1 00:00:00,000 --> 00:00:06,000 Now keep in mind, and I'm an artist, and I'm sensitive about my shirt. 2 00:00:06,000 --> 00:00:07,000 Yo DJ! 3 00:00:07,000 --> 00:00:09,000 Hi, yo, John McLeod! 4 00:00:09,000 --> 00:00:13,000 Your DJ has only just begun. 5 00:00:13,000 --> 00:00:17,000 $16 million worth of airplane strapped to my ass. 6 00:00:17,000 --> 00:00:18,000 Can we do this? 7 00:00:18,000 --> 00:00:21,000 Than the next generation radio content in my ears. 8 00:00:21,000 --> 00:00:24,000 We don't need no sticking friends, man. 9 00:00:24,000 --> 00:00:27,000 I like to think I'm flying into this jerk. 10 00:00:28,000 --> 00:00:33,000 Hey, everybody, it is Monday, May 2nd, 2005. 11 00:00:33,000 --> 00:00:35,000 The power on the door. 12 00:00:35,000 --> 00:00:39,000 It's really got to watch my buttons there. 13 00:00:39,000 --> 00:00:41,000 I'm on the cast-blaster. 14 00:00:41,000 --> 00:00:42,000 I hate you. 15 00:00:42,000 --> 00:00:47,000 Welcome to the daily source code coming to you from the lovely and plush Ian Schrager Cliftoel 16 00:00:47,000 --> 00:00:50,000 in San Francisco, California. 17 00:00:50,000 --> 00:00:53,000 I'm Adam Curry, and he is your source code. 18 00:00:53,000 --> 00:00:55,000 The power on the door. 19 00:00:56,000 --> 00:01:01,000 So today I'm actually using the auto feature on cast-blaster on the latest data, 20 00:01:01,000 --> 00:01:04,000 which I'm not quite sure how it's working, 21 00:01:04,000 --> 00:01:07,000 but at least it shouldn't be over-modulating. 22 00:01:07,000 --> 00:01:08,000 The level should be okay. 23 00:01:08,000 --> 00:01:11,000 I'm on the wireless live mic. 24 00:01:11,000 --> 00:01:14,000 I've got the little box in my father-in-law, 25 00:01:14,000 --> 00:01:17,000 made hooked up to make sure that the line output, 26 00:01:17,000 --> 00:01:19,000 go to the microphone and put all the technical bits 27 00:01:19,000 --> 00:01:20,000 or put together. 28 00:01:20,000 --> 00:01:22,000 And we've got a lot to talk about today. 29 00:01:22,000 --> 00:01:24,000 I mean, echo a lot. 30 00:01:24,000 --> 00:01:26,000 Thanks for subscribing. 31 00:01:26,000 --> 00:01:28,000 And welcome. 32 00:01:34,000 --> 00:01:37,000 So right now, I got to be honest, 33 00:01:37,000 --> 00:01:40,000 my head doesn't know where my ass is and vice versa. 34 00:01:40,000 --> 00:01:42,000 I've been traveling so much. 35 00:01:42,000 --> 00:01:46,000 We weren't really sure that we were going to come out to California. 36 00:01:46,000 --> 00:01:50,000 But, you know, stuff in New York was, you know, went well 37 00:01:51,000 --> 00:01:52,000 and very interesting. 38 00:01:52,000 --> 00:01:54,000 And so now we've got a couple meetings on Monday and Tuesday. 39 00:01:54,000 --> 00:01:57,000 Then I'm going to head back, so I'm literally here with, 40 00:01:57,000 --> 00:02:00,000 I think, two pair of underwear short. 41 00:02:00,000 --> 00:02:02,000 But, of course, in the fine Dutch tradition, 42 00:02:02,000 --> 00:02:04,000 you can wear them twice, right? 43 00:02:04,000 --> 00:02:06,000 Inside, outside. 44 00:02:12,000 --> 00:02:13,000 Oh, man. 45 00:02:13,000 --> 00:02:17,000 So yeah, I went, we got in, you see, yesterday. 46 00:02:17,000 --> 00:02:22,000 And basically, I was up at like, you know, six o'clock 47 00:02:22,000 --> 00:02:25,000 because I guess my body was already used to New York time. 48 00:02:25,000 --> 00:02:27,000 I guess I'm going to, in the midst of all this, 49 00:02:27,000 --> 00:02:30,000 I think I skipped a day or missed 24 hours worth of something. 50 00:02:30,000 --> 00:02:32,000 And I'm just like, you know, the middle of the day. 51 00:02:32,000 --> 00:02:35,000 I start clapping out and getting really tired. 52 00:02:35,000 --> 00:02:37,000 So up here, one of the upper floors, 53 00:02:37,000 --> 00:02:39,000 you can kind of, I close the window. 54 00:02:39,000 --> 00:02:44,000 Being kind of here, the rumble of the city down below. 55 00:02:45,000 --> 00:02:49,000 And this is the first source code since the strategy cast, 56 00:02:49,000 --> 00:02:52,000 which boy did we learn a lot from that one, eh? 57 00:02:52,000 --> 00:02:54,000 So here's what I learned. 58 00:02:54,000 --> 00:02:57,000 I learned that if you don't know what you're doing, 59 00:02:57,000 --> 00:02:59,000 it doesn't matter how much pipe you have 60 00:02:59,000 --> 00:03:03,000 because we essentially had 200 megabits 61 00:03:03,000 --> 00:03:07,000 of unmetered bandwidth ready for the strategy cast. 62 00:03:07,000 --> 00:03:09,000 And it certainly wasn't enough. 63 00:03:09,000 --> 00:03:12,000 It just crapped out, you know? 64 00:03:12,000 --> 00:03:14,000 Which essentially, from a technical standpoint, 65 00:03:14,000 --> 00:03:17,000 tells me that with the current state of technology 66 00:03:17,000 --> 00:03:21,000 where we are and the way we're distributing podcasts, 67 00:03:21,000 --> 00:03:24,000 you know, you need a lot of resources. 68 00:03:24,000 --> 00:03:27,000 If you want to do a show that's longer than 40 minutes 69 00:03:27,000 --> 00:03:30,000 and that, you know, is something that people want to listen to. 70 00:03:30,000 --> 00:03:33,000 Of course, you know, the theory with podcasts is that 71 00:03:33,000 --> 00:03:36,000 your iPodor will download that during the night 72 00:03:36,000 --> 00:03:40,000 or hopefully during some kind of off-power 73 00:03:40,000 --> 00:03:43,000 it's not everyone's trying to get to it at the same time. 74 00:03:43,000 --> 00:03:47,000 But essentially, there was so much demand for the strategy cast 75 00:03:47,000 --> 00:03:50,000 that everyone was clicking on the download link 76 00:03:50,000 --> 00:03:54,000 from curry.com and dailysourcecode.com 77 00:03:54,000 --> 00:03:58,000 and it just, it totally broke everything, which is amazing. 78 00:03:58,000 --> 00:04:01,000 But it also told me a lot about how far away we are 79 00:04:01,000 --> 00:04:04,000 from, you know, from really getting all this stuff right. 80 00:04:04,000 --> 00:04:08,000 I mean, you have to know that to have 100 megabits pipe 81 00:04:08,000 --> 00:04:12,000 just one, that's like $3,000 a month, you know, an unmeted pipe. 82 00:04:12,000 --> 00:04:16,000 So, you know, at this point, we have to figure some other stuff out. 83 00:04:16,000 --> 00:04:18,000 Otherwise, you just can't, you know, be popular. 84 00:04:18,000 --> 00:04:21,000 You can't have people really wanting to listen to your stuff. 85 00:04:21,000 --> 00:04:24,000 Or, of course, I want to say, well, you should have, you know, 86 00:04:24,000 --> 00:04:27,000 compressed it to lower bit rate or chopped it up into two files. 87 00:04:27,000 --> 00:04:30,000 Well, you know, yeah, I'm not a, I'm not a technologist 88 00:04:30,000 --> 00:04:33,000 per se, I'm a geek and hindsight. 89 00:04:33,000 --> 00:04:36,000 Yeah, there's a lot of things I could have done. 90 00:04:36,000 --> 00:04:39,000 But, you know, that's not really for the masses, you know, 91 00:04:39,000 --> 00:04:42,000 if you want to create a show that's, that's, you know, 92 00:04:42,000 --> 00:04:44,000 some time in length. 93 00:04:44,000 --> 00:04:47,000 And whenever I record something in the I River, I always just kind of uploaded directly 94 00:04:47,000 --> 00:04:49,000 from whatever the I River recorded it in. 95 00:04:49,000 --> 00:04:51,000 And so there were some mistakes there. 96 00:04:51,000 --> 00:04:55,000 We could have half that, by compressing it at a lower rate 97 00:04:55,000 --> 00:04:59,000 or is it higher at a lower rate, splitting it up into multiple files, 98 00:04:59,000 --> 00:05:00,000 all kinds of load balancing. 99 00:05:00,000 --> 00:05:04,000 And, of course, everyone was talking about bit torrent, 100 00:05:04,000 --> 00:05:07,000 which is, I really, this is something we should test. 101 00:05:07,000 --> 00:05:11,000 And I'm going to gladly give up the daily source code to test this. 102 00:05:11,000 --> 00:05:14,000 Just don't worry. 103 00:05:14,000 --> 00:05:16,000 You know, how do you switch? 104 00:05:16,000 --> 00:05:18,000 Well, first, I don't think you really can switch. 105 00:05:18,000 --> 00:05:23,000 And there's still, I'm seeing about 30% of people listening to the daily source code 106 00:05:23,000 --> 00:05:26,000 are not coming from, from iPod or clients. 107 00:05:26,000 --> 00:05:29,000 They're basically just clicking on a link on the website. 108 00:05:29,000 --> 00:05:32,000 So we, you have to remove that, which I think is a mistake, 109 00:05:32,000 --> 00:05:35,000 because you don't want anyone not to be able to get to the show. 110 00:05:35,000 --> 00:05:41,000 So it's either that or having, I don't know. 111 00:05:41,000 --> 00:05:42,000 I really don't know. 112 00:05:42,000 --> 00:05:49,000 But how do you switch to, how do you switch your current feed to a bit torrent feed? 113 00:05:49,000 --> 00:05:51,000 You know, do you have to, you know, then we get into this, 114 00:05:51,000 --> 00:05:52,000 oh man, we've been through this. 115 00:05:52,000 --> 00:05:54,000 Do you use multiple enclosures? 116 00:05:54,000 --> 00:05:55,000 Do you post it twice? 117 00:05:55,000 --> 00:05:57,000 I mean, all stuff we got to think about. 118 00:05:57,000 --> 00:06:00,000 And if you're out there and you have some ideas and some solutions, 119 00:06:00,000 --> 00:06:04,000 I'd love to hear about it, because it's, it's going to be challenging all this stuff. 120 00:06:04,000 --> 00:06:09,000 But on the other hand, I'm incredibly excited because I've been hosting, 121 00:06:09,000 --> 00:06:13,000 most of my stuff on dot mac and by the way, I want to thank the Apple dot mac team 122 00:06:13,000 --> 00:06:19,000 for allowing me to eat up just tons of their bandwidth with my little dot mac account. 123 00:06:19,000 --> 00:06:23,000 And they are totally letting me slide on that stuff because, you know, 124 00:06:23,000 --> 00:06:28,000 people have been shut off and, and downloads have been crippled for much less 125 00:06:28,000 --> 00:06:31,000 bandwidth usage in the past. 126 00:06:31,000 --> 00:06:34,000 So that was extremely cool and it's really appreciated. 127 00:06:34,000 --> 00:06:37,000 But man, we've, we've got some stuff to figure out. 128 00:06:37,000 --> 00:06:40,000 And thank you all very much for, for the responses. 129 00:06:40,000 --> 00:06:42,000 There's, you know, over a hundred comments. 130 00:06:42,000 --> 00:06:44,000 Most of it about the, the download and that was tough. 131 00:06:44,000 --> 00:06:49,000 And of course, once that got fixed, and a lot of interesting comments on the, 132 00:06:49,000 --> 00:06:51,000 on the weblog itself. 133 00:06:51,000 --> 00:06:56,000 And lots and lots of email, lots of people checking in, lots of people with interest. 134 00:06:56,000 --> 00:06:57,000 I really appreciate it. 135 00:06:57,000 --> 00:07:01,000 And it's just the beginning of God knows where this is all going to take us. 136 00:07:01,000 --> 00:07:03,000 So I'm very, very excited about it. 137 00:07:03,000 --> 00:07:04,000 Let's see. 138 00:07:04,000 --> 00:07:06,000 I wrote a couple of things down. 139 00:07:06,000 --> 00:07:12,000 Oh, first of all, on the way out on the plane, I was listening to, you know, 140 00:07:12,000 --> 00:07:15,000 my regular download of podcasts. 141 00:07:15,000 --> 00:07:18,000 And Rock and Roll Geek, Michael Butler, Rock and Roll Geek.com, 142 00:07:18,000 --> 00:07:21,000 had the most awesome podcast. 143 00:07:21,000 --> 00:07:25,000 He did it with one of the, I think there's a guitar tech or 144 00:07:25,000 --> 00:07:30,000 well, one of the road crew for currently, who's on the Wieser tour 145 00:07:30,000 --> 00:07:32,000 went to his hotel room. 146 00:07:32,000 --> 00:07:33,000 This guy has his own podcast. 147 00:07:33,000 --> 00:07:36,000 It's a bit of a man. 148 00:07:36,000 --> 00:07:38,000 I should have written that down. 149 00:07:38,000 --> 00:07:39,000 Hold on a second. 150 00:07:39,000 --> 00:07:41,000 Let me see if Rock and Roll Geek put that on the show notes. 151 00:07:41,000 --> 00:07:43,000 Hold on a second. 152 00:07:43,000 --> 00:07:46,000 Bit of a man's square and bit of a parking. 153 00:07:46,000 --> 00:07:47,000 Oh, yeah, man. 154 00:07:47,000 --> 00:07:50,000 Rock and Roll Geek.com. 155 00:07:50,000 --> 00:07:53,000 So I've got the, this hotel that I'm in, which is a, 156 00:07:53,000 --> 00:07:56,000 it's a great hotel that's really funky and it's almost 157 00:07:56,000 --> 00:07:59,000 screaming for a sound seeing tour. 158 00:07:59,000 --> 00:08:01,000 They only have a wired internet connection. 159 00:08:01,000 --> 00:08:04,000 Now I have my Mac and the, and the, the tablet with me, 160 00:08:04,000 --> 00:08:08,000 of course, I'm recording this on on the data of Cast Blaster. 161 00:08:08,000 --> 00:08:13,000 So what I do is I plug the wired connection into my Mac and then use 162 00:08:13,000 --> 00:08:16,000 that to basically become a base, a base station. 163 00:08:16,000 --> 00:08:17,000 Oh, shoot. 164 00:08:17,000 --> 00:08:19,000 Why is this not working? 165 00:08:19,000 --> 00:08:20,000 Oh, I hate this. 166 00:08:20,000 --> 00:08:22,000 Oh, here we go. 167 00:08:23,000 --> 00:08:25,000 Let's see. 168 00:08:25,000 --> 00:08:27,000 It's going to be in here in this show notes. 169 00:08:27,000 --> 00:08:28,000 Oh, right. 170 00:08:28,000 --> 00:08:29,000 Even took pictures. 171 00:08:29,000 --> 00:08:30,000 Cool. 172 00:08:30,000 --> 00:08:31,000 Yeah, Aaron. 173 00:08:31,000 --> 00:08:32,000 That's right. 174 00:08:32,000 --> 00:08:33,000 Aaron. 175 00:08:33,000 --> 00:08:34,000 Bit of a man's circle podcast. 176 00:08:34,000 --> 00:08:35,000 There you go. 177 00:08:35,000 --> 00:08:36,000 That's what it was. 178 00:08:36,000 --> 00:08:38,000 Bit of a man's circle. 179 00:08:38,000 --> 00:08:39,000 B-it-t-e-r-m-a-n-c-i-r-c-l-e.com. 180 00:08:39,000 --> 00:08:43,000 If you want to hear a great podcast that's coming from the road as, 181 00:08:43,000 --> 00:08:47,000 you know, really to get an idea of what's going on behind the scenes, 182 00:08:47,000 --> 00:08:49,000 right now on the Weezer tour. 183 00:08:49,000 --> 00:08:51,000 It's a great podcast to listen to. 184 00:08:51,000 --> 00:08:55,000 And Michael's podcast with him was just fantastic. 185 00:08:55,000 --> 00:09:00,000 Learned a lot, actually, and they played some cool tunes. 186 00:09:00,000 --> 00:09:03,000 And see, and then we got in. 187 00:09:03,000 --> 00:09:07,000 This wacky hotel, which has, you know, Ian Schreger is, 188 00:09:07,000 --> 00:09:09,000 I guess he's a designer. 189 00:09:09,000 --> 00:09:12,000 He designs the wackiest furniture. 190 00:09:12,000 --> 00:09:16,000 And some of it's completely oversized, like huge, like, 191 00:09:16,000 --> 00:09:19,000 chrome-sized chairs and the restaurant. 192 00:09:19,000 --> 00:09:23,000 All different sizes and all very, you know, kind of like gothic, 193 00:09:23,000 --> 00:09:26,000 yet also classic and colonial and all kinds of styles 194 00:09:26,000 --> 00:09:29,000 mixed through each other curtains with light shining down. 195 00:09:29,000 --> 00:09:31,000 And it's just an awesome hotel. 196 00:09:31,000 --> 00:09:35,000 And all the beautiful people in San Francisco are all hanging out here. 197 00:09:35,000 --> 00:09:36,000 It's so wonderful. 198 00:09:36,000 --> 00:09:38,000 Hi, everyone. My name is Zoe. 199 00:09:38,000 --> 00:09:40,000 And this is my wife, C. Hello. 200 00:09:40,000 --> 00:09:43,000 We need to tell you in about 30 seconds about a new, 201 00:09:43,000 --> 00:09:46,000 slightly different show called the Shonapodcast. 202 00:09:46,000 --> 00:09:48,000 The Shonapodcast with Cecilia and Zy. 203 00:09:48,000 --> 00:09:52,000 www.Shonapodcast.co.uk. 204 00:09:52,000 --> 00:09:56,000 Shonapodcast is a language spoken by over 8 million people in Zimbabwe 205 00:09:56,000 --> 00:10:00,000 and it's a running territories and buys Zimbabwe's all over the world. 206 00:10:00,000 --> 00:10:03,000 And since I already speak it, Zy is going to be learning it. 207 00:10:03,000 --> 00:10:05,000 If you're interested in foreign languages, 208 00:10:05,000 --> 00:10:07,000 or perhaps you know someone from Zimbabwe, 209 00:10:07,000 --> 00:10:11,000 and would like to learn some Shonap, then you should enjoy listening to the Shonapodcast. 210 00:10:11,000 --> 00:10:14,000 In each episode, we introduce a few Shonawatts, 211 00:10:14,000 --> 00:10:18,000 and we often talk about Zimbabwe music, culture, and traditions, 212 00:10:18,000 --> 00:10:21,000 and even current affairs with Zimbabwe hits the headlines. 213 00:10:21,000 --> 00:10:27,000 Please visit our website and have a listen to the show at www.shonapodcast.co.uk. 214 00:10:27,000 --> 00:10:32,000 There's s-h-o-n-a-podcast.co.uk. 215 00:10:32,000 --> 00:10:36,000 If you subscribe to our feed, you find out why we're making the Shonapodcast, 216 00:10:36,000 --> 00:10:38,000 why we sound so different, 217 00:10:38,000 --> 00:10:41,000 and why Zay has simply got to learn some Shonapodcast. 218 00:10:48,000 --> 00:10:50,000 Alrighty, the Shonapodcast. 219 00:10:50,000 --> 00:10:53,000 And this Windows machine is really freaking me out. 220 00:10:53,000 --> 00:10:56,000 So, the second one is connected to my computer now, 221 00:10:56,000 --> 00:10:58,000 all of a sudden, why does Windows do that? 222 00:10:58,000 --> 00:11:01,000 Why does it keep trying to connect to different wireless networks? 223 00:11:01,000 --> 00:11:05,000 Now, I'm connected to the city-net public with very low signal strength. 224 00:11:05,000 --> 00:11:06,000 I don't get it. 225 00:11:06,000 --> 00:11:08,000 Okay. 226 00:11:08,000 --> 00:11:11,000 Thanks for all the feedback on the cast-blaster data. 227 00:11:11,000 --> 00:11:13,000 Now that we've sent our data as yet, 228 00:11:13,000 --> 00:11:19,000 the people are still responding to the daily source code created with the application. 229 00:11:19,000 --> 00:11:22,000 And I'm using the auto feature now, 230 00:11:22,000 --> 00:11:26,000 which essentially, because all these different promos and pod safe music 231 00:11:26,000 --> 00:11:29,000 and the hit tests are all recorded at different levels, 232 00:11:29,000 --> 00:11:31,000 this really does do a lot of the auto-leveling, 233 00:11:31,000 --> 00:11:33,000 but then the minute you hit talk, 234 00:11:33,000 --> 00:11:35,000 it's going to kind of duck the, 235 00:11:35,000 --> 00:11:37,000 it's called auto ducking, 236 00:11:37,000 --> 00:11:39,000 D-U-C-T-I-N-G. 237 00:11:39,000 --> 00:11:42,000 It kind of fades down the music so you can talk over it. 238 00:11:42,000 --> 00:11:45,000 So, it gives a little, like, a more choppy or mix 239 00:11:45,000 --> 00:11:47,000 when I turn the mic on and off, 240 00:11:47,000 --> 00:11:49,000 but, well, that's a Tesla, see how it goes. 241 00:11:49,000 --> 00:11:51,000 One of the meetings I had in New York, 242 00:11:51,000 --> 00:11:53,000 I wanted to tell you about with one or music group. 243 00:11:53,000 --> 00:11:56,000 This was the weirdest freaking meeting I've ever been in. 244 00:11:56,000 --> 00:12:00,000 It was cool because there were technologies from W-M-G there, 245 00:12:00,000 --> 00:12:03,000 but there was also, you know, some vice-president guys 246 00:12:03,000 --> 00:12:06,000 who were more on the, you know, the digital delivery side 247 00:12:06,000 --> 00:12:08,000 of the Warner Music Group. 248 00:12:08,000 --> 00:12:10,000 Now, there really only four record companies left, 249 00:12:10,000 --> 00:12:13,000 of which W-M-G is one of them. 250 00:12:13,000 --> 00:12:18,000 And we had talked to one of the big cheeses over there 251 00:12:18,000 --> 00:12:22,000 on the phone, like a week and a half or two weeks ago, 252 00:12:22,000 --> 00:12:25,000 and, you know, we're basically talking about pod safe music 253 00:12:25,000 --> 00:12:28,000 and how, you know, how promoting cool songs 254 00:12:28,000 --> 00:12:30,000 and bands is back with podcasts, right? 255 00:12:30,000 --> 00:12:32,000 Where you hear something you like, 256 00:12:32,000 --> 00:12:34,000 you play it on your podcast, you have permission 257 00:12:34,000 --> 00:12:36,000 as a pod safe tune, 258 00:12:36,000 --> 00:12:38,000 and you can get people excited about it. 259 00:12:38,000 --> 00:12:40,000 And as we've seen with the Sylvia's Bitties, 260 00:12:40,000 --> 00:12:43,000 you know, people turn out to actually want to buy the record. 261 00:12:43,000 --> 00:12:45,000 So, we think that's a very interesting model, 262 00:12:45,000 --> 00:12:49,000 and we're going to be doing a lot of that with the CC Chapman. 263 00:12:49,000 --> 00:12:51,000 We're calling the pod safe music network, 264 00:12:51,000 --> 00:12:56,000 and you'll be hearing more about that in the next week or two, 265 00:12:56,000 --> 00:13:00,000 of course, podshow.com is where you can stay up to speed, 266 00:13:00,000 --> 00:13:04,000 and of course, we'll be talking about it here on the source code. 267 00:13:04,000 --> 00:13:08,000 But we finally got down to actually making the real suggestion. 268 00:13:08,000 --> 00:13:10,000 And the suggestion, I told them exactly what I do. 269 00:13:10,000 --> 00:13:12,000 You know, like, I go to iTunes Music Store, 270 00:13:12,000 --> 00:13:15,000 I purchase a song, and then I play it, 271 00:13:15,000 --> 00:13:19,000 and I would gladly pay instead of 99 cents. 272 00:13:19,000 --> 00:13:22,000 Excuse me, I would gladly pay five bucks. 273 00:13:23,000 --> 00:13:25,000 You know, put a little, you know, on the back catalog, 274 00:13:25,000 --> 00:13:27,000 right, we're not talking about, you know, the J-Lo's 275 00:13:27,000 --> 00:13:30,000 and all the new million platinum selling records. 276 00:13:30,000 --> 00:13:32,000 We're talking about the back catalog, 277 00:13:32,000 --> 00:13:34,000 which probably doesn't sell all that much, 278 00:13:34,000 --> 00:13:36,000 but is available in the iTunes Music Store. 279 00:13:36,000 --> 00:13:39,000 You know, like Chicago Saturday in the park that I played, 280 00:13:39,000 --> 00:13:41,000 and we said, well, why don't you, 281 00:13:41,000 --> 00:13:44,000 you know, make a feature in iTunes Music Store, 282 00:13:44,000 --> 00:13:47,000 or, you know, obviously at the set up that relationship with Apple, 283 00:13:47,000 --> 00:13:49,000 wherever you buy your songs from, 284 00:13:49,000 --> 00:13:51,000 you know, if it has a green star after it, 285 00:13:51,000 --> 00:13:54,000 that means you can, you play this on your podcast, 286 00:13:54,000 --> 00:13:55,000 and when you download it, 287 00:13:55,000 --> 00:13:59,000 you essentially would pay five bucks, five bucks, 288 00:13:59,000 --> 00:14:03,000 and that would be sufficient for you to play this on your podcast. 289 00:14:03,000 --> 00:14:04,000 And that would, by the way, 290 00:14:04,000 --> 00:14:07,000 because then it would be treated as a digital download, 291 00:14:07,000 --> 00:14:09,000 and I'm starting to become almost like a lawyer now. 292 00:14:09,000 --> 00:14:12,000 You wouldn't have to pay AskCap or BMI, 293 00:14:12,000 --> 00:14:14,000 and the artist would get theoretically, 294 00:14:14,000 --> 00:14:16,000 would get a piece of that in the publisher. 295 00:14:16,000 --> 00:14:20,000 And of course, the author, the composer. 296 00:14:20,000 --> 00:14:24,000 They didn't get it. 297 00:14:24,000 --> 00:14:27,000 Literally said, well, yeah, we think that would be very interesting. 298 00:14:27,000 --> 00:14:31,000 And I remember this is five times the normal sale price, 299 00:14:31,000 --> 00:14:32,000 five times. 300 00:14:32,000 --> 00:14:34,000 That would be great, 301 00:14:34,000 --> 00:14:36,000 but then they said, well, still, 302 00:14:36,000 --> 00:14:40,000 we don't want that MP3 to be in the clear longer than two weeks. 303 00:14:40,000 --> 00:14:42,000 So your podcast would essentially, and literally, 304 00:14:42,000 --> 00:14:44,000 I said, would have to disintegrate. 305 00:14:44,000 --> 00:14:46,000 You know, like, it would have to blow up, 306 00:14:46,000 --> 00:14:49,000 and couldn't be kept online for longer than two weeks. 307 00:14:49,000 --> 00:14:51,000 So you totally missing it. 308 00:14:51,000 --> 00:14:53,000 And by the way, when you play it, 309 00:14:53,000 --> 00:14:56,000 your podcast that goes down to a much lower bit rate, 310 00:14:56,000 --> 00:14:58,000 it's much less high quality, 311 00:14:58,000 --> 00:15:01,000 and you're probably mixing it with talk, 312 00:15:01,000 --> 00:15:03,000 or whatever you're talking over the intro we can with. 313 00:15:03,000 --> 00:15:06,000 You know, everything we've talked about on the source code, 314 00:15:06,000 --> 00:15:08,000 we suggested, and they just said, 315 00:15:08,000 --> 00:15:11,000 no, you know, we feel that you still have to, 316 00:15:11,000 --> 00:15:13,000 you know, make it go away. 317 00:15:13,000 --> 00:15:15,000 You can't, as they say, and this is the phrase 318 00:15:15,000 --> 00:15:16,000 it's stuck in my mind. 319 00:15:16,000 --> 00:15:19,000 We don't want MP3s in the clear. 320 00:15:19,000 --> 00:15:21,000 And it was so disappointing, you know, 321 00:15:21,000 --> 00:15:23,000 and if I were, you know, Peter Saterra, 322 00:15:23,000 --> 00:15:26,000 or any of the guys from Chicago, which we use as an example, 323 00:15:26,000 --> 00:15:28,000 I would be fucking pissed off. 324 00:15:28,000 --> 00:15:32,000 You know, here's a chance to make a quintuple sale, 325 00:15:32,000 --> 00:15:35,000 quintuple on one that's half the price of the CD, 326 00:15:35,000 --> 00:15:37,000 for just letting me play it on the podcast, 327 00:15:37,000 --> 00:15:40,000 and the record company is turning it down. 328 00:15:40,000 --> 00:15:42,000 Absolutely mind boggling. 329 00:15:42,000 --> 00:15:44,000 Now, on the other hand, 330 00:15:45,000 --> 00:15:47,000 the technologists who were in the room, 331 00:15:47,000 --> 00:15:50,000 I've had a real nice kind of offline conversation with them, 332 00:15:50,000 --> 00:15:52,000 and they are doing some interesting things, 333 00:15:52,000 --> 00:15:55,000 but now you got to think that if the top is thinking that way, 334 00:15:55,000 --> 00:15:57,000 we're just not going to get very far with this stuff, 335 00:15:57,000 --> 00:15:59,000 which is really quite a shame. 336 00:15:59,000 --> 00:16:00,000 I had them. 337 00:16:00,000 --> 00:16:03,000 I'm glad you allowed me to approach your giant microphone 338 00:16:03,000 --> 00:16:05,000 to promote the Pirates Week. 339 00:16:05,000 --> 00:16:07,000 I use the pseudonym Ragnar Danjold, 340 00:16:07,000 --> 00:16:09,000 while I'm letting my vacuum tubes cool 341 00:16:09,000 --> 00:16:11,000 and try this podcasting thing. 342 00:16:11,000 --> 00:16:13,000 Although it's not real entertaining, 343 00:16:13,000 --> 00:16:16,000 I'd like to think I'm helping the shortwave pirate radio community 344 00:16:16,000 --> 00:16:18,000 by relating logs, news items, 345 00:16:18,000 --> 00:16:21,000 and technical information for the Pirate Radio 346 00:16:21,000 --> 00:16:23,000 DX and hobby with my podcast. 347 00:16:23,000 --> 00:16:26,000 A hobby cast, if you will. 348 00:16:26,000 --> 00:16:29,000 I tend to stick to North American shortwave 349 00:16:29,000 --> 00:16:31,000 and some mediumwave pirates, 350 00:16:31,000 --> 00:16:32,000 but everyone's so well, 351 00:16:32,000 --> 00:16:34,000 a Euro Pirate makes the leap across the pond 352 00:16:34,000 --> 00:16:36,000 to be logged by a lucky few. 353 00:16:36,000 --> 00:16:38,000 So here's my 32nd promo. 354 00:16:38,000 --> 00:16:42,000 I'd be honored to be included in your litany of the undeserved 355 00:16:42,000 --> 00:16:45,000 The Pirates Week. 356 00:16:45,000 --> 00:16:47,000 Okay, now I get it. 357 00:16:47,000 --> 00:16:49,000 That's why I sent two files. 358 00:16:49,000 --> 00:16:51,000 One is the intro, 359 00:16:51,000 --> 00:16:53,000 and then one is the actual promo. 360 00:16:53,000 --> 00:16:55,000 I'm sorry about that. 361 00:16:55,000 --> 00:16:56,000 I'll play that tomorrow on the show. 362 00:16:56,000 --> 00:16:58,000 I'll get the second promo going. 363 00:16:58,000 --> 00:16:59,000 It's funny though, 364 00:16:59,000 --> 00:17:01,000 because I used to be a, 365 00:17:01,000 --> 00:17:03,000 I guess, yeah, 366 00:17:03,000 --> 00:17:06,000 basically a shortwave pirate. 367 00:17:07,000 --> 00:17:09,000 When we had, I'll back in the day man, 368 00:17:09,000 --> 00:17:11,000 you had CB radio, 369 00:17:11,000 --> 00:17:13,000 which of course you had the 40, 370 00:17:13,000 --> 00:17:14,000 the 40 channel CB radio, 371 00:17:14,000 --> 00:17:17,000 but then you had something called SSB single side band, 372 00:17:17,000 --> 00:17:19,000 the LSB, the lower side band, 373 00:17:19,000 --> 00:17:21,000 and then USB, the upper side band, 374 00:17:21,000 --> 00:17:24,000 which effectively gave you 80 more channels to play with. 375 00:17:24,000 --> 00:17:27,000 And what we had figured out with all these, 376 00:17:27,000 --> 00:17:30,000 solid state logic CB radios 377 00:17:30,000 --> 00:17:33,000 is that you could snip a diode 378 00:17:33,000 --> 00:17:35,000 that was connected to one of the chip sets, 379 00:17:35,000 --> 00:17:39,000 that would expand with another 120 channels, 380 00:17:39,000 --> 00:17:41,000 only in an upper range. 381 00:17:41,000 --> 00:17:43,000 So CB is like 27 megahertz, 382 00:17:43,000 --> 00:17:48,000 and this would basically take you the 28 megahertz band. 383 00:17:48,000 --> 00:17:51,000 And that's officially a ham radio band, 384 00:17:51,000 --> 00:17:53,000 but it was really quiet there, 385 00:17:53,000 --> 00:17:55,000 because of course there are not a lot of people 386 00:17:55,000 --> 00:17:58,000 who would jack their box to make it do that. 387 00:17:58,000 --> 00:18:00,000 But I remember just with a regular CB radio, 388 00:18:00,000 --> 00:18:01,000 which on side band, 389 00:18:01,000 --> 00:18:03,000 and this is a little geeky detail, 390 00:18:03,000 --> 00:18:07,000 I would output like 12 watts, peak envelope power, 391 00:18:07,000 --> 00:18:11,000 that I was talking to people in Ohio from Amsterdam. 392 00:18:11,000 --> 00:18:14,000 You know, I had an antenna on my roof, 393 00:18:14,000 --> 00:18:17,000 and as I actually there was a group called the KMG, 394 00:18:17,000 --> 00:18:19,000 which was the Kiss My Grits group group, 395 00:18:19,000 --> 00:18:24,000 and some of those guys had huge six foot antennas 396 00:18:24,000 --> 00:18:25,000 on the back of their car, 397 00:18:25,000 --> 00:18:27,000 and they'd be driving around Ohio, 398 00:18:27,000 --> 00:18:28,000 and I could actually talk to them 399 00:18:28,000 --> 00:18:32,000 if the conditions were good from all the way from Amsterdam, 400 00:18:32,000 --> 00:18:34,000 and it was quite a trip. 401 00:18:34,000 --> 00:18:37,000 I am kind of a little bit of a short wave 402 00:18:37,000 --> 00:18:40,000 part of myself from way way back. 403 00:18:40,000 --> 00:18:42,000 So the thing that didn't happen in New York, 404 00:18:42,000 --> 00:18:43,000 which I'm bummed about, 405 00:18:43,000 --> 00:18:45,000 is the Paris Hilton interview. 406 00:18:45,000 --> 00:18:47,000 Reason for it, 407 00:18:47,000 --> 00:18:48,000 believe it or not, 408 00:18:48,000 --> 00:18:51,000 she has a new PR firm. 409 00:18:51,000 --> 00:18:53,000 And the new PR firm said, 410 00:18:53,000 --> 00:18:55,000 well, we're really trying to limit 411 00:18:55,000 --> 00:18:58,000 the amount of promotion that Paris is doing for the movie, 412 00:18:58,000 --> 00:19:01,000 and I was like, you fucking idiot. 413 00:19:01,000 --> 00:19:04,000 Basically what it means is whenever you hire a new PR firm, 414 00:19:04,000 --> 00:19:07,000 the first thing they do is they discredit everything 415 00:19:07,000 --> 00:19:09,000 the old PR firm had set up, 416 00:19:09,000 --> 00:19:10,000 say, oh no, we're not going to do that, 417 00:19:10,000 --> 00:19:11,000 that's a bad idea. 418 00:19:11,000 --> 00:19:13,000 So these people really didn't do their homework, I feel. 419 00:19:13,000 --> 00:19:16,000 And it's quite a shame because Paris's podcast 420 00:19:16,000 --> 00:19:19,000 could definitely use a boost, 421 00:19:19,000 --> 00:19:21,000 and I wanted to give her some feedback. 422 00:19:21,000 --> 00:19:23,000 The first show was out there. 423 00:19:23,000 --> 00:19:25,000 I haven't heard the second one yet. 424 00:19:25,000 --> 00:19:28,000 It sounded to me like she did a little intro 425 00:19:28,000 --> 00:19:31,000 that she probably did cut in the green room somewhere 426 00:19:31,000 --> 00:19:32,000 at David Letterman. 427 00:19:32,000 --> 00:19:34,000 And then basically they took the audio from, 428 00:19:34,000 --> 00:19:36,000 I guess a TV documentary, 429 00:19:36,000 --> 00:19:38,000 or maybe it's the House of Wax show on MTV 430 00:19:38,000 --> 00:19:39,000 that they're doing. 431 00:19:39,000 --> 00:19:41,000 So that's a shame. 432 00:19:41,000 --> 00:19:43,000 It could have been better and quite honestly, 433 00:19:43,000 --> 00:19:44,000 I had a whole bunch of good questions, 434 00:19:44,000 --> 00:19:46,000 including Mads Weinstein's, 435 00:19:46,000 --> 00:19:48,000 which I did not get to ask. 436 00:19:48,000 --> 00:19:50,000 Wanna get to know Paris? 437 00:19:50,000 --> 00:19:55,000 Two men to the Paris Hilton podcast now. 438 00:19:55,000 --> 00:19:58,000 It's the Paris Hilton podcast. 439 00:19:58,000 --> 00:20:00,000 Been 24-7 with Paris Hilton 440 00:20:00,000 --> 00:20:03,000 on her countdown to the House of Wax. 441 00:20:03,000 --> 00:20:04,000 That's right. 442 00:20:04,000 --> 00:20:06,000 All Paris, all the time. 443 00:20:06,000 --> 00:20:09,000 To give Paris Hilton podcasts, 444 00:20:09,000 --> 00:20:12,000 go to www.houseamwaxmovie.com 445 00:20:12,000 --> 00:20:15,000 and click on the podcast link. 446 00:20:15,000 --> 00:20:24,000 Well, if you'd actually do some of your own stuff, 447 00:20:24,000 --> 00:20:26,000 Paris, you know, just talk to us for a little bit. 448 00:20:26,000 --> 00:20:27,000 That's what you want. 449 00:20:27,000 --> 00:20:29,000 And I know you're listening to the daily source code. 450 00:20:29,000 --> 00:20:31,000 Just talk to us, just sit somewhere, 451 00:20:31,000 --> 00:20:33,000 and you room, you hotel room on the plane, 452 00:20:33,000 --> 00:20:34,000 and whatever. 453 00:20:34,000 --> 00:20:37,000 And just let us know what's going on in your life. 454 00:20:37,000 --> 00:20:40,000 Although I did kind of like the behind-the-scenes stuff, 455 00:20:40,000 --> 00:20:42,000 and I wouldn't mind if it was a little bit longer, 456 00:20:43,000 --> 00:20:45,000 but too bad. 457 00:20:45,000 --> 00:20:46,000 Too bad. 458 00:20:46,000 --> 00:20:47,000 I guess David Letterman's still 459 00:20:47,000 --> 00:20:50,000 still rates much, much higher than me. 460 00:20:52,000 --> 00:20:53,000 Oh no. 461 00:20:54,000 --> 00:20:56,000 What evil work? 462 00:20:56,000 --> 00:20:58,000 In the heart of men. 463 00:20:58,000 --> 00:21:01,000 The shadow, no. 464 00:21:01,000 --> 00:21:13,000 Come down for blast off. 465 00:21:13,000 --> 00:21:19,000 X minus 4 minus 3 minus 2 X minus 1. 466 00:21:20,000 --> 00:21:21,000 Hey, Adam. 467 00:21:21,000 --> 00:21:22,000 We've heard you podcast. 468 00:21:22,000 --> 00:21:24,000 We're talking about old radio dummies, 469 00:21:24,000 --> 00:21:25,000 such as the Green Hornet. 470 00:21:25,000 --> 00:21:28,000 We'd like to invite you to check out our podcast. 471 00:21:28,000 --> 00:21:30,000 Bautar's old-time radio. 472 00:21:30,000 --> 00:21:33,000 Where we deliver the best old-time radio 473 00:21:33,000 --> 00:21:35,000 to your doorstep daily. 474 00:21:35,000 --> 00:21:36,000 Shows like, 475 00:21:36,000 --> 00:21:37,000 oh, 476 00:21:37,000 --> 00:21:38,000 oh, 477 00:21:38,000 --> 00:21:39,000 oh, 478 00:21:39,000 --> 00:21:40,000 oh, 479 00:21:40,000 --> 00:21:42,000 oh, 480 00:21:42,000 --> 00:21:43,000 oh, 481 00:21:43,000 --> 00:21:44,000 oh, 482 00:21:44,000 --> 00:21:45,000 oh, 483 00:21:45,000 --> 00:21:46,000 oh, 484 00:21:46,000 --> 00:21:47,000 oh, 485 00:21:47,000 --> 00:21:48,000 oh, 486 00:21:48,000 --> 00:21:49,000 oh, 487 00:21:49,000 --> 00:21:50,000 oh, 488 00:21:50,000 --> 00:21:51,000 oh, 489 00:21:51,000 --> 00:21:53,000 oh, 490 00:21:53,000 --> 00:21:55,000 oh, 491 00:21:55,000 --> 00:21:56,000 oh, 492 00:21:56,000 --> 00:21:58,000 oh, 493 00:21:58,000 --> 00:21:59,000 oh, 494 00:21:59,000 --> 00:22:00,000 oh, 495 00:22:00,000 --> 00:22:02,000 oh, 496 00:22:02,000 --> 00:22:03,000 oh, 497 00:22:03,000 --> 00:22:04,000 oh, 498 00:22:04,000 --> 00:22:05,000 oh, 499 00:22:05,000 --> 00:22:06,000 oh, 500 00:22:06,000 --> 00:22:08,000 oh, 501 00:22:08,000 --> 00:22:09,000 oh, 502 00:22:09,000 --> 00:22:10,000 oh, 503 00:22:10,000 --> 00:22:12,000 oh, 504 00:22:12,000 --> 00:22:14,000 oh, 505 00:22:14,000 --> 00:22:15,000 oh, 506 00:22:15,000 --> 00:22:17,000 oh, 507 00:22:17,000 --> 00:22:20,000 be a suit, it is pot-shape. 508 00:22:23,500 --> 00:22:24,500 Awesome, dude. 509 00:22:24,500 --> 00:22:27,200 I really enjoyed this podcast. 510 00:22:27,200 --> 00:22:29,900 I mean, we can learn a lot from it, actually. 511 00:22:29,900 --> 00:22:31,700 And yeah, I think it is actually pot-safe. 512 00:22:31,700 --> 00:22:35,000 That's deemed as pot-safe is probably in the, uh, 513 00:22:35,000 --> 00:22:36,000 uh, what do you call it? 514 00:22:36,000 --> 00:22:38,700 It's, uh, in the public domain, uh, by now, 515 00:22:38,700 --> 00:22:41,200 really cool to hear some of that old stuff. 516 00:22:41,200 --> 00:22:43,500 And, actually, I got a couple of ideas, 517 00:22:43,500 --> 00:22:45,000 and I was listening to it. 518 00:22:45,000 --> 00:22:46,700 All right, time to some pot-safe tunes. 519 00:22:47,200 --> 00:22:49,700 Um, this is, uh, I've actually played a song 520 00:22:49,700 --> 00:22:51,700 by, uh, out of warranty before. 521 00:22:51,700 --> 00:22:53,700 I remember I told you the story about the, 522 00:22:53,700 --> 00:22:55,700 the original bass player for Wild Cherry, 523 00:22:55,700 --> 00:22:57,200 the more Wild Cherry play that funky music. 524 00:22:57,200 --> 00:22:58,700 He sent me another tune, 525 00:22:58,700 --> 00:23:00,700 and it was especially the beginning of the song 526 00:23:00,700 --> 00:23:01,700 that really struck me. 527 00:23:01,700 --> 00:23:02,700 Uh, listen close. 528 00:23:02,700 --> 00:23:04,700 Here's, I don't have. 529 00:23:04,700 --> 00:23:05,700 I don't have a flash. 530 00:23:05,700 --> 00:23:07,700 He flash with scent. 531 00:23:07,700 --> 00:23:10,700 I don't have a laptop or a plug. 532 00:23:11,250 --> 00:25:33,750 [ Music ] 533 00:25:35,700 --> 00:25:37,700 Yeah, stick it in your ear. 534 00:25:37,700 --> 00:25:39,700 I don't have out of warranty. 535 00:25:39,700 --> 00:25:40,700 Love that. 536 00:25:40,700 --> 00:25:42,700 Don't have a flashy flashy website. 537 00:25:42,700 --> 00:25:44,700 Don't have a laptop or a pod. 538 00:25:44,700 --> 00:25:45,700 I don't even have a pod. 539 00:25:45,700 --> 00:25:46,700 Was it pod to piss in? 540 00:25:46,700 --> 00:25:48,700 I've been just whistling that tune all day. 541 00:25:48,700 --> 00:25:51,700 I took a walk after breakfast or kind of brunch today. 542 00:25:51,700 --> 00:25:56,700 And a CC Chapman sent me a couple of podsafe tunes to listen to and play on the source code. 543 00:25:56,700 --> 00:25:58,700 I just couldn't get this one out of my head. 544 00:25:58,700 --> 00:25:59,700 So I want to play that for you. 545 00:25:59,700 --> 00:26:02,700 And out of warranty, as far as I know, actually doesn't have a website. 546 00:26:02,700 --> 00:26:09,700 So as maybe if they do, I'll get that info and I just haven't seen it in the emails or 547 00:26:09,700 --> 00:26:10,700 or found it anywhere. 548 00:26:10,700 --> 00:26:12,700 Of course, I'll put it up in the show notes. 549 00:26:12,700 --> 00:26:15,700 And that's one of the things that we're going to really, 550 00:26:15,700 --> 00:26:18,700 really make possible for the podsafe music network. 551 00:26:18,700 --> 00:26:21,700 So that could say, go check this out, the podsafe music network. 552 00:26:21,700 --> 00:26:23,700 There'll be info about the artist. 553 00:26:23,700 --> 00:26:26,700 You could see important for podcasters, of course, 554 00:26:26,700 --> 00:26:29,700 is what's being played a lot on different podcasts. 555 00:26:29,700 --> 00:26:32,700 And of course, you'll be able to link to buy the CDA. 556 00:26:32,700 --> 00:26:35,700 And if I have my drill, there's if we can figure that out. 557 00:26:35,700 --> 00:26:38,700 Also to download it and buy it digitally, I guess. 558 00:26:38,700 --> 00:26:41,700 So looking forward to a lot of cool new music coming on to the scene. 559 00:26:41,700 --> 00:26:43,700 I tell you that. 560 00:26:43,700 --> 00:26:46,700 Let me see what else they have on my list for today. 561 00:26:46,700 --> 00:26:47,700 Oh yeah. 562 00:26:47,700 --> 00:26:50,700 So of course, we announced our pod squad, 563 00:26:50,700 --> 00:26:55,700 who invested in really investing the creativity and talent of a number of great podcasters. 564 00:26:55,700 --> 00:27:00,700 And by the way, that means that we're literally helping them financially 565 00:27:00,700 --> 00:27:04,700 through a number of different ways so that they can, you know, 566 00:27:04,700 --> 00:27:09,700 take, you know, basically spend the time on creating podcasts. 567 00:27:09,700 --> 00:27:12,700 And we've created production companies with them, 568 00:27:12,700 --> 00:27:16,700 so that they can start to produce more podcasts with other other people 569 00:27:16,700 --> 00:27:20,700 who may be need production or have a great idea. 570 00:27:20,700 --> 00:27:24,700 And there's just all kinds of cool things that are going to be coming up 571 00:27:24,700 --> 00:27:26,700 very soon. 572 00:27:26,700 --> 00:27:30,700 And one of them I'm very excited about is Steve Gilmore. 573 00:27:30,700 --> 00:27:33,700 He will be bringing the Gilmore gang back, 574 00:27:33,700 --> 00:27:38,700 which means our weekends will be complete again. 575 00:27:38,700 --> 00:27:41,700 And also a new feature, Gilmore Daily. 576 00:27:41,700 --> 00:27:44,700 And I just sent him, he got a, 577 00:27:44,700 --> 00:27:47,700 he now has a tablet and I just set him up with 578 00:27:47,700 --> 00:27:50,700 a date of cast blaster and immediately he's got all kinds of ideas 579 00:27:50,700 --> 00:27:52,700 how he can make it even better. 580 00:27:52,700 --> 00:27:56,700 If you haven't heard yet from us about the cast blaster beta, 581 00:27:56,700 --> 00:27:58,700 it's probably going to be another, 582 00:27:58,700 --> 00:28:01,700 I think another week until we actually send the date is out. 583 00:28:01,700 --> 00:28:04,700 And then it should be, I think no more than two or three weeks of 584 00:28:04,700 --> 00:28:08,700 testing until we can open up to a public beta and everyone can enjoy. 585 00:28:08,700 --> 00:28:11,700 At least, I'm sorry to say anyone with an XP, 586 00:28:11,700 --> 00:28:15,700 when those XP can enjoy, I wish we could do it for the Mac, 587 00:28:15,700 --> 00:28:18,700 but then again, you know, Mac people are already so incredibly 588 00:28:18,700 --> 00:28:21,700 privileged with the machine they have. 589 00:28:21,700 --> 00:28:25,700 Hi Adam, I'm glad you allowed me to approach your giant microphone. 590 00:28:25,700 --> 00:28:26,700 Wait a minute. 591 00:28:26,700 --> 00:28:27,700 Wait a minute, we already did that one. 592 00:28:27,700 --> 00:28:29,700 I'm sorry, this is the one I wanted to play for you. 593 00:28:40,700 --> 00:28:43,700 Hello, I'm Thomas Vanhoff, a journalist and a podcast of 594 00:28:43,700 --> 00:28:44,700 from Germany. 595 00:28:44,700 --> 00:28:48,700 I started podcasting in October 2004, 596 00:28:48,700 --> 00:28:52,700 first with summerstellet.net about potsafe music from Germany. 597 00:28:52,700 --> 00:28:58,700 Then in January 2005, I started Vanhoff's wonderful world of science. 598 00:28:58,700 --> 00:29:01,700 The German science podcast. 599 00:29:01,700 --> 00:29:06,700 With Nicole Simon and Garrett von Arken, I found it's sushi radio DE. 600 00:29:06,700 --> 00:29:08,700 Some tidbits of podcasting. 601 00:29:08,700 --> 00:29:11,700 This is one of the most popular shows in Germany. 602 00:29:11,700 --> 00:29:16,700 Because I am listening so much to English spoken podcasts 603 00:29:16,700 --> 00:29:18,700 and for improving my English, 604 00:29:18,700 --> 00:29:22,700 I decided to develop an international edition of my science podcast. 605 00:29:22,700 --> 00:29:24,700 And here it is. 606 00:29:24,700 --> 00:29:28,700 A new star is born in podcast heaven. 607 00:29:28,700 --> 00:29:30,700 Sciencecast.net. 608 00:29:30,700 --> 00:29:34,700 Every Sunday evening on the net on sciencecast.net. 609 00:29:34,700 --> 00:29:36,700 What's in the show? 610 00:29:36,700 --> 00:29:38,700 Science news from all over the world. 611 00:29:38,700 --> 00:29:42,700 Sometimes fresh reports when I'm in the wild. 612 00:29:42,700 --> 00:29:45,700 Some sound seeing and some funny things. 613 00:29:45,700 --> 00:29:47,700 So have fun with it. 614 00:29:47,700 --> 00:29:50,700 Enjoy the show and send me comments on mail. 615 00:29:50,700 --> 00:29:54,700 At sciencecastmail at gmail.com. 616 00:29:54,700 --> 00:29:57,700 Sciencecast.net. 617 00:29:57,700 --> 00:30:02,700 Every Sunday, the latest news from the world of science. 618 00:30:02,700 --> 00:30:04,700 All right, totally dig that. 619 00:30:04,700 --> 00:30:08,700 Of course, summerstellet.net has been around. 620 00:30:08,700 --> 00:30:10,700 One of the early podcasts. 621 00:30:10,700 --> 00:30:12,700 And of course coming from Germany. 622 00:30:12,700 --> 00:30:13,700 It was a funny. 623 00:30:13,700 --> 00:30:15,700 It doesn't sound a little bit like the Pope. 624 00:30:15,700 --> 00:30:17,700 Just a teeny, tiny bit. 625 00:30:17,700 --> 00:30:18,700 Okay. 626 00:30:18,700 --> 00:30:22,700 So here's a sign for a dam announcement. 627 00:30:22,700 --> 00:30:23,700 This is a cool one. 628 00:30:23,700 --> 00:30:25,700 I'm very excited about this. 629 00:30:25,700 --> 00:30:28,700 No more than two weeks ago. 630 00:30:28,700 --> 00:30:36,700 We were talking about the concept of an open podcast.org idea on satellite. 631 00:30:36,700 --> 00:30:41,700 Where would be great to have a channel where we could expose more people 632 00:30:41,700 --> 00:30:44,700 to podcasting. 633 00:30:44,700 --> 00:30:48,700 And depending on when you're listening to this podcast, you may or may not have heard the news 634 00:30:48,700 --> 00:30:57,700 that Pod Show has struck a deal with serious satellite radio to bring you four hours of podcasting 635 00:30:57,700 --> 00:31:00,700 every single day. 636 00:31:00,700 --> 00:31:06,700 And I am so jazzed about this because now we're talking in audience of almost two million people. 637 00:31:06,700 --> 00:31:13,700 And these guys are working their ass off to get more and more subscribers to serious satellite radio. 638 00:31:13,700 --> 00:31:18,700 They're looking at probably 20 million by 2007 or whatever. 639 00:31:18,700 --> 00:31:19,700 And it's gone. 640 00:31:19,700 --> 00:31:26,700 You know, every single new car that is sold in the states now, I think, has either the option 641 00:31:26,700 --> 00:31:27,700 or it's standard. 642 00:31:27,700 --> 00:31:30,700 You have a satellite receiver in there. 643 00:31:30,700 --> 00:31:32,700 Well, we did it. 644 00:31:32,700 --> 00:31:34,700 Yeah, I put in a couple of calls. 645 00:31:34,700 --> 00:31:37,700 I told you about that on a previous daily source code. 646 00:31:37,700 --> 00:31:40,700 And there was definitely interest. 647 00:31:40,700 --> 00:31:45,700 Now, these guys, of course, they only have so many channels. 648 00:31:45,700 --> 00:31:47,700 Yeah, it's like 150 channels. 649 00:31:47,700 --> 00:31:48,700 But they only have so many. 650 00:31:48,700 --> 00:31:52,700 And there's all kinds of stuff already on the Tony Hawk M&M. 651 00:31:52,700 --> 00:31:57,700 The Howard Stern will soon be on serious satellite or at the end of the year, 652 00:31:57,700 --> 00:32:02,700 and now we have the pod show on serious satellite radio. 653 00:32:02,700 --> 00:32:07,700 And I am so freaking jazzed about this because, first of all, we're going to open it up, 654 00:32:07,700 --> 00:32:11,700 so that anyone can consent in your podcast or your promo. 655 00:32:11,700 --> 00:32:15,700 I mean, it's seen this really as a huge daily source code, 656 00:32:15,700 --> 00:32:19,700 which is actually it's quite a, it's a big task to put this together. 657 00:32:19,700 --> 00:32:25,700 But I've been very lucky to be able to team up with PW Fenton from the digital 658 00:32:25,700 --> 00:32:27,700 Flotsom.org. 659 00:32:27,700 --> 00:32:30,700 He does, I've talked about his podcast a lot. 660 00:32:30,700 --> 00:32:33,700 And he just really knows how to do audio. 661 00:32:33,700 --> 00:32:35,700 So he's going to be working with me on that. 662 00:32:35,700 --> 00:32:38,700 He's going to be really doing all the production. 663 00:32:38,700 --> 00:32:42,700 And we're going to open up a couple of ways for you to send in your, 664 00:32:42,700 --> 00:32:48,700 your promos, your podcasts, whatever it is, and check this out. 665 00:32:48,700 --> 00:32:53,700 I'm going to put all kinds of mashups in there, pod safe music. 666 00:32:53,700 --> 00:32:57,700 If you have a podcast where you play licensed music, 667 00:32:57,700 --> 00:33:01,700 not a problem because serious satellite's going to pick up the tab for that. 668 00:33:01,700 --> 00:33:03,700 So, you know, you could do whatever you want, 669 00:33:03,700 --> 00:33:07,700 and we're going to put it on serious satellite network, 670 00:33:07,700 --> 00:33:09,700 which will be, I think it's, well, 671 00:33:09,700 --> 00:33:11,700 I guess we start all the way at the end of the spectrum, right? 672 00:33:11,700 --> 00:33:14,700 We're on channel 148. 673 00:33:14,700 --> 00:33:15,700 But we did it. 674 00:33:15,700 --> 00:33:16,700 We really did it. 675 00:33:16,700 --> 00:33:17,700 And I'm extremely excited. 676 00:33:17,700 --> 00:33:20,700 It's going to be a shitload of work, but it's going to be awesome. 677 00:33:20,700 --> 00:33:26,700 So, in the next couple of days, I'll have details on how you can submit your podcast. 678 00:33:26,700 --> 00:33:32,700 And, and of course, you know, the whole point is to promote your podcast. 679 00:33:32,700 --> 00:33:36,700 So, make sure that if you're thinking about submitting something that there's a way for people to 680 00:33:36,700 --> 00:33:43,700 subscribe to, you want to give out your URL and where your, where your podcast feed is. 681 00:33:43,700 --> 00:33:46,700 And also, I'm going to try and, 682 00:33:47,700 --> 00:33:52,700 what we don't go with doing the source code and try and get more listeners for podcasts. 683 00:33:52,700 --> 00:33:55,700 And also turn more people onto podcasting. 684 00:33:55,700 --> 00:33:58,700 And it's going to be a great place for people to sample podcasts. 685 00:33:58,700 --> 00:34:02,700 And I think starting off with four hours, which, of course, 686 00:34:02,700 --> 00:34:04,700 I'd like to move to a 24 hour channel, 687 00:34:04,700 --> 00:34:07,700 but let's start off slowly and see how the submissions go. 688 00:34:07,700 --> 00:34:09,700 And if we can get enough content in there to fill it up. 689 00:34:09,700 --> 00:34:12,700 I'm pretty sure, as we grow, it'll work. 690 00:34:12,700 --> 00:34:14,700 But I am very, very excited. 691 00:34:14,700 --> 00:34:20,700 I did want to thank Steve Leads for, for basically, you know, setting it all up. 692 00:34:20,700 --> 00:34:26,700 Steve is the guy, and I've talked about this with Ken Clarke on the MTV Chronicles. 693 00:34:26,700 --> 00:34:32,700 He's the guy that called me in 1987 when I was in, in the Netherlands and said, 694 00:34:32,700 --> 00:34:35,700 hey, you want to come and work for MTV. 695 00:34:35,700 --> 00:34:37,700 And he's the same guy hooked up. 696 00:34:37,700 --> 00:34:40,700 The, the serious satellite radio deal. 697 00:34:40,700 --> 00:34:43,700 I have a picture on serious satellite radio. 698 00:34:43,700 --> 00:34:45,700 Totally jazzed about it. 699 00:34:45,700 --> 00:34:48,700 This is your captain speaking. 700 00:34:48,700 --> 00:34:51,700 Yo DJ, are you done mixing it? 701 00:34:51,700 --> 00:34:52,700 Yeah, yeah. 702 00:34:52,700 --> 00:34:53,700 If so, please invest in your league belt, 703 00:34:53,700 --> 00:34:55,700 they hit this to the back to take off. 704 00:34:55,700 --> 00:34:56,700 The hell is this? 705 00:34:56,700 --> 00:34:58,700 Oh, they're casting with... 706 00:34:58,700 --> 00:34:59,700 I'm curious. 707 00:34:59,700 --> 00:35:00,700 It's a great deal. 708 00:35:00,700 --> 00:35:02,700 It's time for the hit test. 709 00:35:02,700 --> 00:35:03,700 With y'all, pull it. 710 00:35:03,700 --> 00:35:04,700 All right. 711 00:35:04,700 --> 00:35:05,700 Hey, Adam. 712 00:35:05,700 --> 00:35:07,700 This is Y'all Paulette with another hit test, 713 00:35:07,700 --> 00:35:09,700 and this one's a bit different because I'm still on a Skype call 714 00:35:09,700 --> 00:35:11,700 with the hit test announcer guy. 715 00:35:11,700 --> 00:35:12,700 The hit test. 716 00:35:12,700 --> 00:35:13,700 That is not included. 717 00:35:13,700 --> 00:35:14,700 Battery sold separately. 718 00:35:14,700 --> 00:35:15,700 Hey Kevin, I doing... 719 00:35:15,700 --> 00:35:16,700 Good John. 720 00:35:16,700 --> 00:35:17,700 John. 721 00:35:17,700 --> 00:35:18,700 Okay. 722 00:35:18,700 --> 00:35:19,700 Can I have a birthday soon? 723 00:35:19,700 --> 00:35:20,700 Really? 724 00:35:20,700 --> 00:35:21,700 Gonna be 42. 725 00:35:21,700 --> 00:35:22,700 42 man. 726 00:35:22,700 --> 00:35:23,700 You're getting old. 727 00:35:23,700 --> 00:35:25,700 I'm gonna be ready for the concert. 728 00:35:25,700 --> 00:35:26,700 Thank you. 729 00:35:26,700 --> 00:35:27,700 I'll have to get this. 730 00:35:27,700 --> 00:35:29,700 Well, of course you know me. 731 00:35:29,700 --> 00:35:32,700 I'm too cheap to send you anything across the big ocean, 732 00:35:32,700 --> 00:35:34,700 called the Atlantic. 733 00:35:34,700 --> 00:35:35,700 But how about this? 734 00:35:35,700 --> 00:35:36,700 How about a few? 735 00:35:36,700 --> 00:35:37,700 All right. 736 00:35:37,700 --> 00:35:39,700 Just like the music for the next hit test for Adam. 737 00:35:39,700 --> 00:35:40,700 Me? 738 00:35:40,700 --> 00:35:41,700 Yeah, you. 739 00:35:41,700 --> 00:35:42,700 How many do I get? 740 00:35:42,700 --> 00:35:43,700 How about 10? 741 00:35:43,700 --> 00:35:44,700 Well, I guess he, uh, 742 00:35:44,700 --> 00:35:46,700 he'll only do three. 743 00:35:46,700 --> 00:35:47,700 Three. Okay. 744 00:35:47,700 --> 00:35:48,700 But of course, that's one rule. 745 00:35:48,700 --> 00:35:50,700 Adam is supposed to know them. 746 00:35:50,700 --> 00:35:52,700 So they have to have been hit somewhere in the, 747 00:35:52,700 --> 00:35:54,700 in my lifetime. 748 00:35:54,700 --> 00:35:55,700 60, 70s or 80s. 749 00:35:55,700 --> 00:35:56,700 Exactly. 750 00:35:56,700 --> 00:35:57,700 My life, sir. 751 00:35:57,700 --> 00:35:58,700 Yeah, hit to the 70s and 80s. 752 00:35:58,700 --> 00:35:59,700 Okay. 753 00:35:59,700 --> 00:36:00,700 Or the 90s. 754 00:36:00,700 --> 00:36:02,700 But then they can only be American hits. 755 00:36:02,700 --> 00:36:03,700 Okay. 756 00:36:03,700 --> 00:36:04,700 Those are the rules. 757 00:36:04,700 --> 00:36:05,700 Are you up for it? 758 00:36:05,700 --> 00:36:06,700 I'm up for it. 759 00:36:06,700 --> 00:36:07,700 Okay. 760 00:36:07,700 --> 00:36:08,700 Let's do it. 761 00:36:08,700 --> 00:36:09,700 Well, Adam, um, 762 00:36:09,700 --> 00:36:12,700 what is the same as always is that I've got three clips lined up. 763 00:36:12,700 --> 00:36:14,700 And this is clip and intro. 764 00:36:14,700 --> 00:36:15,700 Number one. 765 00:36:26,700 --> 00:36:27,700 Sounds like. 766 00:36:27,700 --> 00:36:28,700 Ten and ten. 767 00:36:28,700 --> 00:36:29,700 Keep on moving. 768 00:36:29,700 --> 00:36:30,700 Two. 769 00:36:30,700 --> 00:36:31,700 Something like that. 770 00:36:37,700 --> 00:36:38,700 Absolutely. 771 00:36:38,700 --> 00:36:40,700 No clue what that is. 772 00:36:40,700 --> 00:36:42,700 This is, uh, tough. 773 00:36:42,700 --> 00:36:43,700 Y'all. 774 00:36:43,700 --> 00:36:44,700 And the final one is a bit short. 775 00:36:44,700 --> 00:36:46,700 This is number three. 776 00:36:46,700 --> 00:36:47,700 What? 777 00:36:51,700 --> 00:36:52,700 All right. 778 00:36:52,700 --> 00:36:53,700 Just give me the answers. 779 00:36:53,700 --> 00:36:54,700 I suck. 780 00:36:54,700 --> 00:36:55,700 There's no way I get any of those. 781 00:36:55,700 --> 00:36:57,700 You're probably yelling at your iPod, right? 782 00:36:57,700 --> 00:36:58,700 So up. 783 00:36:58,700 --> 00:37:00,700 This is answer number one. 784 00:37:00,700 --> 00:37:01,700 It's sold to sold. 785 00:37:01,700 --> 00:37:02,700 I have that one. 786 00:37:02,700 --> 00:37:03,700 It's sold. 787 00:37:03,700 --> 00:37:05,700 It's sold. 788 00:37:05,700 --> 00:37:06,700 It's sold. 789 00:37:06,700 --> 00:37:07,700 It's sold. 790 00:37:07,700 --> 00:37:09,700 It's sold. 791 00:37:09,700 --> 00:37:34,700 [ Music ] 792 00:37:34,700 --> 00:37:43,100 The answer number one in today's hit-est, so to solve and keep on moving and it's recorded 793 00:37:43,100 --> 00:37:47,100 from vinyl and it's great to hear those correctly sounds again. 794 00:37:47,100 --> 00:37:51,620 Answer number one and this is answer number two. 795 00:37:51,620 --> 00:37:58,420 It's from 89, so I hope you know this one, the stone roses, this is full skulls. 796 00:37:59,420 --> 00:38:01,420 I wouldn't have known that one. 797 00:38:10,420 --> 00:38:12,420 I think I've ever heard the song before. 798 00:38:18,420 --> 00:38:20,420 The stone roses, answer number two. 799 00:38:20,420 --> 00:38:25,420 I hope this has been a hit in the United States also because else you won't know what this one is. 800 00:38:26,420 --> 00:38:31,420 Fulls gold, answer number two and this is answer number three. 801 00:38:31,420 --> 00:38:35,420 The easiest one also to share the split, but there's the easiest one. 802 00:38:35,420 --> 00:38:37,420 Sting and Englishman in New York. 803 00:38:37,420 --> 00:38:38,420 Of course. 804 00:38:58,420 --> 00:39:00,420 Well if you knew that one at home. 805 00:39:00,420 --> 00:39:04,420 Being an Englishman in New York, answering number three in today's hit-est. 806 00:39:04,420 --> 00:39:08,420 And I'm already looking forward to the next one. 807 00:39:08,420 --> 00:39:12,420 I hope Kevin, you will do a great job searching for music. 808 00:39:12,420 --> 00:39:14,420 Looking forward to it, you're on. 809 00:39:14,420 --> 00:39:16,420 Okay, well see you next time. 810 00:39:16,420 --> 00:39:18,420 Well Adam, thank you for playing this one. 811 00:39:18,420 --> 00:39:19,420 Thank you. 812 00:39:19,420 --> 00:39:21,420 Yes, time for another edition of the hit-est. 813 00:39:21,420 --> 00:39:27,420 And of course, as always, hit-est at gmail.com is the address for feedback and the web address is 814 00:39:27,420 --> 00:39:29,420 www.yompolet.nl or.com. 815 00:39:29,420 --> 00:39:32,420 That's J-A-N-B-O-L-E-T.nl or.com. 816 00:39:32,420 --> 00:39:37,420 And you can find all information about hit-est and the separate hit-est podcast on that page. 817 00:39:37,420 --> 00:39:39,420 Well thank you for listening, see you next time. 818 00:39:39,420 --> 00:39:40,420 Bye-bye. 819 00:39:40,420 --> 00:39:41,420 All right, John, thank you very much. 820 00:39:41,420 --> 00:39:43,420 Oh, yeah, Kevin, thank you too. 821 00:39:43,420 --> 00:39:45,420 But again, the hit-test. 822 00:39:45,420 --> 00:39:49,420 And that is it for the Daily Source Code for the second of me. 823 00:39:51,420 --> 00:39:54,420 And I'm going to see what time is it now. 824 00:39:54,420 --> 00:39:56,420 It's so, man, I'm going to have some dinner over here. 825 00:39:56,420 --> 00:39:59,420 Okay, thanks again for checking out the Daily Source Code. 826 00:39:59,420 --> 00:40:02,420 A lot of exciting stuff we had to talk about today. 827 00:40:02,420 --> 00:40:05,420 And I'm sure there'll be more in the coming few weeks. 828 00:40:05,420 --> 00:40:08,420 So you want to stay subscribed. 829 00:40:08,420 --> 00:40:14,420 Okay, you can find the podcast feed at dailysourcecode.com. 830 00:40:14,420 --> 00:40:16,420 Feedback to atomacuri.com. 831 00:40:16,420 --> 00:40:19,420 If you want to send me a promo, don't send me the MP3 file. 832 00:40:19,420 --> 00:40:21,420 Just send a link to an MP3 file. 833 00:40:21,420 --> 00:40:24,420 Put in the subject's DFC promo. 834 00:40:24,420 --> 00:40:30,420 If you got pod safe tunes for me, put pod safe music in the subject line. 835 00:40:30,420 --> 00:40:33,420 So I can route all that to the proper folders. 836 00:40:33,420 --> 00:40:38,420 And of course, you can always leave a comment on my weblog www.curry.com. 837 00:40:38,420 --> 00:40:42,420 Thanks again for listening. Have a great week, y'all. Bye-bye. 838 00:40:51,420 --> 00:41:01,420 Bye-bye.