1 00:00:00,000 --> 00:00:03,000 Delta Sierra Charlie 2 2 00:00:03,000 --> 00:00:05,000 5 3 00:00:05,000 --> 00:00:07,000 Oh 4 00:00:10,000 --> 00:00:12,000 There are no secrets 5 00:00:12,000 --> 00:00:16,000 Holy information you don't even have 6 00:00:18,000 --> 00:00:20,000 And I'm Korean 7 00:00:31,000 --> 00:00:34,000 I'm proud it's 8 00:00:34,000 --> 00:00:38,000 With $16 million worth of airplane strap to my ass 9 00:00:38,000 --> 00:00:39,000 Trains, meters 10 00:00:39,000 --> 00:00:42,000 Than the next generation radio content in my ears 11 00:00:42,000 --> 00:00:44,000 We don't need no sticky and crispy 12 00:00:44,000 --> 00:00:47,000 I like to think I'm flying into the future 13 00:00:47,000 --> 00:00:49,000 Fantastic 14 00:00:49,000 --> 00:00:50,000 It's Adam Curry 15 00:00:50,000 --> 00:00:52,000 September 30th 2005 16 00:00:52,000 --> 00:00:54,000 It's Friday 17 00:00:54,000 --> 00:00:57,000 The power of the North 18 00:00:57,000 --> 00:00:59,000 Technically it's Friday 19 00:00:59,000 --> 00:01:01,000 It's actually Thursday night 20 00:01:01,000 --> 00:01:02,000 Yep 21 00:01:02,000 --> 00:01:04,000 Welcome to with the daily source code 22 00:01:04,000 --> 00:01:05,000 From the curry condo 23 00:01:05,000 --> 00:01:07,000 My last night here for this day 24 00:01:07,000 --> 00:01:09,000 With this particular stretch on the oil rig 25 00:01:09,000 --> 00:01:11,000 And here this 26 00:01:11,000 --> 00:01:13,000 What's this? 27 00:01:13,000 --> 00:01:15,000 Copicina from a real cop 28 00:01:15,000 --> 00:01:17,000 Power of the North 29 00:01:17,000 --> 00:01:19,000 Oh yeah 30 00:01:19,000 --> 00:01:20,000 I got delivered 31 00:01:20,000 --> 00:01:21,000 I got service baby JC 32 00:01:21,000 --> 00:01:22,000 Penny 33 00:01:22,000 --> 00:01:24,000 Came through 34 00:01:24,000 --> 00:01:27,000 I'm sure you're going to be very interested about that 35 00:01:27,000 --> 00:01:29,000 So of course I'll 36 00:01:29,000 --> 00:01:32,000 You're giving you all kinds of detail about the move in 37 00:01:32,000 --> 00:01:35,000 But on the eve of departing after almost three weeks 38 00:01:35,000 --> 00:01:37,000 I'm finally moved in 39 00:01:41,000 --> 00:01:43,000 So 40 00:01:43,000 --> 00:01:45,000 Let's see 41 00:01:45,000 --> 00:01:47,000 One, two, two, I'd say music 42 00:01:47,000 --> 00:01:49,000 Good tunes, hit test 43 00:01:49,000 --> 00:01:53,000 Lots of feedback about some of the topics we've been talking about 44 00:01:53,000 --> 00:01:56,000 Power of the North 45 00:01:56,000 --> 00:02:00,000 And of course the obligatory promo here and there 46 00:02:02,000 --> 00:02:04,000 I tell you the Bank of America building 47 00:02:04,000 --> 00:02:06,000 All of a sudden it lit up 48 00:02:06,000 --> 00:02:08,000 Someone was projecting 49 00:02:08,000 --> 00:02:10,000 I guess the city was projecting a movie 50 00:02:10,000 --> 00:02:12,000 It literally 51 00:02:12,000 --> 00:02:15,000 Clips of air races and airplanes 52 00:02:15,000 --> 00:02:17,000 For fleet week we just coming up next week 53 00:02:17,000 --> 00:02:18,000 Of course when I'm not here 54 00:02:18,000 --> 00:02:21,000 I can have the best seat in the house 55 00:02:21,000 --> 00:02:24,000 Just from sitting here at the condo 56 00:02:25,000 --> 00:02:27,000 So watch the movie was kind of fun 57 00:02:32,000 --> 00:02:33,000 Doesn't really compensate 58 00:02:33,000 --> 00:02:34,000 No, doesn't 59 00:02:34,000 --> 00:02:35,000 Okay 60 00:02:35,000 --> 00:02:37,000 I received a mashup 61 00:02:37,000 --> 00:02:38,000 It's a hot shoot man 62 00:02:38,000 --> 00:02:40,000 I'll have to add to my own week 63 00:02:40,000 --> 00:02:41,000 You know, to I got it from 64 00:02:41,000 --> 00:02:43,000 Not from art at mashup.com 65 00:02:43,000 --> 00:02:45,000 But it was specifically sent to me 66 00:02:45,000 --> 00:02:48,000 Is a perfect mashup to get the weekend going 67 00:02:48,000 --> 00:02:51,000 RK 47 68 00:02:54,000 --> 00:02:55,000 You got it yet? 69 00:02:56,250 --> 00:03:33,750 [ Music ] 70 00:03:34,000 --> 00:03:36,000 I'm alive 71 00:03:36,000 --> 00:03:39,000 You're on your way 72 00:03:39,000 --> 00:03:40,000 Oh, oh 73 00:03:40,000 --> 00:03:42,000 You got a new ticket 74 00:03:42,000 --> 00:03:44,000 Hey, hey, hey 75 00:03:44,000 --> 00:03:46,000 You got a new ticket 76 00:03:46,000 --> 00:03:47,000 Hey, hey, hey 77 00:03:47,000 --> 00:03:49,000 You got a new ticket 78 00:03:49,000 --> 00:03:51,000 Hey, hey 79 00:03:52,000 --> 00:03:53,000 You got a new ticket 80 00:03:53,000 --> 00:03:54,000 You got a new ticket 81 00:03:54,000 --> 00:03:55,000 You got a new ticket 82 00:03:55,000 --> 00:03:56,000 You got a new ticket 83 00:03:56,000 --> 00:03:57,000 You got a new ticket 84 00:03:57,000 --> 00:03:58,000 You got a new ticket 85 00:03:58,000 --> 00:03:59,000 You got a new ticket 86 00:03:59,000 --> 00:04:00,000 You got a new ticket 87 00:04:00,000 --> 00:04:01,000 You got a new ticket 88 00:04:01,000 --> 00:04:02,000 You got a new ticket 89 00:04:02,000 --> 00:04:03,000 You got a new ticket 90 00:04:03,000 --> 00:04:04,000 You got a new ticket 91 00:04:04,000 --> 00:04:05,000 You got a new ticket 92 00:04:05,000 --> 00:04:06,000 You got a new ticket 93 00:04:06,000 --> 00:04:07,000 You got a new ticket 94 00:04:07,000 --> 00:04:08,000 You got a new ticket 95 00:04:08,000 --> 00:04:09,000 You got a new ticket 96 00:04:09,000 --> 00:04:10,000 You got a new ticket 97 00:04:10,000 --> 00:04:11,000 You got a new ticket 98 00:04:11,000 --> 00:04:12,000 You got a new ticket 99 00:04:12,000 --> 00:04:13,000 You got a new ticket 100 00:04:13,000 --> 00:04:14,000 You got a new ticket 101 00:04:14,000 --> 00:04:15,000 You got a new ticket 102 00:04:15,000 --> 00:04:16,000 You got a new ticket 103 00:04:16,000 --> 00:04:17,000 You got a new ticket 104 00:04:17,000 --> 00:04:18,000 You got a new ticket 105 00:04:18,000 --> 00:04:20,000 You got a new ticket 106 00:04:20,000 --> 00:04:24,000 You got a new ticket 107 00:04:24,000 --> 00:04:26,000 You got a new ticket 108 00:04:26,000 --> 00:04:28,000 You got a new ticket 109 00:04:28,000 --> 00:04:29,000 You got a new ticket 110 00:04:29,000 --> 00:04:31,000 You got a new ticket 111 00:04:31,000 --> 00:04:32,000 You got a new ticket 112 00:04:32,000 --> 00:04:33,000 You got a new ticket 113 00:04:33,000 --> 00:04:34,000 You got a new ticket 114 00:04:34,000 --> 00:04:35,000 You got a new ticket 115 00:04:35,000 --> 00:04:36,000 You got a new ticket 116 00:04:36,000 --> 00:04:37,000 You got a new ticket 117 00:04:37,000 --> 00:04:38,000 You got a new ticket 118 00:04:38,000 --> 00:04:39,000 You got a new ticket 119 00:04:39,000 --> 00:04:40,000 You got a new ticket 120 00:04:41,000 --> 00:04:43,000 You got a new ticket 121 00:04:43,000 --> 00:04:44,000 You got a new ticket 122 00:04:44,000 --> 00:04:45,000 You got a new ticket 123 00:04:45,000 --> 00:04:46,000 You got a new tickets 124 00:04:47,000 --> 00:04:48,000 You got a new ticket 125 00:04:48,000 --> 00:04:49,000 Do you got a new ticket 126 00:04:49,000 --> 00:04:51,000 We're all gonna be there 127 00:04:51,000 --> 00:04:53,000 We're gonna be there 128 00:04:53,750 --> 00:05:33,000 [ Music ] 129 00:05:33,000 --> 00:05:35,000 We're gonna be there 130 00:05:35,000 --> 00:06:05,000 Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah 131 00:06:06,250 --> 00:06:28,750 [ Music ] 132 00:06:35,000 --> 00:07:05,000 Wow, you are so lucky that we haven't done podcasts, DJ set up here almost, you know, I'm standing in the kitchen, looking out into the living room, you could, you know, it's a bar, so you could sit on the other side and we could have a couple mics there and I could have some speakers, so, you know, we could play some tunes and talk and it could be, it could be, kind of like a fun setting to do interview shows and stuff like that. I know, it's just, just hit me. Now, of course, that the place feels like home, JC Penny delivered Ron and I were, 133 00:07:05,000 --> 00:07:32,000 in, what does it call there? Well, in Silicon Valley, I forgot what town it is. We were visiting with Randy Commissar, one of our board members, he's at Kleiner Perkins. We'd like to hook up with the, you know, at least everyone of our board members almost every week because we have so many things that they can help us with. 134 00:07:32,000 --> 00:07:41,000 And just the road of decks is our amazing when that, when those open up, you know, we can get to almost anybody we want, so we're having just an amazing time here. 135 00:07:41,000 --> 00:07:56,000 But we were late coming back and, of course, the Bay Bridge is right here next to the next, the Caricando. So, it's all the traffic, Jesus Christ, that's a humongous penis limo. Wow. 136 00:07:57,000 --> 00:08:03,000 It's one of those, we're like the hot tub in the back. Fantastic. All right. 137 00:08:03,000 --> 00:08:12,000 So I'm looking, literally, looking what's coming off of the Bay Bridge right now. So all the traffic goes right up my street, all the rush hour traffic home. 138 00:08:12,000 --> 00:08:17,000 So it was about five o'clock, you know, that was great. So JC Penny was supposed to deliver between three and seven. 139 00:08:17,000 --> 00:08:23,000 I've been in almost constant contact with Mario, my man downstairs at the front desk. 140 00:08:23,000 --> 00:08:31,000 And I got in and he said, oh, look, you know, your neon's been delivered. I might show that was put in in the condo and I said, 141 00:08:31,000 --> 00:08:37,000 Has JC Penny called yet? I said, oh, the shit's already upstairs. I hadn't put it in the kitchen, which, of course, he didn't know that was the studio. 142 00:08:37,000 --> 00:08:45,000 So, you know, I got up here and there, yeah, for 12, 14 boxes, I located the three boxes that contain the bed and put those aside. 143 00:08:45,000 --> 00:08:50,000 Ron has promised me we're going to do a bed cast. 144 00:08:50,000 --> 00:09:02,000 Ron and Adam put a bed together. Uh-huh. Maybe we should have the pod casters over and we'll do like a pod squad and we'll have a mini party, what we put the bed together. 145 00:09:02,000 --> 00:09:10,000 And then, you know, and I was like, oh, man, what am I going to do? I knew I wanted to record the source code and I still hadn't eaten yet. 146 00:09:10,000 --> 00:09:19,000 I haven't actually made myself, you know, bacon and eggs and I had some vegetables and I'm eating up everything that's perishable, essentially. 147 00:09:19,000 --> 00:09:27,000 And I heard Patricia's voice in my head, she's saying, make it make yourself comfortable, make it all comfortable for yourself. 148 00:09:27,000 --> 00:09:35,000 She's like, since sailing me, sound baptizing me. I can just hear, and after 18 years of marriage, we're going to get to the 20 years. 149 00:09:35,000 --> 00:09:43,000 It's finally working. All the nagging. It's paying off. I can hear it now. It's I've been conditioned. 150 00:09:43,000 --> 00:09:51,000 And so that, you know, instead of waiting until I come back in a couple weeks, just screw it, I'm going to go do it. So all the boxes are open. 151 00:09:51,000 --> 00:09:59,000 You know, everything was individually wrapped. Every single thing. I mean, you even have to put these lamps together. So beautiful, beautiful lamps. 152 00:09:59,000 --> 00:10:09,000 We have the lampshade is in place wrapped in plastic and the lamp itself was wrapped in plastic and you have to put the the fitting, you have to screw it onto the base. 153 00:10:09,000 --> 00:10:19,000 And just a lot of unwrapping and there's, you know, styrofoam and some boxes and that cracks and breaks and there's styrofoam balls all over the place. 154 00:10:19,000 --> 00:10:30,000 So, and every and gosh, man, I don't know, I think Patricia made a mistake, but you know, I'd need like maybe, you know, so if you had four, four, 155 00:10:30,000 --> 00:10:38,000 and four knives, maybe you'd double it just to make it easy on myself, you know, have eight of each. I think I've like 20 of each. 156 00:10:38,000 --> 00:10:54,000 And everyone individually wrapped, I might have had. But, you know, I've got the full, you know, the steak knives, the regular knives, the dessert forks, the regular forks, the soup spoons, the vegetable spoons, the salad tongs, the whole freaking deal. 157 00:10:54,000 --> 00:11:04,000 And linen. Oh, yeah. I gotta tell you something about my wife. She is a linen freak. Her linen colloset is kind of her thing. 158 00:11:04,000 --> 00:11:22,000 And she washes her sheets herself and she has sheets that she's had with her for 15 years. You know, these, and she's that are expensive and, you know, they do last a long time and there's a special thickness to them. What is 150 something thread. Oh, yeah, threads. That's what it is. 159 00:11:23,000 --> 00:11:32,000 So she ordered two sets of, you know, king size linen and they come in that I can, this is porn for her. This is totally porn for Patricia. 160 00:11:32,000 --> 00:11:39,000 Like computer porn when when when I get a new computer and I unwrap it and this smells nice, you know what I mean? 161 00:11:39,000 --> 00:11:51,000 So anyway, in her linen closet, everything smells fresh and all the towels are in there and, and by the way, the fold, the round side of anything that's folded sticks is on the outside. 162 00:11:51,000 --> 00:12:01,000 And everything's perfectly aligned and it's straight. It smells warm and soft and fuzzy. I'm not kidding. It's really her thing. 163 00:12:01,000 --> 00:12:20,000 And I'm down with it, man, because our bed at home is just like it's sleeping in a cloud. It's fantastic. So she's totally trying to set me up, but I can just understand how she's, and she's bum, she's bum, she isn't here to help me out and, and, you know, get a lot of this stuff up and running. I've done pretty good though. I think I've done pretty good. 164 00:12:20,000 --> 00:12:28,000 So when I come back, we'll just do the bed and, uh, yeah, then I'm almost there. Oh, and, uh, well, I'll talk about the neonos. That's a whole new story. 165 00:12:30,000 --> 00:12:45,000 Hey Adam, this is Chris Malkard from the top floor podcast. I'm standing at the window of my top floor in the middle of a thunderstorm. I'm taking pictures of lightning bolts. 166 00:12:45,000 --> 00:13:01,000 I'm hearing that. This is life. This is not fake. And I'm doing a photography podcast, tip from the top floor.com, and, well, I'm just taking, this is amazing. You should see those lightning bolts here. 167 00:13:01,000 --> 00:13:12,000 And it's starting to rain thunderstorms coming up, and I just thought I'd say hi from right in the middle of a thunderstorm and send you a picture with it. And, you know, maybe you can play this on the show. 168 00:13:13,000 --> 00:13:30,000 Oh, are you just seeing the lightning bolt? Wow. No, it's starting to rain out. Remove the camera from the window. Otherwise, it's gonna drown. Oh man, this is amazing. Close that window. And, oh, I can't believe this is happening. 169 00:13:31,000 --> 00:13:43,000 Wow. Well, you have to know when to end, especially at the point when it's getting too dangerous and I have to actually go around the house and close a few more windows. 170 00:13:43,000 --> 00:13:52,000 I hope you'll be with us next time. I'll do another sound seeing kind of thing. Alright, that was it from the top floor. This is Chris Malkard. Thanks for listening. 171 00:13:52,000 --> 00:13:55,000 Talk to you soon. Bye-bye. 172 00:13:55,000 --> 00:14:01,000 Pod Show, content that will make you squeeze the dog and burp your mother. 173 00:14:03,000 --> 00:14:12,000 Hey Adam, it's Omar, and I'm talking to you from your 70 National Park, and interestingly enough, the curry village campgrounds. 174 00:14:12,000 --> 00:14:26,000 I'm at your 70 National Park, because I'm traveling across the country in my beautiful Jetta, and my friend P is along with me, and we are podcasting along the hallway, we're halfway across the country. 175 00:14:26,000 --> 00:14:40,000 We started in Fort Waterdale. Now, we got the other half of the country to do in the Southwest, and Vegas, Grand Canyon and all that, but we've already been to Yellowstone National Park, the Badlands, Mount Rushmore, all those cool places. 176 00:14:40,000 --> 00:14:56,000 And I just wanted to let you know, not just how much fun we're having, road tripping across the country and back, but how fun it is to record everything we're doing, then putting it on a podcast and letting our friends and family listen to it. 177 00:14:56,000 --> 00:15:13,000 I look forward to doing another podcast someday. I'm getting in the videoography as a new field, and I was thinking, combining that with some of the ideas you've talked about, another podcast about GPS positioning and podcast and video might be something cool to try out. 178 00:15:13,000 --> 00:15:24,000 So, check the website out, it's roadboreyourpodcast.com, and if you want like your listeners know about it, and I think it's real cool. 179 00:15:24,000 --> 00:15:32,000 I keep up the good work for promoting podcast and getting pod show and everything else connected to it up and running. 180 00:15:32,000 --> 00:15:33,000 Thank you. 181 00:15:33,000 --> 00:15:46,000 I'm jealous of that. That's what I wanted to do with my girls. I wanted to take a, I tried to get air streamed to sponsor that we never could make that happen. It was a little too early in the podcasting success curve, I guess. 182 00:15:46,000 --> 00:16:00,000 Maybe we'll still have that. I want to, you know, go do routes, well, not maybe in Route 66, but, you know, really go east to west or something and go to, you know, from maybe Texas to San Francisco or just to some cool route. 183 00:16:00,000 --> 00:16:27,000 Camp curry where you are and where you recorded that in your semity national park used to belong to my family. Absolutely true. In fact, the curry clan as they're known really mainly from Kansas, my, my great, my great uncle. I think something like that was John Stewart curry. 184 00:16:27,000 --> 00:16:37,000 Famous rural painter hangs in the metropolitan museum of art. I think one of those in New York. 185 00:16:37,000 --> 00:16:56,000 And so the curry clan would have family reunions, a lot of them from Kansas, and they'd all go to Camp Curry, which is, I said, I'm not quite sure who owned it, but there was a, there's like firefall rock or something man, I'm bad at this. I really should know better. My grandfather less than he's probably yelling at me right now for not having the whole story. 186 00:16:56,000 --> 00:17:06,000 He always maintained the entire genealogy of our family and I have it. I have all the documents, but it, you know, it's a lot to go through. 187 00:17:06,000 --> 00:17:25,000 But there was, I don't know, I don't know which curry member that was, but they had built huge bonfires up on this cliff and then at night when everyone was, it was time to go to bed and they'd kick the embers over this cliff and I guess the main dude would say, let the fire fall. 188 00:17:25,000 --> 00:17:34,000 There's some family lore for it. We also owned a humongous piece of land, what is today known as Flagstaff, Arizona. 189 00:17:34,000 --> 00:17:40,000 So some brilliant light in the family sold that for a joint. 190 00:17:40,000 --> 00:17:54,000 So I can't get to my Gmail, otherwise I would tell you who sent me this next clip. This is, I've been collecting some audio and this is, oh man, we have, we have so much to learn yet about what you can do with sound and what is exciting and what radio is. 191 00:17:54,000 --> 00:18:22,000 This is actually a piece of real radio. I think it's from CB2, which is not Australian radio station. Now, I played you the piece from the fly with me podcast where we listened to the air, actually was not air traffic control, but it was maintenance talking with the jet blue aircraft that had the nose wheel problem, the gear was down, but the nose wheel was cocked 90 degrees and so they basically had to, you know, blew out everything because the wheels don't roll that way when they landed. 192 00:18:22,000 --> 00:18:42,000 Beautiful landing. I've received transcripts or writings from people who were on jet blue and they're experienced because they actually had direct TV and they were watching themselves alive on television through direct TV, making emergency landing. How twisted is that? 193 00:18:42,000 --> 00:18:54,000 The writing of that is just, it's beautiful and everyone was high-fiving and jumping up and down when they landed safely and the whole vibe is described very, very well. 194 00:18:54,000 --> 00:19:01,000 But I don't have any audio of that. I mean, that's the final piece that I want because what I have now is, and this is live radio is good for this. 195 00:19:01,000 --> 00:19:21,000 You know, in podcasts, of course, are good because you'll see even though you're getting this live, the excitement of how this Australian broadcaster, I have a window open. How this Australian broadcaster was reporting on this landing live in a real time. 196 00:19:21,000 --> 00:19:37,000 It's really, it's like a sporting event. It's great radio. No matter what you're saying, it's great radio. So I'm going to play that for you. And if anyone, or if you know anyone who was on that jet blue flight, of course, there was no podcast or who actually recorded it. 197 00:19:37,000 --> 00:19:43,000 Man, you know, I would have flipped on the eye river. I don't care. I'm sure I would have remembered to do that part. 198 00:19:43,000 --> 00:19:57,000 I know I would have. I hope I would, and I hope I would be able to use it. And of course, yeah. Anyway, so here is, here's the recording from that Australian station CB2. 199 00:19:57,000 --> 00:20:07,000 That you really enjoy. This is great. Great audio. As the plane comes in on descent, the most crucial time, obviously, as it hits the deck, will the nose will twist round to the way it should be. 200 00:20:07,000 --> 00:20:19,000 They're on approach now. The captain has made the decision that they'll go in. The jet blue flight 292 with 139 people aboard is attempting the emergency landing at Los Angeles International Airport. 201 00:20:19,000 --> 00:20:25,000 I guess the people on board are hoping to God that the captain will be in control by the time they come to the end of the runway. 202 00:20:25,000 --> 00:20:36,000 They'll deploy the shoots, no doubt the slides out of the side once it does come to a halt. Emergency services are on standby now. You can see the tops of houses now on the tops of trees quite clearly in the background. 203 00:20:36,000 --> 00:20:46,000 As this airliner makes its final approach to Los Angeles International Airport. The vision is coming from a fixed camera on the control tower now. It's over the top of the airport. 204 00:20:46,000 --> 00:20:58,000 The captain is bringing it to the ground now. It's not too far above the ground. It's about to come down. He's continuing the descent in Los Angeles International Airport with the landing gear problem of the A320. 205 00:20:58,000 --> 00:21:07,000 139 people, the lives and the hands of this man landing the aircraft. He's over the top of the runway now. He's still coming down. He hasn't aboard of the landing. 206 00:21:07,000 --> 00:21:14,000 So obviously the decision has been taken. Another freeway is left behind him and now he can see the ground below him. He's about to touch down. 207 00:21:14,000 --> 00:21:24,000 The A320. It's about to touch the ground and then the hearts are in the mouths of the people watching across the globe and listening as well. He comes in. He's just meters above the ground now. 208 00:21:24,000 --> 00:21:31,000 The captain brings it down very gently. The back wheels go down first and now they're on the ground. They're about to touch. 209 00:21:31,000 --> 00:21:39,000 And the nose wheel is about to come down now. Will it turn around? The back wheels go down. The puffs of smoke come out. The captain tries to slow it down. This is unbelievable. 210 00:21:39,000 --> 00:21:47,000 The A320 is on the ground. The nose wheel still hasn't touched yet. He's easing it down ever so gently. Ever so gently. 211 00:21:47,000 --> 00:22:00,000 It touches now. This smoke comes up. The sparks fly. It hasn't straightened down. But something now. He's done it. He saved their lives. They'll emerge. Get out of there straight away now. The A320 is on the ground. He has done it. 212 00:22:00,000 --> 00:22:08,000 This fellow has done it. The crew would now be getting to the emergency slides to open them as well. They still haven't opened on either side of the aircraft. 213 00:22:08,000 --> 00:22:18,000 But the jet blue flight 292 has made a perfect emergency landing. There is no fire at all. It's stationary now on the center of the airport. 214 00:22:18,000 --> 00:22:30,000 Stationery at LAX. This is unbelievable. Quite incredible. The first of the emergency crews arrive on the scene. They still haven't opened the doors. They still haven't put the emergency slides down. 215 00:22:31,000 --> 00:22:40,000 There are now many, many emergency vehicles surrounding it. They're watching the nose wheel which sparks were flying. Smoke was coming from at cascading back below the aircraft. 216 00:22:40,000 --> 00:22:50,000 But they still haven't taken the people off the aircraft at the moment. I expected they'd be doing that immediately. They haven't done it. There is obviously no imminent danger to the nose on board. 217 00:22:50,000 --> 00:22:58,000 The captain has decided to leave them on the aircraft for the time being. The aircraft is now surrounded by emergency vehicles. 218 00:22:58,000 --> 00:23:07,000 And they're all trained on that nose wheel. This is absolutely incredible. You'll see the vision later tonight. My God, it was frightening sitting in a studio watching it. 219 00:23:07,000 --> 00:23:19,000 What would it have been like on board the aircraft? What would have been like for the captain who's done an unbelievable job along with his crew to bring this aircraft to a safe halt at the end of Los Angeles International Airport? 220 00:23:19,000 --> 00:23:28,000 Oh, man. Oh, man. Is that great or what that to me? It's a classic, classic piece of audio. 221 00:23:28,000 --> 00:23:37,000 And I just wish I had air traffic control in that jet blue aircraft, which had a recording of that. It exists somewhere. I know the tapes do exist. 222 00:23:37,000 --> 00:23:47,000 Maybe Mike is minute, which of course the podcast doesn't exist anymore, but he used the podcast from the control tower in I think was Toledo Ohio. 223 00:23:47,000 --> 00:23:51,000 I was a great podcast. Maybe he'll be able to get the tapes to us. 224 00:23:51,000 --> 00:24:00,000 And then of course, just anyone who can send in a recording of what it was like. Wow. What a great collection that would be, huh? 225 00:24:00,000 --> 00:24:03,000 Wow. We could package that and sponsor it. But, 226 00:24:03,000 --> 00:24:10,000 Prius? Prius? Man, everyone's correcting me on that. I don't know how to pronounce that either. 227 00:24:10,000 --> 00:24:16,000 It's the car that Madge Weinstein wants for free. One of those hybrids get into her willia. 228 00:24:16,000 --> 00:24:26,000 She'll promote it. It'll be worth it. It will be worth it. Imagine Madge Weinstein and Chancy in a golf cart. 229 00:24:27,000 --> 00:24:38,000 By the way, I apologize. Oh, man. I can't believe I'm so freaking stupid. I actually uploaded the Thursday's entire show from the condo early. 230 00:24:38,000 --> 00:24:42,000 Because I need to get everything done because we're simultaneously casting on serious now. 231 00:24:42,000 --> 00:24:50,000 And so I kind of have to have stuff done before, well, before like two or three PM East Coast time for it to go into their system. 232 00:24:50,000 --> 00:25:00,000 Just go from an MP3. They take my podcast and it goes, uh, Pete up does and turns it into an MP2 or whatever their format is for the satellite. 233 00:25:00,000 --> 00:25:09,000 Are we in stereo, by the way? We used to be in mono. Are we in stereo now on channel 103? I don't know. I haven't received my complimentary boombox yet. 234 00:25:09,000 --> 00:25:18,000 So I've been using the MM50 with the sometimes with the iPod. I find now I'm sinking the iPod up more and then it's because it's really convenient just to take it. 235 00:25:18,000 --> 00:25:26,000 No wires attached. You know, just take the remote control into the bathroom with me to the bedroom. It's like a little iPod boombox. 236 00:25:26,000 --> 00:25:30,000 And so I haven't heard the show yet. 237 00:25:31,000 --> 00:25:37,000 But who was kind of confusing the cousin Bruce you was on between six and seven, which was the start at six are our maiden voyage. 238 00:25:37,000 --> 00:25:39,000 And we had to wait an hour for cousin Brucey. 239 00:25:39,000 --> 00:25:47,000 He's unbelievably popular though. It's really, that's about three things when people call up at serious. They ask about how we're stern. 240 00:25:47,000 --> 00:25:55,000 They ask about, okay, I think I don't know if they ask for cousin Brucey next or the pod show and Adam Curry after that. 241 00:25:56,000 --> 00:26:04,000 I have a feeling it could be because it cousin Brucey, but that's okay, where when you're laying on the ground, my friends, there's only one way to go and that's up. 242 00:26:04,000 --> 00:26:12,000 Podsafe music now from a buddy mine from the Netherlands. I don't think it's in the Podsafe music network, but I will definitely reach out to him and ask him to put it in. 243 00:26:12,000 --> 00:26:22,000 I've received permission to to play it on any podcast any time. I think he had a, he, this is the guy Roger with his, I don't know if his bands exist in twine. 244 00:26:23,000 --> 00:26:31,000 And he, the first season of idols of pop idol, it's called idols in the Netherlands. So this is two years ago, I think. 245 00:26:31,000 --> 00:26:34,000 Two years ago? Yeah, maybe two years ago. 246 00:26:34,000 --> 00:26:43,000 He was really smart. He had already had a band and he participated in the band in idols and he got through the first or second round, whatever. 247 00:26:43,000 --> 00:26:50,000 And then he had to sign the contract and he said, oh no, I'm not because I'm quitting because now I've got the attention I wanted for my band. 248 00:26:51,000 --> 00:27:02,000 So, you know, that works because he got attention, but it doesn't work that way with mainstream media because then everyone's like fuck you man, you don't want to play our game, you think you're going to get a shortcut, no way. 249 00:27:02,000 --> 00:27:09,000 So I'm happy to pick it up here and now that we have a lot of traction going on with this Podsafe music thing, it's time. 250 00:27:09,000 --> 00:27:16,000 It starts off mellow, but it really starts to rock out at the end. I think that this, this could be huge. 251 00:27:16,000 --> 00:27:24,000 This is a song that I think would be great for an American audience. I don't think they've ever really been exposed to it. So here it goes. This is in twine and happy. 252 00:27:26,250 --> 00:30:41,250 [ Music ] 253 00:30:43,000 --> 00:30:49,000 Man, that song sounds so good, I love that song 254 00:30:49,000 --> 00:30:53,000 In twine, happy pod save from the daily source code 255 00:30:53,000 --> 00:30:56,000 As determined by the artist himself, that's what makes it really cool. 256 00:30:56,000 --> 00:31:00,000 I see on my console here that I've had two skips in the recording of the show. 257 00:31:00,000 --> 00:31:04,000 I don't know what the hell is going on. This Mac has had it. 258 00:31:04,000 --> 00:31:08,000 And I've had, and I have had this Mac for three years. This is a power book G4 259 00:31:08,000 --> 00:31:12,000 Three years, I think, yeah, you can't get any more powerful than this one. 260 00:31:12,000 --> 00:31:14,000 And usually with the Mac it's like an etchist sketch man. 261 00:31:14,000 --> 00:31:20,000 It's like, if it doesn't work, you just shake it, close it, shake it, and then it's all good. 262 00:31:20,000 --> 00:31:22,000 But after a while, I think they just get sick. 263 00:31:22,000 --> 00:31:24,000 Windows machines have that too. 264 00:31:24,000 --> 00:31:28,000 So a lot of people ask me what I'm using to record the show 265 00:31:28,000 --> 00:31:30,000 When I'm on the road to I use audio hijack pro. 266 00:31:30,000 --> 00:31:32,000 And I use megaseg. 267 00:31:32,000 --> 00:31:36,000 The megaseg is a real good scheduling program. 268 00:31:36,000 --> 00:31:40,000 You can segue stuff into each other and line stuff up easily. 269 00:31:40,000 --> 00:31:44,000 Yeah, it works really well for the way. 270 00:31:44,000 --> 00:31:46,000 As Ron would say, I'm a line guy. 271 00:31:46,000 --> 00:31:48,000 I hit record and I go, there's no editing. 272 00:31:48,000 --> 00:31:52,000 And all my processing, my mixer, my effects 273 00:31:52,000 --> 00:31:56,000 is all external on a Yamaha workstation. 274 00:31:56,000 --> 00:32:02,000 And so basically just feeding the headphone output goes into the mixer. 275 00:32:02,000 --> 00:32:04,000 And the mic goes into the mixer. 276 00:32:04,000 --> 00:32:08,000 And so anything that play on megaseg, anything I play on my Mac basically 277 00:32:08,000 --> 00:32:12,000 will be then fed to the mixer back into the line input of the Mac, 278 00:32:12,000 --> 00:32:14,000 and that is hijacked through audio hijack pro. 279 00:32:14,000 --> 00:32:16,000 So it's a pretty simple system. 280 00:32:16,000 --> 00:32:20,000 It really makes me my whole computer soundscape. 281 00:32:20,000 --> 00:32:24,000 So I realized I didn't even finish my story about why I'm such a doofus. 282 00:32:24,000 --> 00:32:26,000 So I had everything uploaded. 283 00:32:26,000 --> 00:32:28,000 I had to run off to the office because it's 10. 284 00:32:28,000 --> 00:32:30,000 No, I'm 12, I thought it was 12, 30, 285 00:32:30,000 --> 00:32:34,000 but 12, we had an interview with Entertainment Weekly. 286 00:32:34,000 --> 00:32:38,000 Because oh yeah, Hollywood's coming and knocking my friends. 287 00:32:38,000 --> 00:32:42,000 Oh man, part two of the plan is about to go into effect. 288 00:32:42,000 --> 00:32:46,000 Now we're going to misuse the mainstream media for our own promotion. 289 00:32:46,000 --> 00:32:49,000 At first they were in control driving it with the interviews. 290 00:32:49,000 --> 00:32:52,000 Now we've got audience now. 291 00:32:52,000 --> 00:32:55,000 We're getting pretty powerful here. 292 00:32:55,000 --> 00:33:01,000 I found out that if my information is wrong, please correct me. 293 00:33:01,000 --> 00:33:05,000 But the numbers that radio stations typically have of listeners 294 00:33:05,000 --> 00:33:07,000 is measured in the quarter hour. 295 00:33:07,000 --> 00:33:09,000 How much time do I have here? 296 00:33:09,000 --> 00:33:11,000 Is measured in the quarter hour. 297 00:33:11,000 --> 00:33:15,000 And that is done by arbitron. 298 00:33:15,000 --> 00:33:18,000 And it's typically done by people feeling out of diary 299 00:33:18,000 --> 00:33:19,000 what they listen to. 300 00:33:19,000 --> 00:33:20,000 Forget about all that. 301 00:33:20,000 --> 00:33:22,000 Statisticians will argue with you for years. 302 00:33:22,000 --> 00:33:25,000 Whether it's a good sample or not, doesn't matter. 303 00:33:25,000 --> 00:33:28,000 So it's a sample of America that does this. 304 00:33:28,000 --> 00:33:34,000 And for a number one market, 305 00:33:34,000 --> 00:33:37,000 a big market like New York or Los Angeles. 306 00:33:37,000 --> 00:33:38,000 That's a big market. 307 00:33:38,000 --> 00:33:41,000 P1, I think they call it. 308 00:33:42,000 --> 00:33:46,000 A typical station successful station in that market will have 309 00:33:46,000 --> 00:33:51,000 10,000 listeners in that quarter hour and a 15 minute period. 310 00:33:51,000 --> 00:33:55,000 So, and really they do that because the audience changes 311 00:33:55,000 --> 00:33:57,000 every 15 minutes, particularly during drive time. 312 00:33:57,000 --> 00:33:58,000 People are popping around. 313 00:33:58,000 --> 00:34:00,000 They're not listening to the commercials by the way. 314 00:34:00,000 --> 00:34:01,000 That's when we switch away. 315 00:34:01,000 --> 00:34:04,000 That's your 15 minute reason to switch. 316 00:34:04,000 --> 00:34:09,000 So it is possible that someone who was in the first 15 minutes of a 317 00:34:09,000 --> 00:34:13,000 first quarter hour of an hour of the first 15 minutes of an hour comes 318 00:34:13,000 --> 00:34:15,000 back in the third quarter of that hour. 319 00:34:15,000 --> 00:34:20,000 But in total, Q, as they call it, they'll be 40,000 listeners in that hour. 320 00:34:20,000 --> 00:34:23,000 Well, we have some podcasts. 321 00:34:23,000 --> 00:34:28,000 This one included that are well into the hundreds of thousands. 322 00:34:28,000 --> 00:34:30,000 And people aren't popping around. 323 00:34:30,000 --> 00:34:34,000 They may be, you know, programming the show the way they want it. 324 00:34:34,000 --> 00:34:38,000 I know lots of people that go right past the mashups. 325 00:34:38,000 --> 00:34:42,000 But that's a pretty sizable audience that we have. 326 00:34:42,000 --> 00:34:48,000 Bigger than a major market radio station. 327 00:34:48,000 --> 00:34:51,000 That freaked me out. 328 00:34:51,000 --> 00:34:54,000 So, if you have any other statistics on that, let me know. 329 00:34:54,000 --> 00:34:57,000 But that's what I was told because I've been asking around. 330 00:34:57,000 --> 00:35:00,000 And, you know, I know a lot of people aren't really here still. 331 00:35:00,000 --> 00:35:05,000 Remember, radio, the lowest rung of the show is latter and podcasts hanging right underneath it. 332 00:35:06,000 --> 00:35:08,000 Oh, yes, my friend. 333 00:35:13,000 --> 00:35:14,000 Wait a minute. 334 00:35:14,000 --> 00:35:16,000 Did I even finish the goddamn story yet? 335 00:35:16,000 --> 00:35:17,000 No, I haven't. 336 00:35:17,000 --> 00:35:18,000 Okay. 337 00:35:18,000 --> 00:35:25,000 So, the story is that we had the interview and then we had to run off to go to San Hill Road. 338 00:35:25,000 --> 00:35:28,000 And I forgot to post the show. 339 00:35:28,000 --> 00:35:32,000 And then I went through all this unpacking and completely forgot. 340 00:35:32,000 --> 00:35:36,000 And also, oh, my God, man, the show is uploaded, but never posted it. 341 00:35:36,000 --> 00:35:39,000 So, you may be listening to this show on Saturday or Sunday or whatever. 342 00:35:39,000 --> 00:35:41,000 So, that's all cool. 343 00:35:41,000 --> 00:35:45,000 But if you're a serious satellite radio listener, then you're listening to it on Friday. 344 00:35:45,000 --> 00:35:47,000 Okay, it's back to the hit test now, sir. 345 00:35:55,000 --> 00:35:56,000 What did you hear? 346 00:35:57,000 --> 00:35:58,000 The hit test. 347 00:36:03,000 --> 00:36:10,000 Hey Adam, it's time for hit test number 62, but before we start, I would like to address a question that's been asked 348 00:36:10,000 --> 00:36:17,000 a lot lately and it's about the processing I use and how I make it sound so so good and so clear in post production. 349 00:36:17,000 --> 00:36:22,000 Well, let me say that I like Adam use cast blast time record live. 350 00:36:22,000 --> 00:36:27,000 The only difference between my processing and Adam's is that mine sounds good. 351 00:36:28,000 --> 00:36:35,000 Just oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, man, I'm going to get you for that. 352 00:36:35,000 --> 00:36:36,000 Yeah, sure. 353 00:36:36,000 --> 00:36:37,000 It's time for hit test Adam. 354 00:36:37,000 --> 00:36:39,000 All right, three intros as always. 355 00:36:39,000 --> 00:36:40,000 And this is number one. 356 00:36:40,000 --> 00:36:41,000 Hit me. 357 00:36:46,000 --> 00:36:50,000 James Ingram, Patty Austin, baby come to me. 358 00:36:50,000 --> 00:36:53,000 You're going to put your arms around number two. 359 00:36:54,000 --> 00:36:55,000 Okay. 360 00:36:55,000 --> 00:36:57,000 Well, I'm going to know it. 361 00:36:57,000 --> 00:37:00,000 Knowing it to you, John, I'm going to say that's the original. 362 00:37:00,000 --> 00:37:04,000 That's going to be Rick James and super freaky baby. 363 00:37:04,000 --> 00:37:05,000 Number three. 364 00:37:07,000 --> 00:37:09,000 Hit me again with that. 365 00:37:13,000 --> 00:37:14,000 Jesus. 366 00:37:17,000 --> 00:37:18,000 And time's up. 367 00:37:18,000 --> 00:37:20,000 This is answer number one. 368 00:37:20,000 --> 00:37:23,000 Patty Austin and James Ingram, baby come to me. 369 00:37:26,250 --> 00:38:16,250 [ Music ] 370 00:38:18,000 --> 00:38:23,000 The first answer in this early 80's edition of the hit test. 371 00:38:23,000 --> 00:38:28,000 Betty Austin and James Ingram and baby come to me a song from 1983. 372 00:38:28,000 --> 00:38:32,000 And this is answer number two, from 81. 373 00:38:32,000 --> 00:38:35,000 It's Rick James. This is Super Freak. 374 00:38:35,000 --> 00:38:37,000 Very cheeky girl. 375 00:38:37,000 --> 00:39:31,000 [ Music ] 376 00:39:31,000 --> 00:39:33,000 Come on. 377 00:39:33,000 --> 00:39:34,000 Yeah. 378 00:39:34,000 --> 00:39:35,000 A one hit wonder. 379 00:39:35,000 --> 00:39:37,000 Stacy let us saw and jump to the beat. 380 00:39:37,000 --> 00:39:40,000 That's answer number three in this hit test. 381 00:39:40,000 --> 00:39:44,000 This concludes hit test number 62. 382 00:39:44,000 --> 00:39:47,000 As always, feedback is welcome at hittest.gmail.com. 383 00:39:47,000 --> 00:39:50,000 And you can go to the website and the blog. 384 00:39:51,000 --> 00:39:52,000 It's yompolet.com. 385 00:39:52,000 --> 00:39:54,000 J-A-N-P-O-L-E-T.com. 386 00:39:54,000 --> 00:39:58,000 And you'll find a page there with the answers to the hit test. 387 00:39:58,000 --> 00:40:00,000 And also the iTunes links. 388 00:40:00,000 --> 00:40:03,000 So if you want to buy some tracks from the hit test. 389 00:40:03,000 --> 00:40:06,000 Please do it using my links and my blog. 390 00:40:06,000 --> 00:40:07,000 Yompolet.com. 391 00:40:07,000 --> 00:40:10,000 Okay Adam, I hope you did well. 392 00:40:10,000 --> 00:40:13,000 Again, great music to be playing here. 393 00:40:13,000 --> 00:40:15,000 See you next time for 63. 394 00:40:15,000 --> 00:40:17,000 I guess somewhere next week. 395 00:40:17,000 --> 00:40:19,000 So until then, bye-bye. 396 00:40:21,000 --> 00:40:23,000 I love those songs, yom. 397 00:40:23,000 --> 00:40:26,000 Stacy let us saw a man that was 1980. 398 00:40:26,000 --> 00:40:28,000 I was working at the pirate radio station at Amsterdam. 399 00:40:28,000 --> 00:40:31,000 You know, that's what I miss about not being able to play. 400 00:40:31,000 --> 00:40:33,000 You know, we just haven't quite figured that out yet. 401 00:40:33,000 --> 00:40:35,000 How we can play a lot of that back catalog. 402 00:40:35,000 --> 00:40:36,000 Oh man, skipping again. 403 00:40:36,000 --> 00:40:38,000 I know what the hell is going on. 404 00:40:38,000 --> 00:40:39,000 Damn. 405 00:40:39,000 --> 00:40:41,000 It just shows up that it's skipping. 406 00:40:41,000 --> 00:40:45,000 I got to reboot this Mac every single time I before I do a show. 407 00:40:45,000 --> 00:40:48,000 And now now iTunes is like just popping up and starting by itself. 408 00:40:49,000 --> 00:40:51,000 Making me angry. 409 00:40:53,000 --> 00:40:57,000 So I was going to say it's too bad that we can't play a lot of that back catalog. 410 00:40:57,000 --> 00:40:59,000 Because the story that goes with every single song, 411 00:40:59,000 --> 00:41:04,000 I could tell some awesome stories about the Stacy lattice top period. 412 00:41:04,000 --> 00:41:07,000 And we'll have our stories later on about the cruise box. 413 00:41:07,000 --> 00:41:10,000 And the brother loves and the lascivious bitties. 414 00:41:10,000 --> 00:41:13,000 And you know what, we'll have those days too. 415 00:41:13,000 --> 00:41:14,000 I'm sure. 416 00:41:14,000 --> 00:41:16,000 Let me see, well, so I have written down here. 417 00:41:16,000 --> 00:41:17,000 We're going to talk written down. 418 00:41:17,000 --> 00:41:18,000 It's on the Blackberry right. 419 00:41:18,000 --> 00:41:21,000 And it says now that this is the cool way. 420 00:41:21,000 --> 00:41:26,000 The cool way to maintain what you're going to talk about. 421 00:41:26,000 --> 00:41:27,000 Of course. 422 00:41:27,000 --> 00:41:28,000 You got it. 423 00:41:28,000 --> 00:41:29,000 Oh, the neon. 424 00:41:29,000 --> 00:41:30,000 I'm going to talk about that. 425 00:41:30,000 --> 00:41:33,000 The pod father neon that Greg Lawley gave me. 426 00:41:33,000 --> 00:41:37,000 So I put it in front of the window is exactly the right dimension for the window. 427 00:41:37,000 --> 00:41:39,000 And I was really excited about it. 428 00:41:39,000 --> 00:41:40,000 And then I went downstairs. 429 00:41:40,000 --> 00:41:42,000 And 24 stories is just way too much. 430 00:41:42,000 --> 00:41:43,000 I mean, I have pictures. 431 00:41:43,000 --> 00:41:45,000 I tried to take pictures of it. 432 00:41:45,000 --> 00:41:48,000 It was really hard because it's just too high up. 433 00:41:48,000 --> 00:41:49,000 And it's not big enough. 434 00:41:49,000 --> 00:41:54,000 You know, it would have to literally be across the whole wall of windows in order for you 435 00:41:54,000 --> 00:41:55,000 to be able to see it from anywhere. 436 00:41:55,000 --> 00:41:56,000 I mean, you can see it. 437 00:41:56,000 --> 00:41:58,000 But you just can't make out what it says. 438 00:41:58,000 --> 00:42:00,000 So now it's in the corner of the condo here. 439 00:42:00,000 --> 00:42:02,000 And I turn it on. 440 00:42:02,000 --> 00:42:05,000 And before I record, I turn it on. 441 00:42:05,000 --> 00:42:11,000 The pod father in green and purple neon is fantastic. 442 00:42:11,000 --> 00:42:14,000 I'll post pictures of it once I get back to the cottage. 443 00:42:15,000 --> 00:42:18,000 Um, now I screw it to promos. 444 00:42:18,000 --> 00:42:19,000 Do you guys remember? 445 00:42:19,000 --> 00:42:20,000 Pom, Pom, Pom, Pom. 446 00:42:20,000 --> 00:42:23,000 The first podcast for the French-speaking Mac community? 447 00:42:23,000 --> 00:42:25,000 Well, it's me, Steph and C. 448 00:42:25,000 --> 00:42:28,000 And I'm back with a German version. 449 00:42:28,000 --> 00:42:30,000 So it's called Pom, Pom, Pom still. 450 00:42:30,000 --> 00:42:33,000 It's just at Pomcast.com slash DE. 451 00:42:33,000 --> 00:42:36,000 Because I have to rework the website at Pomcast.com 452 00:42:36,000 --> 00:42:39,000 to make it in French and also in German. 453 00:42:39,000 --> 00:42:41,000 But also in English for the presentation side. 454 00:42:41,000 --> 00:42:43,000 But basically I'm also on iTunes. 455 00:42:43,000 --> 00:42:46,000 And for the French part, I'm on the iTunes music tour French. 456 00:42:46,000 --> 00:42:48,000 I'm already, I'm always in the top 20. 457 00:42:48,000 --> 00:42:49,000 I follow the German. 458 00:42:49,000 --> 00:42:51,000 It's a little bit complicated. 459 00:42:51,000 --> 00:42:52,000 I'm not in the top 20. 460 00:42:52,000 --> 00:42:53,000 You have to search for me. 461 00:42:53,000 --> 00:42:54,000 You just search for P.O.M. 462 00:42:54,000 --> 00:42:55,000 The hell was exciting. 463 00:42:55,000 --> 00:42:58,000 And you're going to see directly Pom, Pom, Pom, Pom, Pom. 464 00:42:58,000 --> 00:43:01,000 And the variant in German, Pom, Pom, Pom, D.E. 465 00:43:01,000 --> 00:43:04,000 Which you can't listen directly in iTunes. 466 00:43:04,000 --> 00:43:05,000 Subscribe to it. 467 00:43:05,000 --> 00:43:06,000 Listen to me every week. 468 00:43:06,000 --> 00:43:07,000 My name is Steph. 469 00:43:07,000 --> 00:43:11,000 I'm also reachable under the email stuff and see at Pomcast.com. 470 00:43:11,000 --> 00:43:13,000 And that's what I do. 471 00:43:13,000 --> 00:43:14,000 I do it in French. 472 00:43:14,000 --> 00:43:15,000 I do it in German. 473 00:43:15,000 --> 00:43:19,000 And I also listen to the daily source code, for example. 474 00:43:19,000 --> 00:43:22,000 I'll show a dot com. 475 00:43:22,000 --> 00:43:27,000 Recommend listening with at least one foot firmly planted in reality. 476 00:43:27,000 --> 00:43:33,000 I'm finding yourself up all night looking at inappropriate things on the internet. 477 00:43:33,000 --> 00:43:36,000 I don't know if you're going to reach it forward. 478 00:43:36,000 --> 00:43:39,000 I don't know if you're going to reach it forward. 479 00:43:39,000 --> 00:43:42,000 Do you find yourself repeatedly showing up late for work? 480 00:43:42,000 --> 00:43:43,000 French fries. 481 00:43:43,000 --> 00:43:45,000 Do not make themselves. 482 00:43:45,000 --> 00:43:46,000 You need to be here. 483 00:43:46,000 --> 00:43:47,000 On time. 484 00:43:47,000 --> 00:43:48,000 Every day. 485 00:43:48,000 --> 00:43:49,000 Luckily for you. 486 00:43:49,000 --> 00:43:51,000 There's an answer. 487 00:43:51,000 --> 00:43:52,000 It's the drag me out of bed. 488 00:43:52,000 --> 00:43:55,000 Wake up call from one wisdom and lucky to trade you. 489 00:43:55,000 --> 00:43:56,000 dot com. 490 00:44:00,000 --> 00:44:01,000 Yeah. 491 00:44:01,000 --> 00:44:02,000 Who is it? 492 00:44:02,000 --> 00:44:03,000 That hell out of bed. 493 00:44:03,000 --> 00:44:04,000 You dirty horror. 494 00:44:04,000 --> 00:44:05,000 That's right. 495 00:44:05,000 --> 00:44:08,000 Wake up calls aren't just for hotel stays anymore. 496 00:44:08,000 --> 00:44:12,000 Now you two can get a personalized wake up call from America's top podcasting drag queen. 497 00:44:12,000 --> 00:44:14,000 Want to wisdom lucky to trade you. 498 00:44:14,000 --> 00:44:15,000 dot com. 499 00:44:15,000 --> 00:44:17,000 If you don't get your fan ass out of bed right now. 500 00:44:17,000 --> 00:44:19,000 Mary, I'm going to come over there and smack you. 501 00:44:19,000 --> 00:44:20,000 Still. 502 00:44:20,000 --> 00:44:21,000 It's one wisdom's drag me out of bed. 503 00:44:21,000 --> 00:44:22,000 Wake up call coming soon. 504 00:44:22,000 --> 00:44:25,000 Head over to luckynitzradio.com for more details. 505 00:44:25,000 --> 00:44:28,000 If you wouldn't have sat around on the internet all night looking at porn. 506 00:44:28,000 --> 00:44:30,000 I wouldn't have to call your sorry. 507 00:44:30,000 --> 00:44:31,000 Now what? 508 00:44:31,000 --> 00:44:34,000 You've never had a drag queen get you up quite like this. 509 00:44:34,000 --> 00:44:37,000 Check it out over at luckynitzradio.com. 510 00:44:37,000 --> 00:44:39,000 I play that promo. 511 00:44:39,000 --> 00:44:41,000 I wanted to play that last time. 512 00:44:41,000 --> 00:44:45,000 It was a long, long time ago. 513 00:44:45,000 --> 00:44:47,000 And that's because you lazy ass podcast. 514 00:44:47,000 --> 00:44:49,000 There's got to make more promos. 515 00:44:49,000 --> 00:44:51,000 Make some fresh ones send them off to me, man. 516 00:44:51,000 --> 00:44:52,000 Promote Podge a submit. 517 00:44:52,000 --> 00:44:53,000 Sorry. 518 00:44:53,000 --> 00:44:57,000 Submit at podshow.com or send it to me. 519 00:44:57,000 --> 00:45:00,000 Add them at curry.com or add them at podshow.com. 520 00:45:00,000 --> 00:45:05,000 And make sure that you put it up on a server somewhere, put the, you know, do your homework, 521 00:45:05,000 --> 00:45:06,000 put the ID3 tags in. 522 00:45:06,000 --> 00:45:07,000 It can be some promos. 523 00:45:07,000 --> 00:45:08,000 I love it, man. 524 00:45:08,000 --> 00:45:13,000 It fills up all the time that I just spend here wasting through my blowhole otherwise. 525 00:45:13,000 --> 00:45:15,000 Hey, I checked out the pod take music network. 526 00:45:15,000 --> 00:45:17,000 These girls are one of the top pod plays at the month. 527 00:45:18,750 --> 00:46:08,750 [ Music ] 528 00:46:11,300 --> 00:46:12,300 That's a damn dashboard game. 529 00:46:13,500 --> 00:46:14,300 That's a darnꐦ before me. 530 00:46:14,300 --> 00:46:16,100 the last. 531 00:46:16,300 --> 00:46:20,900 Hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey. 532 00:46:23,400 --> 00:46:24,700 Cut me. 533 00:46:24,700 --> 00:46:26,200 I know it is. 534 00:46:26,200 --> 00:46:28,200 I should promise, I could all get. 535 00:46:31,250 --> 00:48:01,250 [ Music ] 536 00:48:02,200 --> 00:48:04,200 Oh, I love him. 537 00:48:04,200 --> 00:48:07,200 Lissivey is Bitties and Betty, big pod play 538 00:48:07,200 --> 00:48:09,200 That this month in the pod save music network 539 00:48:09,200 --> 00:48:11,200 Check it out at music.podshow.com 540 00:48:11,200 --> 00:48:14,200 I'm really sorry, it skipped again 541 00:48:14,200 --> 00:48:16,200 So you've got now five skips 542 00:48:16,200 --> 00:48:18,200 Episode. 543 00:48:18,200 --> 00:48:20,200 So that's where pod castings all about. 544 00:48:20,200 --> 00:48:23,200 We give it to you as it is with the wards everything 545 00:48:23,200 --> 00:48:25,200 All attached to it. 546 00:48:25,200 --> 00:48:26,200 Apologies for that. 547 00:48:26,200 --> 00:48:28,200 I'll have it all fixed. 548 00:48:28,200 --> 00:48:31,200 Usually, strapping the power book to 549 00:48:31,200 --> 00:48:34,200 60 million dollars worth of aircraft 550 00:48:34,200 --> 00:48:36,200 Take it back to the cottage. 551 00:48:36,200 --> 00:48:37,200 It seems to work. 552 00:48:37,200 --> 00:48:39,200 Get it back in its own environment. 553 00:48:39,200 --> 00:48:41,200 Yeah, these are actually a little testy that way. 554 00:48:41,200 --> 00:48:42,200 Okay, that's it. 555 00:48:42,200 --> 00:48:44,200 Have yourself a great weekend. 556 00:48:44,200 --> 00:48:46,200 I might do something over the weekend depending on 557 00:48:46,200 --> 00:48:48,200 the welcome home sex. 558 00:48:48,200 --> 00:48:50,200 I'm going to have with my wife when I get back home. 559 00:48:50,200 --> 00:48:52,200 All right, have a good and everybody. 560 00:48:52,200 --> 00:48:53,200 Have a great Friday, have a great weekend. 561 00:48:53,200 --> 00:48:54,200 Bye-bye. 562 00:48:56,200 --> 00:48:59,200 Another pod show podcast. 563 00:48:59,200 --> 00:49:01,200 Stick it in your ear.