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Daily source code April 18, 2005.

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Your DJ has only just begun.

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$16 million worth of airplane strap to my ass.

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The next generation radio content in my ears.

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I like to think I'm flying into the future.

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Hey, everybody.

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How you doing?

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A brand new week.

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It's Monday the 18th of April.

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We are back at the cottage.

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Sheel and out in the big green thing.

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I've got the cast blast of Roland.

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I've kind of extended all the wires.

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So I'm sitting in the reclining green thing.

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It's a big ass chair.

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With a laptop with a pen and a microphone.

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And the infamous words of back what more do you need than two turn tables in a microphone?

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Ah, good to be back with you.

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Good to have the microphone.

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The big setup, which of course is plugged in through the little box.

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My father-in-law made to give it the perfect signal into the microphone in.

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And I got all kinds of stuff lined up for you.

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We've got a mash-up, a young pull-out is sent me another hit test.

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And of course a couple of tunes.

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As always, I'm going to play for you here on the source code.

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So trippy to be using the pen on the screen.

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I don't have this tablet.

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It basically is a laptop where you can do as you can open up the screen and swivel it.

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And then twist it backwards and fold it up over the keyboard.

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Which gives it that distinct tablet feel.

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But basically I'm just using a combination out of the mouse and the pen.

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Because with the pen I can just point to the screen grab the fader and crank it up or crank it down and hit the microphone button.

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A beautiful system.

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Okay, lots of stuff to talk about today.

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Maybe the first observation I have to make is that I am getting a little discouraged with Gmail.

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Although I still totally dig what Gmail brings to the party with search-based email.

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I really am enjoying using that and you're able to open up your email on a browser anywhere and keep all these browser windows open.

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Great way to synchronize of course across multiple machines.

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And I have three now that I'm using full time.

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I've got the power book which is hooked up to the sound system and to the mixer of course.

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That's what I use.

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That's what I use my iPod or on.

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So I can listen to podcasts and actually schedule them in a different Mac program called Megaseg.

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So that can kind of format them.

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So I have different shows playing in different.

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I kind of arrange the order in which they come in based upon some rules.

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I have a lot of fun with that actually creating my own radio station here at home which just runs continuously.

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And even if I walk out of the room and come back later, you know, I have it scheduled so certain things repeat after a while.

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If it's a real short podcast and if I might not have heard it then it'll just play later on.

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And if something comes up that I've heard I hit a key and then it identifies that I've already heard it moves on to the next one.

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It's something I'm playing around with something that I think will be effective for home, car and personal walking around uses as we move podcasting into even more convenient ways to listen.

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So to Gmail, I don't know but I'm getting a hell of a lot of spam.

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And here's the disappointing part.

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You know, you have this.

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What does it? What do they call it? Reports spam? Let me just see.

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I'm just take a quick look at my Gmail here.

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If it's spam, they call it.

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I'm on pulling it up here.

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Yeah, report spam, right?

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And I report spam all the time.

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And what you'd think is that by hitting the report spam button that essentially, you know, Gmail would know,

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okay, this is spam. We won't show that to you anymore, but it just keeps on coming back.

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The same forms of spam, the same, you know, from the same spammer, basically.

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And then you have the report fishing and fishing spelled with PH is a form of tricking users into thinking that you're getting an email from.

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Typically, it's PayPal or Amazon or, you know, one of these big services that you probably actually have an account with.

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And they fake it so that it looks like it's real only if you were to click on these links.

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And usually it's like, you know, we need to verify your account or, you know, provide us your password.

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Of course, you're not supposed to do that anyway.

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But, you know, you have this, all these dialogue boxes so you can report this fishing activity.

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And I don't know, do these guys do anything with it? I'm just literally, if I look at one full page of Gmail.

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So that's 50 emails, what I have it set to, at least 60% is spam.

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And it's, and yeah, you can navigate through it pretty quickly, but it's not, it sucks.

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And then you have this creative filter.

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And that would be another great way to do it.

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You know, it's just creative filter based upon this email, but the creative filter still forces you to fill out, you know, the fields,

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what you want to be filtered out.

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So it's not working for me that well anymore.

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And, you know, I like my adamantcurry.com, which forwards to my Gmail account.

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I want to keep that, you know, I want to keep my Gmail account.

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I don't want to switch accounts. I want to keep it all as it is.

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But the spam is just becoming cumbersome and a big burden.

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So the question to the guys over at Google is, what the hell are you doing about the spam?

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Hi, Adam, this is Greg in New York.

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And I want to tell you about my new podcast, celebrityvinylheaven.com.

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It's the only podcast devoted to records made by your favorite TV and movie stars.

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People like William Schatter, Telly Savolis, Mr. T and more.

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Whether you love him or you love to hate him, we always have a good time at celebrityvinylheaven.com.

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As another thing I've really been missing out on is playing the promo.

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And people, I guess the MP3 feedback at gmail.com isn't working anymore.

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I get a whole bunch of reports that email is still getting bounced back.

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So the best thing to do is, you know what we should do?

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I could set up a filter for this. This would be great.

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If you want to send me a promo for your podcast, send it to adamantcurry.com.

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And in the subject line, put dsc space promo.

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Because I'll filter based upon that and then don't attach the file.

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Just put a URL to somewhere where I can pick the file up so that my gmail account doesn't overload.

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Even though we have two gigs now, hold on, let me grab my tea.

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I'm not drinking a scentsato today. I'm having a nice cup of tea.

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I had already like three scentsails this morning.

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And I'm buzzing.

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So let's do it that way.

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And then I'll set up a filter so that it'll be easier for me to manage the incoming promos.

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And they're getting really cool.

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People are putting some real thought into the promo,

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they're sending and I appreciate it.

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And I love playing them for you.

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I'm here for the gang bang.

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Wait, what was that?

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I'm here for the gang bang?

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Oh, well, listen to that again.

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I'm here for the gang bang.

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Hey Adam, it's Kevin Crossman from the Frat Pack podcast.

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You know the Frat Pack, Ben Stiller Will Ferrell, Owen Wilson, Ben Spawn.

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All those guys in this comedy movies,

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will we cover it all on the Frat Pack podcast?

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Including this little ditty that you might recognize.

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So fun, Adam.

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This isn't really a hit test, but see if you can recognize this.

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I know what it is.

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Oh, yes.

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Oh, yeah.

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Oh, yeah.

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How could you ever forget David's soul?

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Don't give up on his baby.

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Don't make them seem right.

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If you choose and just get it, Adam.

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That's David's soul.

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The original Hatch from Strasking Hatch with his version of Don't Give Up on Us Baby.

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That was a number one hit in 1977.

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You and your listeners will want to check out our recent Strasking Hatch musical special,

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including a version of that song from Owen Wilson.

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Alright, cool.

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Well, we cover all the weird wacky fun with the Frat Pack on our Frat Pack podcast.

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Just go to www.capedo.com, K-E-V-D-O, dot com to learn more about the Frat Pack.

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Check out the wedding crazier starring Vince Vaughn and Owen Wilson and the summer.

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And that's it, thanks Adam.

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Yeah, it was a Frat Pack.

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Get another podcast.

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Let's check in the iPodr.org directory.

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Now, well over 5,000 podcasts listed and actively tracked in the directory.

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iPodr.org.

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We are really kicking some ass with this stuff.

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So I'm going to play a song for you.

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This is something that I wanted to play on Saturday when I did my last podcast from Central Park.

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I think I even mentioned it at the end of the show.

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It would have been nice to have had the cast blaster with me to kind of like fade this one in.

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While I was sitting there listening to the birds chirping and the kids playing.

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A man-son ice cream singing Italian song Chicago Saturday in the park.

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[ Music ]

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Chicago Saturday in the park.

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I think it was the 4th of July.

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Actually, I'll be spending this 4th of July in the United States.

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I'll be in Portland, Oregon.

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Here's the deal.

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I'm doing a keynote at Nomdex.

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What is that somewhere around the 23rd, I believe, 24th?

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Yeah, 23rd through 25th, the thing is Nomdex 5.

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Instead of flying straight back from Seattle, which is where Nomdex is being held,

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I'm going to go to Portland, Oregon.

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That's where I'm going to hook up on the 27th, I think, with the Wing Commander.

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Wing Commander William, my flight instructor.

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He will be going to do some training for a couple days.

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On the 2nd or 3rd, I'll be getting my fixed wing ticket,

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my PPL, my private pilot's license.

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Of course, if all goes according to plan.

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Lots of training between then and now.

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That's actually cranking up tomorrow.

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We've got the airport right nearby tomorrow.

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The Wing Commander will be showing up.

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I guess somewhere between 8 and 9 a.m. he'll be flying over from Antwerp with the Cessna 182 RG.

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RG stands for retractable gear.

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Then we're going to do some training all day Tuesday and then check this out.

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Wednesday, we're also going to do some flight training Wednesday, but first at 11 a.m. on Wednesday.

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The Dutch Marines, I think I told you the story when we did a weeklong broadcast from Iraq

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from Camp Smitty. I was all live on Dutch radio.

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We were there in the compound and also went all over the place with these guys

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to different camps, different cities, different towns within South Western Iraq.

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What was cool about that broadcast wasn't so much.

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Of course, it was great that people back home could hear what we were experiencing

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and we were talking to Marines and they were giving shoutouts back home.

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I still get parents coming up to me saying thank you so much for building that virtual bridge

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between me and my child, which was just that really blew me away.

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It still does when people come up to me and say that.

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But I had a 100 watt FM transmitter, a professional transmitter that I somehow acquired somewhere along the line

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in my broadcast days. I used to use that at the castle so that you could just put a tuner on or a CD

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and put one sound source and hear that throughout the entire place just by tuning in the FM radio.

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Don't need that so much anymore now that we have streaming iTunes and all that stuff.

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But I had taken that over with me and we set it up at the base camp so that the Marines,

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at that point, had listened to all of their CD collections at least 15 or 20 times and were pretty bored.

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I could actually listen to our broadcasts, not just our broadcasts.

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Excuse me, but we also had a satellite dish with a downlink.

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So they could also listen 24 hours a day to the radio station radio Veronica is the station that we did that for.

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And I remember distinctly walking around through the tents and the prefab units and seeing groups of people

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huddled around the radio just listening, listening to the radio, doing nothing else but looking at the wireless.

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The way it used to be when back in the day before television you'd sit down.

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Martha, Martha, I've got Pittsburgh on the wireless, you know, the green hornet show.

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And so we decided right then and there, I wouldn't leave this transmitter, you know,

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and Veronica was also kind enough to leave their downlink and their satellite dish.

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And so for the god how long have they been there a year and a half now or a little, yeah, but a year and a half I guess.

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You know, they were able to follow along with everything going on back home and it really boosted morale, which of course was the whole point in the first place.

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And the Dutch marines have now left.

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I think the English are pretty much now.

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The English and Japanese are now in the camps MIDI, keeping watch.

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And the Dutch marines are back.

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And so they want to, you know, obviously return my transmitter.

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Now, you got to know that, you know, we built up quite a relationship with a number of these guys.

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And as does happen when you're in fricking desert, you know, surrounded by potential danger.

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Certainly, we were making friends left and right.

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And so they decided to do something rather unique.

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And I'm supposed to show up on a field in Holland, in Nardin, which is near Hilversum at 11 o'clock.

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And I guess they're going to show up with a cougar helicopter.

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And four or five marines are going to repel down with the transmitter and give it back to me.

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So they're putting on a show.

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And I'm really looking forward to that.

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And of course, I'll be doing some sound seeing over the next few days.

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And I, oh, that's what I wanted to mention.

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I picked up when I was last day in New York, Ron and I went to RCS Experience, which is the store on,

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it's like, it's across from Sony's building.

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So it's like Madison in 55 to 56.

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And it's just a store with cool gadgets, all, you know, laptops, hand-held,

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satellite radio receivers, and everything you could need to go along with that, you know, like headphones.

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In fact, I got a new headset.

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I got a a send-hizer headset with built-in microphone, which is built specifically for gaming.

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And I'm very happy with the quality of it.

225
00:18:42,000 --> 00:18:47,000
I'm not using it now, obviously, I'm using my regular microphone, I'm sure, through the,

226
00:18:47,000 --> 00:18:50,000
through the, the processor so we get the sound that I want.

227
00:18:50,000 --> 00:18:54,000
But it's really very nice headset, particularly for Skype.

228
00:18:54,000 --> 00:18:59,000
And the main reason is that it doesn't go over your head, but it goes behind your neck.

229
00:18:59,000 --> 00:19:02,000
You know, it's one of those types of headsets, which is great because I wear it.

230
00:19:02,000 --> 00:19:09,000
My glasses almost all the time since I discovered that glasses give you much better vision than contact lenses.

231
00:19:10,000 --> 00:19:16,000
And if you're a spectacle where you'll know that putting the headset on really after about 10,

232
00:19:16,000 --> 00:19:20,000
15 minutes, just want to kill yourself from the pain because, you know, the,

233
00:19:20,000 --> 00:19:25,000
the feet of your glasses start digging into your head because of the pressure from the headphones.

234
00:19:25,000 --> 00:19:31,000
And of course, I could take them off, but then, you know, I'm basically, you know, blind, I can't see anything.

235
00:19:31,000 --> 00:19:37,000
And in the store, there was, I think, oops, sorry, I think I have, I'm going to put it to my back here somewhere.

236
00:19:37,000 --> 00:19:41,000
This, of course, is the drawback of sitting in the big green thing with the laptop.

237
00:19:41,000 --> 00:19:45,000
I'm not very mobile. I can't just hop up and go somewhere here. It's my bag.

238
00:19:45,000 --> 00:19:48,000
It's a brand new belkin. I started in high belkin.

239
00:19:48,000 --> 00:19:51,000
Griffin lapel microphone.

240
00:19:51,000 --> 00:19:55,000
And it's, uh, because the only drawback really is that it's white.

241
00:19:55,000 --> 00:19:59,000
So, you know, you can pretty, you can really see that I'm wearing a microphone.

242
00:19:59,000 --> 00:20:05,000
But it's a stereo mic, and I tried it with the eye river, and I'm really pleased with the sound.

243
00:20:05,000 --> 00:20:10,000
And particularly because this is a stereo mic, you get a whole different vibe than the stuff I've been using.

244
00:20:10,000 --> 00:20:13,000
And the microphone only costs like, yeah, I don't know.

245
00:20:13,000 --> 00:20:17,000
Do I have the, I don't have the receipt, but I think it was maybe like 19 bucks or something.

246
00:20:17,000 --> 00:20:23,000
And, you know what, I recorded a short test, a sound seeing test.

247
00:20:23,000 --> 00:20:27,000
Oh, this is not going to do something dangerous here. I'm going to see if I can open.

248
00:20:27,000 --> 00:20:34,000
Now, this is true integration, ladies and gentlemen, I'm going to open up in the cast blaster on the windows tablet.

249
00:20:35,000 --> 00:20:39,000
I'm going to my network places.

250
00:20:39,000 --> 00:20:46,000
And it should say, let me see, I should be able to open up my, yes.

251
00:20:46,000 --> 00:20:51,000
I can open up, I can access my Mac because it has windows sharing enabled.

252
00:20:51,000 --> 00:20:57,000
I'm going to go to the desktop now, let me see if I can find it.

253
00:20:57,000 --> 00:20:59,000
I think this is it.

254
00:20:59,000 --> 00:21:01,000
Oh, let me just select it.

255
00:21:01,000 --> 00:21:05,000
So, you know, the big benefit here is that it, it's just a microphone.

256
00:21:05,000 --> 00:21:09,000
So it doesn't have a preamp or in the case of the stuff that I have.

257
00:21:09,000 --> 00:21:11,000
It doesn't, that I've been using with my wireless mic set.

258
00:21:11,000 --> 00:21:14,000
I have to carry these two black boxes with me.

259
00:21:14,000 --> 00:21:17,000
And this, well, hold on a second, let's see if this is it.

260
00:21:17,000 --> 00:21:18,000
Yeah.

261
00:21:18,000 --> 00:21:21,000
Okay, this is a, a test of the new setup.

262
00:21:21,000 --> 00:21:22,000
Hold on a second.

263
00:21:22,000 --> 00:21:26,000
Right, so I was in the lobby of the, the Waldorf Hotel,

264
00:21:26,000 --> 00:21:28,000
while I was, while I plugged it in.

265
00:21:28,000 --> 00:21:31,000
So basically all I have is just my eye river.

266
00:21:31,000 --> 00:21:35,000
I've got my, my little iPod headphones plugged into listen to it.

267
00:21:35,000 --> 00:21:38,000
And then I plugged the, the griffin mic in and listened to the quality.

268
00:21:38,000 --> 00:21:42,000
And listen to the, particularly the stereo sound.

269
00:21:42,000 --> 00:21:47,000
With the brand new microphone, stereo microphone.

270
00:21:47,000 --> 00:21:57,000
And I think I'm digging it already, this listening to what's on my headphones.

271
00:21:57,000 --> 00:21:59,000
It's so dynamic, you can hear.

272
00:21:59,000 --> 00:22:02,000
It's really popping out my, my ear buds here.

273
00:22:07,000 --> 00:22:12,000
I put my bag on walking through the lobby of the Waldorf Historian.

274
00:22:12,000 --> 00:22:26,000
It's just completely cool.

275
00:22:26,000 --> 00:22:31,000
Lots of intelligent talk there, curry.

276
00:22:31,000 --> 00:22:33,000
stereo system.

277
00:22:33,000 --> 00:22:35,000
stereo mic.

278
00:22:35,000 --> 00:22:40,000
And you can really hear it's by Norl recording, even.

279
00:22:40,000 --> 00:22:44,000
Not quite sure about sounds a little bit nasal perhaps.

280
00:22:44,000 --> 00:22:46,000
But wow.

281
00:22:46,000 --> 00:22:49,000
Getting a great stereo.

282
00:22:49,000 --> 00:22:51,000
Soundscape.

283
00:22:51,000 --> 00:22:55,000
And I got the headphones on.

284
00:22:55,000 --> 00:22:57,000
And we just, for this, focus a little bit this.

285
00:22:57,000 --> 00:22:58,000
Come on.

286
00:22:58,000 --> 00:22:59,000
Wanted to help.

287
00:22:59,000 --> 00:23:01,000
Well, I think we shouldn't do too often.

288
00:23:01,000 --> 00:23:03,000
Probably like health, style, microphone.

289
00:23:03,000 --> 00:23:07,000
I can already tell that I probably need a.

290
00:23:07,000 --> 00:23:13,000
Probably need a wind screen to make it work in all situations.

291
00:23:13,000 --> 00:23:18,000
I plugged directly into the audio in.

292
00:23:18,000 --> 00:23:20,000
Okay, the idea.

293
00:23:20,000 --> 00:23:25,000
What do you want to say, actually, about my I River, I had a 799.

294
00:23:25,000 --> 00:23:27,000
So there's no windscreen at the package.

295
00:23:27,000 --> 00:23:28,000
Okay, there you go.

296
00:23:28,000 --> 00:23:32,000
So you get the idea, what we've essentially now created is the perfect sound

297
00:23:32,000 --> 00:23:34,000
scene to were set up.

298
00:23:34,000 --> 00:23:37,000
So that's the I River, IFP 799.

299
00:23:37,000 --> 00:23:41,000
And using the Griffin lapel stereo microphone, which I haven't

300
00:23:41,000 --> 00:23:43,000
been able to find it online, actually.

301
00:23:43,000 --> 00:23:45,000
Maybe it's brand new or whatever.

302
00:23:45,000 --> 00:23:48,000
I'm very, very pleased with it.

303
00:23:48,000 --> 00:23:50,000
The sound is, it's good.

304
00:23:50,000 --> 00:23:55,000
It sounded a bit nasal, but also it was just clipped onto my, onto the collar

305
00:23:55,000 --> 00:23:58,000
of my, I was wearing a light sweater.

306
00:23:58,000 --> 00:24:02,000
So it was underneath my mouth and I could have positioned it in a different place

307
00:24:02,000 --> 00:24:03,000
and we'll probably get better audio.

308
00:24:03,000 --> 00:24:07,000
And I do need a windscreen for it, because of course I've already heard this

309
00:24:07,000 --> 00:24:09,000
15 minute test or whatever it is.

310
00:24:09,000 --> 00:24:12,000
And the other minute, the wind hits it.

311
00:24:12,000 --> 00:24:15,000
It really hits it hard and it's a bit much.

312
00:24:15,000 --> 00:24:20,000
So I'm going to try and figure out a way to create a little windscreen or something.

313
00:24:20,000 --> 00:24:26,000
Maybe piece of panty hose that I'll cut from one of Patricia's nylon.

314
00:24:26,000 --> 00:24:29,000
Oh man, you know that could end a marriage right there.

315
00:24:29,000 --> 00:24:31,000
That's a dangerous thing to do.

316
00:24:31,000 --> 00:24:36,000
People who listen to jump cut radio with Devon and Nathan are experiencing a breakthrough.

317
00:24:36,000 --> 00:24:38,000
I'm full!

318
00:24:38,000 --> 00:24:40,000
That's right, they're full.

319
00:24:40,000 --> 00:24:45,000
All of new movie reviews celebrity news and info on overlooked classics in cinema.

320
00:24:45,000 --> 00:24:48,000
Here's just a sampling of what you can expect.

321
00:24:48,000 --> 00:24:50,000
It's become ridiculous.

322
00:24:50,000 --> 00:24:52,000
I was over at Best Buy yesterday.

323
00:24:52,000 --> 00:24:55,000
And the ocean swells the only days out.

324
00:24:55,000 --> 00:24:56,000
Really?

325
00:24:56,000 --> 00:24:59,000
So the DVD's 20 bucks, 20 bucks.

326
00:24:59,000 --> 00:25:01,000
That's a little steep for one desk.

327
00:25:01,000 --> 00:25:03,000
That's almost as ridiculous as guess.

328
00:25:03,000 --> 00:25:06,000
It's copy protected on the back.

329
00:25:06,000 --> 00:25:08,000
It has a big old X or something.

330
00:25:08,000 --> 00:25:14,000
It says this disc will only play on certain players, which usually means it won't do shit on a Mac.

331
00:25:14,000 --> 00:25:16,000
But here's the clincher.

332
00:25:16,000 --> 00:25:18,000
No special features.

333
00:25:18,000 --> 00:25:20,000
That's really getting on my nerves.

334
00:25:20,000 --> 00:25:21,000
Nothing.

335
00:25:21,000 --> 00:25:24,000
For 20 bucks, you get the movie.

336
00:25:24,000 --> 00:25:28,000
Then that's for inch subtitles.

337
00:25:28,000 --> 00:25:31,000
So my advice to everyone out there,

338
00:25:31,000 --> 00:25:35,000
wait until you find a copy of Ocean's 12 and some like bargain bins.

339
00:25:35,000 --> 00:25:39,000
If I'm not getting any special features, damn it.

340
00:25:39,000 --> 00:25:40,000
Why in about it, William?

341
00:25:40,000 --> 00:25:41,000
Yeah, well.

342
00:25:41,000 --> 00:25:44,000
After listening to just one episode of Jump Cut Radio,

343
00:25:44,000 --> 00:25:46,000
you will have lost 10 pounds.

344
00:25:46,000 --> 00:25:48,000
guaranteed for your money back.

345
00:25:48,000 --> 00:25:51,000
More information visit jumpcut.lipsen.com.

346
00:25:51,000 --> 00:25:54,000
Or search for Jump Cut Radio with podcast addict.

347
00:25:54,000 --> 00:25:59,000
And remember, Jump Cut Radio is always fair and balanced towards our listeners,

348
00:25:59,000 --> 00:26:01,000
as long as they're views match our own.

349
00:26:01,000 --> 00:26:02,000
Jump Cut Radio.

350
00:26:03,000 --> 00:26:06,000
Movie banter for people with nothing better to do.

351
00:26:06,000 --> 00:26:08,000
Bloded Lesby and welcome.

352
00:26:08,000 --> 00:26:10,000
So let's talk about two things there.

353
00:26:10,000 --> 00:26:12,000
First, Ocean's 12.

354
00:26:12,000 --> 00:26:16,000
I think I mentioned that that was the movie on the flight back from Denver.

355
00:26:16,000 --> 00:26:18,000
And it was very disappointed by this movie.

356
00:26:18,000 --> 00:26:21,000
It was cool because parts of it were filmed in Amsterdam.

357
00:26:21,000 --> 00:26:23,000
And there was a big, you know,

358
00:26:23,000 --> 00:26:28,000
it was a big to do to have, you know, Brad Pitt and George Clooney and Julia Roberts all

359
00:26:28,000 --> 00:26:29,000
walking around Amsterdam.

360
00:26:29,000 --> 00:26:30,000
So that was cool.

361
00:26:30,000 --> 00:26:32,000
The movie was just, I don't know.

362
00:26:32,000 --> 00:26:34,000
It was like, you know, who cares?

363
00:26:34,000 --> 00:26:37,000
It was a thin plot.

364
00:26:37,000 --> 00:26:38,000
Yeah.

365
00:26:38,000 --> 00:26:41,000
It was just, I don't know.

366
00:26:41,000 --> 00:26:43,000
It wasn't for some reason.

367
00:26:43,000 --> 00:26:45,000
It just didn't work as well for me.

368
00:26:45,000 --> 00:26:48,000
And also I think once you know the location that a movie is shot at,

369
00:26:48,000 --> 00:26:50,000
and if you know it intimately,

370
00:26:50,000 --> 00:26:52,000
then you know, you really,

371
00:26:52,000 --> 00:26:53,000
I don't know.

372
00:26:53,000 --> 00:26:56,000
It loses a lot of the magic for some reason.

373
00:26:56,000 --> 00:26:58,000
And a lot of it was shot at the Pulitzer Hotel,

374
00:26:58,000 --> 00:27:00,000
right across my office on the canal.

375
00:27:00,000 --> 00:27:02,000
I've stayed there a couple of times myself.

376
00:27:02,000 --> 00:27:04,000
It's the hotel with the ceilings that are too low

377
00:27:04,000 --> 00:27:08,000
and the struts, the beams that you keep banging your shoulder into.

378
00:27:08,000 --> 00:27:10,000
So that was, you know,

379
00:27:10,000 --> 00:27:12,000
and then also heard in the Jumpcut promo,

380
00:27:12,000 --> 00:27:14,000
I'll talk about copy protection.

381
00:27:14,000 --> 00:27:16,000
I was planning today.

382
00:27:16,000 --> 00:27:18,000
And I was, you know, I'd done all my homework.

383
00:27:18,000 --> 00:27:22,000
I wanted to play a couple of these CDs that Harvey leads it give me from Sony music to play

384
00:27:22,000 --> 00:27:24,000
or from Epic actually.

385
00:27:24,000 --> 00:27:26,000
And one of the missozi su, which he was crazy about.

386
00:27:26,000 --> 00:27:28,000
So I slipped it into my,

387
00:27:28,000 --> 00:27:30,000
into my Mac, you know, obviously,

388
00:27:30,000 --> 00:27:33,000
to create an MP3 or an AAC or whatever to play on the show.

389
00:27:33,000 --> 00:27:34,000
And guess what?

390
00:27:34,000 --> 00:27:36,000
It's copy protected.

391
00:27:36,000 --> 00:27:37,000
You can't play it.

392
00:27:37,000 --> 00:27:39,000
I tried it on my windows machine copy protected.

393
00:27:39,000 --> 00:27:41,000
You can't play it on either of these machines.

394
00:27:41,000 --> 00:27:42,000
So I'm like, well,

395
00:27:42,000 --> 00:27:44,000
you know, what am I going to do now?

396
00:27:44,000 --> 00:27:46,000
I don't have, I'm going to have a regular CD player anymore.

397
00:27:46,000 --> 00:27:48,000
Yet somewhere downstairs,

398
00:27:48,000 --> 00:27:50,000
but I'm not going to start stringing cables, you know,

399
00:27:50,000 --> 00:27:53,000
so that is clearly,

400
00:27:53,000 --> 00:27:54,000
you know,

401
00:27:54,000 --> 00:27:56,000
that's all the whole copy protection idea works, I guess.

402
00:27:56,000 --> 00:27:58,000
I mean, if I really wanted to copy it,

403
00:27:58,000 --> 00:28:00,000
then I just get a cable and, you know,

404
00:28:00,000 --> 00:28:02,000
put it into the input of my Mac,

405
00:28:02,000 --> 00:28:04,000
and I'm going to be able to record it just fine.

406
00:28:04,000 --> 00:28:06,000
But I'm not going to go through all that trouble.

407
00:28:06,000 --> 00:28:07,000
I just shoot.

408
00:28:07,000 --> 00:28:09,000
I just wanted to listen to CD just to sample it.

409
00:28:09,000 --> 00:28:12,000
I can't even copy it legally into my iTunes.

410
00:28:12,000 --> 00:28:15,000
So such a shame.

411
00:28:15,000 --> 00:28:16,000
And it was funny.

412
00:28:16,000 --> 00:28:21,000
There's this, I have a DVD with like a 10,

413
00:28:21,000 --> 00:28:23,000
10, 12 minute.

414
00:28:24,000 --> 00:28:27,000
Piece of video that we cut to show to different people,

415
00:28:27,000 --> 00:28:29,000
you know, what podcasting's about.

416
00:28:29,000 --> 00:28:31,000
It's really, it's a, I'm pretty proud of it.

417
00:28:31,000 --> 00:28:32,000
It's very well done.

418
00:28:32,000 --> 00:28:33,000
Katya actually edited that Katya,

419
00:28:33,000 --> 00:28:37,000
who did our Adams family reality show.

420
00:28:37,000 --> 00:28:39,000
And we burned it onto a DVD,

421
00:28:39,000 --> 00:28:43,000
you know, so that you can basically play it from laptop,

422
00:28:43,000 --> 00:28:44,000
or, you know,

423
00:28:44,000 --> 00:28:47,000
lots of people have DVD players in their conference room these days.

424
00:28:47,000 --> 00:28:50,000
And at, at Epic,

425
00:28:50,000 --> 00:28:52,000
they have a beautiful conference room,

426
00:28:52,000 --> 00:28:53,000
you know, just like the, you know,

427
00:28:53,000 --> 00:28:56,000
the really nice shiny wood and the leather chairs,

428
00:28:56,000 --> 00:28:58,000
and the huge screen, of course,

429
00:28:58,000 --> 00:29:00,000
all this Sony gear.

430
00:29:00,000 --> 00:29:02,000
And we put it into the DVD player.

431
00:29:02,000 --> 00:29:03,000
And it went,

432
00:29:03,000 --> 00:29:06,000
cannot play wrong region.

433
00:29:06,000 --> 00:29:08,000
So here's something I didn't know.

434
00:29:08,000 --> 00:29:13,000
Even if you burn a CD on your European base laptop,

435
00:29:13,000 --> 00:29:15,000
you will not be able to play that DVD,

436
00:29:15,000 --> 00:29:17,000
even though it's your own content.

437
00:29:17,000 --> 00:29:21,000
You won't be able to play that DVD on a different player

438
00:29:21,000 --> 00:29:22,000
in a different region.

439
00:29:22,000 --> 00:29:23,000
You know how it's split up, right?

440
00:29:23,000 --> 00:29:26,000
That's like if you get a DVD from the state,

441
00:29:26,000 --> 00:29:27,000
so you put it into your laptop,

442
00:29:27,000 --> 00:29:28,000
it'll say,

443
00:29:28,000 --> 00:29:29,000
you know,

444
00:29:29,000 --> 00:29:30,000
this is region one,

445
00:29:30,000 --> 00:29:31,000
I think it is.

446
00:29:31,000 --> 00:29:33,000
And you're currently on region two,

447
00:29:33,000 --> 00:29:34,000
which is for Europe.

448
00:29:34,000 --> 00:29:35,000
I think those are the right codes.

449
00:29:35,000 --> 00:29:37,000
I don't know if it's one or two or whatever.

450
00:29:37,000 --> 00:29:39,000
And you have like five chances to change that.

451
00:29:39,000 --> 00:29:40,000
And you know,

452
00:29:40,000 --> 00:29:41,000
and each time you change it,

453
00:29:41,000 --> 00:29:42,000
it drops down one,

454
00:29:42,000 --> 00:29:44,000
then after those five are up,

455
00:29:44,000 --> 00:29:46,000
I guess you're stuck in the region that you're in,

456
00:29:46,000 --> 00:29:47,000
you know,

457
00:29:47,000 --> 00:29:49,000
and you can't play DVD from any other region,

458
00:29:49,000 --> 00:29:50,000
which is just,

459
00:29:50,000 --> 00:29:52,000
so fucking stupid,

460
00:29:52,000 --> 00:29:53,000
it just,

461
00:29:53,000 --> 00:29:55,000
and but to have your own content

462
00:29:55,000 --> 00:29:57,000
be debunked and denied

463
00:29:57,000 --> 00:29:58,000
because of,

464
00:29:58,000 --> 00:29:59,000
you know,

465
00:29:59,000 --> 00:30:00,000
this this rule for,

466
00:30:00,000 --> 00:30:01,000
for Hollywood,

467
00:30:01,000 --> 00:30:02,000
basically,

468
00:30:02,000 --> 00:30:03,000
is just beyond me.

469
00:30:03,000 --> 00:30:04,000
And it,

470
00:30:04,000 --> 00:30:05,000
well,

471
00:30:05,000 --> 00:30:06,000
quite frankly, it pisses me off.

472
00:30:06,000 --> 00:30:07,000
Hello.

473
00:30:07,000 --> 00:30:08,000
Killer.

474
00:30:08,000 --> 00:30:09,000
Innovations.com.

475
00:30:09,000 --> 00:30:11,000
What's in?

476
00:30:11,000 --> 00:30:12,000
What's out?

477
00:30:12,000 --> 00:30:14,000
What's in?

478
00:30:14,000 --> 00:30:15,000
What's in?

479
00:30:15,000 --> 00:30:17,000
What's out?

480
00:30:17,000 --> 00:30:19,000
What's in all about?

481
00:30:20,000 --> 00:30:22,000
A source of ideas

482
00:30:22,000 --> 00:30:24,000
equipping you to create

483
00:30:24,000 --> 00:30:27,000
the next killer innovation.

484
00:30:27,000 --> 00:30:30,000
Listen to film McKinney

485
00:30:30,000 --> 00:30:34,000
on thekillerinnovations.com.com.

486
00:30:34,000 --> 00:30:37,000
And end your creative vacuum.

487
00:30:37,000 --> 00:30:40,000
All right, time for a mash-up.

488
00:30:40,000 --> 00:30:43,000
This one is titled Zombie Kiss Three.

489
00:30:43,000 --> 00:30:45,000
I'm sure benign can already tell

490
00:30:45,000 --> 00:30:48,000
what it's going to be on your daily source code.

491
00:30:48,000 --> 00:30:49,000
The source code.

492
00:30:49,000 --> 00:30:50,000
The source code.

493
00:30:50,000 --> 00:30:51,000
The source code.

494
00:30:51,250 --> 00:33:58,000
[ Music ]

495
00:33:58,000 --> 00:34:00,000
The source code.

496
00:34:00,000 --> 00:34:02,000
The source code.

497
00:34:02,000 --> 00:34:04,000
The source code.

498
00:34:04,000 --> 00:34:10,160
mashup done by Ed Hago Pian. I think I hope I pronounce it that right. Here's a

499
00:34:10,160 --> 00:34:12,960
email. He says, you've reached out and converted another soul and you're

500
00:34:12,960 --> 00:34:16,720
quest to smite the shit out of that relic we call classic radio and to

501
00:34:16,720 --> 00:34:20,040
break the ice I bring an offering of a mashup I did an able to live in an

502
00:34:20,040 --> 00:34:23,640
hour and effort to find two unlikely bed fellows that actually might work

503
00:34:23,640 --> 00:34:27,080
together. No one else other than my closest friend of her this so it was the

504
00:34:27,080 --> 00:34:30,880
most intimate gift I could think of for a complete stranger. Thank you very much Ed

505
00:34:30,880 --> 00:34:34,720
and just know that you're amongst friends here and keep them

506
00:34:34,720 --> 00:34:38,800
coming. That's that able to live stuff is good. I actually I learned some

507
00:34:38,800 --> 00:34:42,280
stuff about this program called Reason Have You Ever seen That Man That's an

508
00:34:42,280 --> 00:34:47,320
awesome awesome it's a sequencing program but you can you can do mixes with it

509
00:34:47,320 --> 00:34:51,400
and it's not a really appropriate for recording podcasts but I also saw

510
00:34:51,400 --> 00:34:55,240
someone actually operated and it's just blown away by the stuff that you

511
00:34:55,240 --> 00:34:59,600
can do with these types of programs. Yes my friends it's a whole new world of

512
00:34:59,600 --> 00:35:05,440
audio. Do you think Ann Colter's an idiot Rush Limbaugh's a hypocrite

513
00:35:05,440 --> 00:35:10,040
George Bush's evil and perhaps stupid. Republicans are running a mock. The

514
00:35:10,040 --> 00:35:13,720
rich should not own the government lock stock and barrel. The environments

515
00:35:13,720 --> 00:35:16,840
actually worth protecting in this country should have this thing called the

516
00:35:16,840 --> 00:35:21,920
democracy and not be run by a theocracy of right wing radicals. If so come

517
00:35:21,920 --> 00:35:27,840
on over to lowlife.com that's L-O-L-I-F-E.com. Listen to my podcast, check out my

518
00:35:27,840 --> 00:35:32,840
blog. Let's change this fucker. Good day sir.

519
00:35:32,840 --> 00:35:37,080
Promote and not necessarily reflect the ideas viewpoints of the host of the

520
00:35:37,080 --> 00:35:38,840
Daily Source Go.

521
00:35:47,840 --> 00:35:54,080
Okay this is Murano from Murano's Minute and this is a promo from my show. We are currently

522
00:35:54,320 --> 00:36:03,120
at W-W-W-W-M-R-O-N-O-S-M-I-N-U-T-E.com. That's Murano's Minute and the show

523
00:36:03,120 --> 00:36:07,560
is usually about whatever I want school, stories, music. It's obviously not a

524
00:36:07,560 --> 00:36:11,840
minute. I mean that'd be really boring. If you want to Skype me my Skype

525
00:36:11,840 --> 00:36:16,880
address is the E-R-I-D-K-I-D. Of course if you want to email me you can just

526
00:36:16,880 --> 00:36:21,040
put it at G-M-L at the end of my Skype address and send an email to

527
00:36:21,040 --> 00:36:25,040
me. Well that's all for now people. I choose.

528
00:36:25,040 --> 00:36:30,040
Okay, there you go. And information with all the promos of course can be found in

529
00:36:30,040 --> 00:36:34,040
the show notes for today's podcast which you can find at DailySource Go.com.

530
00:36:34,040 --> 00:36:39,040
And I also posted at www.curry.com.

531
00:36:39,040 --> 00:36:45,040
Ah, you know what? I have missed. I have really missed. I have missed the test.

532
00:36:45,040 --> 00:36:47,040
Yeah.

533
00:36:53,040 --> 00:36:54,040
Hey, y'all, come on in.

534
00:36:54,040 --> 00:36:56,040
Honey, Adam, I haven't got any idea where you're right now.

535
00:36:56,040 --> 00:36:59,040
At the cottage or when you're gonna play to hit this but today.

536
00:36:59,040 --> 00:37:02,040
There's one for you and we're gonna start right away. This is number one.

537
00:37:02,040 --> 00:37:04,040
Alright, kick it.

538
00:37:06,040 --> 00:37:08,040
Uh, don't waste my time.

539
00:37:12,040 --> 00:37:14,040
No. Is it don't waste my time?

540
00:37:15,040 --> 00:37:18,840
Okay, I know you're sitting there yelling at your iPod, and this is number two

541
00:37:21,840 --> 00:37:24,840
That's uh, SOS fan

542
00:37:29,840 --> 00:37:33,600
You are in my system, you're in my system. I like that. You

543
00:37:35,440 --> 00:37:37,440
I'm talking number three

544
00:37:37,440 --> 00:37:57,840
Yeah, I'm kind of recognizing the bass line, but not doing too well today. I'm afraid young and times up and these are the answers

545
00:37:57,840 --> 00:37:59,840
Number one

546
00:38:00,840 --> 00:38:07,760
It's Karen white and the way you love me. Oh, yeah, I was close

547
00:38:08,750 --> 00:38:36,250
[ Music ]

548
00:38:37,840 --> 00:38:43,680
Karen white and to number one in today's hit test and this is enter number two

549
00:38:45,440 --> 00:38:50,960
That's the best right loose ends. Oh, and this is hanging on a string. Oh, she's this

550
00:38:54,640 --> 00:38:56,640
I should have got this

551
00:38:58,750 --> 00:39:18,750
[ Music ]

552
00:39:21,120 --> 00:39:23,120
Hang in on a string answer number two

553
00:39:23,120 --> 00:39:27,120
And this is answer number three

554
00:39:29,120 --> 00:39:33,600
It's the right of Michael Walden. This is divine emotions. I never would have guessed that one

555
00:39:34,880 --> 00:39:36,880
I think I've ever heard this before

556
00:39:38,750 --> 00:40:03,750
[ Music ]

557
00:40:05,920 --> 00:40:07,920
Man this brings back memories

558
00:40:07,920 --> 00:40:11,280
Not for me, but way back when I used to do a dance show on the radio

559
00:40:12,080 --> 00:40:14,080
This was all music. I used to play

560
00:40:15,280 --> 00:40:17,520
Because it was all a UK and US imports

561
00:40:18,480 --> 00:40:20,960
Okay, there's a long time ago

562
00:40:21,440 --> 00:40:24,320
Well, that's it for a hit test number 33 with whose counting

563
00:40:25,360 --> 00:40:29,360
I am as always feedback is welcome and hit test at gmail.com

564
00:40:29,760 --> 00:40:34,240
You can find information about the hit test and hit test podcast at the ampulet.nl

565
00:40:34,240 --> 00:40:37,280
That's J-A-N-B-O-L-E-T-D-T-N-L

566
00:40:38,400 --> 00:40:43,360
All right, yeah, but I don't have a safe trip you and see you next time for the next edition of the hit test

567
00:40:43,760 --> 00:40:52,240
All right, buddy. Thank you very much. I'm glad everybody with the hit test number 33 is already made 33 of those and we've never even met

568
00:40:59,440 --> 00:41:05,600
The live from Rotterdam, the Netherlands. This is electronic entertainment bringing you the best of space music

569
00:41:05,600 --> 00:41:35,360
You know, I'm not really one for house music and

570
00:41:35,440 --> 00:41:41,360
Techno and stuff like that, but I did check out this space music.nl this podcast and it's really cool

571
00:41:41,360 --> 00:41:47,520
It's kind of trippy. It was the kind of thing that you can put on the Sunday morning and a particularly with the like they have soundscapes and

572
00:41:49,040 --> 00:41:56,160
Their version of sound seeing yet. It's not bad. I kind of like it and man. There's just so much

573
00:41:56,160 --> 00:42:01,040
There's so many podcasts so many diverse creative ideas that are out there. I'm just

574
00:42:01,120 --> 00:42:07,280
Lated with everything that's coming in on a daily basis trying to keep up with the the workload on the ipodder.org

575
00:42:07,280 --> 00:42:11,520
Just all of the the new shows that have to be categorized and put into spots and the

576
00:42:12,320 --> 00:42:18,160
The no-dead editors are doing great great work on that and we all should be pretty happy that we've now crossed that

577
00:42:18,800 --> 00:42:22,640
5,000 podcast milestone. It's absolutely awesome

578
00:42:23,120 --> 00:42:29,520
Okay, so that puts us at 42 minutes for today's source code. We're gonna wrap it up. Of course, I'll be back tomorrow

579
00:42:29,760 --> 00:42:32,400
As I said with a sound seeing tour with the new setup

580
00:42:34,560 --> 00:42:40,240
Which now is actually become kind of affordable. You know, I think you can get an i-river 799 for somewhere around

581
00:42:40,720 --> 00:42:45,680
Was it 65 or 70 bucks and then this microphone for under $100?

582
00:42:46,080 --> 00:42:52,000
You could be done and you could be rolling with your very own sound seeing tour setup. I love this stuff

583
00:42:52,480 --> 00:42:54,480
Power

584
00:42:54,880 --> 00:43:00,160
So thanks for checking us out today. Stay subscribed. You can find the podcast via David source code.com

585
00:43:00,160 --> 00:43:02,160
That's where you can find the latest showing all the archives

586
00:43:02,640 --> 00:43:06,400
Feedback adamantcurry.com or I can always leave a comment to my web blog

587
00:43:06,400 --> 00:43:12,560
www.curry.com and if you're gonna send me a promo send it to adamantcurry.com put in the subject line

588
00:43:13,200 --> 00:43:18,640
dsc space promo and then whatever the hell you want to put after that so I know what promo it's about

589
00:43:18,640 --> 00:43:25,760
It's like I'm set up a filter to be a lot easier for me to get to all of them. All right everybody. Thanks for checking us out. I'll talk to you tomorrow. Bye. Bye