tossed out with the box. 270 00:10:04,000 --> 00:10:07,000 Um, and I can't quite figure out how to do that anymore. 271 00:10:07,000 --> 00:10:10,000 So it's a certain key or button combination. 272 00:10:10,000 --> 00:10:12,000 So if you know how to do that, let me know. 273 00:10:12,000 --> 00:10:14,000 And I'll try that and see if that makes a difference. 274 00:10:14,000 --> 00:10:16,000 Because it is totally annoying. 275 00:10:16,000 --> 00:10:21,000 The only way to fix it would be to, uh, 276 00:10:21,000 --> 00:10:28,000 essentially, uh, export the MP3 and recompress it again after it's already recorded and cut off that one bit. 277 00:10:28,000 --> 00:10:30,000 Yeah, I'm not really looking forward to that. 278 00:10:30,000 --> 00:10:37,000 And I think that, you know, once we go from the iRiver format to MP3 from MP3 to AIFF from AIFF to MP3, 279 00:10:37,000 --> 00:10:40,000 God knows what's going to be left over. 280 00:10:41,000 --> 00:10:44,000 And so another irritating thing is this buzz that I found in my microphone. 281 00:10:44,000 --> 00:10:46,000 Lots of email came in, it came in about that. 282 00:10:46,000 --> 00:10:48,000 And I don't want to demonstrate this again. 283 00:10:48,000 --> 00:10:49,000 You can't hear the buzz now. 284 00:10:49,000 --> 00:10:50,000 I'm trying to mic us loud as possible. 285 00:10:50,000 --> 00:10:53,000 Now when I turn the microphone a little bit towards the ceiling, 286 00:10:53,000 --> 00:10:55,000 you'll hear the buzz come in. 287 00:10:55,000 --> 00:10:57,000 I'll listen to this. 288 00:10:57,000 --> 00:10:59,000 There it is. 289 00:10:59,000 --> 00:11:01,000 And I discovered, uh, today. 290 00:11:01,000 --> 00:11:03,000 So I'm turning it back down. 291 00:11:03,000 --> 00:11:07,000 I'm discovered today that I have the same with microphone two here in the studio. 292 00:11:07,000 --> 00:11:09,000 I'm going to open that one up. 293 00:11:09,000 --> 00:11:11,000 Oh, actually it's not buzzing at all right now. 294 00:11:11,000 --> 00:11:13,000 Let's see. Oh yeah, it's not buzzing now, 295 00:11:13,000 --> 00:11:15,000 but when I turn it towards the window, 296 00:11:15,000 --> 00:11:17,000 let me turn down mic one. 297 00:11:17,000 --> 00:11:18,000 Okay, so that's mic two. 298 00:11:18,000 --> 00:11:21,000 Listen, as I turn it towards the window. 299 00:11:21,000 --> 00:11:23,000 There it is again. 300 00:11:23,000 --> 00:11:26,000 So it actually stayed on. 301 00:11:26,000 --> 00:11:29,000 It actually stayed at the same, uh, 302 00:11:29,000 --> 00:11:31,000 yeah, it was horizontal. 303 00:11:31,000 --> 00:11:33,000 But as I move it towards the window, it starts the buzz. 304 00:11:33,000 --> 00:11:36,000 Now I got all kinds of email and I really appreciate it. 305 00:11:36,000 --> 00:11:41,000 Uh, email saying, you know, do you have fluorescent light in your office? 306 00:11:41,000 --> 00:11:42,000 Uh, no. 307 00:11:42,000 --> 00:11:44,000 I don't have fluorescent light. 308 00:11:44,000 --> 00:11:45,000 Do you have dimmers? 309 00:11:45,000 --> 00:11:48,000 Yes, I've got a million fucking dimmers throughout the entire goddamn house. 310 00:11:48,000 --> 00:11:52,000 Uh, and by the way, I agree with the philosophy that Patricia has. 311 00:11:52,000 --> 00:11:54,000 Women over 15 need dim lighting. 312 00:11:54,000 --> 00:11:59,000 And quite honestly, guys over 40 can benefit from that as well in multiple ways. 313 00:11:59,000 --> 00:12:01,000 So yeah, there's lots of dimmers. 314 00:12:01,000 --> 00:12:04,000 Um, every, I've tried it with everything off, everything on full blast. 315 00:12:04,000 --> 00:12:06,000 I've turned the whole house off. 316 00:12:06,000 --> 00:12:11,000 Um, one thing that came in that I thought was pretty plausible was that it was probably coming from my monitor. 317 00:12:11,000 --> 00:12:16,000 And I have, um, one of those apple, uh, cinema displays are my desktop. 318 00:12:16,000 --> 00:12:17,000 The mics are pretty close to it. 319 00:12:17,000 --> 00:12:21,000 Although the mic, this mic two hours just, uh, demonstrating to you. 320 00:12:21,000 --> 00:12:25,000 I'm actually moving it away from that monitor when it picks up. 321 00:12:25,000 --> 00:12:31,000 So I really don't know what it is until, until I received this. 322 00:12:32,000 --> 00:12:35,000 This is a message for the light form known as Adam Curry. 323 00:12:35,000 --> 00:12:38,000 This is Jill L from the planet VW7. 324 00:12:38,000 --> 00:12:43,000 The button sounds you have been getting in your equipment recently are actually secret messages from space. 325 00:12:43,000 --> 00:12:47,000 Didn't you notice they get louder when you point your microphone through the stars? 326 00:12:47,000 --> 00:12:49,000 Actually, it's becoming very frustrating. 327 00:12:49,000 --> 00:12:53,000 Every time you get new equipment, we have to recalibate hours. 328 00:12:53,000 --> 00:12:55,000 And you seem to buy new equipment every week. 329 00:12:55,000 --> 00:12:56,000 Stop it. 330 00:12:56,000 --> 00:12:58,000 It's becoming very tedious. 331 00:12:58,000 --> 00:13:03,000 Anyhow, what we've been trying to tell you is to go to www.nogagruplex.com 332 00:13:03,000 --> 00:13:05,000 and listen to the bugcast. 333 00:13:05,000 --> 00:13:13,000 After all, Volkswagen New Beetles are actually spacecraft for our invasion, uh, our tourist industry. 334 00:13:13,000 --> 00:13:17,000 So the next time you see a Volkswagen Beetle on the road, smile and wave. 335 00:13:17,000 --> 00:13:19,000 Or we will destroy you. 336 00:13:19,000 --> 00:13:22,000 Once again, listen to the NoGagruplex.com bugcast. 337 00:13:22,000 --> 00:13:24,000 This is Joe L signing off. 338 00:13:25,000 --> 00:13:26,000 Alright, hold on. 339 00:13:26,000 --> 00:13:27,000 I was waiting for you guys. 340 00:13:27,000 --> 00:13:29,000 Let me see if I can do this. 341 00:13:29,000 --> 00:13:32,000 Uh, let me just get the preset there. 342 00:13:32,000 --> 00:13:33,000 Hello? 343 00:13:33,000 --> 00:13:35,000 Let me see if I can get this to work. 344 00:13:35,000 --> 00:13:36,000 Oh, man. 345 00:13:36,000 --> 00:13:37,000 I had it all set up. 346 00:13:37,000 --> 00:13:39,000 How can we done the work now? 347 00:13:39,000 --> 00:13:42,000 Wait, maybe I have to go up to three. 348 00:13:44,000 --> 00:13:45,000 Hello? 349 00:13:45,000 --> 00:13:46,000 No, that's not it. 350 00:13:46,000 --> 00:13:47,000 Hold on. 351 00:13:50,000 --> 00:13:51,000 Oh, dude. 352 00:13:51,000 --> 00:13:52,000 I was so ready for this too. 353 00:13:52,000 --> 00:13:53,000 Okay. 354 00:13:53,000 --> 00:13:54,000 Let's try it. 355 00:13:54,000 --> 00:13:57,000 Let's see if we can turn it off. 356 00:13:57,000 --> 00:13:58,000 Hello? 357 00:13:58,000 --> 00:13:59,000 Hello, bloodcast. 358 00:13:59,000 --> 00:14:00,000 Hello? 359 00:14:00,000 --> 00:14:02,000 Congrats from reinforced with Victor Dean. 360 00:14:02,000 --> 00:14:04,000 This is YOUR leader talking. 361 00:14:04,000 --> 00:14:08,000 You will follow our directions, I'll give you with us. 362 00:14:08,000 --> 00:14:13,000 Arne Dolane is gorgeous. 363 00:14:19,000 --> 00:14:20,000 Alright. 364 00:14:20,000 --> 00:14:22,000 Now of course it won't switch that. 365 00:14:22,000 --> 00:14:43,320 Oh hold on let me see I can set everything back to the way it was okay how's that now I'll just buy 366 00:14:43,320 --> 00:14:49,340 pastel deal with that later okay I always fund the play with the new equipment I love 367 00:14:49,340 --> 00:14:56,580 teasing you guys with it. I'll talk about radio for a second. I've been a radio guy since I 368 00:14:56,580 --> 00:15:02,740 was really well it really since I was like six years old my parents gave me my first 369 00:15:02,740 --> 00:15:09,020 Sony transistor radio was an FM radio. Wait was it FM? I think it was just AM actually. It 370 00:15:09,020 --> 00:15:12,580 wasn't AM little square transistor radio and I used to put it under my pillow and listen 371 00:15:12,580 --> 00:15:16,260 to like basketball games and that was the thing I could really receive the most and what 372 00:15:16,260 --> 00:15:21,140 I remember most from my youth as listening to basketball games under the with the radio under 373 00:15:21,140 --> 00:15:25,860 my pillow and then waking up with the blasting you know with the full blast of my parents 374 00:15:25,860 --> 00:15:32,460 basically fumbling to try and turn it off. And when I was 14 I started building my own transmitters 375 00:15:32,460 --> 00:15:39,860 from based on the radio shack 100 projects in one box and I would have my mom drive around 376 00:15:39,860 --> 00:15:43,180 the block to see how far it would go. Before you knew what I had an antenna and before you 377 00:15:43,180 --> 00:15:47,580 knew that I had built a little mixer and I was mixing records and you know people around 378 00:15:47,580 --> 00:15:52,220 the block were basically able to listen to a show that I did which was totally legal but 379 00:15:52,220 --> 00:16:00,460 it was pretty harmless. But that's really what radio is about. It's about communities 380 00:16:00,460 --> 00:16:06,860 and when I was 15 I went to work it was not an unpaid job as a volunteer gig for radio 381 00:16:06,860 --> 00:16:12,860 tulipa which was located in the tulip hospital in Omsalphane about 15 miles from where 382 00:16:12,860 --> 00:16:18,060 I lived and several times a week I'd go there after hours and you know I would do well 383 00:16:18,060 --> 00:16:25,860 I started off as an engineer only and then later went on to to do some hosting stuff. 384 00:16:25,860 --> 00:16:31,180 And we'd literally go walk through all the wards and all the private rooms and we get 385 00:16:31,180 --> 00:16:34,500 everyone you know to fill out request forms and we see you want to come down and watch 386 00:16:34,500 --> 00:16:39,620 a show and we had a big auditorium next to the studio and we wheeled the beds down and 387 00:16:39,620 --> 00:16:43,060 we tried to make a party for these people and that was also in in a way it's community and 388 00:16:43,060 --> 00:16:48,340 then I started working for pirate radio in Amsterdam at Dacey Bell, decibel radio which was 389 00:16:48,340 --> 00:16:53,380 we were on 72 hours per week in the weekend only and it was the rhythm of the capital 390 00:16:53,380 --> 00:16:57,620 of the Netherlands. Of course we consider Amsterdam to be the capital not with the government 391 00:16:57,700 --> 00:17:05,060 it's but it's the capital and it was extremely extremely popular in the early 80s again 392 00:17:05,060 --> 00:17:09,940 and not so much about the reach you know we could only really hit Amsterdam but we had Amsterdam 393 00:17:09,940 --> 00:17:14,740 it was our fricking town you know when I was in the hospital I had those patients it was our audience 394 00:17:14,740 --> 00:17:20,820 so that's very much what what web logs felt like when they first came around feedback loops 395 00:17:20,820 --> 00:17:26,980 another great thing about radio is you have instantaneous feedback through telephones that's what 396 00:17:27,060 --> 00:17:32,580 most radio stations based on used to be you know mail in a postcard or letter or whatever now 397 00:17:32,580 --> 00:17:38,420 of course we've got email and really direct feedback loops but it's really about you know the 398 00:17:38,420 --> 00:17:42,980 connection between the person running the board if you will who's on the air at that moment 399 00:17:42,980 --> 00:17:48,740 who's running the show whatever type of show it is and that audience that's out there I think 400 00:17:48,740 --> 00:17:54,500 what what started I also of course is based on cheap distribution radio distribution is relatively 401 00:17:54,580 --> 00:17:59,220 simple you know unless you're trying to reach the entire country and you need a huge network of 402 00:17:59,220 --> 00:18:03,620 stations you know essentially you can get a station going just like it sounds kind of shitty 403 00:18:10,980 --> 00:18:15,940 within the while I set the mic actually I had my settings here hold on 404 00:18:17,300 --> 00:18:20,020 hope you're on my me doing this on your time let me just make sure I had 405 00:18:20,820 --> 00:18:26,340 all my settings right so those two were like that that was a little bit lower this was set 406 00:18:26,980 --> 00:18:32,100 comfort well oh that sounds nice all of a sudden and it that's a little bit on the loud side 407 00:18:33,380 --> 00:18:39,860 so maybe a little bit less there this was set up there we go that was also set up so I can open 408 00:18:39,860 --> 00:18:47,780 that a little more sorry about all this that was set to there that was set up like there and that 409 00:18:47,780 --> 00:18:54,820 was like there two two let's just see if we have a little bit of echo okay perfect oh there we go 410 00:18:55,540 --> 00:19:02,820 and I'd saved it so carefully in memory and I was supposed to let me just just save that now into 411 00:19:02,820 --> 00:19:09,460 memory I'd done it so perfectly I thought right okay sorry so we'll get back to the radio stuff here 412 00:19:10,260 --> 00:19:17,380 um cheap distribution that's what I was talking about totally you know every college in America 413 00:19:17,380 --> 00:19:24,020 I can basically have a 10 watt you know sun up the sun down FM transmitter that basically will 414 00:19:24,020 --> 00:19:31,460 broadcast to the the community that being the school and whatever community is you know surrounds 415 00:19:31,460 --> 00:19:36,900 the school which of course I'm trying to tighten up my mic stand here involves local commerce 416 00:19:36,980 --> 00:19:43,300 that probably caters to the community which would be the students decentralized you know that's 417 00:19:43,300 --> 00:19:47,460 kind of the kind of we've seen the opposite of that take place in radio in the last couple of years 418 00:19:48,260 --> 00:19:52,580 but if you ever been to a radio station I'm not talking about a major market in New York 419 00:19:52,580 --> 00:19:59,620 or Los Angeles or you know a big P1 market radio station P1 by the way stands for priority one 420 00:19:59,620 --> 00:20:04,020 so that means it's one of the stations people will hit first when they get into the car and hit 421 00:20:04,820 --> 00:20:09,220 the preset buttons then you've probably seen that it's usually you know an office 422 00:20:09,780 --> 00:20:15,220 an office suite with the cubby when that cubby holes with the so we're not looking for cubicles 423 00:20:15,860 --> 00:20:22,340 and there's a station manager a sales manager who is probably also the 424 00:20:23,460 --> 00:20:26,660 promotions manager at the same time then you might have a music 425 00:20:27,460 --> 00:20:31,220 director it's probably the program director I mean it's only three or four people that can really run a 426 00:20:31,220 --> 00:20:35,220 station like this because it's just not a lot of money in it and and if you've ever seen these 427 00:20:35,220 --> 00:20:44,260 studios it looks like shit you know they're uh they're beat up uh overused uh studios that are 428 00:20:44,260 --> 00:20:48,660 just you know that just don't cost a lot of money to really put together because radio once you've 429 00:20:48,660 --> 00:20:52,900 got your basics you know it's the more listeners you get the more money you're gonna make that's 430 00:20:52,900 --> 00:20:57,300 all then it's just into comes down to promotions which of course a bit coming incredible art in 431 00:20:58,260 --> 00:21:01,780 promoting it now here's what I think what happened with radio where it started to go wrong 432 00:21:03,460 --> 00:21:07,540 I believe that just as with television by the way certainly in the United States 433 00:21:09,140 --> 00:21:16,660 advertisers started to figure out intuitively that the numbers don't add up the numbers that radio station 434 00:21:16,660 --> 00:21:23,460 say they have in listeners and boy they're graded something they call extrapolation they can extrapolate 435 00:21:23,540 --> 00:21:32,260 numbers in radio just to an uncanny level with you know educated men who listen for three seconds per 436 00:21:32,260 --> 00:21:38,180 day you know you get credit in the ratings if someone remembers your disjockeys name or the name of the 437 00:21:38,180 --> 00:21:43,700 show and it's just all these these little blue poles and things that basically help you get some numbers 438 00:21:43,700 --> 00:21:48,740 on paper but doesn't really add up to what the advertisers were seeing in return on investment 439 00:21:48,740 --> 00:21:53,940 of money spent and this is just based upon my experience in in the business and what I've seen 440 00:21:53,940 --> 00:21:58,820 and what I think so it's not necessarily fact but I really have a strong belief that this is what 441 00:21:58,820 --> 00:22:04,580 happened so we had to get more return on the investment for the advertisers and what works in that 442 00:22:04,580 --> 00:22:10,900 case is repetition that's what a lot of marketing is repetition repetition repetition you're going to 443 00:22:10,900 --> 00:22:19,060 remember the jingle or the slogan or the sign or whatever logo it is that is repeated in as 444 00:22:19,060 --> 00:22:24,500 many places as possible now of course that's not very cost effective that is only for the big boys 445 00:22:24,500 --> 00:22:29,620 for the big brands who really need a shotgun approach or use a shotgun approach and can 446 00:22:29,620 --> 00:22:35,220 basically get away with it so I think that what we're seeing what we saw first with web logs 447 00:22:36,100 --> 00:22:43,780 is a complete understanding of what this could be by radio people I saw web logs in a 448 00:22:43,780 --> 00:22:48,180 quite a minute this is the broadcasting I was always thinking about on the internet only we can't 449 00:22:48,180 --> 00:22:54,420 do it with audio and video yet we're going to do it this way and you can still get an incredible 450 00:22:54,420 --> 00:23:02,660 reach in fact if you go back a couple of years when the very first aggregator came out in radio 451 00:23:02,660 --> 00:23:08,900 userland I actually bought a position in that aggregator so that I would be in the default 452 00:23:08,900 --> 00:23:14,420 install because I knew that if I could just get in and I would be default somewhere that people 453 00:23:14,420 --> 00:23:17,860 basically would just leave it there and hopefully I could you know create enough compelling 454 00:23:17,860 --> 00:23:21,940 content that that it would be interesting and people would not unsubscribe or at least they wouldn't 455 00:23:21,940 --> 00:23:27,940 find it irritating to get rid of the subscription but I knew that we had this broadcast mechanism 456 00:23:28,020 --> 00:23:35,700 for small communities but instead of it being communities of geography we are going we started 457 00:23:35,700 --> 00:23:41,860 with web logs looking at communities of interest and interest being a number of things you know 458 00:23:41,860 --> 00:23:46,100 could be just the interesting yourself yeah I'm interested myself I write about myself 459 00:23:46,100 --> 00:23:50,500 people who want to know about me you can find out about me what we saw a lot of people 460 00:23:51,300 --> 00:23:57,060 become experts on particular topics start web logs about those topics and actually become 461 00:23:57,140 --> 00:24:01,300 quite successful because once Google recognizes you through page ranking that you're an expert on 462 00:24:01,300 --> 00:24:07,300 a particular topic you're going to get all the search results to your web log and you know that's 463 00:24:07,300 --> 00:24:12,740 why we're looking at gadget you know those guys are doing exactly exactly that and their community 464 00:24:12,740 --> 00:24:19,940 is going to be quite large because gadgets is a large community so now that we have podcasting 465 00:24:20,660 --> 00:24:26,740 I believe that we're at least if we want to look at the aspect of who you're addressing it's the 466 00:24:26,740 --> 00:24:34,020 same thing it's exactly the same thing as radio um you're talking to a community of interest 467 00:24:34,020 --> 00:24:38,100 it doesn't have to be very large you have your direct feedback loop you have your distribution 468 00:24:38,100 --> 00:24:43,460 mechanism and if you so choose then you can also run commerce through that in exactly the same way 469 00:24:43,460 --> 00:24:47,460 that it's being done with radio songs live happy to show I'm on say 470 00:24:48,340 --> 00:24:52,420 man it's not noisy outside the studio today so without all the repetition I don't think it's 471 00:24:52,420 --> 00:24:56,820 necessary because you've you've got your pretty qualified audience subscribe to the show you know 472 00:24:56,820 --> 00:25:03,140 so they're going to be waiting to to hear about products and services that will make sense to them 473 00:25:03,140 --> 00:25:07,140 so you know you you want to try and pick and choose what what you're going to be advertising 474 00:25:07,140 --> 00:25:13,060 of course arguably your entire audience may want to cook or Pepsi so that's that's something to 475 00:25:13,140 --> 00:25:21,620 consider um man it is kind of noisy it's like all kinds of air traffic today 476 00:25:22,580 --> 00:25:30,100 damn all right so back to the podcast see it as everyone having a transmitter even though we 477 00:25:30,100 --> 00:25:34,340 don't even know stank and transmitters not everybody has to make money not everybody wants to make 478 00:25:34,340 --> 00:25:41,380 money and guess what very very few people if anybody will make the kind of money that we've seen 479 00:25:41,380 --> 00:25:48,100 in the previous broadcast distribution world I mean once you can lock something out or it's 480 00:25:48,100 --> 00:25:54,420 like someone out or you know make the distribution only available to those who have frequencies etc 481 00:25:54,420 --> 00:26:00,500 and transmitters then you can charge much more so we're on a on a very level playing field all 482 00:26:00,500 --> 00:26:07,220 of a sudden where it's going to come down to quality and how business like you are if you want to 483 00:26:07,300 --> 00:26:14,180 make a business out of this and there's nothing stopping anybody but there's also nothing forcing 484 00:26:14,180 --> 00:26:20,980 anybody into doing that so anyway so um I got to say and that props to Dave on this one when he 485 00:26:20,980 --> 00:26:27,700 came out with radio user land which was one of the I think the first first desktop web blog tool 486 00:26:27,700 --> 00:26:33,620 content management system um immediately I said what this makes so much sense and I don't think 487 00:26:33,620 --> 00:26:37,860 anybody got it I think as it's probably around the Napster time as well people are thinking about so 488 00:26:37,860 --> 00:26:41,780 what are you going to do trade songs and stuff like that and you know I don't think anyone was really 489 00:26:41,780 --> 00:26:45,940 understanding what he meant at the time but it really is with its publishing subscribe mechanism it 490 00:26:45,940 --> 00:26:52,900 really is a radio you know it's it's exactly what we're talking about here um now if we can only 491 00:26:52,900 --> 00:26:58,020 just bake some of this stuff into uh into the iPods or MP3 players and when we've been through that 492 00:26:58,660 --> 00:27:06,980 many times it will be beautiful so anyway that's my bit about radio for today we call it radio 493 00:27:06,980 --> 00:27:12,740 we call it podcasting whatever you want to call it it's about communities bigger small and depending on 494 00:27:12,740 --> 00:27:17,620 your type of community that will depend on where you can go with it so I kind of a 495 00:27:18,820 --> 00:27:24,740 little bit of good news well not really good news but Bernie Ebers is it Bernie Ebers who is the 496 00:27:24,820 --> 00:27:35,700 CEO of WorldCom who was apparently at least partly responsible for the collapse of WorldCom 497 00:27:38,660 --> 00:27:45,780 and subsequently one of the largest bankruptcy filings in US corporate history I guess he was 498 00:27:46,660 --> 00:27:54,500 convicted of fraud 11 billion dollars worth of it and I have to say that one of my companies 499 00:27:54,580 --> 00:28:02,580 the data barn was also affected by non-payments from WorldCom so enjoy your stay in jail Mr Ebers 500 00:28:03,300 --> 00:28:11,300 enjoy your stay. Warning the following song which is not a mashup it's actually something that 501 00:28:11,300 --> 00:28:17,300 would be probably even better for cover real is without a doubt not say for work you may not notice 502 00:28:17,300 --> 00:28:19,300 it immediately but trust me 503 00:28:21,250 --> 00:29:50,900 [ Music ] 504 00:29:50,900 --> 00:30:09,220 come in straight out of Compton you know Gordon on the source code I love cover versions 505 00:30:09,220 --> 00:30:13,460 like that you know it just goes to show that a good song is a good song is a good song 506 00:30:14,100 --> 00:30:19,060 two new iPod or categories uh putting today and there's a lot more in the queue and also 507 00:30:19,060 --> 00:30:26,260 if you've submitted for any of the categories we're running about four to five days behind right now 508 00:30:26,260 --> 00:30:30,820 some of the categories are are almost immediate but this thing is just growing exponentially which 509 00:30:30,820 --> 00:30:36,100 of course is the way it's set up to grow we have a transportation node now and we have an automotive 510 00:30:36,100 --> 00:30:43,860 node so be sure to check those out on ipodder.org and great news about Lars Ulrich from Metallica 511 00:30:44,500 --> 00:30:50,340 he is actually working on bringing Metallica which is the great mashups between the beetles and 512 00:30:50,340 --> 00:30:54,900 Metallica I should have not even a mashup it's a it's a group playing nice voice mail actually 513 00:30:54,900 --> 00:30:59,380 let me bring up the story here I have a link to it in my uh in my notes home on 514 00:31:00,180 --> 00:31:05,060 I'll bring up the web page and I can actually read bits of it to you because this is uh this was 515 00:31:05,060 --> 00:31:11,620 pretty messed up we actually played some Metallica on on the source code a while back oh man what is this 516 00:31:11,700 --> 00:31:20,180 why is it opening up safari hold on a second I wanted to open up oh man this is not going the way 517 00:31:20,180 --> 00:31:31,380 I wanted to hold on so it's these beetle songs which have been modified in Lyric and obviously 518 00:31:31,380 --> 00:31:38,100 in musical content to sound more like Metallica was doing them hold on let me I've got the 519 00:31:38,180 --> 00:31:44,820 I've got the URL now is he pasted in here we go I was on Boeing Boeing Boeing Boeing dot net here we go 520 00:31:45,940 --> 00:31:49,780 Mr. Lyric Ulrich no stranger to matters of intellectual property law on the internet 521 00:31:50,500 --> 00:31:52,100 we'll get to that piece in a second here we go 522 00:31:54,660 --> 00:31:58,260 Okay as reportedly as reported previously on Boeing Sony music accused 523 00:31:58,260 --> 00:32:03,780 Metallica of violating copyright laws demanded their webmaster pay unspecified damages 524 00:32:03,860 --> 00:32:09,780 and force the bands eyes p to shut down the website but now Lars has volunteered to provide assistance 525 00:32:09,780 --> 00:32:16,500 with legal negotiations for Metallica and asked Metallica's long-time attorney p 526 00:32:17,300 --> 00:32:22,580 paterno to try and diffuse the situation with Sony on behalf of the dudes from Milwaukee so Sony is now 527 00:32:22,580 --> 00:32:27,540 agreed to drop the case which is interesting that Lars is helping out five years ago the story goes on 528 00:32:27,540 --> 00:32:32,420 he stood on the steps of Napster hauling boxes full of 300,000 names all people who said we're 529 00:32:32,420 --> 00:32:36,580 using Napster to steal Metallica tunes but things have changed that debate was about who 530 00:32:36,580 --> 00:32:41,380 profited from Metallica's music he says this one and check this out is about creative rights 531 00:32:41,380 --> 00:32:46,420 at the heart of rock and roll itself. Lars says he believes that cover bands, mashups and the 532 00:32:46,420 --> 00:32:53,220 right to reinterpret art on the internet are things worth fighting for. I'm right I like that you know 533 00:32:53,220 --> 00:32:58,740 where's I with a little down on Lars in the boys this is very very cool so it looks like 534 00:32:58,740 --> 00:33:03,300 I don't know if we're actually going to be able to play Metallica songs anymore but I certainly 535 00:33:03,300 --> 00:33:08,740 would love to. 536 00:33:10,020 --> 00:33:16,020 I got a lot of with y'all, Poles. Okay come on in y'all. Hi Adam I've got another hit there's three of 537 00:33:16,020 --> 00:33:20,580 excellent. I don't think it's too difficult so let's go right away this is number one 538 00:33:20,980 --> 00:33:30,180 hammer. One more time. Oh yeah on this like some horrible stock aching and waterman thing is 539 00:33:30,180 --> 00:33:38,100 I like regassely or something that's and number two is a bit shorter. Once again. 540 00:33:40,260 --> 00:33:45,620 I recognize that piano riff anywhere Chicago stay the night. Ooh within time even. 541 00:33:46,020 --> 00:33:57,460 And this is number three. What's that? That sounds like cool in the gang. The bad drum drum roll 542 00:33:57,460 --> 00:34:00,900 the beginning of every cool in the gang. All right y'all hit me with the answer. 543 00:34:00,900 --> 00:34:07,460 What the answer? Answer number one in today's hit test. It's an oldie and it brings back memories 544 00:34:07,460 --> 00:34:13,620 even for me this is Alicia and baby talk. I told you some bad stock aching and waterman life for 545 00:34:14,580 --> 00:34:15,620 no 546 00:34:16,250 --> 00:34:36,250 [ Music ] 547 00:34:37,620 --> 00:34:43,460 answer number two. All right this is Chicago state and I knew I'd get that one really. 548 00:34:43,620 --> 00:34:47,540 Bung I don't want you necessarily 549 00:34:47,540 --> 00:35:13,620 [ Music ] 550 00:35:13,620 --> 00:35:24,060 She got it and I can't remember if this is the video clip where there's a car going through 551 00:35:24,060 --> 00:35:25,060 the board. 552 00:35:25,060 --> 00:35:26,060 That's it. 553 00:35:26,060 --> 00:35:27,060 I can't remember. 554 00:35:27,060 --> 00:35:28,060 This is great song. 555 00:35:28,060 --> 00:35:29,060 That one I would certainly. 556 00:35:29,060 --> 00:35:30,060 And to number three. 557 00:35:30,060 --> 00:35:31,060 Cool. 558 00:35:31,060 --> 00:35:32,060 That's cool. 559 00:35:32,060 --> 00:35:33,060 Straight ahead. 560 00:35:33,060 --> 00:35:38,060 I didn't even know the title. 561 00:35:38,060 --> 00:35:43,300 They all start out that way. 562 00:35:43,300 --> 00:36:01,620 And so number three, cool and the gang and straight ahead. 563 00:36:01,620 --> 00:36:03,860 Well I hope you did well Adam. 564 00:36:03,860 --> 00:36:10,620 I'll try to keep looking for tricks to use in the hit this. 565 00:36:10,620 --> 00:36:12,620 Well that's it for today. 566 00:36:12,620 --> 00:36:19,380 As always, feedback is welcome at hitestatgmail.com, you can find this hitest and the hitest 567 00:36:19,380 --> 00:36:20,380 podcast. 568 00:36:20,380 --> 00:36:25,380 And young polette.nl, that's JNPL, ET, that's NL. 569 00:36:25,380 --> 00:36:30,940 So let's see you next time, Adam for a new edition of the hitest, that's it. 570 00:36:30,940 --> 00:36:31,940 Thank you very much. 571 00:36:31,940 --> 00:36:33,940 A young, pretty interesting guy. 572 00:36:33,940 --> 00:36:36,740 You should listen to his hitest podcast if you have a chance. 573 00:36:36,740 --> 00:36:39,220 He's got a pretty interesting background in history. 574 00:36:39,220 --> 00:36:40,220 Well worth it. 575 00:36:40,220 --> 00:36:44,980 And that's it for the source code. 576 00:36:44,980 --> 00:36:51,260 Four Wednesday, March 16th, 2005, we back tomorrow with the update, remember Friday going 577 00:36:51,260 --> 00:36:52,260 to London. 578 00:36:52,260 --> 00:36:58,140 I'm going to be interviewed by the BBC for click online and also doing a interview for Dutch 579 00:36:58,140 --> 00:36:59,660 news television program. 580 00:36:59,660 --> 00:37:05,140 So we'll probably do a sound seeing tour and that's coming Friday. 581 00:37:05,140 --> 00:37:08,540 And I'm taking my bride with me because it's always fun to go to London together. 582 00:37:10,540 --> 00:37:15,660 Comment down at curry.com or on the weblog www.curry.com. 583 00:37:15,660 --> 00:37:17,100 They give a comment about the podcast. 584 00:37:17,100 --> 00:37:21,860 Specifically, of course you can head over to dailysourceco.com for the archives, the latest 585 00:37:21,860 --> 00:37:24,780 show and the podcast. 586 00:37:24,780 --> 00:37:26,140 As if for me I'll be back tomorrow. 587 00:37:26,140 --> 00:37:27,140 Take care everybody. 588 00:37:27,140 --> 00:37:28,140 Bye bye.