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Delta Shara Charlie 251

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Please save me from people who've been told what to like and then like it.

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In my opinion, if you're over six years of age and you're still getting your music from

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the radio, something is desperately wrong with you.

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I can only hope that somehow MP3 players and file sharing will destroy FM radio the

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way they're destroying record companies. Then, even though the air will probably

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never be safe to breathe again, maybe it will be safer to listen to.

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Hi everybody, welcome to the Daily Source Code Sunday, today's October 2nd, 2005.

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A special source code today. I'm back home.

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Hello.

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Hello darling. Good to have you home.

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Thank you dear. This is a horrible, the studio is not set up for this.

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Are you basically, because you're looking at my ass.

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Oh yeah, well that's nice.

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Been thinking about it all the time and now it's there.

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Oh yeah baby. Do you remember?

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What the ass?

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Not the ass.

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Yesterday when I came home.

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Oh.

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Hi Christina, how are you?

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Look at her face.

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What?

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Mortified.

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That's how you get her out of the studio, huh?

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Yeah, goodbye.

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So, I've been gone for like two and a half weeks, we're back.

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That was long.

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That was a long time.

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That sucked. That part sucked, being away sucked.

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It was really quiet though.

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Although, I think it's always nice to, you know, to just be apart for a while.

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Because then, when you come home, it's so much fun.

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That's true.

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You know, I'm so happy to see you then.

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Also, when we're together, it's like 24 hours, because I never leave the house.

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Well that's it. I never go anywhere.

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That's it, you're always here.

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I'm always here, walking around in my bathrobe.

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Yeah, that's not true.

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Well, sometimes you do, a little bit too long.

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But now I could spend a little bit more time with Christina.

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Yeah, that's true.

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You know, which is nice, girl talk.

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Because you always ask for a lot of attention.

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No, I receive. I don't ask.

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I receive.

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Yeah, but you do that in a sort of sneaky way.

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Oh, OK.

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So we were talking.

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First of all, that was the legendary George Carlin from his latest book.

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I love him.

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Yeah, what the hell does he say here?

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Someone sent me this.

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It's, he has a new audio book out, which I got from Audible.

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But this is, it's like, when will Jesus bring the pork, I think,

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is the name of it.

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But it's so true.

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And Patricia and I have been talking about Pod Save music for a while.

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We always talk about music, actually, because it's our main interest.

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Yeah, yeah.

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And it can be enjoyable.

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It can be very irritating.

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But in the meanwhile, it's it's it's entertainment.

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Oh, it was last night that we were watching X Factor.

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Sharon Osborne and Simon Cowell.

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Those two, right?

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Is it a third person?

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No, it's just those two, right?

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No, no, no.

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And the other one.

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Who's the dude with the with the orange beret and the green and blue?

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I don't know.

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No, that that was just a.

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He's he's irritating.

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Yeah, I think that was an special guy or something.

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Yeah, I think so.

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An ex producer or a music authority that helped her

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because they all have categories that that they take care of.

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What? No, that's the other guy.

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That's what you mean from the from the X Factor.

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That's the other.

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His name is Louie with the beard.

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No, no, no, it's not with the beard.

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Yeah, they're the three of them.

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But I want to know who the dude with the beard.

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No, I don't know.

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I don't know. It's an English thing.

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But he's American.

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Oh, is he?

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Or maybe he's famous.

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Yeah, I didn't get it.

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But I know Americans here.

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Yeah, but I know he's in music authority.

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That's why he was sitting there.

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But anyway.

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So we were at one point

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when pop idol started in the Netherlands three years ago,

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two years ago, I think it's maybe three years ago.

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Yeah, three years ago.

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I was asked to be the host of the show, which I declined.

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But I said, look, if you don't put Patricia in as a judge, you're crazy.

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And of course, I was right.

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It was not that big.

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No, no, but you should have chosen me.

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But you would have loved doing that.

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Well, they thought it was a bit too much.

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You and me.

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Yeah, but I declined anyway.

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It doesn't matter.

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That doesn't matter.

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But you would have thoroughly enjoyed doing that

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because you do know a lot about music.

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Well, not just music, but performance and styling

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and the whole packaging.

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No, and also I can always predict when it's something.

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When it's something when someone's going to be a hit.

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That's right.

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Do you have a coat on?

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My my girl is going.

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So I might be very careful.

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I'm timing you back for bad Englishman.

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I love you.

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Be careful.

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Get your credits first.

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Be on time.

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OK.

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And don't eat that all that crap.

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Hey, and don't eat all the crap.

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So throughout the food court and the dogs,

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this is ruining our show.

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Oh, it doesn't mean it's real.

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No one cares about the show.

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It's real.

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I just want to say that no one cares about the show on my show.

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The dogs don't know.

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So during the week on the Daily Source Code,

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which I might point out, Patricia never listens to.

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That's probably better, by the way.

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Overdose of Adam.

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Yeah.

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I play a whole bunch of Pod Save songs

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and songs that I think that I like or, you know,

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I think I can pick them too, actually.

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I guess that's what I'm saying.

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But Patricia has, you know, she'll look at someone and say,

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oh, that person has it.

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That person has the X factor.

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In fact, that's what you can exactly say.

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Yeah, it says it.

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But also, it has it, right?

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The it factor.

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So when I'm playing tunes here in the studio,

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which is right next door to Patricia's studio.

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My boudoir.

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Your boudoir.

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Sometimes she'll come in and say, I like that.

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Yeah, come running in and say, oh, I like that.

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Who's that?

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Who's that?

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Right.

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So I figured I just play a couple of the songs

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that I've been playing in the past week.

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And then you tell me what you think about them.

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You like the idea?

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Good.

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OK.

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So I'll put it on the speakers in a second

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so you can hear a little bit better.

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This first one is Natalie Brown.

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It's called In My Dreams.

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[ Music ]

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Okay, that was Natalie Brown in My Dreams.

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What is her name?

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Natalie Brown.

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Natalie Brown.

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I'll tell you something about her here.

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I don't think she is Brown.

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No, in fact, she's very white.

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Yes, see?

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Yeah.

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From the PodSafe Music Network biopay, it says,

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little chance that you'll hear Natalie Brown sing or speak

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and not be moved by the refreshing texture in her voice.

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This emotive singer-songwriter with a soulful and powerful 4.5 octave range translates her

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life experiences into songs that inspire, entertain and provoke.

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Well, what we have here is another Mariah Carey.

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Yeah, that's what I thought actually.

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Yeah, yeah.

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But I thought actually kind of nicer than Mariah Carey.

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Now, sweeter, yeah, a little bit more sweeter, very warm, very sensitive.

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It really grabbed me.

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The song, no, it's a little bit, it goes on a little bit too long.

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Yeah, it's like one of those early Whitney Houston songs from the album.

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Yeah, exactly.

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I was thinking that.

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I was thinking that.

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Very Whitney Houston.

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But her voice, I don't know how she looks, if she has the looks.

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Yeah, she's got huge hooters.

201
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Oh, that's always nice.

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Can you see it?

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No, I can't.

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That's just too far away.

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But that's always nice, you know.

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It helps a little bit.

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But yeah, okay, you know, you need something.

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We should make that a tag on the PodSafe Music Award.

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Her voice is, I think, very, she's got it totally under control.

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I like that.

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I don't know if she really, if she stopped somewhere and they, you know, did it in

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parts, but the way it sounds, the recording, I don't know that.

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Interesting question.

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It's very, very clear and beautiful.

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But does it matter?

216
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It doesn't really, I mean, even if you record it that way, that's okay.

217
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Well, it matters if you sing live and you cannot do it the way you recorded it.

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It's a bit of a bummer, of course.

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But no, but it sounded, I like her voice.

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I like her voice very much.

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Beautiful, very warm, very sensitive.

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And she sings with her heart, I can tell.

223
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The song is a little bit too weepy, too.

224
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Too weepy.

225
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Okay.

226
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But it's a gorgeous song for an album.

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So we should keep our eye on her then.

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Yeah, definitely.

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Good.

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Okay, let's play a guy then.

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Lee Three Harris?

232
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I don't know when I played this.

233
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Oh, shit.

234
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Okay.

235
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Okay.

236
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No, actually, I kind of like this one.

237
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Nothing to believe it.

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[ Music ]

239
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Hola.

240
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No, that sums up all the things that an American guy needs.

241
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I love the words, I love the words.

242
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I think it's a great song.

243
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Yeah, it's cool as well.

244
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Absolutely true what he's singing.

245
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What do you mean by that?

246
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Well, we've been there the last time

247
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and I noticed exactly what he was singing.

248
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The sneakers and we've got this and that.

249
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And also on the other side, the emptiness.

250
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That's actually the Lee Harris Three.

251
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It's from Central Virginia.

252
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Let's see.

253
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The Lee Show.

254
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I think they have a podcast too.

255
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Very interesting.

256
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That's cool, isn't it?

257
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Yeah, I love it.

258
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You should see the picture here of these guys.

259
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They have their farmer outfits on and donkey.

260
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You know, you're right.

261
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It's real American rock and roll.

262
00:15:26,720 --> 00:15:28,720
I totally dig that.

263
00:15:28,720 --> 00:15:30,720
Oh man, I'm going to have to do so much work

264
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in putting the show notes together

265
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and putting all these links in.

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It doesn't matter.

267
00:15:36,720 --> 00:15:38,720
Here's a guy that I think is,

268
00:15:38,720 --> 00:15:40,720
he's from New York City.

269
00:15:40,720 --> 00:15:42,720
I really like this guy.

270
00:15:42,720 --> 00:15:44,720
Don't say anything.

271
00:15:44,720 --> 00:15:46,720
I'm sorry.

272
00:15:46,720 --> 00:15:48,720
His name is Brother Love.

273
00:15:48,720 --> 00:15:50,720
This is There She Goes.

274
00:15:58,750 --> 00:17:56,250
[ Music ]

275
00:17:56,720 --> 00:17:58,720
He's such a cutie pie.

276
00:17:58,720 --> 00:18:00,720
And I really love your band.

277
00:18:00,720 --> 00:18:02,720
But I'm a boyfriend.

278
00:18:02,720 --> 00:18:03,720
No.

279
00:18:03,750 --> 00:20:11,250
[ Music ]

280
00:20:12,720 --> 00:20:14,720
Welcome to my club

281
00:20:14,720 --> 00:20:16,720
A table for one

282
00:20:17,720 --> 00:20:19,720
Such a ska

283
00:20:20,720 --> 00:20:21,720
Bye

284
00:20:24,720 --> 00:20:25,720
Love it

285
00:20:25,720 --> 00:20:26,720
Isn't that cool?

286
00:20:26,720 --> 00:20:28,720
Oh, I love it, it's great

287
00:20:28,720 --> 00:20:31,720
I love his voice, it's a great song

288
00:20:31,720 --> 00:20:36,720
And his voice reminds me of T-Rex, Mark Bowman

289
00:20:36,720 --> 00:20:37,720
Oh, interesting, interesting

290
00:20:37,720 --> 00:20:38,720
I was thinking

291
00:20:38,720 --> 00:20:40,720
Little Fee Brato, you know that

292
00:20:40,720 --> 00:20:42,720
I also thought he had a little Aerosmith vibe there

293
00:20:42,720 --> 00:20:48,720
Yes, and the band sounds a little bit like Aerosmith did

294
00:20:48,720 --> 00:20:53,720
But the song is great, I love it, I love the voice

295
00:20:53,720 --> 00:20:55,720
I think this could be a big hit

296
00:20:55,720 --> 00:20:57,720
So this is, I was thinking

297
00:20:57,720 --> 00:21:00,720
This is the guy, you know, when we start our unlabel

298
00:21:00,720 --> 00:21:01,720
Yeah

299
00:21:01,720 --> 00:21:03,720
Which is a record label that's like the Uncola

300
00:21:03,720 --> 00:21:04,720
I don't know how they look, but

301
00:21:04,720 --> 00:21:05,720
Oh, no, no, look here

302
00:21:05,720 --> 00:21:06,720
Does that look good?

303
00:21:06,720 --> 00:21:09,720
Look at him, well, come over here, check it out

304
00:21:11,720 --> 00:21:13,720
Oh, shit, you gotta be careful

305
00:21:13,720 --> 00:21:16,720
Because you can't go that far, the wire is not far

306
00:21:16,720 --> 00:21:17,720
Is that the guy?

307
00:21:17,720 --> 00:21:18,720
Yeah

308
00:21:19,720 --> 00:21:21,720
He looks a bit like Mark Bowman

309
00:21:22,720 --> 00:21:23,720
So he knows

310
00:21:23,720 --> 00:21:25,720
He's probably touching himself right now

311
00:21:25,720 --> 00:21:26,720
I think he knows

312
00:21:26,720 --> 00:21:28,720
I don't know, we'll find out

313
00:21:28,720 --> 00:21:35,720
Actually, last night I saw an old pop of the pop

314
00:21:35,720 --> 00:21:36,720
Pop of the tops?

315
00:21:36,720 --> 00:21:38,720
Top of the pops, you know, an old one

316
00:21:38,720 --> 00:21:40,720
They show the old ones

317
00:21:40,720 --> 00:21:43,720
And you saw Mark Bowman in the beginning when it just started

318
00:21:43,720 --> 00:21:46,720
And I love the guy, he's so good

319
00:21:46,720 --> 00:21:49,720
And he was actually one of the first guys

320
00:21:49,720 --> 00:21:51,720
You know, Glamrock and

321
00:21:51,720 --> 00:21:53,720
Did he die in a car crash?

322
00:21:53,720 --> 00:21:55,720
Yeah, yeah, he died in the car crash

323
00:21:55,720 --> 00:21:57,720
That my sister should have been in

324
00:21:57,720 --> 00:21:58,720
What?

325
00:21:58,720 --> 00:22:00,720
Actually, because I wanted to pick her up

326
00:22:00,720 --> 00:22:01,720
To have dinner with her

327
00:22:01,720 --> 00:22:02,720
When she lived in London

328
00:22:02,720 --> 00:22:03,720
Yeah

329
00:22:03,720 --> 00:22:05,720
And he came to pick her up, Mark Bowman

330
00:22:05,720 --> 00:22:07,720
With his girlfriend

331
00:22:07,720 --> 00:22:08,720
Yeah

332
00:22:09,720 --> 00:22:10,720
And

333
00:22:12,720 --> 00:22:14,720
Yvonne, I think they called her

334
00:22:14,720 --> 00:22:16,720
And she said, well, actually I don't feel that well

335
00:22:16,720 --> 00:22:18,720
I don't want to go

336
00:22:18,720 --> 00:22:20,720
So she was a bit late

337
00:22:20,720 --> 00:22:22,720
She didn't make up anything

338
00:22:22,720 --> 00:22:23,720
She didn't want to go

339
00:22:23,720 --> 00:22:25,720
So they went by themselves

340
00:22:25,720 --> 00:22:27,720
And had the car crash

341
00:22:27,720 --> 00:22:28,720
You're kidding me

342
00:22:28,720 --> 00:22:31,720
Yes, and the girlfriend is okay

343
00:22:31,720 --> 00:22:33,720
Who, you know, was also, of course,

344
00:22:33,720 --> 00:22:35,720
Terrible the way she looked

345
00:22:35,720 --> 00:22:36,720
And the things she had

346
00:22:36,720 --> 00:22:38,720
But Mark died in it

347
00:22:38,720 --> 00:22:40,720
And Yvonne should have been in that car

348
00:22:40,720 --> 00:22:41,720
Isn't it amazing?

349
00:22:41,720 --> 00:22:42,720
Well, she has an angel

350
00:22:42,720 --> 00:22:43,720
Yeah, yeah

351
00:22:43,720 --> 00:22:45,720
Because they were, you know,

352
00:22:45,720 --> 00:22:47,720
Befriended with, befriended, how you say?

353
00:22:47,720 --> 00:22:48,720
Yeah, befriended

354
00:22:48,720 --> 00:22:49,720
Befriended with them

355
00:22:49,720 --> 00:22:51,720
And a wonderful guy also

356
00:22:51,720 --> 00:22:53,720
But to come back to this

357
00:22:53,720 --> 00:22:54,720
To brother love, yeah

358
00:22:54,720 --> 00:22:56,720
To brother love, I love it

359
00:22:56,720 --> 00:22:58,720
Could be a big hit

360
00:22:58,720 --> 00:22:59,720
He's got a whole bunch of...

361
00:22:59,720 --> 00:23:00,720
Great voice and the harmonies

362
00:23:00,720 --> 00:23:02,720
I love the sound of the harmonies

363
00:23:02,720 --> 00:23:03,720
Yeah, that's a good, aren't they?

364
00:23:03,720 --> 00:23:04,720
Yeah

365
00:23:04,720 --> 00:23:05,720
You know I love that

366
00:23:05,720 --> 00:23:07,720
I love that big power, power rock-pop sound

367
00:23:07,720 --> 00:23:08,720
Yeah

368
00:23:08,720 --> 00:23:10,720
That's a Jack Ponty sound, right?

369
00:23:10,720 --> 00:23:11,720
Yeah

370
00:23:12,720 --> 00:23:13,720
Okay

371
00:23:13,720 --> 00:23:15,720
Are you still enjoying yourself?

372
00:23:15,720 --> 00:23:16,720
Can we do a couple more?

373
00:23:16,720 --> 00:23:17,720
I'm enjoying myself

374
00:23:17,720 --> 00:23:18,720
Yeah, okay, good

375
00:23:18,720 --> 00:23:19,720
Who am I?

376
00:23:19,720 --> 00:23:22,720
You know, don't just think that I know it all

377
00:23:22,720 --> 00:23:23,720
Just another voice

378
00:23:23,720 --> 00:23:25,720
This is just, I'm very honest about it

379
00:23:25,720 --> 00:23:26,720
Okay

380
00:23:26,720 --> 00:23:27,720
This is a griddle

381
00:23:28,750 --> 00:25:38,720
[ Music ]

382
00:25:38,720 --> 00:25:54,720
Grittle preoccupied well early Beatles did you haven't you played more of these

383
00:25:54,720 --> 00:26:00,200
guys didn't I hear before you're right and they all I think he must be a great

384
00:26:00,200 --> 00:26:07,600
fan and I think John Lennon well it's okay because remember I told you the

385
00:26:07,600 --> 00:26:13,000
story about David Bowie was a big big he never I think he never tells you you

386
00:26:13,000 --> 00:26:18,640
know he never tells him anybody in interviews that he is but he is a great

387
00:26:18,640 --> 00:26:28,040
John Lennon huge Lennon fan yeah reminds me very much but are they

388
00:26:28,040 --> 00:26:32,480
American yeah yeah from San Francisco I think hold on let me check I like the

389
00:26:32,480 --> 00:26:37,320
sound I like it why not why not what do you think here San Francisco's Grittle

390
00:26:37,320 --> 00:26:41,560
just released its second album Grittle turning violet yeah with the Southwestern

391
00:26:41,560 --> 00:26:47,240
tour that took the boys across Texas I wonder how they play live here they

392
00:26:47,240 --> 00:26:51,320
enjoy their live band they just they had look if you're touring across Texas you

393
00:26:51,320 --> 00:26:56,080
got you got your shit down fucking killed got it together it's oh this is

394
00:26:56,080 --> 00:27:02,680
interesting members chemo ball Cypher Fortier Chris McGrew and Kevin Seale I'm

395
00:27:02,680 --> 00:27:06,300
sure it's not the Kevin Seale now can't be the Kevin Seale I think they

396
00:27:06,300 --> 00:27:13,220
know they enjoy volume alcohol melodies and confusion that could be okay sergeant

397
00:27:13,220 --> 00:27:23,180
peppers yeah website let's see what they got going on audio video blog who made

398
00:27:23,180 --> 00:27:29,820
those who Kevin can't be the Kevin we think Kevin Seale yeah no definitely no

399
00:27:29,820 --> 00:27:34,620
it also reminded me that the rhythm reminded me of Moondance

400
00:27:34,940 --> 00:27:41,960
marvelous night for Moondance you know that too and

401
00:27:43,580 --> 00:27:51,480
was that song from the Beatles

402
00:27:51,480 --> 00:27:56,800
first I can do a little bit of Moondance

403
00:27:56,800 --> 00:28:02,160
is that Van Morrison just is that Van Morrison yeah that's Van Morrison it

404
00:28:02,160 --> 00:28:06,880
just came up I don't know why but I don't have it now it doesn't matter cuz it

405
00:28:06,880 --> 00:28:12,200
doesn't look it doesn't sound like no but yeah I like the sound but I don't

406
00:28:12,200 --> 00:28:16,240
know if other people are really waiting for this if they still like if they

407
00:28:16,240 --> 00:28:21,800
still want to hear Beatles like stuff but do they do they you think the whole

408
00:28:21,800 --> 00:28:25,640
sound of this band is like that well you want to check another song yeah let me

409
00:28:25,640 --> 00:28:28,640
hear another song that's really easy on the pod safe because maybe this is

410
00:28:28,640 --> 00:28:33,200
their sound okay so why not so I'm looking at the pod safe music network I

411
00:28:33,200 --> 00:28:37,400
played preoccupied now I'm looking at the ratings that has a four and a half star

412
00:28:37,400 --> 00:28:41,280
but they're two five stars Ferris of the mall and positively Jackson I've played

413
00:28:41,280 --> 00:28:44,720
Ferris of the mall so you want to hear that one yeah okay so I just click on

414
00:28:44,720 --> 00:28:51,000
it and it should start playing I guess at least it's supposed to

415
00:28:51,250 --> 00:29:13,750
[ Music ]

416
00:29:21,920 --> 00:29:29,400
influenced oh yeah well that's not hard yeah why not

417
00:29:44,320 --> 00:29:51,160
okay but tell you lots of new bands have these sort of sounds and and and of

418
00:29:51,200 --> 00:29:56,360
course because I'm older I recognize the things that they absolutely have been

419
00:29:56,360 --> 00:30:02,840
listening to I hear a lot of small faces you know what I mean and even the hair

420
00:30:02,840 --> 00:30:09,240
the hairdos are seen that done that you know been there well that's okay but

421
00:30:09,240 --> 00:30:14,360
great yeah come back no because they've it was a great sound you know it was

422
00:30:14,360 --> 00:30:21,160
when we here to do heard it all for the first time and so I know also it seems

423
00:30:21,160 --> 00:30:27,080
like a lot of bands are really going back to the rock electric sound you know

424
00:30:27,080 --> 00:30:36,600
yeah very the standard two guitars maybe a keyboard on the side and if they this

425
00:30:36,600 --> 00:30:42,440
is their sound well good all right let's do this was a good one hold on I love

426
00:30:42,440 --> 00:30:49,920
the harmonies by the way very good yeah harmony very good this is her name

427
00:30:49,920 --> 00:30:56,480
Carmen Tyler think it is check this out

428
00:30:56,480 --> 00:34:03,750
[ Music ]

429
00:34:06,680 --> 00:34:10,680
now I realize that isn't actually a pod safe song that's a cover song yeah it's

430
00:34:10,680 --> 00:34:16,680
it's an old song yeah that we shouldn't that shouldn't be on there why not oh no

431
00:34:16,680 --> 00:34:20,680
of course no no because you know we're playing a song by any of the composer

432
00:34:20,680 --> 00:34:24,680
isn't getting compensated what I was thinking I love her voice and the

433
00:34:24,680 --> 00:34:28,680
arrangements are very nice doesn't sound a little bit like you here and there

434
00:34:28,680 --> 00:34:37,680
a little bit in her twang I don't think so I would love to hear here sing

435
00:34:37,680 --> 00:34:43,680
sing something new yeah written for her or written by herself I love her voice

436
00:34:43,680 --> 00:34:50,680
she has absolutely the feeling for it hate the Hammond organ coming in there

437
00:34:50,680 --> 00:34:54,680
but the chords that they use I'm very interested right you like the arrangement

438
00:34:54,680 --> 00:34:59,680
huh yeah she's from Texas yeah and if she did something else you could do

439
00:34:59,680 --> 00:35:03,680
country I love her voice I like I think she could do great country

440
00:35:03,680 --> 00:35:11,680
there's something there absolutely but why this song such an old 40 song because

441
00:35:11,680 --> 00:35:18,680
this is old what 40 song old 40 song 40 I don't know

442
00:35:18,680 --> 00:35:23,680
let me see she may as she may be a professional you know she may have to

443
00:35:23,680 --> 00:35:27,680
she may have to do all that kind of shit in bars and nightclubs when we were in

444
00:35:27,680 --> 00:35:33,680
Chicago remember Ron Chris and I went to Chicago to present to the advertising

445
00:35:33,680 --> 00:35:39,680
guys in the hotel that we were in that beautiful hotel lobby somebody was singing

446
00:35:39,680 --> 00:35:42,680
yeah in the bar and there was a bar where you could eat and smoke cigars it was

447
00:35:42,680 --> 00:35:46,680
freaking great nice for the singer horrible for the singer there was a

448
00:35:46,680 --> 00:35:51,680
guy there who had a harmonica and was drunk so no not good let me see resume and

449
00:35:51,680 --> 00:35:56,680
as reminds you of this well I said why were you telling this oh because there

450
00:35:56,680 --> 00:35:59,680
was a there was a singer there you know like a professional lounge singer

451
00:35:59,680 --> 00:36:05,680
sometimes you can find wow she's not a lot of shit she's done commercials

452
00:36:05,680 --> 00:36:12,680
music theater television holy crap yeah voiceovers she is the she is she

453
00:36:12,680 --> 00:36:18,680
sounds like a professional toyota doing in again yeah interesting oh wait and the

454
00:36:18,680 --> 00:36:22,680
weight that she lays in every word she sings I can tell she's cute she's kind

455
00:36:22,680 --> 00:36:27,680
of cute look and she's cute she's beautiful repertoire written written

456
00:36:27,680 --> 00:36:32,680
especially for her okay the unlabeled will take care of all of that I hope so

457
00:36:32,680 --> 00:36:38,680
and if they the people listen wonder why I'm still coughing yeah it's it's I

458
00:36:38,680 --> 00:36:42,680
have bronchitis and it's the weather in England there's nothing I can do about

459
00:36:42,680 --> 00:36:50,680
it and the moment I'm in the studio Adam is smoking and it's tickling and

460
00:36:50,680 --> 00:36:58,680
it's nothing I can do about it bad okay so you know I apologize when I'm

461
00:36:58,680 --> 00:37:05,680
coughing now how do I look you're not thinking about me

462
00:37:06,680 --> 00:37:13,680
well I already open the window behind I can feel it yeah is that a draft there's

463
00:37:13,680 --> 00:37:19,680
this is a little slow drop drop okay let me see what's so what I was saying name

464
00:37:19,680 --> 00:37:27,680
Carmen Tyler wow Carmen Tyler yeah okay these guys this was me there's another

465
00:37:27,680 --> 00:37:32,680
type of category of music that comes into the pod safe music network and I'd put

466
00:37:32,680 --> 00:37:37,680
under you know like fun stuff but this kind of straddles the line between what I

467
00:37:37,680 --> 00:37:43,680
think is a good song or a good idea good lyric funny lyric yeah well you'll listen

468
00:37:43,680 --> 00:37:49,680
to it you'll see if you like it it's step stepford wives

469
00:38:02,680 --> 00:38:04,680
you type my hips are shaking

470
00:38:04,680 --> 00:38:07,680
let's get it all

471
00:38:17,680 --> 00:38:21,680
taking my price to type my hips are shaking from left to right my

472
00:38:21,680 --> 00:38:24,680
African my saxophone let's get it all

473
00:38:32,680 --> 00:38:37,680
cheese tell me I scream a lot I can't stop eating that chocolate for chocolate

474
00:38:38,750 --> 00:39:08,750
[ Music ]

475
00:39:09,680 --> 00:39:16,680
the jury has stopped the music no jury has stopped the music I knew you wouldn't

476
00:39:16,680 --> 00:39:20,680
like that I don't know nothing I don't know what to say okay so the lyric is my

477
00:39:20,680 --> 00:39:22,840
So the lyric is, my back's aching, my bra's...

478
00:39:22,840 --> 00:39:24,800
I miss the word Botox on it.

479
00:39:24,800 --> 00:39:25,800
Botox?

480
00:39:25,800 --> 00:39:30,800
Yeah, they have, you know, because they're singing about all the tightness and everything.

481
00:39:30,800 --> 00:39:35,600
Well, the singing about it, the lyric is, my back's aching, my bra's too tight.

482
00:39:35,600 --> 00:39:36,600
Tight, yeah, exactly.

483
00:39:36,600 --> 00:39:37,600
Okay.

484
00:39:37,600 --> 00:39:38,600
I don't know.

485
00:39:38,600 --> 00:39:39,600
Hmm.

486
00:39:39,600 --> 00:39:40,600
Hmm.

487
00:39:40,600 --> 00:39:43,800
You gotta be honest, you know, if there's no honesty, then the show's no good.

488
00:39:43,800 --> 00:39:46,560
Oh, yeah, okay.

489
00:39:46,560 --> 00:39:47,560
People are gonna kill me.

490
00:39:47,560 --> 00:39:48,560
No!

491
00:39:48,560 --> 00:39:49,560
Not at all.

492
00:39:49,560 --> 00:39:50,560
Not at all.

493
00:39:50,640 --> 00:39:52,640
Any tips for the step forward?

494
00:39:52,640 --> 00:39:53,640
I don't know.

495
00:39:53,640 --> 00:40:00,640
I don't even know where to put it, this, you know, category.

496
00:40:00,640 --> 00:40:02,640
What is it?

497
00:40:02,640 --> 00:40:05,640
I don't know what it is.

498
00:40:05,640 --> 00:40:06,640
No.

499
00:40:06,640 --> 00:40:07,640
Okay.

500
00:40:07,640 --> 00:40:08,640
Let me see.

501
00:40:08,640 --> 00:40:09,640
Oh, man.

502
00:40:09,640 --> 00:40:10,640
Okay.

503
00:40:10,640 --> 00:40:11,640
I'm just gonna pick one.

504
00:40:11,640 --> 00:40:16,640
I have no idea what this is, but I've played it.

505
00:40:16,640 --> 00:40:18,640
I gotta go find out what it is, so we'll just do it.

506
00:40:18,720 --> 00:40:22,720
It says flyhigh.mp3, which means absolutely nothing.

507
00:40:22,720 --> 00:40:23,720
Hold on.

508
00:40:23,720 --> 00:40:24,720
Let's check it out.

509
00:40:24,720 --> 00:40:25,720
Oh, am I boring you?

510
00:40:25,720 --> 00:40:26,720
I'm yawning now.

511
00:40:26,720 --> 00:40:29,720
Let me see if I want to play this one for you.

512
00:40:29,800 --> 00:40:48,800
Oh, you don't want to listen to this?

513
00:40:48,800 --> 00:40:49,800
Why not?

514
00:40:49,800 --> 00:40:50,800
You do?

515
00:40:50,800 --> 00:40:52,800
Oh, you play the Jamaican?

516
00:40:52,800 --> 00:40:57,800
Yeah, it's actually kind of reggae.

517
00:40:57,800 --> 00:41:26,250
[ Music ]

518
00:41:27,880 --> 00:41:29,880
It has to go somewhere.

519
00:41:29,880 --> 00:41:34,880
I'm waiting for it when it opens up, and...

520
00:41:34,880 --> 00:41:36,880
Here it is.

521
00:41:36,880 --> 00:41:38,880
Everybody.

522
00:41:48,880 --> 00:41:51,880
It's kind of like reggae chill music.

523
00:41:51,880 --> 00:41:53,880
What is he, vomit?

524
00:41:53,880 --> 00:41:54,880
What is this thing?

525
00:41:54,880 --> 00:41:56,880
I'm vomit, I don't know.

526
00:41:56,960 --> 00:41:58,960
I have a vomit stain.

527
00:42:02,960 --> 00:42:06,960
I like the rhythm and everything.

528
00:42:06,960 --> 00:42:09,960
But I'm waiting for something.

529
00:42:09,960 --> 00:42:11,960
Something to happen.

530
00:42:11,960 --> 00:42:31,250
[ Music ]

531
00:42:33,960 --> 00:42:36,960
I saw the eyes roll.

532
00:42:36,960 --> 00:42:38,960
Yeah, well...

533
00:42:38,960 --> 00:42:41,960
I can't find out who they were, which kind of sucks.

534
00:42:41,960 --> 00:42:44,960
Well, I like the rhythm and everything,

535
00:42:44,960 --> 00:42:46,960
and it sounds very original,

536
00:42:46,960 --> 00:42:48,960
but then it doesn't go anywhere.

537
00:42:48,960 --> 00:42:50,960
You know, there must be something.

538
00:42:50,960 --> 00:42:52,960
You think, oh, yeah, that's it.

539
00:42:52,960 --> 00:42:54,960
You know, recognize that when it comes back.

540
00:42:55,040 --> 00:42:57,040
It just rolls on and rolls on.

541
00:42:57,040 --> 00:42:58,040
It's very helpful.

542
00:42:58,040 --> 00:43:00,040
No, it is. It is.

543
00:43:00,040 --> 00:43:01,040
No, you're right.

544
00:43:01,040 --> 00:43:03,040
Because I get so immersed in this stuff,

545
00:43:03,040 --> 00:43:05,040
and then I, you know...

546
00:43:05,040 --> 00:43:07,040
I appreciate all the songs, I guess.

547
00:43:07,040 --> 00:43:09,040
And anytime someone makes a song, I appreciate it.

548
00:43:09,040 --> 00:43:12,040
You know, sometimes you see those videos on MTV,

549
00:43:12,040 --> 00:43:15,040
and you recognize the girl's butt.

550
00:43:15,040 --> 00:43:18,040
But the song sounds the same.

551
00:43:18,040 --> 00:43:20,040
It's nothing happening.

552
00:43:20,040 --> 00:43:22,040
But you say, oh, I know that song.

553
00:43:22,040 --> 00:43:23,040
I see the same...

554
00:43:23,040 --> 00:43:24,040
I know that song.

555
00:43:24,120 --> 00:43:26,120
I know that song.

556
00:43:26,120 --> 00:43:27,120
Yeah, right.

557
00:43:27,120 --> 00:43:29,120
I know that move.

558
00:43:29,120 --> 00:43:31,120
Okay, this is...

559
00:43:31,120 --> 00:43:33,120
Yeah, this is something I played.

560
00:43:33,120 --> 00:43:35,120
46 Bliss.

561
00:43:35,120 --> 00:43:37,120
This is titled In A Long Time.

562
00:43:37,120 --> 00:43:40,120
You want me to leave the mic open so you can comment?

563
00:43:40,120 --> 00:43:42,120
Okay.

564
00:43:42,120 --> 00:43:44,120
I can sing alone.

565
00:43:46,250 --> 00:45:56,250
[ Music ]

566
00:46:22,040 --> 00:46:51,040
In a long time, in a long time, I will see you

567
00:46:52,040 --> 00:47:21,040
In a long time, in a long time, in a long time, I will see you

568
00:47:22,040 --> 00:47:51,040
In a long time, in a long time, in a long time, I will see you

569
00:47:52,040 --> 00:48:13,040
In a long time, in a long time, in a long time, in a long time, I will see you

570
00:48:13,750 --> 00:50:27,040
[ Music ]

571
00:50:27,040 --> 00:50:36,040
I hope you don't feel just like me

572
00:50:51,250 --> 00:51:23,750
[ Music ]

573
00:51:25,040 --> 00:51:28,040
Mmm, yeah baby

574
00:51:28,040 --> 00:51:29,040
It's good isn't it?

575
00:51:29,040 --> 00:51:30,040
Oh yeah

576
00:51:30,040 --> 00:51:31,040
Oh that shit

577
00:51:31,040 --> 00:51:32,040
So you thought the guitar should start?

578
00:51:32,040 --> 00:51:34,040
Well yeah, I was waiting for that

579
00:51:34,040 --> 00:51:36,040
I was anxious to hear the guitars

580
00:51:36,040 --> 00:51:38,040
And the drums

581
00:51:38,040 --> 00:51:43,040
Yeah, it should start one part earlier on the guitars

582
00:51:43,040 --> 00:51:44,040
Exactly

583
00:51:44,040 --> 00:51:47,040
Because you know it should build up

584
00:51:47,040 --> 00:51:50,040
Build up, build up, build up, it's wonderful

585
00:51:50,040 --> 00:51:52,040
Yeah I love that song, I really like that

586
00:51:52,040 --> 00:51:55,040
We gotta get that listed on the PodSafe Music Network

587
00:51:55,040 --> 00:51:56,040
Absolutely

588
00:51:56,040 --> 00:51:58,040
Great voice

589
00:51:58,040 --> 00:52:01,040
And he's like Nelly's size

590
00:52:01,040 --> 00:52:02,040
Oh yeah?

591
00:52:02,040 --> 00:52:04,040
He's very small

592
00:52:05,040 --> 00:52:08,040
Big voice, big big voice

593
00:52:08,040 --> 00:52:10,040
Okay, here's one that you'll appreciate

594
00:52:10,040 --> 00:52:12,040
Because you've got, and we'll do like two more

595
00:52:12,040 --> 00:52:14,040
And then we should stop

596
00:52:14,040 --> 00:52:17,040
You'll appreciate this because you hate computers too

597
00:52:18,040 --> 00:52:20,040
This is not true

598
00:52:20,040 --> 00:52:22,040
Computer, computer

599
00:52:22,040 --> 00:55:11,250
[ Music ]

600
00:55:18,040 --> 00:55:20,040
Okay, okay, fantastic

601
00:55:23,040 --> 00:55:27,040
Do you know that remember we had a poor man who lost his wife?

602
00:55:27,040 --> 00:55:30,040
Oh that's right, it was Mike, Mike the poor man

603
00:55:30,040 --> 00:55:33,040
Mike the poor man lost his wife to an affair

604
00:55:33,040 --> 00:55:35,040
On the AOL chatroom

605
00:55:35,040 --> 00:55:37,040
No, web TV, it was web TV

606
00:55:37,040 --> 00:55:38,040
I don't know what

607
00:55:38,040 --> 00:55:41,040
Yeah, it was web TV, I remember because he was bitching about it

608
00:55:41,040 --> 00:55:44,040
Yeah, it was because he always complained about it, she was on the internet

609
00:55:44,040 --> 00:55:48,040
Every day, every night, spent no time with him and the kids anymore

610
00:55:48,040 --> 00:55:52,040
And then one day he came and he said, she's gone

611
00:55:52,040 --> 00:55:54,040
She's gone

612
00:55:54,040 --> 00:55:58,040
Mike could get you anything, you want some firearms, you could get it from Mike

613
00:55:58,040 --> 00:55:59,040
Mike the poor man

614
00:55:59,040 --> 00:56:02,040
Mike was totally frustrated from this

615
00:56:02,040 --> 00:56:05,040
I love this song, it's true

616
00:56:05,040 --> 00:56:07,040
It's good, isn't it? That's real blues

617
00:56:07,040 --> 00:56:12,040
Remember we once sat in a bed with the laptop in the middle

618
00:56:12,040 --> 00:56:14,040
I said now that's it, see?

619
00:56:14,040 --> 00:56:16,040
Now we're in the bed, the three of us

620
00:56:16,040 --> 00:56:18,040
That was the last time

621
00:56:18,040 --> 00:56:20,040
Yeah, I know, I'm worried about it

622
00:56:20,040 --> 00:56:22,040
No laptop in the bed anymore

623
00:56:22,040 --> 00:56:25,040
We've watched movies on the laptop, porn on the laptop

624
00:56:26,040 --> 00:56:28,040
That's not true

625
00:56:28,040 --> 00:56:30,040
Patricia Pied

626
00:56:30,040 --> 00:56:33,040
I don't know who that was, but not with me

627
00:56:33,040 --> 00:56:36,040
Of course we've watched, well maybe it's just me by myself

628
00:56:36,040 --> 00:56:38,040
I think you, that's what I think

629
00:56:38,040 --> 00:56:40,040
Just me by myself

630
00:56:40,040 --> 00:56:43,040
Me, my laptop and porn

631
00:56:43,040 --> 00:56:46,040
Exactly, that's the other woman

632
00:56:46,040 --> 00:56:49,040
So I feel exactly what he's saying

633
00:56:49,040 --> 00:56:51,040
She's pretty beat up, the other woman

634
00:56:51,040 --> 00:56:54,040
How many times does it happen when I come closer?

635
00:56:54,040 --> 00:56:56,040
When you come closer?

636
00:56:56,040 --> 00:56:58,040
It breaks, absolutely

637
00:56:58,040 --> 00:57:01,040
Yeah, that's right, that's just fabulous

638
00:57:01,040 --> 00:57:03,040
Okay, one last song

639
00:57:03,040 --> 00:57:06,040
Do you like doing this? We'll do it again next week

640
00:57:06,040 --> 00:57:08,040
Okay

641
00:57:08,040 --> 00:57:10,040
You're now signed up, you're now part of the

642
00:57:10,040 --> 00:57:11,040
Oh am I?

643
00:57:11,040 --> 00:57:13,040
The PodShow Podcast Network

644
00:57:14,040 --> 00:57:15,040
For the unlabeled

645
00:57:15,040 --> 00:57:17,040
This is Jennifer Helene

646
00:57:17,040 --> 00:57:19,040
Swallow me

647
00:57:20,040 --> 00:57:21,040
What?

648
00:57:21,040 --> 00:57:23,040
Swallow me

649
00:57:23,750 --> 00:58:58,750
[ Music ]

650
00:59:01,040 --> 00:59:03,040
Okay

651
00:59:03,040 --> 00:59:05,040
You're done

652
00:59:05,040 --> 00:59:07,040
I'm done

653
00:59:08,040 --> 00:59:11,040
I think it's very interesting what she's singing

654
00:59:11,040 --> 00:59:13,040
I've never heard words like that

655
00:59:13,040 --> 00:59:14,040
That's kind of sexy

656
00:59:14,040 --> 00:59:15,040
That's very sexy

657
00:59:15,040 --> 00:59:16,040
Uh huh

658
00:59:16,040 --> 00:59:17,040
I like that

659
00:59:17,040 --> 00:59:18,040
Yeah

660
00:59:18,040 --> 00:59:22,040
Pity is that the whole thing behind her

661
00:59:22,040 --> 00:59:24,040
Is too mild

662
00:59:24,040 --> 00:59:26,040
It's just ain't got it

663
00:59:26,040 --> 00:59:28,040
Well listen he's kind of rocking out now

664
00:59:29,040 --> 00:59:31,040
Too late now

665
00:59:32,040 --> 00:59:34,040
Okay

666
00:59:34,040 --> 00:59:36,040
You know

667
00:59:36,040 --> 00:59:37,040
That's what I mean

668
00:59:37,040 --> 00:59:40,040
It should be a little more fire behind her

669
00:59:40,040 --> 00:59:42,040
Because it's a very sexy song

670
00:59:42,040 --> 00:59:43,040
Yeah

671
00:59:43,040 --> 00:59:45,040
And I've never heard words like this

672
00:59:45,040 --> 00:59:46,040
So that's new

673
00:59:46,040 --> 00:59:47,040
So what would you suggest

674
00:59:47,040 --> 00:59:48,040
Would you suggest that they do a

675
00:59:48,040 --> 00:59:49,040
Do another version

676
00:59:49,040 --> 00:59:50,040
Another version of the song

677
00:59:50,040 --> 00:59:51,040
Absolutely

678
00:59:51,040 --> 00:59:52,040
Oh interesting

679
00:59:52,040 --> 00:59:53,040
Yeah

680
00:59:53,040 --> 00:59:55,040
And let something happen when the chorus comes

681
00:59:55,040 --> 00:59:57,040
People sometimes forget that

682
00:59:57,040 --> 00:59:59,040
I think that's kind of the problem

683
00:59:59,040 --> 01:00:01,040
With a lot of independent artists

684
01:00:01,040 --> 01:00:02,040
See I wrote a song

685
01:00:02,040 --> 01:00:03,040
You like it

686
01:00:03,040 --> 01:00:04,040
But you know

687
01:00:04,040 --> 01:00:06,040
No take it a little bit further

688
01:00:08,040 --> 01:00:09,040
Being an independent artist

689
01:00:09,040 --> 01:00:10,040
Is kind of like being a podcaster

690
01:00:10,040 --> 01:00:11,040
You know it's like

691
01:00:11,040 --> 01:00:12,040
How often have I not made

692
01:00:12,040 --> 01:00:14,040
My microphone sound

693
01:00:14,040 --> 01:00:15,040
And then you come in and say

694
01:00:15,040 --> 01:00:16,040
Man that sounds like shit

695
01:00:16,040 --> 01:00:18,040
Yeah you gotta change that

696
01:00:18,040 --> 01:00:20,040
So if you don't have a producer

697
01:00:20,040 --> 01:00:22,040
Then I think it becomes very difficult

698
01:00:22,040 --> 01:00:23,040
Or a couple other ears

699
01:00:23,040 --> 01:00:24,040
You know

700
01:00:24,040 --> 01:00:25,040
Listen to

701
01:00:25,040 --> 01:00:26,040
Yeah you presume you've got the whole band

702
01:00:26,040 --> 01:00:27,040
Doesn't mean we know it all

703
01:00:27,040 --> 01:00:28,040
But

704
01:00:28,040 --> 01:00:29,040
No no no

705
01:00:29,040 --> 01:00:30,040
But you presume you've got the whole band

706
01:00:30,040 --> 01:00:31,040
And they've got their ears on

707
01:00:31,040 --> 01:00:32,040
Yeah

708
01:00:32,040 --> 01:00:33,040
I think

709
01:00:33,040 --> 01:00:35,040
It's a great week behind her

710
01:00:35,040 --> 01:00:37,040
But her words are so strong

711
01:00:37,040 --> 01:00:39,040
That you could do something with it

712
01:00:39,040 --> 01:00:41,040
Don't you think so

713
01:00:41,040 --> 01:00:42,040
I hadn't thought of it that way

714
01:00:42,040 --> 01:00:43,040
But I think you're right

715
01:00:43,040 --> 01:00:44,040
And her voice is nice

716
01:00:44,040 --> 01:00:45,040
But a little bit more

717
01:00:45,040 --> 01:00:46,040
Come on

718
01:00:46,040 --> 01:00:47,040
That's very interesting

719
01:00:47,040 --> 01:00:49,040
But I like the words very

720
01:00:49,040 --> 01:00:50,040
I've never heard that

721
01:00:50,040 --> 01:00:51,040
And anybody seeing this

722
01:00:51,040 --> 01:00:52,040
Swallow me

723
01:00:52,040 --> 01:00:53,040
Swallow me

724
01:00:53,040 --> 01:00:54,040
Swallow me

725
01:00:54,040 --> 01:00:55,040
And what comes down

726
01:00:55,040 --> 01:00:56,040
Can't come up

727
01:00:56,040 --> 01:00:57,040
Whoa

728
01:00:58,040 --> 01:00:59,040
Yeah

729
01:00:59,040 --> 01:01:00,040
And swallow why

730
01:01:00,040 --> 01:01:01,040
Swallow me

731
01:01:02,040 --> 01:01:03,040
It's like

732
01:01:03,040 --> 01:01:04,040
Swallow the whole thing

733
01:01:04,040 --> 01:01:05,040
But the hook

734
01:01:06,040 --> 01:01:07,040
Come on

735
01:01:07,040 --> 01:01:08,040
Say that again

736
01:01:08,040 --> 01:01:10,040
Swallow the whole thing

737
01:01:10,040 --> 01:01:11,040
Everything

738
01:01:11,040 --> 01:01:12,040
Everything

739
01:01:12,040 --> 01:01:13,040
Swallow me

740
01:01:16,040 --> 01:01:17,040
Interesting

741
01:01:17,040 --> 01:01:18,040
But the hook kind of sticks it

742
01:01:18,040 --> 01:01:19,040
Swallow me

743
01:01:19,040 --> 01:01:20,040
Swallow me

744
01:01:20,040 --> 01:01:21,040
Swallow me

745
01:01:21,040 --> 01:01:22,040
Swallow me

746
01:01:22,040 --> 01:01:23,040
Yeah I like that

747
01:01:23,040 --> 01:01:24,040
Okay so that was one hour

748
01:01:24,040 --> 01:01:25,040
That was fun

749
01:01:25,040 --> 01:01:26,040
Yeah

750
01:01:27,040 --> 01:01:28,040
Everybody hates you

751
01:01:28,040 --> 01:01:29,040
No

752
01:01:29,040 --> 01:01:30,040
I sure hope not

753
01:01:30,040 --> 01:01:31,040
No of course not

754
01:01:31,040 --> 01:01:32,040
I really mean well

755
01:01:33,040 --> 01:01:34,040
What we're doing basically

756
01:01:34,040 --> 01:01:35,040
Is we're

757
01:01:35,040 --> 01:01:36,040
So now we're looking for the hits

758
01:01:36,040 --> 01:01:37,040
I know what it is

759
01:01:37,040 --> 01:01:38,040
Now we're looking for the hits

760
01:01:38,040 --> 01:01:39,040
What are we going to

761
01:01:39,040 --> 01:01:40,040
What are we going to play

762
01:01:40,040 --> 01:01:41,040
What are the hits

763
01:01:41,040 --> 01:01:42,040
So many times

764
01:01:42,040 --> 01:01:44,040
I've been to a radio station

765
01:01:44,040 --> 01:01:45,040
And somebody would say

766
01:01:45,040 --> 01:01:46,040
It's not a hit

767
01:01:46,040 --> 01:01:47,040
I'm sorry

768
01:01:47,040 --> 01:01:49,040
I like your cover better than

769
01:01:49,040 --> 01:01:50,040
Really

770
01:01:50,040 --> 01:01:51,040
Yeah

771
01:01:51,040 --> 01:01:53,040
The cover of the record

772
01:01:53,040 --> 01:01:54,040
Or the CD

773
01:01:54,040 --> 01:01:56,040
It's better than the CD itself

774
01:01:56,040 --> 01:01:57,040
That's interesting

775
01:01:57,040 --> 01:01:58,040
And then what's that

776
01:01:58,040 --> 01:01:59,040
They wouldn't play it

777
01:01:59,040 --> 01:02:01,040
Well then goodbye

778
01:02:01,040 --> 01:02:03,040
Go back to the drawing board

779
01:02:03,040 --> 01:02:05,040
But the difference is

780
01:02:05,040 --> 01:02:06,040
If someone said

781
01:02:06,040 --> 01:02:07,040
Well I like it

782
01:02:07,040 --> 01:02:09,040
But it should be more fire

783
01:02:09,040 --> 01:02:11,040
And you agreed with it maybe

784
01:02:11,040 --> 01:02:12,040
Yeah

785
01:02:12,040 --> 01:02:14,040
These days you can just

786
01:02:14,040 --> 01:02:15,040
Turn your computer back on

787
01:02:15,040 --> 01:02:16,040
You don't have to go back into the studio

788
01:02:16,040 --> 01:02:17,040
You just turn your computer on

789
01:02:17,040 --> 01:02:18,040
And say

790
01:02:18,040 --> 01:02:19,040
Okay what can I do with that

791
01:02:19,040 --> 01:02:20,040
Yeah exactly

792
01:02:20,040 --> 01:02:21,040
That's kind of cool

793
01:02:21,040 --> 01:02:22,040
Yeah

794
01:02:22,040 --> 01:02:23,040
But you know

795
01:02:24,040 --> 01:02:26,040
Say years and years and years ago

796
01:02:26,040 --> 01:02:27,040
You had your producer

797
01:02:27,040 --> 01:02:29,040
Actually he

798
01:02:29,040 --> 01:02:30,040
You know

799
01:02:30,040 --> 01:02:32,040
Was actually the last one

800
01:02:32,040 --> 01:02:33,040
Who said

801
01:02:33,040 --> 01:02:34,040
We're gonna do it like this

802
01:02:34,040 --> 01:02:35,040
Well I think

803
01:02:35,040 --> 01:02:36,040
But I think that's

804
01:02:36,040 --> 01:02:38,040
And in these days you were a little bit thankful

805
01:02:38,040 --> 01:02:39,040
You know

806
01:02:39,040 --> 01:02:40,040
I don't think they are like that anymore

807
01:02:40,040 --> 01:02:41,040
Well

808
01:02:41,040 --> 01:02:42,040
This is my sound

809
01:02:42,040 --> 01:02:43,040
Look at what happened

810
01:02:43,040 --> 01:02:44,040
Take it or leave it

811
01:02:44,040 --> 01:02:45,040
Look at what happened to Michael Jackson

812
01:02:45,040 --> 01:02:46,040
When he left Quincy Jones

813
01:02:46,040 --> 01:02:47,040
Yeah

814
01:02:47,040 --> 01:02:48,040
Goodbye

815
01:02:48,040 --> 01:02:49,040
Yeah sometimes a combination

816
01:02:49,040 --> 01:02:50,040
Never should have left Quincy Jones

817
01:02:50,040 --> 01:02:51,040
That was a magical

818
01:02:51,040 --> 01:02:52,040
Yeah

819
01:02:52,040 --> 01:02:53,040
And

820
01:02:53,040 --> 01:02:54,040
Never changed

821
01:02:54,040 --> 01:02:55,040
So Janet for instance

822
01:02:55,040 --> 01:02:57,040
She's doing a new record with

823
01:02:58,040 --> 01:02:59,040
With whom?

824
01:02:59,040 --> 01:03:00,040
Terry Lewis

825
01:03:00,040 --> 01:03:01,040
Yeah

826
01:03:01,040 --> 01:03:02,040
Jimmy Jam, Terry Lewis

827
01:03:02,040 --> 01:03:03,040
Yeah

828
01:03:03,040 --> 01:03:04,040
For famous

829
01:03:04,040 --> 01:03:05,040
Well sometimes you

830
01:03:05,040 --> 01:03:08,040
You have that magical thing going

831
01:03:08,040 --> 01:03:09,040
Yeah

832
01:03:09,040 --> 01:03:10,040
You know

833
01:03:10,040 --> 01:03:11,040
With a team that you have

834
01:03:11,040 --> 01:03:12,040
And sometimes don't change it

835
01:03:12,040 --> 01:03:13,040
And sometimes you need to change it

836
01:03:13,040 --> 01:03:14,040
So

837
01:03:14,040 --> 01:03:15,040
Yeah

838
01:03:15,040 --> 01:03:16,040
You never know

839
01:03:16,040 --> 01:03:17,040
Interesting

840
01:03:17,040 --> 01:03:18,040
Yeah

841
01:03:18,040 --> 01:03:19,040
Okay

842
01:03:19,040 --> 01:03:20,040
Well thank you very much Miss Pi

843
01:03:20,040 --> 01:03:21,040
You're ever so welcomed

844
01:03:21,040 --> 01:03:22,040
Yes

845
01:03:22,040 --> 01:03:23,040
And we'll leave you again

846
01:03:23,040 --> 01:03:24,040
With those legendary words

847
01:03:24,040 --> 01:03:26,040
From Marlin because it is so true

848
01:03:26,040 --> 01:03:27,040
Isn't it?

849
01:03:27,040 --> 01:03:28,040
Yeah

850
01:03:28,040 --> 01:03:29,040
Alright bye

851
01:03:29,040 --> 01:03:30,040
Bye

852
01:03:30,040 --> 01:03:32,040
Please save me from people who've been told

853
01:03:32,040 --> 01:03:35,040
What to like and then like it

854
01:03:35,040 --> 01:03:36,040
In my opinion

855
01:03:36,040 --> 01:03:38,040
If you're over six years of age

856
01:03:38,040 --> 01:03:40,040
And you're still getting your music from the radio

857
01:03:40,040 --> 01:03:44,040
Something is desperately wrong with you

858
01:03:44,040 --> 01:03:46,040
I can only hope that somehow

859
01:03:46,040 --> 01:03:48,040
MP3 players and file sharing

860
01:03:48,040 --> 01:03:50,040
Will destroy FM radio

861
01:03:50,040 --> 01:03:53,040
The way they're destroying record companies

862
01:03:53,040 --> 01:03:55,040
And then even though the air will probably

863
01:03:55,040 --> 01:03:57,040
Never be safe to breathe again

864
01:03:57,040 --> 01:04:00,040
Maybe it will be safer to listen to
