1 00:00:00,000 --> 00:00:05,000 Delta Sierra Charlie 2-3-8 2 00:00:31,000 --> 00:00:36,000 The $60 million worth of airplane strapped to my ass. 3 00:00:36,000 --> 00:00:39,000 In the next generation radio content in my ears. 4 00:00:41,000 --> 00:00:44,000 I like to think I'm flying into the future. 5 00:00:46,000 --> 00:00:47,000 It's a battle carry. 6 00:00:47,000 --> 00:00:52,000 And it is your daily source code for Friday's September 9, 2005. 7 00:00:52,000 --> 00:00:54,000 It's just an hour. 8 00:00:55,000 --> 00:00:56,000 Hey! 9 00:00:56,000 --> 00:00:57,000 You can do it! 10 00:00:57,000 --> 00:00:59,000 It's the end of the week and it's been quite a long one. 11 00:00:59,000 --> 00:01:02,000 For me at least, you know, back and forth to New York. 12 00:01:02,000 --> 00:01:05,000 Yeah, just to get a door knob in New York, darling. 13 00:01:06,000 --> 00:01:09,000 And it's going to be an interesting show today. 14 00:01:09,000 --> 00:01:13,000 Got some really cool and fun and great news to talk about and some stuff that really sells. 15 00:01:16,000 --> 00:01:20,000 So a bit bittersweet today's show is for me, certainly right now, 16 00:01:20,000 --> 00:01:22,000 because I just saw my two girls off. 17 00:01:22,000 --> 00:01:24,000 They're off for the weekend. 18 00:01:24,000 --> 00:01:28,000 I'm going to visit Patricia's sister Iván and Rotterdam. 19 00:01:28,000 --> 00:01:31,000 I wanted to get her on the show because people keep saying, 20 00:01:31,000 --> 00:01:32,000 Hey, bring Patricia on. 21 00:01:32,000 --> 00:01:35,000 She's a lot of the show's better when she's off. 22 00:01:35,000 --> 00:01:36,000 I hear you. 23 00:01:36,000 --> 00:01:37,000 I'm trying to. 24 00:01:37,000 --> 00:01:38,000 Trying. 25 00:01:38,000 --> 00:01:39,000 Christina's going with it. 26 00:01:39,000 --> 00:01:42,000 They're going to a fashion show on Sunday. 27 00:01:42,000 --> 00:01:45,000 And I couldn't fly myself, unfortunately. 28 00:01:45,000 --> 00:01:49,000 But I got a great deal on KLM this time around. 29 00:01:50,000 --> 00:01:51,000 Now I'm going to do it. 30 00:01:51,000 --> 00:01:53,000 I'm going to do it. 31 00:01:53,000 --> 00:01:56,000 Because KLM happens to have a couple of flights, 32 00:01:56,000 --> 00:01:59,000 where they call their city hop or they go straight to Rotterdam, 33 00:01:59,000 --> 00:02:03,000 which is very convenient much better than easy jet to Amsterdam, 34 00:02:03,000 --> 00:02:06,000 and then an hour in the car, and they'll be basically right there, 35 00:02:06,000 --> 00:02:08,000 and the family can pick them up. 36 00:02:08,000 --> 00:02:10,000 And it's a nice little convenient, 37 00:02:10,000 --> 00:02:13,000 a fucker 100 dual turbo prop. 38 00:02:13,000 --> 00:02:15,000 It's a nice play. 39 00:02:15,000 --> 00:02:17,000 And the ticket price unbelievable, 40 00:02:17,000 --> 00:02:20,000 round trip for the two of the $198. 41 00:02:20,000 --> 00:02:21,000 It's almost nothing. 42 00:02:21,000 --> 00:02:23,000 So I've got all my instructions. 43 00:02:23,000 --> 00:02:25,000 You know, everything I have to do around the house. 44 00:02:25,000 --> 00:02:31,000 Which includes, well, you know, feeding the dogs. 45 00:02:31,000 --> 00:02:32,000 I've got to feed myself. 46 00:02:32,000 --> 00:02:34,000 I've got to keep everything clean. 47 00:02:34,000 --> 00:02:36,000 I've got to, I'm so pussy with. 48 00:02:36,000 --> 00:02:38,000 And I've got a whole list of stuff that I kind of do. 49 00:02:38,000 --> 00:02:42,000 We got some interesting pod take music that was submitted on the show today. 50 00:02:42,000 --> 00:02:44,000 And of course, you're going to kick it off with a mashup. 51 00:02:44,000 --> 00:02:46,000 This came from mashuptown.com. 52 00:02:46,000 --> 00:02:48,000 Base 211. 53 00:02:48,000 --> 00:02:50,000 So I'm kind of conscious going over there. 54 00:02:50,000 --> 00:02:52,000 It's oblatif. 55 00:02:52,000 --> 00:02:57,000 10. 56 00:02:57,000 --> 00:03:01,000 It's a lot of bitches up here at the night, boy. 57 00:03:01,000 --> 00:03:04,000 I'm about to get drunk. 58 00:03:04,000 --> 00:03:06,000 It's whole damn. 59 00:03:06,000 --> 00:03:08,000 What a barat. 60 00:03:08,750 --> 00:06:12,000 [ Music ] 61 00:06:12,000 --> 00:06:22,000 I think those Beatles guys should do something together. 62 00:06:22,000 --> 00:06:25,000 I turn out to be some from mashuptown.com. 63 00:06:25,000 --> 00:06:30,000 I think there's some kind of this is a contest submission or a contest winner. 64 00:06:30,000 --> 00:06:33,000 It seems like the given away iTunes stuff over there. 65 00:06:33,000 --> 00:06:38,000 iTunes music store downloads and as you go check it out, mashuptown.com. 66 00:06:39,000 --> 00:06:41,000 Tell Art, I sent you. 67 00:06:41,000 --> 00:06:43,000 Okay. 68 00:06:43,000 --> 00:06:47,000 One of the reasons that the source code is late today, 69 00:06:47,000 --> 00:06:50,000 or later the normal is now, what is it? 70 00:06:50,000 --> 00:06:53,000 720, almost 730. 71 00:06:53,000 --> 00:06:56,000 Oh man, East Enders is coming on. 72 00:06:56,000 --> 00:07:01,000 It's because I had a two and a half hour chat with Cast Blaster Mike, 73 00:07:01,000 --> 00:07:03,000 who was a developing Cast Blaster. 74 00:07:03,000 --> 00:07:06,000 And we had some really creative discussion. 75 00:07:06,000 --> 00:07:08,000 We always spar with each other. 76 00:07:08,000 --> 00:07:12,000 Because I'm horrible at getting back to people. 77 00:07:12,000 --> 00:07:14,000 And he hates that. 78 00:07:14,000 --> 00:07:17,000 But then the creative juice is really started to flow. 79 00:07:17,000 --> 00:07:20,000 And we were able to teach each other a couple of things. 80 00:07:20,000 --> 00:07:26,000 And he's now working on something that I'm so excited about. 81 00:07:26,000 --> 00:07:29,000 Which I'm just going to tell you because I mean, 82 00:07:29,000 --> 00:07:33,000 he's totally got all the pieces in place. 83 00:07:33,000 --> 00:07:37,000 It just has to learn a bit about the one reason why, 84 00:07:37,000 --> 00:07:43,000 or the number one reason I should say, why I'm not using Cast Blaster 85 00:07:43,000 --> 00:07:45,000 to record the daily source code. 86 00:07:45,000 --> 00:07:46,000 Now there's a number of reasons. 87 00:07:46,000 --> 00:07:48,000 And we've talked about a pro version. 88 00:07:48,000 --> 00:07:52,000 And what should be in the basic version. 89 00:07:52,000 --> 00:07:57,000 And well, one of the things, 90 00:07:57,000 --> 00:08:00,000 see, when I do a podcast, 91 00:08:00,000 --> 00:08:04,000 I've been doing radio since I was 14. 92 00:08:04,000 --> 00:08:08,000 And we really pioneered a lot of different ways 93 00:08:08,000 --> 00:08:13,000 to kind of adapt and hack if you will. 94 00:08:13,000 --> 00:08:16,000 Traditional audio recording and studio equipment 95 00:08:16,000 --> 00:08:20,000 into systems that would work for the type of art that we do. 96 00:08:20,000 --> 00:08:23,000 And this pertains completely to podcasts as well. 97 00:08:24,000 --> 00:08:27,000 For instance, back in the day when we played vinyl, 98 00:08:27,000 --> 00:08:28,000 remember those days. 99 00:08:28,000 --> 00:08:32,000 And we, of course, could not afford, or we called a quick start turn table. 100 00:08:32,000 --> 00:08:36,000 I think techniques was really the SL was at 2000. 101 00:08:36,000 --> 00:08:39,000 I can't remember the SL 100, maybe. 102 00:08:39,000 --> 00:08:42,000 That was the first turn table that could really start up a record. 103 00:08:42,000 --> 00:08:43,000 You could cue it. 104 00:08:43,000 --> 00:08:45,000 So basically, you put the needle drop the needle down. 105 00:08:45,000 --> 00:08:47,000 For those of you who've never seen a record player, 106 00:08:47,000 --> 00:08:50,000 you drop the needle on the, drop the needle on the record. 107 00:08:50,000 --> 00:08:53,000 And the drums just go like this. 108 00:08:59,000 --> 00:09:01,000 Sorry about that. 109 00:09:01,000 --> 00:09:04,000 And then the minute the song starts, 110 00:09:04,000 --> 00:09:05,000 you'd stop it with your finger. 111 00:09:05,000 --> 00:09:08,000 And the reason you could do that is because we put a slip mat. 112 00:09:08,000 --> 00:09:12,000 First, we'd put an old 12 inch LP. 113 00:09:12,000 --> 00:09:14,000 We put that on the turn table. 114 00:09:14,000 --> 00:09:16,000 And then we'd put a, we call a slip mat, 115 00:09:16,000 --> 00:09:18,000 which is like a velvet anti-static mat, 116 00:09:18,000 --> 00:09:19,000 but an oversized one. 117 00:09:19,000 --> 00:09:22,000 So we'd cut it out of velvet ourselves. 118 00:09:22,000 --> 00:09:24,000 And it would be anti-static as well. 119 00:09:24,000 --> 00:09:26,000 So that if you grab that mat, 120 00:09:26,000 --> 00:09:30,000 then basically the record that would sit on top of that, 121 00:09:30,000 --> 00:09:32,000 would not play. 122 00:09:32,000 --> 00:09:35,000 But underneath the turn table was still turning. 123 00:09:35,000 --> 00:09:37,000 Now granted a little bit slower than, you know, 124 00:09:37,000 --> 00:09:39,000 the desired revolutions per minute. 125 00:09:39,000 --> 00:09:41,000 But that was the beauty of it. 126 00:09:41,000 --> 00:09:43,000 As when you let go of the felt mat, 127 00:09:43,000 --> 00:09:45,000 then within a quarter revolution, 128 00:09:45,000 --> 00:09:46,000 it would be up to speed. 129 00:09:46,000 --> 00:09:48,000 And you could start the song with start playing. 130 00:09:48,000 --> 00:09:51,000 In fact, sometimes, and that's called queuing. 131 00:09:51,000 --> 00:09:53,000 Sometimes we'd queue up the records too tight. 132 00:09:53,000 --> 00:09:55,000 And then it would kind of like, 133 00:09:55,000 --> 00:09:56,000 whew, kind of like, you know, 134 00:09:56,000 --> 00:09:59,000 horrible in there while I was getting up the speed. 135 00:09:59,000 --> 00:10:02,000 And you know, that used to be a part of the art is 136 00:10:02,000 --> 00:10:04,000 how tight can you queue the record. 137 00:10:04,000 --> 00:10:06,000 And the way you started it and get this is 138 00:10:06,000 --> 00:10:10,000 we break open telco relays. 139 00:10:10,000 --> 00:10:14,000 Relay for those you've never seen one is essentially 140 00:10:15,000 --> 00:10:18,000 an electro magnet that when activated, 141 00:10:18,000 --> 00:10:20,000 when current flows through the electro magnet, 142 00:10:20,000 --> 00:10:23,000 it then pulls down the metallic hinge. 143 00:10:23,000 --> 00:10:24,000 And it goes click. 144 00:10:24,000 --> 00:10:27,000 And that can, of course, in turn create a circuit. 145 00:10:27,000 --> 00:10:29,000 But we weren't using that for the circuit part of the 146 00:10:29,000 --> 00:10:31,000 relay opening or closing. 147 00:10:31,000 --> 00:10:32,000 We were using that. 148 00:10:32,000 --> 00:10:34,000 We'd break off the plastic housing. 149 00:10:34,000 --> 00:10:36,000 And then we'd have the slip mat run in between 150 00:10:36,000 --> 00:10:40,000 the electro magnet and the lid. 151 00:10:40,000 --> 00:10:41,000 So when you activate it, 152 00:10:41,000 --> 00:10:45,000 click it, it would basically grab the mat. 153 00:10:45,000 --> 00:10:47,000 So then we put micro switches. 154 00:10:47,000 --> 00:10:49,000 I hope you don't mind me getting into this. 155 00:10:49,000 --> 00:10:51,000 It's just, you know, it is kind of important to know 156 00:10:51,000 --> 00:10:53,000 where I'm coming from with this stuff. 157 00:10:53,000 --> 00:10:55,000 We put micro switches in the faders. 158 00:10:55,000 --> 00:10:57,000 So basically the volume sliders on the mixing board. 159 00:10:57,000 --> 00:11:00,000 We opened it up and put the micro switches in there. 160 00:11:00,000 --> 00:11:02,000 So that when you had the fader closed, 161 00:11:02,000 --> 00:11:04,000 then current would flow through the magnet 162 00:11:04,000 --> 00:11:07,000 and it would keep the record in place. 163 00:11:07,000 --> 00:11:09,000 Then we had an override switch right in front of each 164 00:11:09,000 --> 00:11:10,000 turn table. 165 00:11:10,000 --> 00:11:11,000 We had two. 166 00:11:11,000 --> 00:11:12,000 You clicked that. 167 00:11:12,000 --> 00:11:15,000 The relay would open and then it would start playing. 168 00:11:15,000 --> 00:11:16,000 So you could queue it up. 169 00:11:16,000 --> 00:11:18,000 Click the override off. 170 00:11:18,000 --> 00:11:20,000 And then when you open up the fader, boom. 171 00:11:20,000 --> 00:11:23,000 I just opened up a secondary mic fader here. 172 00:11:23,000 --> 00:11:25,000 But literally, you know, sometimes you hit it so hard that the 173 00:11:25,000 --> 00:11:26,000 button would go flying off. 174 00:11:26,000 --> 00:11:29,000 You know, this is the old school old school days of 175 00:11:29,000 --> 00:11:31,000 how you used to do it. 176 00:11:31,000 --> 00:11:35,000 And, you know, I remember when we had our first CD play, 177 00:11:35,000 --> 00:11:37,000 when we played our first CD, it blew out the transmitter 178 00:11:37,000 --> 00:11:40,000 because the frequency range was so broad. 179 00:11:40,000 --> 00:11:44,000 Anyway, so I'm very, very used to, 180 00:11:44,000 --> 00:11:46,000 basically flying blind. 181 00:11:46,000 --> 00:11:49,000 I don't have to look at the mixer to know what I'm doing. 182 00:11:49,000 --> 00:11:53,000 And I'm already adapting quite a bit with the set up. 183 00:11:53,000 --> 00:11:55,000 Now, because, you know, everything's coming out of 184 00:11:55,000 --> 00:11:56,000 megasegue. 185 00:11:56,000 --> 00:11:58,000 So basically, if I want to start something, 186 00:11:58,000 --> 00:12:01,000 and it's all queued up, then I, then I just hit the 187 00:12:01,000 --> 00:12:03,000 bit of button on my Mac and then it plays. 188 00:12:03,000 --> 00:12:06,000 And then I, you know, I'm also doing a final mix 189 00:12:06,000 --> 00:12:07,000 basically of the show. 190 00:12:07,000 --> 00:12:09,000 And I'm riding the faders a little bit and, you know, 191 00:12:09,000 --> 00:12:11,000 when stuff is a little bit too loud or if I want to 192 00:12:11,000 --> 00:12:12,000 sound more in the background. 193 00:12:12,000 --> 00:12:14,000 So you're doing a lot of things. 194 00:12:14,000 --> 00:12:18,000 And you can't do that if you have to do it with a mouse 195 00:12:18,000 --> 00:12:20,000 on a screen. 196 00:12:20,000 --> 00:12:24,000 So we talked about the idea of hooking up a MIDI controller, 197 00:12:24,000 --> 00:12:27,000 which we'll have a number of faders and buttons to start 198 00:12:27,000 --> 00:12:30,000 stuff and connecting that to cast blaster. 199 00:12:30,000 --> 00:12:32,000 And I'm excited about this because it'll have, 200 00:12:32,000 --> 00:12:34,000 it'll be such a tremendous benefit. 201 00:12:34,000 --> 00:12:36,000 Now, this Yamaha-per-first professional audio 202 00:12:36,000 --> 00:12:39,000 workstation AW16G because the R is left on the 203 00:12:39,000 --> 00:12:41,000 tarmac. 204 00:12:41,000 --> 00:12:47,000 It's a heavy thing, you know, but it's basically a big 205 00:12:47,000 --> 00:12:50,000 cast blaster like piece of software on a hard drive 206 00:12:50,000 --> 00:12:51,000 with a computer. 207 00:12:51,000 --> 00:12:54,000 Only it's not built with the functionality of cast 208 00:12:54,000 --> 00:12:56,000 blaster, which, of course, is why it doesn't 209 00:12:56,000 --> 00:12:57,000 really suffice. 210 00:12:57,000 --> 00:13:00,000 But it does have a number of things that work well. 211 00:13:00,000 --> 00:13:03,000 And one of them is that I can basically mix 212 00:13:03,000 --> 00:13:04,000 stuff. 213 00:13:04,000 --> 00:13:07,000 And there's some other ancillary things like processing 214 00:13:07,000 --> 00:13:08,000 etc. 215 00:13:08,000 --> 00:13:09,000 But, you know, there are ways to solve that. 216 00:13:09,000 --> 00:13:13,000 So anyway, this is something that I think would be a 217 00:13:13,000 --> 00:13:16,000 great addition to cast blaster to have that capability 218 00:13:16,000 --> 00:13:17,000 built right in. 219 00:13:17,000 --> 00:13:19,000 So that you can use that on the screen if you want, 220 00:13:19,000 --> 00:13:22,000 but if you want to plug in your MIDI controller, 221 00:13:22,000 --> 00:13:25,000 so you have faders and buttons to start stuff with, 222 00:13:25,000 --> 00:13:27,000 wow, how freaking cool will that be. 223 00:13:27,000 --> 00:13:31,000 So I just wanted to say that that was very, very exciting. 224 00:13:31,000 --> 00:13:34,000 Yeah. 225 00:13:34,000 --> 00:13:37,000 734, everybody. 226 00:13:37,000 --> 00:13:41,000 AAC writes Jeff from podcast shuffle show. 227 00:13:41,000 --> 00:13:45,000 So rather than stir up controversy and talking behind you back, 228 00:13:45,000 --> 00:13:48,000 talk podcast alley and other forms about the acquisition. 229 00:13:48,000 --> 00:13:51,000 I just asked directly. 230 00:13:51,000 --> 00:13:52,000 Oh, I see. 231 00:13:52,000 --> 00:13:56,000 It says, rather than stir up controversy and talking behind you, 232 00:13:57,000 --> 00:13:59,000 back, back, talk podcast. 233 00:13:59,000 --> 00:14:01,000 Oh, I don't know what that behind you back. 234 00:14:01,000 --> 00:14:02,000 Talk podcast alley. 235 00:14:02,000 --> 00:14:03,000 I don't know what you're saying. 236 00:14:03,000 --> 00:14:05,000 I know what you're saying, but it's a weird sentence. 237 00:14:05,000 --> 00:14:06,000 I'll just ask directly. 238 00:14:06,000 --> 00:14:09,000 A lot of folks, not me, says Jeff, 239 00:14:09,000 --> 00:14:11,000 were surprised about the acquisition. 240 00:14:11,000 --> 00:14:13,000 Maybe you can say a few words on a daily source code 241 00:14:13,000 --> 00:14:14,000 now that the deal is done. 242 00:14:14,000 --> 00:14:15,000 That's a good point. 243 00:14:15,000 --> 00:14:17,000 And I'll tell you why I haven't mentioned it 244 00:14:17,000 --> 00:14:20,000 is because we've been working with Chris McIntyre 245 00:14:20,000 --> 00:14:23,000 who created podcast alley and is the, 246 00:14:23,000 --> 00:14:25,000 the heart of that community. 247 00:14:25,000 --> 00:14:28,000 You know, we've been working with him for months. 248 00:14:28,000 --> 00:14:31,000 You know, and we had meetings in New York. 249 00:14:31,000 --> 00:14:35,000 And we certainly, I certainly have talked about him a lot 250 00:14:35,000 --> 00:14:37,000 and have been promoting podcast alley. 251 00:14:37,000 --> 00:14:39,000 We've just been working with him for so long 252 00:14:39,000 --> 00:14:42,000 that it felt, you know, so natural. 253 00:14:42,000 --> 00:14:43,000 He's just, he's there. 254 00:14:43,000 --> 00:14:45,000 I mean, he's moved out to San Francisco. 255 00:14:45,000 --> 00:14:47,000 He's, he's relocated. 256 00:14:47,000 --> 00:14:50,000 And he's also splitting his time with his lovely wife 257 00:14:50,000 --> 00:14:51,000 and Nashville. 258 00:14:51,000 --> 00:14:53,000 I mean, he's, he's really very committed. 259 00:14:53,000 --> 00:14:57,000 Just another one of the, and I think it's now 25 people. 260 00:14:57,000 --> 00:15:02,000 Podcastors, producers, engineers, developers, 261 00:15:02,000 --> 00:15:06,000 business people, designers, project managers 262 00:15:06,000 --> 00:15:11,000 that, you know, that believed in this crazy ass vision 263 00:15:11,000 --> 00:15:15,000 that we have and have, you know, have followed Ron and I 264 00:15:15,000 --> 00:15:20,000 and, you know, and that was not necessarily a free ride. 265 00:15:20,000 --> 00:15:22,000 You know, the people who really had to work 266 00:15:22,000 --> 00:15:25,000 and really had to help us out and step up 267 00:15:25,000 --> 00:15:27,000 and we have an incredible, incredible team. 268 00:15:27,000 --> 00:15:30,000 And what's cool now is I have, 269 00:15:30,000 --> 00:15:34,000 I've, I'm starting to relive eye chat 270 00:15:34,000 --> 00:15:36,000 for the video capabilities. 271 00:15:36,000 --> 00:15:39,000 And I said, I was missing stuff at the office. 272 00:15:39,000 --> 00:15:41,000 I just didn't feel a part of it when I'm not there. 273 00:15:41,000 --> 00:15:44,000 And so, well, why don't we set up a power book and 274 00:15:44,000 --> 00:15:49,000 KJ, Chris Jacob has had an old power book, I guess, 275 00:15:49,000 --> 00:15:51,000 that the hinges had fallen off or something. 276 00:15:51,000 --> 00:15:54,000 And they've set it up, it's that's kind of like my office space 277 00:15:54,000 --> 00:15:57,000 and through eye chat, we can just have a full-time video 278 00:15:57,000 --> 00:15:58,000 connection. 279 00:15:58,000 --> 00:16:01,000 And we have, it's a very open office in general. 280 00:16:01,000 --> 00:16:04,000 So it wouldn't be out of the ordinary for me to be talking 281 00:16:04,000 --> 00:16:06,000 here and other people being able to overhear it 282 00:16:06,000 --> 00:16:07,000 and vice versa. 283 00:16:07,000 --> 00:16:09,000 So that's pretty natural. 284 00:16:09,000 --> 00:16:12,000 And I found this great apple script, 285 00:16:12,000 --> 00:16:14,000 I hunted around for it, but found it on Google. 286 00:16:14,000 --> 00:16:17,000 I chat TV script, which is, 287 00:16:17,000 --> 00:16:19,000 was built for a different reason. 288 00:16:20,000 --> 00:16:26,000 It was created so that you could watch whatever 289 00:16:26,000 --> 00:16:30,000 your television is running or your TV was running at home. 290 00:16:30,000 --> 00:16:32,000 And I hacked it up a little bit. 291 00:16:32,000 --> 00:16:34,000 And so now I basically have a remote control 292 00:16:34,000 --> 00:16:38,000 so that if I set my status to a certain message, 293 00:16:38,000 --> 00:16:43,000 and, of course, that message is coming from my unique identifier. 294 00:16:43,000 --> 00:16:45,000 So go ahead, set the message. 295 00:16:45,000 --> 00:16:48,000 You're not going to be able to get in. 296 00:16:49,000 --> 00:16:52,000 Then the other machine, in this case, the one in San Francisco, 297 00:16:52,000 --> 00:16:55,000 will automatically request a video chat with me. 298 00:16:55,000 --> 00:16:57,000 So, you know, I could turn it on and off. 299 00:16:57,000 --> 00:16:58,000 And that's very cool. 300 00:16:58,000 --> 00:16:59,000 And I've set it up here at the cottage, 301 00:16:59,000 --> 00:17:01,000 so I can do that from remote and do the same thing 302 00:17:01,000 --> 00:17:02,000 from my laptop. 303 00:17:02,000 --> 00:17:05,000 So, and it really does make a difference. 304 00:17:05,000 --> 00:17:07,000 You know, we have lots of Skype calls and conferences, 305 00:17:07,000 --> 00:17:09,000 but being able to see everybody and just kind of 306 00:17:09,000 --> 00:17:10,000 shout back and forth. 307 00:17:10,000 --> 00:17:13,000 And of course, I've rigged up the output of my studio 308 00:17:13,000 --> 00:17:16,000 into eye chat so that I can play stuff. 309 00:17:16,000 --> 00:17:21,000 And, unfortunately, I can't, they can't watch and listen 310 00:17:21,000 --> 00:17:23,000 along as I'm doing the daily source code, 311 00:17:23,000 --> 00:17:26,000 because it's too much stress on the machine to do video 312 00:17:26,000 --> 00:17:29,000 and to be recording straight to MP3, 313 00:17:29,000 --> 00:17:31,000 because that is my recording machine. 314 00:17:31,000 --> 00:17:33,000 So, until I get a dedicated machine for some of the video 315 00:17:33,000 --> 00:17:35,000 stuff, I will peel to do that. 316 00:17:35,000 --> 00:17:37,000 But, and I don't know if I'll feel comfortable 317 00:17:37,000 --> 00:17:38,000 with it quite honestly. 318 00:17:38,000 --> 00:17:41,000 That's kind of weird. 319 00:17:41,000 --> 00:17:42,000 Okay. 320 00:17:42,000 --> 00:17:44,000 Are we ready for some bummer shit? 321 00:17:45,000 --> 00:17:47,000 This is really fucked up. 322 00:17:47,000 --> 00:17:49,000 So, one of our community has fallen ill 323 00:17:49,000 --> 00:17:52,000 and it's very chilling to me. 324 00:17:52,000 --> 00:17:55,000 I've been a big fan and subscribed to the Skype 325 00:17:55,000 --> 00:17:56,000 to Calleady podcast. 326 00:17:56,000 --> 00:17:59,000 And I was turned on to Skype to Calleady by PW, 327 00:17:59,000 --> 00:18:04,000 who, of course, puts the serious pod shows together. 328 00:18:04,000 --> 00:18:09,000 And we featured promo and episodes of Skype to Calleady. 329 00:18:09,000 --> 00:18:10,000 And it's, you know, it's good stuff. 330 00:18:10,000 --> 00:18:12,000 It's well produced, it's well put together. 331 00:18:13,000 --> 00:18:15,000 And PW has been actually, 332 00:18:15,000 --> 00:18:16,000 he's been on my case saying, 333 00:18:16,000 --> 00:18:17,000 you should really talk to Derek 334 00:18:17,000 --> 00:18:19,000 because, you know, he would be a great guy 335 00:18:19,000 --> 00:18:22,000 to do some work with on the audio side for pod show. 336 00:18:22,000 --> 00:18:25,000 And my travels just hadn't really allowed me to do that. 337 00:18:25,000 --> 00:18:28,000 And PW even sent me a tickler on that last night. 338 00:18:28,000 --> 00:18:31,000 Tell him I was a dickhead that hadn't called yet. 339 00:18:31,000 --> 00:18:33,000 I hadn't gotten in touch. 340 00:18:33,000 --> 00:18:36,000 And today, for multiple sources, 341 00:18:36,000 --> 00:18:39,000 I got some really quite shocking, 342 00:18:40,000 --> 00:18:44,000 just terrible news about Derek, 343 00:18:44,000 --> 00:18:50,000 as he is now in hospital with a form of aneurysm. 344 00:18:50,000 --> 00:18:54,000 And this news has spread very quickly through 345 00:18:54,000 --> 00:18:56,000 the podcast community because it is a, 346 00:18:56,000 --> 00:18:58,000 it is a very popular podcast. 347 00:18:58,000 --> 00:19:04,000 And swoopy actually put out a podcast today on the feed 348 00:19:04,000 --> 00:19:06,000 that I wanted to share with you, 349 00:19:06,000 --> 00:19:08,000 just to make sure that you heard it. 350 00:19:09,000 --> 00:19:12,000 And this is one of those things that 351 00:19:12,000 --> 00:19:15,000 I really didn't want to do, 352 00:19:15,000 --> 00:19:18,000 but I unfortunately have to, 353 00:19:18,000 --> 00:19:21,000 just to let people know that 354 00:19:21,000 --> 00:19:23,000 skepticalities aren't really going anywhere, 355 00:19:23,000 --> 00:19:28,000 but we are going to be on a little bit of a hiatus for a little while. 356 00:19:28,000 --> 00:19:31,000 Derek, unfortunately, 357 00:19:31,000 --> 00:19:35,000 he is in the hospital at this time. 358 00:19:36,000 --> 00:19:39,000 He complained of a headache during dinner 359 00:19:39,000 --> 00:19:44,000 and then got physically sick and very quickly deteriorated, 360 00:19:44,000 --> 00:19:48,000 but thankfully by that time he was nearly to the hospital 361 00:19:48,000 --> 00:19:53,000 where he was diagnosed with a VMA, 362 00:19:53,000 --> 00:19:57,000 which loosely translated although not correct, 363 00:19:57,000 --> 00:19:59,000 is somewhat like a brain aneurysm, 364 00:19:59,000 --> 00:20:02,000 where he was bleeding into his brain. 365 00:20:02,000 --> 00:20:04,000 He is in a coma right now, 366 00:20:04,000 --> 00:20:06,000 but it is drug induced as he is sedated, 367 00:20:06,000 --> 00:20:08,000 and he is on a ventilator, 368 00:20:08,000 --> 00:20:11,000 and he is intensive care. 369 00:20:11,000 --> 00:20:14,000 His wife Susan and myself 370 00:20:14,000 --> 00:20:18,000 are surrounded by friends 371 00:20:18,000 --> 00:20:21,000 and Derek's family is coming from New Jersey, 372 00:20:21,000 --> 00:20:24,000 so this is the fastest way 373 00:20:24,000 --> 00:20:28,000 that I could let people know what was going on 374 00:20:28,000 --> 00:20:35,000 and today was actually a really great day to start with 375 00:20:35,000 --> 00:20:38,000 because we found out that 376 00:20:38,000 --> 00:20:41,000 skepticality was one of the top nine podcasts 377 00:20:41,000 --> 00:20:43,000 that Steve Jobs mentioned, 378 00:20:43,000 --> 00:20:45,000 and he showed our picture 379 00:20:45,000 --> 00:20:49,000 at his Apple keynote address introducing iTunes 5 380 00:20:49,000 --> 00:20:51,000 and we were excited, 381 00:20:51,000 --> 00:20:54,000 and that was about an hour before 382 00:20:54,000 --> 00:20:57,000 the world changed a lot for everyone. 383 00:20:57,000 --> 00:21:01,000 So it is very too soon to know 384 00:21:01,000 --> 00:21:04,000 his prognosis at this time 385 00:21:04,000 --> 00:21:06,000 is that he will be in intensive care 386 00:21:06,000 --> 00:21:10,000 in the hospital for at least several weeks. 387 00:21:10,000 --> 00:21:13,000 I have faith in his doctors 388 00:21:13,000 --> 00:21:18,000 and I have faith in all of you. 389 00:21:18,000 --> 00:21:22,000 Please don't send anything. 390 00:21:22,000 --> 00:21:24,000 I mean, you can send email 391 00:21:24,000 --> 00:21:28,000 and things like that, but it is too soon. 392 00:21:28,000 --> 00:21:30,000 It is too soon to know 393 00:21:30,000 --> 00:21:34,000 and for what could have happened today 394 00:21:34,000 --> 00:21:36,000 it worked out really well 395 00:21:36,000 --> 00:21:37,000 because if he would have been home 396 00:21:37,000 --> 00:21:38,000 and he had a headache 397 00:21:38,000 --> 00:21:40,000 and he wouldn't lay down 398 00:21:40,000 --> 00:21:43,000 he may very well have died in his sleep 399 00:21:43,000 --> 00:21:45,000 and this way at least we caught it as fast as possible. 400 00:21:45,000 --> 00:21:48,000 He was to the doctor as fast as possible. 401 00:21:48,000 --> 00:21:51,000 They believe the pressure in his head 402 00:21:51,000 --> 00:21:54,000 and beginning training that blood out is fast as possible. 403 00:21:54,000 --> 00:21:57,000 And he's a strong guy, he's a young guy. 404 00:21:57,000 --> 00:21:59,000 He's in pretty good shape. 405 00:21:59,000 --> 00:22:00,000 So this is one of those things 406 00:22:00,000 --> 00:22:02,000 that nobody could have forcing. 407 00:22:02,000 --> 00:22:05,000 And I like Derek, we trust science 408 00:22:05,000 --> 00:22:09,000 and hopefully science will help us out this time. 409 00:22:09,000 --> 00:22:12,000 And we're going to get through this 410 00:22:12,000 --> 00:22:15,000 but for now, just 411 00:22:15,000 --> 00:22:18,000 you know that I'll be around 412 00:22:18,000 --> 00:22:20,000 and we have some great shows 413 00:22:20,000 --> 00:22:22,000 that we haven't been able to share with you yet. 414 00:22:22,000 --> 00:22:26,000 So that may be coming, but in the meantime, 415 00:22:26,000 --> 00:22:30,000 that's pretty much all there is. 416 00:22:30,000 --> 00:22:32,000 So thanks. 417 00:22:34,000 --> 00:22:37,000 That's like the fourth time I've heard that 418 00:22:37,000 --> 00:22:40,000 and it gets me every single time. 419 00:22:40,000 --> 00:22:44,000 And I guess the only thing that we can do 420 00:22:44,000 --> 00:22:47,000 is to have that Derek and Suppy and Susan 421 00:22:47,000 --> 00:22:50,000 and all people who are close to them 422 00:22:50,000 --> 00:22:53,000 in our thoughts and in our prayers. 423 00:22:53,750 --> 00:25:58,000 [ Music ] 424 00:25:58,000 --> 00:26:00,000 Thank you. 425 00:26:00,000 --> 00:26:02,000 You know, one of the, uh, 426 00:26:02,000 --> 00:26:04,000 one of the things you do 427 00:26:04,000 --> 00:26:06,000 and professional broadcasting 428 00:26:06,000 --> 00:26:08,000 is transition really quickly from 429 00:26:08,000 --> 00:26:10,000 from mood to mood, you know. 430 00:26:11,000 --> 00:26:13,000 Hey, my name's Simon Gege. 431 00:26:13,000 --> 00:26:14,000 I'm from pale spring. 432 00:26:14,000 --> 00:26:16,000 Oh, that's an example. 433 00:26:16,000 --> 00:26:18,000 Fuck. 434 00:26:18,000 --> 00:26:20,000 Um. 435 00:26:20,000 --> 00:26:22,000 So look at the news. 436 00:26:22,000 --> 00:26:24,000 And it'll go from, you know, 437 00:26:24,000 --> 00:26:26,000 a really sad human interest story 438 00:26:26,000 --> 00:26:27,000 segment. 439 00:26:27,000 --> 00:26:29,000 It's all human interest, basically. 440 00:26:29,000 --> 00:26:30,000 To, uh, 441 00:26:30,000 --> 00:26:32,000 and now meanwhile on Wall Street. 442 00:26:32,000 --> 00:26:35,000 Uh, but I really have a heart. 443 00:26:35,000 --> 00:26:36,000 I'm doing that. 444 00:26:36,000 --> 00:26:38,000 I feel like I'm just a little bit bombed. 445 00:26:38,000 --> 00:26:40,000 There's still, uh, hurricane Katrina, 446 00:26:40,000 --> 00:26:42,000 and he had those birds. 447 00:26:42,000 --> 00:26:43,000 I was never beautiful in the background. 448 00:26:43,000 --> 00:26:46,000 Well, let me open up the secondary mic. 449 00:26:46,000 --> 00:26:48,000 Uh, let me just position it. 450 00:26:48,000 --> 00:26:50,000 Hold on a second, sure. 451 00:26:54,000 --> 00:26:56,000 It's kind of a shitty sounding mic, 452 00:26:56,000 --> 00:26:58,000 I want, but I've got some kind of gate on it. 453 00:26:58,000 --> 00:27:00,000 Okay, so now, won't pick anything up. 454 00:27:00,000 --> 00:27:02,000 All right, how's it, fun experiment? 455 00:27:02,000 --> 00:27:04,000 Uh, let's see, oh, 456 00:27:04,000 --> 00:27:06,000 do I have a really, I told you about that. 457 00:27:06,000 --> 00:27:10,920 interesting potsafe piece of music coming up. We'll just check the old on the 458 00:27:10,920 --> 00:27:16,640 outliner here. No, it is now time for the promo that interrupts us so 459 00:27:16,640 --> 00:27:18,240 rudely prior to this message. 460 00:27:36,000 --> 00:27:42,640 The webpage especially dedicated to this brand new podcast is at HTTP. I miss 461 00:27:42,640 --> 00:27:49,080 blighty.logspot.com. I'll give you that again in just a moment. The podcast is 462 00:27:49,080 --> 00:27:53,520 every two weeks and we feature news from the UK. Not the kind of news you'll 463 00:27:53,520 --> 00:27:58,080 find on the TV or radio but more the kind of news you'll find down the pub. 464 00:27:58,080 --> 00:28:03,400 Which is just how we like it. Plus every time we have a recipe for you cook up a 465 00:28:03,400 --> 00:28:07,600 bit of Britain wherever you are in the world and of course we want to hear your 466 00:28:07,600 --> 00:28:13,160 comments, stories, suggestions and we got some good tunes too. So remember that 467 00:28:13,160 --> 00:28:19,000 name. I miss blighty. Our web address where you can sign up to the RSS 468 00:28:19,000 --> 00:28:27,280 feed is as follows. HTTP. I miss blighty.logspot.com. 469 00:28:27,280 --> 00:28:32,920 HTTP. I miss blighty.logspot.com. We're looking forward to seeing you there. 470 00:28:32,920 --> 00:28:38,360 We're looking forward to you subscribing. And hey Adam, if the room is a true, maybe 471 00:28:38,360 --> 00:28:42,640 you'll be subscribing yourself soon. Take care. Thanks for your time. 472 00:28:42,640 --> 00:28:48,200 Hi Jill. Content that will make you walk the dog and kiss your mother. 473 00:28:48,200 --> 00:28:54,400 Hello Adam. This is Mark Phillips from the FBS Multimedia podcast. I'm here in London 474 00:28:54,400 --> 00:28:59,840 at the launch of the new iPod Nano because I know they've the source code listeners 475 00:28:59,840 --> 00:29:05,800 tend to get everywhere and of course we're here as well and also the iTunes phone and iTunes 476 00:29:05,800 --> 00:29:10,080 version 5 as well. And I must say I'm one of the first people to actually get my hands 477 00:29:10,080 --> 00:29:16,040 on one of these iPod Nano's and man they are sleek and sexy and tiny and I think Apple 478 00:29:16,040 --> 00:29:21,920 have another winner. Anyway, I've been looking for an excuse to send you a trail or a promo 479 00:29:21,920 --> 00:29:27,880 for the show for some time. So here it is. It's called BFBS Multimedia. You can find 480 00:29:27,880 --> 00:29:39,840 this at www.bfbs.bravo.com slash Multimedia and it's presented by Dave Raven and 481 00:29:39,840 --> 00:29:46,600 myself Mark Phillips and it's the friendly podcast about computers, the internet and technology. 482 00:29:46,600 --> 00:29:50,880 As I say, we've been running now for quite some time and we have a lot of fun. We actually 483 00:29:50,880 --> 00:29:55,640 make the show on a house boat on the Thames but that's a whole other story which may 484 00:29:55,640 --> 00:30:00,640 be all I'll tell you another time. Anyway, do have a listen to the show. It's at bfbs.com 485 00:30:00,640 --> 00:30:12,360 slash Multimedia and keep up the good work with the Doni source code. 486 00:30:12,360 --> 00:30:17,080 You know what's even better than a house boat on the Thames? A podcasting buddy with a 487 00:30:17,080 --> 00:30:21,880 house boat on the Thames. Oh yeah, I've got some podcasts. I'm subscribed to Boyd and 488 00:30:21,920 --> 00:30:33,080 Multimedia. I did the jobcast. I played the jobcast Sunday to Monday. Of course, we talked 489 00:30:33,080 --> 00:30:38,400 about the idea of getting CV cast back and we received them. We've actually received 490 00:30:38,400 --> 00:30:45,600 MP3s and someone even dropped an eye river in envelope. Please don't do that. There's 491 00:30:45,600 --> 00:30:50,880 no need to do it. Just email us an MP3 or a link to an MP3 file. But it's fantastic. I was 492 00:30:50,880 --> 00:30:54,840 like itching to play a couple of these for you. But you know, obviously there's a whole bunch 493 00:30:54,840 --> 00:30:58,480 of reasons why I can't. The no one has it has expressly said go ahead and play it. But if you're 494 00:30:58,480 --> 00:31:02,480 going to do a CV cast, you don't mind me playing a bit on the edges so we can kind of close 495 00:31:02,480 --> 00:31:07,120 that loop from the jobcast. And we're going to do another jobcast because we just went through 496 00:31:07,120 --> 00:31:12,320 some requirements about some more resources we need. And I think this is a very cool way to 497 00:31:12,320 --> 00:31:16,400 you know, to get the right type of people in because, well, if you listen to podcasts, then 498 00:31:16,400 --> 00:31:25,200 you know, that's already one big checkbox A. Some more feedback here. Rod Templeton. Victor 499 00:31:25,200 --> 00:31:29,920 Echo 7 Romeo, Julia Tango from Vancouver, British Columbia. Just to note that, say, thanks 500 00:31:29,920 --> 00:31:33,040 for acknowledging the work that the ham operators have been doing since the storm hit New Orleans 501 00:31:33,040 --> 00:31:37,680 last week. There've been a number of stories in the media about how they're helping to keep 502 00:31:37,680 --> 00:31:42,320 communication lines open during this devastating period of time while there are a number of 503 00:31:42,320 --> 00:31:46,480 HF communication nets running constantly. There are also a couple of services that use voice 504 00:31:46,480 --> 00:31:50,720 over IP as their primary method of communication. And there's a couple of links there to the 505 00:31:51,760 --> 00:31:58,800 voice over IP weather net. Both of them. And then the IRIP, IRLP dot net, both of these sites offer 506 00:31:58,800 --> 00:32:03,040 streaming audio of the communications when the nets are active as they probably will be next week. 507 00:32:03,920 --> 00:32:08,000 When the next storm started making their way west. Okay. So in just in this aside, 508 00:32:08,080 --> 00:32:12,640 a lot of people emailed me this. More code is no longer required for access to some parts 509 00:32:12,640 --> 00:32:18,960 of the ham spectrum in the US and is not required at all appear in Canada. Okay. Maybe I should 510 00:32:18,960 --> 00:32:26,160 get a ham license. I wonder what the requirements are here in the UK. Now be kind of cool. That's 511 00:32:26,160 --> 00:32:31,360 really what we need. Isn't it a ham radio here? And we need to assume some slow scan television 512 00:32:31,680 --> 00:32:37,520 and uh, yeah. But it's cool though to see the ham operators that are really helping out with the 513 00:32:37,520 --> 00:32:41,760 hurricane Katrina. Incoming subs-based signal signal signal signal signal signal signal signal signal. 514 00:32:54,560 --> 00:33:00,640 This is revtym from revtym.com. Member of the godcast network. Many people are making requests 515 00:33:00,640 --> 00:33:05,760 to those with any means possible to contribute to Hurricane Katrina's victims. 516 00:33:05,760 --> 00:33:11,600 Truly, this is a tremendous catastrophe, the likes of which we will be learning for months to come. 517 00:33:12,560 --> 00:33:19,760 In Matthew 936, it says when he saw the crowds, he had compassion on them because they were 518 00:33:19,760 --> 00:33:26,000 harassed and helpless like sheep without a shepherd. We all know that there will be time for anger 519 00:33:26,080 --> 00:33:32,800 and analysis, but now is the time for help and for our prayers. Later on, there will be time 520 00:33:32,800 --> 00:33:39,360 for addressing the leadership issues and procedures. What the overwhelmed people need at this moment 521 00:33:39,360 --> 00:33:47,200 is hope, not division. They need comfort, not more distress. So please, focus on being united 522 00:33:47,200 --> 00:33:53,040 in helping the families left so devastated by this tragedy that frankly most of us escaped. 523 00:33:53,920 --> 00:34:00,400 We are asking for you to pray for your prayers. We are asking for compassion and for thoughtful 524 00:34:00,400 --> 00:34:06,800 understanding to all of the hurting during this time of great pain. And most of all, let us bring 525 00:34:06,800 --> 00:34:13,440 hope to the hopeless and to provide strength in the time of enormous hardship. This is Rev Tim 526 00:34:13,440 --> 00:34:18,240 on behalf of the God Cass Network and if you would like to find easy links to the Red Cross, 527 00:34:18,240 --> 00:34:25,040 Convoy of Hope, or Samaritan's Purse, go to RevTim.com and click on the show notes page. 528 00:34:25,040 --> 00:34:31,040 Thank you and may God bless you. 529 00:34:31,760 --> 00:34:38,240 I love Rev Tim. He really, I listen to all his podcasts or as many as possible. 530 00:34:39,440 --> 00:34:42,080 He's always got inspiring. He really is. 531 00:34:42,400 --> 00:34:49,600 So is Warren Atkinson who said, Adam, just listen to your hotel podcast. This is earlier 532 00:34:49,600 --> 00:34:54,560 in the week from New York. Hadn't heard you before. You got potential. But do yourself a favor. 533 00:34:54,560 --> 00:35:01,600 Get yourself a producer. Bit too much dribble, dribble, dribble. Having said that, let me say this. 534 00:35:01,600 --> 00:35:06,480 Keep going. Thanks Warren. I'll try and do something with this. 535 00:35:07,120 --> 00:35:13,920 Merrill. Oh, this is nice. Yeah. This is a Merrill sent in a pod save tune for me to play for it, 536 00:35:13,920 --> 00:35:19,520 which I'm going to play. Said for the last week, I vacation in the Colorado Rocky Mountains. 537 00:35:19,520 --> 00:35:24,960 We opted to drive there rather than fly. And the trek was around 1100 miles from Austin, Texas to 538 00:35:24,960 --> 00:35:30,720 Estus Park, Colorado. Estus, I guess, or Eastus, Estus? No matter how you cut it, I loaded up. 539 00:35:30,720 --> 00:35:34,480 No matter how you cut it. I loaded up a couple of weeks worth of the daily source code into my 540 00:35:34,560 --> 00:35:40,720 iPod with FMI trip. So you could presumably hear it on the the car radio. And you kept me 541 00:35:40,720 --> 00:35:48,640 company on my journey driving into the night. I must say that I've never been so entertained 542 00:35:48,640 --> 00:35:52,960 for such a long period of time. Oh, Merrill, I love spending that in those nights with you. 543 00:35:54,160 --> 00:35:59,200 It's amazing how intimate of an experience it is hearing your voice rambling to me. While driving 544 00:35:59,200 --> 00:36:04,240 on a dark highway at 70 miles per hour around 3am, when my kids in wife with my kids and wife 545 00:36:04,240 --> 00:36:09,520 sleeping in the seats next to me, I couldn't have done the trip without you and your daily source. 546 00:36:09,520 --> 00:36:15,920 So thank you for the podcast, but okay, anyway. So then out of the blue, Merrill 547 00:36:17,040 --> 00:36:24,080 provides a pod save tune, which I did check it out. It is actually pod save. I don't think it's 548 00:36:24,080 --> 00:36:28,320 listed on the pod save music network yet. And it kind of sounded like this was a vinyl recording, 549 00:36:28,320 --> 00:36:32,560 but I think it's intended to sound that way. But it's just a kind of tune that I definitely like. 550 00:36:32,560 --> 00:36:37,840 It's a Dick and Jane. You know, I'm trying to like Dick and Jane. It's got to be good, right? 551 00:36:38,480 --> 00:36:43,280 So for some reason and rightly so, Merrill thought that I would like this tune, 552 00:36:44,400 --> 00:36:51,520 and I do. It's not really bad. It's titled Not the Way You Need. 553 00:36:53,750 --> 00:40:58,750 [ Music ] 554 00:41:09,120 --> 00:41:14,800 a downer laid back maybe a little bit mellow podcast but that's it. 555 00:41:14,800 --> 00:41:18,480 Have yourself a really great weekend everybody. Thanks for listening. Thanks for 556 00:41:18,480 --> 00:41:23,920 subscribing. I'm tired of the rock money and off at the end of the show. I say the 557 00:41:23,920 --> 00:41:31,360 same thing every single time anyway. 558 00:41:31,360 --> 00:41:39,840 Another pod show podcast. Stick it in your ear.