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Daily source code for March 25th, 2005 you're DJ you're DJ has only just big transmitters

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We don't need no stinking transmittance

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Autistic it's that I'm curing. It is Friday. Thank God

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Everybody how you doing? Welcome to the Daily Source Code Friday March 25th, 2005

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It's another beautiful day here outside Curry Cottage in Surrey and the UK

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The once again I can see all the way to the rising

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Just a few scattered clouds and full sunshine

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Okay, that was my DJ a bit for the day

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One down the week

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So it's been a pretty busy one and today almost felt like Saturday of course it's a holiday for a many around the world

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A bank holiday in many cases where I believe

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Which means the bank's your clothes, right? Or it's definitely something like that

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Got the email is over which is always find an entertaining

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It's fun explaining podcasts to them. You know what they get it that was the coolest part of

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Talking them last night

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Got a couple of things we'll be doing today. Let's see a

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New podcast theme song not for this one but for another one I'll play for you

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Pete to pronounce checks in with another edition of Ressweb audio

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We've got another aviation podcast for listen to of course you don't pull it with a hit test

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I will be taking a look at the g bag

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Which is the new name for my

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Gmail overload and we'll pull somebody email out of that

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And it was another one of those days where the weather was just so nice

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You know and you kind of come into yourself. I thought oh I wouldn't be a great song to play for you

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But I just share with my friends listening to the daily source code so I ran over to iTunes

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Looked up sure enough there it was I was able to buy it online and share it with you

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Hopefully doesn't mind lovely hurts with that you baby

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[ Music ]

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Telehotion

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Love really hurts when I hear

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Without you, babe

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Baby-sourced cold Fridays, song of the day

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purchase done iTunes, played for you, one time sharing deal only, of course, does not

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condone doing that in your own podcast. I wish someone would send me a song just like

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this, you know, nice and happy and, you know, a real good Friday feel that was pod save.

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That would, I should talk to CC over at AxonHash and get him to send me a song for the

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day or something. I just, it's was good, you know, when you can play that, Billy Ocean.

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Interesting guy, met him a couple times back in the 80s on the TV shows,

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smart guy too, but I have no idea what he's doing now. What is Billy Ocean up to? He's probably

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producing other people and making tons of money, something like that. So it's actually the sun just

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kind of started to slip away. It's a 430 in the afternoon here at the cottage. I've got my cup of

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Senseo. He laws a real coffee drinkers. So the thing is just doing overtime. You've got the double

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bagger in there. There's a little, uh, there's a little cup that you put your coffee pod in. And if you

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want to sit in more than one cup, then if you want to make more, if you want two cups, they have to

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put two bags in unless, you know, you like really watery coffee. Um, and so you have to put another

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container, they're different, uh, a different cup holder basically for two pods stacked on top of each

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other. So the thing is just, uh, it's working. And, uh, I wonder if there's a, a life span on a machine

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like that. I wonder if it just breaks after a while. It's good, though. I was listening to, uh,

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I should drip some coffee on my pants. I was listening to, uh, yeast radio this morning, uh,

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Madge Weinstein. I'm trying to open up this note in my outline. I'm doing it via VNC, which is

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like a remote screen application. There we go. And, uh, um, there seems to be some confusion, uh,

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he was interviewing Eric Rice, and Eric, uh, was retelling parts of the story about how, uh,

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Dave and I were a Dave Weinstein, and I were confused about, uh, Madge Weinstein. And we talked

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about that on a trade secrets. And for some reason, Laura has become that we didn't know that Madge

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was, I can't speak on, uh, on behalf of Dave, obviously. Um, but the law or somehow has become that

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I didn't know that, um, Madge wasn't a woman. It's like, you know, dudes, duh. No, um, what, what

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had surprised me at the time was that Madge, uh, was actually a character created by someone else.

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I thought, you know, it really was a Jewish transgender, or, uh, gay man, 50 years old,

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living in Chicago. Um, that's what surprised me. Um, and it's interesting because I told Madge,

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uh, that personally, and, uh, she didn't defend me. Damn lesbian, what can you expect?

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I was actually pretty funny is I listened to, uh, most of the podcasts on my set-up here at home

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through the speakers. And they, you know, I said, basically run it from iTunes right off of my

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Mac, and that I run that through my board, and then run actually, I do it a little differently.

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If you don't mind, if, uh, just indulge me for a moment, I'll tell you exactly how it's, I have it set

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up. Um, so I have an older power book on my desk that, uh, is connected to a cinema display.

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And the, this display, the screen of that laptop broke and I just, you know, didn't work out

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from me to send it away, and so I never did, and so I just used it on the external screen.

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It has a kind of noisy fan that's starting to act up a little bit now.

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But essentially, I, uh, that's sitting on the desk, and that is, uh, I don't really run any big

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applications on that. Um, there's three accounts, Christina, and Patricia can log in, because

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this is an eye, an eyesight connected to it, so we use that for video conferencing when any of us are

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on the road or away. Yeah, when Christina's on our world tour, right? And, um, I use this program

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called VNC, which is really cool. It's an open source application. You can get a server for it

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and a client. And the server, you run it any computer that you want to grab the screen and grab

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control of. And of course, you use the client to do, to do that, perform that act. But it works on

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Mac, Windows, uh, Unix, Linux, and on the Mac, it's cool. I haven't installed on most of my Macs.

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I can just, uh, SSH in, uh, and issue a command line VNC, and it'll start up the server,

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which I can kill later for security purposes. Um, and, you know, as a basic, I can control any

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machine on my network that way. And it works on Windows as well, except you have to really have

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a server running in the background. They don't have a easy command line way to do it. I'm not that

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I'm not that I'm aware of at least. Um, uh, so I control, uh, my power book, which really is my,

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my workstation has everything on it. I have the audio out going into the board that comes through

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a channel. The audio in is actually the monitor bus. So that way, if I want, I can send audio to someone

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who's listening to me on Skype, and I can record them at the same time without they're being this

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loop, and, you know, it, uh, basically creating havoc and feedback. Uh, I can route two microphones

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through it, and then I have a, uh, a record out on the compact four mixer that I have. And I run that

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to my M audio fire wire device, and that actually goes right into the old laptop sitting my desktop.

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From there, I use a program called Line In from Rogamiba, um, and I just select the, uh,

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M audio device. And now I can route anything I want to the beautiful Harman card and, uh,

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uh, speakers that are attached to my Mac. So I hope that made sense. Um, when my microphone is

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uh, switching on a little bit. Let me just tighten that up. Oh, uh, here we go.

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Fair, perfect. Um, so, uh, I'm, I listen, I was listening to, uh, to Magic and Eric Banner

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away, and I'm like, I keep, keep looking around. I was like, oh, it's someone's sending me

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to Skype instant message. Like, yeah, but it was actually, uh, coming through from Magic's computer,

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and I tell you, it, it's happened a couple times. I was listening to a podcast where people are

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doing something on Skype and chatting with each other, and I'm looking at, you know, who's

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Skypeing me now. I don't see any windows opening up. That's kind of freaky when, uh, when that happens.

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Uh, let me see. Oh, uh, remember yesterday I was talking about, uh, actually I read the email about the,

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the pilot, uh, who listened to the daily source code at 37,000 feet, and he had this beautiful email

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that he sent, which is, it was, it was virtually poetry. Uh, you got to love this podcasting stuff,

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man. It came back to me today in a little different form.

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It was $16 million worth of airplane strapped to my ass than the next generation radio

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content in my ears. I like to think I'm flying into the future.

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It's Adam Curry.

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Damn, I love that. That should be my new opener. I'm going to use that. That is, so I'm in this

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day one more time. That was $16 million worth of airplane strapped to my ass than the next generation

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radio content in my ears. I like to think I'm flying into the future.

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I'm just kidding. It's Adam Curry.

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Ah, that is so awesome. That is great. Hold on a second. Let me put that up, uh,

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the top of my outline as a part of my opening sequence. Fantastic. Love that. Thank you very

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much. That's cool. That's what's so great about this is, you know, podcasting is one thing,

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but how we are able to, you know, remix and rehash and mash up all the stuff we're doing

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amongst each other is just an amazing amount of creativity. Speaking of which,

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I've talked about Father Roderick, who is the Catholic insider, the Catholic priest from the

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Netherlands who has been doing podcasts and sound seeing tours of the Vatican. He's gotten Vatican

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radio to podcasts. And this guy is a total pioneer. It's great to listen to what he's doing.

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And he has a new, I don't know if it was my, my iPod or what happened, but I guess I hadn't

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caught a few episodes or maybe he just doesn't do him as regularly as he was when when the Pope

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first fell ill. He recorded some beautiful choir in the Vatican. I've just blown away by that

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and the quality is really beautiful. But he also has a feature on this show which tickled me. I'm not

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going to play the whole thing, but just the the imaging of it, the sound staging and the topic

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itself. Last year when I actually, I think I reviewed Dan Brown's Da Vinci code on the source code,

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probably played played a little bit of the audio book, which is the way I quote Reddit and I really

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enjoyed it immensely. I love the voices and yeah, it was just it was a fun listen, totally all in the

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car, of course. And this is a very touchy and very controversial topic and what's taking place

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now is that the church is, the Catholic church has taken to heart mission to debunk some of the

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myths that are portrayed in this book, because and I have to agree with them there, just like the

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Eric Rice story, you know, not Eric Rice story, but the mad story with Da Winner and I, before

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you know, it that becomes like a lore and it's no possibly not true, right? So the new feature here

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on the Catholic insider which I really love check it out. Investigating the Da Vinci code,

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facts and fiction.

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And it's time to look at some of the claims of the Da Vinci code that I mentioned in the

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previous edition of the Da Vinci code investigation. And remember the reason why I think it's

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important to separate fact from fiction is that Da and Brown continuously claims that his book,

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although fictional, is based on historical facts and a lot of Christians and non-fiction believes

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even some of you wrote me that after reading the book they didn't know what to think anymore about their

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faith. The claims in the Da Vinci code go against some of the core beliefs of the Catholic church.

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But is done Brown indeed using historical facts? Let's look at the first three claims.

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Claim number one, the nightstumper existed. This is a fact.

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Claim number two, according to the Da Vinci code English poet Alexander Pope spoke at

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Isaac Newton's funeral. This is incorrect. Pope just wrote the epita that appeared

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on a monument to Newton in West Minster Abbey erected years after his burial.

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So you definitely should listen to that. It's a continuing episodic feature on the Catholic

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insider, Catholic Insider.com. Very, very interesting. Of course it's, you know, just for Father

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Roder to say true or false. It doesn't really give him any more credit than Da and Brown. But he

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has some facts to back it up in some scripture and some writings. But on the end, you know,

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even if Michael Jackson is actually a quitted of all claims he'll be that, you know, child molester.

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That's just kind of the way folk lore goes. Looking into G-Bag, G-Mail,

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um, interesting comments. Hold on, now I'm trying to, I'm trying to open up the comments themselves.

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There we go. Let's see, this was, it's an email about Christina. Oh yeah, from David Banks and

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Hi, listen to your tale of Browning Christina. This is the whole thing about her mouthing off and

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having lack of respect for stuff and other people stuff and I didn't let her go to the good

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Charlotte concert, which she'd been planning for three quarters of a year. She said, like a thank you,

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David says, like the thank you for setting a good parenting example. I've got a 12-year-old boy

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and it's difficult to raise kids nowadays, so many parents seem to feel that they have to be their

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kids best friends instead of being a parent and setting limits. Hard to do throughout the years,

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but it sounds like you are raising a great kid. Hopefully, when she's 20 years social,

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appreciate it. Thank you, David. Banks and thanks David. A great email. Yeah, you know, we don't

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talk about that enough, really, I guess, about parenting. You know, the one thing you learn

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when you're first starting off in computing is read the fucking manual and of course,

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you know, there is no, there is no stank in manual, which makes it that much more interesting.

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Speaking of that concert, a good Charlotte concert that Christina did not get to go to,

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that was at Bricks in Academy. Derek Peters pointed out that there was a shooting at the

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NAS concert at Bricks in the Academy that the day after we were there, she says, yeah, I know

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it was a different show from good Charlotte took place after it, but it might make it a bit

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easier for your daughter to get over not going to Bricks than it can be pretty rough. It has

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pretty amazing gunfire and mid-performance at the NAS concert in Bricks in Academy. It's

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what is the world coming to? The cops don't even have guns hardly in the UK, but NAS's fans do.

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Got a lot of email from people about acid. Yesterday, I sent out a request for explanation.

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Basically, it's a popular looping and music editing software from Sony, says Michael Ridley.

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DJ Danger Mouse used it to produce the now infamous Jay-Z Beatles Grey album,

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but does not have the ability to do what was described. This was Michael who

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excuse me, damn, since so. This is Michael who came up with I think is an ingenious idea to

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send control files out for mashups instead of the mashup themselves so that your computer essentially

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will assemble the mashup because you presumably have the files necessary to create it and then the

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mashup, you just get those control files and your computer, yeah, it basically does all the

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mixing for you, which I think is a great idea. You know, this is somehow I can't get the control buttons

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to work properly on VNC. I'm trying to open up, there we go, trying to open up different nodes

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here in the outliner. Another email, let me see from Michael Oster, in your 321 source code you mentioned,

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wanting to know if others are using the I-river with an external mic, yeah, that I did ask about that,

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because I'm basically using my receiver of the wireless mic set as a kind of a preamp,

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which explains a lot of the great sound. Michael says, I just got the I-river 899, which is best

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by his version. Same as the 7-in, 99, and the same price too. Okay, hooked up a set of stealth microphones,

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which are installed in a common headphones set. I record stereo through an 20 kilobits per second.

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Sound is really nice, especially for sound-seeing tours, completely stealth, and he has a couple of

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links there where you can check that out. Michael Oster, and of course you can read about all that

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in the show notes for today. And then finally, this thing that got a lot of press over here

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in the UK, the day it came out, but then it almost went away overnight. The PSP, the PlayStation

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portable, if you've been hearing about this, this is, it sounds like it's an interesting device,

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because a couple of people sent me a link to information about it. Yunky Dunk, from Gamers Radio

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podcast, sent me some information. I see about the PSP portable video device, perfect for

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00:20:42,280 --> 00:20:46,760
my podcast, he says, because it's designed to be a portable gaming system, but you can also use

193
00:20:46,760 --> 00:20:50,760
it as a portable audio or video player. This will allow for video gamers to listen to the audio

194
00:20:50,760 --> 00:20:55,800
podcast and watch the video podcast between games that are on them when they're on the go. Right.

195
00:20:56,200 --> 00:21:01,400
So we're doing anything but concentrating on being on the go. The PSP releases Thursday the 24th

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00:21:01,400 --> 00:21:06,280
in the US and has been delayed for Europe until the summer. Okay. And he has a couple links in there

197
00:21:06,280 --> 00:21:11,000
as well. So I guess the big question is, can you record with it? Because that's what I'm still

198
00:21:11,000 --> 00:21:15,720
looking for. And I think the I River, I got to tell you the I River really has a lot of machines

199
00:21:15,720 --> 00:21:21,160
beat so far in the MP3 space. I mean, all the recording options they have just fantastic. It can

200
00:21:21,160 --> 00:21:27,080
also record regular FM radio, you know, which there's still a lot of value to that. But yeah,

201
00:21:27,400 --> 00:21:32,120
it's a great device. It is, it truly is a one and all and it's quick. If you just want to

202
00:21:32,120 --> 00:21:35,880
listen to some stuff and you don't want to deal with playlists and just want to jam something onto

203
00:21:35,880 --> 00:21:41,960
it. Boom, you know, it's on and it's basically in a file system so it's easy to understand where you can

204
00:21:41,960 --> 00:21:47,480
find stuff. And there's more information on curry.com. Oh, blatant commercial plug, there's a link

205
00:21:47,480 --> 00:21:52,440
there. I'm an Amazon associate. So if you buy one, I get a little hit from that and it's much appreciated

206
00:21:52,440 --> 00:21:57,080
because it just proves that, you know, we can like make money with podcasting.

207
00:22:05,720 --> 00:22:11,720
Hi, Adam. This is another hit this. I am very fresh for time. So we're going to do it

208
00:22:11,800 --> 00:22:27,000
very quick. Number one. I want to say Scruti Politi and Absolute, but I'm not sure. This is number two.

209
00:22:35,160 --> 00:22:41,000
I know this one. I know this one. Is it sheena eastern? You've got the look?

210
00:22:42,040 --> 00:22:49,080
I think it is. Yeah, I think it's sheena eastern. You've got the look. Pretty sure I got that one.

211
00:22:49,080 --> 00:22:50,600
And the final one. Number three.

212
00:23:01,800 --> 00:23:06,840
Nope. I got a pass on that one. I'm sorry, young. Times up. This is answer number one.

213
00:23:06,920 --> 00:23:15,240
It's senderfold. I'm a trader. Oh, man, senderfold. Another fine Dutch trio.

214
00:23:21,240 --> 00:23:31,720
Okay. It was guys also produced some of Patricia's hits. You can tell it's the same kind of

215
00:23:32,680 --> 00:23:36,520
actually it produced this band after they did Patricia's stuff. Remember,

216
00:23:36,520 --> 00:23:38,920
flysmart for time. We're talking about on the VPP podcast.

217
00:23:38,920 --> 00:23:41,320
Number two. In today's hit test.

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00:23:45,800 --> 00:23:52,200
It's Prince. Who's got the look? Why do I think it was sheena eastern? I know. Damn. I know

219
00:23:52,200 --> 00:23:56,760
the Prince wrote it, but I'm just an idiot. And now I saw like a real

220
00:23:57,720 --> 00:24:02,200
door. Oh, she's sang on it. There you go. She's singing with it. That's it.

221
00:24:04,120 --> 00:24:04,840
Remember?

222
00:24:18,840 --> 00:24:21,480
Prince and who's got the look? Number two in today's hit test.

223
00:24:22,280 --> 00:24:27,320
Oh, no way. Was that for her?

224
00:24:30,920 --> 00:24:36,520
Oh, a tough clue, man. And this is answer number three. For her, say you will.

225
00:24:37,480 --> 00:24:42,680
I can't sleep. I can't dream in a blue blue blue blue hit deal.

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00:24:42,680 --> 00:25:01,560
[ Music ]

227
00:25:01,560 --> 00:25:05,400
You want me again.

228
00:25:05,400 --> 00:25:09,400
The third and final answer in today's hit test, foreigner and say you will.

229
00:25:09,400 --> 00:25:11,400
Well, I really got to go.

230
00:25:11,400 --> 00:25:17,400
So, let me say very quick that you can send your feedback to hittestingmail.com

231
00:25:17,400 --> 00:25:20,400
and the only information about this hittestin hittest podcast

232
00:25:20,400 --> 00:25:24,400
can be found at jompolet.nl, this JNPL80.nl.

233
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Well, Adam, see you in a couple of days for next hit test.

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00:25:28,400 --> 00:25:32,400
I think after the Easter holiday, so see you later, bye-bye.

235
00:25:33,400 --> 00:25:36,400
Thank you very much once again, great songs.

236
00:25:36,400 --> 00:25:40,400
Just like now, I feel like I got to run over to my iTunes music store

237
00:25:40,400 --> 00:25:42,400
and go buy some foreigner tracks.

238
00:25:42,400 --> 00:25:49,400
I'm pretty amazed by the experience I have to say of iTunes music store.

239
00:25:49,400 --> 00:25:51,400
It really is pretty damn cool.

240
00:25:51,400 --> 00:25:53,400
I mean, you can't have better show prep.

241
00:25:53,400 --> 00:25:57,400
It will be so easy for these guys to license it for extra money.

242
00:25:57,400 --> 00:26:00,400
You know, we could totally come up with a fee for that.

243
00:26:00,400 --> 00:26:04,400
You know, just make a podcast button and then, you know, that would be it.

244
00:26:04,400 --> 00:26:07,400
It would be, oh, man, I would love that so much.

245
00:26:07,400 --> 00:26:08,400
Okay.

246
00:26:08,400 --> 00:26:14,400
By the way, Jan, how did a young one over and look at some of the grandmaster view screens

247
00:26:14,400 --> 00:26:17,400
to company have an investment in.

248
00:26:17,400 --> 00:26:19,400
And he was looking for something very specific.

249
00:26:19,400 --> 00:26:21,400
You should let us know how that is, Jan.

250
00:26:21,400 --> 00:26:24,400
Make some commercial noise here for a little bit of my companies.

251
00:26:24,400 --> 00:26:28,400
It's turning into the real commercial show, isn't it? Oh, my goodness.

252
00:26:29,400 --> 00:26:31,400
Aviation talk.

253
00:26:31,400 --> 00:26:33,400
As if we haven't had enough geek stuff.

254
00:26:33,400 --> 00:26:35,400
Now it's aviation stuff.

255
00:26:35,400 --> 00:26:41,400
So the concept of sound seeing tours and aircraft is great.

256
00:26:41,400 --> 00:26:42,400
I love it.

257
00:26:42,400 --> 00:26:44,400
I'd love to hear some other types of aircraft.

258
00:26:44,400 --> 00:26:50,400
If you're pilot, send a send me a link to your podcast where you, you're in the cockpit.

259
00:26:50,400 --> 00:26:52,400
I used to love that by the way.

260
00:26:52,400 --> 00:26:54,400
I think it's Delta United Airlines.

261
00:26:54,400 --> 00:26:57,400
I used to have Channel 7 from the flight deck.

262
00:26:57,400 --> 00:27:02,400
And unless the captain turned it off, which some of them did by the way,

263
00:27:02,400 --> 00:27:04,400
you could essentially listen in.

264
00:27:04,400 --> 00:27:09,400
And I remember one time being at Newark, flight to San Francisco.

265
00:27:09,400 --> 00:27:11,400
And it was one of those days when Newark was backed up.

266
00:27:11,400 --> 00:27:12,400
Three hour delays.

267
00:27:12,400 --> 00:27:14,400
Finally got on the plane.

268
00:27:14,400 --> 00:27:18,400
And you know, as a taxi was just, well, that knows the tail literally.

269
00:27:18,400 --> 00:27:23,400
So at least another hour just getting out to the taxiway to get to a runway.

270
00:27:23,400 --> 00:27:27,400
And I was listening to the cockpit and the tower was, you know,

271
00:27:27,400 --> 00:27:32,400
well, ground actually ground control was actually going pretty bizarre.

272
00:27:32,400 --> 00:27:35,400
Just trying to figure out who was who, and I remember saying, like,

273
00:27:35,400 --> 00:27:37,400
United 65.

274
00:27:37,400 --> 00:27:38,400
He just flash your lights.

275
00:27:38,400 --> 00:27:40,400
So I can see if that's you.

276
00:27:40,400 --> 00:27:42,400
And that was my first clue as before.

277
00:27:42,400 --> 00:27:43,400
I was a pilot.

278
00:27:43,400 --> 00:27:48,400
My first clue that not everything is as controlled as you'd want it to be in aviation.

279
00:27:48,400 --> 00:27:52,400
But you know, it's a lot of really hardworking people who don't get paid a lot of money

280
00:27:52,400 --> 00:27:59,400
by the way, pilots or other staff, other aviation workers.

281
00:27:59,400 --> 00:28:01,400
There's not a lot of money in it.

282
00:28:01,400 --> 00:28:03,400
Some people make a lot of money from it.

283
00:28:03,400 --> 00:28:05,400
But in it it's very hard.

284
00:28:05,400 --> 00:28:12,400
You may not think that often about what goes on in the control tower.

285
00:28:12,400 --> 00:28:14,400
But there's a lot happening there as well.

286
00:28:14,400 --> 00:28:17,400
It's, you know, it's been very glorified by television.

287
00:28:17,400 --> 00:28:18,400
But, you know, there's a lot to be done.

288
00:28:18,400 --> 00:28:20,400
You know, there's weather updates.

289
00:28:20,400 --> 00:28:24,400
There's basically making sure planes don't bump into each other on their approach, helping them out,

290
00:28:24,400 --> 00:28:26,400
helping them in, making sure they see the airfield.

291
00:28:26,400 --> 00:28:31,400
I mean, it's a lot less automatic than you think it is, or then you've been led to believe that it may be.

292
00:28:31,400 --> 00:28:36,400
I mean, there's people, very skilled people who do this, who transport you from one place to the other.

293
00:28:36,400 --> 00:28:40,400
And after the aviation podcast in the past couple of days,

294
00:28:40,400 --> 00:28:45,400
Misha Masjar, I hope, pronounced that kind of close, who has Misha's minute podcast,

295
00:28:45,400 --> 00:28:47,400
sent in his most recent one.

296
00:28:47,400 --> 00:28:49,400
And it was just enthralling.

297
00:28:49,400 --> 00:28:51,400
I couldn't stop listening to this.

298
00:28:51,400 --> 00:28:54,400
This is the Mike has been a podcast for March 20th, 2005.

299
00:28:54,400 --> 00:28:55,400
5 star 122.

300
00:28:55,400 --> 00:28:57,400
Congratulations, visual approach from way 25.

301
00:28:57,400 --> 00:28:59,400
Clear to land runway 25 remain this frequency.

302
00:28:59,400 --> 00:29:03,400
1, 2, 9, or 0, at 9, or 0, at 9, or 0.

303
00:29:15,400 --> 00:29:19,400
How's everybody doing this evening?

304
00:29:19,400 --> 00:29:23,400
This is the tower admission of the Mike's minute podcast.

305
00:29:23,400 --> 00:29:27,400
And right now, we're looking everything compliant over the tower.

306
00:29:27,400 --> 00:29:29,400
Right hour tower, everything.

307
00:29:29,400 --> 00:29:33,400
One person showed the student, which is our standard practice on Friday Saturday.

308
00:29:33,400 --> 00:29:35,400
We're going to be a gigare.

309
00:29:35,400 --> 00:29:39,400
I've been for 4,55 here at Charlie's, that you want 11,000.

310
00:29:39,400 --> 00:29:41,400
Here are 45 five stars.

311
00:29:41,400 --> 00:29:43,400
Charlie Toledo, approach out, 103, 0, 11,

312
00:29:43,400 --> 00:29:44,400
103,000.

313
00:29:44,400 --> 00:29:46,400
Expect the visual approach runway 25.

314
00:29:46,400 --> 00:29:48,400
3,000 is 25.

315
00:29:48,400 --> 00:29:53,400
So the frightening thing is actually understand exactly what he's saying there.

316
00:29:53,400 --> 00:29:54,400
But it's great.

317
00:29:54,400 --> 00:29:58,400
And in between talking to different aircraft as they're on their approach and he's helping

318
00:29:58,400 --> 00:30:03,400
him get into the airfield, helping the metacopter get out and assisting them with the in flight

319
00:30:03,400 --> 00:30:06,400
change of flight plan.

320
00:30:06,400 --> 00:30:08,400
He's doing the podcast.

321
00:30:08,400 --> 00:30:10,400
It's amazing to listen to this.

322
00:30:10,400 --> 00:30:12,400
Even if you're not interested in aviation,

323
00:30:13,400 --> 00:30:14,400
it's good to know how that works.

324
00:30:14,400 --> 00:30:16,400
It's funny because at a certain point,

325
00:30:16,400 --> 00:30:18,400
I don't have it cut up.

326
00:30:18,400 --> 00:30:21,400
There's an American eagle flight that's coming in.

327
00:30:21,400 --> 00:30:23,400
And this is, so this is how you'll love this.

328
00:30:23,400 --> 00:30:25,400
The American eagle flight says,

329
00:30:25,400 --> 00:30:28,400
you know, hey, we didn't really burn off all of our taxi fuel,

330
00:30:28,400 --> 00:30:29,400
wherever they're left from.

331
00:30:29,400 --> 00:30:31,400
Because this is all calculated right down to the gallon.

332
00:30:31,400 --> 00:30:33,400
You know, they know or pounders, they say.

333
00:30:33,400 --> 00:30:37,400
They know exactly how much fuel they need for each flight.

334
00:30:37,400 --> 00:30:40,400
Because if you know, the more fuel you have, the heavier you're going to be.

335
00:30:40,400 --> 00:30:42,400
The less efficient you're going to be flying.

336
00:30:42,400 --> 00:30:43,400
I mean, this is all.

337
00:30:43,400 --> 00:30:45,400
Aviation is a total spreadsheet business.

338
00:30:45,400 --> 00:30:47,400
So I guess they didn't, you know,

339
00:30:47,400 --> 00:30:50,400
they overestimated the amount of taxing fuel.

340
00:30:50,400 --> 00:30:54,400
The fuel they need for taxing at their departure airport and whatever they need at the,

341
00:30:54,400 --> 00:30:56,400
at the airport of arrival.

342
00:30:56,400 --> 00:30:58,400
And so the pilot says,

343
00:30:58,400 --> 00:30:59,400
you know,

344
00:30:59,400 --> 00:31:01,400
we didn't burn off all our fuel.

345
00:31:01,400 --> 00:31:03,400
So could you give us a, like a long final,

346
00:31:03,400 --> 00:31:06,400
which basically means instead of coming to the airfield,

347
00:31:06,400 --> 00:31:07,400
you know, hang in a, a right,

348
00:31:08,400 --> 00:31:10,400
in this case, a right turn,

349
00:31:10,400 --> 00:31:12,400
and then another right to land.

350
00:31:12,400 --> 00:31:15,400
He would get it like a 10 or a 15 mile final.

351
00:31:15,400 --> 00:31:16,400
So you'll be all the way out, 10,

352
00:31:16,400 --> 00:31:17,400
15 miles,

353
00:31:17,400 --> 00:31:21,400
and then you can just burn off some excess fuel straight into the airport.

354
00:31:21,400 --> 00:31:23,400
It's funny, you know,

355
00:31:23,400 --> 00:31:28,400
they could have also opted to have given everybody a little refund on the way out, I guess, but.

356
00:31:28,400 --> 00:31:31,400
And that also, by the way,

357
00:31:31,400 --> 00:31:36,400
is not just for the purposes of finances,

358
00:31:36,400 --> 00:31:38,400
but I think actually in this case,

359
00:31:38,400 --> 00:31:42,400
they were pretty much up to their maximum weight.

360
00:31:42,400 --> 00:31:43,400
So, you know,

361
00:31:43,400 --> 00:31:45,400
when you load passengers on and baggage,

362
00:31:45,400 --> 00:31:46,400
and then you've got your,

363
00:31:46,400 --> 00:31:47,400
your fuel,

364
00:31:47,400 --> 00:31:48,400
no, that way is something.

365
00:31:48,400 --> 00:31:51,400
And you expect that to diminish after X amount of time.

366
00:31:51,400 --> 00:31:53,400
And they were very close to the maximum landing weight.

367
00:31:53,400 --> 00:31:55,400
Probably for the length of the field,

368
00:31:55,400 --> 00:31:56,400
they were landing at.

369
00:31:56,400 --> 00:31:57,400
So just to burn off a little of that,

370
00:31:57,400 --> 00:31:59,400
we'll give them a little more margin,

371
00:31:59,400 --> 00:32:01,400
a little more safety margin there.

372
00:32:01,400 --> 00:32:02,400
So that's really what that was about,

373
00:32:02,400 --> 00:32:05,400
but it's just funny to hear how all that works.

374
00:32:05,400 --> 00:32:06,400
This is the daily source code,

375
00:32:06,400 --> 00:32:09,400
in case you'd forgotten and tuned out and came back.

376
00:32:09,400 --> 00:32:10,400
And of course, you had to start

377
00:32:10,400 --> 00:32:11,400
all over again at the beginning,

378
00:32:11,400 --> 00:32:13,400
because the iPod won't bookmark anything,

379
00:32:13,400 --> 00:32:15,400
and MP3 files are hard to bookmark.

380
00:32:15,400 --> 00:32:16,400
Except, by the way,

381
00:32:16,400 --> 00:32:18,400
did I tell you that on the creative labs,

382
00:32:18,400 --> 00:32:21,400
the one I got it in Redmond,

383
00:32:21,400 --> 00:32:22,400
it bookmarks.

384
00:32:22,400 --> 00:32:25,400
You can actually bookmark an MP3 file, which is very cool.

385
00:32:25,400 --> 00:32:26,400
And here's Pete,

386
00:32:26,400 --> 00:32:28,400
our buddy, Raster Web,

387
00:32:28,400 --> 00:32:31,400
the more sound sings the web audio,

388
00:32:31,400 --> 00:32:35,400
more of 2005, low 3, 23.

389
00:32:35,400 --> 00:32:38,400
Well, if you heard our last podcast,

390
00:32:38,400 --> 00:32:41,400
we did a, we tried to do a mobile podcast.

391
00:32:41,400 --> 00:32:43,400
I don't know how it worked.

392
00:32:43,400 --> 00:32:44,400
You know, what it was, it's retarded.

393
00:32:44,400 --> 00:32:46,400
I had to kind of yell,

394
00:32:46,400 --> 00:32:49,400
because I don't have a portal recording device,

395
00:32:49,400 --> 00:32:52,400
but I've got some new equipment today.

396
00:32:52,400 --> 00:32:54,400
And I think this will actually work a little better.

397
00:32:54,400 --> 00:32:55,400
Check out Pete's equipment.

398
00:32:55,400 --> 00:32:57,400
I'm going to start right now.

399
00:32:57,400 --> 00:32:58,400
I'm going to have to run,

400
00:32:58,400 --> 00:33:00,400
because I don't have a lot of time.

401
00:33:00,400 --> 00:33:01,400
Okay.

402
00:33:01,400 --> 00:33:02,400
We're running upstairs.

403
00:33:02,400 --> 00:33:03,400
One, one second.

404
00:33:03,400 --> 00:33:04,400
Let's go.

405
00:33:04,400 --> 00:33:05,400
Let's go.

406
00:33:05,400 --> 00:33:06,400
Okay.

407
00:33:06,400 --> 00:33:07,400
We heard that last time.

408
00:33:07,400 --> 00:33:08,400
Here's the dining room.

409
00:33:08,400 --> 00:33:10,400
Where we got four chairs and stuff.

410
00:33:10,400 --> 00:33:11,400
We have a,

411
00:33:11,400 --> 00:33:12,400
sorry about that.

412
00:33:12,400 --> 00:33:13,400
I like going.

413
00:33:13,400 --> 00:33:15,400
We have a front door here.

414
00:33:15,400 --> 00:33:16,400
I'm going to close the door.

415
00:33:16,400 --> 00:33:18,400
You can also hear what that sounds like.

416
00:33:18,400 --> 00:33:20,400
We go over here.

417
00:33:20,400 --> 00:33:21,400
There's the living room.

418
00:33:21,400 --> 00:33:23,400
Then the television here.

419
00:33:23,400 --> 00:33:24,400
Turn it on.

420
00:33:24,400 --> 00:33:25,400
Let's do it over here.

421
00:33:25,400 --> 00:33:26,400
Next slide's turn that off.

422
00:33:26,400 --> 00:33:29,400
We'll probably get, probably get soon by the,

423
00:33:29,400 --> 00:33:30,400
I hear some of that.

424
00:33:30,400 --> 00:33:31,400
The more stuff.

425
00:33:31,400 --> 00:33:35,400
And there's a door right here.

426
00:33:35,400 --> 00:33:36,400
I can hear it.

427
00:33:36,400 --> 00:33:37,400
Turn it on.

428
00:33:37,400 --> 00:33:38,400
Close the door.

429
00:33:38,400 --> 00:33:39,400
It's another bathroom.

430
00:33:39,400 --> 00:33:40,400
Water.

431
00:33:40,400 --> 00:33:42,400
We got water in this bathroom.

432
00:33:42,400 --> 00:33:44,400
We got running water in the house.

433
00:33:44,400 --> 00:33:45,400
Still, so that's pretty good.

434
00:33:45,400 --> 00:33:46,400
Come on in.

435
00:33:46,400 --> 00:33:49,400
And, you know, the bedroom.

436
00:33:49,400 --> 00:33:51,400
Where all the action happens.

437
00:33:51,400 --> 00:33:53,400
My action there for you.

438
00:33:53,400 --> 00:33:55,400
We're actually, mostly overnight.

439
00:33:55,400 --> 00:33:58,400
So, sorry, let's go to the bottom again.

440
00:33:58,400 --> 00:33:59,400
That's about it.

441
00:33:59,400 --> 00:34:01,400
That's the rest of me.

442
00:34:01,400 --> 00:34:03,400
Don't sing normally, simply.

443
00:34:03,400 --> 00:34:06,400
And back in the dying room.

444
00:34:06,400 --> 00:34:07,400
There's, oh no.

445
00:34:07,400 --> 00:34:09,400
There's, there's basically a turn.

446
00:34:09,400 --> 00:34:11,400
Looks like we've got a broken string though.

447
00:34:11,400 --> 00:34:12,400
That really sucks.

448
00:34:12,400 --> 00:34:13,400
Okay.

449
00:34:13,400 --> 00:34:14,400
Well, hold on.

450
00:34:14,400 --> 00:34:16,400
And we're going back down to the basement.

451
00:34:16,400 --> 00:34:17,400
Here we go.

452
00:34:17,400 --> 00:34:18,400
Okay.

453
00:34:18,400 --> 00:34:20,400
I almost fell down the steps.

454
00:34:20,400 --> 00:34:21,400
But it's okay.

455
00:34:21,400 --> 00:34:27,400
And that concludes this sound saying tour.

456
00:34:27,400 --> 00:34:28,400
Thank you.

457
00:34:28,400 --> 00:34:29,400
And good night.

458
00:34:29,400 --> 00:34:32,400
Figure dick.

459
00:34:32,400 --> 00:34:40,400
But even, you know, it kind of backfires because even though it was done to the walkie-talkie,

460
00:34:40,400 --> 00:34:42,400
I still immediately had a visual of your house.

461
00:34:42,400 --> 00:34:46,400
You know, it was probably a combination of houses I've lived in or been in.

462
00:34:46,400 --> 00:34:47,400
But I had a total visual.

463
00:34:47,400 --> 00:34:49,400
You know, it's just, it's crazy.

464
00:34:49,400 --> 00:34:53,400
It doesn't, the quality doesn't even matter all that much turns out.

465
00:34:53,400 --> 00:34:55,400
You kind of get used to it too.

466
00:34:55,400 --> 00:34:58,400
It's like you get used to AM radio after a while.

467
00:34:58,400 --> 00:35:02,400
My favorite girls, the list of views, biddies have been doing the bitty cast for a while.

468
00:35:02,400 --> 00:35:03,400
It's great.

469
00:35:03,400 --> 00:35:04,400
Like 15 minutes.

470
00:35:04,400 --> 00:35:05,400
They're on the road.

471
00:35:05,400 --> 00:35:11,400
They're all in four chicks with instruments in a hotel room.

472
00:35:11,400 --> 00:35:15,400
And it's at bittycast.com as we can pick up the podcast.

473
00:35:15,400 --> 00:35:20,400
Bittiesforever.com is their website and web logging where you can buy their CD.

474
00:35:20,400 --> 00:35:21,400
Great music.

475
00:35:21,400 --> 00:35:28,400
And of course, if you do a podcast and you're, and it's about a group about what you go through in a band.

476
00:35:28,400 --> 00:35:33,400
And life on the road and life at home and life studying and life working to make ends meet.

477
00:35:33,400 --> 00:35:37,400
And life about podcasting while doing all this in a podcast thing.

478
00:35:37,400 --> 00:35:40,400
You know, you got to do your own theme song, you know?

479
00:35:40,400 --> 00:35:45,400
But I'm written in the IQ who just can't say the name.

480
00:35:45,400 --> 00:35:51,400
But believe me, it won't matter to you when you've learned to play the game.

481
00:35:51,400 --> 00:35:55,400
Sitting and snapping or singing along.

482
00:35:55,400 --> 00:35:59,400
Favorite bitty or favorite song as long as you like it.

483
00:35:59,400 --> 00:36:01,400
It's okay with us.

484
00:36:01,400 --> 00:36:04,400
And if you don't like it, get back on the bus.

485
00:36:04,400 --> 00:36:09,400
And if you stay put, then your loss will be us.

486
00:36:09,400 --> 00:36:20,400
We can only pray.

487
00:36:20,400 --> 00:36:23,400
Man, I love those girls.

488
00:36:23,400 --> 00:36:27,400
The CBS bitties check out the bitty cast for sure.

489
00:36:27,400 --> 00:36:29,400
Another great episode to listen to.

490
00:36:29,400 --> 00:36:30,400
Let's see, what are we doing for now?

491
00:36:30,400 --> 00:36:32,400
We're doing for time.

492
00:36:32,400 --> 00:36:34,400
Let me just check the trusty eye river.

493
00:36:34,400 --> 00:36:38,400
Beautiful 36 minutes just time for a final match for the day.

494
00:36:38,400 --> 00:36:40,400
Jimphew sent this in.

495
00:36:40,400 --> 00:36:43,400
He says, hi, excuse this direct approach.

496
00:36:43,400 --> 00:36:45,400
Couple of guys that get your bootleg on.

497
00:36:45,400 --> 00:36:49,400
Said it might be an idea to send you links to tunes because you do a very popular podcast.

498
00:36:49,400 --> 00:36:53,400
We're piled shirt here.

499
00:36:53,400 --> 00:36:54,400
What does that mean?

500
00:36:54,400 --> 00:36:56,400
We're piled shirt, piled shirt.

501
00:36:56,400 --> 00:36:57,400
There you go.

502
00:36:57,400 --> 00:37:00,400
Here's our take on Ravelle's Bollero classic.

503
00:37:00,400 --> 00:37:05,400
And the clapping song with Ursula 1000 in the engine room.

504
00:37:06,400 --> 00:37:08,400
All right, trying to get up.

505
00:37:09,400 --> 00:37:10,400
Get those here, bud.

506
00:37:10,400 --> 00:37:12,400
Pump the never body.

507
00:37:12,400 --> 00:37:14,400
Clap the roll.

508
00:37:35,400 --> 00:37:36,400
Clap.

509
00:37:36,400 --> 00:37:37,400
Clap.

510
00:37:37,400 --> 00:37:38,400
Clap.

511
00:37:38,400 --> 00:37:39,400
Clap.

512
00:37:39,400 --> 00:37:40,400
Clap.

513
00:37:40,400 --> 00:37:41,400
Clap.

514
00:37:41,400 --> 00:37:42,400
Clap.

515
00:37:42,400 --> 00:37:43,400
Clap.

516
00:37:43,400 --> 00:37:44,400
Clap.

517
00:37:44,400 --> 00:37:45,400
Clap.

518
00:37:45,400 --> 00:37:46,400
Clap.

519
00:37:46,400 --> 00:37:47,400
Clap.

520
00:37:47,400 --> 00:37:48,400
Clap.

521
00:37:48,400 --> 00:37:49,400
Clap.

522
00:37:49,400 --> 00:37:50,400
Clap.

523
00:37:50,400 --> 00:37:51,400
Clap.

524
00:37:51,400 --> 00:37:52,400
Clap.

525
00:37:52,400 --> 00:37:53,400
Clap.

526
00:37:53,400 --> 00:37:54,400
Clap.

527
00:37:54,400 --> 00:37:55,400
Clap.

528
00:37:55,400 --> 00:37:56,400
Clap.

529
00:37:56,400 --> 00:37:57,400
Clap.

530
00:37:57,400 --> 00:37:58,400
Clap.

531
00:37:58,400 --> 00:37:59,400
Clap.

532
00:37:59,400 --> 00:38:00,400
Clap.

533
00:38:00,400 --> 00:38:01,400
Clap.

534
00:38:01,400 --> 00:38:02,400
Clap.

535
00:38:02,400 --> 00:39:02,400
[ Music ]

536
00:39:02,400 --> 00:39:08,400
I was so drunk, I'm not sure you can find me, I'll rob that guy

537
00:39:08,400 --> 00:39:13,400
I was the freaking end of it all.

538
00:39:13,400 --> 00:39:15,400
Oh man, what a bummer.

539
00:39:15,400 --> 00:39:16,400
Didn't quite get the whole thing.

540
00:39:16,400 --> 00:39:18,400
I don't want to be in this.

541
00:39:18,400 --> 00:39:19,400
Oh, it's all in the world.

542
00:39:19,400 --> 00:39:21,400
Kind of anti-climactic there.

543
00:39:21,400 --> 00:39:22,400
All right.

544
00:39:22,400 --> 00:39:24,400
That's it for your daily source code for Friday,

545
00:39:24,400 --> 00:39:26,400
the 25th of March 2005.

546
00:39:26,400 --> 00:39:28,400
One more day tomorrow we're at home.

547
00:39:28,400 --> 00:39:31,400
Helping the emulsives figure out the navigator at the car

548
00:39:31,400 --> 00:39:33,400
so they can get the supermarket.

549
00:39:33,400 --> 00:39:37,400
And then Sunday, we're off a vacation to the lovely South Beach, Florida.

550
00:39:38,400 --> 00:39:41,400
The power of the door is close.

551
00:39:41,400 --> 00:39:42,400
Can't wait.

552
00:39:42,400 --> 00:39:45,400
Sunshine, pool, beach.

553
00:39:47,400 --> 00:39:49,400
And my podcast.

554
00:39:49,400 --> 00:39:50,400
F.E.3 player.

555
00:39:50,400 --> 00:39:52,400
We got the sound scene here all night.

556
00:39:52,400 --> 00:39:53,400
You know what?

557
00:39:53,400 --> 00:39:54,400
I'm going to go golfing.

558
00:39:54,400 --> 00:39:55,400
When does somebody can whack them?

559
00:39:55,400 --> 00:39:57,400
Figure out how to freaking golf.

560
00:39:59,400 --> 00:40:01,400
That's the sound scene to what we could do together.

561
00:40:01,400 --> 00:40:02,400
All right.

562
00:40:02,400 --> 00:40:03,400
Comments item of curry.com.

563
00:40:03,400 --> 00:40:06,400
We've become it on the weblog www.curry.com.

564
00:40:07,400 --> 00:40:08,400
Let me source code.com.

565
00:40:08,400 --> 00:40:10,400
We can pick up the archives, the latest show,

566
00:40:10,400 --> 00:40:11,400
and the podcast feed.

567
00:40:11,400 --> 00:40:14,400
I'll see you on Monday for sure.

568
00:40:14,400 --> 00:40:15,400
Everybody take care.

569
00:40:15,400 --> 00:40:16,400
Bye-bye.
