1 00:00:00,000 --> 00:00:09,740 Hi everybody, it's the Daily Source Code for what are we now at? Wednesday, at least this 2 00:00:09,740 --> 00:00:20,180 will air, that is air in quotation marks on April the 13th, 2005. I'm in my hotel room 3 00:00:20,180 --> 00:00:28,460 at the Waldorf Astoria in New York and it is now quarter past 10 in the evening. Another 4 00:00:28,460 --> 00:00:35,460 stellar day here in the city, I've got to say the energy of this place is just so amazing. 5 00:00:35,460 --> 00:00:40,840 It's good to be back in New York. I almost want to say a great place to visit, but you 6 00:00:40,840 --> 00:00:46,360 wouldn't want to live here, but I wouldn't mind living here again. It's, it's, uh, man, 7 00:00:46,360 --> 00:00:50,720 everybody. So energetic, the streets are just filled with people who want to get shit done 8 00:00:50,720 --> 00:00:55,480 and are going somewhere and are doing things and everybody's gone an angle, which is 9 00:00:55,480 --> 00:01:04,240 always nice. Um, oh, second. I'm, uh, on the I River set up right now with the wireless 10 00:01:04,240 --> 00:01:12,240 microphone set. And I was thinking, what could I do for a podcast? I'm in the bathroom 11 00:01:12,240 --> 00:01:17,520 right now. You can probably tell the difference in acoustics. Um, so for those of you who 12 00:01:17,520 --> 00:01:23,920 are new to the source code and new to the sound seeing tour scene, uh, my set up is a wireless 13 00:01:24,000 --> 00:01:30,480 microphone set. I've got the, uh, the lavalier microphone on. And I've got the, uh, the transmitter, 14 00:01:30,480 --> 00:01:35,600 uh, pack on my belt. And I've got the receiver. Actually, it's in my left hand right 15 00:01:35,600 --> 00:01:41,920 now. Uh, the receiver goes straight into the lining, put of the I River. And, uh, this 16 00:01:41,920 --> 00:01:46,520 is what I've used many times. You can, it's almost like a phone call. When I'm on the 17 00:01:46,520 --> 00:01:51,120 phone, I'm, I'm one of those people who likes to pace around and walk while I talk. 18 00:01:51,200 --> 00:01:55,760 I wonder what, I'm sure there's someone out there, some psychologists who can explain why 19 00:01:55,760 --> 00:02:05,920 some people like to do that. Anyway, um, one of, uh, our bokeh associates, uh, stayed over 20 00:02:05,920 --> 00:02:13,920 an extra night here in New York, he's from D.C. Brian. Uh, and, um, his laptop broke. So I've 21 00:02:13,920 --> 00:02:19,600 given him the, the tablet. So he can use that to do email and spreadsheets and God knows what 22 00:02:19,680 --> 00:02:26,320 he wants to do with it. Download porn. It can just open up my hard drive. So, um, I don't have 23 00:02:26,320 --> 00:02:32,400 all my, uh, all my jingles and sweepers and all that stuff all lined up and, uh, and all the promos. 24 00:02:32,400 --> 00:02:39,040 So if you're going to do something a little different for tonight, um, also, we had such a long day. 25 00:02:39,040 --> 00:02:45,040 It started with an 815 breakfast meeting. Man, I haven't done one of those in years. It was 26 00:02:45,040 --> 00:02:49,440 royalty hotel. I don't know if you know it in New York, but it was great to start off, you know, 27 00:02:49,520 --> 00:02:54,000 power breakfast and then meeting the meeting, the meeting, the cab to meeting and met a whole 28 00:02:54,000 --> 00:02:59,520 bunch of great people, lots of people very enthusiastic about podcasting in, uh, in New York. 29 00:02:59,520 --> 00:03:05,360 And of course, uh, as I've explained before, you know, we're, we're Madison Avenue, uh, the 30 00:03:05,360 --> 00:03:10,400 generates. So we've been meeting lots of advertisers and people who are interested in what they 31 00:03:10,400 --> 00:03:18,880 can do with podcasting. Um, so I thought that what we do is we do a sound scene to 32 00:03:19,360 --> 00:03:28,880 the hotel and actually it wants to do an elevator cast. Um, elevators are interesting. You know, 33 00:03:28,880 --> 00:03:33,520 usually people look at the numbers, right? Look at the floor of the run as it counts down or counts 34 00:03:33,520 --> 00:03:38,880 up. And, uh, if there's more, you know, if people come in in a group, they'll talk amongst themselves, 35 00:03:38,880 --> 00:03:43,600 but lots of times it's just silence and all kinds of different things. And if you really are 36 00:03:43,680 --> 00:03:48,800 listening to what's happening, um, you can hear interesting stuff. So I figured what we do 37 00:03:49,520 --> 00:03:54,960 for the next 30 minutes or so. Also, we just had a great dinner, um, at, uh, home and I brought a 38 00:03:54,960 --> 00:04:00,960 card with me from the restaurant. Let me just grab that from my back pocket. Where do we have 39 00:04:00,960 --> 00:04:10,000 dinner? Bellini, which is on 208 East 52nd Street was just phenomenal. And, uh, Ron, who keeps saying, 40 00:04:10,320 --> 00:04:16,320 he's not snobbished about wine, but he is, uh, ordered a fantastic Italian red wine. And I'm not 41 00:04:16,320 --> 00:04:21,760 a drinker at all. I think most people know, uh, who listen to this show that, uh, I like to smoke my 42 00:04:21,760 --> 00:04:30,160 poisons. Uh, so I'm, uh, I'm a little slow in the speech. So I think what we do is we'd, uh, 43 00:04:30,160 --> 00:04:35,440 run the hallways a little bit, um, ride the elevator for maybe a half hour and, uh, see what we bump 44 00:04:35,520 --> 00:04:40,480 into. And if that's too boring, we'll go into lobby. And we'll just see if we can, uh, get some nice 45 00:04:40,480 --> 00:04:47,360 sounds from the lovely Waldorf, a story in New York City. So let me get everything prepared here. 46 00:04:47,360 --> 00:04:57,920 First of all, me do that. Okay. Now I'm going to remove the headset. There we go. So now I can't 47 00:04:57,920 --> 00:05:04,240 hear myself. I'm just making sure that I river is in the lock position. So nothing goes wrong. 48 00:05:04,880 --> 00:05:08,480 I'm going to do it. I'm going to put the receiver. Actually, I'll put the receiver 49 00:05:08,480 --> 00:05:15,600 and I river into my, hold on. Let me not put it in my left pocket. That's where the cell phone is. 50 00:05:15,600 --> 00:05:20,640 In case I need to talk and there are people around, I will just grab the cell phone real quick. 51 00:05:21,920 --> 00:05:27,520 Okay. Carefully slipping the I river into my pocket as well. Okay. 52 00:05:28,160 --> 00:05:36,640 There we go. Now I'm going to note the time. So 10, 21. So let's say it's 10, 22. So I started 53 00:05:36,640 --> 00:05:46,640 10, 20. So we'll go until at least 10 minutes to 11. And I hope you enjoy the, the sound scene 54 00:05:46,640 --> 00:05:53,040 tour and the elevator cast of the Waldorf story. Let's see what we come up against. Let's see if 55 00:05:53,040 --> 00:05:58,480 we can get any conversations. See if we actually all grab the phone as I walk out the door here. 56 00:05:58,480 --> 00:06:06,240 So I, this is our, this is what we do when we actually heard magic do it the other day when 57 00:06:06,240 --> 00:06:14,240 she did a cast of a target. You do feel a little bit self-conscious when you're doing this. 58 00:06:14,960 --> 00:06:21,200 So I'm on the 15th floor and walked out of my room and just heard the door close. 59 00:06:22,160 --> 00:06:27,760 I'm going to left here past the ice machine and we're going to go on the elevator and let's just see. 60 00:06:27,760 --> 00:06:33,440 There's usually a lot of people going up to their room at this point. The American paper 61 00:06:33,440 --> 00:06:40,400 and forest association is holding a conference in the hotel. So maybe we'll hear some interesting 62 00:06:40,400 --> 00:06:50,880 conversation about paper. So hang right towards the elevators and the minute there are people in 63 00:06:50,880 --> 00:06:59,120 the elevator. I'll stop talking and while I'm alone again with you guys we'll talk again. 64 00:07:00,160 --> 00:07:08,560 So here we are. Getting into the elevator down to the lobby. Hopefully we'll pop up against somebody 65 00:07:08,640 --> 00:07:20,800 12, 11, 10, 9, 8, 7, 6, 5, 4, 3. I'll have to get off when we hit the lobby. 66 00:07:20,800 --> 00:07:24,480 Otherwise people think a very strange just riding the elevator up and down. 67 00:07:30,560 --> 00:07:34,480 Okay. So a very fast elevator. 68 00:07:34,480 --> 00:07:40,080 I'm walking to the lobby for a second here. 69 00:07:45,760 --> 00:07:52,240 We're now in the lobby of the Waldorf. That's why I'm behind these guys. 70 00:07:52,240 --> 00:07:56,960 This will be fun. Let's see if we can follow their conversation. Bear with me now. 71 00:08:04,480 --> 00:08:17,440 We leave them by. We lost Chuckie too. Okay, so unfortunately for those guys weren't going 72 00:08:17,440 --> 00:08:21,760 up in the elevator. So we'll just wait here. Some people are going to ride up. 73 00:08:22,720 --> 00:08:26,000 There's a guy in the phone. Let's follow him. 74 00:08:40,480 --> 00:08:44,160 I don't have a car for you. I've got a couple of essentials. 75 00:08:45,120 --> 00:08:50,800 Cell phone. What else? Toothbrush. What else do you need, right? You with the paper guys? 76 00:08:54,080 --> 00:08:55,520 Is that me? Good night. 77 00:08:59,600 --> 00:09:03,520 Okay. When we started with the conversation, actually this elevator is a little bit too fast. 78 00:09:05,440 --> 00:09:09,520 Okay, I take it up to 15 and then we'll have no one's there. We'll go down again. 79 00:09:15,040 --> 00:09:21,840 No, he didn't. He didn't. No, he doesn't hit. Okay, El. There you go. 80 00:09:23,120 --> 00:09:25,520 14, we're stopping. Let's see if someone jumps on. 81 00:09:30,560 --> 00:09:36,160 It caused briefly and just kept on going down. Man, learning a lot about the elevator here at the 82 00:09:36,160 --> 00:09:42,160 Waldorf. Okay, it looks like we're going all the way down to the lobby. So, good try. 83 00:09:44,640 --> 00:09:52,080 And we're back down in the lobby. 84 00:10:08,640 --> 00:10:11,840 Okay, we're going to follow these people back on the elevator. See where they're from. 85 00:10:14,720 --> 00:10:19,760 Yeah, 86 00:10:26,880 --> 00:10:29,120 I, dude, but I was there a little bit a little bit. 87 00:10:44,160 --> 00:10:59,160 Good night, floor. 88 00:10:59,160 --> 00:11:09,160 Good night. 89 00:11:09,160 --> 00:11:11,160 Okay, they weren't very talkative. 90 00:11:11,160 --> 00:11:14,160 Guess what? We're going back out to 15. 91 00:11:14,160 --> 00:11:18,160 I'm getting dizzy already from this riding the elevator stuff. 92 00:11:22,160 --> 00:11:25,160 Hi, sir. Going down? 93 00:11:28,160 --> 00:11:30,160 It's busy tonight, huh? 94 00:11:30,160 --> 00:11:31,160 Yeah. 95 00:11:31,160 --> 00:11:33,160 Every day, the board office is always busy. 96 00:11:33,160 --> 00:11:34,160 It's crazy. 97 00:11:34,160 --> 00:11:38,160 There's a lot of people from outside the country, just out of town. 98 00:11:38,160 --> 00:11:41,160 Yeah, over, yeah, there were competitions, yeah, beer, 99 00:11:41,160 --> 00:11:42,160 on the time of your competitions. 100 00:11:42,160 --> 00:11:44,160 The American Forests and Paper People? 101 00:11:44,160 --> 00:11:46,160 Yeah, Paper People. They're living tomorrow. 102 00:11:46,160 --> 00:11:48,160 Are they nice? The Paper People? 103 00:11:48,160 --> 00:11:49,160 No, I'm nice. 104 00:11:49,160 --> 00:11:50,160 I'm not. 105 00:11:50,160 --> 00:11:51,160 It's lovely, sir. 106 00:11:51,160 --> 00:11:53,160 Thank you very much. Good night. 107 00:11:53,160 --> 00:12:07,160 So I'm here in the lobby. 108 00:12:07,160 --> 00:12:11,160 I'm just going to stand here for a couple of minutes and see if we bump into 109 00:12:11,160 --> 00:12:13,160 another group that we can follow in. 110 00:12:13,160 --> 00:12:16,160 I just kind of wind no shop. 111 00:12:16,160 --> 00:12:21,160 I see three light expensor shops here in the Waldorf. 112 00:12:21,160 --> 00:12:24,160 You want some bling, man? This is the place to come for your bling. 113 00:12:38,160 --> 00:12:43,160 Some of the conversations are just absolutely hilarious when we listen to them. 114 00:12:45,160 --> 00:12:49,160 So just to throw everybody off track, 115 00:12:49,160 --> 00:12:52,160 we're going to walk across the lobby for a second. 116 00:12:52,160 --> 00:12:56,160 And then we'll walk back and see if we can find another group of people to 117 00:12:56,160 --> 00:13:00,160 ride up with. Again, see if we can strike up conversation. 118 00:13:00,160 --> 00:13:04,160 I'm noticing that the elevators here are extremely fast, 119 00:13:04,160 --> 00:13:08,160 which makes it a little difficult to talk for too long. 120 00:13:08,160 --> 00:13:13,160 But there's also a couple other elevator banks. 121 00:13:13,160 --> 00:13:18,160 Maybe I'll try some of the other ones. 122 00:13:20,160 --> 00:13:26,160 I could also hang out in the bar, but I really want to try and 123 00:13:26,160 --> 00:13:29,160 keep it going with the elevators. 124 00:13:29,160 --> 00:13:32,160 By the way, in the hallway here at the Waldorf, this is beautiful. 125 00:13:32,160 --> 00:13:39,160 It reminds me of home actually, it's a Louis Cutters table with beautiful flower 126 00:13:39,160 --> 00:13:44,160 arrangement that they cut fresh today. 127 00:13:44,160 --> 00:13:48,160 Look at this, there's a whole movie crew here. 128 00:13:48,160 --> 00:13:52,160 I wonder what the film is. 129 00:13:52,160 --> 00:13:55,160 See if we can figure that out. 130 00:13:55,160 --> 00:14:00,160 Looks like a 16-millimeter set up. 131 00:14:00,160 --> 00:14:07,160 So now I'm at the Park Avenue entrance. 132 00:14:07,160 --> 00:14:16,160 It's a ladies who are dressed beautifully, like Game Outfits. 133 00:14:16,160 --> 00:14:21,160 They're a security guard or a cop in the lobby talking a couple of people. 134 00:14:21,160 --> 00:14:25,160 Nice piano in the background. 135 00:14:25,160 --> 00:14:29,160 And it seems like everybody's on their cell phone here. 136 00:14:29,160 --> 00:14:33,160 Which, of course, could mean, hey, what's this? 137 00:14:33,160 --> 00:14:35,160 WB extras holding. 138 00:14:35,160 --> 00:14:40,160 Maybe we're doing some kind of audition for the WB or for Warner Bros. 139 00:14:40,160 --> 00:14:44,160 But it's just walking here and see what we can do to find out. 140 00:14:44,160 --> 00:14:50,160 This is some kind of audition statement, but it's... 141 00:14:50,160 --> 00:14:55,160 Oh, this is that one. 142 00:14:55,160 --> 00:15:00,160 It's definitely a cattle call. 143 00:15:00,160 --> 00:15:08,160 Oh, they're doing some kind of play. 144 00:15:08,160 --> 00:15:13,160 And then it would be at the... 145 00:15:13,160 --> 00:15:16,160 Mm-hmm. 146 00:15:16,160 --> 00:15:20,160 Yes, they are on the end of the... 147 00:15:20,160 --> 00:15:21,160 There we go. 148 00:15:21,160 --> 00:15:23,160 Are these auditions? 149 00:15:23,160 --> 00:15:27,160 No, they're picking photos now, but people are really on this. 150 00:15:27,160 --> 00:15:28,160 No, no. 151 00:15:28,160 --> 00:15:30,160 And the hotel just curious, nosy. 152 00:15:30,160 --> 00:15:38,160 No, this is photographing here and we're doing a background for a movie or a TV pilot. 153 00:15:38,160 --> 00:15:39,160 Really? 154 00:15:39,160 --> 00:15:41,160 Do you know what the name of the pilot is called? 155 00:15:41,160 --> 00:15:42,160 Really? 156 00:15:42,160 --> 00:15:43,160 Do you win it? 157 00:15:43,160 --> 00:15:44,160 Yes. 158 00:15:44,160 --> 00:15:45,160 Okay. 159 00:15:45,160 --> 00:15:46,160 And then it would be exciting. 160 00:15:46,160 --> 00:15:48,160 Well, I don't know, it's late. 161 00:15:48,160 --> 00:15:49,160 Great. 162 00:15:49,160 --> 00:15:51,160 It should be exciting. 163 00:15:51,160 --> 00:15:52,160 Look, look. 164 00:15:52,160 --> 00:15:53,160 Look, look, look. 165 00:15:53,160 --> 00:15:55,160 Look, look, look, look, look. 166 00:15:55,160 --> 00:15:56,160 Are you a principal? 167 00:15:56,160 --> 00:15:57,160 No. 168 00:15:57,160 --> 00:15:58,160 I'm Adam. 169 00:15:58,160 --> 00:15:59,160 I'm dear, friends. 170 00:15:59,160 --> 00:16:00,160 I'm dear. 171 00:16:00,160 --> 00:16:01,160 Yes. 172 00:16:01,160 --> 00:16:02,160 Do you have friends? 173 00:16:02,160 --> 00:16:03,160 So where are you? 174 00:16:03,160 --> 00:16:04,160 Yeah. 175 00:16:04,160 --> 00:16:07,160 I'm a business here in the city from London. 176 00:16:07,160 --> 00:16:09,160 Can you tell me my accent? 177 00:16:09,160 --> 00:16:10,160 No. 178 00:16:10,160 --> 00:16:11,160 Yeah. 179 00:16:11,160 --> 00:16:12,160 Interesting. 180 00:16:12,160 --> 00:16:15,160 The friends say, but it's for the W'd be? 181 00:16:15,160 --> 00:16:16,160 Yes. 182 00:16:16,160 --> 00:16:17,160 All right. 183 00:16:17,160 --> 00:16:18,160 Tell me the B. 184 00:16:18,160 --> 00:16:20,160 What do you apply? 185 00:16:20,160 --> 00:16:22,160 I'm playing a party girl. 186 00:16:22,160 --> 00:16:23,160 Really? 187 00:16:23,160 --> 00:16:24,160 Okay. 188 00:16:24,160 --> 00:16:25,160 You have lines? 189 00:16:25,160 --> 00:16:26,160 No. 190 00:16:26,160 --> 00:16:27,160 Oh, that sucks. 191 00:16:27,160 --> 00:16:28,160 I know. 192 00:16:28,160 --> 00:16:29,160 You got a card? 193 00:16:29,160 --> 00:16:30,160 Are you a bag? 194 00:16:30,160 --> 00:16:31,160 Yeah? 195 00:16:31,160 --> 00:16:32,160 Yeah. 196 00:16:32,160 --> 00:16:34,160 I'm normally pretty full and bust. 197 00:16:34,160 --> 00:16:35,160 Mm-hmm. 198 00:16:35,160 --> 00:16:36,160 Yeah. 199 00:16:36,160 --> 00:16:37,160 I was not working. 200 00:16:37,160 --> 00:16:39,160 I just got back to Las Vegas. 201 00:16:39,160 --> 00:16:40,160 I decided to go. 202 00:16:40,160 --> 00:16:41,160 Working in Vegas or a party. 203 00:16:41,160 --> 00:16:42,160 Yeah, actually. 204 00:16:42,160 --> 00:16:43,160 I actually did a little bit of both. 205 00:16:43,160 --> 00:16:44,160 There isn't that working. 206 00:16:44,160 --> 00:16:47,160 Was it the celebrity program in Bravo? 207 00:16:47,160 --> 00:16:48,160 Sure. 208 00:16:48,160 --> 00:16:49,160 And, um, oh, yeah. 209 00:16:49,160 --> 00:16:50,160 How are you? 210 00:16:50,160 --> 00:16:51,160 I'm my friend, Richard Bells. 211 00:16:51,160 --> 00:16:52,160 You're a small child. 212 00:16:52,160 --> 00:16:53,160 I'm fine. 213 00:16:53,160 --> 00:16:54,160 I'm fine. 214 00:16:54,160 --> 00:16:55,160 Right. 215 00:16:56,160 --> 00:16:57,160 He plays for a picture? 216 00:16:57,160 --> 00:16:58,160 Yeah, of course. 217 00:16:58,160 --> 00:16:59,160 Anyone plays for a picture? 218 00:16:59,160 --> 00:17:00,160 Yeah, of course. 219 00:17:00,160 --> 00:17:01,160 Anyone plays for a picture? 220 00:17:01,160 --> 00:17:02,160 Right. 221 00:17:02,160 --> 00:17:03,160 Yeah. 222 00:17:03,160 --> 00:17:04,160 Cool. 223 00:17:04,160 --> 00:17:05,160 Who is for Julio? 224 00:17:05,160 --> 00:17:06,160 That's good. 225 00:17:06,160 --> 00:17:07,160 That's good. 226 00:17:07,160 --> 00:17:08,160 No. 227 00:17:08,160 --> 00:17:09,160 No. 228 00:17:09,160 --> 00:17:10,160 No. 229 00:17:10,160 --> 00:17:11,160 And. 230 00:17:11,160 --> 00:17:12,160 Did well. 231 00:17:12,160 --> 00:17:13,160 And. 232 00:17:13,160 --> 00:17:15,160 You've met with a lot of other people in the business. 233 00:17:15,160 --> 00:17:16,160 He was really good. 234 00:17:16,160 --> 00:17:17,160 So the business was not. 235 00:17:17,160 --> 00:17:18,160 That's not. 236 00:17:18,160 --> 00:17:19,160 Yeah. 237 00:17:19,160 --> 00:17:20,160 Sorry. 238 00:17:20,160 --> 00:17:21,160 You can combine it. 239 00:17:21,160 --> 00:17:22,160 It was always nice. 240 00:17:22,160 --> 00:17:23,160 Exactly. 241 00:17:23,160 --> 00:17:25,160 What have we discussed? 242 00:17:25,160 --> 00:17:27,160 It's a miracle of my technology. 243 00:17:27,160 --> 00:17:28,160 Hi. 244 00:17:28,160 --> 00:17:29,160 Good. 245 00:17:29,160 --> 00:17:30,160 Fine. 246 00:17:30,160 --> 00:17:32,160 Thank you for welcoming me. 247 00:17:33,160 --> 00:17:34,160 Hold it. 248 00:17:34,160 --> 00:17:35,160 I know. 249 00:17:35,160 --> 00:17:36,160 It's your card. 250 00:17:36,160 --> 00:17:37,160 Me to get up. 251 00:17:37,160 --> 00:17:38,160 It's not good. 252 00:17:38,160 --> 00:17:39,160 I know. 253 00:17:39,160 --> 00:17:41,160 Birthday girl having to get out. 254 00:17:41,160 --> 00:17:42,160 I feel good. 255 00:17:42,160 --> 00:17:43,160 I feel good. 256 00:17:43,160 --> 00:17:44,160 I feel like. 257 00:17:44,160 --> 00:17:45,160 You know. 258 00:17:45,160 --> 00:17:46,160 You know. 259 00:17:46,160 --> 00:17:47,160 You know. 260 00:17:47,160 --> 00:17:48,160 You know. 261 00:17:48,160 --> 00:17:49,160 You know. 262 00:17:49,160 --> 00:17:50,160 Yeah. 263 00:17:50,160 --> 00:17:51,160 You know. 264 00:17:51,160 --> 00:17:52,160 You know. 265 00:17:52,160 --> 00:17:53,160 To which cake. 266 00:17:53,160 --> 00:17:54,200 No, not enough stuff. 267 00:17:54,200 --> 00:17:55,200 Substance. 268 00:17:55,200 --> 00:17:56,200 And if it's put it on. 269 00:17:56,200 --> 00:17:57,160 I'll be back. 270 00:17:57,160 --> 00:17:58,160 Mm hmm. 271 00:17:58,160 --> 00:17:59,160 So I'm just. 272 00:17:59,160 --> 00:18:00,160 You can go. 273 00:18:00,160 --> 00:18:01,160 I'll bring up your dinner. 274 00:18:01,160 --> 00:18:02,160 I'm going to be. 275 00:18:02,160 --> 00:18:03,160 You can go. 276 00:18:03,160 --> 00:18:04,160 So I'll bring up your dinner. 277 00:18:04,160 --> 00:18:05,160 I'll give up. 278 00:18:05,160 --> 00:18:06,160 I'll give up. 279 00:18:06,160 --> 00:18:07,160 Yeah. 280 00:18:07,160 --> 00:18:09,160 I'll be back. 281 00:18:09,160 --> 00:18:10,160 I'll be back. 282 00:18:10,160 --> 00:18:11,160 Thank you. 283 00:18:11,160 --> 00:18:12,160 Okay. 284 00:18:12,160 --> 00:18:13,160 That's it. 285 00:18:13,160 --> 00:18:14,160 So. 286 00:18:14,160 --> 00:18:15,160 All right. 287 00:18:15,160 --> 00:18:16,160 So I'm back up. 288 00:18:16,160 --> 00:18:17,160 I'm so. 289 00:18:17,160 --> 00:18:18,160 I'm so. 290 00:18:18,160 --> 00:18:19,160 But that was interesting. 291 00:18:19,160 --> 00:18:20,160 So I clearly. 292 00:18:20,160 --> 00:18:25,720 Clearly, it's an audition for extras and there must be only three, three, four, five, six. 293 00:18:25,720 --> 00:18:30,760 There must be twenty people here standing in line to get the picture taken to be 294 00:18:30,760 --> 00:18:33,760 extras in the pilot for the prince. 295 00:18:33,760 --> 00:18:34,760 Okay. 296 00:18:34,760 --> 00:18:44,160 Say, what, I'm just going to walk out of here and see if we can go find some more people to talk to. 297 00:18:44,160 --> 00:18:56,320 We could, of course, always talk to some of the extras, but they're boring me. 298 00:18:56,320 --> 00:18:57,920 Welcome back into the lobby. 299 00:18:57,920 --> 00:19:03,320 A little time check here, oh man, times flying, we've already been at it for about 15 minutes. 300 00:19:03,320 --> 00:19:08,560 Let me just double check the eye river, make sure we're still recording. 301 00:19:08,560 --> 00:19:13,880 Indeed, actually 19 minutes, so far, go to a lot faster than anything. 302 00:19:13,880 --> 00:19:25,080 Really, the cell phone is just the best cover you could imagine. 303 00:19:25,080 --> 00:19:30,600 So it was nice meeting, dear Dr, from back into the main lobby here. 304 00:19:43,880 --> 00:19:55,240 So, people taking pictures of themselves and the lobby being from habitat on that's a big 305 00:19:55,240 --> 00:19:56,240 deal. 306 00:19:56,240 --> 00:19:59,800 You can take a lot of pictures myself. 307 00:19:59,800 --> 00:20:12,800 Okay, so, back in front of the salini window shops, okay, people are going up in the 308 00:20:42,800 --> 00:20:45,340 middle of the pool boiling. 309 00:20:45,340 --> 00:20:51,640 Good night! 310 00:20:51,640 --> 00:20:54,120 No. 311 00:20:54,120 --> 00:20:58,660 Good night! 312 00:20:58,660 --> 00:21:06,700 Not recommended, but no. 313 00:21:06,700 --> 00:21:10,320 I don't think you have a card tray for competition, could you give it to me? 314 00:21:10,320 --> 00:21:12,060 Okay. 315 00:21:12,060 --> 00:21:22,060 Okay, so much for that ride. 316 00:21:22,060 --> 00:21:28,060 I guess what I really should do is wait for, how you doing? 317 00:21:28,060 --> 00:21:29,060 Hello. 318 00:21:29,060 --> 00:21:37,060 I should really wait for like a group of people who are already talking to go up to make 319 00:21:37,060 --> 00:21:41,060 a little bit more exciting so we can get some actual conversation 320 00:21:41,060 --> 00:21:44,060 from the maids who just said hi to me. 321 00:21:44,060 --> 00:21:53,060 So let's take another ride down and see if we can catch a group going up. 322 00:21:53,060 --> 00:21:57,060 Here we go. 323 00:21:57,060 --> 00:22:06,060 Waiting for the Vader. These things are so fast. 324 00:22:06,060 --> 00:22:07,060 Okay. 325 00:22:07,060 --> 00:22:09,060 Back down to the lobby. 326 00:22:09,060 --> 00:22:13,060 I wonder how long it's going to take for some of the hotel staff to catch on and think 327 00:22:13,060 --> 00:22:16,060 that I'm a freaking idiot. A Vader fetish. 328 00:22:16,060 --> 00:22:18,060 That's what I've got. 329 00:22:18,060 --> 00:22:21,060 Just love riding the animators. 330 00:22:21,060 --> 00:22:26,060 So if you could beat you and kind of along the floors and other we have now arrived at the lobby again. 331 00:22:26,060 --> 00:22:28,060 So here we go. 332 00:22:36,060 --> 00:22:43,060 Okay. Back down to the lobby. 333 00:22:43,060 --> 00:22:47,060 Walking the other way towards the lex... 334 00:22:47,060 --> 00:22:51,060 I think it's lexing to have on the side of the lobby. 335 00:22:51,060 --> 00:22:53,060 Let me see this. 336 00:22:53,060 --> 00:22:58,060 Let me just check for you. 337 00:22:58,060 --> 00:23:00,060 Yeah. 338 00:23:00,060 --> 00:23:05,060 Lexing to have new entrance. 339 00:23:05,060 --> 00:23:12,060 Okay. 340 00:23:12,060 --> 00:23:14,060 Okay. Let's follow these people up. 341 00:23:14,060 --> 00:23:16,060 They seem to be talking. 342 00:23:16,060 --> 00:23:17,060 Listen to your cool. 343 00:23:17,060 --> 00:23:19,060 Just a hand by. 344 00:23:36,060 --> 00:23:42,060 Okay. 345 00:23:42,060 --> 00:23:45,060 Follow the barrel. 346 00:23:45,060 --> 00:23:47,060 Follow the barrel. 347 00:23:47,060 --> 00:23:48,060 Okay. 348 00:23:48,060 --> 00:23:49,060 Go down. 349 00:23:49,060 --> 00:23:51,060 You're going to do it. 350 00:23:51,060 --> 00:24:03,060 Yeah. 351 00:24:03,060 --> 00:24:05,060 So have a nice trip there. 352 00:24:05,060 --> 00:24:06,060 See you next time. 353 00:24:06,060 --> 00:24:08,060 You're going to go ahead and then tomorrow afternoon. 354 00:24:08,060 --> 00:24:13,060 Let's do it again. 355 00:24:13,060 --> 00:24:16,060 Okay. 356 00:24:16,060 --> 00:24:18,060 Okay. 357 00:24:18,060 --> 00:24:21,060 Okay. 358 00:24:21,060 --> 00:24:22,060 Okay. 359 00:24:22,060 --> 00:24:24,060 Okay. 360 00:24:24,060 --> 00:24:25,060 Okay. 361 00:24:25,060 --> 00:24:26,060 Okay. 362 00:24:26,060 --> 00:24:27,060 Okay. 363 00:24:27,060 --> 00:24:29,060 Okay. 364 00:24:29,060 --> 00:24:30,060 Okay. 365 00:24:30,060 --> 00:24:32,060 Okay. 366 00:24:32,060 --> 00:24:34,060 Okay. 367 00:24:34,060 --> 00:24:46,060 What are you from? 368 00:24:46,060 --> 00:24:53,060 Pointi, t-tea. 369 00:24:53,060 --> 00:24:56,060 Can I.. 370 00:25:02,060 --> 00:25:03,060 Damn. 371 00:25:03,060 --> 00:25:05,820 Damn, it really sucks. 372 00:25:05,820 --> 00:25:07,820 The elevators just too fast. 373 00:25:07,820 --> 00:25:09,820 I can't get a conversation going. 374 00:25:09,820 --> 00:25:16,340 So, actually that guy got off on the same floor as I did on 15. 375 00:25:16,340 --> 00:25:20,340 So, we'll ride it back down again. 376 00:25:20,340 --> 00:25:25,100 Maybe we'll go back to the WB casting call 377 00:25:25,100 --> 00:25:27,860 and see if we can strike up a conversation there. 378 00:25:27,860 --> 00:25:31,060 Oh, man, static electricity in New York is nuts. 379 00:25:33,060 --> 00:25:35,060 Okay. 380 00:25:35,060 --> 00:25:37,060 Back down to the lobby. 381 00:25:42,060 --> 00:25:45,060 It's a big little old. 382 00:25:45,060 --> 00:25:48,060 I wonder if there's a camera in this elevator 383 00:25:48,060 --> 00:25:51,060 and they're registering me riding up and down 384 00:25:51,060 --> 00:25:54,060 as a couple of guys in a security booth somewhere, 385 00:25:54,060 --> 00:25:56,060 worrying about what the frick I'm doing. 386 00:25:56,060 --> 00:25:58,060 Lobby, here we are. 387 00:26:04,060 --> 00:26:07,060 Okay, back in the lobby. 388 00:26:07,060 --> 00:26:12,060 And see, probably going to keep it going for another 10 minutes. 389 00:26:12,060 --> 00:26:18,060 What I'll do is I'll wait by the lobby and then when, uh, 390 00:26:18,060 --> 00:26:22,060 the next group of talkers comes through. 391 00:26:22,060 --> 00:26:28,060 I'll just follow him up. 392 00:26:28,060 --> 00:26:33,060 So, right now, walking behind the door. 393 00:26:33,060 --> 00:26:36,060 I'll just follow him up. 394 00:26:36,060 --> 00:26:38,060 So, right now, walking behind the door. 395 00:26:38,060 --> 00:26:41,060 I'll just follow him up. 396 00:26:41,060 --> 00:26:45,060 So, right now, walking behind the door. 397 00:26:46,060 --> 00:26:50,060 So, right now, walking behind the door. 398 00:26:50,060 --> 00:26:53,060 A couple of the women's beautiful gala dresses. 399 00:26:53,060 --> 00:26:56,060 We're back out through past the flowers, 400 00:26:56,060 --> 00:27:00,060 with the Louis-cut on top of the Louis-cut tour desks. 401 00:27:10,060 --> 00:27:12,060 Back in the central lobby. 402 00:27:15,060 --> 00:27:25,060 Okay, standing here, uh, once again in front of the, uh, 403 00:27:25,060 --> 00:27:28,060 the WB-extra's holding area. 404 00:27:38,060 --> 00:27:43,060 All kinds of interesting people here at this time and night. 405 00:27:43,060 --> 00:27:47,060 Okay, what should we do? 406 00:27:47,060 --> 00:27:51,060 Should we walk into the holding area? 407 00:27:51,060 --> 00:27:59,060 Or should we do another trip on the elevator? 408 00:27:59,060 --> 00:28:03,060 What a horrible time to be doing on additions to being extra at, like, 409 00:28:03,060 --> 00:28:05,060 quarter or another night. 410 00:28:05,060 --> 00:28:07,060 That's pretty intense. 411 00:28:07,060 --> 00:28:11,060 Everybody's on theirself, but let's just outrageous. 412 00:28:13,060 --> 00:28:23,060 Okay. 413 00:28:23,060 --> 00:28:33,060 Okay. 414 00:28:33,060 --> 00:28:36,060 Okay, well, we're going to walk back through the lobby. 415 00:28:36,060 --> 00:28:44,060 See if we can catch a, um, a group of people who are at least talking, 416 00:28:44,060 --> 00:28:48,060 follow them, ride back up again. 417 00:28:48,060 --> 00:28:52,060 I think I can only do this, we want it two more times, 418 00:28:52,060 --> 00:28:57,060 and then we pretty much done the complete sounds seeing tour at the elevator cast. 419 00:29:06,060 --> 00:29:11,060 Okay. 420 00:29:36,060 --> 00:29:53,060 Well, that was bogus. 421 00:29:53,060 --> 00:29:57,060 I followed four women to the elevator, thought they were all together. 422 00:29:57,060 --> 00:30:02,060 Three of them got off on the 11th floor, one stayed on until 14th. 423 00:30:02,060 --> 00:30:05,060 I pressed 26, I have no idea where the heck I'm going. 424 00:30:05,060 --> 00:30:11,060 So what I'll do is I'll get off here and then ride back down. 425 00:30:11,060 --> 00:30:16,060 Okay, since there's no one here, I'll just hit the lobby in. 426 00:30:16,060 --> 00:30:19,060 We'll go back down. This is a different elevator bank. 427 00:30:19,060 --> 00:30:24,060 The bank that I mean doesn't go above 19, I think. 428 00:30:24,060 --> 00:30:26,060 Hey, that's interesting. 429 00:30:27,060 --> 00:30:31,060 I thought there was no 19th floor on this cab or this car. 430 00:30:31,060 --> 00:30:35,060 What is it? Elevator cab? Elevator car? Elevator car, I guess. 431 00:30:35,060 --> 00:30:40,060 Okay, back down to the lobby. We'll walk across the lobby again, 432 00:30:40,060 --> 00:30:46,060 and we'll wait for the final ride up. 433 00:30:46,060 --> 00:30:50,060 Got the cell phone to the ear once again. 434 00:30:50,060 --> 00:30:58,060 They may just also be a little bit too late. 435 00:30:58,060 --> 00:31:06,060 Everyone's kind of retiring for the evening, either that or the just going out. 436 00:31:06,060 --> 00:31:17,060 Nope, nothing going on. 437 00:31:17,060 --> 00:31:22,060 Nobody and nothing. It's a baby crying in the background. 438 00:31:22,060 --> 00:31:27,060 I think he's at way too late. 439 00:31:27,060 --> 00:31:32,060 Pause here by the dresser. 440 00:31:32,060 --> 00:31:35,060 I'll follow these people. 441 00:31:36,060 --> 00:31:39,060 I'll follow these people. 442 00:31:39,060 --> 00:31:53,060 You folks here with a convention? 443 00:31:53,060 --> 00:32:07,060 Yeah, we were. 444 00:32:08,060 --> 00:32:11,060 Baker? 445 00:32:11,060 --> 00:32:16,060 Broadcasting business. 446 00:32:16,060 --> 00:32:19,060 Yeah, that wasn't me though. 447 00:32:19,060 --> 00:32:23,060 You too, good night. 448 00:32:23,060 --> 00:32:25,060 Oh, they were nice. 449 00:32:25,060 --> 00:32:28,060 Well, I think that's just about it. 450 00:32:28,060 --> 00:32:33,060 Didn't get too much trouble, didn't get to, you have to too many people. 451 00:32:33,060 --> 00:32:38,060 Please, we got our money's worth out of the elevator. 452 00:32:38,060 --> 00:32:41,060 So I'm back on the 15th floor. 453 00:32:41,060 --> 00:32:46,060 Back to my room. 454 00:32:46,060 --> 00:32:49,060 Yeah. 455 00:32:49,060 --> 00:32:55,060 Okay, that was almost a pretty lame mistake that I may just there. 456 00:32:55,060 --> 00:33:00,060 Talking to you guys and around the corner and someone can the other way. 457 00:33:00,060 --> 00:33:04,060 That didn't mean like I was from freaking Mars. 458 00:33:04,060 --> 00:33:14,060 Okay, so we're almost back at the room here. 459 00:33:14,060 --> 00:33:16,060 Get my key. 460 00:33:16,060 --> 00:33:20,060 So it's almost been exactly half an hour. 461 00:33:20,060 --> 00:33:24,060 Okay. 462 00:33:24,060 --> 00:33:26,060 Here we go. 463 00:33:26,060 --> 00:33:27,060 All right. 464 00:33:27,060 --> 00:33:30,060 Well, I hope I didn't bore you too much. 465 00:33:30,060 --> 00:33:33,060 We didn't accomplish as much as I hope we would have. 466 00:33:33,060 --> 00:33:38,060 We had a couple of conversations with him folks. 467 00:33:38,060 --> 00:33:44,060 Tomorrow is a work day in the city. 468 00:33:44,060 --> 00:33:48,060 We've got a conference room and a white board and some stuff. 469 00:33:48,060 --> 00:33:51,060 So it won't be quite as intense as the past couple of days. 470 00:33:51,060 --> 00:33:55,060 So I'll be able to do a quote unquote regular source code with promos. 471 00:33:55,060 --> 00:34:02,060 And actually, note I've mentioned that I'm staying here in the Waldorf people are 472 00:34:02,060 --> 00:34:08,060 sending CDs up to the room and all kinds of interesting things that I can play on the show. 473 00:34:08,060 --> 00:34:11,060 So that'll be for tomorrow. 474 00:34:11,060 --> 00:34:13,060 Thanks everybody for tuning in. 475 00:34:13,060 --> 00:34:16,060 Hope you stayed all the way through this. 476 00:34:16,060 --> 00:34:18,060 And please stay subscribed. 477 00:34:18,060 --> 00:34:20,060 If you have any comments, add a Maccurry dot com. 478 00:34:20,060 --> 00:34:23,060 The podcast feed is at dailysourcecode.com. 479 00:34:23,060 --> 00:34:28,060 Of course, you can always leave a comment on the weblog at www.curry.com. 480 00:34:28,060 --> 00:34:29,060 I'm going to bed. 481 00:34:29,060 --> 00:34:30,060 Take care everybody. 482 00:34:30,060 --> 00:34:31,060 Bye-bye.