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The Resource Code April 22nd, 2005.

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Your DJ has only just begun.

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$16 million worth of airplane strapped to my ass.

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The next generation radio content in my ears.

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I like to think I'm flying into this jerk.

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I'm just kidding.

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I'm just kidding.

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Coming to you from the cottage in Guilford and Lovely Surrey UK.

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It's your daily source code.

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Hey, everybody, how you doing?

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It's out of my curry and the big green thing, chilled out.

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Relaxed.

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I've got the cast blaster on the lap.

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Got the high powered microphone and the boom kind of like flowing over the green thing.

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This is the way to do a show.

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Let me tell you.

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I mean, I could even be doing my nails.

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Got a pedicure on doing this.

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This is great.

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Oh, man.

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I feel fuzzy today.

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I really do.

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It's been such an incredibly long week and tense week.

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Lots of traveling, lots of flying.

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Thanks for all the comments and feedback on the sound seem to or from yesterday.

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It seems like even though there was quite a bit that I recorded,

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including driving around with taxi Eric and the Dutch Marines.

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The actual flying lessons, the training sessions seem to grab everybody's fancy.

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I must say it was without a doubt my favorite part too.

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Of course, whenever I sit down and do a show, my phone immediately starts ringing.

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Just put that over there.

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Alrighty.

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So it's the last day of the week.

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It's early here.

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It's five minutes to eleven.

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I'm trying to get into a regular rhythm again and get a swing going here,

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so that I can pretty much get back to my schedule every single day.

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All the traveling definitely messed it up a bit.

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So I had some time to browse through podcast alley.

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See what's hot.

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I had a chance to look at the new podcast that comes through an iPod.org.

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Also, the promo has been coming in.

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Thank you very much for sending them in the way I requested.

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If you want to send me a promo, send it to Adam at Curry.com and put in the subject line.

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DSC space promo and then whatever the heck your promo is about.

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Hey, Adam.

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This is the song we're at a Craig Manganella from Rockaway.

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Crings New York.

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And I've got a podcast.

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My fans is a great way to communicate gig dates.

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Another important thing about my music.

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The fans that subscribe to my RSS feed also get to hear my new songs.

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So immediately after I record left track.

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So if you have listening to like indie music, tell them to come visit my site, Craig'sMusic.net

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and subscribe to my podcast.

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Hey, you know what?

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I see more and more musicians these days doing that and starting to understand the power of the podcast and what you can do with it.

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You know, necessarily have to even, you know, record a show or anything.

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You can just have a website and just put your new music in a podcast feeds.

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The people can receive that and enjoy it and listen to it.

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Show notes are pretty important with that stuff.

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Because you want people, you know, once it's on your MP3 player and, you know, just kind of shows up there.

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You know, it's, it may not be easy for people to find out where it came from.

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But I think that what you should be targeting in that case is probably the podcasters themselves.

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I had a couple of phone conferences last week with some people in the, in the record industry.

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And they're not, you know, they're not all evil.

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I'll tell you.

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In fact, they're running scared.

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The record industry, the music industry is really worried.

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If you, if you had a chance, or if you have a chance, check out Forbes.com.

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Send Whitmore, wrote a very well researched piece, I thought, or at least,

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regarding the music industry part about the rights and what you can play.

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And he, he does the deadhead podcast.

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If you've never heard that, you should definitely check it out.

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And he went around to all of these, and I think there was five or six of them.

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The agencies whose job it is to collect money for the use of records from music,

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whether it's in an elevator, on a radio station, on a podcast, on a download, on a stream.

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You know, whatever it is.

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And basically, everyone said, well, we don't know yet.

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Works still kind of waiting to see what happens.

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And I think I understand why they're waiting to see.

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That's because the record industry, who, of course, are totally on to podcasting.

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No, what's going on?

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They're listening to them.

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I mean, we know that I had a meeting with Harvey Leeds from Epic Records.

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And, you know, he even wants to do his own podcast.

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So they clearly see the promotional value of it.

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And, you know, it's, it's going to be a business decision, which, unfortunately,

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lawyers will also help the record industry make.

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But when I talked to them, I said, look, there's one thing that we don't have on the radio anymore

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that we do have in podcasting.

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And that's the whole concept of somebody really promoting a song or a band or an artist or a CD,

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or whatever, because they genuinely like it.

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And that's what radio used to bring us.

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It used to, you know, used to be able to flip on the radio and hear some excited, hyperactive DJ

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saying, man, I love this record.

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I got to play it again for you.

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You know, where the day is when, when a disjockey would lock himself in the studio.

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And would say, you know, and would defy whatever management had told him and was going to play this record

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every hour until they dragged him out and dragged that record from his cold dead fingers.

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You know, that used to happen, believe it or not.

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It used to happen quite a lot.

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And just the excitement about about a piece of music that you really like passing that on to people.

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That's the best promotion you can get.

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I mean, when, when do you, when you get interested in a band when someone says, hey, check it out.

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Now, of course, we have that on a one to one basis.

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We've had that on the internet for quite a while.

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And I, and I don't like the word independent music or indie music or indie music scene.

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I think pod safe is a much better way to go because if we can create pod safe music.

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And maybe that, maybe that's something that we could talk to Lawrence Lessick about.

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Who, of course, does creative commons.

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Maybe we can create a pod safe license, which is just one of their standard default that you can select,

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which basically will give any pod cast or the right to use their music on a pod cast.

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And perhaps the deal is that if you do that, then you at least have to point back to a place where information can be found about it.

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So, you know, there's something brewing here that really is.

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And, and I'm going to try and make it my business to figure out if we can, if we can push that through,

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if we can get the record industry to understand the incredible value of this type of promotion.

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And it's for, and it's for a number of reasons because you have basically, I think you have like three.

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You have three types of music that that we have to look at licensing.

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One, of course, is I think the least interesting for pod cast is, you know, the, the top 100.

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You know, whatever's being played on radio now and is being sold by the millions is not that interesting to us.

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Because you can get that somewhere else.

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If you think about all of the great back catalog and some, you know, bands that who have just kind of, you know, well, they're old now, right?

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And they have all this tremendous amount of music that, you know, longer are exposed to because radio's no longer playing it.

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Yeah, I think, well, let me take that back.

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Sidelight radio, of course, is very good for back catalog.

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But think about it, you know, I've played a couple of really old songs here and immediately I get tons of email of people saying,

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Oh, man, I, I had never heard that Chicago track before I went out and bought the, bought the CD off of iTunes or I bought that particular track off of iTunes.

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That happens all the time.

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So I think there's a tremendous amount of value in back catalog.

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Very much like Amazon, you know, there's so many books at amazon.com, which you just can't find in a bookstore.

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So what do you do? You know, Amazon is large enough and has the right type of infrastructure to have pieces of catalog like that, which a normal bookstore just has doesn't have the space for.

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So out of print, out of date, out of fashion, but still full of very wonderful, good memories for anybody who's ever heard is song or want to reintroduce to a particular band.

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Look at green day for Christ's sex. I saw them at Woodstock too.

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Yeah, I tell my daughter for her Woodstock too is the original Woodstock, right?

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Yeah, she says, wow, this guy's been around a long time and, you know, I was able to introduce her to green day who now, of course,

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you know, really have a revival on their hands and are, you know, doing tremendously well.

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But I also am able to pick up songs for her and introduce like the sex pistols and the clash and early rolling stones.

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And yes, of course, she all she can recognize a Beatles tune from a million miles away.

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So that's the kind of stuff that is very valuable and that we can do a lot with on podcasting.

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And then, of course, there's the pod safe music, which is this enormous amount of music that is being put up online for people to enjoy.

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It's being used to promote people's, you know, an artist's gigs where you can see them.

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Some of them want to go up to larger distribution and would like to be in record stores and perhaps they actually want a real record deal.

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I don't know if, you know, I don't know if I'd want one personally.

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I think there are a lot of people who are not interested and would like to see if this can be done on the smaller scale where you may sell less.

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Right, but you can be keeping a lot more of what it's actually being sold.

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So I'm very excited about some of the conversations that have been going on.

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And maybe as I said, maybe it's a good place to start that we come up with a pod safe creative commons license that can be easy for musicians to understand.

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To bake right into their MP3, I know there's tools available for that.

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Maybe that's something should, you know, be a part of the creative commons site.

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I don't know, but let's think about that because there's a lot going on.

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He had him, this is Susie Chase and my pod cast is the groove.

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And our of the best of today's R&B and classic soul.

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[ Music ]

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You can check me out at Susie Chase Osborn.blogspot.com.

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As Susie, why see H-A-S-E-O-S-B-O-R-A.blogspot.com?

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I know it's on.

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You have a great day, Adam.

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Thanks a lot.

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All right, holy macro, that's a very long URL.

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Okay, I'll put that in the show notes as along with all the other URLs for the promos that I play on the show.

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Again, if you want to send me a promo, send it to DailySort.

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We add to adamaccurry.com, put in the subject line D-S-C space promo.

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That way my filter will be able to catch it, so I have a nice bin of promos that I can just go into and choose a couple for each show.

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And then also put the name of your promo in the podcast.

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As I said, I was looking at iPod.org today.

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The scripts are back running and stuff is updating again, and there's still quite a backlog of, I think, several hundreds of podcasts,

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but I just can't post all at once, you know, because we'd have a tremendously large page on the homepage.

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So I try to, you know, get as many on there as possible and try to keep the flow moving every single day.

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And at the top of the list, this morning when I looked was mashuptown.com, a weekly mashup podcast.

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So I immediately went over to the page and oh yeah, found something my like, this is booty station on the DailySort's code for Friday April 22.

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[ Music ]

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Shooting station.

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Of course, Stevie Wonder's superstition mixed and matched up with pretty dishes.

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That is art.

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That is art.

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I love it.

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Can't get enough of the mash.

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You're a pure, pure, pure, cool laser sounds.

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Pure.

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You're a fantastic daily source girl.

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That's all that I'm cool.

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Hey Adam.

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This is my D from my daily commute.

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Possibly the only podcast brought to you from a moving car.

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I'm on over and listen to me mues and wax rhapsodic while treging off to the daily grind.

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Subscribe now at feeds.feetburner.com slash my daily commute.

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Yeah, okay.

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I don't know if it's the only podcast from a moving vehicle.

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We've done quite a lot of that.

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Remember Raymond Port who pulled up next to me and was listening to a source code.

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Well, I was recording a new one.

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Yeah, it's been happening.

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But it doesn't matter because I love listening to people in vehicles of all kinds.

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It's just something about it.

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And I had a great visitor here yesterday from the BBC radio forum.

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A radio legend literally.

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Peter Day, who works for Radio 4 and also BBC World Service.

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He does the shows.

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He presents in business and global business.

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And it was great.

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The setup.

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But this has been set up a long time ago.

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And I thought that, you know, I don't know who was coming over.

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I had no idea who this.

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Well, I knew that he was well known Peter Day from his from his work.

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But I had never heard him because I'm not quite sure when his show airs on radio 4,

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when he's on the on the world service.

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And this, it was, oh, man.

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I mean, this typical English, you know, distinguished little bit older,

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but sheveled gentleman shows up and with a big booming radio voice.

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And he was just, you know, it was actually very nice to hear a,

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you know, just one of those old fashioned, beautiful warm, you know,

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wrap you in a blanket type voices.

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And it was funny because he came all by himself,

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came in from London to the train to the cab, came to the house.

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And he had his, he had a little mini disc recorder to record our interview on because it was a radio interview.

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But he still had the old fashioned gray, you know,

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two big, two ugly BBC approved microphone.

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That was attached to it.

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So, and he was really looking at my high river and, you know,

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with just a, a glint of jealousy in his eye saying,

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oh, wow, I wish we could use these, these types of machines.

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This is what the BBC should be doing.

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And it was great.

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He went, you know, way beyond the, you know,

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what is podcasting?

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How did it come to be?

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He was really into the, okay,

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what does this mean to me and my 35 year career in broadcasting?

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And it was just a wonderful conversation.

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And this guy has interviewed presidents and prime ministers and popes and,

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and you name it.

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And he had some great stories.

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And I was just coaxing him the whole time saying,

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man, we need you.

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We need you to come into our community and help us out.

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Teach us.

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You know, it's not just about what kind of mic you use and how well it records.

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But that is of course something that's important as well.

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But what decisions do you make?

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How do you get a conversation going?

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How do you pull the information out of the subject that you're interviewing with?

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How do you make it a conversation?

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And then when you edit it down,

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what do you put in there and why do you make those choices?

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And also I said, wouldn't it be interesting if you could take all of that material?

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Because we sat here for at least an hour and a half yesterday.

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Just nonstop talking, Patricia actually was laughing out loud because you said,

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you guys, you're sitting up there because he was upstairs in the office with me.

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So I can hear every single word downstairs because you're all talking with those big radio voices.

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So real sweetheart this guy was, and smart.

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Oh my god, I had to work overtime just to keep up with him.

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But he had all the right questions.

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And of course he promised that he'd let me know when it'll air.

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I'll shoot him another email just to remind him to do that.

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Because I'd love to put a piece of that on the podcast.

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Because he really did understand when we talk about the monoculture and basically dismantling that

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and making it possible for anybody to broadcast.

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He was really onto the big ideas of that.

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And it was just so refreshing to have someone talk about that and really want to know what the implications can be.

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And he did say something interesting though.

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He said, you are one of the gap closers.

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And I thought that was a beautiful description because I did only close 5% of the gap for this all to happen.

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And that's something that keeps coming up in conversation.

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And so when we talked about the music business and how can we change that and how will it change?

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And what will happen to traditional radio.

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And of course that's not just what radio is.

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In fact, we did stumble upon some interesting things when you say radio.

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But really that used to mean radio receiver would used to be after that came transistor radio receiver.

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You have a radio transmitter, but radio has now become a description for what you hear on the radio.

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But of course, that's not really all the radio is radio used to be the green hornet and the lone ranger.

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And now these wonderful plays and shows that were acted out.

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And the BBC still does just fabulous soundscapes and interviews on location with people.

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So you can hear and you're really there on the spot.

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And it's not just soundbite and boom, we're back to the studio.

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So that's all the stuff that we're going to relearn.

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And I hate reinventing the wheel, but we are going to do a lot of that as we all kind of get our chops together and figure out what we can do with this.

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And I'm just I'd love to get a guy like that into our community and podcasting.

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So I'm trying, I'm doing the best I can.

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Hello, my name is Scott and I'm Kelly and we're the creators of MyVirtualBand.com.

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I'm MyVirtualBand.com.

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Members from all over the world collaborate online, try to record songs.

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For instance, members can take a tune like this.

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And turn it into this.

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You can hear more great songs created on MyVirtualBand.com and our podcasts available at www.radio.myvirtualband.com.

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And if you're a singer, songwriter or musician and would like to join in the fun, simply go to www.myvirtualband.com.

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Register and you can start collaborating today.

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Until next time, I'm Kelly and I'm Scott, rock on.

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That's kind of cool.

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So I guess with myvirtualband.com, you can pick up tracks and add to them, which is a very cool idea.

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00:22:05,000 --> 00:22:09,000
I wonder if you have to do that on a standard setup or if that's all MIDI or how it works,

293
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but it sounds like there's a great place to go collaborate with other musicians I presume.

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I'm still, of course, beta testing, the cast blaster application, which is this beautiful

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little console that I record my podcast with.

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At least when I'm back in the green thing studio at the cottage.

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And on that promo, I was really weird.

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My level, my meters just were all over the board there.

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I'm not quite sure it was going on.

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Also, I've gotten some feedback that, although the microphone sounds good now, that sometimes

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the songs either sound out of phase or still a little too boomy.

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And I really, the only thing I can come up with, because this is pretty much,

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there's no cables, there's no routing that can really go wrong and put it out of phase I presume.

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I think that the sound card that's built into this tablet is probably just a piece of shit.

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00:23:01,000 --> 00:23:05,000
And that's probably what's causing any trouble.

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If you're hearing any, that's probably what's causing it.

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You know, what is it like, a 16-bit sound card, which probably, you know,

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I don't know how that works, but it's probably doing 12 bits or something like that.

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Hey, that's what you get when you buy in a Veritech laptop, ladies and gentlemen.

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I love the show's and YouTube are a riot, and Alex from Switzerland says,

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Charlie and Carol made Israel a place of life and laughter.

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Matt tells us, I just want to do right, and let you know that I'm addicted to Israelisms.

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Israelisms.com is the version only irreverent weekly podcast,

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that's the most puking promo I've heard in a long time.

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That reminds me of top 40 radio is right back in your face puking,

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00:24:05,000 --> 00:24:09,000
but okay, we get it, and it actually is a pretty interesting podcast.

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Israelisms.com. It does make Israel a shining place, and it's nice,

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you know, it's the same thing as when I went to Iraq,

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and I've said this before, you know, you have this vision of what the place is like,

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which is totally been created by MSM, mainstream media has given us,

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and we know why, because like hey, you know, wait a minute,

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let me just stand in front of the shell out building and then take the picture,

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or, you know, let's do the stand up over here with all the children who are playing in the mud and the,

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and the drag, you know, that'll really tug on the hard strings of America

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or television, a global television audience.

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And then when you suddenly are there, and you notice that life has continued to go on,

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and people are, you know, getting married, and having children, and creating work, and jobs,

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and building houses, and of course, that's not everywhere in Iraq.

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But, you know, the same goes for Israel, you know, when you think of Israel, you think immediately

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00:25:01,000 --> 00:25:07,000
of terrorists to a side bombers, you know, that's pretty much what is conjured to mind immediately.

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00:25:07,000 --> 00:25:13,000
And if you hear that, Israelisms.com podcast, it will give you a different perspective, I think.

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00:25:13,000 --> 00:25:19,000
Yeah, no, I know for sure, which is just another beautiful thing about what we're doing.

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And here's a problem I want you to listen to, because I was kind of amazed that this kind of show is cropping up

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as a podcast. Well, I'll talk about it in a second, listen to the promo first.

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00:25:31,000 --> 00:25:35,000
If you haven't yet listened to Rainbow Gossips, you won't know which singing star and the

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00:25:35,000 --> 00:25:39,000
snazzy found online looking for love from the internet.

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You also won't know which news anchor posted this confession of an affair in an online forum.

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You also may not know what old spies Jerry Hallewell keeps in her bedside cabinet.

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There's no point in knowing a really good bit of gossip about the rich and famous, unless you pass it on.

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00:25:51,000 --> 00:25:55,000
Traditionally, focus shared such tidbits of the garden fence or at the water cooler.

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00:25:55,000 --> 00:25:59,000
Now, Rainbow Gossips gives you the chance to share your gossip with the world.

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It really is very simple. You write to us a lot of gossip and we put you in the podcast.

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00:26:03,000 --> 00:26:05,000
What could be fluffier?

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00:26:05,000 --> 00:26:09,000
So, but you've seen a slab out shopping or plumbing, or you've witnessed a stellar

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00:26:09,000 --> 00:26:11,000
hisific, we want to know, and so does the world.

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00:26:11,000 --> 00:26:13,000
Pull us up or drop us a line.

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00:26:13,000 --> 00:26:17,000
And if you haven't been listening, subscribe to the Rainbow Gossips podcast

348
00:26:17,000 --> 00:26:21,000
at www. RainbowGossips.com.

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00:26:21,000 --> 00:26:27,000
RainbowGossips, it's the global water cooler.

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Fun.

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Okay.

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So, I think there's enough of that.

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You know, I think there's enough celebrity television programs,

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magazines filled with pictures of celebrities and gossip.

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Is that really something that we need more of?

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And I'll tell you specifically for my own experience.

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This morning, as an example, at 815, the phone rings.

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It's one of our neighbors.

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And she says, there's a man standing across the road with a telephoto lens

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and he's taking pictures of your house.

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And, you know, of course, it's some gossip magazine

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from, well, more than likely, from the Netherlands.

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And it's like, you know, we have enough of that.

364
00:27:11,000 --> 00:27:13,000
That's what those guys do.

365
00:27:13,000 --> 00:27:17,000
You know, like, with podcasting, you can really, you know, get much more.

366
00:27:17,000 --> 00:27:19,000
You can go much further than that.

367
00:27:19,000 --> 00:27:21,000
Let's get Jerry Hal, howly well to do a podcast.

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I'll be a lot more fun than just saying, oh, you know, here's what she was eating.

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Here's what she was wearing.

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And, you know, and the derogatory old spice.

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You know, it's like that's so mean.

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And, you know, there are people too, okay?

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Really, it's mean when you say that stuff.

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And if you don't know someone, you know,

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it's like if someone said that about your friend or your family or your mom

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or your wife, you know, you'd be pissed off if people were slagging him.

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And then you'd probably do something about it.

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So I'm not a big fan of trying to pull that kind of mainstream media ideas.

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00:27:53,000 --> 00:27:57,000
You know, there's so much more interesting things that we can

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and we should be should be doing.

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That said, Paris Hilton will be starting her podcast.

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Hold on, I think it's, let me see, April 29th.

383
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I'm not quite sure if this is a one-off deal

384
00:28:11,000 --> 00:28:15,000
to promote the House of Wax movie or she'll continue doing it.

385
00:28:15,000 --> 00:28:18,000
Of course, I hope she'll continue doing it.

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And that will be one of the questions I'm going to ask her

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because it's not 100% set in stone yet,

388
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but we've actually narrowed down a day

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and I'm working on the actual hours when it could happen.

390
00:28:29,000 --> 00:28:33,000
But it looks like I can set up a Skype call with that Paris

391
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and interviewer because the, well, here's how it works, right?

392
00:28:37,000 --> 00:28:41,000
So the movie promotion is starting to crank up.

393
00:28:41,000 --> 00:28:44,000
She'll do a big press junket probably in LA

394
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and I don't know if she's going to other countries or whatever,

395
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you know, if this is an international release.

396
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But, you know, essentially they take time out for radio stations

397
00:28:54,000 --> 00:28:56,000
and they've also honored my request

398
00:28:56,000 --> 00:28:59,000
and it looks like we're going to get any to you with Paris Hilton.

399
00:28:59,000 --> 00:29:03,000
And funny enough, what they were talking about

400
00:29:03,000 --> 00:29:09,000
and they is Warner movies was that I would be able to interview Paris

401
00:29:09,000 --> 00:29:12,000
for the Daily Source Code and I would be interviewing her

402
00:29:12,000 --> 00:29:14,000
which would also be a part of her podcast.

403
00:29:14,000 --> 00:29:16,000
And I don't know if that was their idea of hers, but I love it.

404
00:29:16,000 --> 00:29:19,000
You know, so that could be fantastic.

405
00:29:19,000 --> 00:29:21,000
What I'd like to know is what should we talk to her about?

406
00:29:21,000 --> 00:29:25,000
You know, besides the obvious, if you have any questions,

407
00:29:25,000 --> 00:29:28,000
send them off to AtomitCurry.com.

408
00:29:28,000 --> 00:29:30,000
You know what, why don't we do the same thing

409
00:29:30,000 --> 00:29:34,000
so I can filter out all of these emails, put in Paris question

410
00:29:34,000 --> 00:29:37,000
and then as the subject line

411
00:29:37,000 --> 00:29:41,000
and then perhaps even the topic of the question after that.

412
00:29:41,000 --> 00:29:44,000
So I can filter it all out and I won't lose track of it.

413
00:29:44,000 --> 00:29:46,000
And over the next couple of days,

414
00:29:46,000 --> 00:29:49,000
we'll also discuss some of these questions and we can start.

415
00:29:49,000 --> 00:29:54,000
Yeah, we'll do it like as much of a community as possible

416
00:29:54,000 --> 00:29:57,000
if we can speak of a community here at the Daily Source Code.

417
00:29:57,000 --> 00:29:58,000
Which I think we can?

418
00:29:58,000 --> 00:29:59,000
I, yes.

419
00:29:59,000 --> 00:30:00,000
Hello.

420
00:30:00,000 --> 00:30:01,000
Hello.

421
00:30:01,000 --> 00:30:02,000
And Daily Source Code listener.

422
00:30:02,000 --> 00:30:03,000
Yes, that's all you guys.

423
00:30:03,000 --> 00:30:04,000
This is Ted.

424
00:30:04,000 --> 00:30:07,000
He's a TEDbot.fund.ms.

425
00:30:07,000 --> 00:30:09,000
You can go over to our show

426
00:30:09,000 --> 00:30:14,000
and check it out for jokes, fun, and songs.

427
00:30:14,000 --> 00:30:17,000
There's even unexpected stuff like this.

428
00:30:17,000 --> 00:30:21,000
So come on over to TEDbot.fund.ms.

429
00:30:21,000 --> 00:30:25,000
But you never know what's going to happen at all.

430
00:30:25,000 --> 00:30:28,000
TEDbot.fund.ms.

431
00:30:28,000 --> 00:30:30,000
TEDbot.fund.ms.

432
00:30:32,000 --> 00:30:34,000
Thank you.

433
00:30:35,000 --> 00:30:37,000
This is Ted.

434
00:30:37,000 --> 00:30:39,000
Okay.

435
00:30:39,000 --> 00:30:40,000
Wonderful.

436
00:30:40,000 --> 00:30:41,000
Keep in common.

437
00:30:41,000 --> 00:30:43,000
Can't get enough of them.

438
00:30:43,000 --> 00:30:45,000
By the way, it won't air today,

439
00:30:45,000 --> 00:30:46,000
or we won't put it out today.

440
00:30:46,000 --> 00:30:49,000
But Ron and I are going to do our strategy cast.

441
00:30:49,000 --> 00:30:51,000
So I'll either all at least over the weekend

442
00:30:51,000 --> 00:30:53,000
or we'll release it from Monday.

443
00:30:53,000 --> 00:30:56,000
Maybe Monday show because Monday is a much better day for a lot of flow.

444
00:30:56,000 --> 00:30:57,000
Let's see.

445
00:30:57,000 --> 00:30:58,000
We're 30 minutes into it.

446
00:30:58,000 --> 00:31:00,000
That means time for the casting.

447
00:31:00,000 --> 00:31:01,000
Thank you.

448
00:31:01,000 --> 00:31:02,000
Thank you.

449
00:31:02,000 --> 00:31:04,000
It's time for the hit.

450
00:31:04,000 --> 00:31:06,000
With your pull-ups.

451
00:31:06,000 --> 00:31:07,000
Hey, Adam.

452
00:31:07,000 --> 00:31:10,000
This is hit test number 34.

453
00:31:10,000 --> 00:31:12,000
And as you'll probably hear,

454
00:31:12,000 --> 00:31:15,000
it's a bit strange sounding.

455
00:31:15,000 --> 00:31:18,000
That's because I'm testing my new setup.

456
00:31:18,000 --> 00:31:20,000
I've got new hardware, new software,

457
00:31:20,000 --> 00:31:21,000
and a new microphone.

458
00:31:21,000 --> 00:31:24,000
And it's a bit cheap sounding at the moment.

459
00:31:24,000 --> 00:31:26,000
I can't really think about that.

460
00:31:26,000 --> 00:31:28,000
Unfortunately, it's a Blentronics headset.

461
00:31:28,000 --> 00:31:29,000
I'm using it.

462
00:31:29,000 --> 00:31:31,000
It's connected to a new notebook.

463
00:31:31,000 --> 00:31:32,000
I've got a few days ago.

464
00:31:32,000 --> 00:31:35,000
And it's the dot audio 90 headset.

465
00:31:35,000 --> 00:31:36,000
That isn't cheap.

466
00:31:36,000 --> 00:31:39,000
In fact, it's the most expensive non-USB version of the headset

467
00:31:39,000 --> 00:31:41,000
available from my Blentronics.

468
00:31:41,000 --> 00:31:44,000
But it sounds really cheap, and that's because it's probably

469
00:31:44,000 --> 00:31:46,000
because it's made for Skype.

470
00:31:46,000 --> 00:31:47,000
Oh, Scott.

471
00:31:47,000 --> 00:31:50,000
And therefore, the mic has a limited frequency range.

472
00:31:50,000 --> 00:31:53,000
And that is a bit of a shame because it sounds really shitty.

473
00:31:53,000 --> 00:31:54,000
Okay, young.

474
00:31:54,000 --> 00:31:56,000
First of all, I love it when you send me another hit test.

475
00:31:56,000 --> 00:31:58,000
We're already up to number 34.

476
00:31:58,000 --> 00:32:00,000
I can't tell you how much I appreciated.

477
00:32:00,000 --> 00:32:01,000
And it doesn't matter.

478
00:32:01,000 --> 00:32:03,000
It doesn't sound shitty, by the way.

479
00:32:03,000 --> 00:32:06,000
At least your shitty microphone doesn't sound too shitty.

480
00:32:06,000 --> 00:32:07,000
I'm my shitty earphone.

481
00:32:07,000 --> 00:32:10,000
It's more like a telephone than a microphone.

482
00:32:10,000 --> 00:32:11,000
No, no, no, no.

483
00:32:11,000 --> 00:32:15,000
But I'm using a notebook to record this hit test.

484
00:32:15,000 --> 00:32:18,000
It's the setup I will be using in the coming months.

485
00:32:18,000 --> 00:32:24,000
That's because I won't be able to take all the external gear I'm using here with me.

486
00:32:24,000 --> 00:32:28,000
So it's a bit of getting used to the new hardware,

487
00:32:28,000 --> 00:32:32,000
also to the new software because I'm using better number eight of cast blaster.

488
00:32:32,000 --> 00:32:35,000
I've been goofing around with the earlier versions.

489
00:32:35,000 --> 00:32:38,000
And some changes have already been made by mic.

490
00:32:38,000 --> 00:32:41,000
And I must say that mic has done a really great job.

491
00:32:41,000 --> 00:32:42,000
Hey, hold on a second.

492
00:32:42,000 --> 00:32:43,000
I have beta number five.

493
00:32:43,000 --> 00:32:45,000
How did you get beta number eight?

494
00:32:45,000 --> 00:32:48,000
That's what the job delivering this piece of software.

495
00:32:48,000 --> 00:32:49,000
That is great.

496
00:32:49,000 --> 00:32:51,000
It's tool to create a podcast.

497
00:32:51,000 --> 00:32:55,000
And yeah, it is really great software.

498
00:32:55,000 --> 00:33:00,000
Some new changes have been made since better number five that you've been using.

499
00:33:00,000 --> 00:33:01,000
Well, kind of.

500
00:33:01,000 --> 00:33:03,000
And again, that's what I get when I go on the road.

501
00:33:03,000 --> 00:33:05,000
You know, I don't get all the latest beta.

502
00:33:05,000 --> 00:33:08,000
You're using number eight also right now.

503
00:33:08,000 --> 00:33:12,000
At least if you had the time to sort through all your mail.

504
00:33:12,000 --> 00:33:13,000
Yes, yes.

505
00:33:13,000 --> 00:33:15,000
I'm waiting for you when you've got back.

506
00:33:15,000 --> 00:33:19,000
Okay, it has some really great additions.

507
00:33:19,000 --> 00:33:24,000
I'm able now to start all the jingles or sound effects or clips with the function keys.

508
00:33:24,000 --> 00:33:32,000
So I have one to f10 can be used to start and stop all the top 10 files that are preloaded.

509
00:33:32,000 --> 00:33:41,000
And there's also a clear function, which clears all the files that you'll enter into the slots.

510
00:33:41,000 --> 00:33:42,000
Yeah, cool.

511
00:33:42,000 --> 00:33:44,000
That's.

512
00:33:44,000 --> 00:33:49,000
Well, except for the mic, everything is up to standards.

513
00:33:49,000 --> 00:33:51,000
And of course there's a hit test.

514
00:33:51,000 --> 00:33:53,000
So if you're ready, we're going to start right away.

515
00:33:53,000 --> 00:33:54,000
I'm ready, buddy.

516
00:33:54,000 --> 00:33:55,000
It's number one.

517
00:33:55,000 --> 00:33:56,000
Pick it.

518
00:33:56,000 --> 00:33:59,000
Woo!

519
00:33:59,000 --> 00:34:00,000
Papa.

520
00:34:00,000 --> 00:34:04,000
That would be the best of my love.

521
00:34:04,000 --> 00:34:05,000
Yeah.

522
00:34:05,000 --> 00:34:09,000
LTD loves tenderness and devotions.

523
00:34:09,000 --> 00:34:10,000
Great song.

524
00:34:10,000 --> 00:34:12,000
Can't wait to hear the answer.

525
00:34:12,000 --> 00:34:17,000
And this is number two.

526
00:34:17,000 --> 00:34:20,000
Lower branding and self control.

527
00:34:20,000 --> 00:34:27,000
Oh, you made it easy for me today, y'all.

528
00:34:27,000 --> 00:34:33,000
Yeah, it's definitely more branding.

529
00:34:33,000 --> 00:34:34,000
I miss her.

530
00:34:34,000 --> 00:34:38,000
She passed away recently.

531
00:34:38,000 --> 00:34:39,000
Okay.

532
00:34:39,000 --> 00:34:40,000
I'm sorry.

533
00:34:40,000 --> 00:34:42,000
I should wait, I guess, for my time signal.

534
00:34:42,000 --> 00:34:43,000
There we go.

535
00:34:43,000 --> 00:34:44,000
This is the final one.

536
00:34:44,000 --> 00:34:46,000
Number three.

537
00:34:47,000 --> 00:34:48,000
Papa.

538
00:34:48,000 --> 00:34:49,000
Papa.

539
00:34:49,000 --> 00:34:50,000
Papa.

540
00:34:50,000 --> 00:34:52,000
Papa.

541
00:34:52,000 --> 00:34:56,000
In my house, uh, vanity six or apelonia six, one or the two.

542
00:34:56,000 --> 00:34:57,000
In my, or Mary Jangers.

543
00:34:57,000 --> 00:34:58,000
Mary Jangers.

544
00:34:58,000 --> 00:34:59,000
These are the answers.

545
00:34:59,000 --> 00:35:00,000
This is answer.

546
00:35:00,000 --> 00:35:01,000
Number one.

547
00:35:01,000 --> 00:35:02,000
Oh, yeah.

548
00:35:02,000 --> 00:35:03,000
Maybe.

549
00:35:03,000 --> 00:35:04,000
It's a golden oldie.

550
00:35:04,000 --> 00:35:05,000
Woo!

551
00:35:05,000 --> 00:35:07,000
The emotions.

552
00:35:07,000 --> 00:35:08,000
Oh, this is a bonus.

553
00:35:08,000 --> 00:35:09,000
Okay.

554
00:35:09,000 --> 00:35:10,000
I got half a point.

555
00:35:10,000 --> 00:35:20,000
The emotions and the best of our love.

556
00:35:20,000 --> 00:35:22,000
It's a number one in today's hit test.

557
00:35:22,000 --> 00:35:24,000
And this is number two.

558
00:35:24,000 --> 00:35:26,000
It's Laura Brannigan.

559
00:35:26,000 --> 00:35:29,000
The emotions and the best of our love.

560
00:35:29,000 --> 00:35:31,000
It's a number one in today's hit test.

561
00:35:31,000 --> 00:35:32,000
And this is number two.

562
00:35:32,000 --> 00:35:35,000
It's Laura Brannigan.

563
00:35:36,000 --> 00:35:39,000
And the song is titled self-control.

564
00:35:39,000 --> 00:35:41,000
I love this one.

565
00:35:46,250 --> 00:36:05,000
[ Music ]

566
00:36:05,000 --> 00:36:14,000
And how this became a hit to still, uh, unknown for me.

567
00:36:14,000 --> 00:36:16,000
Because it's a really shitty song.

568
00:36:16,000 --> 00:36:17,000
No, it's great.

569
00:36:17,000 --> 00:36:18,000
It still became a hit.

570
00:36:18,000 --> 00:36:19,000
Laura Brannigan and self-control.

571
00:36:19,000 --> 00:36:20,000
Answer number two in today's hit.

572
00:36:20,000 --> 00:36:21,000
You're too young.

573
00:36:21,000 --> 00:36:22,000
You're too young.

574
00:36:22,000 --> 00:36:23,000
You're a member of this.

575
00:36:23,000 --> 00:36:24,000
Answer number three.

576
00:36:26,000 --> 00:36:28,000
The Mary Jangers.

577
00:36:28,000 --> 00:36:29,000
In my house.

578
00:36:29,000 --> 00:36:30,000
This is in my house.

579
00:36:30,000 --> 00:36:32,000
And in good today.

580
00:36:32,000 --> 00:36:33,000
Take a girl.

581
00:36:33,750 --> 00:36:58,750
[ Music ]

582
00:36:59,000 --> 00:37:01,000
Answer number three in today's hit.

583
00:37:03,000 --> 00:37:10,600
Produced by Rick James, the Mary Jane Girls and in my house, and that's it for a hit this number

584
00:37:10,600 --> 00:37:19,640
34 good one, entirely recorded using the cast-blast new software at 8th version of cast-blaster

585
00:37:19,640 --> 00:37:27,640
and I just thought of a new addition to this software so I will go email that to my right away

586
00:37:28,520 --> 00:37:33,880
and hopefully there will be a public release very soon because I heard that many people are very

587
00:37:33,880 --> 00:37:38,360
interested in using this software and you should be because it is really great

588
00:37:40,840 --> 00:37:46,200
okay well Adam this is the end of hit this number 34 I hope you enjoyed this one

589
00:37:47,080 --> 00:37:50,840
and of course if anyone knows I had said with a better sounding mic please let me know

590
00:37:50,840 --> 00:37:58,600
if that's at gmail.com and the web address is ympolet.nl that's j and b-o-l-e-t.nl

591
00:37:59,720 --> 00:38:05,720
but Adam by the way you are right this is number 34 and I have still never met you

592
00:38:05,720 --> 00:38:13,720
still never spoken to you in person so maybe you can change that in a very short time

593
00:38:14,200 --> 00:38:16,200
because I will be gone in less than three weeks

594
00:38:19,160 --> 00:38:22,760
well as I said this is the setup I will be using in the coming months

595
00:38:24,600 --> 00:38:30,680
so I can't change a lot about it but please let me know what you think thank you for listening

596
00:38:30,680 --> 00:38:35,480
and see you next time bye bye all right yon thank you very much my friend once again wonderful

597
00:38:35,480 --> 00:38:41,640
and okay if I can make it over in three weeks I really have no more business in the Netherlands at

598
00:38:41,640 --> 00:38:45,960
all there's nothing left for me to do there except visit family and I try to bring them over here

599
00:38:47,080 --> 00:38:52,280
I certainly will try to hook up with you and if not you know it'll it'll it'll it'll it'll

600
00:38:52,280 --> 00:38:57,240
happen for sure and I wish you of course all the best I know that you got some crap stuff ahead of

601
00:38:57,240 --> 00:39:01,960
you and I really appreciate the fact that you just keep cranking out the hit test and I and I love

602
00:39:01,960 --> 00:39:06,440
the feedback on the cast blast and I'm really honked off of myself that I haven't found beta 8

603
00:39:06,440 --> 00:39:10,920
in my email yet so I'm gonna go do that when we close down the Friday edition of the show

604
00:39:13,960 --> 00:39:17,800
thanks always for subscribing you could find the podcast feed at

605
00:39:17,800 --> 00:39:23,240
data source code dot com that's we can subscribe to it and your iPod or your aggregator

606
00:39:23,240 --> 00:39:27,480
and supports podcasting of course you can always find a way to show there in the archives

607
00:39:27,480 --> 00:39:30,040
to listen directly just by clicking online

608
00:39:30,360 --> 00:39:38,840
comments adamant curry dot com will leave a comment on my weblog www.curry dot com if you

609
00:39:38,840 --> 00:39:45,720
have a promo send it off to adamantcurry dot com and put it in the subject like dsc space promo

610
00:39:45,720 --> 00:39:52,200
and then put whatever the promo is about you got your Paris Hilton questions send it off to me

611
00:39:52,200 --> 00:39:58,520
as well Paris question to add it to curry dot com and I'll report back on what we're gonna ask her

612
00:39:59,400 --> 00:40:04,680
I have some thoughts by certainly not everything I can come up with

613
00:40:04,680 --> 00:40:10,360
they have a great weekend talk to you soon bye bye