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Well, here we are.

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Just finishing up my touch interview.

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Excuse me.

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The one on a sec.

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At the infamous Groucho club in the UK, London.

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On a moment, let me just get my, who's the paper here.

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It's a beautiful, beautiful day in London.

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I mean, you could not believe how nice the weather is.

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I mean, I brought my leather jacket with me, which is really too warm, actually,

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but just leave it, leave it dangling open.

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I'm on Dean Street, and I need to go to my next appointment for today,

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which is the TV Center, BBC TV Center, Wood Lane,

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and that's W12.

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I'm not quite sure where that is, but what I'll do is I'll grab a cab.

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So I'm going to see what the best place is.

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Okay.

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I'm crossing Old Compton Street now.

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Hope that we're good on the sound.

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It should be okay.

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I cranked up the mic output a little bit.

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And just walking down everyone's in a good mood today.

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Lots of people on their cell phones as well.

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Maybe they're all the week sound scene tours.

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By the way, today is Friday.

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It's the 18th.

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Is it the 18th already?

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Yeah.

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Friday the 18th of March, 2005.

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This is your daily source code for the weekend.

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You see, I'm going to go over to 2005.

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Now, I'm sorry.

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I thought someone was correcting me on the date, but he was just confused in the digital.

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Let's see, Shafsbury Avenue.

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Let me see if I can grab a cab here.

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Is that the interesting?

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I think they should cross the street and get on the near corner.

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Holy moly.

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A little bit confused in Guilford.

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We don't have as much traffic.

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And I haven't really gotten used to the look right, look left thing.

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Oh, and there's a cab.

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Let's see.

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Wow.

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It's a great source here.

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That's...

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I forgot how hard it was to find a cab in London.

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Let's take a look.

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Is that a cab coming up?

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Nope.

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See, dropping someone off or is he picking someone up?

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See, come on over here, buddy.

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Shoot.

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Okay.

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I think I'll just stand on the corner here for a second.

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You see, if I can pick up a cab,

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there's three cabs coming my way.

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See.

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Nope.

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All full.

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The time is three o'clock, have half an hour,

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to get to my destination.

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It might even be within walking distance for all I know,

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but I really can't be bothered.

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You know, just stand on the corner here.

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See if I can grab one coming from the cross street.

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Nope.

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Good.

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It's just difficult.

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And everybody's full to the max.

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So anyway, I just did this interview with the Dutch news program,

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today from Dough, which means basically two today.

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Channel two today.

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I think I explained that earlier.

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It was a long interview, but it was really nice

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because the interview or case, the reporter,

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who had come over to interview me,

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had really done his homework.

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And he had a lot of really good questions.

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He'd really thought about it.

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He didn't ask me as many questions about Holland

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and the Dutch podcast scene as I thought the key would

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or that he could have done.

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I think mainly because it was interested in all the bits of pieces,

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because he once put together his own podcast,

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but it seemed like the name.

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Okay, this is not a very lucky corner.

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I'm just going to cross over.

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Two.

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Cross the street.

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We're crossing.

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What is it?

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War, door streets.

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War, door streets.

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Nope.

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It's not all a man.

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Every single cab is full.

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It gives two cabs to come up.

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Looks like one of the maybe empty.

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Yeah, that gives the one.

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This is my man.

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Hello, TV Center.

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It's wood lane.

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Yeah.

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It's a beautiful weather today.

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It's a lot better.

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Yeah, it's great.

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Is it going to stay this way or?

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No.

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Can you stay slowly?

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Can't wait.

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Oh yeah.

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I know.

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But you have the knowledge.

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You have the knowledge.

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Well, it doesn't acknowledge encompass everything.

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Yeah, it's beautiful.

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Yeah.

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Now I have to follow you on.

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Yeah.

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Let me see if I have any more information on the TV Center wood lane.

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Yeah, I'm going to the studio.

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Yeah.

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Yeah.

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Yeah.

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Yeah, fantastic.

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I appreciate it.

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Wow.

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You have the radius that is very tight.

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I'm already.

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How much is that?

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No, it's okay.

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Can you find that?

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Thank you.

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Yeah.

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Okay, here we are.

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Did you see television center?

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Interesting.

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Great.

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Thank you.

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It's your table.

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Thank you.

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Hello.

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Adam Curry for Richard Taylor.

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Taylor.

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Yeah.

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Yeah.

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Yeah.

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Yeah.

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Yes.

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Yeah.

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Thanks, though.

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Let's look online.

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That's the name of the program.

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I'm not very helpful, Emma.

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Yeah.

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Thanks, though.

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It is BBC World.

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I have a cell phone number.

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Adam Curry.

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I said send him away.

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Right.

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You know, actually, it's not bad.

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But thank you for the compliment.

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My wife just bought this for me.

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Yeah.

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And I was planning on being shit weather today.

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So now it's just a style and fashion statement.

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That's all.

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Is it working?

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So I went one of those Beckham jackets.

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Sign my name.

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Okay.

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Yeah.

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No kidding.

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And it's gonna be beautiful this weekend, I've ordered it.

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I know, just, I'm just a, I'm so tired.

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I'm working overtime.

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Why are we, do you want me to make it rain, then, and that course?

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Will that be better for you?

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Yes.

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I'll talk to the man.

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Thank you very much.

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Okay, I've pulled out the trusty cell phone again to, so I won't be so obvious

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than I'm doing something to another, like talking to myself, and so I'm in the waiting room

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here. It's actually pretty modern. It looks very cool. The guard, by the way, is half asleep,

186
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standing there with his eyes closed. Whoop, they're just open, man, this guy's tired. So

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it seems like there's a lot of people waiting here, a lot of young people, sorry. It's probably

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like, maybe there's auditions going on today. It's funny to have a cappuccino of cart here in the

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lobby. It's not really up for right now. Honestly, I could use a bit of food, but I think about it.

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I haven't really eaten since breakfast. Let's see if Richard will show up to pick me up.

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Yeah, I think there's some kind of auditions going on here for sure. What kinds of young

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energetic people looking pretty bored, waiting, waiting around for God knows what.

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Yep, watching TV, buzzing you here is the locks on the doors from the lobby.

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Okay, I bet you this is Richard, he's coming down and it looks like a producer. I'm going to put

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the cell phone down. Let's see if this is it.

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Yes, Richard, how you doing? Nice to meet you. Likewise, I just got your voice

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emails that you sent me. Well, first of all, I try not to get my past here.

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Yes, in here. Whoa, okay, this is an experience. I try not to be tied down by the mobile too much

199
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to be honest, and I was actually at an interview for Dr. Television today, so I had it on silent.

200
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So I understand what you want. Yeah, you certainly have something to speak to about the past

201
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and we're having some visuals and what we can do. In fact, something else has come up. So anyway,

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we've got news interactive people seem to use our lives. Who is a no-doing podcast? I'm interested

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in doing some interview with you as well. Okay, so the way I thought I'd like it. And you're

204
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told on the price and everything? Oh, yeah, we'll figure that out. I have to take our cut. Okay,

205
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right, exactly. I said, they can nip in first, and she can ask all the questions and give

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me the only one who knows how to do the camera work. I'll kind of be listening and just make sure

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the frame is okay. Okay. And there's stuff that they don't cover, like the real basics,

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which for our viewers, you know, they don't know. They're nip in after they've gone and asked

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some, okay. Perfect. But are you up for me or one of us coming down and seeing you do the podcast

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well, here's, no, but let me tell you why, because for the drink, oh, I'd love a drink there.

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For the past, yeah, for the past nine months, yeah, I've done it at least ten times. My house

212
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has been trampled on ten times. Really tired of doing that. So they come with a kiss of

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smaller hours, like literally a small dv kit. It's not talking like three man, five man. No,

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I understand, but also, to be quite honest, let's say what I said, I was like, what do you like?

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Uh, a coffee, a cup of chino? Yeah, be great. I find it quite fake. Right. And the last time

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I did it with CNN, I was like, it's just, it's not, it's, it's so contra to what podcasting is about.

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And it looks so silly. If it's real, it looks so fucking silly because I sit there in front of a

218
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laptop talking. Right. It's like this. However, what I did do for you, I have to notify you.

219
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I'm doing a sound scene tour of the BBC. Okay. So if you want to talk about that, or if you

220
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want to do something with that, I'm happy to do a sound scene tour outside, which is a big part of

221
00:16:14,600 --> 00:16:20,280
podcasting. Okay. Well, that's a good interest to you. Okay. Uh, we might like this, um,

222
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see what we need is pictures. I understand. Well, I'm so pretty though.

223
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Well, probably this podcast doesn't bring that out enough. Well, here's what we could do.

224
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Here's a podcast and we video. Oh, we'll get that. What we could do is, in a beautiful thing about

225
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podcast, when you can do it anywhere, I brought my entire kit with me. Okay. So if you want to say,

226
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hey, we'll go and do a podcast or a piece of a podcast somewhere else, other than my house,

227
00:16:48,040 --> 00:16:51,480
and we can even do it today. Okay. That might be, that might be a fan. I'm glad you're

228
00:16:51,480 --> 00:16:56,040
going to need to help us with that because if I'm going to be, you know, yeah, we can maybe

229
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work because that is the beauty of it. Yeah. I got my laptop. I'm going to do anything.

230
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Uh, the chinos. Okay. So what we're doing is we'll do the interview with them upstairs.

231
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Mm-hmm. Dark room. It's fairly dark. It's quite creative. Dark room.

232
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It answered them. A dark room has a whole different meaning. Yeah.

233
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I'm like, have those here in London as well? Not the BBC. Oh, I'm worried. Yeah.

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BBC. It's on to. I like the BBC. Yeah. Now you must know. I'm thinking about this. You must

235
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know Ken recounts you. Yes. He's a WBVH. Well, no, Ken, he may have been. I mean, Ken,

236
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have you checked out Ken radio? Do you know about Ken radio? I've heard of it. I haven't

237
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listened to Ken radio. I've got in touch with me. I mean, I've been doing this job

238
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about four or five years now. And Ken got in touch with me about four years ago. And he said,

239
00:17:52,760 --> 00:17:57,160
oh, you've got to check out Ken radio. What he got was in a sense was, he's not hot casting,

240
00:17:57,160 --> 00:18:04,280
but basically he was, you know, getting his own radio station. Right. He was on the road. Right.

241
00:18:04,280 --> 00:18:07,720
Right. Right. Streaming. Right. Streaming. Yeah. To the next. I do a number of this.

242
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Thank you. I think he has a show every single day. And he's a podcast.

243
00:18:13,160 --> 00:18:17,880
Well, now. Right. I think it's, yeah. I haven't checked out. I mean, he has daily Ken's

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daily tech news, you know, feedy hands. Right. Yeah. I'm thinking, I haven't. I saw Ken

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of C. S. briefly. I thought I would have thought I just thought he must know of him. I don't know

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in person, but I have definitely heard of him. I think I've seen Ken's radio go through the

247
00:18:32,360 --> 00:18:37,800
directory somewhere. I saw something like that. Sure. And basically he was in a sense.

248
00:18:38,200 --> 00:18:44,360
I was thinking about podcast. I was thinking what you did was not necessarily anything hugely

249
00:18:44,360 --> 00:18:50,120
technologically revolutionary, but you just saw that. Yeah. That's exactly right. I'm not a programmer.

250
00:18:50,120 --> 00:18:56,120
I'm not a, I'm not a, I'm not a technical guy. It took me a year. I asked program, please,

251
00:18:56,120 --> 00:19:01,480
you make this program for me. I want, you know, to, to download shows that are in as

252
00:19:01,480 --> 00:19:04,920
enclosures in RSS file and put them on my iPod. That's all I want is. Yeah. Yeah. Yeah. It's not

253
00:19:05,160 --> 00:19:10,520
how difficult can it be. But asking a software developer to do something is like asking someone

254
00:19:10,520 --> 00:19:15,960
to do your homework. You know, so, and, and it's right, you know, as I went through that from month

255
00:19:15,960 --> 00:19:20,520
and did it myself. But yeah, people like Ken and, oh, man, there's a, what's the guys up in the

256
00:19:20,520 --> 00:19:24,520
Alaska, a whole week radio? We've been doing this stuff for years. This is where the kind of

257
00:19:24,520 --> 00:19:30,520
genus, at least on this level. I mean, so you're right. This stuff has been going on for years.

258
00:19:31,320 --> 00:19:37,000
How much is it? Yeah. Creating the final, the final part of the distribution mechanism was what I really

259
00:19:37,000 --> 00:19:43,400
did. Yeah. So, I stand on the shoulder of giants. That's basically it.

260
00:19:44,840 --> 00:19:51,000
What you did is it's very clever in the sense that you just saw that that really sugar here, over here.

261
00:19:51,720 --> 00:20:03,400
I told the people about the things they did. So, you picked it right on. I didn't invent.

262
00:20:03,400 --> 00:20:09,720
People are bloating in the trees. I mean, I suppose it's creating that community. Well,

263
00:20:09,720 --> 00:20:16,040
yeah, I would, I would place this for people to go and, you know, we're still kind of the, the, the

264
00:20:16,040 --> 00:20:27,160
Pied Piper, um, in respect to, you know, this is my, my show has been a podcast, you know,

265
00:20:28,360 --> 00:20:33,320
as one, you know, as long as this is as any of the podcasts has been out there. And so you kind of by default,

266
00:20:35,480 --> 00:20:41,160
you get a lot of people tuning into you. Yeah. Um, no, but you've, you've, you've picked it. I mean,

267
00:20:41,160 --> 00:20:46,760
this was, this was no, not brain surgery. Let's put it that way. I didn't need it. It's

268
00:20:46,760 --> 00:20:50,520
someone with a 10, I mean, I wouldn't have been doing a 10, I would just say four, five years. I wouldn't have

269
00:20:50,520 --> 00:20:56,360
a clue about programming. I mean, it sounds like you made a pretty decent crack. It's actually once,

270
00:20:56,360 --> 00:21:01,800
once you get into it and you get into the zone, yeah, it's like doing a big ass spreadsheet, you know,

271
00:21:01,800 --> 00:21:07,640
where you kind of know what, what's going to happen in cell F39, but you still got to kind of put

272
00:21:07,720 --> 00:21:12,360
the little bits in there. So once you're into it, it's just like a different language. You know,

273
00:21:12,360 --> 00:21:19,000
it's an, and I did this apple script, which is intended to be English, um, the kind of weird

274
00:21:19,000 --> 00:21:25,080
sort of type of English. But yeah, so, and you know, you Google, you say, okay, iTunes apple scripts.

275
00:21:25,080 --> 00:21:29,240
Yeah, I was like, oh, you got all bunch of scripts, you look at it, you stare at it, and you're bang

276
00:21:29,240 --> 00:21:34,840
against it. Yeah, and then stuff starts to, and you know, you put something on the mail list,

277
00:21:34,840 --> 00:21:39,400
or my weblog, hey, I'm stuck, and then people will gladly help you out. So, yep.

278
00:21:43,400 --> 00:21:52,840
I'm loving it already. Thank you. Beautiful carpet. Hello. Hi, Adam Curry. Hi, nice to meet you.

279
00:21:52,840 --> 00:21:57,880
And this is our dark room, which isn't very dark at my moment. I was excited about the

280
00:21:57,960 --> 00:22:05,880
dark room idea. It's a cold room as well. Mm. Right. Um, if you want to just throw my stuff on

281
00:22:05,880 --> 00:22:19,240
not one of them. Oh, totally digging the temperature. Very nice. No, it's cold. It's

282
00:22:19,240 --> 00:22:24,360
eaten. No, it's not really warm, but it's just, it's perfect. Oh, here, I want to be cold.

283
00:22:24,360 --> 00:22:31,800
Yeah, that's nice. Yeah, my office, we don't get to see much of the outside. I'm sorry.

284
00:22:31,800 --> 00:22:36,280
I'm sorry. I'm way in the other side of the room. I don't get to see much of the office,

285
00:22:36,280 --> 00:22:41,880
you know, I'm like, you're not nice though. That's a nice one. Exactly.

286
00:22:41,880 --> 00:22:47,640
From where the students dressing them. I'm sorry. I'm sorry. I'm just, are you a couple?

287
00:22:47,640 --> 00:22:50,040
Are you okay? That would, like,

288
00:22:50,520 --> 00:22:54,120
liberal here at the bases. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Well, making some.

289
00:22:54,120 --> 00:23:00,040
Yeah, let me just decouple. So you can, uh, okay. Thank you.

290
00:23:02,680 --> 00:23:05,080
Yes? What's the name of the show?

291
00:23:06,040 --> 00:23:06,920
The blunt cast.

292
00:23:08,760 --> 00:23:15,720
Be. L. U. G. G. Oh, that's you guys. I know, I fucked it up. Did. No, no, no.

293
00:23:15,720 --> 00:23:23,400
Yeah, he did the bow-coder thing whatever. Yeah, I'll bring this up on this one. Yeah, sure the blood cast sure

294
00:23:25,880 --> 00:23:27,880
That's cool

295
00:23:28,920 --> 00:23:30,920
Excellent

296
00:23:38,920 --> 00:23:42,920
It's outside of the BBC's with me. Yeah, yeah, yeah, right good power to you

297
00:23:43,880 --> 00:23:46,520
I'm just gonna put this up because you got my mic too, right?

298
00:23:48,840 --> 00:23:54,920
You don't think I'd come to the BBC without doing some form of some form of sounds seem to order you

299
00:24:06,920 --> 00:24:09,320
It wasn't rogue. I was telling him that I was doing it

300
00:24:09,320 --> 00:24:16,680
Yeah, and he and he and he was yeah, it was like you guys got a stop swearing and

301
00:24:17,720 --> 00:24:19,960
Now just do this this is what I was talking about

302
00:24:20,600 --> 00:24:26,360
Yeah, so check this out so we they came for eight hours. It's a to Belgium and I said now

303
00:24:26,360 --> 00:24:30,200
I'll do a little show for these guys. So I got the helicopter out did the whole thing, you know

304
00:24:30,840 --> 00:24:36,440
And it was just like you know everything was stayed everything was set up, you know do that again the whole podcast that we did was

305
00:24:37,000 --> 00:24:43,960
Basically fake, you know, so it's kind of perpendicular to what podcasting is about and then they called me like two days later

306
00:24:44,440 --> 00:24:46,440
This would drop out on all the tapes

307
00:24:46,440 --> 00:24:51,480
We got to come back and like I don't think I can handle it. I love you got. I don't think I can do another eight hours

308
00:24:51,480 --> 00:24:53,480
I think they finally fixed it, but

309
00:24:53,800 --> 00:24:57,480
Wow, so the blood cast. Yeah, all right

310
00:24:58,760 --> 00:25:01,800
I love it. Oh, it's so nice to meet you guys

311
00:25:02,760 --> 00:25:04,760
That's it that's trippy for me, too

312
00:25:04,760 --> 00:25:07,560
You know to put faces to the sounds and this is

313
00:25:11,240 --> 00:25:14,600
The blood cast only been around for we've done four we made it all right

314
00:25:19,080 --> 00:25:21,080
Life got in the way

315
00:25:25,880 --> 00:25:27,880
Man, it's art. I love it

316
00:25:32,200 --> 00:25:34,200
It's

317
00:25:37,160 --> 00:25:39,160
Whoops crunch

318
00:25:42,040 --> 00:25:44,040
We'll just record over that another interview

319
00:25:45,000 --> 00:25:47,000
I'll promise

320
00:25:51,000 --> 00:25:57,480
It's an outrage but it's taken so long. I can't believe it. I watched click on left click on yeah, yeah several times sure

321
00:26:01,960 --> 00:26:03,960
Yeah

322
00:26:07,960 --> 00:26:13,720
You know, it's very hard to explain simple concepts. It's just hard work and luckily I've been doing it for

323
00:26:14,600 --> 00:26:19,320
You know since well about a year now. I'm explaining it to people so I'll try I'll try to make it

324
00:26:19,320 --> 00:26:21,320
Okay, really

325
00:26:21,320 --> 00:26:27,000
Okay, can you explain in some of the songs then podcasting what is podcasting and it's in its bare essence

326
00:26:27,560 --> 00:26:30,280
It's broadcasting to MP3 players

327
00:26:32,760 --> 00:26:37,640
Are you gonna yeah, I'm gonna go downstairs. I don't know why we're gonna get probably the whole show or something or somewhere

328
00:26:37,640 --> 00:26:39,640
I'm sure where we can

329
00:26:39,640 --> 00:26:41,320
Anyway, we could go if you

330
00:26:41,320 --> 00:26:44,280
Wouldn't mind us walking five or something there. There's a start-up road. Why fine?

331
00:26:45,160 --> 00:26:47,480
Gee, I'll feel ready to come and talk about fake

332
00:26:47,880 --> 00:26:49,240
Okay

333
00:26:49,240 --> 00:26:52,120
And there's a button we can just get a few shots of you sure. I gotta go

334
00:26:56,520 --> 00:26:58,840
Pleasure. I'll be listening to the show. Are you coming with me?

335
00:26:58,840 --> 00:27:02,680
I've got to head over there for me to now in here. So walk with us for a little bit. Cool

336
00:27:17,640 --> 00:27:19,640
So you don't have to go to Manchester

337
00:27:22,920 --> 00:27:25,640
Monday is Monday the big day is that the

338
00:27:29,800 --> 00:27:31,800
That's horrible

339
00:27:33,320 --> 00:27:35,560
I've been following the whole the whole of the whole of the thing

340
00:27:44,280 --> 00:27:46,280
I

341
00:27:46,440 --> 00:27:48,440
Manchets is looking pretty good

342
00:27:52,840 --> 00:27:54,840
I have no idea what manchets is like

343
00:27:58,840 --> 00:28:01,400
And thank you. They're very very very friendly

344
00:28:03,400 --> 00:28:05,400
Of course

345
00:28:05,400 --> 00:28:07,400
So

346
00:28:07,400 --> 00:28:09,800
If you walk down the street, you'll be like the hearing English accent

347
00:28:09,800 --> 00:28:11,800
All right, all right

348
00:28:11,800 --> 00:28:13,800
There's a Manchester

349
00:28:15,800 --> 00:28:19,480
You don't it's out of four-year or it's not isn't it's certainly not for me. I'm a country boy

350
00:28:19,480 --> 00:28:21,480
Right, I can feel it in a new way

351
00:28:23,480 --> 00:28:25,880
I want to try to work my way back

352
00:28:25,880 --> 00:28:27,880
Yeah

353
00:28:29,960 --> 00:28:31,960
With concerts

354
00:28:33,960 --> 00:28:35,960
This is what we should be doing

355
00:28:37,480 --> 00:28:39,480
Yeah

356
00:28:39,480 --> 00:28:41,480
Concus your man. I'm about to switch

357
00:28:42,840 --> 00:28:44,840
I built my first mode

358
00:28:44,840 --> 00:28:46,840
75 bar

359
00:28:46,840 --> 00:28:54,200
Acoustic I buddy had we both had Commodore VIC 20 and we literally you know little boxes with a telephone receiver

360
00:28:54,520 --> 00:28:58,520
Broke up and then put those in there put the phone on top hit a key and blip it would

361
00:29:00,760 --> 00:29:02,760
Yeah, the Acoustic couple

362
00:29:10,200 --> 00:29:14,040
I had the ZX80 before that I wanted a ZX80 one

363
00:29:14,040 --> 00:29:19,480
I'm a dad wouldn't buy me one. I was 13 at the time. I was so upset that you were and I must have been 11

364
00:29:24,280 --> 00:29:28,520
Oh my good hey, remember the programs that would they play on the radio and you recorded on your cassette

365
00:29:29,080 --> 00:29:31,080
Yeah, and then you'd be that it took at night

366
00:29:32,280 --> 00:29:36,680
Even put the cassette in and have a program on it. I love that shit all you wouldn't because it would just

367
00:29:36,680 --> 00:29:39,720
Fuck off, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah

368
00:29:39,720 --> 00:29:41,720
Wait, you just like

369
00:29:41,720 --> 00:29:43,720
It was stooling

370
00:29:45,960 --> 00:29:47,960
Good times good times

371
00:29:49,240 --> 00:29:53,400
Dude do I remember that yeah, and how it's time for the program of the week

372
00:29:55,000 --> 00:29:57,480
yeah

373
00:30:02,840 --> 00:30:08,840
Yeah

374
00:30:11,240 --> 00:30:18,880
I dropped out after the 64 and I started doing TeleBasian and I remember telling my then girlfriend later fiancée

375
00:30:18,880 --> 00:30:26,160
now wife she she in my bachelor pad she said oh what's this it was my my 64 I said put it back

376
00:30:26,720 --> 00:30:31,120
because if I get started with that thing it's like I lose track of all time and dimension

377
00:30:31,920 --> 00:30:37,920
and I just need to play together and you get the game that was it but I've computers that they suck you in

378
00:30:49,200 --> 00:30:54,160
another game why aren't we doing websites with people? why aren't we doing CD rocks

379
00:30:54,880 --> 00:31:00,000
right and my god said there's not money in there and said go like that absolutely you're that boy

380
00:31:00,000 --> 00:31:10,880
yeah it was just literally a source of new space that yeah so how do you need a wife that

381
00:31:11,600 --> 00:31:17,520
I said I was gonna ask you dude that's a long story okay well we actually met years before we met

382
00:31:17,600 --> 00:31:29,040
I was 17 and she was 23 and something like that and I was doing a pirate radio

383
00:31:30,080 --> 00:31:35,920
a show in a pirate radio station in Amsterdam in English as John Holden this uh I was 24 and I

384
00:31:35,920 --> 00:31:44,320
wrote a Harley of course was at 17 and wrote a fucking moped and and these guys had just done a movie

385
00:31:45,280 --> 00:31:50,400
called Hot Pursuit it received a fully erect penis award from hospital magazine

386
00:31:50,960 --> 00:31:55,440
and they had hired this British guy to play the lead role and he had the equipment but they didn't have

387
00:31:55,440 --> 00:32:03,600
the voice so they wanted like this uh you know rough tumble American voice

388
00:32:05,040 --> 00:32:11,120
and so I was basically I oh did the whole oh they're oh yeah baby so I was in studio two

389
00:32:11,200 --> 00:32:15,040
in this because it was a big budget you know it's a real it was a real movie

390
00:32:15,920 --> 00:32:20,480
when you were 17 yeah so I was so I was in the studio doing the other ooze in the eyes

391
00:32:20,480 --> 00:32:27,360
I was in some tinio to watch the time so yeah sure of course there is just that boy just

392
00:32:27,360 --> 00:32:35,680
down the wall I baby how I yeah so Patricia's in the next studio doing her album she did at the

393
00:32:35,680 --> 00:32:42,960
time stars on 45 which was the Andrew sisters medley and so she you know was walking it out

394
00:32:42,960 --> 00:32:49,120
the studio she had to get this oh she went in and so that's when we first met and what was the

395
00:32:49,120 --> 00:32:55,600
interesting that's that song so like two weeks later her producer called me at home and said

396
00:32:55,600 --> 00:33:01,920
I need I need this bit I need an all-time American like you know 40 40 45 radio announcer

397
00:33:01,920 --> 00:33:05,680
come in and do it so I came in and he's like hey and grab your gown hit the floor and

398
00:33:05,680 --> 00:33:09,520
here's a beat you remember wanting to swing to you and he spun it up and everything and it became a

399
00:33:09,520 --> 00:33:14,400
million seller the record and we never really we'd met once but she didn't even know that that was me

400
00:33:15,760 --> 00:33:27,840
and now 18 years later those gold records are on our our our wall together so um we both she is

401
00:33:28,400 --> 00:33:39,760
podcaster now she hasn't really done anything for five or ten years she built a really great

402
00:33:39,760 --> 00:33:48,400
cosmetics company in the Netherlands which is just fantastic stuff and now we're kind of now she's

403
00:33:48,400 --> 00:33:55,920
Dutch yeah and now we're just kind of chillin up it's really nice to be not known

404
00:33:56,480 --> 00:34:01,760
are you having fun over it and I love it you guys are great humor yes we did

405
00:34:06,160 --> 00:34:11,760
yeah I'm not American I'm not really American yeah should we um well how are we gonna do this

406
00:34:11,760 --> 00:34:16,800
as you wish I can do it anywhere anytime anything you could do it right here if you want

407
00:34:16,800 --> 00:34:29,760
yeah yeah I'm sure they'd say that oh they do is there uh this is still BBC ground

408
00:34:39,760 --> 00:34:45,840
okay dokey so it's unbelievable that we're sitting here you got what are you just doing this for

409
00:34:45,840 --> 00:34:53,280
pictures or something okay good good not just talk like I'm actually doing something which I am

410
00:34:54,480 --> 00:35:02,160
so we are a podcasting no this is actually quite real because I'm recording it so it's nice

411
00:35:03,760 --> 00:35:10,960
and I got my my stogi it's I had no idea that I thought we actually walked out of a gate and it

412
00:35:10,960 --> 00:35:20,800
turns out that uh we're still on the the ground right uh current first so all of the BBC

413
00:35:20,800 --> 00:35:25,520
current first I've come out of there uh huh well we were as TV sensors which is far more

414
00:35:25,520 --> 00:35:32,160
impresses what were the studios are for the news is um and as various BBC sites dotted around

415
00:35:32,160 --> 00:35:38,560
this part right so this is this is the new kind of media center areas and it's really far away from

416
00:35:38,560 --> 00:35:48,320
waterloo station yeah that's what I'll be doing on my way back okay actually while I'm here it's

417
00:35:48,320 --> 00:35:54,880
good that everybody is listening I wonder if I have a blood cast I guess I don't I have let me say

418
00:35:54,880 --> 00:36:02,000
have so many interesting things that I bought along with me for for the ride for the uh for the

419
00:36:02,000 --> 00:36:07,040
show today and now I've actually opened up my uh my power book is beautiful we're sitting in front

420
00:36:07,120 --> 00:36:14,320
of a uh a nice Starbucks which is kind of on the grounds here at the BBC and yes they have Wi-Fi and

421
00:36:14,320 --> 00:36:22,480
I think somewhere I'd probably have my uh my account actually uh I don't know if I have my BT account

422
00:36:22,480 --> 00:36:28,240
this is one thing I wanted to play for you guys this is a guy named Hank and he's got a site

423
00:36:28,240 --> 00:36:34,480
called podrazer.com which has been the source of a lot of controversy recently on some of the podcast

424
00:36:34,480 --> 00:36:38,880
so this about the way he's been providing a search results and he actually put a promo on an

425
00:36:38,880 --> 00:36:49,280
open podcast.org let's have a listen to this for a second hey everybody to take I just want to let you

426
00:36:49,280 --> 00:36:58,080
know that podrazer.com has finally launched that's p-o-d-r-a-z-o-r with podrazer is a search engine

427
00:36:58,080 --> 00:37:05,520
for podcast and podcast only so why don't you surf on over to podrazer.com check it out

428
00:37:05,520 --> 00:37:12,960
what does know what you think. Take care. So since we talked about them multiple times today

429
00:37:12,960 --> 00:37:19,120
during the uh during the uh interview I figured I played a little bit listen to these bitties

430
00:37:19,120 --> 00:37:24,720
one of my favorite tracks I want to be famous. I want to be famous I want to win minks and

431
00:37:24,960 --> 00:37:33,360
sattens and pearls. I want to be famous more than just any old girl.

432
00:37:33,360 --> 00:37:34,880
I have to pay a license for this you know.

433
00:37:54,800 --> 00:38:04,400
I want to be famous. Go to Paris on private flights. I want to have lovers by school.

434
00:38:04,400 --> 00:38:09,120
How I love those girls I tell you. Let's see uh what else they come across today. Oh you know there was

435
00:38:09,840 --> 00:38:13,920
a new raster web that came out. I haven't heard anything from Pete in such a long time. Let's see what

436
00:38:13,920 --> 00:38:18,800
he's doing. He's always got something funny going on. This is the now-see here edition of the

437
00:38:18,960 --> 00:38:28,720
Raster web audio for 2005-03-17. Okay folks well tonight we're going to be a very special

438
00:38:29,520 --> 00:38:34,960
bit of I believe they call it a sound seeing tour. There you go. Of the office here in

439
00:38:34,960 --> 00:38:42,480
really building. So first thing let me look that chair out of the way and now I don't have a

440
00:38:42,880 --> 00:38:47,280
portable device so I'm just going to leave a computer recording and I'm going to have to let

441
00:38:48,160 --> 00:38:51,280
us see. Of course you carrying the computer around.

442
00:38:53,280 --> 00:38:58,640
There's a furnace back here and there's a lot of boxes and the next thing is some

443
00:38:58,640 --> 00:39:05,120
more computers and it's like that and again back at the desk. If I go over here

444
00:39:06,080 --> 00:39:10,320
there's our first right right here because we've got required right now to have the next night.

445
00:39:11,200 --> 00:39:15,520
Over here like this is around the light. There's uh open the door and let's

446
00:39:16,480 --> 00:39:20,480
go in here. Yeah you can always count on Pete to put everything into perspective. Can't you?

447
00:39:30,480 --> 00:39:37,440
That's perfect. Okay let's go from that to uh what is it? A sound of the day. That's always

448
00:39:37,440 --> 00:39:42,960
fun to hear what the sound of the day is. Let's see what Hans has got going for us today.

449
00:39:45,840 --> 00:40:06,480
So what is the sound? Oh okay. All right the sound of the day.

450
00:40:08,880 --> 00:40:13,360
Something else I like to check in on by the way since podcasting is pretty much

451
00:40:13,760 --> 00:40:21,920
international at this point. It's kind of cool. You can listen to Virgin Radio. They podcast

452
00:40:21,920 --> 00:40:32,560
their morning show. Pete and Jeff. I don't really like that too much because it's just a rehash

453
00:40:32,560 --> 00:40:37,200
of what they're doing already without the songs because well obviously licensing issues.

454
00:40:37,200 --> 00:40:43,280
But I always like to keep in touch with what's going on back in the Netherlands radio station there

455
00:40:43,280 --> 00:40:49,040
has a called North Sea. They have a a show biz report which they do every single hour and they're

456
00:40:49,040 --> 00:40:53,040
podcasting that as well.

457
00:41:03,920 --> 00:41:11,920
Yeah just what I thought boring but then again we've got my buddy Rev Tim for the

458
00:41:11,920 --> 00:41:20,160
inspirational message of the day. He's even stalled on my rant while not my transmitters.

459
00:41:20,160 --> 00:41:22,800
He'd use the transmitters bit. It's great.

460
00:41:33,680 --> 00:41:38,480
Sorry. Can you just talk me through what you've got on here with a different set? Sure. Well actually

461
00:41:38,480 --> 00:41:48,800
a couple of things. Let me just get rid of this. Okay the way I record actually is quite simple.

462
00:41:50,800 --> 00:41:57,760
You know I'll open up my, oh this is no one's really seeing this. Okay this is how I prep my show

463
00:41:58,400 --> 00:42:06,240
that's why it's called DSC Daily Source Code Temp. It's an outline. Some things don't change at the top

464
00:42:06,320 --> 00:42:10,880
so I've got my my show details that may change just the date so that's clearly an old date.

465
00:42:11,920 --> 00:42:16,960
And these are all individual files. I usually start off with one of these. Now what's cool about this

466
00:42:17,520 --> 00:42:24,160
is all I have to do is hit command and a comma and over to the left. You'll see

467
00:42:25,280 --> 00:42:30,800
or it's starting up. You'll see that it opens up a quick time window. Do you want to do that again?

468
00:42:30,800 --> 00:42:38,400
Yeah sure. Sure. So I could either double click this or I could just hit a keyboard command

469
00:42:38,400 --> 00:42:44,400
which is the Apple key and a comma and immediately opens up right there. It opens up a quick time

470
00:42:44,400 --> 00:42:54,160
player. So what I'll do is now open up my sweeper and then I'll open up my power of pure intellect.

471
00:42:54,160 --> 00:42:59,600
So I kind of line these up in a row and then I've got a mash up here as an email about it.

472
00:43:00,080 --> 00:43:04,160
So I haven't actually downloaded or put that one in so I can go to my

473
00:43:05,680 --> 00:43:12,880
my tools menu over here. I'll say load new files. Now it's going to load up new files and bring

474
00:43:12,880 --> 00:43:16,960
it my file library. Oh this is no one's ever really seen this. I'll tell you this is a

475
00:43:29,680 --> 00:43:40,160
fine. So what this program does is it basically scans through a folder of MP3 files and pulls

476
00:43:40,160 --> 00:43:44,560
out the ID3 information and puts it into my playlist. So a young palette which a lot of you have

477
00:43:44,560 --> 00:43:50,960
heard of, he has his hit test. So it's basically there's hit test groups. There's hit test number

478
00:43:50,960 --> 00:43:56,560
26. So these are all the new files that I haven't played yet. So what I'll do is I'll see there's

479
00:43:56,560 --> 00:44:03,120
also an unknown folder. I don't know what Burger King is but I put it into for a reason. So we'll take

480
00:44:03,120 --> 00:44:12,080
all these, we'll just copy them, close that window and we go over to my rundown. I paste them in

481
00:44:14,160 --> 00:44:19,680
and I just put those in a line up. Usually I put the young's hit test a little bit later.

482
00:44:19,680 --> 00:44:22,400
I don't remember what the Burger King thing is. Let's see what that is. So I'll just

483
00:44:23,280 --> 00:44:30,800
click that. It should then open up a player window. There you go. So just as an audition, let's see,

484
00:44:30,800 --> 00:44:35,840
what is that? Yeah, I'm over here. I'm over here at Burger King. I haven't done for many.

485
00:44:35,840 --> 00:44:39,600
It sounds like a sound scene tour or something I wanted to let people here. So anyway,

486
00:44:39,600 --> 00:44:46,160
so I'll take this mashup, which is called, they got an email about it. The drop system

487
00:44:46,240 --> 00:44:50,560
versus Adam Curry. So that's digital interference. So I'm going to bring that over.

488
00:44:51,120 --> 00:44:56,480
So you see, so there's the song. I'll open that up. So the way I would do it,

489
00:44:57,200 --> 00:45:08,000
it's I start usually with, I hit that and then I hit that and then I say, hey, I think I

490
00:45:08,400 --> 00:45:16,880
got it's right everybody. So anyway, there's this great mashup that came through. It's called

491
00:45:16,880 --> 00:45:22,800
the drop system versus Adam Curry. Let me let me see what that's all about. This is something that

492
00:45:22,800 --> 00:45:29,440
came through. I haven't listed as a TSA mashup. I'm not quite sure what that means. Let's check it out.

493
00:45:29,760 --> 00:45:37,600
This is a digital interference. Oh, it's about, it's a mix, it's a mashup of me complaining

494
00:45:37,600 --> 00:45:41,280
about airport security in the States. It's really cool.

495
00:45:42,240 --> 00:45:58,480
It's really funny, actually.

496
00:45:58,480 --> 00:46:02,160
Not protecting. I won't do a PML, not this.

497
00:46:02,240 --> 00:46:08,800
OPML, oh boy. OPML was the language that this outliner talks. So,

498
00:46:13,680 --> 00:46:21,600
if I want to export this, it actually is exported as a version of XML. So it's structured data,

499
00:46:21,600 --> 00:46:27,920
even though it looks kind of kind of unstructured. You can make these nodes all kinds of

500
00:46:27,920 --> 00:46:33,200
exciting things. So as you can see, in this case these nodes, when I click on them, they open up a

501
00:46:33,200 --> 00:46:40,000
sound file, but a node can also just have other stuff behind it. So for instance, pod safe is

502
00:46:40,000 --> 00:46:45,040
like a collection of pod safe music that I haven't played yet. It's only one or mashups,

503
00:46:45,040 --> 00:46:50,320
for instance. I got several of those. So, and it's all cut and paste and you can move stuff up and down.

504
00:46:50,320 --> 00:46:54,880
It's just a way of organizing stuff. It's, you know, it's what we do in the broadcast world, right?

505
00:46:54,880 --> 00:47:04,960
We have a rundown of stuff. So every day, young polette, blesses heart, sends me the hit test,

506
00:47:06,080 --> 00:47:08,800
and I think I can play it right now.

507
00:47:13,600 --> 00:47:21,920
Want to play? Ready? Ready? Okay. Okay. Because then you got to play along. You got to guess the song.

508
00:47:25,760 --> 00:47:30,960
Now, your eye tag here doesn't actually, is not playing any role root hall. No. You're recording

509
00:47:30,960 --> 00:47:35,280
your podcast and I need some shots of that. Yeah, yeah, you can do it with that. I agree with her.

510
00:47:40,240 --> 00:47:44,880
So have you been continuously recording for the last 4-8? You just left it running, can you?

511
00:47:44,880 --> 00:47:48,560
Yeah, I remember. Two and a half hours. How long is the battery?

512
00:47:49,520 --> 00:47:54,800
Well, it's still full. So, I put a fresh one in before I, before I started.

513
00:47:55,520 --> 00:47:58,800
Haven't found out yet. This is the longest I've actually done this.

514
00:47:58,800 --> 00:48:03,920
But I'm to edit this down because there's no way, you know, there's absolutely no way this feels.

515
00:48:08,800 --> 00:48:14,240
That's okay. I mean, the cab ride was half an hour of nothing. I talked to the cabbie for like

516
00:48:14,240 --> 00:48:18,640
10 minutes. You know, it's like, and then I'm just looking for anything that you could put into your podcast.

517
00:48:18,640 --> 00:48:23,520
Yeah, sure. Just hear aware of this. No, no, no. So I felt really self conscious of the back going,

518
00:48:24,560 --> 00:48:28,640
I hope he doesn't hear me. All right. But he'll think I'm an idiot talking to myself.

519
00:48:28,640 --> 00:48:32,320
All casting star of dishes is basically taking anything you want from the world around you.

520
00:48:32,320 --> 00:48:36,320
Yeah. I know you can put it online without having to ask anyone to mention all. Well,

521
00:48:36,640 --> 00:48:46,320
No, I don't know. I think the BBC is covering me on this one. So come on, play along with the hit test. Let's see if we can

522
00:48:46,640 --> 00:48:51,120
We're going to get you all the time for the hit test.

523
00:48:53,840 --> 00:48:55,840
Hello, yeah.

524
00:48:56,880 --> 00:49:04,080
Oh, it is a footstep edition footstep edition. I did the five, the next three trials by the footsteps.

525
00:49:04,080 --> 00:49:10,560
Okay, Michael Jackson's thriller. That was easy. That was easy.

526
00:49:13,120 --> 00:49:15,120
How are we get it again?

527
00:49:16,720 --> 00:49:20,720
Okay, and this is number two.

528
00:49:24,720 --> 00:49:27,760
No, no, you know what that is. That's, um,

529
00:49:31,360 --> 00:49:38,720
rocks your music. Love is the drug. I think this is a good one.

530
00:49:43,520 --> 00:49:45,520
What is that?

531
00:49:46,320 --> 00:49:51,120
Very good. Very good. You don't know if it's right. I mean, but I'm pretty sorry.

532
00:49:51,120 --> 00:49:54,240
Okay. Time's up. And these are the answers. This is number one.

533
00:49:58,080 --> 00:50:04,240
That was easy. If anyone in the world would recognize that one. Yeah.

534
00:50:09,440 --> 00:50:14,640
And this one's legendary. And what else could it be? The Michael Jackson.

535
00:50:16,480 --> 00:50:20,480
Sorry to miss this guy. He's a young pull-up. He's a Dutch guy who just does this every day.

536
00:50:20,480 --> 00:50:24,480
And he has his own hit test podcast. It has really interesting guys.

537
00:50:38,480 --> 00:50:39,760
All right, on the number two.

538
00:50:47,280 --> 00:50:50,000
It's really different. There's just a few seconds to

539
00:50:51,280 --> 00:50:55,680
15 minutes to 45 minutes today somewhere in there. Yeah, love is the drug.

540
00:51:05,120 --> 00:51:06,720
That's a good idea to do this story.

541
00:51:09,360 --> 00:51:15,360
I'll tell you though. He did a hair band guitar solo hit test.

542
00:51:15,440 --> 00:51:18,640
I didn't know one of them. I didn't know one of them. It was horrible.

543
00:51:30,160 --> 00:51:31,760
Now, now it's a few seconds or three.

544
00:51:34,000 --> 00:51:35,680
I think you're right. Yep.

545
00:51:37,280 --> 00:51:40,000
That was the bass. The bass line gave this one away.

546
00:51:45,600 --> 00:51:47,600
And club chopper canna.

547
00:51:52,800 --> 00:51:55,440
Extra points for knowing the lyrics. Yeah, very good.

548
00:51:58,800 --> 00:52:00,160
I think you just did.

549
00:52:01,120 --> 00:52:03,120
It's not me.

550
00:52:17,120 --> 00:52:20,080
Did you get? Yeah, he came out. He used to come out dressed in his dressing gown.

551
00:52:21,360 --> 00:52:25,520
Well, the first time I showed him the scar I went with my friend and we were actually there with a tape recorder.

552
00:52:25,520 --> 00:52:29,200
In fact, this was 20 years before you were doing this. Yeah, sure. We were on the tape recorder.

553
00:52:29,200 --> 00:52:34,160
And we said that as a school project, we were doing, we need to do some interviews and stuff.

554
00:52:34,160 --> 00:52:37,680
And we were amazed. We got his number from the phone book. He's a dress.

555
00:52:37,680 --> 00:52:41,920
And the phone book. That was great. I found it from two years earlier before he'd become famous.

556
00:52:41,920 --> 00:52:46,480
Right. We didn't go to see. We went down to Chilton Avenue where we knew his parents did.

557
00:52:46,480 --> 00:52:49,760
Not to install and learn. But hold your hands as the door and it's dressing calm. That's great.

558
00:52:49,760 --> 00:52:52,400
And we're standing there, two, 14 euros. Can't take a good one.

559
00:52:53,360 --> 00:52:56,960
Yeah, that's what he's like. I'm going to help you. I said, yeah, we're doing a school project.

560
00:52:56,960 --> 00:53:01,600
Yeah, I just want an interview. I said, I've made this scrapbook and he was so taken with this scrapbook.

561
00:53:01,600 --> 00:53:06,480
He said, do you mind if I keep it for a couple of weeks? And he said, yeah, he was picking through.

562
00:53:06,480 --> 00:53:10,480
He said, I haven't seen half of these photos. Wow. So he goes, come back in a couple of weeks.

563
00:53:10,480 --> 00:53:15,600
And I re-went back and he asked the door again. He gave us a little interview on the door set.

564
00:53:15,600 --> 00:53:20,400
Yeah. And he gave me this scrapbook back and when I was at that, I guess in a cab or something on the way home,

565
00:53:20,400 --> 00:53:24,880
I looked in the scrapbook and he'd cut out piece of paper and he put some blue tack on the back of it.

566
00:53:24,880 --> 00:53:29,600
Put it in the scrapbook and he put two Richard, thanks for supporting us. Andrew and she

567
00:53:29,600 --> 00:53:35,600
got George sign up as well. Wow. That's great. And I met him again years later.

568
00:53:35,600 --> 00:53:39,600
Did you remember it? Yeah. Well, I said to him, I was the kid. And then I kind of struck up a bit of

569
00:53:39,600 --> 00:53:45,120
relationship with him and I had a remiss one after the team. And my parents, very cringe-worthy,

570
00:53:45,200 --> 00:53:50,960
asked Andrew, turned out that Andrew's mum, you might want more something. And so my parents asked

571
00:53:51,760 --> 00:53:57,200
Andrew and George to my profits. Did they both come? They didn't come. They sent me the biggest card.

572
00:53:57,760 --> 00:54:01,760
And I've still got it to stay. It says to Richard wishing you every happiness and life

573
00:54:01,760 --> 00:54:07,200
at Andrew and George Michael. So you're later when I met up with Andrew and George didn't remiss and

574
00:54:07,200 --> 00:54:11,360
really met him. Andrew, I said to him, I was the 14-year-old that came in. Yeah, yeah, I remember.

575
00:54:11,360 --> 00:54:15,200
And he was still as friendly as ever, a very humble guy. I mean, you know, I don't know what he's up to.

576
00:54:15,200 --> 00:54:19,200
You just gave me the best part of the whole sound seeing towards the bed. That was a great story.

577
00:54:19,200 --> 00:54:23,280
It was fantastic. I mean, I was literally, it got some of it. Andrew is the best guy in

578
00:54:23,280 --> 00:54:28,080
George. It was a very, very strange look at the bed. Yeah, I met him a couple times at the height of

579
00:54:28,080 --> 00:54:32,880
the, you know, like, see, it was, um, I'm talking about it. It was the faith CD. Right.

580
00:54:32,880 --> 00:54:38,480
Well, I met him in 88. 88. Yeah. Yeah. Well, he was struggling with a lot of personal issues. He was.

581
00:54:38,800 --> 00:54:45,520
Because I knew his manager, Michael Lippman. Yeah. Um, because he managed trying to

582
00:54:45,520 --> 00:54:53,440
countner Gray Slick's daughter who was working on MTV. And, uh, yeah, George was very, and he's

583
00:54:53,440 --> 00:54:57,680
pretty open about it now. He's got all men. I was such an asshole back then because, you know, he,

584
00:54:57,680 --> 00:55:02,560
he really knew his sexuality was taking one way. His career was taking another way. And he was,

585
00:55:02,880 --> 00:55:07,600
then he got a little messed up there for a while. Absolutely. And, um, because it is saying,

586
00:55:07,600 --> 00:55:11,600
I mean, basically, we're all staying at hotel in Hawaii. This is where he kicked off his faith for

587
00:55:11,600 --> 00:55:18,160
an 88. Yeah. I remember that. Yes, sure. And it was at the Kahali Hill in Hawaii. And, and he didn't

588
00:55:18,160 --> 00:55:24,480
bite an Andrew to do it. Dude, I was there. No, so was so as I. And, uh, Andrew was there.

589
00:55:24,480 --> 00:55:29,600
Elton was playing. Yep. Yep. Elton John was there. John Reed, Elton's manager. Yeah.

590
00:55:30,000 --> 00:55:37,360
Uh, and George Michael and Andrew Richie. And we, um, I'd rather than I started talking to Elton

591
00:55:37,360 --> 00:55:42,880
John on the way to the tennis courts as you know. Of course. And, uh, and then Elton says,

592
00:55:42,880 --> 00:55:48,320
I want to come with us to the, uh, come with us to the concert. Uh, he's right. He was like, hey, Richard,

593
00:55:48,320 --> 00:55:53,920
you look pretty hot. Well, yeah, maybe. Come on. And, yeah, I was 17 at the time. And,

594
00:55:54,000 --> 00:55:59,520
Brian, but not that naive. Where what might be happened. Um, but he said, how are you?

595
00:55:59,520 --> 00:56:03,280
That's what I said. I said, but somebody here for us said, we're all over the country. So,

596
00:56:03,280 --> 00:56:07,040
one of the things in the concert, I'm playing there. Cut long story short. He ended up taking

597
00:56:07,040 --> 00:56:12,080
to the concert. Really? That's cool. Uh, stropping out before he actually went into the concert.

598
00:56:13,120 --> 00:56:17,840
Stripping out, stropping out. He had a fit. He had a hissy fit. Oh, okay. Really? Yeah, because

599
00:56:17,840 --> 00:56:23,840
he was walking in with my brother and I into the backstage entrance of this, uh, blood. And

600
00:56:23,840 --> 00:56:28,080
uh, of the, uh, of the concert venue and the concert didn't recognize him. And he pushed him

601
00:56:28,080 --> 00:56:32,160
up. He said, uh, so you actually use another, you know, drums, like, right? Do you know I am?

602
00:56:32,160 --> 00:56:36,960
And I go, sir. I don't care who you are, right? Yeah. And he kind of nudged it. And Elton has

603
00:56:36,960 --> 00:56:43,440
a freak out. Yeah. Mm-hmm. I mean, this story just goes on and on and on. And, um, it's great.

604
00:56:43,440 --> 00:56:47,840
But it was an unbelievable time. And anyways, I said to Elton, just get back to you. I said,

605
00:56:47,840 --> 00:56:51,040
what's the deal with George White? There's a guy who's not okay. And what he said,

606
00:56:51,280 --> 00:56:57,520
she doesn't know what she is. Yeah. Yeah. That's great. I found out how they would reach

607
00:56:57,520 --> 00:57:04,720
all these quick, these weird, great names. Oh, yeah. But you were there as well. Yes, because I was

608
00:57:04,720 --> 00:57:09,600
working for MTV and we were covering the tour, which I know kicked off in Hawaii. In fact,

609
00:57:09,600 --> 00:57:14,400
that was, uh, I'm going to tell you the date. It was, uh, the cool ATA, I reckon.

610
00:57:14,400 --> 00:57:21,600
No, I think it was later. Was it? I seem to remember it was April, ACA. Oh, seven seconds.

611
00:57:21,600 --> 00:57:29,120
No, you're right. It was, uh, I think. No, no, no, no, no, no, no, no, no, no. Because,

612
00:57:32,160 --> 00:57:36,240
and, uh, no, it was April. I'm sorry, you're right. April,

613
00:57:37,840 --> 00:57:44,160
because April fifth, Patricia and I got married at Town Hall, the City Hall in New York.

614
00:57:44,560 --> 00:57:47,200
Literally, it was like, hey, how about today? Yeah, good idea. Because otherwise,

615
00:57:47,200 --> 00:57:51,520
she would be deported, right? And she wanted this contract with me. Right. So what happens if you

616
00:57:51,520 --> 00:57:56,480
don't like me anymore? I gave up my career and everything and you can kick me out and I can't even

617
00:57:56,480 --> 00:57:59,680
stay in this country legally. So what we can make, like, you know, some kind of a green, but

618
00:57:59,680 --> 00:58:03,520
say, well, why don't you just get married? That's a lot easier. And she said, you better get down

619
00:58:03,520 --> 00:58:09,120
in your knees, boy. So, and literally, uh, so we had agreed to do that and it was a beautiful Friday

620
00:58:09,120 --> 00:58:15,200
afternoon. Um, and, uh, I called her for MTV and I said, how about today? She said, yeah, sure,

621
00:58:15,200 --> 00:58:20,000
you know, and so I pulled Steve Leads, uh, the talent managers, and you're a witness, went down,

622
00:58:20,000 --> 00:58:28,000
got married. And the next day, um, I went off, uh, to cover the George Michael tour. Was that flashing?

623
00:58:28,000 --> 00:58:33,120
That means I have about an hour left on this flashing, depending on how long it's been flashing.

624
00:58:33,760 --> 00:58:41,760
So the next part is I'm building this little box that, uh, I just want to be able to mix this in

625
00:58:41,760 --> 00:58:46,000
so that while I'm talking, I could, you know, hit a song and it would report as well.

626
00:58:46,800 --> 00:58:51,360
So I don't, so, uh, I don't want to, I don't, yeah, it's an iPod.

627
00:58:51,360 --> 00:58:55,680
Well, how many gigabytes? How many gigabytes? 400. Isn't it a wonderful question?

628
00:58:55,680 --> 00:58:59,760
This is a 30 gigabytes. How much is it in the book? I'm not selling it.

629
00:59:00,320 --> 00:59:06,320
I'm not selling it. I'm on camera. Yes, you are. Sorry. This is mine.

630
00:59:06,320 --> 00:59:08,640
Why are you, what are you doing? Is that beautiful?

631
00:59:08,640 --> 00:59:13,760
Oh, I'm just, it's not an advert. That's, isn't that horrible? It's not, hi, buy this iPod.

632
00:59:14,960 --> 00:59:18,160
Why are you doing something from the ads? You like that, huh?

633
00:59:18,160 --> 00:59:21,200
Why the side? Is it just a game zone?

634
00:59:21,200 --> 00:59:24,080
Yeah, yeah. Yeah, no games. I'm not a gamer.

635
00:59:24,080 --> 00:59:26,800
You heard, have you heard of a podcast? Yeah.

636
00:59:26,800 --> 00:59:32,720
Yeah. What, what make is iPod? Yeah, but listen, let's, uh, that's, uh, I river is what that is.

637
00:59:32,720 --> 00:59:37,680
What's that, what? Run, that was you. So, you think you could run away then?

638
00:59:37,680 --> 00:59:39,840
You could run far around here, mate. You could run far around here, mate.

639
00:59:39,840 --> 00:59:42,240
There's a security guard. It's about 300 meters.

640
00:59:42,240 --> 00:59:45,680
You guys work for the BBC? No. Yeah, we're the time.

641
00:59:48,080 --> 00:59:49,840
Careful. It's recording. Careful.

642
00:59:49,840 --> 00:59:53,360
Oh, so you're saying, you're about why you shouldn't be for that purpose in there.

643
00:59:53,360 --> 00:59:58,080
Because, hey, you think they could run faster than me? Yeah.

644
00:59:58,080 --> 01:00:00,080
I don't know, but you were saying, I mean, I'll hold on to everything.

645
01:00:00,080 --> 01:00:04,080
You guys look pretty dangerous to me. Oh, no, no, no, no, no, no, no.

646
01:00:04,080 --> 01:00:07,120
So, it's just, is this, is this the BBC grounds?

647
01:00:07,120 --> 01:00:09,680
Uh, you just calling me. No, this is technically right.

648
01:00:09,680 --> 01:00:14,240
No, this is like three there. This is like the plot where the bomb is going to go.

649
01:00:14,240 --> 01:00:16,720
Oh, this is the spot? Yeah.

650
01:00:16,720 --> 01:00:18,960
And when does that happen? When does that, uh, scheduled?

651
01:00:18,960 --> 01:00:23,600
About five seconds. Yeah, I love these kids. Yeah.

652
01:00:23,600 --> 01:00:26,960
Two guys. One, get the record.

653
01:00:26,960 --> 01:00:30,160
Grab the iPod. What? Get set.

654
01:00:31,360 --> 01:00:34,400
Better not. I'm holding on to it. And these guys are worrying me.

655
01:00:40,400 --> 01:00:46,080
But I'll see you. Okay.

656
01:00:49,440 --> 01:00:54,000
What are you doing this for?

657
01:00:54,000 --> 01:00:57,680
Oh, I'm doing it. Just a little interview. So, you actually have heard of podcast?

658
01:00:57,680 --> 01:00:59,920
Yeah. Have you listened to any? No.

659
01:00:59,920 --> 01:01:01,760
No. Do you have an iPod? No, no.

660
01:01:01,760 --> 01:01:06,000
Do you have an MP3? Yeah. Yeah. Yeah.

661
01:01:06,000 --> 01:01:06,960
Yeah. Yeah. I'm going to sleep there.

662
01:01:06,960 --> 01:01:08,960
I was going to get you an iPod. Which one do you have?

663
01:01:08,960 --> 01:01:10,960
Um, so you didn't just go get it.

664
01:01:10,960 --> 01:01:12,480
Okay, it's on. Is it on? Is it on? Yeah.

665
01:01:12,480 --> 01:01:15,280
Okay, okay, okay, okay, okay. I'm just going to go get it. How much?

666
01:01:15,280 --> 01:01:18,160
How much? 512. Yeah, that's good.

667
01:01:18,160 --> 01:01:20,160
I'm going to do a lot with that.

668
01:01:23,360 --> 01:01:24,800
Cool.

669
01:01:24,800 --> 01:01:27,600
That's it. That's it. That's it. That's it. That's it.

670
01:01:27,600 --> 01:01:31,600
It's good. It's good. It's good. Is it fake? I'm pushing you.

671
01:01:31,600 --> 01:01:34,240
Yeah. That's good. That's good, actually. Yeah.

672
01:01:34,240 --> 01:01:38,000
Okay. So, it's a mock. I'm just going to watch you now.

673
01:01:38,000 --> 01:01:41,120
It's a, it's a cold cappuccino. That's it.

674
01:01:41,120 --> 01:01:43,120
These looks like cigars.

675
01:01:43,120 --> 01:01:46,880
Whenever I can, I'll play something for you guys. You'll love this.

676
01:01:49,120 --> 01:01:53,120
This is what DJ you don't want to fuck with.

677
01:01:58,400 --> 01:02:00,160
Go heat on and radio very often. Do you?

678
01:02:02,160 --> 01:02:04,000
What are you guys listening to? You listen to radio?

679
01:02:04,000 --> 01:02:05,600
You listen to what?

680
01:02:05,600 --> 01:02:06,880
You said. Sorry?

681
01:02:06,880 --> 01:02:08,880
You said. I didn't.

682
01:02:08,880 --> 01:02:11,920
You got on the on that sound swore.

683
01:02:11,920 --> 01:02:14,800
Didn't that horrible? No. No. It's.

684
01:02:15,760 --> 01:02:20,080
Yeah. This is what DJ you don't want to fuck with.

685
01:02:20,080 --> 01:02:23,280
I'm corrupting Britain's youth. I'm so proud of myself.

686
01:02:27,600 --> 01:02:28,480
Yeah, we got it.

687
01:02:30,480 --> 01:02:32,480
Okay, guys, take care.

688
01:02:35,760 --> 01:02:38,400
Oh, seriously, were they going to nick something and run off with it?

689
01:02:38,400 --> 01:02:41,520
You handle that pretty well because they did it in another world they might not.

690
01:02:41,520 --> 01:02:42,880
They might have. Oh, yeah, they might have.

691
01:02:42,880 --> 01:02:44,640
They're just kids. Yeah, and they're just kids.

692
01:02:44,640 --> 01:02:46,240
Kids who like making laptops.

693
01:02:46,240 --> 01:02:48,480
But he's right. There's someone around here actually.

694
01:02:48,480 --> 01:02:50,080
This is not a nice part of town.

695
01:02:50,080 --> 01:02:53,920
Around here, it would be known to literally grab open passenger doors.

696
01:02:53,920 --> 01:02:55,680
Take bags. Yeah, sure.

697
01:02:55,680 --> 01:02:57,680
Doesn't, I mean, okay, this is London a bit.

698
01:02:57,680 --> 01:02:58,880
That's happening right. This isn't really.

699
01:02:58,880 --> 01:02:59,200
This isn't really.

700
01:02:59,200 --> 01:03:00,480
It's not really up above like the real.

701
01:03:00,480 --> 01:03:02,480
Yeah, and there's comfortable stages around there.

702
01:03:02,480 --> 01:03:03,040
Mm-hmm.

703
01:03:03,040 --> 01:03:06,880
And they're occasionally close to London.

704
01:03:06,880 --> 01:03:08,880
Sure. This is London. This is like.

705
01:03:08,880 --> 01:03:10,720
Yeah, that's, that was pretty real.

706
01:03:11,680 --> 01:03:14,160
And, uh,

707
01:03:18,960 --> 01:03:21,120
What, the, uh, the underground? Yeah.

708
01:03:21,120 --> 01:03:22,160
You think? I don't know.

709
01:03:22,160 --> 01:03:24,640
I was going to take a cab because they're on the ground much faster

710
01:03:24,640 --> 01:03:26,000
or probably a little bit faster to be honest.

711
01:03:26,000 --> 01:03:29,520
At this time of the day, the best way to get to Waterloo.

712
01:03:29,520 --> 01:03:30,160
Yeah.

713
01:03:30,160 --> 01:03:34,240
It's, this goes straight through town on the central line, uh,

714
01:03:34,240 --> 01:03:35,680
Waterloo is on the Jubilee.

715
01:03:35,680 --> 01:03:38,080
So you basically just change up on the street, it's two stops.

716
01:03:38,080 --> 01:03:42,240
It will take you from here to get to Waterloo

717
01:03:42,240 --> 01:03:43,600
maximum half an hour.

718
01:03:43,600 --> 01:03:47,120
If you're trying to get to Waterloo, um, at this time of day,

719
01:03:47,120 --> 01:03:49,440
you'll take you close on it three quarters an hour an hour.

720
01:03:49,440 --> 01:03:51,280
By cab, you're there. Okay, it's it.

721
01:03:51,280 --> 01:03:54,480
So I want to hop on which you want to go, um,

722
01:03:54,480 --> 01:03:56,960
eastbound, yeah, into central London.

723
01:03:56,960 --> 01:03:57,600
Yeah.

724
01:03:57,600 --> 01:03:58,720
A bond street, yeah.

725
01:03:58,720 --> 01:04:00,480
Which is about eight and nine stops a minute.

726
01:04:00,480 --> 01:04:02,640
Okay. Southbound and it's about three stops.

727
01:04:02,640 --> 01:04:03,520
Okay.

728
01:04:03,520 --> 01:04:04,800
Couldn't be easier.

729
01:04:04,800 --> 01:04:05,600
It's been a pleasure.

730
01:04:05,600 --> 01:04:06,800
I like that.

731
01:04:06,800 --> 01:04:09,520
And, um, I think, you know, this isn't going to go out immediately.

732
01:04:09,520 --> 01:04:11,120
It's going to go out probably next month or so.

733
01:04:11,120 --> 01:04:12,560
It's got some editing work to do out there.

734
01:04:12,560 --> 01:04:14,000
Yeah, yeah, yeah, yeah.

735
01:04:14,000 --> 01:04:16,720
But Joe is going to want to be some, uh, on, uh,

736
01:04:16,720 --> 01:04:17,520
news and subtracting.

737
01:04:17,520 --> 01:04:18,640
That's right anyway. So cool.

738
01:04:18,640 --> 01:04:20,560
And that's going to go, you know, hundreds of thousands of

739
01:04:20,560 --> 01:04:21,760
getting to Waterloo.

740
01:04:21,760 --> 01:04:23,840
Lovely. So, um, okay.

741
01:04:23,840 --> 01:04:25,040
Well, let's, uh, let's stay in touch.

742
01:04:25,040 --> 01:04:25,600
Okay.

743
01:04:25,600 --> 01:04:28,320
I think, uh, anything going on or whatever just let me know.

744
01:04:28,320 --> 01:04:28,960
Definitely.

745
01:04:28,960 --> 01:04:29,440
I hope you do.

746
01:04:29,440 --> 01:04:30,720
And I have a nice whole day as well.

747
01:04:30,720 --> 01:04:31,600
Thank you very much.

748
01:04:31,600 --> 01:04:34,720
Uh, we're going, uh, 12 days, I think.

749
01:04:34,720 --> 01:04:35,440
Yeah, oh.

750
01:04:35,440 --> 01:04:35,920
Whereabouts.

751
01:04:35,920 --> 01:04:36,560
Miami.

752
01:04:36,560 --> 01:04:37,120
Nice.

753
01:04:37,120 --> 01:04:37,920
Yeah, down the south.

754
01:04:37,920 --> 01:04:39,120
You're my partners down there.

755
01:04:39,120 --> 01:04:41,120
So, uh, we got infrastructure.

756
01:04:41,120 --> 01:04:42,160
Okay, I'm walking.

757
01:04:42,160 --> 01:04:43,120
All right, take care of you.

758
01:04:45,360 --> 01:04:45,680
Right.

759
01:04:46,640 --> 01:04:49,120
I'm actually going to do this with the, uh,

760
01:04:49,120 --> 01:04:50,400
underground, the tube.

761
01:04:50,960 --> 01:04:52,160
I mean, the tube.

762
01:04:52,160 --> 01:04:54,960
Um, uh, let me see.

763
01:04:56,000 --> 01:04:56,880
What's the time?

764
01:04:56,880 --> 01:04:57,680
I got it.

765
01:04:57,680 --> 01:04:58,160
Yeah.

766
01:04:59,680 --> 01:05:00,480
Six o'clock.

767
01:05:05,520 --> 01:05:11,040
Oh, I'd like to go to Waterloo Station.

768
01:05:11,040 --> 01:05:12,560
Can you tell me how to get there?

769
01:05:13,440 --> 01:05:14,880
You go to Bonds 3.

770
01:05:14,880 --> 01:05:15,200
So, okay.

771
01:05:15,200 --> 01:05:16,160
But it would be a lie.

772
01:05:16,160 --> 01:05:18,720
So, uh, can I purchase tickets for that trip here?

773
01:05:18,720 --> 01:05:19,040
Okay.

774
01:05:27,040 --> 01:05:29,120
So, the barn street, and then I change on to what?

775
01:05:29,680 --> 01:05:30,560
It should be the light.

776
01:05:31,120 --> 01:05:31,440
The?

777
01:05:31,440 --> 01:05:32,240
It should be the.

778
01:05:33,680 --> 01:05:34,080
Yeah.

779
01:05:34,080 --> 01:05:34,240
Yeah.

780
01:05:35,760 --> 01:05:36,560
Yeah.

781
01:05:45,440 --> 01:05:45,840
Thank you.

782
01:05:51,440 --> 01:05:52,080
Okay, okay.

783
01:05:56,400 --> 01:05:58,080
Like I fucking know what I'm doing here.

784
01:06:05,520 --> 01:06:06,080
Okay.

785
01:06:14,080 --> 01:06:14,800
See, he's down.

786
01:06:16,960 --> 01:06:19,280
It's about three and four.

787
01:06:20,560 --> 01:06:20,960
Okay.

788
01:06:22,080 --> 01:06:23,200
So, they're going for me.

789
01:06:23,200 --> 01:06:24,000
They've got to put them.

790
01:06:24,800 --> 01:06:29,760
I think I've been in a subway in 20 years.

791
01:06:35,760 --> 01:06:36,080
Okay.

792
01:06:46,560 --> 01:06:48,400
I love you so much.

793
01:06:48,400 --> 01:06:49,200
I love you so much.

794
01:06:49,200 --> 01:06:49,680
I love you so much.

795
01:06:49,680 --> 01:06:50,320
I love you so much.

796
01:06:50,320 --> 01:06:51,680
I love you so much.

797
01:07:00,080 --> 01:07:01,120
I'm the cell phone here.

798
01:07:01,120 --> 01:07:02,560
So, I'm at White City.

799
01:07:03,520 --> 01:07:05,520
Station, White City station.

800
01:07:06,240 --> 01:07:09,920
And, uh, taking these subway for the tube to

801
01:07:09,920 --> 01:07:11,760
on street and then hopping on the

802
01:07:12,640 --> 01:07:15,200
Jubilee line, which should take me to

803
01:07:16,160 --> 01:07:16,960
water station.

804
01:07:18,400 --> 01:07:20,400
Boy, now the real adventure starts.

805
01:07:28,640 --> 01:07:29,440
It's a busy one.

806
01:07:32,600 --> 01:07:33,760
Welg.

807
01:07:54,720 --> 01:07:55,920
I might start coming in a bit earlier.

808
01:08:02,560 --> 01:08:32,560
This is the first time I've ever seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my

809
01:08:32,560 --> 01:09:02,560
I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a woman in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I have never seen a man in my life, I've never seen a man in my life, I've ever seen a man in my life here,

810
01:09:02,560 --> 01:09:26,560
We'll be toasters and other advertisements, so we may have a plan some music.

811
01:09:27,560 --> 01:09:33,560
Given the pound, always support your local musicians.

812
01:09:33,560 --> 01:09:39,560
Maybe the RIA will come down to crack on him for performing that song in public.

813
01:09:39,560 --> 01:09:42,560
Okay, now we're out.

814
01:09:42,560 --> 01:09:45,560
Wow, do you believe that?

815
01:09:45,560 --> 01:09:48,560
Yeah.

816
01:09:48,560 --> 01:09:52,560
In this way, you're going to have a great day.

817
01:09:52,560 --> 01:09:54,560
I'd like to be part of that bridge.

818
01:09:54,560 --> 01:09:57,560
I'd like to be part of that bridge.

819
01:09:57,560 --> 01:09:59,560
I'd like to have a long escalator.

820
01:09:59,560 --> 01:10:04,560
I'd like to weigh down to the depths.

821
01:10:04,560 --> 01:10:05,560
Thank you.

822
01:10:05,560 --> 01:10:06,560
Man, could be any visitor.

823
01:10:06,560 --> 01:10:11,560
An action that construction will take us any attention to.

824
01:10:12,560 --> 01:10:13,560
Yeah?

825
01:10:13,560 --> 01:10:15,560
In the right of the center of the wall.

826
01:10:15,560 --> 01:10:16,560
Thank you.

827
01:10:16,560 --> 01:10:18,560
We'll be back.

828
01:10:18,560 --> 01:10:19,560
I'll be back.

829
01:10:19,560 --> 01:10:20,560
I'll be back.

830
01:10:20,560 --> 01:10:21,560
Yeah.

831
01:10:21,560 --> 01:10:22,560
We'll be back.

832
01:10:22,560 --> 01:10:24,560
That's the same thing.

833
01:10:24,560 --> 01:10:25,560
You got to be back.

834
01:10:25,560 --> 01:10:26,560
You got to be back.

835
01:10:26,560 --> 01:10:27,560
I'll be back.

836
01:10:27,560 --> 01:10:28,560
I'll be back.

837
01:10:28,560 --> 01:10:29,560
I'll be back.

838
01:10:29,560 --> 01:10:30,560
I'll be back.

839
01:10:30,560 --> 01:10:31,560
Okay.

840
01:10:31,560 --> 01:10:32,560
Take it around.

841
01:10:32,560 --> 01:10:33,560
Thanks.

842
01:10:33,560 --> 01:10:34,560
I'll be back.

843
01:10:34,560 --> 01:10:35,560
Yeah.

844
01:10:37,560 --> 01:10:38,560
I'll be back.

845
01:10:38,560 --> 01:10:39,560
I'll be back.

846
01:10:41,560 --> 01:10:42,560
I'll be back.

847
01:10:42,560 --> 01:10:45,560
Oh, we're going down.

848
01:10:45,560 --> 01:10:46,560
I'll be back.

849
01:10:46,560 --> 01:10:47,560
I'll be back.

850
01:10:47,560 --> 01:10:48,560
I will be back.

851
01:10:48,560 --> 01:10:49,560
Well, we're going down.

852
01:10:49,560 --> 01:10:50,560
What a loo.

853
01:10:50,560 --> 01:10:53,560
Three styles perfe.

854
01:10:53,560 --> 01:10:55,560
Dude, I can get used to this year.

855
01:10:55,560 --> 01:10:58,560
I'll be back.

856
01:10:58,560 --> 01:10:59,560
I'll be back.

857
01:10:59,560 --> 01:11:02,560
If you get it, you'll be back.

858
01:11:02,560 --> 01:11:04,560
If you get it, you'll be back.

859
01:11:04,560 --> 01:11:06,560
If you get it, you'll be back.

860
01:11:06,560 --> 01:11:08,560
For the end of the year.

861
01:11:08,560 --> 01:11:09,560
I'll be back.

862
01:11:09,560 --> 01:11:19,560
Okay, I'm a little worried that we're gonna, not, that's still good, let's see, how's

863
01:11:19,560 --> 01:11:28,560
the, that's the still recording, yep, we're good, we're just going to let it run out.

864
01:11:28,560 --> 01:11:33,560
Or until I get on the train and actually start to edit some of this stuff down.

865
01:11:39,560 --> 01:11:57,560
We've done it in exactly twenty-five minutes, which are right.

866
01:11:57,560 --> 01:12:04,560
Very right, and the last idea is this way.

867
01:12:04,560 --> 01:12:09,560
So, here we are, people just dashing off.

868
01:12:09,560 --> 01:12:17,560
Let's see, they get the train, we see Northern line, no?

869
01:12:17,560 --> 01:12:20,560
I think I gotta go up.

870
01:12:20,560 --> 01:12:26,560
That's indeed up we go, and hopefully that'll bring me right to water illustration.

871
01:12:26,560 --> 01:12:32,560
That wouldn't be great if I had a connection at the train waiting for me.

872
01:12:32,560 --> 01:12:40,560
Just as I have arrived, we're going up a very long, very steep escalator.

873
01:12:40,560 --> 01:12:42,560
Really busy.

874
01:12:42,560 --> 01:12:48,560
Plenty of people trying to get home awake for the weekend, couldn't be a busy time on them.

875
01:12:48,560 --> 01:12:52,560
These are your day, but everybody's pretty happy, it's been a beautiful day outside.

876
01:12:52,560 --> 01:13:00,560
Nice sunny, and we're looking forward to a very, very nice weekend.

877
01:13:00,560 --> 01:13:03,560
Now, what do I need down?

878
01:13:03,560 --> 01:13:08,560
Where the hell am I?

879
01:13:08,560 --> 01:13:15,560
Waterloo, okay, right out.

880
01:13:15,560 --> 01:13:21,560
More escalators, man, this is almost like Universal Studios.

881
01:13:22,560 --> 01:13:27,560
The Russian metal look, kind of funky.

882
01:13:27,560 --> 01:13:33,560
It's almost like the Star Wars ride, really interesting.

883
01:13:33,560 --> 01:13:38,560
That's design, or if it's just falling apart.

884
01:13:38,560 --> 01:13:46,560
It actually looks like, well, stay down the right, it was small, okay.

885
01:13:46,560 --> 01:13:54,560
And we were really far down, I couldn't hear my ears pop as I'm ascending.

886
01:13:54,560 --> 01:13:58,560
More people brushing by on the left, in a hurry to get home.

887
01:13:58,560 --> 01:14:04,560
Or just wanted to exercise on the escalator.

888
01:14:04,560 --> 01:14:06,560
That was pretty interesting.

889
01:14:06,560 --> 01:14:14,560
I had the phone up to my ear, and a voicemail came in, and the bling deafened me.

890
01:14:14,560 --> 01:14:17,560
All right, let me see, what'll we do?

891
01:14:17,560 --> 01:14:22,560
I think we've done it, now we're going to eat them.

892
01:14:22,560 --> 01:14:24,560
Hey, let's get going now.

893
01:14:24,560 --> 01:14:34,560
When using the voicemail, always touch it, and then I'll get it here, especially when you can.

894
01:14:34,560 --> 01:14:36,560
Here's something interesting.

895
01:14:36,560 --> 01:14:38,560
There's more gates to go through.

896
01:14:38,560 --> 01:14:41,560
I don't know which ticket I have to show.

897
01:14:41,560 --> 01:14:47,560
I have was my return ticket.

898
01:14:47,560 --> 01:14:50,560
I don't tell me I lost that.

899
01:14:50,560 --> 01:14:52,560
Shoot.

900
01:14:52,560 --> 01:14:54,560
All that I said.

901
01:14:54,560 --> 01:14:57,560
This is not good.

902
01:14:57,560 --> 01:15:00,560
Just pull everything out here.

903
01:15:00,560 --> 01:15:10,560
Here, no, that's not even a shit.

904
01:15:10,560 --> 01:15:15,560
I thought I had my return ticket here.

905
01:15:15,560 --> 01:15:16,560
All right.

906
01:15:16,560 --> 01:15:18,560
Can you replace that?

907
01:15:18,560 --> 01:15:21,560
I'm going to wash down.

908
01:15:21,560 --> 01:15:24,560
Oh, boy.

909
01:15:24,560 --> 01:15:27,560
That really sucks.

910
01:15:27,560 --> 01:15:30,560
I didn't even lose it.

911
01:15:30,560 --> 01:15:34,560
Okay, I thought I put it in my wallet here.

912
01:15:34,560 --> 01:15:39,560
I've been working on it for a long time.

913
01:15:39,560 --> 01:15:42,560
Really?

914
01:15:42,560 --> 01:15:46,560
I've fucking misplaced it.

915
01:15:46,560 --> 01:15:48,560
I'll damage it.

916
01:15:48,560 --> 01:15:55,560
I can't help it.

917
01:15:55,560 --> 01:15:58,560
I can't help it.

918
01:15:58,560 --> 01:16:00,560
Put it away.

919
01:16:00,560 --> 01:16:01,560
I can't help it.

920
01:16:01,560 --> 01:16:04,560
We have legs on the bamboo.

921
01:16:04,560 --> 01:16:06,560
It's longer than that.

922
01:16:06,560 --> 01:16:07,560
Take a tour.

923
01:16:07,560 --> 01:16:09,560
I've just made the ticket.

924
01:16:09,560 --> 01:16:12,560
I'm going to try to encircle my exercises.

925
01:16:12,560 --> 01:16:15,560
We can't have various problems.

926
01:16:15,560 --> 01:16:17,560
However, we have good services.

927
01:16:17,560 --> 01:16:21,560
Operating from more of their own plans.

928
01:16:21,560 --> 01:16:24,560
Go fucking.

929
01:16:24,560 --> 01:16:25,560
Oh, there it is.

930
01:16:25,560 --> 01:16:27,560
I knew I had it.

931
01:16:27,560 --> 01:16:34,560
I didn't put it where I thought I had it.

932
01:16:34,560 --> 01:16:42,560
Okay.

933
01:16:42,560 --> 01:16:54,560
Excuse me, which ticket do I have to use here?

934
01:16:54,560 --> 01:16:56,560
This one here, mate.

935
01:16:56,560 --> 01:16:58,560
That's what you know I went up.

936
01:16:58,560 --> 01:17:00,560
That's the show that you paid when you've come in there.

937
01:17:00,560 --> 01:17:02,560
Thank you very much.

938
01:17:02,560 --> 01:17:14,560
I'm going to encircle this one, mate.

939
01:17:14,560 --> 01:17:15,560
Okay.

940
01:17:15,560 --> 01:17:19,560
Into one of your stations.

941
01:17:19,560 --> 01:17:22,560
See the departure is good for us.

942
01:17:22,560 --> 01:17:32,560
It's over it.

943
01:17:32,560 --> 01:17:38,560
One, two, one.

944
01:17:38,560 --> 01:17:41,560
You can't stop breathing.

945
01:17:41,560 --> 01:17:50,560
You might spill the ground like something.

946
01:17:50,560 --> 01:17:57,560
6 years, we're gonna be qualified to come now, I'm gonna do the walk on the left, let's put it over here.

947
01:17:59,560 --> 01:18:06,560
Now it's me rushing in and out there, flying too, but take me to the field.

948
01:18:20,560 --> 01:18:27,560
I have to do the walk on the left, it's me, it's me, it's me, it's me.

949
01:18:50,560 --> 01:18:58,400
Now to find the first class carriage, which of course is going to be completely at the

950
01:18:58,400 --> 01:19:03,240
other end of the train, time now 1835.

951
01:19:03,240 --> 01:19:15,480
Perfect timing, love it when a plane comes together, and then we can sit down and edit out

952
01:19:15,480 --> 01:19:25,040
all the long silent bits, and maybe I'll even have to show it ready for uploading when I hit

953
01:19:25,040 --> 01:19:48,780
up, see where's the first class carriage, hmm, there isn't

954
01:20:18,780 --> 01:20:25,780
I'm going to turn off the recording now, have a great weekend everybody, bye