1 00:00:00,000 --> 00:00:06,000 Daily source code, Friday April 8th, 2005. 2 00:00:06,000 --> 00:00:07,000 You're DJ! 3 00:00:07,000 --> 00:00:08,000 Are you done? 4 00:00:08,000 --> 00:00:09,000 That's right! 5 00:00:09,000 --> 00:00:12,000 Your DJ has own pages. 6 00:00:12,000 --> 00:00:16,000 It was $16 million worth of airplane strapped to my ass. 7 00:00:16,000 --> 00:00:20,000 There's been the next generation radio content in my ears. 8 00:00:20,000 --> 00:00:21,000 You don't need us. 9 00:00:21,000 --> 00:00:22,000 It can kill me. 10 00:00:22,000 --> 00:00:25,000 I like to think I'm sighing into this jerk. 11 00:00:25,000 --> 00:00:27,000 Fantastic kiss. 12 00:00:28,000 --> 00:00:29,000 Hey everybody, how you doing? 13 00:00:29,000 --> 00:00:32,000 This is the Daily source code for Friday. 14 00:00:35,000 --> 00:00:36,000 Oh yeah. 15 00:00:36,000 --> 00:00:40,000 Okay, this is a test of the cast blaster. 16 00:00:40,000 --> 00:00:43,000 We're up to date at number four right now. 17 00:00:43,000 --> 00:00:47,000 And a little bit late to unrecording the podcast today. 18 00:00:47,000 --> 00:00:52,000 I've been working with the developers on getting all this stuff working and rocking. 19 00:00:53,000 --> 00:00:57,000 So yeah, I'm still, I figured out how to do the auto function. 20 00:00:57,000 --> 00:00:59,000 Oh, it's kind of interesting. 21 00:00:59,000 --> 00:01:02,000 Which means it's taking care of all the levels for me. 22 00:01:02,000 --> 00:01:03,000 And it's actually sounding pretty good. 23 00:01:03,000 --> 00:01:06,000 Let me just lower the mic a little bit there. 24 00:01:06,000 --> 00:01:08,000 So we have a better mix. 25 00:01:08,000 --> 00:01:09,000 Let me see. 26 00:01:09,000 --> 00:01:10,000 Is this what we want? 27 00:01:10,000 --> 00:01:11,000 Okay. 28 00:01:11,000 --> 00:01:12,000 Oh, Matt. 29 00:01:12,000 --> 00:01:15,000 This is making my life a lot easier. 30 00:01:15,000 --> 00:01:19,000 So it's April 8th, I thought, I hope I said 2005. 31 00:01:19,000 --> 00:01:20,000 I don't know. 32 00:01:20,000 --> 00:01:22,000 Let me just demonstrate my jingles here. 33 00:01:22,000 --> 00:01:23,000 Hold on. 34 00:01:23,000 --> 00:01:25,000 We should do it like this. 35 00:01:25,000 --> 00:01:26,000 Hold on. 36 00:01:26,000 --> 00:01:27,000 There we go. 37 00:01:27,000 --> 00:01:29,000 So I pressed the talk button right now. 38 00:01:29,000 --> 00:01:35,000 Wow, it actually works. 39 00:01:35,000 --> 00:01:39,000 The software is actually taking care of the mixing for me. 40 00:01:39,000 --> 00:01:43,000 What I've done is I have hooked up my regular microphone. 41 00:01:43,000 --> 00:01:48,000 And I believe it's the sound is pretty much where it should be right now. 42 00:01:49,000 --> 00:01:51,000 I've got a great story to tell about this. 43 00:01:51,000 --> 00:01:54,000 So you know, I have the tablet, which I'm recording this on. 44 00:01:54,000 --> 00:01:57,000 It's the only PC I actually own and control. 45 00:01:57,000 --> 00:02:02,000 The only other PC in the house is, well, not own, but controlled by Christina. 46 00:02:02,000 --> 00:02:07,000 You know, you know how that goes, right? 47 00:02:07,000 --> 00:02:12,000 She basically doesn't want me messing around with her shit. 48 00:02:12,000 --> 00:02:14,000 So on the laptop. 49 00:02:15,000 --> 00:02:17,000 Oh, my second one here. 50 00:02:17,000 --> 00:02:18,000 There we go. 51 00:02:18,000 --> 00:02:20,000 On the laptop. 52 00:02:20,000 --> 00:02:22,000 There is only a microphone in. 53 00:02:22,000 --> 00:02:27,000 And yesterday a lot of people commented on the sound on the quality of the sound. 54 00:02:27,000 --> 00:02:32,000 And I said, well, you know, the software doesn't sound too good because your microphone 55 00:02:32,000 --> 00:02:33,000 sounds are muffled. 56 00:02:33,000 --> 00:02:36,000 Again, I wasn't using my regular setup. 57 00:02:36,000 --> 00:02:41,000 What I was using yesterday was an altec lancing, which I don't really think they're known 58 00:02:41,000 --> 00:02:44,000 for, like, banging all of some quality. 59 00:02:44,000 --> 00:02:48,000 It's just one of those, like, you know, kind of like an airplane or helicopter pilot head 60 00:02:48,000 --> 00:02:49,000 sets. 61 00:02:49,000 --> 00:02:56,000 We got the headphones on and there's a little mic that sits in front of your mouth. 62 00:02:56,000 --> 00:02:59,000 Now, that, of course, is the entire reason why it didn't sound as good. 63 00:02:59,000 --> 00:03:02,000 Although I have to say, even for that microphone, it didn't sound too bad at all. 64 00:03:02,000 --> 00:03:05,000 But I really do like the processing of my own mic. 65 00:03:05,000 --> 00:03:07,000 Actually, I want to hang up there with me one second. 66 00:03:07,000 --> 00:03:09,000 I just, what I'd like to do is put on different set of headphones. 67 00:03:09,000 --> 00:03:13,000 I've got the ear buds in here and it sounds like one of them is malfunctioning. 68 00:03:13,000 --> 00:03:14,000 Hold on. 69 00:03:14,000 --> 00:03:18,000 I mean, just walk over to the other side of the studio. 70 00:03:18,000 --> 00:03:19,000 Okay. 71 00:03:19,000 --> 00:03:21,000 So, here's the altec lancing. 72 00:03:21,000 --> 00:03:22,000 Hold on. 73 00:03:22,000 --> 00:03:26,000 I'm just going to plug this in as a headset and see if that sounds any better for me. 74 00:03:26,000 --> 00:03:27,000 Hold on. 75 00:03:27,000 --> 00:03:28,000 Hope we don't get any feedback. 76 00:03:31,000 --> 00:03:32,000 Okay. 77 00:03:32,000 --> 00:03:33,000 Oh, yeah. 78 00:03:33,000 --> 00:03:34,000 Oh, this sounds much better. 79 00:03:34,000 --> 00:03:35,000 Oh, nice. 80 00:03:35,000 --> 00:03:36,000 Okay. 81 00:03:36,000 --> 00:03:39,000 So, you can hear that now, my echo chamber is working. 82 00:03:39,000 --> 00:03:41,000 I've got the compression on the microphone. 83 00:03:41,000 --> 00:03:44,000 I'm not wearing my glasses right now, so it's kind of hard to see. 84 00:03:44,000 --> 00:03:46,000 If it's, is that working? 85 00:03:46,000 --> 00:03:47,000 One, two, one, two. 86 00:03:47,000 --> 00:03:48,000 Yeah. 87 00:03:48,000 --> 00:03:49,000 Sounds pretty good. 88 00:03:49,000 --> 00:03:50,000 Okay. 89 00:03:50,000 --> 00:03:54,000 So, on the laptop, you only have a microphone. 90 00:03:54,000 --> 00:03:55,000 Okay. 91 00:03:55,000 --> 00:03:56,000 Okay. 92 00:03:56,000 --> 00:03:58,000 So, on the laptop, you only have a microphone. 93 00:03:58,000 --> 00:03:59,000 Okay. 94 00:03:59,000 --> 00:04:03,000 So, on the laptop, you only have a microphone. 95 00:04:03,000 --> 00:04:07,000 And on the laptop, you only have a microphone in. 96 00:04:07,000 --> 00:04:12,000 And I tried just putting my, the output of my mixer, which has all the processing of my microphone. 97 00:04:12,000 --> 00:04:15,000 Just so I could use my current microphone. 98 00:04:15,000 --> 00:04:20,000 And of course, these types of mics, the sure SMSM7 that I'm using, 99 00:04:20,000 --> 00:04:27,000 doesn't have a, you know, won't output a signal that you can put into a, into a mic per say. 100 00:04:27,000 --> 00:04:30,000 It's all kind of mismatch between 101 00:04:30,000 --> 00:04:37,000 the prosumer gear that is windows and the professional stuff that, that is my, that is my studio here. 102 00:04:37,000 --> 00:04:43,000 So, I needed to come up with a way to weaken the signal coming out of the mixer to put it into, 103 00:04:43,000 --> 00:04:46,000 what's it, what we call a line output. 104 00:04:46,000 --> 00:04:48,000 Oh, excuse me, I just ate dinner. 105 00:04:48,000 --> 00:04:50,000 Sound like mad. 106 00:04:50,000 --> 00:04:52,000 I'm bloated. 107 00:04:52,000 --> 00:04:56,000 A way to weaken that signal, so it wouldn't overdrive the mic input, 108 00:04:56,000 --> 00:05:01,000 because basically a mic input is a very sensitive, you know, 109 00:05:01,000 --> 00:05:06,000 a very sensitive input to take any kind of microphone and just amplify that. 110 00:05:06,000 --> 00:05:09,000 So you can use it, which, of course, works great with the LTCH Lansing. 111 00:05:09,000 --> 00:05:15,000 But when you, when you put a line signal into the mic jack, it completely overmodulates it. 112 00:05:15,000 --> 00:05:19,000 And then you can, you can, you can turn down the recording to almost like just a, 113 00:05:19,000 --> 00:05:21,000 it's open just a hair. 114 00:05:21,000 --> 00:05:25,000 So it doesn't overmodulate, but then because you kind of like trying to squeeze all this sound, 115 00:05:25,000 --> 00:05:28,000 the input into this, into something it doesn't, you know, 116 00:05:28,000 --> 00:05:31,000 it's the wrong stick in the wrong hole, basically, folks. 117 00:05:31,000 --> 00:05:33,000 I needed to weaken that. 118 00:05:33,000 --> 00:05:36,000 Now, we went on vacation. 119 00:05:36,000 --> 00:05:40,000 And while we were on vacation, my in-laws came to stay. 120 00:05:40,000 --> 00:05:41,000 I think I mentioned that. 121 00:05:41,000 --> 00:05:45,000 They stayed here to take care of the animals, take care of the house. 122 00:05:45,000 --> 00:05:47,000 And you got to know my father-in-law. 123 00:05:47,000 --> 00:05:51,000 First of all, one of the most talented people I know, hands down, 124 00:05:51,000 --> 00:05:56,000 not just as a musician, he can write entire scores for, you know, 125 00:05:56,000 --> 00:05:58,000 24 piece orchestra, just in his head. 126 00:05:58,000 --> 00:05:59,000 And he writes that down by hand. 127 00:05:59,000 --> 00:06:01,000 I mean, that's an amazing talent. 128 00:06:01,000 --> 00:06:04,000 I mean, that's, you know, that's virtuos, essentially. 129 00:06:04,000 --> 00:06:07,000 He plays keyboard, saxophone, violin. 130 00:06:07,000 --> 00:06:10,000 He has a perfect pitch. 131 00:06:10,000 --> 00:06:12,000 It's just an amazing musician. 132 00:06:12,000 --> 00:06:15,000 But he can also, and Patricia has a lot of this talent. 133 00:06:15,000 --> 00:06:17,000 He can make anything with his hands. 134 00:06:17,000 --> 00:06:20,000 If he can think of it, he can see it, he can do it with his hands. 135 00:06:20,000 --> 00:06:23,000 And this is just, it's, it's an amazing talent. 136 00:06:23,000 --> 00:06:25,000 And I, I joke about it all the time. 137 00:06:25,000 --> 00:06:29,000 You give him some, like, gaffer tape and some toothpicks and he'll build you a house. 138 00:06:29,000 --> 00:06:31,000 And so he's talking about this. 139 00:06:31,000 --> 00:06:34,000 He said, you know, John, do you have any idea how I could fix this? 140 00:06:34,000 --> 00:06:38,000 He said, well, yeah, just have to build a little thing with some resistors. 141 00:06:38,000 --> 00:06:41,000 And this and that and I, I don't have no fucking resistors. 142 00:06:41,000 --> 00:06:43,000 Resistance, we don't need no stankin' resistors. 143 00:06:43,000 --> 00:06:45,000 That's old school technology. 144 00:06:45,000 --> 00:06:48,000 And he went into the garage, and I was up here, 145 00:06:48,000 --> 00:06:51,000 basically on Skype all day talking to Ron, talking to people, 146 00:06:51,000 --> 00:06:52,000 doing my thing. 147 00:06:52,000 --> 00:06:54,000 And he came back upstairs. 148 00:06:54,000 --> 00:06:56,000 And he first brought me the prototype. 149 00:06:56,000 --> 00:06:58,000 And I've taken pictures of every single step of the way. 150 00:06:58,000 --> 00:07:02,000 And I've included links to this on, on the show notes for today. 151 00:07:02,000 --> 00:07:07,000 And he built this box, which, well, so he's, this is the great thing. 152 00:07:07,000 --> 00:07:08,000 I didn't have resistors. 153 00:07:08,000 --> 00:07:10,000 And you know, I said, so it comes back from the garage. 154 00:07:10,000 --> 00:07:15,000 He says, hey, I found, like, a two broken dimmers, light switch dimmers, 155 00:07:15,000 --> 00:07:17,000 and found some other gear, and I pulled that out. 156 00:07:17,000 --> 00:07:20,000 And so essentially, he made this little box, 157 00:07:20,000 --> 00:07:22,000 and one side, a little mini jack. 158 00:07:22,000 --> 00:07:24,000 I plug in my, my, the output from the mixer, 159 00:07:24,000 --> 00:07:26,000 and then a jack on the other side. 160 00:07:26,000 --> 00:07:29,000 And that goes into the mic in of my laptop. 161 00:07:29,000 --> 00:07:32,000 And there's two, uh, saw it off, 162 00:07:32,000 --> 00:07:35,000 shaving down, um, um, 163 00:07:35,000 --> 00:07:37,000 um, potential meters. 164 00:07:37,000 --> 00:07:40,000 So basically the knob that you used to dim the lighting. 165 00:07:40,000 --> 00:07:44,000 And you can completely, um, regulate the output from the mixer 166 00:07:44,000 --> 00:07:47,000 down to an acceptable signal from the microphone. 167 00:07:47,000 --> 00:07:50,000 And it's a beautiful little metal box. 168 00:07:50,000 --> 00:07:52,000 And these two, um, two things, 169 00:07:52,000 --> 00:07:55,000 they can actually, I'll twist one of them here for you. 170 00:07:55,000 --> 00:07:56,000 Let me see, because it's stereo. 171 00:07:56,000 --> 00:07:57,000 That's why he built one. 172 00:07:57,000 --> 00:07:59,000 So I'm turning down the one, 173 00:07:59,000 --> 00:08:01,000 and I can turn it up a little bit. 174 00:08:01,000 --> 00:08:04,000 And so you can't, yeah, well, that's, that's 20. 175 00:08:04,000 --> 00:08:05,000 There you go. 176 00:08:05,000 --> 00:08:07,000 It's probably why that dimmer was in the garage. 177 00:08:07,000 --> 00:08:08,000 It's broken. 178 00:08:08,000 --> 00:08:09,000 Uh, so it works. 179 00:08:09,000 --> 00:08:10,000 It works. 180 00:08:10,000 --> 00:08:11,000 Well, can you perfectly? 181 00:08:11,000 --> 00:08:12,000 I couldn't be happier. 182 00:08:12,000 --> 00:08:15,000 Whenever I turn up my, uh, my microphone gain, 183 00:08:15,000 --> 00:08:18,000 all the lights in, uh, in Gilford, uh, dim. 184 00:08:18,000 --> 00:08:24,000 So let me give you a quick walk through, um, 185 00:08:24,000 --> 00:08:27,000 uh, of a couple of, uh, a couple of features here. 186 00:08:27,000 --> 00:08:29,000 Uh, by the way, I saw some, some comments. 187 00:08:29,000 --> 00:08:31,000 Could I put up that screen shot? 188 00:08:31,000 --> 00:08:32,000 I'll just like basically did the, 189 00:08:32,000 --> 00:08:34,000 I love that cool little sniping tool. 190 00:08:34,000 --> 00:08:37,000 You can use on, um, on the Windows tablet. 191 00:08:37,000 --> 00:08:39,000 And I saw comments somewhere. 192 00:08:39,000 --> 00:08:41,000 It was on podcast.com, which is, you know, 193 00:08:41,000 --> 00:08:45,000 Dave Winner's new place where he's tracking all the technology, 194 00:08:45,000 --> 00:08:47,000 uh, all the podcasting tools and services, 195 00:08:47,000 --> 00:08:49,000 which is actually a pretty good resource. 196 00:08:49,000 --> 00:08:50,000 Good comparison chart there. 197 00:08:50,000 --> 00:08:53,000 And I do agree with a lot of what Dave is saying is that, 198 00:08:53,000 --> 00:08:56,000 you know, you don't really need to go reinvent the wheel 199 00:08:56,000 --> 00:08:57,000 and a lot of this stuff. 200 00:08:57,000 --> 00:09:00,000 Um, and it's actually not that hard to come up with, 201 00:09:00,000 --> 00:09:01,000 you know, things that'll work. 202 00:09:01,000 --> 00:09:03,000 I think it's all about interfaces. 203 00:09:03,000 --> 00:09:06,000 You know, that's, to record a signal and play it back 204 00:09:06,000 --> 00:09:08,000 and create an MP3 file and do the right compression. 205 00:09:08,000 --> 00:09:11,000 I'm not going to trivialize it, but it can be done. 206 00:09:11,000 --> 00:09:13,000 You know, there's, there's enough knowledge out there 207 00:09:13,000 --> 00:09:14,000 that you could put that together. 208 00:09:14,000 --> 00:09:17,000 But then you really create the interface that works for a podcast. 209 00:09:17,000 --> 00:09:19,000 So that's what I think is, is going to be important. 210 00:09:19,000 --> 00:09:22,000 So I took a little bit of my radio background 211 00:09:22,000 --> 00:09:25,000 and injected that into, uh, into the development group. 212 00:09:25,000 --> 00:09:28,000 Um, and it came out with some, some really, uh, 213 00:09:28,000 --> 00:09:30,000 yeah, it was something really cool. 214 00:09:30,000 --> 00:09:34,000 So actually, me, uh, so if I right click on one of my, uh, 215 00:09:34,000 --> 00:09:39,000 where my cartridge, uh, buttons here, uh, wait a minute, he had, 216 00:09:39,000 --> 00:09:41,000 ah, there were all these great sound effects that, 217 00:09:41,000 --> 00:09:43,000 that is now come with a program that, of course, 218 00:09:43,000 --> 00:09:45,000 I've immediately lost. 219 00:09:45,000 --> 00:09:47,000 Let me see. Oh, now I have to go do the windows trip, 220 00:09:47,000 --> 00:09:49,000 ladies and gentlemen, hold on. 221 00:09:49,000 --> 00:09:51,000 So I have to go to, what is it? 222 00:09:51,000 --> 00:09:53,000 I guess I go to my computer, right? 223 00:09:53,000 --> 00:09:55,000 My computer shared documents. 224 00:09:55,000 --> 00:09:56,000 Is that where I find it? 225 00:09:56,000 --> 00:09:58,000 No, not shared documents, hold on. 226 00:09:58,000 --> 00:10:02,000 Local disk. Okay, uh, program files. 227 00:10:02,000 --> 00:10:04,000 Yeah, there we go. 228 00:10:04,000 --> 00:10:09,000 Now we have to find, was it cast blaster? 229 00:10:09,000 --> 00:10:11,000 Ah, okay. There we go. Oh, here they are. 230 00:10:11,000 --> 00:10:13,000 Here's the, here's the stuff. 231 00:10:13,000 --> 00:10:14,000 Yeah. 232 00:10:14,000 --> 00:10:16,000 Yeah. 233 00:10:16,000 --> 00:10:18,000 So you can load up these files. 234 00:10:18,000 --> 00:10:20,000 And of course, I still have the, yep, got that. 235 00:10:20,000 --> 00:10:24,000 Well, that's lined up for, uh, for easy, I'll get real tight 236 00:10:24,000 --> 00:10:25,000 or that pretty soon. 237 00:10:25,000 --> 00:10:28,000 And, um, I don't have any songs, uh, 238 00:10:28,000 --> 00:10:30,000 well, I guess I could load up a song for you. 239 00:10:30,000 --> 00:10:32,000 Let's, uh, I got some promos that I wanted to run by. 240 00:10:32,000 --> 00:10:35,000 And this is going to be another reasonably short show. 241 00:10:35,000 --> 00:10:37,000 Um, just because I didn't have, uh, I'll be honest with you. 242 00:10:37,000 --> 00:10:40,000 I really haven't had enough time to, to do all the prep today 243 00:10:40,000 --> 00:10:41,000 that I normally would. 244 00:10:41,000 --> 00:10:44,000 But I definitely wanted to get, uh, a different sounding version 245 00:10:44,000 --> 00:10:46,000 out of, uh, of the cast blaster. 246 00:10:46,000 --> 00:10:48,000 So I'm just going to play a couple of these promos. 247 00:10:48,000 --> 00:10:50,000 Okay, now this promo has to be great because we're going to 248 00:10:50,000 --> 00:10:51,000 sit it out to Adam Curry. 249 00:10:51,000 --> 00:10:52,000 Who's Adam Curry? 250 00:10:52,000 --> 00:10:53,000 Adam Curry. 251 00:10:53,000 --> 00:10:55,000 Do you know who Adam Curry is? 252 00:10:55,000 --> 00:10:57,000 Oh, that's right. That's the guy that does love line, right? 253 00:10:57,000 --> 00:10:59,000 That's Adam Corolla. 254 00:10:59,000 --> 00:11:02,000 Adam Curry from MTV's, like the God of podcasting. 255 00:11:02,000 --> 00:11:03,000 Okay, I haven't heard of him. 256 00:11:03,000 --> 00:11:05,000 Okay, whatever. Look, just let me lead the promo. 257 00:11:05,000 --> 00:11:07,000 You, you just kind of play along, all right? 258 00:11:07,000 --> 00:11:08,000 Sounds good. 259 00:11:08,000 --> 00:11:10,000 Okay, by the way, I can now stop anything that's playing. 260 00:11:10,000 --> 00:11:13,000 And when I started again, it starts in exactly the same spot, 261 00:11:13,000 --> 00:11:16,000 something that we changed from the functionality from yesterday. 262 00:11:16,000 --> 00:11:17,000 I don't know if it just heard a drop out on that. 263 00:11:17,000 --> 00:11:19,000 I don't know if that's the file or if that's, uh, 264 00:11:19,000 --> 00:11:22,000 the playback or what it is, but we'll continue with the promo. 265 00:11:22,000 --> 00:11:23,000 Okay, here we go. 266 00:11:23,000 --> 00:11:25,000 And we're rolling. 267 00:11:25,000 --> 00:11:29,000 Hey, Adam, this is Don. 268 00:11:29,000 --> 00:11:31,000 And this is Jared Ardman. 269 00:11:31,000 --> 00:11:35,000 And it's a major honor to have our promo be played on your podcast. 270 00:11:35,000 --> 00:11:39,000 Uh, yeah, hey, we wanted you and your listeners to know about our new podcast. 271 00:11:39,000 --> 00:11:41,000 It's called DVD Weekly. 272 00:11:41,000 --> 00:11:44,000 And each week my brother Jared and I are going to cover the newest DVD releases 273 00:11:44,000 --> 00:11:46,000 as well as recently released title. 274 00:11:46,000 --> 00:11:49,000 And we do it all in our special kind of way. 275 00:11:49,000 --> 00:11:52,000 And, you know, we're not going to be as good as Adam was on MTV. 276 00:11:52,000 --> 00:11:55,000 But we think you'll still get a kick out of what we do. 277 00:11:55,000 --> 00:11:56,000 That's right. 278 00:11:56,000 --> 00:11:58,000 So join us on DVD Weekly today. 279 00:11:58,000 --> 00:12:01,000 You can find the link on the directory at digitalpodcast.com. 280 00:12:01,000 --> 00:12:04,000 Just look under movies and entertainment. 281 00:12:04,000 --> 00:12:05,000 Dude, what the hell was that? 282 00:12:05,000 --> 00:12:07,000 All of a sudden you're like all up into Adam Curry. 283 00:12:07,000 --> 00:12:09,000 You didn't even know he was a couple seconds ago. 284 00:12:09,000 --> 00:12:10,000 Are you kidding, man? 285 00:12:10,000 --> 00:12:11,000 It's Adam Curry. 286 00:12:11,000 --> 00:12:12,000 MTV. 287 00:12:12,000 --> 00:12:13,000 Come on, man. 288 00:12:13,000 --> 00:12:14,000 The god of podcast. 289 00:12:14,000 --> 00:12:18,000 I just told you that a couple of, uh, good Lord. 290 00:12:19,000 --> 00:12:21,000 Wait, wait, wait guys. 291 00:12:21,000 --> 00:12:22,000 Okay. 292 00:12:22,000 --> 00:12:26,000 So there's another promo that came in that goes along perfectly with that one. 293 00:12:26,000 --> 00:12:27,000 How to pimp your show. 294 00:12:27,000 --> 00:12:31,000 Step one massage the egos of fellow podcasters. 295 00:12:31,000 --> 00:12:33,000 Before the daily source code. 296 00:12:33,000 --> 00:12:35,000 I was a complete wreck though. 297 00:12:35,000 --> 00:12:39,000 The daily source code brought happiness and joy back to my life. 298 00:12:39,000 --> 00:12:42,000 I listen to the daily source code every day. 299 00:12:42,000 --> 00:12:43,000 Step two. 300 00:12:43,000 --> 00:12:47,000 Pimp your own pod show by praising their show. 301 00:12:47,000 --> 00:12:49,000 I tried to model my show. 302 00:12:49,000 --> 00:12:51,000 W. 303 00:12:51,000 --> 00:12:52,000 W. 304 00:12:52,000 --> 00:12:53,000 I'm a great penguin. 305 00:12:53,000 --> 00:12:54,000 That com. 306 00:12:54,000 --> 00:12:55,000 After the daily source code. 307 00:12:55,000 --> 00:12:57,000 Without the daily source code. 308 00:12:57,000 --> 00:12:58,000 My show. 309 00:12:58,000 --> 00:13:00,000 W. W. 310 00:13:00,000 --> 00:13:01,000 That. 311 00:13:01,000 --> 00:13:02,000 I'm a great penguin. 312 00:13:02,000 --> 00:13:03,000 That com. 313 00:13:03,000 --> 00:13:04,000 Would not even exist. 314 00:13:04,000 --> 00:13:05,000 The show. 315 00:13:05,000 --> 00:13:07,000 W. W. 316 00:13:07,000 --> 00:13:09,000 That. I'm a great penguin. 317 00:13:09,000 --> 00:13:10,000 That com. 318 00:13:10,000 --> 00:13:11,000 Oh, is it all to you? 319 00:13:11,000 --> 00:13:13,000 The daily source code. 320 00:13:13,000 --> 00:13:16,000 That is how to pimp your own pod show. 321 00:13:16,000 --> 00:13:18,000 W. W. That. 322 00:13:18,000 --> 00:13:20,000 I'm a great penguin. 323 00:13:20,000 --> 00:13:21,000 That com. 324 00:13:21,000 --> 00:13:23,000 I think we've actually played a promo for them before. 325 00:13:23,000 --> 00:13:24,000 I've talked about them. 326 00:13:24,000 --> 00:13:31,000 So again, I'm not sure if the dropouts are coming from the playback or if they're coming 327 00:13:31,000 --> 00:13:33,000 from the cast blaster itself. 328 00:13:33,000 --> 00:13:34,000 That's something I've got to look into. 329 00:13:34,000 --> 00:13:36,000 I don't think anything changed on that. 330 00:13:36,000 --> 00:13:38,000 So it's a little difficult to tell. 331 00:13:38,000 --> 00:13:39,000 Okay. 332 00:13:39,000 --> 00:13:40,000 Notice something here. 333 00:13:40,000 --> 00:13:44,000 And this is, I guess, another beta cast of the cast blaster software. 334 00:13:44,000 --> 00:13:46,000 And we're going to get some betas out to people pretty soon. 335 00:13:46,000 --> 00:13:48,000 Trust me on that. 336 00:13:48,000 --> 00:13:52,000 I have four slots for playing. 337 00:13:52,000 --> 00:13:54,000 For playing audio files. 338 00:13:54,000 --> 00:13:55,000 That include. 339 00:13:55,000 --> 00:13:57,000 It includes a track bar. 340 00:13:57,000 --> 00:13:59,000 So the jingles are just a single button. 341 00:13:59,000 --> 00:14:01,000 That's the blank thing. 342 00:14:01,000 --> 00:14:03,000 Or the. 343 00:14:03,000 --> 00:14:05,000 This is. 344 00:14:05,000 --> 00:14:07,000 This is really fun to do this with the pen. 345 00:14:07,000 --> 00:14:10,000 You know, it's it's a very interactive way of doing it. 346 00:14:10,000 --> 00:14:12,000 So I don't have enough to. 347 00:14:13,000 --> 00:14:16,000 I guess I would need a way to add more more tunes to it. 348 00:14:16,000 --> 00:14:20,000 Because if you have a relatively long podcast and you have a lot of stuff, then four is not going to cut it. 349 00:14:20,000 --> 00:14:21,000 So let me. 350 00:14:21,000 --> 00:14:22,000 You know what I'm going to do? 351 00:14:22,000 --> 00:14:23,000 Let's do something really tricky. 352 00:14:23,000 --> 00:14:25,000 I'm going to open and load up a new file. 353 00:14:25,000 --> 00:14:28,000 But what I'm going to do is I'm going to. 354 00:14:28,000 --> 00:14:31,000 Draw it from or this is going to be fun folks. 355 00:14:31,000 --> 00:14:32,000 Let me go. 356 00:14:32,000 --> 00:14:34,000 I'm going to try and get something off of my. 357 00:14:34,000 --> 00:14:35,000 Macintosh. 358 00:14:35,000 --> 00:14:37,000 So wait to hear that. 359 00:14:37,000 --> 00:14:38,000 That's the. 360 00:14:38,000 --> 00:14:40,000 That's my wonderful little box. 361 00:14:40,000 --> 00:14:41,000 Okay. 362 00:14:41,000 --> 00:14:43,000 So I have it loaded as a network. 363 00:14:43,000 --> 00:14:44,000 Place. 364 00:14:44,000 --> 00:14:45,000 I think. 365 00:14:45,000 --> 00:14:47,000 Let me see open. 366 00:14:47,000 --> 00:14:48,000 There we go. 367 00:14:48,000 --> 00:14:49,000 Works. 368 00:14:49,000 --> 00:14:50,000 Yes. 369 00:14:50,000 --> 00:14:51,000 Beautiful. 370 00:14:51,000 --> 00:14:52,000 Now I'm in my. 371 00:14:52,000 --> 00:14:53,000 Now I'm on my Macintosh. 372 00:14:53,000 --> 00:14:54,000 And. 373 00:14:54,000 --> 00:14:55,000 Oh, here's something we can do. 374 00:14:55,000 --> 00:14:57,000 Oh, the lot of found this. 375 00:14:57,000 --> 00:14:58,000 This is. 376 00:14:58,000 --> 00:14:59,000 Oh. 377 00:14:59,000 --> 00:15:00,000 Man. 378 00:15:00,000 --> 00:15:01,000 This is great. 379 00:15:01,000 --> 00:15:02,000 I'm. 380 00:15:02,000 --> 00:15:03,000 I don't think I can play the whole thing. 381 00:15:03,000 --> 00:15:04,000 When we're in Miami. 382 00:15:04,000 --> 00:15:05,000 Did you hear that? 383 00:15:05,000 --> 00:15:06,000 Let me just adjust this. 384 00:15:06,000 --> 00:15:07,000 This is. 385 00:15:07,000 --> 00:15:08,000 Okay. 386 00:15:08,000 --> 00:15:09,000 We need to fix that. 387 00:15:09,000 --> 00:15:10,000 That one little different. 388 00:15:10,000 --> 00:15:13,000 We got to fix the light dimmer for the audio. 389 00:15:13,000 --> 00:15:21,000 One of Matthew Bischoff's buddies. 390 00:15:21,000 --> 00:15:24,000 Now, of course, some bogey on what his name was. 391 00:15:24,000 --> 00:15:25,000 The hell was his name? 392 00:15:25,000 --> 00:15:26,000 Hold on. 393 00:15:26,000 --> 00:15:27,000 Let me see if I can. 394 00:15:27,000 --> 00:15:28,000 Let me. 395 00:15:28,000 --> 00:15:29,000 All right. 396 00:15:29,000 --> 00:15:30,000 And now we're going to do something cool. 397 00:15:30,000 --> 00:15:31,000 Check this out. 398 00:15:31,000 --> 00:15:33,000 Me a fire up Skype for a second here. 399 00:15:33,000 --> 00:15:35,000 Okay. 400 00:15:35,000 --> 00:15:37,000 Skype is firing up. 401 00:15:37,000 --> 00:15:41,000 If Christina's online downstairs, and I'll just call her and ask her what his name is, 402 00:15:41,000 --> 00:15:43,000 because I've completely forgotten. 403 00:15:43,000 --> 00:15:45,000 Let me see. 404 00:15:45,000 --> 00:15:46,000 Wait. 405 00:15:46,000 --> 00:15:47,000 Don't tell me she's not online. 406 00:15:47,000 --> 00:15:50,000 Skype always takes a couple of seconds to find everybody. 407 00:15:50,000 --> 00:15:51,000 There we go. 408 00:15:51,000 --> 00:15:53,000 That's much better. 409 00:15:53,000 --> 00:15:54,000 There she is. 410 00:15:54,000 --> 00:15:55,000 Okay. 411 00:15:55,000 --> 00:15:56,000 Oops. 412 00:15:56,000 --> 00:15:57,000 There we go. 413 00:15:57,000 --> 00:15:58,000 Let's call her. 414 00:15:58,000 --> 00:16:00,000 Okay. 415 00:16:00,000 --> 00:16:01,000 Check that out. 416 00:16:01,000 --> 00:16:02,000 It works. 417 00:16:03,000 --> 00:16:04,000 Okay. 418 00:16:10,000 --> 00:16:12,000 Of course Patricia's going to answer now. 419 00:16:12,000 --> 00:16:13,000 Watch. 420 00:16:13,000 --> 00:16:14,000 That'll be funny. 421 00:16:14,000 --> 00:16:15,000 Hello. 422 00:16:15,000 --> 00:16:16,000 Shvarky. 423 00:16:16,000 --> 00:16:17,000 Yeah. 424 00:16:17,000 --> 00:16:18,000 Hey, I'm recording my show. 425 00:16:18,000 --> 00:16:19,000 Okay. 426 00:16:19,000 --> 00:16:20,000 Hey, let me ask you a question. 427 00:16:20,000 --> 00:16:22,000 What was the name of the guy who did that interview with you? 428 00:16:22,000 --> 00:16:23,000 The podcast? 429 00:16:23,000 --> 00:16:24,000 Robby. 430 00:16:24,000 --> 00:16:25,000 Robby. 431 00:16:25,000 --> 00:16:26,000 What's his last name? 432 00:16:26,000 --> 00:16:27,000 Trinchiny. 433 00:16:27,000 --> 00:16:28,000 Trinchiny. 434 00:16:28,000 --> 00:16:29,000 Okay. 435 00:16:29,000 --> 00:16:31,000 Is okay if I play a part on the daily source code? 436 00:16:31,000 --> 00:16:32,000 Sure. 437 00:16:32,000 --> 00:16:33,000 Go for it. 438 00:16:33,000 --> 00:16:34,000 Okay. 439 00:16:34,000 --> 00:16:35,000 Hold on a second. 440 00:16:35,000 --> 00:16:36,000 Actually. 441 00:16:36,000 --> 00:16:37,000 If I play this, maybe you can hear it. 442 00:16:37,000 --> 00:16:39,000 Hold on. 443 00:16:39,000 --> 00:16:40,000 Listen. 444 00:16:40,000 --> 00:16:41,000 Hold on. 445 00:16:41,000 --> 00:16:43,000 Giving you an interview. 446 00:16:43,000 --> 00:16:46,000 The first time ever. 447 00:16:46,000 --> 00:16:48,000 Hey, everybody. 448 00:16:48,000 --> 00:16:49,000 The strawberry jersey. 449 00:16:49,000 --> 00:16:50,000 What? 450 00:16:50,000 --> 00:16:51,000 He took a lot. 451 00:16:51,000 --> 00:16:52,000 Can you hear that Christina? 452 00:16:52,000 --> 00:16:53,000 Yeah. 453 00:16:53,000 --> 00:16:54,000 Okay. 454 00:16:54,000 --> 00:16:55,000 So you want to set it up. 455 00:16:55,000 --> 00:16:57,000 You want to tell me what happened. 456 00:16:57,000 --> 00:16:59,000 What happened to Miami? 457 00:16:59,000 --> 00:17:02,000 How did it come about that he did this interview with you? 458 00:17:02,000 --> 00:17:05,000 He kept Skype me the whole time. 459 00:17:05,000 --> 00:17:09,000 I was on the internet and it kept really annoying me because I had so in your laptop. 460 00:17:09,000 --> 00:17:12,000 And over time I heard, wouldn't it? 461 00:17:12,000 --> 00:17:16,000 He was totally out of control on the Skype. 462 00:17:16,000 --> 00:17:18,000 And he was annoying Ron as well apparently. 463 00:17:18,000 --> 00:17:19,000 Yeah. 464 00:17:19,000 --> 00:17:23,000 So I decided to give him a piece of my mind and tell him to just fuck off. 465 00:17:23,000 --> 00:17:24,000 Oh, no. 466 00:17:24,000 --> 00:17:26,000 Mind your language, dear. 467 00:17:26,000 --> 00:17:27,000 I'm sorry. 468 00:17:27,000 --> 00:17:28,000 He's annoying. 469 00:17:28,000 --> 00:17:30,000 And then all of a sudden I felt bad for him. 470 00:17:30,000 --> 00:17:34,000 And I said, well, if you leave everyone alone, I'll give you an interview. 471 00:17:34,000 --> 00:17:35,000 And he said, oh, okay. 472 00:17:35,000 --> 00:17:37,000 And he didn't really keep his word. 473 00:17:37,000 --> 00:17:38,000 Okay. 474 00:17:38,000 --> 00:17:39,000 Hold on. 475 00:17:39,000 --> 00:17:40,000 Let's play another piece of this for a second. 476 00:17:40,000 --> 00:17:41,000 Clive. 477 00:17:41,000 --> 00:17:43,000 Giving you an interview. 478 00:17:43,000 --> 00:17:45,000 The first time ever interview. 479 00:17:45,000 --> 00:17:47,000 Christina Curry. 480 00:17:47,000 --> 00:17:48,000 Yes. 481 00:17:48,000 --> 00:17:49,000 That's right. 482 00:17:49,000 --> 00:17:51,000 Adam Curry's daughter. 483 00:17:51,000 --> 00:17:53,000 Welcome to the show. 484 00:17:53,000 --> 00:17:54,000 Hi. 485 00:17:54,000 --> 00:17:55,000 Hi. 486 00:17:56,000 --> 00:17:58,000 Oh, man. The sound quality sucks. 487 00:17:58,000 --> 00:18:01,000 It's because Mom was like vacuuming in the background. 488 00:18:01,000 --> 00:18:04,000 I hate it when she does that. 489 00:18:04,000 --> 00:18:05,000 Yeah. 490 00:18:05,000 --> 00:18:08,000 And I said, mom, and she's like, oh, it doesn't matter. 491 00:18:08,000 --> 00:18:09,000 You can't hear it. 492 00:18:09,000 --> 00:18:10,000 And we obviously can. 493 00:18:10,000 --> 00:18:14,000 Of course, the way around that is maybe you or I could have done some of the vacuuming. 494 00:18:14,000 --> 00:18:16,000 Okay. 495 00:18:16,000 --> 00:18:18,000 Let's listen to a little more. 496 00:18:18,000 --> 00:18:19,000 Hold on. 497 00:18:19,000 --> 00:18:23,000 So um, Christina will jump right into it. 498 00:18:23,000 --> 00:18:26,000 Um, what do you think about your dad and podcasting? 499 00:18:26,000 --> 00:18:30,000 I mean, does it judge the effect you or are you just okay with it? 500 00:18:30,000 --> 00:18:32,000 Or do you not like it? 501 00:18:32,000 --> 00:18:33,000 I love it. 502 00:18:33,000 --> 00:18:34,000 I love it. 503 00:18:34,000 --> 00:18:37,000 I love how my dad's just like created this thing out of nothing. 504 00:18:37,000 --> 00:18:39,000 And everyone's going for it. 505 00:18:39,000 --> 00:18:40,000 I love the idea. 506 00:18:40,000 --> 00:18:44,000 And hopefully I'm going to start podcast one day when I have something to say. 507 00:18:44,000 --> 00:18:45,000 And I was born. 508 00:18:45,000 --> 00:18:47,000 And it's really clear. 509 00:18:47,000 --> 00:18:49,000 What the hell was that? 510 00:18:49,000 --> 00:18:51,000 That would be you calling me. 511 00:18:51,000 --> 00:18:52,000 Oh. 512 00:18:53,000 --> 00:18:54,000 Okay. 513 00:18:54,000 --> 00:18:55,000 For you. 514 00:18:55,000 --> 00:18:56,000 Okay. 515 00:18:56,000 --> 00:19:00,000 We should play the part when I told him to not get his panties in a gun. 516 00:19:00,000 --> 00:19:01,000 Do you know where it is? 517 00:19:01,000 --> 00:19:02,000 Was it the beginning? 518 00:19:02,000 --> 00:19:04,000 It's like in the middle. 519 00:19:04,000 --> 00:19:05,000 Okay. 520 00:19:05,000 --> 00:19:06,000 Hold on. 521 00:19:06,000 --> 00:19:07,000 Let me drag this over in the middle. 522 00:19:07,000 --> 00:19:08,000 I'll play it. 523 00:19:08,000 --> 00:19:11,000 I think that it should be something that we should watch. 524 00:19:11,000 --> 00:19:14,000 And if needed, we could always go in and bash people's hands. 525 00:19:14,000 --> 00:19:16,000 Is it before after that? 526 00:19:16,000 --> 00:19:17,000 This is it. 527 00:19:17,000 --> 00:19:18,000 Yeah. 528 00:19:18,000 --> 00:19:19,000 Okay. 529 00:19:20,000 --> 00:19:22,000 I think you shouldn't get your panties in a bunch of better. 530 00:19:22,000 --> 00:19:24,000 I mean, people were always because of me saying, 531 00:19:24,000 --> 00:19:26,000 Oh, but you're so scared. 532 00:19:26,000 --> 00:19:29,000 I said, don't get your panties in a bunch of pieces. 533 00:19:29,000 --> 00:19:31,000 Oh, okay. 534 00:19:31,000 --> 00:19:34,000 Just show, you know, podcasting. 535 00:19:37,000 --> 00:19:38,000 Oh, that's so funny. 536 00:19:38,000 --> 00:19:39,000 That's great. 537 00:19:39,000 --> 00:19:40,000 That's great. 538 00:19:40,000 --> 00:19:41,000 Okay. 539 00:19:41,000 --> 00:19:42,000 All right. 540 00:19:42,000 --> 00:19:43,000 So, did he put that interview up anywhere? 541 00:19:43,000 --> 00:19:45,000 Is it an official podcast somewhere? 542 00:19:45,000 --> 00:19:46,000 No. 543 00:19:46,000 --> 00:19:49,000 But I did get an email from one of his little geek friends saying, 544 00:19:49,000 --> 00:19:50,000 how funny it was. 545 00:19:50,000 --> 00:19:51,000 Yeah. 546 00:19:51,000 --> 00:19:52,000 Well, how did he hear it then? 547 00:19:52,000 --> 00:19:53,000 So, it has he posted it? 548 00:19:53,000 --> 00:19:54,000 Is there a URL? 549 00:19:54,000 --> 00:19:57,000 We can point because it's like 30 minutes or something, right? 550 00:19:57,000 --> 00:19:58,000 Yeah. 551 00:19:58,000 --> 00:19:59,000 I don't know where it is. 552 00:19:59,000 --> 00:20:00,000 Did you check his website? 553 00:20:00,000 --> 00:20:01,000 No. 554 00:20:01,000 --> 00:20:02,000 No. 555 00:20:02,000 --> 00:20:03,000 Why don't you check it for me? 556 00:20:03,000 --> 00:20:06,000 And then when I post the show, I'll put it in the show notes. 557 00:20:06,000 --> 00:20:07,000 Okay. 558 00:20:07,000 --> 00:20:08,000 Okay. 559 00:20:08,000 --> 00:20:09,000 Hey, this worked. 560 00:20:09,000 --> 00:20:10,000 You can hear it. 561 00:20:10,000 --> 00:20:11,000 Yeah. 562 00:20:11,000 --> 00:20:12,000 You can hear everything. 563 00:20:12,000 --> 00:20:13,000 That's great. 564 00:20:13,000 --> 00:20:14,000 I mean, I'm recording. 565 00:20:14,000 --> 00:20:15,000 It works. 566 00:20:15,000 --> 00:20:16,000 I'm so happy. 567 00:20:16,000 --> 00:20:18,000 That's what I'm doing up here all day, dear. 568 00:20:18,000 --> 00:20:19,000 Wait. 569 00:20:19,000 --> 00:20:20,000 I'm on his website. 570 00:20:20,000 --> 00:20:21,000 Hold on. 571 00:20:21,000 --> 00:20:22,000 Let's see if he posted it. 572 00:20:22,000 --> 00:20:23,000 No, he didn't. 573 00:20:23,000 --> 00:20:24,000 Okay. 574 00:20:24,000 --> 00:20:25,000 Well, you know what? 575 00:20:25,000 --> 00:20:29,000 Send him an email and ask him if I can put it up on my server. 576 00:20:29,000 --> 00:20:30,000 And I'll put a link to it. 577 00:20:30,000 --> 00:20:31,000 Okay. 578 00:20:31,000 --> 00:20:32,000 All right. 579 00:20:32,000 --> 00:20:34,000 Which, of course, means he'll start emailing you a thousand times, right? 580 00:20:34,000 --> 00:20:35,000 Yeah. 581 00:20:35,000 --> 00:20:36,000 Okay. 582 00:20:36,000 --> 00:20:37,000 All right, baby. 583 00:20:37,000 --> 00:20:38,000 All right. 584 00:20:38,000 --> 00:20:39,000 Thank you very much. 585 00:20:39,000 --> 00:20:40,000 All right. 586 00:20:40,000 --> 00:20:41,000 Bye. 587 00:20:41,000 --> 00:20:42,000 Love you. 588 00:20:42,000 --> 00:20:43,000 All right. 589 00:20:43,000 --> 00:20:44,000 There you have it. 590 00:20:44,000 --> 00:20:46,000 The first test with Skype. 591 00:20:46,000 --> 00:20:52,000 And you'll notice that not only were you able to hear her as I recorded Christina, 592 00:20:52,000 --> 00:20:56,000 but she was also able to hear what I was sending back to her. 593 00:20:56,000 --> 00:20:58,000 That is cool. 594 00:20:58,000 --> 00:21:00,000 What's happening at Adam and the Daily Source Code listeners. 595 00:21:00,000 --> 00:21:03,000 This is Todd Collins from the podcast. 596 00:21:03,000 --> 00:21:04,000 What's really going on? 597 00:21:04,000 --> 00:21:05,000 Yes. 598 00:21:05,000 --> 00:21:08,000 I am a Daily Source Code listener and a Mac user. 599 00:21:08,000 --> 00:21:10,000 But I've got a unique show for you right now. 600 00:21:10,000 --> 00:21:12,000 It's from Beatmar recordings. 601 00:21:12,000 --> 00:21:15,000 Beatmar recordings is a small indie urban label. 602 00:21:15,000 --> 00:21:21,000 And it's a show about behind the scenes and a look at what goes on in the world of recording, 603 00:21:21,000 --> 00:21:25,000 recording business as well as the tech side of the productions. 604 00:21:25,000 --> 00:21:26,000 So come join us. 605 00:21:26,000 --> 00:21:30,000 We'll talk about sports, snicker culture, upcoming artists and releases. 606 00:21:30,000 --> 00:21:32,000 But most of all, content from you. 607 00:21:32,000 --> 00:21:39,000 We're going to take questions, comments, feedback, all of that in email form, or in MP3 form. 608 00:21:39,000 --> 00:21:44,000 To www.rgeopodcast at gmail.com. 609 00:21:44,000 --> 00:21:52,000 You can also visit the what's really going on podcast at www.lipsen.com. 610 00:21:52,000 --> 00:21:57,000 That's www.libs-y-n.com. 611 00:21:57,000 --> 00:22:04,000 Or you can subscribe to the RSS feed at www.lipsen.com slash RSS. 612 00:22:04,000 --> 00:22:06,000 Hope to hear from you soon. 613 00:22:06,000 --> 00:22:09,000 And that's what's really going on. 614 00:22:09,000 --> 00:22:12,000 Now back to you Adam Curry and the Daily Source Code. 615 00:22:12,000 --> 00:22:13,000 All right. 616 00:22:13,000 --> 00:22:18,000 So I am now convinced that it's something with the program that is tripping over on that. 617 00:22:18,000 --> 00:22:21,000 I don't know why it's doing that. 618 00:22:21,000 --> 00:22:23,000 Probably what I should have done this being Windows. 619 00:22:23,000 --> 00:22:27,000 I probably should have rebooted before recording anything. 620 00:22:27,000 --> 00:22:29,000 I don't think anything changed with the playback. 621 00:22:29,000 --> 00:22:31,000 I wasn't seeing that behavior yesterday. 622 00:22:31,000 --> 00:22:33,000 So that's something we'll have to work on. 623 00:22:33,000 --> 00:22:38,000 So you don't have to email me that there were stuff dropping out because clearly I figured that went out. 624 00:22:38,000 --> 00:22:40,000 Cool. 625 00:22:40,000 --> 00:22:41,000 Let's see. 626 00:22:41,000 --> 00:22:42,000 Twenty-two minutes. 627 00:22:42,000 --> 00:22:44,000 You know, I've been upstairs almost all day. 628 00:22:44,000 --> 00:22:45,000 It's 9.15. 629 00:22:45,000 --> 00:22:48,000 So I am going to cut it reasonably short. 630 00:22:48,000 --> 00:22:49,000 Last night the in-laws are here. 631 00:22:49,000 --> 00:22:55,000 And particularly since John was so incredibly nice to make this sound dimmer for me. 632 00:22:55,000 --> 00:22:57,000 Which I think we should put into production. 633 00:22:57,000 --> 00:23:00,000 This is actually I told him what I wanted next. 634 00:23:00,000 --> 00:23:02,000 It's a little box that you remember. 635 00:23:02,000 --> 00:23:10,000 I tried to combine my microphone with the iPod and have that record onto the iRiverb. 636 00:23:10,000 --> 00:23:12,000 And I got the huge impedance differences. 637 00:23:12,000 --> 00:23:17,000 And then whenever the iPod would shut off and all of a sudden everyone's ears would blow out. 638 00:23:17,000 --> 00:23:20,000 So he's got an idea for a little box to fix that as well. 639 00:23:20,000 --> 00:23:22,000 So look out. 640 00:23:22,000 --> 00:23:25,000 We may put some of that stuff into production in one of these days. 641 00:23:25,000 --> 00:23:35,000 Hey, Adam, of course you heard of the sound of the day. 642 00:23:35,000 --> 00:23:49,000 Well, I'm here to bring you the smell of the day. 643 00:23:49,000 --> 00:23:53,000 Just the latest installment of worldwide web zaniness and here you go coming right up. 644 00:23:53,000 --> 00:24:03,000 The smell of the day. 645 00:24:03,000 --> 00:24:09,000 And then we get all that with the smell of the day brought to you by the daily dribble at www.dali dribble.net. 646 00:24:09,000 --> 00:24:12,000 Okay, so cut out a couple times there as well. 647 00:24:12,000 --> 00:24:18,000 Okay, now let's try something because I did ask something to be changed in the players. 648 00:24:18,000 --> 00:24:25,000 Essentially, before if you wanted to stop something, you know, to comment on it, it would rewind all the way. 649 00:24:25,000 --> 00:24:32,000 We've now made it so that a right mouse click or on the pen, which means holding down a little button and tapping. 650 00:24:32,000 --> 00:24:34,000 You can rewind it manually. 651 00:24:34,000 --> 00:24:37,000 Maybe that's something to do with the way the playback was changed. 652 00:24:37,000 --> 00:24:39,000 So bear with me as we beta test this. 653 00:24:39,000 --> 00:24:42,000 So I'm going to load the exact same promo. 654 00:24:42,000 --> 00:24:45,000 Hold on, I'll load that into one of the jingle cartridges. 655 00:24:45,000 --> 00:24:50,000 That's the, that's the ones that you really aren't supposed to be able to rewind. 656 00:24:50,000 --> 00:24:52,000 Although I just found out you can. 657 00:24:52,000 --> 00:24:56,000 Let me see if it has the same cutouts there. 658 00:24:56,000 --> 00:24:57,000 Hold on, which one was it? 659 00:24:57,000 --> 00:24:58,000 Smell of the day. 660 00:24:58,000 --> 00:25:00,000 Okay, so we heard smell of the day cut out. 661 00:25:00,000 --> 00:25:02,000 Let's play it again and see if it doesn't cut out. 662 00:25:02,000 --> 00:25:04,000 Cut out when it's in a different player. 663 00:25:04,000 --> 00:25:11,000 Hey, Adam, of course you heard of the sound of the day. 664 00:25:11,000 --> 00:25:19,000 Well, I'm here to bring you the smell of the day. 665 00:25:19,000 --> 00:25:33,000 Just the latest installment of worldwide web zaniness, and here you go, come and write up the smell of the day. 666 00:25:33,000 --> 00:25:41,000 Oh, there you go. 667 00:25:41,000 --> 00:25:47,000 That was the smell of the day brought to you by the daily dribble at www.dali dribble.net. 668 00:25:47,000 --> 00:25:48,000 Okay. 669 00:25:48,000 --> 00:25:49,000 That settles it. 670 00:25:49,000 --> 00:25:50,000 We figured it out. 671 00:25:50,000 --> 00:25:52,000 This is what beta testing is all about folks. 672 00:25:52,000 --> 00:25:57,000 We figured out that something on the players, the ones that have the status bar, 673 00:25:57,000 --> 00:26:01,000 is making the audio drop out and skip intermittently. 674 00:26:01,000 --> 00:26:02,000 Okay. 675 00:26:02,000 --> 00:26:03,000 Wow. 676 00:26:03,000 --> 00:26:06,000 Okay, I think I've had enough beta testing for one day if you don't mind. 677 00:26:06,000 --> 00:26:12,000 And it's time for me to go have some coffee with the in-laws. 678 00:26:12,000 --> 00:26:17,000 So, special thanks to the development team of cast blaster. 679 00:26:17,000 --> 00:26:19,000 Really enjoying the work. 680 00:26:19,000 --> 00:26:23,000 We're going to try and fix some of the little buggies and gotchas there. 681 00:26:23,000 --> 00:26:25,000 So, maybe I'll even do something over the weekend. 682 00:26:25,000 --> 00:26:30,000 Now that Skype is working so great, I can finally record perfectly with Kenster J for MTV Chronicles. 683 00:26:30,000 --> 00:26:35,000 Just gotta make the player stuff. 684 00:26:35,000 --> 00:26:36,000 Gotta fix that. 685 00:26:36,000 --> 00:26:39,000 I'm sure that I've already got a buddy there in Holland going. 686 00:26:39,000 --> 00:26:41,000 Damn, I know exactly what's wrong. 687 00:26:41,000 --> 00:26:43,000 I'm probably fixing it already. 688 00:26:43,000 --> 00:26:44,000 All right. 689 00:26:44,000 --> 00:26:45,000 Feedback. 690 00:26:45,000 --> 00:26:46,000 Adamacore.com. 691 00:26:46,000 --> 00:26:49,000 You can leave a comment on the weblog at www.curry.com. 692 00:26:49,000 --> 00:26:54,000 And of course, there's daily source code.com where you can find the new source code, 693 00:26:54,000 --> 00:26:59,000 this program, where you can subscribe to the podcast feed and find the archives. 694 00:27:00,000 --> 00:27:02,000 Hope you have yourselves a great Friday. 695 00:27:02,000 --> 00:27:03,000 Take care everybody. 696 00:27:03,000 --> 00:27:05,000 I'll catch you over the weekend. Bye-bye.