1 00:00:00,000 --> 00:00:07,000 Delta Shara Charley 2, 5, 8. 2 00:00:07,000 --> 00:00:13,000 Brasmithor, please don't even speak in Transnithor. 3 00:00:13,000 --> 00:00:16,000 There are no secrets. 4 00:00:16,000 --> 00:00:21,000 Only information you don't get out of. 5 00:00:21,000 --> 00:00:22,000 No! 6 00:00:22,000 --> 00:00:24,000 And I'm Korean. 7 00:00:25,000 --> 00:00:29,000 Sixty million dollars worth of airplane strapped to my ass. 8 00:00:29,000 --> 00:00:32,000 Then the next generation radio content in my ears. 9 00:00:32,000 --> 00:00:35,000 We don't need no sticking crazy. 10 00:00:35,000 --> 00:00:37,000 I like to think I'm flying into the future. 11 00:00:37,000 --> 00:00:39,000 I'm just kidding. 12 00:00:39,000 --> 00:00:40,000 It's a battle curry. 13 00:00:40,000 --> 00:00:44,000 And it is Tuesday, October 11th, 2005. 14 00:00:44,000 --> 00:00:50,000 I like the new opening, huh? 15 00:00:50,000 --> 00:00:51,000 That's right. 16 00:00:51,000 --> 00:00:55,000 I need more Mexican dialect for my Transnithor's. 17 00:00:55,000 --> 00:01:01,000 Welcome to the Daily Source code coming to you from Curry Cottage in the affluent Surrey 18 00:01:01,000 --> 00:01:04,000 Suburb of Gilford in the United Kingdom. 19 00:01:04,000 --> 00:01:07,000 A little bit dreary today. 20 00:01:07,000 --> 00:01:08,000 I'm sorry. 21 00:01:08,000 --> 00:01:11,000 The jury will disregard that remark. 22 00:01:11,000 --> 00:01:14,000 I just looked outside and the sun just broke through. 23 00:01:14,000 --> 00:01:18,000 It was broken at 4,000 feet today. 24 00:01:18,000 --> 00:01:25,000 And they're completely muddled up at 400 feet, which would have made any type of landing impossible on a non-Isles field. 25 00:01:25,000 --> 00:01:28,000 Can you tell that I'm getting ready for some flying tomorrow? 26 00:01:28,000 --> 00:01:35,000 Oh, yeah, I've got all my taps and my matars and I've even checked the no-tams. 27 00:01:35,000 --> 00:01:38,000 So I'm ready for the trip to the Netherlands. 28 00:01:38,000 --> 00:01:41,000 And you, my friends, are going with me on the road. 29 00:01:41,000 --> 00:01:43,000 As always. 30 00:01:44,000 --> 00:01:51,000 I was thinking, what was I thinking? 31 00:01:51,000 --> 00:01:54,000 It was something about the... 32 00:01:54,000 --> 00:01:56,000 Oh, yeah, it was about the... 33 00:01:56,000 --> 00:01:59,000 Yeah, every show we start off with Delta Sierra Charlie. 34 00:01:59,000 --> 00:02:02,000 And by the way, yeah, sometimes I do slip into the sheriff. 35 00:02:02,000 --> 00:02:06,000 And I don't know why I do that, but everyone seems to kind of get the gist. 36 00:02:06,000 --> 00:02:11,000 The Delta Sierra Charlie just realized the call letters of my... 37 00:02:11,000 --> 00:02:17,000 My sessna actually have Delta Sierra in the call sign at the end of the call sign. 38 00:02:17,000 --> 00:02:19,000 Coincidence? 39 00:02:19,000 --> 00:02:21,000 Oh, yeah. 40 00:02:21,000 --> 00:02:23,000 Yeah, I think not, my friends. 41 00:02:23,000 --> 00:02:25,000 All right, we've got Podsave Music. 42 00:02:25,000 --> 00:02:27,000 Some interesting news to talk about. 43 00:02:27,000 --> 00:02:30,000 The Podsave Music and Music Rights and the Unlabel. 44 00:02:30,000 --> 00:02:31,000 That's all coming up. 45 00:02:31,000 --> 00:02:33,000 And of course, some promos. 46 00:02:33,000 --> 00:02:36,000 And what would a daily source code be without the new... 47 00:02:36,000 --> 00:02:38,000 The newvo art of the mashup? 48 00:02:38,000 --> 00:02:42,000 I think I might have played this one before, but it's such a kicker. 49 00:02:42,000 --> 00:02:44,000 YouTube versus Janet Jackson. 50 00:02:44,000 --> 00:02:46,000 It's control, bloody control. 51 00:02:47,000 --> 00:02:49,000 And I will separate you. 52 00:02:49,000 --> 00:02:52,000 I'll deliver you to me. 53 00:02:52,000 --> 00:06:23,000 [ Music ] 54 00:06:23,000 --> 00:06:25,000 I'll deliver you to my father's cell. 55 00:06:25,000 --> 00:06:27,000 I'll deliver you to my father's cell. 56 00:06:27,000 --> 00:06:29,000 I'll deliver you to my father's cell. 57 00:06:29,000 --> 00:06:31,000 I'll deliver you to my father's cell. 58 00:06:31,000 --> 00:06:37,000 The party van experience mashed up you two in Jan of Jackson's control and Sunday Bloody Sunday 59 00:06:37,000 --> 00:06:41,000 bringing you control, bloody control on the Daily Source Code. 60 00:06:41,000 --> 00:06:43,000 Mashed up for your convenience. 61 00:06:43,000 --> 00:06:45,000 Two songs at once have price. 62 00:06:45,000 --> 00:06:51,000 The glitches you heard were not another warning of a bad hard drive. 63 00:06:51,000 --> 00:06:57,000 I accidentally hit I keep a timer running and I have it. 64 00:06:57,000 --> 00:07:01,000 It was a chimoo timer or something which of course is impossible to remember whenever you 65 00:07:01,000 --> 00:07:03,000 want to start it up. 66 00:07:03,000 --> 00:07:09,000 I didn't hit it right when I was, I have to basically act like Nixon's secretary here when I 67 00:07:09,000 --> 00:07:11,000 start the show. 68 00:07:11,000 --> 00:07:15,000 Hit audio hijack pro on one computer and hit the timer and the sound effects. 69 00:07:15,000 --> 00:07:17,000 The starting of the car. 70 00:07:17,000 --> 00:07:19,000 I got to start those at the same time. 71 00:07:19,000 --> 00:07:21,000 Then I have to get my hands on the buttons for that and that effect. 72 00:07:21,000 --> 00:07:25,000 Then I realized in that song that they used the exact same sample in the 73 00:07:25,000 --> 00:07:29,000 Jan of Jackson that car crashes I have here in the Yamaha. 74 00:07:29,000 --> 00:07:33,000 Lovely. 75 00:07:33,000 --> 00:07:39,000 So anyway I was opening and closing Shimoo timer and I gave a little glitch in the audio. 76 00:07:39,000 --> 00:07:41,000 Not that that should happen but oh someone who was it. 77 00:07:41,000 --> 00:07:43,000 I got a great email. 78 00:07:43,000 --> 00:07:45,000 Oh man I got a couple of emails. 79 00:07:45,000 --> 00:07:47,000 I wanted to catch up on today. 80 00:07:47,000 --> 00:07:49,000 I don't have it here off hand. 81 00:07:49,000 --> 00:07:51,000 I'll find out who sent it to me. 82 00:07:51,000 --> 00:07:55,000 On OSX which of course has a Unix base. 83 00:07:55,000 --> 00:07:57,000 You can nice the process. 84 00:07:57,000 --> 00:08:01,000 Meaning you can allocate more processor time to it. 85 00:08:01,000 --> 00:08:03,000 And that really does work. 86 00:08:03,000 --> 00:08:05,000 I just haven't set up. 87 00:08:05,000 --> 00:08:07,000 It's kind of stupid because you can't kind of do it once it's already running. 88 00:08:07,000 --> 00:08:09,000 You have to start the application. 89 00:08:09,000 --> 00:08:13,000 So I'd start megaseg from the command line and you can tell. 90 00:08:13,000 --> 00:08:15,000 This is the beauty of Unix really. 91 00:08:15,000 --> 00:08:19,000 As you can say, hey, give this application more 92 00:08:19,000 --> 00:08:23,000 processor time than the other apps which seems to work very well. 93 00:08:23,000 --> 00:08:27,000 Paul Nichols sent me an email. 94 00:08:27,000 --> 00:08:29,000 This morning he says it's struck me out. 95 00:08:29,000 --> 00:08:31,000 I've been listening to you for one year today. 96 00:08:31,000 --> 00:08:33,000 Is that right? I'm pretty sure it is. 97 00:08:33,000 --> 00:08:35,000 He says it feels so much longer than a year. 98 00:08:35,000 --> 00:08:37,000 I honestly cannot remember listening. 99 00:08:37,000 --> 00:08:39,000 Well it says something else. 100 00:08:39,000 --> 00:08:41,000 I can not remember. 101 00:08:41,000 --> 00:08:43,000 Listen for. 102 00:08:43,000 --> 00:08:45,000 I think he's low life before podcasting. 103 00:08:45,000 --> 00:08:47,000 There we go. 104 00:08:47,000 --> 00:08:50,000 It permeates every conversation and waking thought of mine. 105 00:08:50,000 --> 00:08:52,000 And I have to say I absolutely love it. 106 00:08:52,000 --> 00:08:55,000 Remember you talking about the brand new iPod or an iPod element? 107 00:08:55,000 --> 00:08:57,000 Yeah, that was a while ago, wasn't it? 108 00:08:57,000 --> 00:09:01,000 He says I'm embarrassed to say that it took me two whole months to work out how to record an MP3 file 109 00:09:01,000 --> 00:09:02,000 and how to work out RSS. 110 00:09:02,000 --> 00:09:05,000 Thank goodness things are getting easier for the newbies. 111 00:09:05,000 --> 00:09:06,000 Podcast Paul, right? 112 00:09:06,000 --> 00:09:09,000 Cheers for getting me involved in such a fantastic hobby. 113 00:09:09,000 --> 00:09:10,000 Mate? Well my pleasure. 114 00:09:10,000 --> 00:09:11,000 Absolutely. 115 00:09:11,000 --> 00:09:14,000 I just love it when emails like that come in. 116 00:09:14,000 --> 00:09:18,000 It's so cool the community that we're building here. 117 00:09:18,000 --> 00:09:19,000 And I think it was in San Francisco. 118 00:09:19,000 --> 00:09:27,000 I was talking about free Wi-Fi or using other persons Wi-Fi and that there should be a way 119 00:09:27,000 --> 00:09:32,000 that when you see a node sitting there and lots of people have them just unprotected. 120 00:09:32,000 --> 00:09:35,000 And then plenty of people have them password secured. 121 00:09:35,000 --> 00:09:39,000 So I feel there should be some kind of middle ground there so that you can say, 122 00:09:39,000 --> 00:09:42,000 Hey, you know it's all right if you want to use this bandwidth, 123 00:09:42,000 --> 00:09:44,000 but you should be able to set parameters like, you know, 124 00:09:44,000 --> 00:09:47,000 log in here with a free password and you can use it for an hour 125 00:09:47,000 --> 00:09:50,000 or contact me at this email address if you need more. 126 00:09:50,000 --> 00:09:52,000 And we'll talk about it, right? 127 00:09:52,000 --> 00:09:54,000 That's kind of the social way of doing it. 128 00:09:54,000 --> 00:09:56,000 I said it's social. 129 00:09:56,000 --> 00:10:00,000 So Bob Scott sent me an email. 130 00:10:00,000 --> 00:10:02,000 He said, you know, this is actually pretty simple. 131 00:10:02,000 --> 00:10:04,000 There is a way in the middle. 132 00:10:04,000 --> 00:10:07,000 He says you're idea about allowing controlled access to personal Wi-Fi. 133 00:10:07,000 --> 00:10:09,000 Access point is an interesting one. 134 00:10:09,000 --> 00:10:13,000 I think we're pretty easy to alter the firmware of a wireless router to initially redirect 135 00:10:13,000 --> 00:10:18,000 anyone logging in without a web key as a password to an internal web page. 136 00:10:18,000 --> 00:10:21,000 And that could log there a Mac address. 137 00:10:21,000 --> 00:10:24,000 And that is nothing to do with Apple computers, but with your Ethernet card, 138 00:10:24,000 --> 00:10:28,000 you know, how you communicate with a network, even if it's wireless. 139 00:10:28,000 --> 00:10:32,000 And make them jump through any whoops you like by entering an email address, et cetera, et cetera. 140 00:10:32,000 --> 00:10:35,000 You could limit these guests by bandwidth, by time, connection type, 141 00:10:35,000 --> 00:10:38,000 only HTTP, for example, anything else you want to do. 142 00:10:38,000 --> 00:10:41,000 So it's a great concept when you think about it. 143 00:10:41,000 --> 00:10:45,000 This is very much like when you log into a public access point like TMobile or 144 00:10:45,000 --> 00:10:51,000 or here in the UK BT Open or anywhere, you know, it usually throws up a web page 145 00:10:51,000 --> 00:10:56,000 and you have to enter your payment details, which by the way could also be included in this. 146 00:10:56,000 --> 00:11:00,000 What's cool about it, and this is something I didn't know, is that linksis 147 00:11:00,000 --> 00:11:04,000 have released the source code for their routers under the GPL, 148 00:11:04,000 --> 00:11:08,000 the general public license, or the GNU public license. 149 00:11:08,000 --> 00:11:13,000 So any has all kinds of links and stuff, and there's a source forage project. 150 00:11:13,000 --> 00:11:15,000 But we could actually make this. 151 00:11:15,000 --> 00:11:20,000 And wouldn't it be cool if linksis would then include it in their, in their Wi-Fi routers? 152 00:11:20,000 --> 00:11:24,000 I guess, you know, it's GPL code, so I wouldn't they, why wouldn't they put it in there? 153 00:11:24,000 --> 00:11:28,000 Think about the possibilities. You just have a separate set up panel, 154 00:11:28,000 --> 00:11:32,000 which will be a part of the default when you install the router. 155 00:11:33,000 --> 00:11:37,000 And you can put in stuff like, yeah, anyone can connect to my, to my computer, 156 00:11:37,000 --> 00:11:41,000 but they have to, you know, maybe an email is sent to me to know that someone is doing it, 157 00:11:41,000 --> 00:11:44,000 and they have to enter their email address, so I can contact them, 158 00:11:44,000 --> 00:11:48,000 and we could limit it to, you know, to two hours or an hour or whatever. 159 00:11:48,000 --> 00:11:51,000 That's a really, really good idea. 160 00:11:51,000 --> 00:11:55,000 And interesting, very, very interesting. 161 00:11:55,000 --> 00:12:00,000 And particularly if we can make the kind of standardized and rolled out across all those linksis routers. 162 00:12:01,000 --> 00:12:05,000 Ah, another social project in the making. 163 00:12:05,000 --> 00:12:06,000 Hello. 164 00:12:06,000 --> 00:12:09,000 Hi, to all the Delhi source code listeners. 165 00:12:09,000 --> 00:12:16,000 A big thanks for Adam Curry, allowing me to tell you about a brand new podcast called Ed's Mixed Back. 166 00:12:16,000 --> 00:12:18,000 I'm your host Ed Ovegg. 167 00:12:18,000 --> 00:12:23,000 And if you like all kinds of music, you won't want to miss a single episode. 168 00:12:23,000 --> 00:12:27,000 Every week, we feature a mystery sound contest with prizes. 169 00:12:28,000 --> 00:12:34,000 We're always encouraging your feedback, suggestions, and even MP3 submissions. 170 00:12:34,000 --> 00:12:39,000 Why not go to www.emb.lipsen.com 171 00:12:39,000 --> 00:12:44,000 and download a stream in episode or two of Ed's Mixed Back. 172 00:12:44,000 --> 00:12:51,000 And if you like it, please consider subscribing to get each weekly show automatically on your iPod 173 00:12:51,000 --> 00:12:53,000 or on your PC's hard drive. 174 00:12:53,000 --> 00:12:55,000 Thanks for your time. 175 00:12:55,000 --> 00:13:00,000 And now, back to Adam Curry and the Delhi source code. 176 00:13:00,000 --> 00:13:01,000 Hot show. 177 00:13:01,000 --> 00:13:05,000 Content that will make you squeeze the dog and burp your mother. 178 00:13:05,000 --> 00:13:10,000 The following program is closed captioned for the thinking impaired. 179 00:13:10,000 --> 00:13:15,000 Hey there, pod fans. 180 00:13:15,000 --> 00:13:19,000 This is Christopher Tyler, host of Game Chat Live. 181 00:13:19,000 --> 00:13:23,000 Need your weekly dose of gaming on your way to work or school. 182 00:13:23,000 --> 00:13:25,000 Then tune into Game Chat. 183 00:13:25,000 --> 00:13:31,000 Every week, I inform you of current happenings in the world of console and PC gaming, along with 184 00:13:31,000 --> 00:13:35,000 previous future games and reviews of current ones. 185 00:13:35,000 --> 00:13:39,000 All this is combined with rock and music to help you get through your day. 186 00:13:39,000 --> 00:13:42,000 Check it out at http. 187 00:13:42,000 --> 00:13:53,000 Thanks a lot. 188 00:13:53,000 --> 00:13:55,000 Josa. 189 00:13:55,000 --> 00:14:01,000 Another big community taking advantage of podcasting. 190 00:14:01,000 --> 00:14:04,000 This is funny. 191 00:14:04,000 --> 00:14:08,000 It's funny I was talking to a reporter from the Guardian this morning. 192 00:14:08,000 --> 00:14:12,000 That's a big newspaper here in the United Kingdom. 193 00:14:12,000 --> 00:14:18,000 I guess the story now that this comes in waves and it comes in waves really. 194 00:14:18,000 --> 00:14:23,000 Where the press gets interested in talking about pod casting and they have a different 195 00:14:23,000 --> 00:14:24,000 angle on it each time. 196 00:14:24,000 --> 00:14:30,000 I've seen from what was published just the other day in the Wall Street Journal front page, 197 00:14:30,000 --> 00:14:37,000 actually, as well as from the questioning of this reporter from the Guardian Bobby. 198 00:14:37,000 --> 00:14:42,000 That the angle now is, hey, big business is getting into pod casting because they see 199 00:14:42,000 --> 00:14:47,000 that there's lots of opportunity and listeners in that world. 200 00:14:47,000 --> 00:14:48,000 That's our world. 201 00:14:48,000 --> 00:14:50,000 That's me and you. 202 00:14:50,000 --> 00:14:55,000 Everyone else who's tuned in and listening to pod cast and making pod cast and pod safe music 203 00:14:55,000 --> 00:14:58,000 and having a good time. 204 00:14:58,000 --> 00:15:01,000 That's kind of the angle. 205 00:15:02,000 --> 00:15:05,000 Actually, the reporters are asking the right questions. 206 00:15:05,000 --> 00:15:07,000 They want to know, is can they walk into the space? 207 00:15:07,000 --> 00:15:09,000 Do they know what they're doing? 208 00:15:09,000 --> 00:15:11,000 Is this just about time shifting? 209 00:15:11,000 --> 00:15:13,000 That's the one thing that I just keep coming back to. 210 00:15:13,000 --> 00:15:21,000 Look, we didn't create the demand for this insatiable addiction that people have to pod cast. 211 00:15:21,000 --> 00:15:29,000 That demand was created by an industry that kept competition day by owning frequencies, 212 00:15:29,000 --> 00:15:33,000 towers, and infrastructure. 213 00:15:33,000 --> 00:15:36,000 What is the name of that Danny K movie? 214 00:15:36,000 --> 00:15:38,000 Gosh, damn, I've referred to this many times. 215 00:15:38,000 --> 00:15:39,000 There's a Danny K movie. 216 00:15:39,000 --> 00:15:45,000 I remember very distinctly, and Danny K is the head of a research group and they're sitting 217 00:15:45,000 --> 00:15:48,000 in a university or like a cloister almost. 218 00:15:48,000 --> 00:15:52,000 For years, writing the definitive book on music. 219 00:15:52,000 --> 00:15:58,000 While they're in there writing about Chopin and Bavaldi and Bach and Handel and 220 00:15:58,000 --> 00:16:02,000 you name it, jazz is happening outside. 221 00:16:02,000 --> 00:16:08,000 And the music scene just changed overnight almost, of course, it took a couple of years. 222 00:16:08,000 --> 00:16:15,000 And then Danny K, of course, has this big euphoric moment where he discovers that music hasn't 223 00:16:15,000 --> 00:16:19,000 changed and they're writing the most outdated book that they could possibly think of. 224 00:16:19,000 --> 00:16:21,000 Although history, of course, is important. 225 00:16:21,000 --> 00:16:22,000 I don't want to downplay that. 226 00:16:22,000 --> 00:16:24,000 But what is the name of that movie? 227 00:16:24,000 --> 00:16:25,000 Someone helped me out there. 228 00:16:25,000 --> 00:16:27,000 That's exactly what's happening right now. 229 00:16:27,000 --> 00:16:29,000 And it's not like this doesn't happen. 230 00:16:29,000 --> 00:16:33,000 It's not like, also, music and the music business and the broadcast business. 231 00:16:33,000 --> 00:16:34,000 It never stays the same. 232 00:16:34,000 --> 00:16:36,000 It's always continually evolving. 233 00:16:36,000 --> 00:16:40,000 A broadcasting based on technology improvements. 234 00:16:40,000 --> 00:16:42,000 And music is cultural. 235 00:16:42,000 --> 00:16:44,000 You know, it shifts. 236 00:16:44,000 --> 00:16:51,000 We can't shift very quickly with the way mainstream media operates because of basically. 237 00:16:51,000 --> 00:16:56,000 They just don't have enough channels to get underground currents that are running 238 00:16:56,000 --> 00:17:00,000 along and pick them up and and propel them into something. 239 00:17:00,000 --> 00:17:05,000 And this is very much like, although I wasn't there, Patricia completely agrees with 240 00:17:05,000 --> 00:17:06,000 this analogy. 241 00:17:06,000 --> 00:17:07,000 It's like the 60s. 242 00:17:07,000 --> 00:17:11,000 When FM radio was just starting and there was no business model for it. 243 00:17:11,000 --> 00:17:15,000 It was just wackos playing an hour of songs in the key of G. 244 00:17:15,000 --> 00:17:22,000 And coffee shops and record stores and, you know, back alley clubs. 245 00:17:22,000 --> 00:17:25,000 And we were exchanging music that way and we were building. 246 00:17:25,000 --> 00:17:28,000 You know, we were building our own. 247 00:17:28,000 --> 00:17:29,000 We weren't. 248 00:17:29,000 --> 00:17:33,000 But my parents were Patricia was a man. 249 00:17:33,000 --> 00:17:37,000 You know, being a part of a new sound, new type of music. 250 00:17:37,000 --> 00:17:41,000 You know, and that happens consistently throughout, throughout history. 251 00:17:41,000 --> 00:17:43,000 That's what we're seeing here. 252 00:17:43,000 --> 00:17:45,000 And I'm excited to be a part of that. 253 00:17:45,000 --> 00:17:46,000 Yeah, I'm Gary. 254 00:17:46,000 --> 00:17:47,000 Yeah. 255 00:17:47,000 --> 00:17:49,000 This is Shubi Shubi. 256 00:17:49,000 --> 00:17:50,000 Oh, Shubi. 257 00:17:50,000 --> 00:17:53,000 And I'm a spell check from Potacular. 258 00:17:53,000 --> 00:17:59,000 Have you ever thought of a magazine that would cater to people interested in podcasting as well as podcasters? 259 00:17:59,000 --> 00:18:03,000 Well, me and Shubi think it'd be a great idea for a nice little publication. 260 00:18:03,000 --> 00:18:08,000 Considering that's one of our most favorite things to do is read magazines and podcast. 261 00:18:08,000 --> 00:18:15,000 Basically, what a magazine would do is, since it would be a public magazine, it would get the word out to more people 262 00:18:15,000 --> 00:18:21,000 in a way that iTunes or anything else wouldn't be able to do. 263 00:18:21,000 --> 00:18:26,000 Like, I'll also buy showcasing equipment because that's what they want things. 264 00:18:26,000 --> 00:18:28,000 I really don't know what equipment is available. 265 00:18:28,000 --> 00:18:32,000 And then I'd do a pint like how to better my podcast with better equipment. 266 00:18:32,000 --> 00:18:40,000 And also, just, you know, like with ads, like even publishers podcasts even more with, like, a text ad and a magazine. 267 00:18:40,000 --> 00:18:41,000 Yes. 268 00:18:41,000 --> 00:18:43,000 So, what do you think of this idea? 269 00:18:43,000 --> 00:18:48,000 Can you please, like, tell us, because we think it's an ingenious idea. 270 00:18:48,000 --> 00:18:50,000 We're awfully interested. 271 00:18:50,000 --> 00:18:52,000 Hopefully, hopefully interested. 272 00:18:52,000 --> 00:18:53,000 Spell check. 273 00:18:53,000 --> 00:18:54,000 Thanks, Adam. 274 00:18:54,000 --> 00:18:55,000 Yeah. 275 00:18:55,000 --> 00:18:57,000 Well, first of all, of course, I think you live in America. 276 00:18:57,000 --> 00:18:58,000 You can do anything you want. 277 00:18:58,000 --> 00:19:00,000 You can get your magazine started. 278 00:19:00,000 --> 00:19:02,000 There's enough people who will be interested in that. 279 00:19:02,000 --> 00:19:03,000 I'm sure. 280 00:19:03,000 --> 00:19:09,000 You also might, yeah, I'm kind of torn because you might want to consider becoming a destination on the internet. 281 00:19:09,000 --> 00:19:15,000 If you guys think you can drive a community, then maybe the community will spawn a magazine 282 00:19:16,000 --> 00:19:20,000 that someone will want to have because, you know, there's always a value to print. 283 00:19:20,000 --> 00:19:22,000 It's not like the web is taken over everything. 284 00:19:22,000 --> 00:19:24,000 I buy all kinds of magazines. 285 00:19:24,000 --> 00:19:26,000 I buy flying magazines. 286 00:19:26,000 --> 00:19:30,000 I buy handheld computer magazines, you know, and for a number of reason. 287 00:19:30,000 --> 00:19:33,000 And where I usually buy it when I'm getting on a long haul flight. 288 00:19:33,000 --> 00:19:34,000 It's just a great format. 289 00:19:34,000 --> 00:19:35,000 It's portable. 290 00:19:35,000 --> 00:19:36,000 I love it. 291 00:19:36,000 --> 00:19:37,000 I love the format of print. 292 00:19:37,000 --> 00:19:38,000 It's still nice. 293 00:19:38,000 --> 00:19:42,000 Too bad it's gotten too expensive to, to really do a lot with it. 294 00:19:43,000 --> 00:19:44,000 Good luck guys. 295 00:19:44,000 --> 00:19:45,000 Let me know how it goes. 296 00:19:45,000 --> 00:19:46,000 I'll certainly support you. 297 00:19:46,000 --> 00:19:47,000 Dan Turnbow. 298 00:19:47,000 --> 00:19:48,000 Turnbow. 299 00:19:48,000 --> 00:19:50,000 It says, hey, Adam, love the show. 300 00:19:50,000 --> 00:19:53,000 Been a loyal listener from day one and enjoy podcast so much. 301 00:19:53,000 --> 00:19:54,000 It has changed my life. 302 00:19:54,000 --> 00:19:59,000 First off, if I'm a self listening to very little radio anymore, what I do is fill a one gig. 303 00:19:59,000 --> 00:20:00,000 SD card. 304 00:20:00,000 --> 00:20:01,000 Fill it up. 305 00:20:01,000 --> 00:20:04,000 Listen with my Dell accent while out and about. 306 00:20:04,000 --> 00:20:06,000 Plus, I take all my favorite shows to work with me. 307 00:20:06,000 --> 00:20:09,000 You guys and girls really help pass the time while on the job with me. 308 00:20:09,000 --> 00:20:11,000 I just love the idea of listening to content on my schedule. 309 00:20:11,000 --> 00:20:13,000 And not one of the media wants me to. 310 00:20:13,000 --> 00:20:17,000 But Adam, the biggest change in my life that has come from podcasting is when you turn 311 00:20:17,000 --> 00:20:20,000 beyond to what Don and Drew show said about smoking. 312 00:20:20,000 --> 00:20:25,000 May not see much to many people, but that was the final push I needed to give up cigarettes. 313 00:20:25,000 --> 00:20:29,000 Today I'm happy to say that I've not had a single cigarette since February. 314 00:20:29,000 --> 00:20:31,000 And I really do believe I got them kicked. 315 00:20:31,000 --> 00:20:34,000 If I don't miss them at all here lately. 316 00:20:34,000 --> 00:20:35,000 So I'm closing. 317 00:20:35,000 --> 00:20:37,000 Just want to thank you for changing my life and many others out there. 318 00:20:37,000 --> 00:20:38,000 Well, you of course, you did that yourself. 319 00:20:38,000 --> 00:20:40,000 And I don't think you changed your life. 320 00:20:40,000 --> 00:20:42,000 You saved your life, Dan. 321 00:20:42,000 --> 00:20:45,000 And I wish I had this sound bit. 322 00:20:45,000 --> 00:20:49,000 I didn't have enough time to go through all the archives with February. 323 00:20:49,000 --> 00:20:55,000 You know, it's just that, of course, unfortunately is not a simple thing to do with audio files yet. 324 00:20:55,000 --> 00:21:03,000 But I think it was Don saying that because I, you know, Don and I had talked about smoking. 325 00:21:03,000 --> 00:21:09,000 And she said, oh, I just can't, I can't smoke a cigarette because it was something like smoking a cigarette 326 00:21:09,000 --> 00:21:13,000 just like sucking on the cock of the man and the man being the man. 327 00:21:13,000 --> 00:21:18,000 You know, she says there's so many chemicals in there to get you hooked, keep you hooked. 328 00:21:18,000 --> 00:21:19,000 And it did it for me, man. 329 00:21:19,000 --> 00:21:21,000 I'll tell you, at least for tobacco products. 330 00:21:21,000 --> 00:21:23,000 That's for sure. 331 00:21:23,000 --> 00:21:26,000 This is the daily source code. 332 00:21:26,000 --> 00:21:29,000 Always full of interesting bits, contributions from other people. 333 00:21:29,000 --> 00:21:31,000 My good friend, Jan Poled is here. 334 00:21:31,000 --> 00:21:33,000 Once again, with the hit test for today. 335 00:21:33,000 --> 00:21:36,000 All you casting with Adam Curry. 336 00:21:36,000 --> 00:21:40,000 I suppose you think you never knew the music. 337 00:21:40,000 --> 00:21:41,000 What do you, yeah? 338 00:21:41,000 --> 00:21:42,000 Oh, yeah. 339 00:21:42,000 --> 00:21:43,000 The hit test. 340 00:21:43,000 --> 00:21:45,000 Young Poled. 341 00:21:45,000 --> 00:21:48,000 With your Poled. 342 00:21:48,000 --> 00:21:50,000 Hey Adam, this is a new hit test. 343 00:21:50,000 --> 00:21:54,000 I've been a bit busy and it's going to stay the way for a while. 344 00:21:54,000 --> 00:21:57,000 So I don't know when the next hit test will be. 345 00:21:57,000 --> 00:22:00,000 Fortunately, I found some time to do this right now. 346 00:22:00,000 --> 00:22:01,000 So here we go. 347 00:22:01,000 --> 00:22:02,000 This is number one. 348 00:22:02,000 --> 00:22:09,000 That's so Whitney Houston. 349 00:22:09,000 --> 00:22:12,000 It's Whitney Houston. 350 00:22:12,000 --> 00:22:14,000 It's Whitney Houston. 351 00:22:14,000 --> 00:22:16,000 It's number two. 352 00:22:16,000 --> 00:22:20,000 Yeah, I got that one. 353 00:22:20,000 --> 00:22:21,000 Depression mode. 354 00:22:21,000 --> 00:22:22,000 People are people. 355 00:22:22,000 --> 00:22:23,000 Good songs. 356 00:22:23,000 --> 00:22:24,000 Good songs, Jan. 357 00:22:24,000 --> 00:22:25,000 Dig it. 358 00:22:25,000 --> 00:22:26,000 And number three. 359 00:22:26,000 --> 00:22:28,000 That's true. 360 00:22:29,000 --> 00:22:33,000 That's level 42. 361 00:22:33,000 --> 00:22:34,000 Hot water. 362 00:22:34,000 --> 00:22:37,000 So I got to remember the Whitney Houston one that I'm good. 363 00:22:37,000 --> 00:22:38,000 And time's up. 364 00:22:38,000 --> 00:22:40,000 And these are the answers. 365 00:22:40,000 --> 00:22:41,000 I know. 366 00:22:41,000 --> 00:22:42,000 How will I know? 367 00:22:42,000 --> 00:22:44,000 Number one is from 86. 368 00:22:44,000 --> 00:22:45,000 It's Whitney Houston. 369 00:22:45,000 --> 00:22:47,000 This is how will I know. 370 00:22:47,000 --> 00:22:48,000 Yeah. 371 00:22:48,000 --> 00:22:49,000 I know. 372 00:22:49,000 --> 00:22:51,000 He's a daughter. 373 00:22:51,000 --> 00:22:52,000 He's a daughter. 374 00:22:52,000 --> 00:22:53,000 He's a daughter. 375 00:22:53,000 --> 00:22:56,000 Man, she was great back then. 376 00:22:56,000 --> 00:23:23,000 [ Music ] 377 00:23:23,000 --> 00:23:25,000 If he loves me. 378 00:23:25,000 --> 00:23:28,000 Oh, no. 379 00:23:28,000 --> 00:23:30,000 Answer number one. 380 00:23:30,000 --> 00:23:31,000 Whitney Houston. 381 00:23:31,000 --> 00:23:34,000 What has happened to her? 382 00:23:34,000 --> 00:23:36,000 Great music from the 80s. 383 00:23:36,000 --> 00:23:37,000 Answer number one. 384 00:23:37,000 --> 00:23:38,000 How will I know? 385 00:23:38,000 --> 00:23:40,000 And this is answer number two. 386 00:23:40,000 --> 00:23:42,000 Depression mode. 387 00:23:42,000 --> 00:23:44,000 People are people. 388 00:23:44,000 --> 00:23:45,000 Rather. 389 00:23:45,000 --> 00:23:50,000 Oh, this was the jam back in the day. 390 00:23:51,000 --> 00:23:53,000 But so we'll never recover. 391 00:23:53,000 --> 00:23:55,000 We'll never breathe. 392 00:23:55,000 --> 00:23:56,000 We'll never breathe. 393 00:23:56,000 --> 00:23:57,000 We'll never breathe. 394 00:23:57,000 --> 00:24:17,000 [ Music ] 395 00:24:17,000 --> 00:24:19,000 So what should it be? 396 00:24:20,000 --> 00:24:23,000 You and I should get around. 397 00:24:24,000 --> 00:24:26,000 Sun from 84. 398 00:24:26,000 --> 00:24:28,000 Depression Mode. 399 00:24:28,000 --> 00:24:29,000 As answer number two. 400 00:24:30,000 --> 00:24:33,000 And this is answer number three for today's hit this. 401 00:24:33,000 --> 00:24:35,000 Number 64. 402 00:24:35,000 --> 00:24:36,000 level 42. 403 00:24:36,000 --> 00:24:37,000 This is underwater. 404 00:24:37,000 --> 00:24:38,000 The hot water. 405 00:24:38,750 --> 00:25:03,750 [ Music ] 406 00:25:08,000 --> 00:25:10,000 Marking on bass. 407 00:25:10,000 --> 00:25:11,000 Marking? 408 00:25:11,000 --> 00:25:12,000 1142. 409 00:25:12,000 --> 00:25:14,000 Sensor number 3. 410 00:25:14,000 --> 00:25:18,000 And the song is titled Hot Water. 411 00:25:18,000 --> 00:25:23,000 This concludes hit test number 64. 412 00:25:23,000 --> 00:25:25,000 Again, music from the 80s. 413 00:25:25,000 --> 00:25:28,000 I hope you enjoyed this one Adam and I hope you did well. 414 00:25:28,000 --> 00:25:34,000 As I said earlier, I don't know when the next hit test will be because I'm very busy with different kind of things. 415 00:25:34,000 --> 00:25:39,000 You can read all about them on yompolet.com.jnt.com. 416 00:25:39,000 --> 00:25:44,000 That's also the website you can find info about the hit test. 417 00:25:44,000 --> 00:25:45,000 And hit the spotcast. 418 00:25:45,000 --> 00:25:49,000 And also the iTunes links to all the songs played in the hit test. 419 00:25:49,000 --> 00:25:54,000 As long as they're in the database of iTunes. 420 00:25:54,000 --> 00:25:59,000 And feedback has always is welcome at the address hittest.gmail.com. 421 00:25:59,000 --> 00:26:01,000 Thank you for listening until next time. 422 00:26:01,000 --> 00:26:02,000 Bye-bye. 423 00:26:05,000 --> 00:26:06,000 Thank you, yon. 424 00:26:06,000 --> 00:26:07,000 That was cool, man. 425 00:26:07,000 --> 00:26:08,000 I love that. 426 00:26:08,000 --> 00:26:11,000 Always under 90 seconds of the hits. 427 00:26:11,000 --> 00:26:16,000 By the way, to the show notes maintainers of the show. 428 00:26:16,000 --> 00:26:17,000 I've gotten several complaints. 429 00:26:17,000 --> 00:26:22,000 The show notes are so complete and so good that if you take a look at the show notes before you listen to the show, 430 00:26:22,000 --> 00:26:25,000 then basically the hit test is spoiled. 431 00:26:25,000 --> 00:26:29,000 We have major spoiler action going on with that in the backtrack spotcast. 432 00:26:29,000 --> 00:26:33,000 So perhaps we'll wait a little bit or just put in a link to Yon's weblog. 433 00:26:33,000 --> 00:26:38,000 So that you can get the answers there with another click from the show notes. 434 00:26:38,000 --> 00:26:46,000 And also you can use Yon's iTunes links to purchase the songs that were used in the hit test right from the iTunes music store. 435 00:26:46,000 --> 00:26:52,000 Adam, well I realize that it's not politically correct to mock the afflicted. 436 00:26:52,000 --> 00:26:54,000 Says Darren Wall. 437 00:26:54,000 --> 00:26:59,000 I really, really had a good hard laugh at your screamer frustration at your power book. 438 00:26:59,000 --> 00:27:05,000 You may want to note though, international moment of frustration, scream day is not actually until October 12th. 439 00:27:05,000 --> 00:27:07,000 That's tomorrow. 440 00:27:07,000 --> 00:27:11,000 International moment of frustration, scream day. 441 00:27:11,000 --> 00:27:14,000 Oh, we'll be celebrating that tomorrow, my friends. 442 00:27:14,000 --> 00:27:19,000 It's also the day that Apple has one more thing. 443 00:27:19,000 --> 00:27:20,000 One more thing. 444 00:27:20,000 --> 00:27:26,000 It was funny I was talking to the reporter from the Wall Street Journal who wrote that piece about podcasting. 445 00:27:26,000 --> 00:27:30,000 This is really interesting. She said she had one question for me fact checking basically. 446 00:27:30,000 --> 00:27:35,000 Is it true the podcasting started with trade secrets with you and Dave Wein are doing that show? 447 00:27:35,000 --> 00:27:38,000 And I said, well, no, that's not the genealogy of it. 448 00:27:38,000 --> 00:27:44,000 That's definitely not how it went down or how it happened or there's some important history. 449 00:27:44,000 --> 00:27:49,000 There's some important technological and media history coming together that form podcasting. 450 00:27:49,000 --> 00:27:51,000 And I talked to everybody an hour. 451 00:27:51,000 --> 00:27:57,000 And then you read the Wall Street Journal piece and it says podcasting got a start when trade secrets was on. 452 00:27:57,000 --> 00:28:03,000 It was a podcast that was done by Adam Green Day Wein and I'm like, what the hell is that all about? 453 00:28:03,000 --> 00:28:08,000 But in that same conversation, she was talking about, you know, so this is going towards video. 454 00:28:08,000 --> 00:28:13,000 Sarah, who I spoke to with the Wall Street Journal wrote half the article. 455 00:28:13,000 --> 00:28:16,000 Then I said, well, what are you talking about? 456 00:28:16,000 --> 00:28:21,000 Well, it's the best kept secret that the jobs is announcing the video iPod on Wednesday. 457 00:28:21,000 --> 00:28:26,000 I said, this is the Wall Street Journal. Hello Wall Street Journal I'm talking to. 458 00:28:26,000 --> 00:28:31,000 He said, what, why? Why would they do that? Why would they cannibalize on the nano? 459 00:28:31,000 --> 00:28:38,000 They just released. Just to give me the business reason, besides the fact that I saw the looking Steve Jobs eyes, 460 00:28:38,000 --> 00:28:43,000 where when the video iPod came up in our conversation, he said, 461 00:28:43,000 --> 00:28:47,000 I don't understand it. He says, where's the, where's the content for it? 462 00:28:47,000 --> 00:28:51,000 And where's the headphone equivalent of video? He said, it's just not that. 463 00:28:51,000 --> 00:28:56,000 Build it into a monocle, maybe, and you got something. But, you know, I just saw it. 464 00:28:56,000 --> 00:29:02,000 He doesn't planning on that, you know, and it's, I don't know. 465 00:29:02,000 --> 00:29:08,000 So anyway, the timing of it just makes no sense that it would be a new, a new iPod product. 466 00:29:08,000 --> 00:29:12,000 And I said, you know, based upon the supply lines drying up, which is all over the web. 467 00:29:12,000 --> 00:29:15,000 Everyone's talking about that. I think it's the new power books. 468 00:29:15,000 --> 00:29:20,000 You know, I think it's a new line of pro, pro machines. Oh, really? 469 00:29:20,000 --> 00:29:27,000 She said, oh, just like man, Wall Street Journal. Unbelievable. 470 00:29:27,000 --> 00:29:33,000 This next audio comment that came in really put a smile on my face for a number of reasons. 471 00:29:33,000 --> 00:29:40,000 The one reason is that here's a professional, quote, professional broadcaster, someone who's on the radio. 472 00:29:40,000 --> 00:29:45,000 Here in the UK, the BBC, I recognize the name and I certainly recognize the voice. 473 00:29:45,000 --> 00:29:49,000 Who has discovered the wonders of podcasting? 474 00:29:49,000 --> 00:29:56,000 And we talked about filters, you know, when you're on the broadcast license radio or television, 475 00:29:56,000 --> 00:30:01,000 where whatever you say, you're running it through a certain number of filters that are essentially helping you 476 00:30:01,000 --> 00:30:05,000 to not spew out nasty words. That's an easy filter because we use that all the time in life. 477 00:30:05,000 --> 00:30:12,000 But also political filters, what you can and cannot say that might hurt the network or other priorities that the network has. 478 00:30:12,000 --> 00:30:16,000 And MTV, there was a, you know, we had a lot of that, but it also wasn't live so it was much easier. 479 00:30:16,000 --> 00:30:20,000 And we said a lot of really rancid shit that we just got burned off. 480 00:30:20,000 --> 00:30:25,000 And some of those tapes exist, but our frustration level was pretty high. 481 00:30:25,000 --> 00:30:27,000 Listen to this, you know what I'm talking about. 482 00:30:27,000 --> 00:30:34,000 Hi Adam, it's Lynn Parsons here and listening to the source code last week, I heard you mention the difference between podcasting 483 00:30:34,000 --> 00:30:39,000 and working for a big corporation like the BBC or a big commercial radio station. 484 00:30:39,000 --> 00:30:47,000 And I thought I'd give you my take on it simply because I've been doing just that for the past 18 years and yet I've done nine podcasts now. 485 00:30:47,000 --> 00:30:53,000 And it is such fun. It's freedom with a capital F, you can play whatever you like. 486 00:30:53,000 --> 00:31:00,000 And although I get a lot of bands send me unsigned music, the pod safe music network is just a wealth of treasures. 487 00:31:00,000 --> 00:31:09,000 There's some really good music on it. And when I come to do the show, I just feel that I've had so much input and, you know, 488 00:31:09,000 --> 00:31:16,000 picking the music is just such a big change because of course when you go to work for the BBC or you work for a commercial radio station, 489 00:31:16,000 --> 00:31:20,000 you're given a playlist and you have to stick to it or you get a call from the boss. 490 00:31:20,000 --> 00:31:27,000 And this is cool. This is such a fun. And if you'd like to check the show out, it's Lynn Parsons.net. 491 00:31:27,000 --> 00:31:34,000 And thank you Adam because the reason I'm doing this is because I had a source code about 10 weeks ago and just fell in love with it. 492 00:31:34,000 --> 00:31:44,000 Lynn, now let me say a couple things about this. First of all, Lynn Parsons well known over here, great voice. I love that voice. 493 00:31:44,000 --> 00:31:51,000 You know, she could just read the phone book to me with that accent with that voice and I like the way your voice is recorded. 494 00:31:51,000 --> 00:31:57,000 I don't know where she's recording that. She's doing it at home or if she's maybe hijacking a BBC studio, but it sounds great. 495 00:31:57,000 --> 00:32:04,000 And there you have it. It's, you know, listen to a professional broadcaster enjoying life. 496 00:32:04,000 --> 00:32:09,000 You know, hey, I get to pick the music. Isn't that a fucking surprise? Fantastic, Lynn. 497 00:32:09,000 --> 00:32:16,000 And I just, I just love your voice. You know, we got a lot of great podcasts in the world. 498 00:32:16,000 --> 00:32:25,000 Thousands of fantastic ones. And once in a while you get the combination of a great show, a great entertainment or 499 00:32:25,000 --> 00:32:29,000 infotainment or information, whatever you want to call, and a great voice. 500 00:32:29,000 --> 00:32:35,000 And Lynn is definitely one of those combinations. We welcome you, Lynn, into our world. 501 00:32:36,000 --> 00:32:44,000 If you were just read the alphabet to me, then I'd, I'd open the door to the backyard and I'd have the little combo sitting out there. 502 00:32:44,000 --> 00:32:49,000 Say, Lynn, why don't you just start at eight and go all the way to Z. 503 00:32:49,000 --> 00:32:51,000 And dance with me here. 504 00:32:53,750 --> 00:35:29,000 [ Music ] 505 00:35:29,000 --> 00:35:37,000 My dear, I'm thankful for me. 506 00:35:37,000 --> 00:35:42,000 Robin Stein, sweet blossom from the Pod Safe Music Network, my friend. 507 00:35:42,000 --> 00:35:48,000 I went to PMN as we call it Internally Pod Safe Music Network this morning. 508 00:35:48,000 --> 00:35:51,000 What I usually do is I log in. 509 00:35:51,000 --> 00:35:56,000 I look at the most recent additions and there was a whole bunch from Robin Stein. 510 00:35:56,000 --> 00:35:58,000 She just uploaded her stuff. 511 00:35:58,000 --> 00:36:00,000 This was the first song I hit. 512 00:36:00,000 --> 00:36:03,000 It's a blossom. 513 00:36:03,000 --> 00:36:08,000 I'm actually looking at the Pod Safe Music Network right now. 514 00:36:08,000 --> 00:36:11,000 I'm looking at the Bio Info. 515 00:36:11,000 --> 00:36:13,000 Sweet blossom, there you go. 516 00:36:13,000 --> 00:36:19,000 On our debut album, David Robin Stein bruised up a genre-bending blend of original jazz 517 00:36:19,000 --> 00:36:23,000 and bluesy folk tunes with sultry and chanting vocals. 518 00:36:23,000 --> 00:36:26,000 Sometimes it's playful, sometimes haunting melodies. 519 00:36:26,000 --> 00:36:29,000 Her songs sound as if they've... 520 00:36:29,000 --> 00:36:31,000 Sorry, edit that. 521 00:36:31,000 --> 00:36:36,000 Her songs sound as if they're straight out of a smoke-filled room in Tin Pan Alley. 522 00:36:36,000 --> 00:36:37,000 She's like, oh yeah. 523 00:36:37,000 --> 00:36:38,000 She's from Florida. 524 00:36:38,000 --> 00:36:39,000 Very, very cool. 525 00:36:39,000 --> 00:36:40,000 I play that for Patricia. 526 00:36:40,000 --> 00:36:41,000 She's like, oh yeah. 527 00:36:41,000 --> 00:36:42,000 This is good. 528 00:36:42,000 --> 00:36:43,000 The whole thing is good. 529 00:36:43,000 --> 00:36:44,000 It's nothing wrong with it. 530 00:36:44,000 --> 00:36:45,000 That's good. 531 00:36:45,000 --> 00:36:48,000 It's totally Patricia approved. 532 00:36:48,000 --> 00:36:51,000 And I told her about the unlabel that we... 533 00:36:51,000 --> 00:36:56,000 Well, yes, I think we went further than fully considering starting this label. 534 00:36:56,000 --> 00:37:00,000 But we actually came up with some fantastic concepts of the unlabel. 535 00:37:00,000 --> 00:37:03,000 What is a record label that's not a record label? 536 00:37:03,000 --> 00:37:08,000 Well, we had some really interesting thoughts about that. 537 00:37:08,000 --> 00:37:11,000 Yes, they run and I were doing our daily chat. 538 00:37:11,000 --> 00:37:14,000 He's getting the bagels for the office in the morning and it's afternoon here. 539 00:37:14,000 --> 00:37:17,000 We always have our morning catch-up chat. 540 00:37:17,000 --> 00:37:20,000 And now I just love it. 541 00:37:20,000 --> 00:37:21,000 Love it. 542 00:37:21,000 --> 00:37:22,000 Love it. 543 00:37:22,000 --> 00:37:28,000 Great concept that we basically got to find a couple people now to help us get it up and running. 544 00:37:28,000 --> 00:37:31,000 Because it's yet another piece. 545 00:37:31,000 --> 00:37:33,000 But it's such an important piece. 546 00:37:33,000 --> 00:37:35,000 And it feels so right. 547 00:37:35,000 --> 00:37:39,000 And everyone should be able to contribute to the unlabel, you know, whether you're an artist or not. 548 00:37:39,000 --> 00:37:41,000 And that's, you know, that's our concept all along. 549 00:37:41,000 --> 00:37:43,000 And you hear how Lynn totally rocks the Podsack music network. 550 00:37:43,000 --> 00:37:45,000 This is exactly what it's about. 551 00:37:45,000 --> 00:37:46,000 It's about creating... 552 00:37:46,000 --> 00:37:50,000 This is the coffee shops and the record stores and the... 553 00:37:50,000 --> 00:37:53,000 And the wacky FM radio of the 60s. 554 00:37:53,000 --> 00:37:54,000 This is what we're doing. 555 00:37:54,000 --> 00:37:57,000 We're creating our own superstars through our own networks. 556 00:37:57,000 --> 00:37:59,000 And we can actually build that network. 557 00:38:00,000 --> 00:38:02,000 In that fantastic. 558 00:38:02,000 --> 00:38:03,000 Let me see. 559 00:38:03,000 --> 00:38:04,000 Well, how much time do we have? 560 00:38:04,000 --> 00:38:07,000 Oh, I've got some time left. 561 00:38:07,000 --> 00:38:10,000 Along those lines, you owe the Tassalo. 562 00:38:10,000 --> 00:38:12,000 I'm sure I'm buttering that name. 563 00:38:12,000 --> 00:38:16,000 Send me an email about a new European Union copyright law. 564 00:38:16,000 --> 00:38:19,000 Adam is a very strange law which is being introduced in the EU countries. 565 00:38:19,000 --> 00:38:22,000 I'm not sure if it's been ratified by all the countries yet. 566 00:38:22,000 --> 00:38:23,000 This is the way the EU works. 567 00:38:23,000 --> 00:38:26,000 But at least in Finland has done it. 568 00:38:27,000 --> 00:38:30,000 Finland is Scandinavia. 569 00:38:30,000 --> 00:38:31,000 Yeah. 570 00:38:31,000 --> 00:38:37,000 First of all, the law says that a consumer is not allowed to copy music that he or she owns for personal purposes such as backups. 571 00:38:37,000 --> 00:38:39,000 That's indeed that's pretty new. 572 00:38:39,000 --> 00:38:43,000 Not allowed to copy it even for your own personal purposes like backups. 573 00:38:43,000 --> 00:38:49,000 The other thing the law says which freaks me out is that it's illegal to sell or donate a book, CD, DVD, etc. 574 00:38:49,000 --> 00:38:52,000 Which has been purchased from outside the European Union to another person. 575 00:38:52,000 --> 00:38:55,000 This makes it possible for companies to have local monopolies. 576 00:38:55,000 --> 00:39:01,000 In same prices for the European markets and in Perenz that this is what American companies already do. 577 00:39:01,000 --> 00:39:07,000 So a couple of examples, a person who owns a record store is allowed only to sell CDs which have been published in the EU. 578 00:39:07,000 --> 00:39:12,000 The store may not import rare CDs from other countries such as the USA, Japan, and sell them. 579 00:39:12,000 --> 00:39:14,000 And this is all protectionism, dude. 580 00:39:14,000 --> 00:39:15,000 So that's an interesting law. 581 00:39:15,000 --> 00:39:17,000 If anyone may be Paul, I think he's a lawyer. 582 00:39:17,000 --> 00:39:20,000 Maybe if anyone can look at that and see what the deal is. 583 00:39:21,000 --> 00:39:24,000 It's kind of like the region codes with DVDs. 584 00:39:24,000 --> 00:39:26,000 Boy, is that a pain in the ass? 585 00:39:28,000 --> 00:39:31,000 I even once bought a blank CD. 586 00:39:31,000 --> 00:39:33,000 Even blank CDs are region coded. 587 00:39:33,000 --> 00:39:39,000 You can't play a blank CD you purchase in Europe on a regular playback machine in the US. 588 00:39:39,000 --> 00:39:40,000 It's crazy. 589 00:39:40,000 --> 00:39:41,000 Telling it's crazy. 590 00:39:41,000 --> 00:39:45,000 It looked at the world and wondered how things got to be the way they are. 591 00:39:45,000 --> 00:39:50,000 My name is Matt DeTillow and it's my mission to help you answer that question. 592 00:39:50,000 --> 00:39:54,000 And maybe even launch you on your own journey of discovery. 593 00:39:54,000 --> 00:40:01,000 My podcast, Matt's Today in History, is a short look at the historical events of the day. 594 00:40:01,000 --> 00:40:07,000 You can find our feed at matstodayinhistory.com or in iTunes. 595 00:40:07,000 --> 00:40:10,000 We're standing on yesterday. 596 00:40:10,000 --> 00:40:14,000 Learn something about it with Matt's Today in History. 597 00:40:15,000 --> 00:40:19,000 This is Roger Linder, Tom Castermaster at theTRconnection.com. 598 00:40:19,000 --> 00:40:22,000 And you're about to get familiar with Todd Redburn. 599 00:40:28,000 --> 00:40:29,000 That's not bad. 600 00:40:29,000 --> 00:40:31,000 Oops. Take two. 601 00:40:44,000 --> 00:40:54,000 The Todd Caster is a podcast for fans. 602 00:40:54,000 --> 00:40:57,000 It's an easy-to-be-band. 603 00:40:57,000 --> 00:41:02,000 You might hear from anybody who is a Todd Redburn fan. 604 00:41:02,000 --> 00:41:04,000 Who is Todd Redburn? 605 00:41:04,000 --> 00:41:08,000 If you're asking that question, then this is the podcast for you. 606 00:41:08,000 --> 00:41:10,000 Certainly you've heard. 607 00:41:10,000 --> 00:41:14,000 Hello, it's me. 608 00:41:14,000 --> 00:41:15,000 Or maybe. 609 00:41:15,000 --> 00:41:41,000 [ Music ] 610 00:41:41,000 --> 00:41:46,000 Then you say, oh, now I know Todd Redburn. 611 00:41:46,000 --> 00:41:49,000 But if that's all you know, then you don't know Todd Redburn. 612 00:41:49,000 --> 00:41:52,000 And you must check out this Todd Caster. 613 00:41:52,000 --> 00:41:53,000 Like the blues. 614 00:42:04,000 --> 00:42:05,000 Heavy rock. 615 00:42:11,000 --> 00:42:14,000 Followed by a light, pretty melon. 616 00:42:16,250 --> 00:42:41,000 [ Music ] 617 00:42:41,000 --> 00:42:43,000 Or maybe an English lesson. 618 00:42:47,000 --> 00:42:51,000 Then subscribe to the TR Connections Todd Caster. 619 00:42:51,000 --> 00:42:55,000 You'll find it at TRconnection.com slash Todd Caster. 620 00:42:59,000 --> 00:43:03,000 The Todd Caster, kind of like a little mini hit test mashup all by its own. 621 00:43:03,000 --> 00:43:05,000 Todd Brownman is a pretty good guy. 622 00:43:05,000 --> 00:43:08,000 Actually to help us move the Podship music network forward. 623 00:43:08,000 --> 00:43:13,000 He controls a lot of actually I think it just wields still some weight in the music industry. 624 00:43:13,000 --> 00:43:22,000 He's always seen as a leader out on the front of technology and willing to jump into the fray and give his art up for making the world better. 625 00:43:22,000 --> 00:43:27,000 And by the way, I think that you're pretty safe having read through all the licenses of Ask Captain BMI. 626 00:43:27,000 --> 00:43:30,000 I think that we're pretty safe under a fair use clause. 627 00:43:30,000 --> 00:43:34,000 If you're using less than 60 seconds, I think it's actually less than 90 seconds. 628 00:43:34,000 --> 00:43:37,000 But, you know, please don't get into the legalities of it. 629 00:43:37,000 --> 00:43:47,000 Then, you know, if you're using that to make a point or to accentuate something, it's not like putting up an MP3 in the clear as they say in big media world in the clear. 630 00:43:47,000 --> 00:43:51,000 Or, you know, it being possible for someone to go in and edit out the song. 631 00:43:51,000 --> 00:43:56,000 You know, if you don't actually provide all the source material, then there's, you know, there's not much to do there. 632 00:43:57,000 --> 00:44:01,000 So I think you're pretty, pretty, pretty good with fair use. 633 00:44:01,000 --> 00:44:09,000 And it sounds like this is, I haven't actually listened to the podcast. I kind of like the promo and went along with the conversation of a, a pod save music. 634 00:44:09,000 --> 00:44:12,000 So the Todd cast. 635 00:44:12,000 --> 00:44:15,000 Interesting play on words. 636 00:44:15,000 --> 00:44:19,000 Okay. One more piece of pod save music, which was sent to me via email. 637 00:44:19,000 --> 00:44:25,000 You know, pod save music comes in all forms, all sizes, all shapes, which includes country and blue groups. 638 00:44:25,000 --> 00:44:35,000 And I'm sure this was sent along the lines of the Ed Wright, Wayne Wright, Ed Wright computer computer song that I played last Sunday with Patricia. 639 00:44:35,000 --> 00:44:37,000 This is Tim O'Brien. 640 00:44:37,000 --> 00:44:40,000 And he's got his own computer problems. 641 00:44:40,000 --> 00:44:41,000 What an out of memory. 642 00:44:42,000 --> 00:44:46,000 When I got him, he may have found you darling. 643 00:44:46,000 --> 00:44:52,000 It said, you said me a file. 644 00:44:52,000 --> 00:47:17,000 [ Music ] 645 00:47:17,000 --> 00:47:22,000 My heart driving itself, my application caught 646 00:47:22,000 --> 00:47:26,000 And I'm running out of memory for you 647 00:47:26,000 --> 00:47:29,000 From the world of pot-safe music, my friends 648 00:47:29,000 --> 00:47:34,000 So what I forgot to tell you about is that Patricia liked this idea so much 649 00:47:34,000 --> 00:47:36,000 She said, well, I want to sign up, I want to join 650 00:47:36,000 --> 00:47:39,000 I want, she can't, can I do an album? Anything I want? 651 00:47:39,000 --> 00:47:42,000 It's an absolutely absolutely 652 00:47:42,000 --> 00:47:45,000 She said, well, Ron, do the arrangements? I said, I don't know 653 00:47:45,000 --> 00:47:47,000 So you got to talk to the man about that 654 00:47:47,000 --> 00:47:50,000 She said, I want to sign up, I want to join 655 00:47:50,000 --> 00:47:51,000 She said, can I do an album? Anything I want? 656 00:47:51,000 --> 00:47:55,000 It's an absolutely absolutely 657 00:47:55,000 --> 00:47:58,000 Talk to the man about that, but this is so exciting 658 00:47:58,000 --> 00:48:00,000 I just have not had this much fun 659 00:48:00,000 --> 00:48:03,000 20 years, I'm really, really digging it 660 00:48:03,000 --> 00:48:05,000 Okay, if you're hearing the show for the first time 661 00:48:05,000 --> 00:48:07,000 It's called the Daily Source Code 662 00:48:07,000 --> 00:48:10,000 There's a show every single week day 663 00:48:10,000 --> 00:48:13,000 Unless I get busy doing something else when life gets in the way 664 00:48:13,000 --> 00:48:16,000 And you can subscribe to the podcast 665 00:48:16,000 --> 00:48:18,000 Go to dailysourcecode.com 666 00:48:18,000 --> 00:48:22,000 To find the podcast feed and all the information that you need 667 00:48:22,000 --> 00:48:26,000 For your previous episodes and find out more about me go to curry.com 668 00:48:26,000 --> 00:48:29,000 Say, min email feedback, anything you want, add them at curry.com 669 00:48:29,000 --> 00:48:32,000 If you're sending off an MP3 file, please stick it up on a server 670 00:48:32,000 --> 00:48:36,000 Put it somewhere where I can get to it easily from a web browser 671 00:48:36,000 --> 00:48:39,000 And add those ID3 tags, it really makes a difference 672 00:48:39,000 --> 00:48:42,000 These promos float out there, you know, people use that information 673 00:48:42,000 --> 00:48:44,000 So it's a handy if you do 674 00:48:44,000 --> 00:48:46,000 All right, everybody, we'll be back tomorrow with the thank god 675 00:48:46,000 --> 00:48:48,000 It's Wednesday edition 676 00:48:48,000 --> 00:48:50,000 The source code, take care now 677 00:48:52,000 --> 00:48:57,000 Another pod show podcast, stick it in your ear