1 00:00:00,000 --> 00:00:04,000 Daily source code April 27, 2005. 2 00:00:04,000 --> 00:00:07,000 Yo DJ, are you done? 3 00:00:07,000 --> 00:00:08,000 Me too! 4 00:00:08,000 --> 00:00:12,000 Your DJ has only just begun. 5 00:00:12,000 --> 00:00:16,000 $16 billion worth of airplane strapped to my ass. 6 00:00:16,000 --> 00:00:17,000 Do you know me? 7 00:00:17,000 --> 00:00:20,000 Than the next generation radio content in my ears. 8 00:00:20,000 --> 00:00:23,000 We don't need no sticky drinks, man. 9 00:00:23,000 --> 00:00:26,000 I like to think I'm flying into this jerk. 10 00:00:27,000 --> 00:00:32,000 Hey everybody, from the cottage in the UK, it's the Daily Source code. 11 00:00:34,000 --> 00:00:36,000 And we're back on the air. 12 00:00:36,000 --> 00:00:38,000 What a bunch of crap yesterday. 13 00:00:38,000 --> 00:00:40,000 Oh my goodness. 14 00:00:40,000 --> 00:00:44,000 I had completely underestimated the amount of bandwidth I would need. 15 00:00:44,000 --> 00:00:50,000 When he switched from my dot mac hosting infrastructure to the pod show infrastructure. 16 00:00:50,000 --> 00:00:52,000 But we've opened the floodgates. 17 00:00:52,000 --> 00:00:58,000 So now we've got the bandwidth up and running. 18 00:00:58,000 --> 00:00:59,000 Everyone's able to get the show. 19 00:00:59,000 --> 00:01:01,000 Hopefully you're able to listen to yesterday's show. 20 00:01:01,000 --> 00:01:05,000 I realize that what happens often in these cases is 21 00:01:05,000 --> 00:01:10,000 some iPodders will either download half the file or 22 00:01:10,000 --> 00:01:13,000 some portion of the file and then skip over it. 23 00:01:13,000 --> 00:01:15,000 Or not download anything and skip over it. 24 00:01:15,000 --> 00:01:17,000 So you may have lost yesterday's show. 25 00:01:17,000 --> 00:01:20,000 Of course, encourage you to go immediately to 26 00:01:20,000 --> 00:01:24,000 dailysourcecode.com and download it directly for that's up to you. 27 00:01:24,000 --> 00:01:30,000 Today, more pod safe music, some promos and news about my upcoming trip. 28 00:01:34,000 --> 00:01:38,000 Actually, when I say upcoming trip, the trip starts tonight. 29 00:01:38,000 --> 00:01:42,000 Right now it is 11 o'clock in the curry cottage. 30 00:01:42,000 --> 00:01:45,000 11 a.m. that is on Wednesday morning. 31 00:01:45,000 --> 00:01:46,000 I leave tonight. 32 00:01:46,000 --> 00:01:50,000 I think it's 815 or 830 when I hop on the big red virgin bird 33 00:01:50,000 --> 00:01:53,000 and jet off to Nueva Yorka. 34 00:01:53,000 --> 00:01:55,000 Two days of meetings, then the weekend. 35 00:01:55,000 --> 00:01:58,000 And then we're going to kind of see if we can go out to the west coast or not. 36 00:01:58,000 --> 00:02:01,000 I'm still trying to firm up those plans. 37 00:02:01,000 --> 00:02:04,000 Figure this and some people wanted to see us. 38 00:02:04,000 --> 00:02:09,000 It would be easier just to stay in the states and then do a Monday and Tuesday meeting. 39 00:02:09,000 --> 00:02:13,000 But it doesn't happen, then I'll go back and I'll be back in a couple of weeks. 40 00:02:13,000 --> 00:02:16,000 Hey, New York's where all the publishing money is. 41 00:02:16,000 --> 00:02:19,000 That's where it's all coming from. 42 00:02:19,000 --> 00:02:24,000 Oh, and of course tomorrow, we now have a firm commitment tomorrow. 43 00:02:24,000 --> 00:02:29,000 Ron and I are going to do another strategy task because we're getting pretty close to some real announcements. 44 00:02:29,000 --> 00:02:34,000 I know, I know I'm stringing young, but you know, we've been building up steam and getting everything set. 45 00:02:34,000 --> 00:02:37,000 And you're seeing a bit by bit pieces are starting to happen. 46 00:02:37,000 --> 00:02:39,000 Cast blaster now in beta. 47 00:02:40,000 --> 00:02:43,000 Although not all of the beta invites have gone out. 48 00:02:43,000 --> 00:02:49,000 Of course, if you've downloaded that application sent in your mixer statistics, your computers mixer. 49 00:02:49,000 --> 00:02:52,000 Then you will be hearing about the beta test. 50 00:02:52,000 --> 00:02:54,000 I think it could be up to a week. 51 00:02:54,000 --> 00:02:58,000 We were just delugeed with email and one thing. 52 00:02:58,000 --> 00:03:02,000 We were talking about blind people. 53 00:03:02,000 --> 00:03:07,000 And oh, yes, we've had the conversation about the politically correct way to say it. 54 00:03:07,000 --> 00:03:11,000 The politically impaired is that the blind community doesn't matter. 55 00:03:11,000 --> 00:03:13,000 You know, you are. 56 00:03:13,000 --> 00:03:15,000 And by the way, I'm getting there myself. 57 00:03:15,000 --> 00:03:21,000 Dan, you know, without my glasses and it keeps getting just a little bit worse every single time I haven't checked. 58 00:03:21,000 --> 00:03:26,000 I am completely visually impaired if I don't have my glasses. 59 00:03:26,000 --> 00:03:30,000 So lots of feedback about many, and I talked about this yesterday. 60 00:03:30,000 --> 00:03:32,000 Many, many different initiatives. 61 00:03:32,000 --> 00:03:36,000 And of course, now there are lots of folks who would love to jump in and start reading newspapers 62 00:03:36,000 --> 00:03:40,000 and magazines for the blind and podcasting that. 63 00:03:40,000 --> 00:03:44,000 And there's all kinds of intellectual property issues there, obviously. 64 00:03:44,000 --> 00:03:50,000 So I would of course encourage, you know, these types of publications to figure out a way to service 65 00:03:50,000 --> 00:03:54,000 this rather large group of people who apparently are very interested. 66 00:03:54,000 --> 00:04:01,000 But perhaps even more interesting is getting the visually impaired to podcast, helping them out with that. 67 00:04:01,000 --> 00:04:05,000 And I was talking to Mike, one of the developers of the cast blaster. 68 00:04:05,000 --> 00:04:11,000 And we're talking about, because apparently there are all kinds of hooks and stuff that you can put into 69 00:04:11,000 --> 00:04:18,000 into your applications that hook into Windows accessibility, API or something like that. 70 00:04:18,000 --> 00:04:21,000 Something I definitely have to delve into a little bit deeper. 71 00:04:21,000 --> 00:04:25,000 And although we haven't done any of that in the cast blaster as of yet, 72 00:04:25,000 --> 00:04:29,000 we do, of course, have Jan Palette, who does the hit test. 73 00:04:29,000 --> 00:04:32,000 He's also a cast blaster, beta tester. 74 00:04:32,000 --> 00:04:37,000 And he's giving us a lot of information on what we can do because he's visually impaired. 75 00:04:37,000 --> 00:04:42,000 And, you know, I hope to make not just, you know, all applications I'm involved in, 76 00:04:42,000 --> 00:04:49,000 but also websites, much more visually impaired friendly, VIF, if you will. 77 00:04:49,000 --> 00:04:55,000 And today, a first on the Daily Source Code, I'm proud to present a paid commercial. 78 00:04:55,000 --> 00:05:05,000 Now it's possible to get close to Paris Hilton, even without your passport. 79 00:05:05,000 --> 00:05:11,000 Beginning April 29, tune into Paris Hilton's podcast and spend some time with Paris on account 80 00:05:11,000 --> 00:05:13,000 down to the house of wax. 81 00:05:13,000 --> 00:05:17,000 That's right, all Paris all the time. 82 00:05:17,000 --> 00:05:23,000 To get the Paris Hilton podcast, go to www.houseofwexmovie.com 83 00:05:23,000 --> 00:05:27,000 and click on the podcast link in the mountain. 84 00:05:27,000 --> 00:05:31,000 It's the biggest season, but yeah. 85 00:05:31,000 --> 00:05:36,000 Okay, the Paris Hilton podcast starts as she counts down to the house of wax. 86 00:05:36,000 --> 00:05:37,000 That's the opening of the movie. 87 00:05:37,000 --> 00:05:39,000 It's a remake, I guess. 88 00:05:39,000 --> 00:05:41,000 The house of wax. 89 00:05:41,000 --> 00:05:46,000 And, you know, despite the promo, which is very slick, very professional, like the singers. 90 00:05:46,000 --> 00:05:51,000 I think you're going to see a pretty raw, well, we've seen several sides of Paris, 91 00:05:51,000 --> 00:05:55,000 but I think you're going to see a very raw side, very unedited single voice of her. 92 00:05:55,000 --> 00:05:59,000 Because that's one of the things that I talked to a lot of the folks over at Warner Brothers about 93 00:05:59,000 --> 00:06:03,000 is they were thinking about doing this podcast or approaching Paris about doing it. 94 00:06:03,000 --> 00:06:07,000 She jumped right on, she totally gets it. 95 00:06:07,000 --> 00:06:11,000 And I hope that they won't be doing any post-editing of what she's doing, 96 00:06:11,000 --> 00:06:13,000 but I know that she'll be walking around with a recorder. 97 00:06:13,000 --> 00:06:17,000 I was supposed to interview her, and this has nothing to do with commercials or anything. 98 00:06:17,000 --> 00:06:19,000 This was just a request we put in. 99 00:06:19,000 --> 00:06:21,000 The interviewer about the podcast. 100 00:06:21,000 --> 00:06:23,000 This was supposed to happen tomorrow. 101 00:06:23,000 --> 00:06:25,000 She's on David Letterman. 102 00:06:25,000 --> 00:06:27,000 I presume then tomorrow night. 103 00:06:27,000 --> 00:06:29,000 And she's going to call me from the green room. 104 00:06:29,000 --> 00:06:31,000 Now, since I'm going to be in New York, 105 00:06:31,000 --> 00:06:35,000 of course, I said, well, why don't I try and do a sound seeing tour 106 00:06:35,000 --> 00:06:39,000 from, you know, the, basically, the entrance of the building. 107 00:06:39,000 --> 00:06:42,000 Oh, no, it's not Rockefeller Center, I'm sorry. 108 00:06:42,000 --> 00:06:45,000 At the CBS Broadcast Plaza, that's what it is. 109 00:06:45,000 --> 00:06:47,000 No, no, no, no, no, wrong again. 110 00:06:47,000 --> 00:06:49,000 It's the Ed Sullivan Theatre, that's where it is. 111 00:06:49,000 --> 00:06:54,000 And hopefully just do a one-on-one with Paris in the green room, 112 00:06:54,000 --> 00:06:57,000 without having to deal with the telephone line. 113 00:06:57,000 --> 00:06:59,000 And of course, I have it all set up, in case she doesn't want to, 114 00:06:59,000 --> 00:07:01,000 but it's going to be kind of silly. 115 00:07:01,000 --> 00:07:03,000 So I hope we get that worked out. 116 00:07:03,000 --> 00:07:05,000 And we'll ask her, we'll ask her straight up, 117 00:07:05,000 --> 00:07:09,000 what the plan is, and what she's going to do, 118 00:07:09,000 --> 00:07:11,000 and how is she putting it together? 119 00:07:11,000 --> 00:07:15,000 I think we could all be surprised by young Miss Paris. 120 00:07:15,000 --> 00:07:19,000 So daily source code today, I want to celebrate 121 00:07:19,000 --> 00:07:21,000 a great piece that aired on CBS, 122 00:07:21,000 --> 00:07:23,000 Evening News yesterday. 123 00:07:23,000 --> 00:07:25,000 This was the thing that I was interviewed for, 124 00:07:25,000 --> 00:07:27,000 the piece that I was interviewed for in January, 125 00:07:27,000 --> 00:07:29,000 if you can believe it. 126 00:07:29,000 --> 00:07:31,000 Four months old, unbelievable, 127 00:07:31,000 --> 00:07:34,000 actually almost five months old now, this footage. 128 00:07:34,000 --> 00:07:37,000 And my hair has already been cut and grown back since then, 129 00:07:37,000 --> 00:07:39,000 it's almost the same length. 130 00:07:39,000 --> 00:07:42,000 And it was obviously much shorter than all of the stuff that I, 131 00:07:42,000 --> 00:07:43,000 you know, put in there, 132 00:07:43,000 --> 00:07:46,000 but what was really cool is Sharon O'Fancy, 133 00:07:46,000 --> 00:07:48,000 and her producer, the lovely Linda, 134 00:07:48,000 --> 00:07:51,000 who now, of course, I'm going to have to take out the dinner, 135 00:07:51,000 --> 00:07:53,000 because she finally got this thing on the air, 136 00:07:53,000 --> 00:07:55,000 and it's all of the Dan Rather controversy 137 00:07:55,000 --> 00:07:56,000 and changing of hosts. 138 00:07:56,000 --> 00:07:58,000 And I have no idea how, you know, 139 00:07:58,000 --> 00:08:00,000 they must have had a couple minutes left over in the show, 140 00:08:00,000 --> 00:08:02,000 and what the hell can we put? 141 00:08:02,000 --> 00:08:04,000 Oh yeah, let's grab this thing off the shelf. 142 00:08:07,000 --> 00:08:10,000 They really skewed it towards the music aspect, 143 00:08:10,000 --> 00:08:12,000 and I'm really happy about that. 144 00:08:12,000 --> 00:08:15,000 I put a link on curry.com today, 145 00:08:15,000 --> 00:08:17,000 so you can actually see a piece of the video, 146 00:08:17,000 --> 00:08:19,000 or the whole piece that aired, 147 00:08:19,000 --> 00:08:23,000 and they totally clued right into those serious bitties, 148 00:08:23,000 --> 00:08:27,000 and how that worked when I first stumbled across their stuff, 149 00:08:27,000 --> 00:08:28,000 I started playing it, 150 00:08:28,000 --> 00:08:29,000 and other people started playing it, 151 00:08:29,000 --> 00:08:31,000 Brian from Coverfield didn't interview with them, 152 00:08:31,000 --> 00:08:33,000 and they started selling CDs, 153 00:08:33,000 --> 00:08:34,000 because, you know, 154 00:08:34,000 --> 00:08:36,000 they can sell them directly online, 155 00:08:36,000 --> 00:08:37,000 they press their own CDs, 156 00:08:37,000 --> 00:08:41,000 they've got their own little company that handles all of that, 157 00:08:41,000 --> 00:08:44,000 and of course they all work for the company themselves, 158 00:08:44,000 --> 00:08:46,000 but, you know, they've got all the elements they need, 159 00:08:46,000 --> 00:08:50,000 and they're putting 90% to 95% of the revenue directly in their pocket, 160 00:08:50,000 --> 00:08:52,000 so a couple hundred CDs sold, 161 00:08:52,000 --> 00:08:54,000 and it's a big deal, 162 00:08:54,000 --> 00:08:57,000 particularly if you're hungry in New York. 163 00:08:57,000 --> 00:08:58,000 But it was great, 164 00:08:58,000 --> 00:09:01,000 no pieces of interview with the bitties unfortunately, 165 00:09:01,000 --> 00:09:02,000 but it was very clear, 166 00:09:02,000 --> 00:09:04,000 and I hope that, 167 00:09:04,000 --> 00:09:08,000 I hope that the people who need to know this kind of stuff 168 00:09:08,000 --> 00:09:09,000 were paying attention, 169 00:09:09,000 --> 00:09:11,000 and particularly that's the artist, 170 00:09:11,000 --> 00:09:13,000 and I did get a lot of email from people saying, 171 00:09:13,000 --> 00:09:14,000 okay, how do I do this? 172 00:09:14,000 --> 00:09:15,000 How do I get into it? 173 00:09:15,000 --> 00:09:17,000 That's part of what Ron and I will be talking about 174 00:09:17,000 --> 00:09:18,000 in our strategy cast, 175 00:09:18,000 --> 00:09:20,000 which will do Thursday. 176 00:09:20,000 --> 00:09:22,000 It'll be about something we're calling 177 00:09:22,000 --> 00:09:24,000 the Pods Safe Music Network, 178 00:09:24,000 --> 00:09:26,000 and it's going to be extremely cool. 179 00:09:26,000 --> 00:09:28,000 Right now to celebrate the bitties, 180 00:09:28,000 --> 00:09:30,000 one of my favorite songs, 181 00:09:30,000 --> 00:09:31,000 Hello of a boy, 182 00:09:31,000 --> 00:09:33,000 on the Daily Source God. 183 00:09:33,750 --> 00:12:36,250 [ Music ] 184 00:12:40,000 --> 00:12:42,000 sometimes it's just close my eyes, 185 00:12:42,000 --> 00:12:43,000 listen that song, 186 00:12:43,000 --> 00:12:44,000 think oh yeah, 187 00:12:44,000 --> 00:12:45,000 they're singing about me, 188 00:12:45,000 --> 00:12:47,000 the Bitties. 189 00:12:47,000 --> 00:12:49,000 Check them out on the show notes, 190 00:12:49,000 --> 00:12:50,000 and go buy their CD, 191 00:12:50,000 --> 00:12:51,000 will you? 192 00:12:51,000 --> 00:12:53,000 The lascivious Bitties on your daily source code. 193 00:12:55,000 --> 00:12:57,000 Working for someone else sucks, doesn't it? 194 00:12:57,000 --> 00:12:59,000 It doesn't have to be that way, 195 00:12:59,000 --> 00:13:03,000 that's right, 196 00:13:03,000 --> 00:13:05,000 time to take control of your business life, 197 00:13:05,000 --> 00:13:07,000 time to bust out of that cubicle. 198 00:13:07,000 --> 00:13:08,000 I'm Jonathan Brown, 199 00:13:08,000 --> 00:13:09,000 and I'm Matt Compton, 200 00:13:09,000 --> 00:13:12,000 stop working for the man and start working for yourself, 201 00:13:12,000 --> 00:13:14,000 listen to the cubicle scape pod, 202 00:13:14,000 --> 00:13:17,000 visit www.cubicleacape.com, 203 00:13:17,000 --> 00:13:20,000 that's www.cubicleacape.com. 204 00:13:21,000 --> 00:13:26,000 Okay, yeah, 205 00:13:26,000 --> 00:13:27,000 good podcast. 206 00:13:27,000 --> 00:13:28,000 We'll help you escape, 207 00:13:28,000 --> 00:13:29,000 working for the man. 208 00:13:29,000 --> 00:13:31,000 Would it be great if we could all just sit around 209 00:13:31,000 --> 00:13:32,000 and be podcasting all day, 210 00:13:32,000 --> 00:13:33,000 working for ourselves, 211 00:13:33,000 --> 00:13:35,000 and make enough money off of selling 212 00:13:35,000 --> 00:13:36,000 Senseo, 213 00:13:36,000 --> 00:13:37,000 coffee machines, 214 00:13:37,000 --> 00:13:39,000 and promoting other people's podcasts? 215 00:13:39,000 --> 00:13:40,000 Oh, wonderful world. 216 00:13:40,000 --> 00:13:41,000 Hey, by the way, 217 00:13:41,000 --> 00:13:42,000 the weather today sucks mega. 218 00:13:42,000 --> 00:13:44,000 It's even worse than it was the past two days. 219 00:13:44,000 --> 00:13:45,000 It just all of a sudden, 220 00:13:45,000 --> 00:13:47,000 actually it was a little sunny this morning, 221 00:13:47,000 --> 00:13:49,000 it's got overcast and cloudy. 222 00:13:49,000 --> 00:13:50,000 Now it's raining, 223 00:13:50,000 --> 00:13:52,000 not a nice day. 224 00:13:52,000 --> 00:13:53,000 A nice day to travel though. 225 00:13:53,000 --> 00:13:55,000 I always like to travel when it's raining, 226 00:13:55,000 --> 00:13:56,000 you know, 227 00:13:56,000 --> 00:13:57,000 because nothing else you can do, 228 00:13:57,000 --> 00:13:58,000 but sit inside. 229 00:13:58,000 --> 00:13:59,000 Ivan and Roxy, 230 00:13:59,000 --> 00:14:01,000 my sister-in-law and my niece, 231 00:14:01,000 --> 00:14:03,000 they'll be leaving today as well, 232 00:14:03,000 --> 00:14:04,000 going back to Rotterdam, 233 00:14:04,000 --> 00:14:05,000 where they live. 234 00:14:05,000 --> 00:14:06,000 So Patricia and Christina 235 00:14:06,000 --> 00:14:08,000 will be alone for the next couple days, 236 00:14:08,000 --> 00:14:10,000 and they'll be catching up on 237 00:14:10,000 --> 00:14:12,000 all the stuff that we've kind of left. 238 00:14:12,000 --> 00:14:13,000 You know, 239 00:14:13,000 --> 00:14:14,000 there's lots of hours of work to be done. 240 00:14:14,000 --> 00:14:16,000 And we're trying to get Christina to do it all, 241 00:14:17,000 --> 00:14:18,000 let me see. 242 00:14:18,000 --> 00:14:20,000 What are the things I need to talk to you about today? 243 00:14:20,000 --> 00:14:21,000 Hmm. 244 00:14:21,000 --> 00:14:23,000 I haven't seen the entire magazine. 245 00:14:23,000 --> 00:14:27,000 I saw the cover of one of the gossip magazines 246 00:14:27,000 --> 00:14:28,000 in the Netherlands. 247 00:14:28,000 --> 00:14:29,000 I'll put a link to it in the show notes, 248 00:14:29,000 --> 00:14:30,000 so you can see it, 249 00:14:30,000 --> 00:14:32,000 that remember the paparazzi was hanging out 250 00:14:32,000 --> 00:14:33,000 in front of our house. 251 00:14:33,000 --> 00:14:35,000 So I'm sure there's an in front of our house 252 00:14:35,000 --> 00:14:38,000 picture or a house picture inside the magazine, 253 00:14:38,000 --> 00:14:40,000 but they also got a shopping. 254 00:14:40,000 --> 00:14:42,000 It's so funny. 255 00:14:42,000 --> 00:14:44,000 It looks like they're shopping. 256 00:14:45,000 --> 00:14:48,000 And we're walking down the high street in Guilford. 257 00:14:48,000 --> 00:14:50,000 So they must have followed us, 258 00:14:50,000 --> 00:14:52,000 which of course isn't that hard to do. 259 00:14:52,000 --> 00:14:55,000 It's a pretty close-knit community, 260 00:14:55,000 --> 00:14:58,000 close proximity really. 261 00:14:58,000 --> 00:15:00,000 So what was the headline? 262 00:15:00,000 --> 00:15:02,000 It's like Adam, 263 00:15:02,000 --> 00:15:03,000 you know, 264 00:15:03,000 --> 00:15:05,000 the prefay that's the name of this magazine 265 00:15:05,000 --> 00:15:07,000 has found Adam and Patricia. 266 00:15:07,000 --> 00:15:08,000 They've been hiding away in England. 267 00:15:08,000 --> 00:15:09,000 Yes, we have. 268 00:15:09,000 --> 00:15:10,000 We've been hiding from you, 269 00:15:10,000 --> 00:15:11,000 Docs. 270 00:15:11,000 --> 00:15:12,000 Didn't you realize that yet? 271 00:15:13,000 --> 00:15:16,000 You're listening to the Johnny B. 272 00:15:16,000 --> 00:15:19,000 Show podcasting. 273 00:15:19,000 --> 00:15:21,000 In Minnesota. 274 00:15:21,000 --> 00:15:24,000 It's the Johnny B. 275 00:15:24,000 --> 00:15:26,000 Alright, Adam, 276 00:15:26,000 --> 00:15:28,000 this is Johnny B. 277 00:15:28,000 --> 00:15:30,000 And with me is Jason Gears, 278 00:15:30,000 --> 00:15:31,000 part-time, 279 00:15:31,000 --> 00:15:34,000 done so the Northwest Noise podcast with Tim Germer. 280 00:15:34,000 --> 00:15:36,000 And I'm with the Johnny B. 281 00:15:36,000 --> 00:15:37,000 Show, 282 00:15:37,000 --> 00:15:39,000 and we're doing a live show at Burnsville High School in Minnesota, 283 00:15:40,000 --> 00:15:43,000 where we recorded some drum lines. 284 00:15:47,000 --> 00:15:49,000 Adam, we missed you. 285 00:15:49,000 --> 00:15:51,000 And please come to Minnesota, 286 00:15:51,000 --> 00:15:52,000 keep us both warm. 287 00:15:52,000 --> 00:15:53,000 Thank you. 288 00:15:53,000 --> 00:15:55,000 Yeah, that's great. 289 00:15:55,000 --> 00:15:57,000 And I'll put in all the junkies stuff. 290 00:15:57,000 --> 00:15:58,000 Okay. 291 00:15:58,000 --> 00:16:00,000 No, I love it. 292 00:16:00,000 --> 00:16:03,000 So go to JohnnyB.com and check out my shows. 293 00:16:03,000 --> 00:16:04,000 They're new, 294 00:16:04,000 --> 00:16:06,000 just starting kind of rough, 295 00:16:06,000 --> 00:16:07,000 playing with mics, 296 00:16:07,000 --> 00:16:10,000 interviewing people, friends, family. 297 00:16:10,000 --> 00:16:12,000 Just having a good time with sounds, 298 00:16:12,000 --> 00:16:14,000 and the whole podcast, 299 00:16:14,000 --> 00:16:17,000 dilemma here in Minnesota. 300 00:16:17,000 --> 00:16:19,000 So stay tuned. 301 00:16:19,000 --> 00:16:24,000 That's J-O-H-N-E-E-B-E-E. 302 00:16:24,000 --> 00:16:25,000 Right on. 303 00:16:25,000 --> 00:16:26,000 Go ahead, Ben. 304 00:16:26,000 --> 00:16:27,000 Play with sound. 305 00:16:27,000 --> 00:16:28,000 Get some stuff going. 306 00:16:28,000 --> 00:16:31,000 I hope we can get better recordings of the drum lines, though. 307 00:16:31,000 --> 00:16:32,000 I love the drum cadence. 308 00:16:32,000 --> 00:16:33,000 Haven't done that in a long time. 309 00:16:33,000 --> 00:16:34,000 If you got a drum cadence, 310 00:16:34,000 --> 00:16:35,000 one that we haven't played, 311 00:16:35,000 --> 00:16:37,000 shoot it off to adamaccurry.com. 312 00:16:37,000 --> 00:16:38,000 And if you have a promo, 313 00:16:38,000 --> 00:16:39,000 you'd like to play. 314 00:16:39,000 --> 00:16:40,000 And of course, 315 00:16:40,000 --> 00:16:41,000 I can't play the mall. 316 00:16:41,000 --> 00:16:43,000 I do have to make a selection based upon 317 00:16:43,000 --> 00:16:45,000 ones that make me laugh, 318 00:16:45,000 --> 00:16:47,000 smile, cry, whatever. 319 00:16:47,000 --> 00:16:49,000 It's adamaccurry.com. 320 00:16:49,000 --> 00:16:50,000 Putting the subject line, 321 00:16:50,000 --> 00:16:51,000 D-S-C, 322 00:16:51,000 --> 00:16:52,000 promo, 323 00:16:52,000 --> 00:16:54,000 and then the name of your podcast, 324 00:16:54,000 --> 00:16:55,000 they'll get routed into the right bin. 325 00:16:55,000 --> 00:16:58,000 And when I found in the bin today, 326 00:16:58,000 --> 00:16:59,000 specifically stated, 327 00:16:59,000 --> 00:17:01,000 play before Mother's Day. 328 00:17:01,000 --> 00:17:02,000 So I said, 329 00:17:02,000 --> 00:17:03,000 all right, 330 00:17:03,000 --> 00:17:04,000 I definitely will. 331 00:17:04,000 --> 00:17:05,000 It's kind of, 332 00:17:05,000 --> 00:17:06,000 it's a double, 333 00:17:06,000 --> 00:17:07,000 it's a promo, 334 00:17:07,000 --> 00:17:09,000 and it's a pod save tune all in one. 335 00:17:09,000 --> 00:17:12,000 But good enough to let you join in the fun here today. 336 00:17:12,000 --> 00:17:16,000 So you're the power of pure stupidity, 337 00:17:16,000 --> 00:17:19,000 the banknabbagebjson.com. 338 00:17:19,000 --> 00:17:20,000 All right, 339 00:17:20,000 --> 00:17:21,000 I'm Jason. 340 00:17:21,000 --> 00:17:22,000 I'm Lisa. 341 00:17:22,000 --> 00:17:25,000 And we're from Dagnabbit, 342 00:17:25,000 --> 00:17:27,000 available at bjson.com. 343 00:17:27,000 --> 00:17:28,000 Say hi to Adam. 344 00:17:28,000 --> 00:17:29,000 Oh, Adam. 345 00:17:29,000 --> 00:17:30,000 Yeah. 346 00:17:30,000 --> 00:17:31,000 He does this show. 347 00:17:31,000 --> 00:17:32,000 Yeah. 348 00:17:32,000 --> 00:17:33,000 Yeah. 349 00:17:33,000 --> 00:17:33,500 Yeah. 350 00:17:33,500 --> 00:17:34,500 Yeah. 351 00:17:34,500 --> 00:17:35,500 He does the show. 352 00:17:35,500 --> 00:17:36,500 He called a daily service code. 353 00:17:36,500 --> 00:17:37,500 You ever listened to it? 354 00:17:37,500 --> 00:17:38,500 No. 355 00:17:38,500 --> 00:17:39,500 You do? 356 00:17:39,500 --> 00:17:40,500 No. 357 00:17:40,500 --> 00:17:44,500 Did you remember Adam Curry from when he used to be on MTV? 358 00:17:44,500 --> 00:17:45,500 No. 359 00:17:45,500 --> 00:17:46,500 You don't? 360 00:17:46,500 --> 00:17:47,500 I didn't watch MTV. 361 00:17:47,500 --> 00:17:48,500 Why? 362 00:17:48,500 --> 00:17:49,500 I was a little Christian girl. 363 00:17:49,500 --> 00:17:50,500 My favorite kind. 364 00:17:50,500 --> 00:17:52,500 Well, he had lovely hair, 365 00:17:52,500 --> 00:17:54,500 and he was a tall, lovely hair. 366 00:17:54,500 --> 00:17:55,500 Oh, man. 367 00:17:55,500 --> 00:17:56,500 Yeah. 368 00:17:56,500 --> 00:17:57,500 And it's funny. 369 00:17:57,500 --> 00:17:58,500 Because we do have a saying in the Netherlands. 370 00:17:58,500 --> 00:17:59,500 I'll show her my hoodset. 371 00:17:59,500 --> 00:18:00,500 As long as your hair is all right, 372 00:18:00,500 --> 00:18:02,500 then no one will notice anything else. 373 00:18:02,500 --> 00:18:03,500 It turns out to be pretty true. 374 00:18:03,500 --> 00:18:04,500 That's nothing now. 375 00:18:04,500 --> 00:18:06,500 And he was a tall, a donness. 376 00:18:06,500 --> 00:18:07,500 I remember. 377 00:18:07,500 --> 00:18:08,500 You do? 378 00:18:08,500 --> 00:18:10,500 Did you do like the ball? 379 00:18:10,500 --> 00:18:11,500 Yeah. 380 00:18:11,500 --> 00:18:12,500 He didn't have head bangers ball. 381 00:18:12,500 --> 00:18:13,500 And he shouldn't have been on there. 382 00:18:13,500 --> 00:18:14,500 Because he looked too pretty. 383 00:18:14,500 --> 00:18:15,500 Yeah. 384 00:18:15,500 --> 00:18:16,500 Wait a minute. 385 00:18:16,500 --> 00:18:17,500 Oh, okay. 386 00:18:17,500 --> 00:18:18,500 I get it. 387 00:18:18,500 --> 00:18:21,500 So if, you know, you have to be ugly. 388 00:18:21,500 --> 00:18:22,500 Oh, okay. 389 00:18:22,500 --> 00:18:23,500 Now I understand. 390 00:18:23,500 --> 00:18:24,500 Yeah. 391 00:18:24,500 --> 00:18:25,500 They were saying that at vh1. 392 00:18:25,500 --> 00:18:26,500 What? 393 00:18:26,500 --> 00:18:27,500 Really? 394 00:18:27,500 --> 00:18:28,500 Yeah. 395 00:18:28,500 --> 00:18:30,500 They were saying that he shouldn't have been on that head bangers ball. 396 00:18:30,500 --> 00:18:31,500 Because he was too pretty. 397 00:18:31,500 --> 00:18:33,500 He only watched show that was on vh1. 398 00:18:33,500 --> 00:18:34,500 So I know call somebody. 399 00:18:34,500 --> 00:18:37,500 These people have absolutely no respect for their elders. 400 00:18:37,500 --> 00:18:38,500 God dammit. 401 00:18:38,500 --> 00:18:40,500 Oh, it's not very nice. 402 00:18:40,500 --> 00:18:41,500 Oh, it's not. 403 00:18:41,500 --> 00:18:43,500 I thought Ricky Rackman was a poser. 404 00:18:43,500 --> 00:18:44,500 With that. 405 00:18:44,500 --> 00:18:45,500 This is the guy who replaced him. 406 00:18:45,500 --> 00:18:47,500 Mother's Day is coming up, you know. 407 00:18:47,500 --> 00:18:48,500 I'm a mom. 408 00:18:48,500 --> 00:18:49,500 You are. 409 00:18:49,500 --> 00:18:50,500 I'm a mom. 410 00:18:50,500 --> 00:18:51,500 I'm mom. 411 00:18:51,500 --> 00:18:52,500 I'm mom. 412 00:18:52,500 --> 00:18:53,500 Ain't he be well at? 413 00:18:53,500 --> 00:18:54,500 Yes. 414 00:18:54,500 --> 00:18:55,500 How old is he now? 415 00:18:55,500 --> 00:18:56,500 I was 16 months. 416 00:18:56,500 --> 00:18:58,500 Oh, be 16 months on two others day, right? 417 00:18:58,500 --> 00:18:59,500 Yeah. 418 00:18:59,500 --> 00:19:00,500 That's right. 419 00:19:00,500 --> 00:19:02,500 Do you remember the present? 420 00:19:02,500 --> 00:19:04,500 I gave you from Mother's Day last year. 421 00:19:04,500 --> 00:19:06,500 It was a beautiful, beautiful song. 422 00:19:06,500 --> 00:19:07,500 Yeah? 423 00:19:07,500 --> 00:19:08,500 Yeah. 424 00:19:08,500 --> 00:19:09,500 What was it about? 425 00:19:09,500 --> 00:19:10,500 Mother's Day. 426 00:19:10,500 --> 00:19:11,500 Yeah. 427 00:19:11,500 --> 00:19:12,500 And what was it called? 428 00:19:12,500 --> 00:19:13,500 Mother's Day. 429 00:19:13,500 --> 00:19:14,500 No. 430 00:19:16,250 --> 00:22:31,250 [ Music ] 431 00:22:34,500 --> 00:22:36,500 It's Jason 432 00:22:37,500 --> 00:22:39,500 It's Lisa 433 00:22:41,500 --> 00:22:44,500 It's incredibly vulgar 434 00:22:45,500 --> 00:22:47,500 It's Dagnabbit 435 00:22:50,500 --> 00:22:51,500 Very cool 436 00:22:52,500 --> 00:22:53,500 And indeed it is Mother's Day 437 00:22:54,500 --> 00:22:57,500 So surprise your mom with a special podcast for as an example 438 00:22:58,500 --> 00:22:59,500 That of course comes pre-loaded under iPod Mini 439 00:23:00,500 --> 00:23:02,500 Or I River, I have P799 440 00:23:03,500 --> 00:23:05,500 Complete with sound seeing tour kit 441 00:23:06,500 --> 00:23:07,500 Just a thought fox 442 00:23:07,500 --> 00:23:08,500 Thanks Adam 443 00:23:09,500 --> 00:23:11,500 Wait a minute, you can't say thanks Adam until I say 444 00:23:12,500 --> 00:23:14,500 Hey, FML Judebox Podcast promo, come on in 445 00:23:15,500 --> 00:23:16,500 Thanks Adam 446 00:23:17,500 --> 00:23:18,500 Hey everybody 447 00:23:19,500 --> 00:23:21,500 I really enjoyed taking a break from all the wannabe shock shots on the morning radio 448 00:23:22,500 --> 00:23:24,500 By listening to Adam's daily source code on my way to work 449 00:23:25,500 --> 00:23:26,500 I'm JT from free musicianless.com 450 00:23:27,500 --> 00:23:31,500 And this is my contribution to the material for the 5.4 million podcast listeners in the USA 451 00:23:32,500 --> 00:23:34,500 All the one my calculations is 5.45 million 452 00:23:34,500 --> 00:23:38,500 I'm the host of a weekly podcast called FML Judebox Podcast 453 00:23:39,500 --> 00:23:43,500 Where I play music from independent and local musicians from around the USA and beyond 454 00:23:44,500 --> 00:23:47,500 I know you're trying to appear in the same top 40 songs over and over again 455 00:23:48,500 --> 00:23:50,500 So I've provided songs uploaded to free musicianless.com 456 00:23:51,500 --> 00:23:52,500 So you can hear a West Bank play live in your areas 457 00:23:53,500 --> 00:23:56,500 And I occasionally throw in some live performances recorded exclusively for our podcast 458 00:23:57,500 --> 00:24:00,500 I'll also tell you when the artists are playing so you can go see them live 459 00:24:01,500 --> 00:24:08,500 So come listen to some good music at htp, clone slash slash beats dot feed burner dot com slash FML Judebox Podcast 460 00:24:09,500 --> 00:24:15,500 Adam, thanks for your insight and pulling together all of this technology and making it available and the useful way for all of us to take advantage of 461 00:24:16,500 --> 00:24:17,500 Good luck with posture dot com 462 00:24:18,500 --> 00:24:19,500 Oh, thank you very much 463 00:24:20,500 --> 00:24:21,500 Alright 464 00:24:22,500 --> 00:24:25,500 I'm just a gap closer man. I just help close the 5% gap 465 00:24:26,500 --> 00:24:27,500 But there's more gaps out there to close 466 00:24:27,500 --> 00:24:31,500 There really are in the infamous words of Peter Dave and the BBC 467 00:24:31,500 --> 00:24:33,500 Especially with the music business 468 00:24:33,500 --> 00:24:35,500 We are creating our own route around 469 00:24:35,500 --> 00:24:37,500 I'm really excited about what's happening 470 00:24:37,500 --> 00:24:41,500 So we just need to pull more of these things together and get people like 471 00:24:41,500 --> 00:24:44,500 You know who making podcasts like the FML Judebox podcast 472 00:24:44,500 --> 00:24:51,500 And give everyone a place not just to put your songs up and make it available for purchase 473 00:24:51,500 --> 00:24:56,500 But also a place where podcasts can go and find out what's hot, what's being played 474 00:24:57,500 --> 00:24:59,500 There's a lot in there. Oh, by the way 475 00:25:00,500 --> 00:25:02,500 Was it the beginning of the week we were talking about 476 00:25:03,500 --> 00:25:07,500 Like a community access type channel on a satellite radio 477 00:25:07,500 --> 00:25:08,500 Station 478 00:25:08,500 --> 00:25:15,500 Where you could basically do like an open podcast dot org types thing and open it up and anyone could have a shot or a chance at 479 00:25:16,500 --> 00:25:19,500 Having their whatever their podcasts basically played 480 00:25:20,500 --> 00:25:24,500 On a free to free to air well for bigger audiences put it that way just in other way to get 481 00:25:25,500 --> 00:25:28,500 To get your podcasts out there and get your voice heard 482 00:25:29,500 --> 00:25:36,500 I'm making some headway very interesting got a couple of interesting calls and hopefully in the next couple days will have something to report on that as well 483 00:25:36,500 --> 00:25:38,500 But first it is time 484 00:25:41,500 --> 00:25:43,500 Go one and only 485 00:25:43,500 --> 00:25:45,500 I'm going to be multiple choice 486 00:25:45,500 --> 00:25:47,500 Every test is multiple choice 487 00:25:51,500 --> 00:25:53,500 This is a new hit this 488 00:25:53,500 --> 00:25:56,500 Hey, but again, I'm using a new headset with a new microphone 489 00:25:56,500 --> 00:25:59,500 So I'll just have to see how this one holds up 490 00:25:59,500 --> 00:26:05,500 There's one alternative left and that's a headset from by the mimic and hopefully I'll get some information today 491 00:26:05,500 --> 00:26:10,500 And also the price because it should be more expensive than this one. Oh, we love that 492 00:26:10,500 --> 00:26:12,500 Okay, but we'll have to wait for that 493 00:26:12,500 --> 00:26:16,500 There is a hit test with again three clips and here's number one 494 00:26:16,500 --> 00:26:18,500 Right on 495 00:26:18,500 --> 00:26:20,500 I know it's not one 496 00:26:20,500 --> 00:26:22,500 I love that song 497 00:26:22,500 --> 00:26:25,500 That's Robert Palmer the best of both worlds 498 00:26:25,500 --> 00:26:27,500 Excellent choice young like a lot 499 00:26:27,500 --> 00:26:29,500 And this is number two 500 00:26:32,500 --> 00:26:36,500 Oh, you're hitting my every single right nerve ending 501 00:26:36,500 --> 00:26:43,500 Dream on aerosmith no doubt about it. I'd recognize that anywhere and the final one is number three 502 00:26:51,500 --> 00:26:57,500 It's a derandoran view to a kill I think from James Bond movie times up these are the answers this is answer number one 503 00:26:57,500 --> 00:27:05,500 It's Robert Palmer and it's a song from 1978 and it's called the best of both worlds 504 00:27:06,500 --> 00:27:08,500 Love this song 505 00:27:10,500 --> 00:27:12,500 And I miss you man 506 00:27:26,500 --> 00:27:28,500 Robert Palmer answer number one 507 00:27:28,500 --> 00:27:31,500 And this is answer number two. It's an old song 508 00:27:31,500 --> 00:27:36,500 It's from 1973. It's aerosmith and dream on 509 00:27:38,750 --> 00:28:01,500 [ Music ] 510 00:28:01,500 --> 00:28:09,500 And so number two aerosmith and dream on this is a chance 511 00:28:09,500 --> 00:28:15,500 We got it from a James Bond movie. It's derandoran. This is a view to a kill 512 00:28:17,500 --> 00:28:19,500 Remember the fair light dude in it 513 00:28:21,250 --> 00:28:46,250 [ Music ] 514 00:28:48,500 --> 00:28:52,500 Derandoran and a view to a kill 515 00:28:53,500 --> 00:28:55,500 Well, that's it for today. Three out of three 516 00:28:55,500 --> 00:29:00,500 I enjoyed this one the good few heard were created by a friend of mine which at least don't you know 517 00:29:01,500 --> 00:29:05,500 Just because I don't have the time right now to create a hit test 518 00:29:05,500 --> 00:29:08,500 I'm also very much behind on my own hit test podcast 519 00:29:09,500 --> 00:29:11,500 And I still don't know when I'll have the time to create a new one 520 00:29:12,500 --> 00:29:14,500 I'll keep you up to date through my web lock 521 00:29:14,500 --> 00:29:18,500 It's www.nipoleth.nl or com 522 00:29:18,500 --> 00:29:21,500 Doesn't matter it's J-A-N-D-O-L-E-T-D-N-L or dot com 523 00:29:21,500 --> 00:29:25,500 And of course feedback is welcome to hit.nstategmail.com 524 00:29:26,500 --> 00:29:28,500 Thanks for listening and talk to you soon. Bye-bye 525 00:29:28,500 --> 00:29:33,500 All right, John, thank you very much once again. Good luck, man, with everything you're you're going through right now 526 00:29:33,500 --> 00:29:37,500 And thanks to Reese for pre-cutting the segments there 527 00:29:37,500 --> 00:29:42,500 And if you got a chance, just you know, record a hit test podcast 528 00:29:42,500 --> 00:29:46,500 Tell us what you're doing. Tell us what's going on. I get lots of email from people who want to know 529 00:29:46,500 --> 00:29:49,500 And it doesn't have to be you know filled with your hit test stuff 530 00:29:49,500 --> 00:29:52,500 It can just be your your typical young poet talking 531 00:29:52,500 --> 00:29:56,500 Talking for 15 minutes like that a lot and I hope to do some more that myself 532 00:29:56,500 --> 00:30:01,500 I'm I'm quite excited. Well, if it if it doesn't work out for Thursday with with Paris Hilton 533 00:30:01,500 --> 00:30:04,500 Then I'll think of something else do different hotel this time 534 00:30:04,500 --> 00:30:10,500 So maybe we'll do a new elevator setting to or without interviewing people without letting the know of course 535 00:30:10,500 --> 00:30:15,500 But uh, man new new hotel offers new perspective and new opportunities 536 00:30:15,500 --> 00:30:17,500 What do you hate? 537 00:30:17,500 --> 00:30:19,500 What do you hate? 538 00:30:19,500 --> 00:30:24,500 Hey, how you going? Come on in here and talk to us. We're going to read you.com 539 00:30:24,500 --> 00:30:26,500 Hey, the radio 540 00:30:26,500 --> 00:30:28,500 What's here? 541 00:30:28,500 --> 00:30:30,500 Hey, I got a crib 542 00:30:30,500 --> 00:30:33,500 That's what I say when I talk talk to me. What do you feel like? 543 00:30:33,500 --> 00:30:35,500 Oh, my back 544 00:30:35,500 --> 00:30:37,500 Yeah 545 00:30:37,500 --> 00:30:40,500 Just here at the same end. Was it the finalist? 546 00:30:40,500 --> 00:30:42,500 Hello 547 00:30:42,500 --> 00:30:44,500 So we're now called for all 548 00:30:44,500 --> 00:30:46,500 Let's get ahead eight thousand steps 549 00:30:46,500 --> 00:30:48,500 So what do you hate? 550 00:30:48,500 --> 00:30:49,500 What do I hate? 551 00:30:49,500 --> 00:30:53,500 So she's like, her legs are going around in a circle and her body state in the middle 552 00:30:53,500 --> 00:30:57,500 Do you think that we ought to bring the cows later back around anything interesting to listen it? 553 00:30:57,500 --> 00:30:58,500 Yeah 554 00:30:58,500 --> 00:31:02,500 No, why do you think about reasons like me just watch two girls 555 00:31:03,500 --> 00:31:06,500 Do you see some vomiting that continue to show? 556 00:31:06,500 --> 00:31:10,500 Well, now you understand why I do a pouring show. So the blood pressure will go down 557 00:31:12,500 --> 00:31:15,500 WWWWD I'd hate the radio dot com 558 00:31:15,500 --> 00:31:17,500 Yeah, that's really what makes it great radio show. 559 00:31:17,500 --> 00:31:22,500 Used to be the morning shows before they were all packed with jingles and lots of commercials 560 00:31:22,500 --> 00:31:27,500 And really, really tight formatting, you know, with okay, you can do a two minute talk break here 561 00:31:27,500 --> 00:31:29,500 That's the beautiful thing about what we're doing with podcasting 562 00:31:29,500 --> 00:31:33,500 You know, if the joke is rolling keep it going, you know, that's what nice it was really nice 563 00:31:33,500 --> 00:31:37,500 And when you get a couple people just talking in normal people voices 564 00:31:37,500 --> 00:31:40,500 You'll see you get some really exciting stuff 565 00:31:40,500 --> 00:31:42,500 That's what the podcasting is all about 566 00:31:42,500 --> 00:31:46,500 That's going to wind it up for today's show on a plane and just hours from now 567 00:31:46,500 --> 00:31:50,500 So I'll be checking back in from the next location 568 00:31:50,500 --> 00:31:52,500 Which will be New York City 569 00:31:52,500 --> 00:31:56,500 It may not be Thursday morning unless I get some incredible inspiration and opportunity to do 570 00:31:57,500 --> 00:31:59,500 Some kind of sound seeing tour on my trip 571 00:31:59,500 --> 00:32:02,500 I get it late tonight, so we'll have to see how that goes 572 00:32:02,500 --> 00:32:06,500 But I do have the cast glass with which means I can do it from virtually anywhere 573 00:32:09,500 --> 00:32:12,500 So you should have no problems retreating today's show through your iPodder 574 00:32:12,500 --> 00:32:15,500 If you don't have an iPodder go to iPodder.org 575 00:32:15,500 --> 00:32:17,500 And we're going to go to software 576 00:32:17,500 --> 00:32:19,500 And then I'll help you get set up 577 00:32:19,500 --> 00:32:22,500 You can also just click it downloaded right from the website 578 00:32:22,500 --> 00:32:24,500 Who knows where it'll be next, right? 579 00:32:24,500 --> 00:32:26,500 Mycurry.com is the place to send your feedback 580 00:32:26,500 --> 00:32:28,500 Have you got a promo, send it with the subject line 581 00:32:28,500 --> 00:32:31,500 DSC promo, the name of your podcast 582 00:32:31,500 --> 00:32:33,500 Still can use a couple more pairs, held in questions 583 00:32:33,500 --> 00:32:35,500 Match, I've received yours 584 00:32:35,500 --> 00:32:38,500 Don't worry, I know what you want to know 585 00:32:38,500 --> 00:32:41,500 You can find the podcast feed at dailysourcecode.com 586 00:32:41,500 --> 00:32:44,500 And of course you can leave a comment at www.curry.com 587 00:32:44,500 --> 00:32:50,500 Okay, be good, make sure you subscribe to some new podcast 588 00:32:50,500 --> 00:32:52,500 New ones coming up every single day 589 00:32:52,500 --> 00:32:56,500 And I'll also go and check out podcastalley.com 590 00:32:56,500 --> 00:33:00,500 And by the way, it's also the best place to 591 00:33:00,500 --> 00:33:04,500 Or the place, I guess, to find out where you can subscribe to the Paris Hilton podcast 592 00:33:04,500 --> 00:33:06,500 So that's podcastalley.com 593 00:33:06,500 --> 00:33:09,500 Everybody, I'll talk to you tomorrow from the states 594 00:33:09,500 --> 00:33:10,500 Bye-bye 595 00:33:22,500 --> 00:33:24,500 Bye-bye