1 00:00:00,000 --> 00:00:04,000 Delta's year at Charlie 228. 2 00:00:06,000 --> 00:00:07,000 Quick and time! 3 00:00:07,000 --> 00:00:10,000 DJ, are you done? 4 00:00:10,000 --> 00:00:14,000 Your DJ has only just begun. 5 00:00:14,000 --> 00:00:18,000 With $16 million worth of airplane strapped to my ass. 6 00:00:18,000 --> 00:00:19,000 Do you know what? 7 00:00:19,000 --> 00:00:22,000 In the next generation radio content in my ears. 8 00:00:22,000 --> 00:00:24,000 We don't need no sticky grip. 9 00:00:24,000 --> 00:00:27,000 I like to think I'm flying you to the future. 10 00:00:28,000 --> 00:00:29,000 Fantastic! 11 00:00:30,000 --> 00:00:32,000 It's August 25, 2005. 12 00:00:32,000 --> 00:00:34,000 It's the Daily Source Code. 13 00:00:37,000 --> 00:00:39,000 And good afternoon everybody. 14 00:00:39,000 --> 00:00:41,000 How are you doing? 15 00:00:41,000 --> 00:00:42,000 Thursday. 16 00:00:42,000 --> 00:00:43,000 We've done a show every single day. 17 00:00:43,000 --> 00:00:45,000 This week, it truly is the Daily Source Code. 18 00:00:45,000 --> 00:00:46,000 I'm amazed. 19 00:00:46,000 --> 00:00:47,000 I'm just amazed. 20 00:00:47,000 --> 00:00:51,000 It is about 4.35 in the afternoon. 21 00:00:51,000 --> 00:00:53,000 Coming to you directly from Curry Cottage. 22 00:00:53,000 --> 00:00:55,000 It's the Daily Source Code. 23 00:00:56,000 --> 00:01:00,000 And this is the first official show in the podcast complex. 24 00:01:00,000 --> 00:01:01,000 That's right. 25 00:01:01,000 --> 00:01:05,000 This morning Mark and I think Stewart is his name. 26 00:01:05,000 --> 00:01:08,000 His accomplice, his assistant came on over. 27 00:01:08,000 --> 00:01:12,000 And we removed the home build podcast complex 28 00:01:12,000 --> 00:01:16,000 from the garage, moved it all the way up to the bedroom studio. 29 00:01:16,000 --> 00:01:19,000 And I spent most of the morning reconnecting, reconfiguring, 30 00:01:20,000 --> 00:01:23,000 re-adjusting and taking pictures of my handy work. 31 00:01:23,000 --> 00:01:26,000 It is absolutely phenomenally beautiful. 32 00:01:26,000 --> 00:01:27,000 And it works. 33 00:01:27,000 --> 00:01:28,000 It's so functional. 34 00:01:28,000 --> 00:01:30,000 It's ergonomic. 35 00:01:30,000 --> 00:01:31,000 It's systematic. 36 00:01:37,000 --> 00:01:39,000 It's been kind of a weird day today. 37 00:01:39,000 --> 00:01:42,000 It started off reasonably nice, 38 00:01:42,000 --> 00:01:43,000 but wet. 39 00:01:43,000 --> 00:01:45,000 And it just went really ugly. 40 00:01:45,000 --> 00:01:47,000 And now it's like, look out the window. 41 00:01:47,000 --> 00:01:49,000 A lot of wind. 42 00:01:49,000 --> 00:01:51,000 But sunshine. 43 00:01:53,000 --> 00:01:54,000 Alrighty. 44 00:01:54,000 --> 00:01:56,000 We have quite, I always say that, don't right? 45 00:01:56,000 --> 00:01:57,000 We have a lot to talk about. 46 00:01:57,000 --> 00:01:58,000 But it really is true. 47 00:01:58,000 --> 00:02:02,000 I got to cram all this into 30 or 40 minutes. 48 00:02:02,000 --> 00:02:04,000 And I've got a couple minutes. 49 00:02:04,000 --> 00:02:06,000 I'm going to see how long is this piece of the Zedcast. 50 00:02:06,000 --> 00:02:07,000 I'm going to be check. 51 00:02:07,000 --> 00:02:08,000 What is it? 52 00:02:08,000 --> 00:02:11,000 Three minutes and fifty. 53 00:02:11,000 --> 00:02:13,000 Six seconds of the Zedcast. 54 00:02:13,000 --> 00:02:16,000 It's in counters, pod save music from Matthew Ebel. 55 00:02:16,000 --> 00:02:18,000 And plenty of promos. 56 00:02:18,000 --> 00:02:23,000 And we're talking about some geek stuff like GPS, GPS files. 57 00:02:23,000 --> 00:02:25,000 And have a mashup for you. 58 00:02:25,000 --> 00:02:27,000 See, where did I pull this one off of? 59 00:02:27,000 --> 00:02:30,000 I think this was something that Peter Fadden put on the series show. 60 00:02:30,000 --> 00:02:31,000 It's toxic shack. 61 00:02:31,000 --> 00:02:33,000 Gelat on the source code. 62 00:02:33,000 --> 00:02:34,000 See, you've paid it tight. 63 00:02:34,000 --> 00:02:35,000 I can sign as a vote. 64 00:02:35,000 --> 00:02:36,000 That's it. 65 00:02:36,250 --> 00:03:43,750 [ Music ] 66 00:03:50,000 --> 00:03:53,100 get to get to get to get done it's that one 67 00:03:55,600 --> 00:03:57,240 run 68 00:04:01,250 --> 00:04:46,250 [ Music ] 69 00:05:01,250 --> 00:05:50,000 [ Music ] 70 00:05:50,000 --> 00:06:20,000 shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut off, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, shut up, 71 00:06:20,000 --> 00:06:23,800 Jack happened in here, finally everything's all put together, 72 00:06:23,800 --> 00:06:26,960 and I could not be happier with the way things have turned out. 73 00:06:26,960 --> 00:06:30,320 Still kind of tweaking the sound a little bit. 74 00:06:30,320 --> 00:06:32,720 And actually, I knew the sound was good enough 75 00:06:32,720 --> 00:06:34,880 to use for today's source code, 76 00:06:34,880 --> 00:06:37,440 because I've been testing back and forth with PW Fenton, 77 00:06:37,440 --> 00:06:40,280 of Digital Flotsom, he produces the serious shows, 78 00:06:40,280 --> 00:06:42,640 and we work a lot on sound stuff together. 79 00:06:42,640 --> 00:06:44,400 And he sent me an email, he said, 80 00:06:44,400 --> 00:06:46,240 oh man, it's sounding great now. 81 00:06:46,240 --> 00:06:48,800 So that's good enough, because he uses a silo scopes 82 00:06:48,800 --> 00:06:51,760 and stuff to check frequency ranges. 83 00:06:53,200 --> 00:06:56,760 But I like to drive, drive everything really loud, 84 00:06:56,760 --> 00:06:58,160 compressors and allimitors, 85 00:06:58,160 --> 00:07:02,240 and chaining those together to achieve a certain kind of sound. 86 00:07:02,240 --> 00:07:03,200 And I think I've got it. 87 00:07:03,200 --> 00:07:07,640 So anyway, so finally the podcast complex is complete. 88 00:07:07,640 --> 00:07:10,280 It's upstairs in the bedroom studio, 89 00:07:10,280 --> 00:07:15,280 and I've got the Yamaha Professional Audio Workstation AW16G 90 00:07:15,280 --> 00:07:20,280 right in the front, I've got my power book, my G4 power book 91 00:07:21,400 --> 00:07:23,200 over on the right, and then on the upper shelf, 92 00:07:23,200 --> 00:07:25,280 on the left, I've got the stereo valve processor, 93 00:07:25,280 --> 00:07:27,720 on the right now, I've put the crap-lit, 94 00:07:27,720 --> 00:07:29,560 which is, and it wasn't planned that way, 95 00:07:29,560 --> 00:07:32,040 but it turns out perfectly, 96 00:07:32,040 --> 00:07:34,440 because I can put the crap-lit up on this top shelf, 97 00:07:34,440 --> 00:07:36,120 swivel the screen, because of course, 98 00:07:36,120 --> 00:07:38,760 it normally, the screen can turn around 99 00:07:38,760 --> 00:07:41,280 and fold over into a tablet. 100 00:07:41,280 --> 00:07:43,400 So now I can actually read stuff off of that screen, 101 00:07:43,400 --> 00:07:47,960 and I said, I level, and I don't have to use the Macintosh, 102 00:07:47,960 --> 00:07:51,640 because it's conveniently located down on the right-hand lower side. 103 00:07:51,640 --> 00:07:55,560 So it's just perfect, and I love standing up while I'm working. 104 00:07:55,560 --> 00:07:58,520 I really do, and maybe I'll improve my posture 105 00:07:58,520 --> 00:07:59,960 even one of these days. 106 00:07:59,960 --> 00:08:03,920 So we're still tweaking the little bits here, 107 00:08:03,920 --> 00:08:08,160 but I'm really, really happy with how it's working out so far. 108 00:08:08,160 --> 00:08:11,280 Okay, what was I gonna talk to you about? 109 00:08:11,280 --> 00:08:14,280 Oh, it looks like I'm not gonna go back to San Francisco. 110 00:08:14,280 --> 00:08:16,040 Just yeah, it'll probably be, 111 00:08:16,040 --> 00:08:17,560 we're gonna go to New York first, 112 00:08:17,560 --> 00:08:20,120 then to Chicago, lots of advertising agencies 113 00:08:20,120 --> 00:08:24,400 to talk to, lots of people are very interested. 114 00:08:24,400 --> 00:08:27,840 I'm gonna do some interviews while we're in New York. 115 00:08:27,840 --> 00:08:29,560 Got some of the phoneers tomorrow, actually. 116 00:08:29,560 --> 00:08:34,560 Financial times, and parade magazine, 117 00:08:34,560 --> 00:08:37,120 but I found, parade magazine is huge, by the way. 118 00:08:37,120 --> 00:08:39,920 It's like one of the biggest magazines in the United States, 119 00:08:39,920 --> 00:08:43,280 so, extremely excited about that. 120 00:08:43,280 --> 00:08:44,760 Then we'll go to San Francisco, 121 00:08:44,760 --> 00:08:49,560 and hopefully Patricia really got a lot of stuff together 122 00:08:49,560 --> 00:08:53,840 for the Curry Condo in San Fran. 123 00:08:53,840 --> 00:08:57,160 But we're still waiting for an order from JC Penny, 124 00:08:57,160 --> 00:08:59,040 and we ordered that when we were in New York, 125 00:08:59,040 --> 00:09:01,440 because that's like almost two weeks ago, 126 00:09:01,440 --> 00:09:06,120 and I knew that one item had to transfer from another warehouse. 127 00:09:06,120 --> 00:09:09,080 So I knew that it could last more than one business week, 128 00:09:09,080 --> 00:09:10,720 but then I didn't hear anything for another week, 129 00:09:10,720 --> 00:09:12,320 and then finally, an email shows up, 130 00:09:12,320 --> 00:09:14,240 and there's no like, sorry, we're late, 131 00:09:14,240 --> 00:09:18,000 or your order is ready to ship, or any pleasant news. 132 00:09:18,000 --> 00:09:20,600 It was just to make sure that there's no fault 133 00:09:20,600 --> 00:09:22,880 with your credit card, provide us with the billing details. 134 00:09:22,880 --> 00:09:24,880 I'm like, what the fuck, you know? 135 00:09:27,360 --> 00:09:29,520 I don't know, what's wrong with JC Penny? 136 00:09:29,520 --> 00:09:31,760 I mean, they used to be really good with online ordering, 137 00:09:31,760 --> 00:09:32,960 and now this. 138 00:09:32,960 --> 00:09:35,440 That's just American credit cards in general. 139 00:09:35,440 --> 00:09:38,960 There's, I don't know, it's whenever I use a European card, 140 00:09:38,960 --> 00:09:42,400 talked about this before, it's never a problem. 141 00:09:42,400 --> 00:09:46,480 The credit card company or bank never wants to double check anything, 142 00:09:46,480 --> 00:09:48,200 and there's also no fraud ever on those. 143 00:09:48,200 --> 00:09:51,560 Oh, knock on wood, which, of course, is exactly 144 00:09:51,560 --> 00:09:53,400 what the podcast complex is made of. 145 00:09:53,400 --> 00:09:54,760 Kids don't touch that time, 146 00:09:54,760 --> 00:09:57,760 because now it's time for the Bobby Bucket Show. 147 00:09:57,760 --> 00:10:02,760 Hello readers, it's Bobby Bucket with the Bobby Bucket Show, 148 00:10:18,000 --> 00:10:22,000 a podcast for kids, parents, and readers of all ages. 149 00:10:22,000 --> 00:10:24,240 If you love reading, then you're gonna love our show 150 00:10:24,240 --> 00:10:27,560 because each week, we explore the best in children 151 00:10:27,560 --> 00:10:29,480 in young readers' literature, 152 00:10:29,480 --> 00:10:32,200 and we have a special section just for parents 153 00:10:32,200 --> 00:10:34,800 to support their child's reading. 154 00:10:34,800 --> 00:10:38,000 And we talk about things good readers do 155 00:10:38,000 --> 00:10:40,800 in a fun and educational way. 156 00:10:40,800 --> 00:10:43,960 And here for a sneak peek is my good friend, 157 00:10:43,960 --> 00:10:48,440 Madam literatus, talking about the reading strategy 158 00:10:48,440 --> 00:10:50,000 of making predictions. 159 00:10:50,000 --> 00:10:55,000 Hello, it is Madam literatus. 160 00:10:58,880 --> 00:11:02,680 Every so often read a stop and make predictions 161 00:11:02,680 --> 00:11:04,880 or guesses about what is called 162 00:11:04,880 --> 00:11:07,400 happen next in the story, they do this by using 163 00:11:07,400 --> 00:11:10,240 both pictures and text and even connections 164 00:11:10,240 --> 00:11:13,880 made by personal experience or text to text connections 165 00:11:13,880 --> 00:11:16,560 or text to word connections. 166 00:11:16,560 --> 00:11:19,320 You see good readers do not just see back in past 167 00:11:19,320 --> 00:11:21,200 every way for me to come to them. 168 00:11:21,200 --> 00:11:24,640 No, as they read their custody making meaning 169 00:11:24,640 --> 00:11:28,280 by making predictions readers are playing around 170 00:11:28,280 --> 00:11:32,080 with that meaning readers make those predictions 171 00:11:32,080 --> 00:11:34,000 they read a little more and then they find out 172 00:11:34,000 --> 00:11:36,200 if their predictions were correct or not, 173 00:11:36,200 --> 00:11:38,160 if they weren't, they could sell them. 174 00:11:38,160 --> 00:11:40,360 And they make new predictions. 175 00:11:40,360 --> 00:11:43,480 So by making predictions, you're doing the following 176 00:11:43,480 --> 00:11:45,440 with your mind. 177 00:11:45,440 --> 00:11:48,280 You are connecting prior knowledge and experience, 178 00:11:48,280 --> 00:11:51,480 focusing about the actual words in the story 179 00:11:51,480 --> 00:11:55,240 and trying to figure out things by filling in gaps 180 00:11:55,240 --> 00:11:57,320 in the author's writing. 181 00:11:57,320 --> 00:12:01,120 Kind of like you are reading between the lines 182 00:12:01,120 --> 00:12:06,120 or trying to read the writers' thoughts instead of just her words. 183 00:12:07,600 --> 00:12:11,320 For the body bucket show, this is Madam literatus. 184 00:12:11,320 --> 00:12:21,320 So come on over to BobbyBucket.com, here about great books, 185 00:12:21,320 --> 00:12:24,560 great reading strategies, and celebrate reading 186 00:12:24,560 --> 00:12:29,440 with books, music, author interviews, and more. 187 00:12:29,440 --> 00:12:33,880 Television, we don't need no stinky television, we got a book. 188 00:12:34,880 --> 00:12:36,880 Hi, Joe. 189 00:12:36,880 --> 00:12:40,880 Content that will make you walk the dog and kiss your mother. 190 00:12:43,880 --> 00:12:48,880 The actual real insider space is one place you can go. 191 00:12:48,880 --> 00:12:50,880 It's one crush. 192 00:12:50,880 --> 00:12:53,880 Join in and subscribe to the front seat feed 193 00:12:53,880 --> 00:12:55,880 on the digital domain. 194 00:12:55,880 --> 00:13:00,880 With the night cast, the WWE dot K&Y-T-H-T-W-I-C, 195 00:13:00,880 --> 00:13:02,880 not come. 196 00:13:05,880 --> 00:13:08,880 With the night cast, the everyday adventures of a modern-day 197 00:13:08,880 --> 00:13:12,880 technocrat on the edge of real and cyberspace. 198 00:13:12,880 --> 00:13:17,880 With the podcast for the Cybersitizen with digital views on tech, 199 00:13:17,880 --> 00:13:20,880 cult, sci-fi, and the daily drag. 200 00:13:20,880 --> 00:13:24,880 Point your pod catcher at our feed and learn how to chew tech 201 00:13:24,880 --> 00:13:26,880 into your way of life. 202 00:13:26,880 --> 00:13:29,880 The night cast upgrade from week to technocrat 203 00:13:29,880 --> 00:13:37,880 and check us out at www.K&Y-G-H-T-W-I-S-E dot com. 204 00:13:37,880 --> 00:13:40,880 I gotta tell you, I really love promos. 205 00:13:40,880 --> 00:13:42,880 That's so cool. 206 00:13:42,880 --> 00:13:45,880 So, you know, and then I hear these promos 207 00:13:45,880 --> 00:13:48,880 I select them from a whole bunch of, well, I've got like, 208 00:13:48,880 --> 00:13:51,880 PW and I have kind of like a system work to work out. 209 00:13:52,880 --> 00:13:54,880 And then I hear them on the show and like, you know, 210 00:13:54,880 --> 00:13:55,880 that sounds like a good show. 211 00:13:55,880 --> 00:13:56,880 I want to subscribe to that. 212 00:13:56,880 --> 00:13:57,880 It really does work. 213 00:13:57,880 --> 00:13:58,880 Keep those promos coming. 214 00:13:58,880 --> 00:14:00,880 Submit at podshow.com 215 00:14:00,880 --> 00:14:04,880 and make sure you put the ID3 tags in. 216 00:14:04,880 --> 00:14:05,880 Okay. 217 00:14:05,880 --> 00:14:06,880 Please. 218 00:14:06,880 --> 00:14:08,880 And don't name it promo. 219 00:14:08,880 --> 00:14:09,880 Dot MP3. 220 00:14:09,880 --> 00:14:11,880 Um, 221 00:14:11,880 --> 00:14:14,880 if for the serious show on serious satellite radio, 222 00:14:14,880 --> 00:14:17,880 every day we do four hours of podcasts 223 00:14:17,880 --> 00:14:20,880 and podsafe music and mashups. 224 00:14:20,880 --> 00:14:22,880 But put out and promos, of course. 225 00:14:22,880 --> 00:14:25,880 But always, at least one featured podcast an hour. 226 00:14:25,880 --> 00:14:28,880 And you can send all those, you know, 227 00:14:28,880 --> 00:14:30,880 if you wanted to be played on serious, 228 00:14:30,880 --> 00:14:32,880 send it off to submit at podshow.com. 229 00:14:32,880 --> 00:14:35,880 PWFend and does a lot of the sifting, 230 00:14:35,880 --> 00:14:38,880 well, does all the sifting through that, basically. 231 00:14:38,880 --> 00:14:42,880 Um, and is always listening to new stuff coming out. 232 00:14:42,880 --> 00:14:44,880 And so once in a while, 233 00:14:44,880 --> 00:14:45,880 I'll stumble across something, 234 00:14:45,880 --> 00:14:47,880 which, of course, I'll put on the podshow 235 00:14:47,880 --> 00:14:50,880 and then, and then he'll alert me to it. 236 00:14:50,880 --> 00:14:53,880 Because of course, I'm going to announce it. 237 00:14:53,880 --> 00:14:57,880 And so I'll listen to this podcast before I even talk about it on the show. 238 00:14:57,880 --> 00:15:00,880 And there's this podcast called The Zedcast. 239 00:15:00,880 --> 00:15:03,880 This is episode number seven of The Zedcast. 240 00:15:03,880 --> 00:15:06,880 And it's titled Close Encounters. 241 00:15:06,880 --> 00:15:09,880 So, you know, Close Encounters with the third kind. 242 00:15:09,880 --> 00:15:10,880 And there's a whole set up to it, 243 00:15:10,880 --> 00:15:11,880 which I'm not going to play. 244 00:15:11,880 --> 00:15:12,880 I'm going to play the part though, 245 00:15:12,880 --> 00:15:14,880 when the aliens land. 246 00:15:14,880 --> 00:15:16,880 Because, well, I'm not going to tell you why, 247 00:15:16,880 --> 00:15:20,880 but it's, uh, it did have me laughing for sure. 248 00:15:20,880 --> 00:15:22,880 Whoa! 249 00:15:22,880 --> 00:15:27,880 Ladies and gentlemen, the sky is just turned up really a chain of fusion. 250 00:15:27,880 --> 00:15:29,880 A giant mother ship. 251 00:15:29,880 --> 00:15:31,880 He's coming out of the clouds. 252 00:15:31,880 --> 00:15:33,880 It's enormous. 253 00:15:33,880 --> 00:15:37,880 There are hatches opening on the bottom of the ship. 254 00:15:37,880 --> 00:15:41,880 And there's pod-like crafts shooting everywhere. 255 00:15:41,880 --> 00:15:43,880 It's unbelievable. 256 00:15:44,880 --> 00:15:47,880 Please, gentlemen, I think we've made contact. 257 00:15:51,880 --> 00:15:54,880 One of the pods is slanting right in front of us. 258 00:15:56,880 --> 00:15:59,880 There's a door on the front that's opening. 259 00:15:59,880 --> 00:16:04,880 And, oh, there's a beautiful bathing light. 260 00:16:04,880 --> 00:16:06,880 And, and a beam. 261 00:16:06,880 --> 00:16:10,880 So much humanoid, but it seems to be floating above the ground. 262 00:16:11,880 --> 00:16:16,880 And, and behind him, several dozen just like him. 263 00:16:16,880 --> 00:16:18,880 They seem pretty enough. 264 00:16:18,880 --> 00:16:22,880 Ladies and gentlemen, I'm going to attempt to get close enough 265 00:16:22,880 --> 00:16:26,880 to these beings to try and communicate with them. 266 00:16:26,880 --> 00:16:28,880 Hello. 267 00:16:28,880 --> 00:16:30,880 Welcome to Canada. 268 00:16:30,880 --> 00:16:32,880 We are people of Earth. 269 00:16:32,880 --> 00:16:34,880 We mean you no harm. 270 00:16:34,880 --> 00:16:36,880 Oh, I don't know if they could understand me. 271 00:16:36,880 --> 00:16:38,880 People of Earth. 272 00:16:38,880 --> 00:16:41,880 We have intercepted your transmissions. 273 00:16:41,880 --> 00:16:45,880 We have analyzed your dialects. 274 00:16:45,880 --> 00:16:49,880 And can speak to you in your own language. 275 00:16:49,880 --> 00:16:51,880 How's it going, eh? 276 00:16:51,880 --> 00:16:53,880 Good. 277 00:16:53,880 --> 00:16:56,880 You said you intercepted transmissions. 278 00:16:56,880 --> 00:16:58,880 Was that from our radio telescopes? 279 00:16:58,880 --> 00:16:59,880 No. 280 00:16:59,880 --> 00:17:01,880 We do not listen to the radio. 281 00:17:01,880 --> 00:17:03,880 Was it television transmissions? 282 00:17:03,880 --> 00:17:04,880 No. 283 00:17:04,880 --> 00:17:05,880 Television is boring. 284 00:17:05,880 --> 00:17:07,880 There's never anything good on me. 285 00:17:07,880 --> 00:17:09,880 Uh, what kind of transmissions? 286 00:17:09,880 --> 00:17:12,880 We have been tuning into your hottest sphere. 287 00:17:12,880 --> 00:17:15,880 Oh, we are listening to podcasts. 288 00:17:15,880 --> 00:17:16,880 That's great. 289 00:17:16,880 --> 00:17:19,880 We are from the planet Zed. 290 00:17:19,880 --> 00:17:25,880 And we have been transmitting our Zedcast to you for many months. 291 00:17:25,880 --> 00:17:28,880 Oh, yeah, the Zedcast with Bruce Murray, right? 292 00:17:28,880 --> 00:17:31,880 Yeah, but that's like comedy skits. 293 00:17:31,880 --> 00:17:34,880 And he does storytelling and play some music. 294 00:17:34,880 --> 00:17:36,880 Yes, you must decode it. 295 00:17:36,880 --> 00:17:39,880 If you play it normally, it sounds like this. 296 00:17:39,880 --> 00:17:40,880 Hi, everybody. 297 00:17:40,880 --> 00:17:42,880 And welcome to the Zedcast. 298 00:17:42,880 --> 00:17:44,880 But run it backwards. 299 00:17:44,880 --> 00:17:46,880 And it is people of Earth. 300 00:17:46,880 --> 00:17:48,880 We need our warning. 301 00:17:48,880 --> 00:17:50,880 Well, why have you come to this planet? 302 00:17:50,880 --> 00:17:53,880 We come to speak to the one called Adam. 303 00:17:53,880 --> 00:17:55,880 Adam and Eve. 304 00:17:55,880 --> 00:17:56,880 Adam and Eve. 305 00:17:56,880 --> 00:17:58,880 No, later than that. 306 00:17:58,880 --> 00:17:59,880 Adam and Goyan. 307 00:17:59,880 --> 00:18:00,880 Keep going. 308 00:18:00,880 --> 00:18:02,880 Uh, Brian Adams. 309 00:18:02,880 --> 00:18:04,880 Okay, this is getting annoying. 310 00:18:05,880 --> 00:18:07,880 I will give you a hand. 311 00:18:07,880 --> 00:18:10,880 Today, are you guys amazing? 312 00:18:10,880 --> 00:18:11,880 Yeah. 313 00:18:11,880 --> 00:18:13,880 Oh, Adam Curry from Podcho. 314 00:18:13,880 --> 00:18:15,880 Yes, that is him. 315 00:18:15,880 --> 00:18:19,880 We need his daily source code to program our events from 316 00:18:19,880 --> 00:18:20,880 Unications. 317 00:18:20,880 --> 00:18:23,880 Please direct us to Curry Cottage. 318 00:18:23,880 --> 00:18:27,880 Oh, well, uh, this is Nova Scotia in Canada. 319 00:18:27,880 --> 00:18:30,880 Uh, he lives in Guilford in the UK. 320 00:18:30,880 --> 00:18:35,880 That's like 1,500 kilometers across the Atlantic Ocean. 321 00:18:35,880 --> 00:18:36,880 No problem. 322 00:18:36,880 --> 00:18:38,880 We will be there in 20 seconds. 323 00:18:38,880 --> 00:18:39,880 20 seconds. 324 00:18:39,880 --> 00:18:40,880 That's amazing. 325 00:18:40,880 --> 00:18:41,880 How do you do that? 326 00:18:41,880 --> 00:18:46,880 I have 16 million keypaps of spacecrafts throughout my ass. 327 00:18:46,880 --> 00:18:53,880 And the next generation of interstellar communications in my ears. 328 00:18:53,880 --> 00:18:56,880 So I guess you're flying into the future. 329 00:18:56,880 --> 00:18:57,880 No. 330 00:18:57,880 --> 00:18:58,880 I've been there. 331 00:18:58,880 --> 00:19:00,880 It's not all that's cracked up to me. 332 00:19:00,880 --> 00:19:02,880 Well, good luck on your journey. 333 00:19:02,880 --> 00:19:04,880 Thanks for visiting. 334 00:19:04,880 --> 00:19:05,880 No problem. 335 00:19:05,880 --> 00:19:07,880 Stay subscribed. 336 00:19:07,880 --> 00:19:08,880 Okay. 337 00:19:08,880 --> 00:19:10,880 Set a love home fries. 338 00:19:10,880 --> 00:19:11,880 Wow. 339 00:19:11,880 --> 00:19:12,880 What was that? 340 00:19:12,880 --> 00:19:14,880 You're your photon engine starting up? 341 00:19:14,880 --> 00:19:15,880 No. 342 00:19:15,880 --> 00:19:16,880 That's insane. 343 00:19:16,880 --> 00:19:19,880 Oh, man. 344 00:19:19,880 --> 00:19:20,880 I love it. 345 00:19:20,880 --> 00:19:22,880 That's a great episode. 346 00:19:22,880 --> 00:19:23,880 The Zedcast. 347 00:19:23,880 --> 00:19:25,880 And if you want to know where to find the Zedcast. 348 00:19:25,880 --> 00:19:29,880 Or anything else about anything you hear on the daily source code. 349 00:19:29,880 --> 00:19:30,880 Just go to dailysourcecode.com. 350 00:19:30,880 --> 00:19:32,880 Check the show notes. 351 00:19:32,880 --> 00:19:33,880 Or the show. 352 00:19:33,880 --> 00:19:36,880 The show notes are also always copied at www.curry.com. 353 00:19:36,880 --> 00:19:39,880 That's also where I post the picture of the podcast complex. 354 00:19:39,880 --> 00:19:41,880 So you can check that out as well. 355 00:19:41,880 --> 00:19:42,880 And let's see. 356 00:19:42,880 --> 00:19:44,880 Before I forget yesterday, pod save music. 357 00:19:44,880 --> 00:19:46,880 I played Jennifer Halane. 358 00:19:46,880 --> 00:19:51,880 And that's what's so cool about playing pod save music on a podcast. 359 00:19:52,880 --> 00:19:56,880 Usually, I'll get an email the same day from the artist themselves saying, 360 00:19:56,880 --> 00:19:59,880 Hey, thanks for playing the song. 361 00:19:59,880 --> 00:20:02,880 And you know, always get to get to know a little bit more about him. 362 00:20:02,880 --> 00:20:09,880 And it was actually Jennifer's brother who signed her up at pod save music network.com. 363 00:20:09,880 --> 00:20:12,880 She'd heard about garageband.com. 364 00:20:12,880 --> 00:20:15,880 But didn't know about PMN yet. 365 00:20:15,880 --> 00:20:18,880 And this is actually something that's really true. 366 00:20:18,880 --> 00:20:21,880 But most musicians, and not Jennifer, by the way. 367 00:20:21,880 --> 00:20:23,880 Most musicians are just so lazy. 368 00:20:23,880 --> 00:20:27,880 They don't want to go out and promote across all these websites. 369 00:20:27,880 --> 00:20:31,880 Now, so they're probably writing songs and too busy with doing music. 370 00:20:31,880 --> 00:20:34,880 So this is what you see happening a lot. 371 00:20:34,880 --> 00:20:38,880 Barry Coral's brother also promotes her on the net. 372 00:20:38,880 --> 00:20:42,880 So Jennifer wanted me to say hi to her brother. 373 00:20:42,880 --> 00:20:45,880 And point out that he also has a podcast at frankwit.com. 374 00:20:45,880 --> 00:20:48,880 So I'll put that in the show notes as well. 375 00:20:48,880 --> 00:20:53,880 And I've been geeking out on this GPS stuff with the GPX files. 376 00:20:53,880 --> 00:20:58,880 So, you know, I've been basically tracking my my flying. 377 00:20:58,880 --> 00:21:02,880 And you can load those files into Google Earth. 378 00:21:02,880 --> 00:21:04,880 And you can actually fly the entire route. 379 00:21:04,880 --> 00:21:06,880 And there's also not quite sure how to do it. 380 00:21:06,880 --> 00:21:11,880 But if you go to jeepster.com, that's G-E-E-P-S-T-E-R 381 00:21:11,880 --> 00:21:18,880 or Gulf-Eko-Eko-Papa-Shere-Tango-Eko-Romio.com, 382 00:21:18,880 --> 00:21:24,880 that's Koso's, one of Koso's many websites. 383 00:21:24,880 --> 00:21:28,880 He's loaded both the most recent track, 384 00:21:28,880 --> 00:21:30,880 where I flew to the Netherlands and back. 385 00:21:30,880 --> 00:21:33,880 He loaded that into a Google map. 386 00:21:33,880 --> 00:21:36,880 And he also did one for my USA trip. 387 00:21:36,880 --> 00:21:37,880 And it's cool. 388 00:21:37,880 --> 00:21:40,880 You can actually see the entire flight path that we took. 389 00:21:40,880 --> 00:21:44,880 I really liked the one that we did on, 390 00:21:44,880 --> 00:21:46,880 we went to Rotterdam Airport. 391 00:21:46,880 --> 00:21:48,880 And then to mid-Azailum. 392 00:21:48,880 --> 00:21:52,880 Because you can actually see the touch-and-go circuits that we were flying. 393 00:21:52,880 --> 00:21:54,880 And they're almost all exactly the same. 394 00:21:54,880 --> 00:21:55,880 It's really cool. 395 00:21:55,880 --> 00:21:57,880 And although at Rotterdam Airport, 396 00:21:57,880 --> 00:22:01,880 at the jet center, we parked to drop Patricia's parents off. 397 00:22:01,880 --> 00:22:03,880 And we waited for, I don't know, 398 00:22:03,880 --> 00:22:05,880 we had a couple of coffee or something before we left. 399 00:22:05,880 --> 00:22:07,880 You'll see the track if you, 400 00:22:07,880 --> 00:22:10,880 and I'll put links to all this in the show notes. 401 00:22:10,880 --> 00:22:13,880 You'll see it looks like we were bugging all over the place. 402 00:22:13,880 --> 00:22:16,880 But I think what happened is I just left the GPS unit on. 403 00:22:16,880 --> 00:22:19,880 So it was recording every 15 or 30 seconds, I think. 404 00:22:19,880 --> 00:22:22,880 And as I mentioned, it was IFR weather. 405 00:22:22,880 --> 00:22:24,880 So the ceiling was like 300, 400 feet. 406 00:22:24,880 --> 00:22:25,880 It was completely blocked out. 407 00:22:25,880 --> 00:22:29,880 So I have a feeling that the GPS unit couldn't get 408 00:22:29,880 --> 00:22:31,880 more than a couple of satellites. 409 00:22:31,880 --> 00:22:35,880 And it was just every 15 seconds picking up a new signal. 410 00:22:35,880 --> 00:22:38,880 And that's probably the inaccuracy, 411 00:22:38,880 --> 00:22:42,880 if you're not a moving object, if you're just standing still. 412 00:22:42,880 --> 00:22:47,880 And then, of course, it amazes me how those smart bombs hit their mark. 413 00:22:47,880 --> 00:22:50,880 Anyway, so I was going through the Gmail, 414 00:22:50,880 --> 00:22:55,880 and I found a piece of audio feedback from a couple of weeks ago. 415 00:22:55,880 --> 00:22:58,880 But it's about the same stuff that we're talking about now 416 00:22:58,880 --> 00:23:01,880 about these Google Maps and GPS files and how to integrate those 417 00:23:01,880 --> 00:23:03,880 with podcasts and with pictures. 418 00:23:03,880 --> 00:23:06,880 And I got this piece of audio feedback, which, as I said, 419 00:23:06,880 --> 00:23:08,880 is a little late in being on the show, 420 00:23:08,880 --> 00:23:09,880 but better late than never. 421 00:23:09,880 --> 00:23:11,880 And it's still appropriate to the topic. 422 00:23:11,880 --> 00:23:14,880 Hey Adam, this is JT from the FMlogicBox podcast. 423 00:23:14,880 --> 00:23:19,880 And I was just listening to your latest daily source code 424 00:23:19,880 --> 00:23:23,880 and heard that you were wondering about GPS and how to tie that 425 00:23:23,880 --> 00:23:29,880 into MP3s and how to synchronize the video or the photograph, 426 00:23:29,880 --> 00:23:31,880 and things like that. 427 00:23:31,880 --> 00:23:37,880 Well, you may want to investigate the dot MP4 audio format. 428 00:23:37,880 --> 00:23:40,880 I was just talking about that in my latest podcast, 429 00:23:40,880 --> 00:23:44,880 number 22, and that should be coming out tonight 430 00:23:44,880 --> 00:23:46,880 for August 5th. 431 00:23:46,880 --> 00:23:52,880 But in any case, I didn't go into any depth on how to use that, 432 00:23:52,880 --> 00:23:54,880 but, and I don't really know. 433 00:23:54,880 --> 00:23:59,880 But it apparently allows you to add avatars and 2D, 434 00:23:59,880 --> 00:24:04,880 and 3D animation and certainly still photos, 435 00:24:04,880 --> 00:24:11,880 because it is the video format of the M4A file format 436 00:24:11,880 --> 00:24:15,880 that is used in iTunes and for iPods, 437 00:24:15,880 --> 00:24:19,880 and it's a higher compression ratio than the MP3 format. 438 00:24:19,880 --> 00:24:23,880 But that would most certainly allow you to synchronize the, 439 00:24:24,880 --> 00:24:26,880 pictures with the audio. 440 00:24:26,880 --> 00:24:28,880 I think it would have to. 441 00:24:28,880 --> 00:24:31,880 So I know that you didn't want to develop that on your own, 442 00:24:31,880 --> 00:24:36,880 but you may want to pass that along to whoever you do want to do the development for you. 443 00:24:36,880 --> 00:24:43,880 And I hope that helps, and thanks again for all of your daily source codes. 444 00:24:43,880 --> 00:24:46,880 I listen to them every time they come out, as soon as they come out. 445 00:24:46,880 --> 00:24:49,880 But I don't pain your sight every five seconds, 446 00:24:49,880 --> 00:24:50,880 time to get them. 447 00:24:50,880 --> 00:24:52,880 I just wait for it to be delivered. 448 00:24:52,880 --> 00:24:57,880 So in any case, have a great day, and I hope you can get that working, 449 00:24:57,880 --> 00:24:59,880 because I'm really curious about that myself. 450 00:24:59,880 --> 00:25:01,880 Okay, so yeah, well thank you, JT. 451 00:25:01,880 --> 00:25:02,880 I've got it figured out. 452 00:25:02,880 --> 00:25:05,880 I know exactly what this should be and how it should work. 453 00:25:05,880 --> 00:25:08,880 And if I liked what JT was saying, you know, 454 00:25:08,880 --> 00:25:11,880 whoever's going to develop that for you. 455 00:25:11,880 --> 00:25:12,880 All right. 456 00:25:12,880 --> 00:25:17,880 So I do know that what I have noticed when you provide data, 457 00:25:17,880 --> 00:25:20,880 when you are providing a stream of cool data like this flying data, 458 00:25:20,880 --> 00:25:23,880 which definitely is, you know, it's interesting because, you know, 459 00:25:23,880 --> 00:25:25,880 it's, you know, I was flying, you know, 460 00:25:25,880 --> 00:25:28,880 and you can see certain things you wouldn't see when driving. 461 00:25:28,880 --> 00:25:30,880 Developers do like that. 462 00:25:30,880 --> 00:25:33,880 And it does get people's juices flowing. 463 00:25:33,880 --> 00:25:37,880 So I'm going to continue to just, you know, make GPS data available. 464 00:25:37,880 --> 00:25:41,880 I have, of course, had to get off my ass and out of the cottage to go to go get some data. 465 00:25:41,880 --> 00:25:45,880 But I know, but the MDA should be able to do this. 466 00:25:45,880 --> 00:25:47,880 Here's how I think it should work. 467 00:25:47,880 --> 00:25:52,880 In essence, you want your one device and I'm going to say it's my MDA telefilm 468 00:25:52,880 --> 00:25:55,880 because it has all this stuff built into it. 469 00:25:55,880 --> 00:25:59,880 And you, you have a little application and you start the application 470 00:25:59,880 --> 00:26:01,880 and it's doing a number of things. 471 00:26:01,880 --> 00:26:04,880 The first thing is doing is it's recording audio. 472 00:26:04,880 --> 00:26:07,880 And it's, it's recording audio, you know, 473 00:26:07,880 --> 00:26:12,880 just like you would first sound seeing tour and the MDA can do that. 474 00:26:12,880 --> 00:26:16,880 So, of course, you'd want to have an external microphone plugged in. 475 00:26:16,880 --> 00:26:18,880 Please, that's not even necessary. 476 00:26:18,880 --> 00:26:20,880 It's just recording audio. 477 00:26:20,880 --> 00:26:23,880 At the same time, it's recording the GPS data. 478 00:26:23,880 --> 00:26:27,880 That's coming out of the Bluetooth GPS receiver. 479 00:26:27,880 --> 00:26:31,880 And it's basically, I don't know if it's writing 480 00:26:31,880 --> 00:26:35,880 that was all to one file or not, but that's irrelevant. 481 00:26:35,880 --> 00:26:39,880 So as let's say, I'm, I'm doing one of my trips. 482 00:26:39,880 --> 00:26:42,880 So we're flying along and then, you know, 483 00:26:42,880 --> 00:26:46,880 I'd just be narrating like any, but the hell is that? 484 00:26:46,880 --> 00:26:48,880 Someone else's flying along. 485 00:26:48,880 --> 00:26:50,880 I'd just be narrating like, you know, 486 00:26:50,880 --> 00:26:52,880 like any other sound seeing tour or not, 487 00:26:52,880 --> 00:26:55,880 doesn't matter because, you know, there's no penalty for the recording. 488 00:26:55,880 --> 00:26:58,880 Then if at any point, I see something that's of interest, 489 00:26:58,880 --> 00:27:02,880 I can take the MDA and snap a picture. 490 00:27:02,880 --> 00:27:05,880 I was like, oh, I needed a sound effect. 491 00:27:05,880 --> 00:27:06,880 I didn't have one. 492 00:27:06,880 --> 00:27:09,880 I got these cool sound effects working on the Yamaha by the way. 493 00:27:10,880 --> 00:27:12,880 Okay, so I'd take a picture. 494 00:27:16,880 --> 00:27:17,880 Man, that sucks. 495 00:27:17,880 --> 00:27:19,880 I like that one, that's a good one. 496 00:27:19,880 --> 00:27:25,880 So I'd take a picture and it tags that somehow in this application. 497 00:27:25,880 --> 00:27:27,880 So when I go back and I'm back home, 498 00:27:27,880 --> 00:27:29,880 I synchronize my MDA. 499 00:27:29,880 --> 00:27:33,880 It takes this data and what it should be creating is a Google map 500 00:27:33,880 --> 00:27:36,880 where whenever a picture was taken, 501 00:27:36,880 --> 00:27:38,880 there's a little flag so you can mouse over that 502 00:27:38,880 --> 00:27:40,880 and then see the picture. 503 00:27:40,880 --> 00:27:44,880 And of course, it could be some extra data entered there. 504 00:27:44,880 --> 00:27:47,880 But at any point that in the path, 505 00:27:47,880 --> 00:27:50,880 you should be able to click on the path and hear the audio 506 00:27:50,880 --> 00:27:53,880 that was recorded at that point. 507 00:27:53,880 --> 00:27:55,880 You see, because then you can, 508 00:27:55,880 --> 00:27:58,880 it's almost like a museum tour and you can kind of determine 509 00:27:58,880 --> 00:28:01,880 where you want to go in or want to go out. 510 00:28:01,880 --> 00:28:04,880 Anyway, so I'm not quite sure how that would work 511 00:28:04,880 --> 00:28:06,880 and I'm not quite sure what the viewer is. 512 00:28:06,880 --> 00:28:08,880 It sounds almost like what have to be something 513 00:28:08,880 --> 00:28:10,880 and flashed to make it work. 514 00:28:10,880 --> 00:28:14,880 But I can totally see that being very interesting 515 00:28:14,880 --> 00:28:15,880 and very compelling. 516 00:28:15,880 --> 00:28:17,880 I can see business cases for that. 517 00:28:17,880 --> 00:28:20,880 So if you develop up for Windows Mobile, 518 00:28:20,880 --> 00:28:22,880 give it a shot. 519 00:28:37,880 --> 00:28:39,880 Hello, Adam. 520 00:28:39,880 --> 00:28:40,880 My name is Mark Anderson, 521 00:28:40,880 --> 00:28:44,880 and I'm the host of a podcast called Shakespeare Upon iPod. 522 00:28:44,880 --> 00:28:46,880 As the name suggests, 523 00:28:46,880 --> 00:28:48,880 this podcast is about Shakespeare, 524 00:28:48,880 --> 00:28:49,880 but there's a twist here. 525 00:28:49,880 --> 00:28:51,880 There's been an undercurrent of scholarships 526 00:28:51,880 --> 00:28:53,880 since the 1920s, in fact, 527 00:28:53,880 --> 00:28:55,880 that has been looking at the life and troubled times 528 00:28:55,880 --> 00:28:59,880 of a Elizabethan court poet playwright named Edward Devere, 529 00:28:59,880 --> 00:29:01,880 who, more and more evidence suggests, 530 00:29:01,880 --> 00:29:04,880 wrote under the pen name William Shakespeare. 531 00:29:05,880 --> 00:29:08,880 Devere led an amazing and epic and very Shakespearean life. 532 00:29:08,880 --> 00:29:11,880 He got into an interfamily war between his family 533 00:29:11,880 --> 00:29:13,880 and his mistress's family, 534 00:29:13,880 --> 00:29:15,880 regular Elizabethan monogues and capilets. 535 00:29:15,880 --> 00:29:18,880 Devere spent a year touring France and Italy, 536 00:29:18,880 --> 00:29:20,880 visiting the locations where many Shakespeare plays 537 00:29:20,880 --> 00:29:22,880 with later be said. 538 00:29:22,880 --> 00:29:24,880 Devere's sister was a temperamental fireball 539 00:29:24,880 --> 00:29:26,880 who was wooed by a swashbuckler, 540 00:29:26,880 --> 00:29:27,880 named Paragon Birdie, 541 00:29:27,880 --> 00:29:29,880 and this courtship is spoofed 542 00:29:29,880 --> 00:29:31,880 in Shakespeare's Taming of the Shrew. 543 00:29:31,880 --> 00:29:33,880 Devere had his own problems with anger management, too, 544 00:29:33,880 --> 00:29:35,880 when Devere was returning from Italy, 545 00:29:35,880 --> 00:29:37,880 one of his servants are really ego. 546 00:29:37,880 --> 00:29:40,880 Whispered hints of Devere's wife's infidelity 547 00:29:40,880 --> 00:29:42,880 into Devere's ear. 548 00:29:42,880 --> 00:29:45,880 This marital strife was played out throughout the Shakespeare canon 549 00:29:45,880 --> 00:29:47,880 in plays such as a fellow, 550 00:29:47,880 --> 00:29:48,880 much to do about nothing, 551 00:29:48,880 --> 00:29:50,880 the Witter's Tale, and a number of others. 552 00:29:50,880 --> 00:29:52,880 The list goes on and on, 553 00:29:52,880 --> 00:29:54,880 of the astonishing parallels between Devere's life 554 00:29:54,880 --> 00:29:57,880 and the storylines in the Shakespeare canon. 555 00:29:57,880 --> 00:29:59,880 It just takes one shift of focus, 556 00:29:59,880 --> 00:30:01,880 away from Stratford upon Avon, 557 00:30:01,880 --> 00:30:03,880 and toward Edward Devere, 558 00:30:03,880 --> 00:30:06,880 to reveal the astonishing layers of autobiography 559 00:30:06,880 --> 00:30:08,880 to be found in Shakespeare. 560 00:30:08,880 --> 00:30:10,880 The reason it hasn't been recognized before 561 00:30:10,880 --> 00:30:12,880 is that people have for centuries been looking 562 00:30:12,880 --> 00:30:13,880 at the wrong guy, 563 00:30:13,880 --> 00:30:15,880 an entrepreneur and actor 564 00:30:15,880 --> 00:30:17,880 from Stratford upon Avon. 565 00:30:17,880 --> 00:30:19,880 The Shakespeare upon iPod podcasts 566 00:30:19,880 --> 00:30:22,880 have been adapted from a biography of Devere 567 00:30:22,880 --> 00:30:23,880 that I've written, 568 00:30:23,880 --> 00:30:25,880 and that Gotham Books will be publishing 569 00:30:25,880 --> 00:30:26,880 on August 8th. 570 00:30:26,880 --> 00:30:29,880 The biography has titled Shakespeare by another name, 571 00:30:30,880 --> 00:30:33,880 the life of Edward Devere Earl of Oxford, 572 00:30:33,880 --> 00:30:35,880 the man who was Shakespeare. 573 00:30:35,880 --> 00:30:37,880 Music fans may be interested to note 574 00:30:37,880 --> 00:30:40,880 that one of the producers of Shakespeare upon iPod 575 00:30:40,880 --> 00:30:43,880 is Chris Collingwood of the Power Pop Band 576 00:30:43,880 --> 00:30:45,880 Fountains of Wayne. 577 00:30:45,880 --> 00:30:47,880 So, now that the book is out, 578 00:30:47,880 --> 00:30:49,880 I'm going to be repodcasting 579 00:30:49,880 --> 00:30:51,880 the whole Shakespeare upon iPod series. 580 00:30:51,880 --> 00:30:53,880 That's all nine episodes 581 00:30:53,880 --> 00:30:55,880 from August through October, 582 00:30:55,880 --> 00:30:58,880 starting with episode one on August 13th. 583 00:30:58,880 --> 00:31:00,880 To hear Shakespeare upon iPod, 584 00:31:00,880 --> 00:31:03,880 go to the podcast section of the iTunes music store 585 00:31:03,880 --> 00:31:05,880 and do a keyword search for Shakespeare. 586 00:31:05,880 --> 00:31:07,880 Or, just check out my book 587 00:31:07,880 --> 00:31:09,880 and my podcast website 588 00:31:09,880 --> 00:31:12,880 at Shakespeare by anothername.com. 589 00:31:12,880 --> 00:31:15,880 That's Shakespeare by anothername.com. 590 00:31:16,880 --> 00:31:18,880 On Show.com, 591 00:31:18,880 --> 00:31:20,880 makes no claims regarding the quality 592 00:31:20,880 --> 00:31:21,880 of its pod shows 593 00:31:21,880 --> 00:31:23,880 or the sanity of its producers. 594 00:31:23,880 --> 00:31:25,880 Listen at your own risk. 595 00:31:27,880 --> 00:31:30,880 Hi, this is Jeff from podcastshuffle.com 596 00:31:30,880 --> 00:31:33,880 telling you about the podcast shuffle show. 597 00:31:33,880 --> 00:31:34,880 You know, 598 00:31:34,880 --> 00:31:36,880 I was going to talk a lot about 599 00:31:36,880 --> 00:31:38,880 what's the podcast shuffle show 600 00:31:38,880 --> 00:31:40,880 but I think you should hear 601 00:31:40,880 --> 00:31:41,880 from one of our listeners, 602 00:31:41,880 --> 00:31:43,880 Bob Hayes from MotoGPOD. 603 00:31:43,880 --> 00:31:45,880 He sums it up pretty good. 604 00:31:45,880 --> 00:31:47,880 I finally got around 605 00:31:47,880 --> 00:31:49,880 to subscribing to the actual podcast 606 00:31:49,880 --> 00:31:50,880 in iTunes last week. 607 00:31:50,880 --> 00:31:52,880 And it's pretty darn entertaining. 608 00:31:52,880 --> 00:31:55,880 It's similar to Adam Curry's pod finder show 609 00:31:55,880 --> 00:31:57,880 except that it has this great 610 00:31:57,880 --> 00:31:59,880 indie feel to it 611 00:31:59,880 --> 00:32:01,880 that I think I like it so much better. 612 00:32:01,880 --> 00:32:03,880 It's not like it's amateur 613 00:32:03,880 --> 00:32:04,880 or bad or anything. 614 00:32:04,880 --> 00:32:06,880 But it just has more 615 00:32:06,880 --> 00:32:07,880 it's more like 616 00:32:07,880 --> 00:32:09,880 what I sort of think a true podcast should sound like. 617 00:32:09,880 --> 00:32:10,880 Thanks Bob. 618 00:32:10,880 --> 00:32:12,880 You can head over to podcastshuffle.com 619 00:32:12,880 --> 00:32:14,880 and subscribe to the show 620 00:32:14,880 --> 00:32:16,880 or you can find it in iTunes 621 00:32:16,880 --> 00:32:18,880 by searching for podcast shuffle show. 622 00:32:18,880 --> 00:32:20,880 Thanks for subscribing, 623 00:32:20,880 --> 00:32:21,880 and I hope you listen in. 624 00:32:21,880 --> 00:32:23,880 Oh. 625 00:32:23,880 --> 00:32:24,880 Well, 626 00:32:24,880 --> 00:32:26,880 harsh mind mellow. 627 00:32:26,880 --> 00:32:28,880 It's like a daily source of code. 628 00:32:28,880 --> 00:32:29,880 Like no, 629 00:32:29,880 --> 00:32:30,880 it wasn't as like pod finder. 630 00:32:30,880 --> 00:32:31,880 Only better. 631 00:32:31,880 --> 00:32:32,880 All right. 632 00:32:32,880 --> 00:32:33,880 Thank you. 633 00:32:33,880 --> 00:32:34,880 Let's see, 634 00:32:34,880 --> 00:32:36,880 what's the time? 635 00:32:36,880 --> 00:32:37,880 32. 636 00:32:37,880 --> 00:32:38,880 Okay. 637 00:32:38,880 --> 00:32:40,880 Well, I'd say we have 638 00:32:40,880 --> 00:32:42,880 to do some pod safe music. 639 00:32:42,880 --> 00:32:44,880 Right? 640 00:32:44,880 --> 00:32:45,880 Oh, that's right. 641 00:32:45,880 --> 00:32:48,880 I have one more thing that I wanted to play for you. 642 00:32:48,880 --> 00:32:52,880 And this is from Christopher Penn from the financial aid pod cast 643 00:32:52,880 --> 00:32:54,880 who's his audio feedback is really nice. 644 00:32:54,880 --> 00:32:56,880 It's almost like he sent me 645 00:32:56,880 --> 00:32:58,880 pod cast that are audio feedback. 646 00:32:58,880 --> 00:33:02,880 And the title of his message here was 647 00:33:02,880 --> 00:33:04,880 the million listener march. 648 00:33:04,880 --> 00:33:07,880 Of course, that got my attention when I saw that in the Gmail. 649 00:33:07,880 --> 00:33:09,880 And I listened to what he's saying 650 00:33:09,880 --> 00:33:10,880 and he's absolutely right. 651 00:33:10,880 --> 00:33:13,880 There's an important event about to happen. 652 00:33:13,880 --> 00:33:16,880 Or actually he's going to happen over the course of the next few weeks. 653 00:33:16,880 --> 00:33:19,880 And very important as it pertains to pod casting. 654 00:33:19,880 --> 00:33:23,880 Hey, and I'm Christopher, 655 00:33:23,880 --> 00:33:25,880 the financial aid pod cast with some audio feedback 656 00:33:25,880 --> 00:33:27,880 about the hundred million listeners march. 657 00:33:27,880 --> 00:33:29,880 The revolution may be on, 658 00:33:29,880 --> 00:33:31,880 but the revolution needs troops right now. 659 00:33:31,880 --> 00:33:33,880 There's an army of millions moving into place. 660 00:33:33,880 --> 00:33:35,880 And the next four weeks will determine 661 00:33:35,880 --> 00:33:37,880 whether that army becomes slaves 662 00:33:37,880 --> 00:33:39,880 to the big record companies, 663 00:33:39,880 --> 00:33:41,880 whether they join the pod casting revolution. 664 00:33:41,880 --> 00:33:45,880 That army is the army of millions of college students who have been away 665 00:33:45,880 --> 00:33:47,880 away for the summer, away from ubiquitous broadband 666 00:33:47,880 --> 00:33:49,880 and iTunes upgrades. 667 00:33:49,880 --> 00:33:51,880 As they move in, they come back to school. 668 00:33:51,880 --> 00:33:53,880 Pod castors have the chance to capture their hearts, 669 00:33:53,880 --> 00:33:55,880 minds, and especially their ears. 670 00:33:55,880 --> 00:33:57,880 In the times in school that out the maze, 671 00:33:57,880 --> 00:33:58,880 so much has happened. 672 00:33:58,880 --> 00:34:00,880 Things like iTunes, 4.9, 673 00:34:00,880 --> 00:34:02,880 Hot City, Music Network. 674 00:34:02,880 --> 00:34:04,880 Bruce Box said somebody heard the call. 675 00:34:04,880 --> 00:34:06,880 Well, here's the call of the pod castors everywhere. 676 00:34:06,880 --> 00:34:08,880 Get the word out to college students everywhere, 677 00:34:08,880 --> 00:34:10,880 as they come back to school. 678 00:34:10,880 --> 00:34:12,880 Tell them about pod safe music about pod cast, 679 00:34:12,880 --> 00:34:14,880 about the revolution. 680 00:34:14,880 --> 00:34:15,880 Get them involved. 681 00:34:15,880 --> 00:34:17,880 If you're a pod castor, reach out and ask college students 682 00:34:17,880 --> 00:34:19,880 in your audience to spread the word. 683 00:34:19,880 --> 00:34:22,880 If you're a college student, spread the word to everyone you know. 684 00:34:22,880 --> 00:34:25,880 College radio is ripe for music from the pod safe music network. 685 00:34:25,880 --> 00:34:28,880 And college radio stations are always a needed great program. 686 00:34:28,880 --> 00:34:30,880 Pod castor can fit the bill just as well, 687 00:34:30,880 --> 00:34:32,880 on terrestrial college radio stations as online. 688 00:34:32,880 --> 00:34:35,880 Finally, let the college students know that pod cast 689 00:34:35,880 --> 00:34:37,880 isn't one way street. 690 00:34:37,880 --> 00:34:40,880 Most students have the latest and greatest hardware 691 00:34:40,880 --> 00:34:41,880 and software for school, 692 00:34:41,880 --> 00:34:43,880 and garage vanda cast blaster, 693 00:34:43,880 --> 00:34:44,880 only a couple of flicks away. 694 00:34:44,880 --> 00:34:47,880 Point new pod guestors to podcastalley.com. 695 00:34:47,880 --> 00:34:48,880 HotGest411.com. 696 00:34:48,880 --> 00:34:50,880 And indiepodder.org. 697 00:34:50,880 --> 00:34:51,880 Now you've heard the call. 698 00:34:51,880 --> 00:34:53,880 Enjoying the revolution, bring your friends. 699 00:34:53,880 --> 00:34:54,880 Thanks a lot out of. 700 00:34:54,880 --> 00:34:56,880 Keep a great work as always. 701 00:34:56,880 --> 00:34:57,880 Hopefully, in the formal weeks, 702 00:34:57,880 --> 00:34:59,880 we'll have millions of new listeners. 703 00:34:59,880 --> 00:35:01,880 This is Chris from the financial aid pod cast at 704 00:35:01,880 --> 00:35:03,880 financialandpodcast.com. 705 00:35:03,880 --> 00:35:04,880 Alright, Chris. 706 00:35:04,880 --> 00:35:05,880 Thank you very much. 707 00:35:05,880 --> 00:35:08,880 And you're so absolutely dead right on about that. 708 00:35:08,880 --> 00:35:10,880 Millions of college kids 709 00:35:10,880 --> 00:35:12,880 who'll be hooking up their PCs, 710 00:35:12,880 --> 00:35:15,880 they'll be getting their high performance 711 00:35:15,880 --> 00:35:16,880 band with together. 712 00:35:16,880 --> 00:35:20,880 And indeed, podcaster perfect content 713 00:35:20,880 --> 00:35:22,880 for college radio stations. 714 00:35:22,880 --> 00:35:25,880 So that's right. 715 00:35:25,880 --> 00:35:26,880 Keep them informed. 716 00:35:26,880 --> 00:35:28,880 Keep wanting them towards all the cool places 717 00:35:28,880 --> 00:35:30,880 to find out about pod casting. 718 00:35:30,880 --> 00:35:31,880 Pod safe music now. 719 00:35:31,880 --> 00:35:33,880 Matthew Ebel, Sally went down. 720 00:35:33,880 --> 00:35:34,880 Got hit by a train. 721 00:35:36,250 --> 00:38:37,880 [ Music ] 722 00:38:37,880 --> 00:39:07,880 Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salat, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade, Salade 723 00:39:07,880 --> 00:39:13,360 Subscribed for tuning in and for bearing witness to my gushing over my wonderful set up 724 00:39:13,360 --> 00:39:20,000 And let me know if it's sounding okay for you. I had to up the bit rate yesterday's bit rate got on messed up 725 00:39:21,160 --> 00:39:23,160 Ah, there can be so many problems in the chain 726 00:39:27,320 --> 00:39:29,320 Okay, so 727 00:39:31,320 --> 00:39:33,320 40 minutes fantastic and 728 00:39:33,320 --> 00:39:39,780 And so it's 515 now. The office in San Francisco is opened are two of my days about to be 729 00:39:41,720 --> 00:39:45,920 It's so much fun to be too loud. We're still a little bit jet lag right away 730 00:39:47,720 --> 00:39:51,160 We've been going to bed in two three block in the morning and of course 731 00:39:51,880 --> 00:39:54,280 We would there's always been a reason to get up at nine so 732 00:39:56,000 --> 00:39:58,000 We're pretty beat 733 00:39:58,400 --> 00:40:00,400 It's almost time to go back 734 00:40:03,960 --> 00:40:10,120 If you got a promo for your show that you'd like me to feature on the daily source code or on the serious pod show 735 00:40:11,120 --> 00:40:14,600 Or in the pod finders in the office of mid and podshow.com 736 00:40:15,720 --> 00:40:18,720 And you can always send audio feedback to Adam and curry.com 737 00:40:18,720 --> 00:40:24,440 Please put your MP3 file up on a server somewhere and send me the link so I could stay below the 738 00:40:25,080 --> 00:40:27,080 98% 739 00:40:27,080 --> 00:40:29,080 My Gmail inbox 740 00:40:29,560 --> 00:40:35,640 Daily source code.com is where you can find the podcast feed and the latest episode of this particular podcast 741 00:40:38,280 --> 00:40:44,200 And my web log is www.curry.com tomorrow. Thank God it's Friday edition of your daily source code 742 00:40:44,200 --> 00:40:46,200 I'll talk to you then bye bye 743 00:40:59,080 --> 00:41:01,880 Show podcast stick it in your ear