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Delta Sierra Charlie 2-7-3

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I don't see threats.

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I'm sorry, information you don't get out of it.

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Now I'm Korean.

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I was 16 million dollars worth of airplane strapped to my ass.

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In the next generation radio content in my ears.

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I like to think I'm signing you to the future.

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Well, good afternoon from Curry Cottage.

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It is Thursday.

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It is the third of November 2005 from a very rainy wet and dark gilfer.

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It's time for your daily source code.

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Kick it off with a mellow mashup for the day.

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[ Music ]

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So don't you bring me down, for no more.

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It's kind of pretty.

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So Christina Aguilera, mash it up with Bob James.

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Beautiful versus in the garden.

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Good use of ID three tags there by ad of mashuptown.com, saying in the album title, making Adam a happy clam.

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A lot of response to yesterday's show.

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Oh, man.

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Most of you thought it was pretty funny, particularly the Mads rant and Patricia's Pickles and all that crap.

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Literally that crap.

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Cast Blaster Mike was not happy at all with my windows rant.

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Man, I really threw him off.

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And, you know, he's developing in Windows.

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And he had a really bad day.

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I apologize.

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Mike, nothing personal, obviously.

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I've just been assimilated, dude.

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That's my entire problem.

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I've been assimilated by the art.

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So a little bit later, the normal today.

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Right now it's two when I started 135 British Standard Time.

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So I'll be 12.

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Oh, I don't want to get near that UTC code.

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I don't want to mess it up for Zulu time.

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A little late because well, two things happened actually.

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One is Gmail had an outage this morning, which was, yeah, I was actually, it was pretty significant.

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I kept getting the friendly messages like,

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Ooh, the system couldn't handle your request right now.

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And stuff was breaking all over the place.

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And it kind of gave me like, like, you know, like a little chill there thinking,

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Oh my god, if I think how much of my information is stored with the Google,

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well, particularly in Gmail, how much of my life is in there and that I really depend on.

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And it's like, well, yeah, of course, I could make all kinds of local backups and pop the nail out and all that stuff.

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But that's kind of not the point.

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And I guess I've never really read their terms.

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What happens over, you know, how, how, well, actually, I think their whole business should be securing and protecting my data.

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So I'm just going to assume that they will and that they do, but might not be a bad idea to,

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to grab a copy of everything of all the, God, it must be at least 30,000 messages in there right now.

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We know the size of it, so that's not a big deal.

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What is it now? We're up to, I'm almost all, like, I'm like, at three gigs.

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So, you know, I have that special gigazoid four gig limit.

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I love it. I wonder if that's going to start growing once they start hitting that limitation.

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So anyway, so that did lay everything because everything that I have is always stored in Gmail.

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And, you know, I got to download all the different promos and stuff that people have sent me.

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And I've forward a lot of stuff to myself to, you know, with special rules so that it's tagged and labeled in a certain way.

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So that I kind of, it's kind of a live organization system, which works quite well, actually.

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Could do, we could do it even better, but yeah, I'd have to get into it.

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Let's say Springsteen Chase out of Fort Lauderdale by Wilma.

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Hold on, this is just one of those, I never look at those web clips on Gmail. What does this say?

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And does it write at the top of my email? It had this message.

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It's a guess it's an AP report sending me over to news.yahoo.com and what does it say?

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With much of Florida still recovering from Hurricane Wilma, Bruce Springsteen has been forced to cancel as November 3rd,

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solo acoustic show near Fort Lauderdale because of officials' concerns over public safety.

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Wow. The rocker, I love how they say that. The rocker, the loved one, the material girl.

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We'll now play the seminal hard rock live arena in Hollywood, Florida on the 19th, according to a message on his website,

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Springsteen.net.

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Okay. Coolio.

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It's the first time I've ever clicked on one of those at the top of Gmail.

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And there was also a message here that said, Google Mail in the UK, right at the top of my Gmail.

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I think we went over this before that there's a trademark dispute over the name Gmail.

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And so as of October 19th, I'm reading here, Google Mail in the UK will start handing out Google Mail.com addresses.

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Why the name chains? We've been involved in a dispute regarding the Gmail trademark in the UK.

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Another company is claimed right to the Gmail name.

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We have tried to resolve this dispute through negotiations, but our efforts have failed.

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You didn't want to pay the prices what that means.

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Still working with the courts and trademark office to protect our ability to use the Gmail name,

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but in the meantime, we want you to have an email address that you can rely on.

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Okay. So the address is good.

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And more importantly, please, please take care of my data.

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This is, you know, with that Windows live stuff, this is going to be a big deal, I think.

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You know, because now, what is it live office, I guess, and you'll be,

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yeah, was it someone sent me an email, and I actually tried to fire this thing up.

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It's, oh, God, I can't remember the name of it now, but it's, it's,

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think office, think free, think free, I think it is office.

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And I tried to run it on my Mac. It looks cool because you can create word documents,

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Excel documents, and PowerPoint documents in a web browser.

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And then, of course, it said, hey, you don't have the latest JRE, you know, 9,000 or whatever,

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with a link to a page on the Apple site, which was non-existent,

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God hate that.

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And then my Mac popped up saying, you have 97 megs worth of update to download for the OSX update.

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So I did that and I'll go back to think free thing and see if that works.

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I remember those guys around quite a while ago, but I didn't know that they now had kind of this,

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the browser and the service metaphor, which is very interesting.

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We're seeing some really interesting things happening, particularly what Microsoft is doing,

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very interesting to see where this is going to take us.

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So far, the demo that they have at live.com doesn't really work in Firefox.

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It works somewhat, but I tried it out on the, on the craplet and got definitely different results.

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So we'll wait until they fix that, until I can really comment on it.

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So today we have a couple of pod save tunes, obviously.

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I think only two promos and lots of feedback, as I said, the feedback about yesterday's show,

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and it's very obvious, there's only one real star here in the cottage, and that will be my wife.

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So I talked to her last night and I said, could you come in more often during this show?

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I don't care what you say, just come in more often, please.

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She said she would.

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We'll see.

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Hello Adam, this is Andy from the Skinny on Sports or T-Sauce as we like to call it pod show.

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I was listening to your show yesterday and I wanted to point out a few things.

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So let's see if I can queue it up.

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Okay, here's the beginning of your show.

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Geltis, here are Charlie, two, seven, two.

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Now let me jump ahead here a bit.

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Oh yeah, here it is.

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Where is the voice of the fan in mass media?

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You know, it's always some idiot with blue and white paint on his face holding up a sign

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or standing next to his mates with a, with a big letter on his belly, you know?

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Or it's the epitentiary here, shouted from the stands at the, at the rough, or the, or other, or opposing team players.

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But where is the voice of the fan?

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You don't really hear it.

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You really don't.

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So it makes a hell of a lot of sense at that's happening.

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Cool to see it because there's no outlet whatsoever for him.

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Alright, so I got to this point and thought, what is Adam thinking?

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No voice for the fans?

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No outlet for them to be heard?

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Adam, you just have to look to family.

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Your pod show family.

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At the skinny and sports, we give that outlet for the fan.

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So whether you're wanting to talk about your favorite sport, team, athlete, or the game last night,

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the skinny and sports can give you that voice.

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You can email us your comments at skinny and sports at gmail.com.

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You can record audio comments and send them our way as well.

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And the newest way is to call the t-sauce hotline.

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At 206-350-ts-o-s.

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That's t-s-o-s for the skinny and sports.

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Then you can look for your voice to be seen and heard at www.s skinny and sports.com.

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Alright Adam, now that we've got that out of the way, you can go back to your show,

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knowing that your pod show family is looking out for you.

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Have a good day.

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Hey buddy, thanks.

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We got to figure out how to get you in both speakers.

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Both earbuds at the same time.

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Yeah, absolutely.

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Of course.

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What I meant was a little bit different.

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Because of course, skinny on sports, the fastest 10 minutes on your iPod,

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gives the fan a voice.

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I was thinking more along the lines of fans creating their own podcast.

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And I think that's not that you guys aren't fans.

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But I think there's places for all kinds of podcasts.

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And dude, I'm definitely going to call you guys up.

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We should talk about that.

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What we can do, how we can facilitate even more fan interaction.

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A lot of the problems seem to be that whenever the fans get together

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and build great websites and fan-zene websites and do podcasts,

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is that the clubs usually come down really hard on them for using their logos

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and trademarks and stuff like that.

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It's kind of like the music business in a way.

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You know, where it's all about the players,

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it's all about the sponsors, the television rights,

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and somewhere, oh yeah, yeah, there's the people who pay for it all.

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That would be us, the fans, right?

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So I think we're going to see some meltdowns all across the board.

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And the more I think about it, in position I would talk about that last night,

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there is such a meltdown on the way across the board.

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It's, who was saying that to this guy, a friend of mine, Rob,

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who lives in the Netherlands.

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He used to be used to write for gossip magazines.

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It was like the one chill I had on the inside.

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He always worked at shitty rags that had no circulation,

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but at least like it gets some room or debunked a little bit.

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And he's now heavily into all kinds of online activities

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that involve SMSing, that's basically text messages

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that you send for a fee.

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And he has real valuable propositions for people.

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I'm not going to get in digs.

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And it's okay, okay, he's doing porn, all right?

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So anyway, we talked about cross-promotion from television,

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promoting URLs and how that would work and radio.

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And he said interestingly enough, he says that advertising on television

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really doesn't give him a lot of traffic.

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He says because people who are inclined to go online

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or to do something of that interactive nature,

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basically aren't watching television.

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I thought that was, and this is a very small country,

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but it's a good country for testbed of how things will work,

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because it's his own eco culture, it's own language and all that stuff.

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So I thought that was pretty interesting.

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He said radio still does seem to work, but of course,

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it's so ubiquitous, and they have such horrible traffic problems

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in the Netherlands.

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Everyone spends at least two hours in their car every day,

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if not more, sitting in traffic,

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so they listen to a lot of radio.

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And obviously he thinks that iPods are the next place

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to advertise.

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He feels that online advertising works much better.

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So if that's the vacuum that's being created in traditional media,

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you know, there's a lot to be afraid of,

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or a lot of opportunities,

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just a matter of how you take a look at it.

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See a couple of emails here, Michael Grosch.

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Let's see, as a former headbanging bedbanger's ball addict,

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I was surprised to hear about you from Steve Jobs

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and one of his keynotes.

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And I've been a happy subscriber to Delta Sierra Charlie since.

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Tonight I've run into a little problem.

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After syncing my subscriptions and iTunes,

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I found a repot of yesterday's episode and deleted it,

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because I thought it would be the same as the regular episode,

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what a fatal mistake.

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Unfortunately, I have no idea how to recover deleted episodes on iTunes.

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Re-syncing doesn't work,

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hopefully you could point me to a solution,

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which would probably be useful for other listeners of the DSC.

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Michael from Germany.

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Okay, first of all, excuse M.W.

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Shapo, no, that's not what I'm looking for.

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Excuse M.W.

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My French sucks.

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I have like four things I know, I just say,

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and I pronounce them well, so I can get away with it.

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Mia Culpa, let's use that, not French, but it'll work.

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I don't know how it happened, but I basically am still,

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I have the oldest crappiest upload production system in the world,

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and I'm keeping it that way for a specific reason,

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because the team that is now working on the Pod Show PDN,

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the Pod Cast delivery network,

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and everything that's going to be associated with that.

231
00:15:19,000 --> 00:15:23,000
I have to basically convince me to use their system.

232
00:15:23,000 --> 00:15:25,000
And until I do, it won't be good enough,

233
00:15:25,000 --> 00:15:27,000
and they have lots of issues to deal with with me,

234
00:15:27,000 --> 00:15:30,000
because there's migration, my feed,

235
00:15:30,000 --> 00:15:33,000
my iTunes feed, where to stuff live.

236
00:15:33,000 --> 00:15:36,000
I mean, right now I'm uploading to three load balance servers,

237
00:15:36,000 --> 00:15:40,000
and I post a link on curry.com,

238
00:15:40,000 --> 00:15:42,000
and then I post the same thing again,

239
00:15:42,000 --> 00:15:44,000
and in radio, user land,

240
00:15:44,000 --> 00:15:46,000
just to make it a little more complicated.

241
00:15:46,000 --> 00:15:50,000
And that's the actual feed that activates the iTunes feeds,

242
00:15:50,000 --> 00:15:54,000
and somehow, on copying, I copied a wrong link,

243
00:15:54,000 --> 00:15:56,000
and I had everything in there right,

244
00:15:56,000 --> 00:15:58,000
it's just I copied the wrong enclosure link

245
00:15:58,000 --> 00:16:00,000
into the user land upload interface,

246
00:16:00,000 --> 00:16:02,000
and it's crazy.

247
00:16:02,000 --> 00:16:04,000
Of course, that also kind of does show you

248
00:16:04,000 --> 00:16:08,000
that iTunes, as an aggregator, is technically broken,

249
00:16:08,000 --> 00:16:11,000
because it should never download the same piece of content twice,

250
00:16:11,000 --> 00:16:15,000
and it did, it actually created two files.

251
00:16:16,000 --> 00:16:18,000
With the same name, one with an appended,

252
00:16:18,000 --> 00:16:20,000
was like a dash wand or something.

253
00:16:20,000 --> 00:16:22,000
That should basically never happen,

254
00:16:22,000 --> 00:16:25,000
particularly if the bite sizes are the same,

255
00:16:25,000 --> 00:16:28,000
which they were, so that doesn't seem to be working right.

256
00:16:28,000 --> 00:16:32,000
Now about deleting stuff in iTunes,

257
00:16:32,000 --> 00:16:34,000
yeah, that's very dangerous.

258
00:16:34,000 --> 00:16:35,000
If you delete one episode,

259
00:16:35,000 --> 00:16:38,000
it basically deletes your entire subscription,

260
00:16:38,000 --> 00:16:41,000
and where it does something funky,

261
00:16:41,000 --> 00:16:43,000
really the only way I found to do it

262
00:16:44,000 --> 00:16:47,000
is to completely delete the whole daily source code,

263
00:16:47,000 --> 00:16:49,000
then re-subscribe to it,

264
00:16:49,000 --> 00:16:52,000
and you may want to subscribe

265
00:16:52,000 --> 00:16:56,000
by using the link on dailysourcecode.com,

266
00:16:56,000 --> 00:16:59,000
the XML, the orange on white XML icon.

267
00:16:59,000 --> 00:17:01,000
If you copy that link,

268
00:17:01,000 --> 00:17:03,000
and you can go to, what is it on iTunes?

269
00:17:03,000 --> 00:17:05,000
I think it's a bit just check.

270
00:17:05,000 --> 00:17:07,000
I think it's advanced, yeah,

271
00:17:07,000 --> 00:17:09,000
and then subscribe to podcast,

272
00:17:09,000 --> 00:17:12,000
and then paste that URL in there,

273
00:17:12,000 --> 00:17:14,000
and then you're still going to get fucked up shit

274
00:17:14,000 --> 00:17:15,000
if I do it wrong,

275
00:17:15,000 --> 00:17:18,000
but it does remove one step from the loop,

276
00:17:18,000 --> 00:17:20,000
which is the iTunes system,

277
00:17:20,000 --> 00:17:23,000
which essentially scans all of the feeds periodically.

278
00:17:23,000 --> 00:17:24,000
I don't know if they've actually changed

279
00:17:24,000 --> 00:17:25,000
to looking at a ping service,

280
00:17:25,000 --> 00:17:28,000
and now we talk to them about that a lot.

281
00:17:28,000 --> 00:17:31,000
And they may be looking at,

282
00:17:31,000 --> 00:17:32,000
I don't know,

283
00:17:32,000 --> 00:17:36,000
when wintersoldweblogs.com,

284
00:17:36,000 --> 00:17:38,000
you also sold audio.weblogs.com,

285
00:17:38,000 --> 00:17:43,000
and I think that the short changes XML,

286
00:17:43,000 --> 00:17:47,000
that's basically the file that shows you what changes

287
00:17:47,000 --> 00:17:49,000
have been made in the past X amount of time,

288
00:17:49,000 --> 00:17:51,000
and it always pops up empty for me,

289
00:17:51,000 --> 00:17:54,000
so I guess they're not supporting that anymore,

290
00:17:54,000 --> 00:17:57,000
which is for obvious commercial reasons,

291
00:17:57,000 --> 00:18:01,000
but I don't know.

292
00:18:01,000 --> 00:18:02,000
So now I don't,

293
00:18:02,000 --> 00:18:06,000
they may be pulling it from ping.indepotter.com,

294
00:18:06,000 --> 00:18:09,000
or ping.indepotter.org.

295
00:18:09,000 --> 00:18:11,000
That's could be where they're getting it from.

296
00:18:11,000 --> 00:18:12,000
If they're doing pings,

297
00:18:12,000 --> 00:18:13,000
but again, I don't know.

298
00:18:13,000 --> 00:18:14,000
Now I'll find out.

299
00:18:14,000 --> 00:18:15,000
They got some cool guys over there now,

300
00:18:15,000 --> 00:18:18,000
who are dedicated to working on the podcasting

301
00:18:18,000 --> 00:18:20,000
and the iTunes music store,

302
00:18:20,000 --> 00:18:22,000
so they'll definitely let me know.

303
00:18:22,000 --> 00:18:26,000
Let me see a couple of sincere things.

304
00:18:26,000 --> 00:18:28,000
Oops, hold on a second.

305
00:18:28,000 --> 00:18:30,000
The blackberry's going off.

306
00:18:30,000 --> 00:18:32,000
I'm going to check and see what that is.

307
00:18:32,000 --> 00:18:34,000
I have an extremely busy day today.

308
00:18:34,000 --> 00:18:36,000
Ah, okay, so we're late for this.

309
00:18:36,000 --> 00:18:39,000
It's 12 to two.

310
00:18:39,000 --> 00:18:42,000
Today, Patricia and I are going to test drive,

311
00:18:42,000 --> 00:18:45,000
the Jaguar, the S-Type.

312
00:18:45,000 --> 00:18:48,000
V6, turbohunker thing.

313
00:18:48,000 --> 00:18:51,000
Turbo dieselhunker thing.

314
00:18:51,000 --> 00:18:53,000
Okay, so we're going to be late for that.

315
00:18:53,000 --> 00:18:56,000
I was contemplating a sound seeing tour,

316
00:18:56,000 --> 00:18:59,000
but I think I'm going to wait.

317
00:18:59,000 --> 00:19:01,000
They don't have the really the car that we want.

318
00:19:01,000 --> 00:19:03,000
They have the car with the same engine and suspension,

319
00:19:03,000 --> 00:19:04,000
and all that stuff.

320
00:19:04,000 --> 00:19:06,000
But I think that when we go back and test drive,

321
00:19:06,000 --> 00:19:08,000
the car that we're really interested in,

322
00:19:08,000 --> 00:19:11,000
which has all the toys and all the cool bits in it.

323
00:19:11,000 --> 00:19:14,000
You know, probably at that point,

324
00:19:14,000 --> 00:19:16,000
we might do a sound seeing tour.

325
00:19:16,000 --> 00:19:18,000
I'm pretty jazzed about it actually.

326
00:19:18,000 --> 00:19:20,000
Now, we won't be able to take the delivery of a car

327
00:19:20,000 --> 00:19:22,000
for almost two months,

328
00:19:22,000 --> 00:19:25,000
so we still have to see whether we're going to take one out of stock,

329
00:19:25,000 --> 00:19:26,000
out of the showroom,

330
00:19:26,000 --> 00:19:28,000
or if we're going to order one custom order it.

331
00:19:28,000 --> 00:19:30,000
I've gotten some pros and cons,

332
00:19:30,000 --> 00:19:34,000
email wise and feedback from people about the Jaguar,

333
00:19:34,000 --> 00:19:39,000
saying that the typical stuff about English cars,

334
00:19:39,000 --> 00:19:41,000
and some other suggestions.

335
00:19:41,000 --> 00:19:43,000
But I think I'm still pretty high on this,

336
00:19:43,000 --> 00:19:46,000
and depending on if it's not a total dog to drive,

337
00:19:46,000 --> 00:19:47,000
I think we'll just get it,

338
00:19:47,000 --> 00:19:50,000
because I don't drive here at all anyway.

339
00:19:50,000 --> 00:19:54,000
So, except to maybe go to the Farrowx Airport,

340
00:19:54,000 --> 00:19:58,000
when I'm flying the 182.

341
00:19:59,000 --> 00:20:02,000
So, still looking for people who might have had some experience

342
00:20:02,000 --> 00:20:05,000
with the Jaguar Diesel, Turbo Diesel,

343
00:20:05,000 --> 00:20:07,000
regarding Bio Diesel, otherwise,

344
00:20:07,000 --> 00:20:09,000
we're just all going to experiment together,

345
00:20:09,000 --> 00:20:11,000
then aren't we?

346
00:20:11,000 --> 00:20:13,000
More feedback.

347
00:20:13,000 --> 00:20:16,000
Hiya, this is from Brian Deamer.

348
00:20:16,000 --> 00:20:19,000
From the Comic Geek Speed Podcast.

349
00:20:19,000 --> 00:20:20,000
They're Brian.

350
00:20:20,000 --> 00:20:23,000
This is Brian Deamer from the Comic Geek Speed Podcast.

351
00:20:23,000 --> 00:20:26,000
I wanted to take this opportunity to thank you

352
00:20:26,000 --> 00:20:29,000
for inspiring me and my friends to do a podcast.

353
00:20:29,000 --> 00:20:33,000
Your daily dose of all things podcasting keeps me informed,

354
00:20:33,000 --> 00:20:36,000
and motivated to make our show better each day.

355
00:20:36,000 --> 00:20:38,000
And I want to let your listeners know

356
00:20:38,000 --> 00:20:41,000
that it is possible to be successful in the world of podcasting.

357
00:20:41,000 --> 00:20:43,000
Our show started out in March,

358
00:20:43,000 --> 00:20:46,000
just a small show with a few listeners.

359
00:20:46,000 --> 00:20:49,000
But by filling it with our passion for comic books,

360
00:20:49,000 --> 00:20:52,000
and trying our best to make it the best show we know how,

361
00:20:52,000 --> 00:20:55,000
we now have more than 2,000 downloads every day.

362
00:20:55,000 --> 00:20:58,000
We are selling advertising that targets our audience,

363
00:20:58,000 --> 00:20:59,000
since I owe.

364
00:20:59,000 --> 00:21:02,000
We are traveling around the US to comic conventions far and wide

365
00:21:02,000 --> 00:21:04,000
to meet our listeners.

366
00:21:04,000 --> 00:21:06,000
Hell, we've never owned t-shirts.

367
00:21:06,000 --> 00:21:08,000
So if you really want to,

368
00:21:08,000 --> 00:21:10,000
and if you're willing to put in a lot of hard work,

369
00:21:10,000 --> 00:21:13,000
you too can have a successful podcast.

370
00:21:13,000 --> 00:21:15,000
We owe it all to you, Adam.

371
00:21:15,000 --> 00:21:18,000
If not for your constant energy about this exciting new medium,

372
00:21:18,000 --> 00:21:20,000
we wouldn't be where we are today.

373
00:21:20,000 --> 00:21:23,000
So have a great day and thanks so much.

374
00:21:23,000 --> 00:21:26,000
And by the way, if you're a fan of comic books,

375
00:21:26,000 --> 00:21:29,000
or you're even curious about the joys of superheroes,

376
00:21:29,000 --> 00:21:33,000
check us out at ComicGeekSpeak.com.

377
00:21:33,000 --> 00:21:34,000
Hey, Brian. Thanks, buddy.

378
00:21:34,000 --> 00:21:37,000
I cannot accept all the credit you gave there.

379
00:21:37,000 --> 00:21:39,000
It sounds like you guys have been working really hard.

380
00:21:39,000 --> 00:21:40,000
And there you go.

381
00:21:40,000 --> 00:21:43,000
So you see what a couple of thousand subscribers can do

382
00:21:43,000 --> 00:21:45,000
if you're, well, essentially,

383
00:21:45,000 --> 00:21:48,000
if you're certainly if you're targeting some kind of nature,

384
00:21:48,000 --> 00:21:51,000
basically whatever the frick you have passion about,

385
00:21:51,000 --> 00:21:54,000
right, that's really, wow.

386
00:21:54,000 --> 00:21:56,000
I hate saying right after sentences.

387
00:21:56,000 --> 00:21:58,000
Oh, that's so Silicon Valley.

388
00:21:58,000 --> 00:22:00,000
I'll get to that in a second.

389
00:22:00,000 --> 00:22:03,000
So you can see how it works.

390
00:22:03,000 --> 00:22:05,000
You know, if you're passionate about a topic,

391
00:22:05,000 --> 00:22:08,000
and I like the wrestling promo from yesterday as well,

392
00:22:08,000 --> 00:22:11,000
you know, these are very targeted audiences.

393
00:22:11,000 --> 00:22:12,000
I mean, think of all, you know,

394
00:22:12,000 --> 00:22:15,000
the, oh, man, any extreme sport,

395
00:22:15,000 --> 00:22:20,000
anything that's narrower than the Daily Source Code, basically.

396
00:22:20,000 --> 00:22:24,000
I think you can be very successful in because the audience is going to be so well known.

397
00:22:24,000 --> 00:22:26,000
Advertisers will, will hone you out.

398
00:22:26,000 --> 00:22:27,000
They will seek you out.

399
00:22:27,000 --> 00:22:31,000
I'm telling you, they're going after this because they realize it's a great place

400
00:22:31,000 --> 00:22:33,000
to reach the audience.

401
00:22:33,000 --> 00:22:35,000
They just have no way of reaching because,

402
00:22:35,000 --> 00:22:37,000
that's what they're not really watching television anymore.

403
00:22:37,000 --> 00:22:40,000
They're not really listening to the radio.

404
00:22:40,000 --> 00:22:43,000
And if they are, it's not quite working as well as it used to.

405
00:22:43,000 --> 00:22:46,000
So congratulations, guys.

406
00:22:46,000 --> 00:22:47,000
That's fantastic.

407
00:22:47,000 --> 00:22:48,000
That is just fantastic.

408
00:22:48,000 --> 00:22:49,000
I love it.

409
00:22:50,000 --> 00:22:51,000
About the right thing.

410
00:22:51,000 --> 00:22:54,000
Throughout Silicon Valley, I've noticed.

411
00:22:54,000 --> 00:22:56,000
Whenever you talk to a technologist,

412
00:22:56,000 --> 00:23:00,000
someone who really knows this stuff usually will do this,

413
00:23:00,000 --> 00:23:04,000
there's this, this habit of people saying,

414
00:23:04,000 --> 00:23:06,000
well, you know, I'll give an example.

415
00:23:06,000 --> 00:23:08,000
Well, the RSS feed, of course,

416
00:23:08,000 --> 00:23:11,000
will update through the dynamically generated court, right?

417
00:23:11,000 --> 00:23:14,000
And they always end the sentence with the right,

418
00:23:14,000 --> 00:23:16,000
which is,

419
00:23:17,000 --> 00:23:20,000
it gives a non-technical people a very easy way to say,

420
00:23:20,000 --> 00:23:21,000
oh, yeah, right.

421
00:23:21,000 --> 00:23:23,000
But I find it highly annoying.

422
00:23:23,000 --> 00:23:25,000
And I do find myself often saying,

423
00:23:25,000 --> 00:23:27,000
no, I don't think that's right.

424
00:23:27,000 --> 00:23:29,000
But that's incorrect.

425
00:23:29,000 --> 00:23:31,000
But the danger is you start taking that shit

426
00:23:31,000 --> 00:23:33,000
over yourself and you start saying,

427
00:23:33,000 --> 00:23:34,000
oh, God, I hate doing that.

428
00:23:34,000 --> 00:23:36,000
I'm the chameleon of talk when it comes to that.

429
00:23:36,000 --> 00:23:37,000
I always, you know,

430
00:23:37,000 --> 00:23:39,000
I'm still still struggling,

431
00:23:39,000 --> 00:23:42,000
very hard not to slip into the magic vibe over here.

432
00:23:42,000 --> 00:23:45,000
The Madonna vibe of talking with the English accent,

433
00:23:46,000 --> 00:23:47,000
which is not fake, it's not,

434
00:23:47,000 --> 00:23:48,000
her accent is not fake.

435
00:23:48,000 --> 00:23:51,000
It's so easy if you live here to slip into it.

436
00:23:51,000 --> 00:23:52,000
It's just,

437
00:23:52,000 --> 00:23:55,000
it's a fascinating way of using the English language.

438
00:23:55,000 --> 00:23:58,000
It really is so much nicer than,

439
00:23:58,000 --> 00:24:00,000
then what I grew up with,

440
00:24:00,000 --> 00:24:03,000
so much richer in description to be honest.

441
00:24:03,000 --> 00:24:06,000
Gabrielle Moreno,

442
00:24:06,000 --> 00:24:08,000
this is the email I was waiting for.

443
00:24:08,000 --> 00:24:09,000
Adam, been a fan for several months.

444
00:24:09,000 --> 00:24:11,000
Thanks for playing some country.

445
00:24:11,000 --> 00:24:13,000
I would not complain if you play more of it.

446
00:24:13,000 --> 00:24:16,000
I am a jazz in the country fan.

447
00:24:16,000 --> 00:24:18,000
He he he.

448
00:24:18,000 --> 00:24:20,000
Anyone wants to know if,

449
00:24:20,000 --> 00:24:23,000
there's a way to buy pot-sake music other than through iTunes?

450
00:24:23,000 --> 00:24:24,000
Well, yeah, of course.

451
00:24:24,000 --> 00:24:29,000
Most of the artists have sales mechanisms or deals with places like CDB

452
00:24:29,000 --> 00:24:31,000
be set up on their own websites,

453
00:24:31,000 --> 00:24:33,000
which you can get to from the pot-sake music network.

454
00:24:33,000 --> 00:24:34,000
And, well,

455
00:24:34,000 --> 00:24:35,000
they're,

456
00:24:35,000 --> 00:24:37,000
there possibly could be something in the very near future

457
00:24:37,000 --> 00:24:40,000
in the form of an unlabel that might,

458
00:24:40,000 --> 00:24:42,000
might answer your question a little more,

459
00:24:43,000 --> 00:24:44,000
so,

460
00:24:44,000 --> 00:24:45,000
this one's for you,

461
00:24:45,000 --> 00:24:46,000
another country song,

462
00:24:46,000 --> 00:24:48,000
this is Amy Dallas.

463
00:24:48,750 --> 00:28:10,000
[ Music ]

464
00:28:10,000 --> 00:28:11,000
Yeah.

465
00:28:11,000 --> 00:28:12,000
Yeah.

466
00:28:12,000 --> 00:28:13,000
Yeah.

467
00:28:13,000 --> 00:28:14,000
Yeah.

468
00:28:14,000 --> 00:28:15,000
Yeah.

469
00:28:15,000 --> 00:28:16,000
Yeah.

470
00:28:16,000 --> 00:28:17,000
Yeah.

471
00:28:17,000 --> 00:28:18,000
Yeah.

472
00:28:18,000 --> 00:28:20,000
Amy Dally.

473
00:28:20,000 --> 00:28:21,000
I presume it's Dally,

474
00:28:21,000 --> 00:28:23,000
D-A-L-L-E-Y Friday night.

475
00:28:23,000 --> 00:28:24,000
From the Podsate Music Network,

476
00:28:24,000 --> 00:28:27,000
a little bit of country for you, Robotta.

477
00:28:27,000 --> 00:28:28,000
Uh...

478
00:28:28,000 --> 00:28:30,000
Music.podshow.com.

479
00:28:30,000 --> 00:28:31,000
Now, so here we are.

480
00:28:31,000 --> 00:28:36,000
And the Patricia Knight talked about her coming on the show more just last night.

481
00:28:36,000 --> 00:28:38,000
And I said, I'm going to go to the show.

482
00:28:38,000 --> 00:28:40,000
And then I just saw her drive off in the car.

483
00:28:40,000 --> 00:28:41,000
Did you just post it?

484
00:28:41,000 --> 00:28:42,000
Hold on.

485
00:28:42,000 --> 00:28:43,000
Let me just call her.

486
00:28:43,000 --> 00:28:45,000
Let's see if she has her mobile honor.

487
00:28:45,000 --> 00:28:49,000
I'll see if I can do this.

488
00:28:49,000 --> 00:28:50,000
I think that's it.

489
00:28:50,000 --> 00:28:53,000
Let's see if I've got everything hooked up right.

490
00:28:54,000 --> 00:28:57,000
If so, it will function.

491
00:28:57,000 --> 00:28:59,000
Come on Skype.

492
00:28:59,000 --> 00:29:01,000
Do your thing, baby.

493
00:29:01,000 --> 00:29:03,000
Right.

494
00:29:03,000 --> 00:29:05,000
So far, pretty disappointing.

495
00:29:05,000 --> 00:29:07,000
Come on.

496
00:29:07,000 --> 00:29:10,000
Why isn't that working?

497
00:29:10,000 --> 00:29:12,000
Connecting?

498
00:29:12,000 --> 00:29:14,000
That was wrong here.

499
00:29:14,000 --> 00:29:17,000
I'm on the right network.

500
00:29:17,000 --> 00:29:19,000
See if I have the right number in there.

501
00:29:19,000 --> 00:29:20,000
Let me see.

502
00:29:21,000 --> 00:29:23,000
Hmm.

503
00:29:29,000 --> 00:29:32,000
Well, this is not working out the way I plan.

504
00:29:32,000 --> 00:29:34,000
Let me try one more time.

505
00:29:34,000 --> 00:29:37,000
Why isn't Skype out just working?

506
00:29:37,000 --> 00:29:40,000
Man, I'm going to go off on another tire.

507
00:29:40,000 --> 00:29:41,000
I can feel it.

508
00:29:41,000 --> 00:29:42,000
I guess not.

509
00:29:42,000 --> 00:29:43,000
All right.

510
00:29:43,000 --> 00:29:45,000
Told you leave it for what it is.

511
00:29:45,000 --> 00:29:49,000
Another thing that I got a lot of quite a lot of feedback and comments on.

512
00:29:49,000 --> 00:29:53,000
And in fact, over the past couple of weeks, it seemed to seem so intensified.

513
00:29:53,000 --> 00:29:57,000
Is the naming convention and I wasn't understanding what the problem was.

514
00:29:57,000 --> 00:30:00,000
People are saying, hey, however you name your show.

515
00:30:00,000 --> 00:30:06,000
Please change it so that I can actually see which episode is going to play on my iPod.

516
00:30:06,000 --> 00:30:12,000
Because the iPod essentially takes this whole title and you got it.

517
00:30:12,000 --> 00:30:16,000
It abbreviates it or it gives you a dot dot dot dot dot.

518
00:30:16,000 --> 00:30:21,000
I think sometimes it'll scroll if you put your if you mouse wheel over to the episode.

519
00:30:21,000 --> 00:30:22,000
It'll scroll so you can see what it is.

520
00:30:22,000 --> 00:30:24,000
But of course, my episode numbers come at the very end.

521
00:30:24,000 --> 00:30:26,000
And I'm thinking, that doesn't sound right.

522
00:30:26,000 --> 00:30:27,000
My episode.

523
00:30:27,000 --> 00:30:29,000
In fact, I name my my shows.

524
00:30:29,000 --> 00:30:34,000
D.S.C. Dash episode number dash year dash month dash day.

525
00:30:34,000 --> 00:30:37,000
And I couldn't figure it out until finally I had a closing.

526
00:30:37,000 --> 00:30:40,000
I don't usually look at my own.

527
00:30:40,000 --> 00:30:42,000
My own pod.

528
00:30:43,000 --> 00:30:45,000
I'm subscribed to it and I looked at it.

529
00:30:45,000 --> 00:30:48,000
And it doesn't represent the ID three tags.

530
00:30:48,000 --> 00:30:50,000
The actual file itself.

531
00:30:50,000 --> 00:30:55,000
It represents the post that that was made.

532
00:30:55,000 --> 00:31:01,000
So the podcast is basically named or I guess.

533
00:31:01,000 --> 00:31:02,000
Let me see.

534
00:31:02,000 --> 00:31:04,000
This is an interesting question.

535
00:31:04,000 --> 00:31:08,000
Anyway, so what shows up in iTunes on the iPod is from what I post on the website.

536
00:31:08,000 --> 00:31:10,000
Not what I put in the ID three tags.

537
00:31:10,000 --> 00:31:13,000
That was pretty surprising because yeah, right there.

538
00:31:13,000 --> 00:31:16,000
I say daily source code for day.

539
00:31:16,000 --> 00:31:18,000
You know, it was like, we guess they would have been for Wednesday,

540
00:31:18,000 --> 00:31:20,000
November 2nd, 2005, 2007 too.

541
00:31:20,000 --> 00:31:24,000
So basically all you see on the iPod is daily source code for dot dot dot.

542
00:31:24,000 --> 00:31:26,000
Well, that of course sucks.

543
00:31:26,000 --> 00:31:27,000
Let me see if it.

544
00:31:27,000 --> 00:31:29,000
I mean, look at the original file here for a second.

545
00:31:29,000 --> 00:31:31,000
I think we can do it like this.

546
00:31:31,000 --> 00:31:32,000
Wow.

547
00:31:32,000 --> 00:31:34,000
Yeah, they actually name the file.

548
00:31:34,000 --> 00:31:35,000
Oh, that's interesting.

549
00:31:35,000 --> 00:31:36,000
iTunes renames the file.

550
00:31:36,000 --> 00:31:39,000
Now, let's see what's in the ID three tags.

551
00:31:39,000 --> 00:31:41,000
Don't have that didn't change, please.

552
00:31:41,000 --> 00:31:44,000
That's let me see the ID three tags say.

553
00:31:44,000 --> 00:31:46,000
I have to open up in quick time, I guess.

554
00:31:46,000 --> 00:31:47,000
Hold on one second.

555
00:31:47,000 --> 00:31:49,000
This is kind of interesting.

556
00:31:49,000 --> 00:31:50,000
Okay.

557
00:31:50,000 --> 00:31:52,000
Let's look at the ID three tags for it.

558
00:31:52,000 --> 00:31:54,000
Read my God.

559
00:31:56,000 --> 00:31:58,000
Wow.

560
00:31:58,000 --> 00:31:59,000
I had no idea.

561
00:31:59,000 --> 00:32:00,000
Okay.

562
00:32:00,000 --> 00:32:02,000
So that's really interesting.

563
00:32:02,000 --> 00:32:05,000
And at the same time, I don't know if I like that.

564
00:32:05,000 --> 00:32:11,000
So when you get a podcast from a through iTunes,

565
00:32:11,000 --> 00:32:14,000
and then it sucks it into iTunes,

566
00:32:14,000 --> 00:32:19,000
it basically repopulates all of the ID three tags in your font.

567
00:32:19,000 --> 00:32:22,000
That is not right.

568
00:32:22,000 --> 00:32:24,000
I mean, so yeah, I know how to work around it,

569
00:32:24,000 --> 00:32:27,000
but that's basically changing my content.

570
00:32:27,000 --> 00:32:28,000
Okay.

571
00:32:28,000 --> 00:32:31,000
So what I'll do today is you've probably already noticed.

572
00:32:31,000 --> 00:32:35,000
I'll post it differently so that you can actually see it on your iPod.

573
00:32:35,000 --> 00:32:37,000
And of course, I'll get all kinds of people angry at me

574
00:32:37,000 --> 00:32:39,000
because I changed the name convention.

575
00:32:39,000 --> 00:32:40,000
But this is pretty important stuff.

576
00:32:40,000 --> 00:32:42,000
I had no idea that iTunes did that,

577
00:32:42,000 --> 00:32:44,000
and I'm just finding this out.

578
00:32:44,000 --> 00:32:45,000
Okay.

579
00:32:45,000 --> 00:32:49,000
So basically, I have to put, I have to change the way I name them

580
00:32:49,000 --> 00:32:52,000
in the posts to the weblog and to the podcast feed,

581
00:32:52,000 --> 00:32:53,000
which I'll do.

582
00:32:53,000 --> 00:32:55,000
Pretty interesting stuff.

583
00:32:55,000 --> 00:32:57,000
Something else that happened.

584
00:32:57,000 --> 00:32:59,000
Oh, Skype out is working, I think.

585
00:32:59,000 --> 00:33:03,000
What's working?

586
00:33:03,000 --> 00:33:04,000
Hello?

587
00:33:04,000 --> 00:33:07,000
No, I don't hear anything.

588
00:33:07,000 --> 00:33:10,000
Hello?

589
00:33:10,000 --> 00:33:12,000
Hello?

590
00:33:12,000 --> 00:33:13,000
Hello?

591
00:33:13,000 --> 00:33:14,000
Hello?

592
00:33:14,000 --> 00:33:15,000
Hey, baby.

593
00:33:15,000 --> 00:33:16,000
There you go.

594
00:33:16,000 --> 00:33:17,000
Don't let yourself go.

595
00:33:17,000 --> 00:33:19,000
Oh, I couldn't hear you.

596
00:33:19,000 --> 00:33:21,000
I wanted to call you on the show.

597
00:33:21,000 --> 00:33:25,000
Oh, I mean, I'm in the car.

598
00:33:25,000 --> 00:33:26,000
In the car.

599
00:33:26,000 --> 00:33:27,000
Yeah.

600
00:33:27,000 --> 00:33:29,000
For some reason, I can't get you on the mixing board, either.

601
00:33:29,000 --> 00:33:30,000
Whatever.

602
00:33:30,000 --> 00:33:33,000
Um, I mean, the car has to put things to it.

603
00:33:33,000 --> 00:33:34,000
Do you know that?

604
00:33:34,000 --> 00:33:35,000
Yeah, I know it's dangerous, dear.

605
00:33:35,000 --> 00:33:36,000
Please be very careful.

606
00:33:36,000 --> 00:33:38,000
We're driving off the left side.

607
00:33:38,000 --> 00:33:41,000
Well, I, I, I want to say that we've missed you on the show

608
00:33:41,000 --> 00:33:43,000
and you drove off.

609
00:33:43,000 --> 00:33:46,000
Yeah, I have to get new, do I?

610
00:33:46,000 --> 00:33:47,000
Okay.

611
00:33:47,000 --> 00:33:48,000
There's a peanut here, someone.

612
00:33:48,000 --> 00:33:50,000
We have the teenagers hungry here.

613
00:33:50,000 --> 00:33:51,000
Okay.

614
00:33:51,000 --> 00:33:53,000
Well, see you later, then we'll go test drive.

615
00:33:53,000 --> 00:33:55,000
I'll be back in five minutes.

616
00:33:55,000 --> 00:33:56,000
Okay.

617
00:33:56,000 --> 00:33:57,000
Well, yeah.

618
00:33:57,000 --> 00:34:00,000
If you're back in five, then we can still talk.

619
00:34:00,000 --> 00:34:01,000
Okay.

620
00:34:01,000 --> 00:34:02,000
Love you.

621
00:34:02,000 --> 00:34:03,000
Love you.

622
00:34:03,000 --> 00:34:04,000
Okay.

623
00:34:04,000 --> 00:34:05,000
Hmm.

624
00:34:05,000 --> 00:34:06,000
I don't know.

625
00:34:06,000 --> 00:34:07,000
For some reason, the mixer didn't work.

626
00:34:07,000 --> 00:34:08,000
All right.

627
00:34:08,000 --> 00:34:09,000
Okay.

628
00:34:09,000 --> 00:34:10,000
Oh, yeah.

629
00:34:10,000 --> 00:34:11,000
That's right.

630
00:34:11,000 --> 00:34:14,000
CC Chapman had something pretty cool to say about the upcoming podcast

631
00:34:14,000 --> 00:34:15,000
Expo.

632
00:34:15,000 --> 00:34:16,000
Yeah, I'm curious.

633
00:34:16,000 --> 00:34:18,000
This is Scott from Anchorage, Alaska.

634
00:34:18,000 --> 00:34:19,000
Listen.

635
00:34:19,000 --> 00:34:20,000
Wait a minute.

636
00:34:20,000 --> 00:34:21,000
That's not CC.

637
00:34:21,000 --> 00:34:22,000
That's Scott.

638
00:34:22,000 --> 00:34:23,000
Okay.

639
00:34:23,000 --> 00:34:24,000
I'm sorry.

640
00:34:24,000 --> 00:34:25,000
Here we go.

641
00:34:25,000 --> 00:34:29,000
I was thinking about all the great artists and talent that's over there at the pod safe

642
00:34:29,000 --> 00:34:31,000
Music Network and I was thinking, hmm.

643
00:34:31,000 --> 00:34:34,000
You know, all this needs to be packaged up.

644
00:34:34,000 --> 00:34:37,000
Maybe Showcase.

645
00:34:37,000 --> 00:34:39,000
How about a pod show polusa?

646
00:34:39,000 --> 00:34:40,000
That's right.

647
00:34:40,000 --> 00:34:42,000
I think it would be a fantastic idea.

648
00:34:42,000 --> 00:34:47,000
Not only would it support and pump up the independent music artists that are out there.

649
00:34:47,000 --> 00:34:49,000
But it also demonstrated the music industry.

650
00:34:49,000 --> 00:34:54,000
How many people are listening to podcasts and listening to independent artists that are

651
00:34:54,000 --> 00:34:56,000
on most podcasts?

652
00:34:56,000 --> 00:34:59,000
So I'm all for you trying to make that happen.

653
00:34:59,000 --> 00:35:01,000
Let me know what I can do.

654
00:35:01,000 --> 00:35:05,000
And look forward to going to a pod show polusa this summer.

655
00:35:05,000 --> 00:35:08,000
Take care of yourself and keep podcasting from Anchorage, Alaska.

656
00:35:08,000 --> 00:35:11,000
This has got Sloan at the Alaska pod show.

657
00:35:11,000 --> 00:35:12,000
Right on Scott.

658
00:35:12,000 --> 00:35:13,000
Okay.

659
00:35:13,000 --> 00:35:14,000
So that was a pretty good point.

660
00:35:14,000 --> 00:35:19,000
Although, you know, the problem there is if you want to package up a concert tour.

661
00:35:19,000 --> 00:35:21,000
It has a lot of money involved in that to get that going.

662
00:35:21,000 --> 00:35:23,000
And who knows what kind of ticket sales we'd have.

663
00:35:23,000 --> 00:35:26,000
I guess it would really had a great way of promoting it across the network.

664
00:35:26,000 --> 00:35:29,000
Well, actually, I think it might actually work.

665
00:35:29,000 --> 00:35:31,000
I have to think about it.

666
00:35:31,000 --> 00:35:34,000
But we are taking small, small, tiny little steps.

667
00:35:34,000 --> 00:35:38,000
And one of them is what CC is going to tell you about.

668
00:35:38,000 --> 00:35:40,000
The podcasters are coming.

669
00:35:40,000 --> 00:35:42,000
The podcasters are coming.

670
00:35:42,000 --> 00:35:44,000
The podcasters are coming.

671
00:35:44,000 --> 00:35:46,000
The podcasters are coming.

672
00:35:46,000 --> 00:35:47,000
Hey, Adam.

673
00:35:47,000 --> 00:35:48,000
It's CC from accidenthash.com.

674
00:35:48,000 --> 00:35:49,000
How's it going, Matt?

675
00:35:49,000 --> 00:35:51,000
Haven't talked to you in a while.

676
00:35:51,000 --> 00:35:55,000
And I want to talk to you listeners for just a minute to let them know about something very, very cool.

677
00:35:55,000 --> 00:35:57,000
The podcasters exposed next week.

678
00:35:57,000 --> 00:35:59,000
We all know that Friday and Saturday.

679
00:35:59,000 --> 00:36:01,000
Well, everybody's getting in on Thursday, right?

680
00:36:01,000 --> 00:36:04,000
And we need something to get everyone together to kick off the whole expo right.

681
00:36:04,000 --> 00:36:05,000
And what's that going to be?

682
00:36:05,000 --> 00:36:07,000
It's going to be an unofficial kickoff party.

683
00:36:07,000 --> 00:36:09,000
And we're calling it give love a chance.

684
00:36:09,000 --> 00:36:11,000
We're doing a little acoustic party.

685
00:36:11,000 --> 00:36:12,000
Everybody is welcome.

686
00:36:12,000 --> 00:36:14,000
And we're going to have two of the hottest podsafe artists out there.

687
00:36:14,000 --> 00:36:17,000
We're going to have chance playing an acoustic set.

688
00:36:17,000 --> 00:36:20,000
And then the number one pod played artist out there.

689
00:36:20,000 --> 00:36:24,000
Brother loves flying all the way in from New York City to rock the place down.

690
00:36:24,000 --> 00:36:25,000
I can't wait.

691
00:36:25,000 --> 00:36:28,000
It's going to be a nice cool upbeat set, but acoustic set.

692
00:36:28,000 --> 00:36:29,000
Brother love.

693
00:36:29,000 --> 00:36:32,000
I know we're going to pull him back and make him rock the house a little acoustic.

694
00:36:32,000 --> 00:36:34,000
So I'm encouraging everybody.

695
00:36:34,000 --> 00:36:38,000
We're going to have a sign-up form very soon because we know we're going to pack this thing out.

696
00:36:38,000 --> 00:36:41,000
Nine o'clock at the Marriott details to follow.

697
00:36:41,000 --> 00:36:42,000
There will be posters.

698
00:36:42,000 --> 00:36:43,000
There will be flyers.

699
00:36:43,000 --> 00:36:44,000
You can't miss it.

700
00:36:44,000 --> 00:36:47,000
So when you get into town on Thursday, look up around the Marriott.

701
00:36:47,000 --> 00:36:49,000
You know, they're going to have the little screens everywhere.

702
00:36:49,000 --> 00:36:51,000
And I'll swing on by and add them.

703
00:36:51,000 --> 00:36:52,000
We'll make sure you're on the guest list.

704
00:36:52,000 --> 00:36:57,000
So if I when you parachute in and you get all your your hos and your limos and everybody else and your whole

705
00:36:57,000 --> 00:37:00,000
archeological coming in, we'll make sure this room free at the door.

706
00:37:00,000 --> 00:37:01,000
Details to follow.

707
00:37:01,000 --> 00:37:06,000
If anyone has any questions from my accent at hash.com, I will have the latest information.

708
00:37:06,000 --> 00:37:07,000
I appreciate it.

709
00:37:07,000 --> 00:37:08,000
And I appreciate this.

710
00:37:08,000 --> 00:37:12,000
Show being put on by the podshow podcast network and the podsafe music network.

711
00:37:12,000 --> 00:37:14,000
Helping me make this a reality.

712
00:37:14,000 --> 00:37:16,000
So peace man, play some songs.

713
00:37:16,000 --> 00:37:17,000
And I'll talk to you soon.

714
00:37:17,000 --> 00:37:20,000
But it's all good home fries.

715
00:37:20,000 --> 00:37:21,000
Absolutely.

716
00:37:21,000 --> 00:37:22,000
Very cool.

717
00:37:22,000 --> 00:37:27,000
That's Thursday night, which kind of bones me out because I was planning on arriving Thursday afternoon.

718
00:37:27,000 --> 00:37:30,000
I wasn't actually planning on going up until Friday.

719
00:37:30,000 --> 00:37:35,000
If I can get the bitches, the hose and the limos all set up, you know.

720
00:37:35,000 --> 00:37:40,000
I'm afraid to go now.

721
00:37:40,000 --> 00:37:45,000
I really am because inevitably I'm going to piss somebody off by not having time to talk to.

722
00:37:45,000 --> 00:37:47,000
Because everybody is sending me messages.

723
00:37:47,000 --> 00:37:51,000
Hey, you know, I'll catch up with you at the expo.

724
00:37:51,000 --> 00:37:55,000
Man, I don't want to like, you know, hold court and talk to people.

725
00:37:55,000 --> 00:37:56,000
That's sucks.

726
00:37:56,000 --> 00:37:59,000
You know, I just want to, maybe I should go and disguise.

727
00:37:59,000 --> 00:38:00,000
There you go.

728
00:38:00,000 --> 00:38:02,000
I did check it coming for the great disguise.

729
00:38:02,000 --> 00:38:05,000
Well, five foot 17 of me.

730
00:38:05,000 --> 00:38:09,000
CC just sent an email, internal email here at podshow.

731
00:38:09,000 --> 00:38:13,000
Songs reported played on the podsafe music network.

732
00:38:13,000 --> 00:38:15,000
8,060.

733
00:38:15,000 --> 00:38:16,000
My god.

734
00:38:16,000 --> 00:38:18,000
Fantastic.

735
00:38:18,000 --> 00:38:21,000
Over 8,000 songs played from the podsafe music network.

736
00:38:21,000 --> 00:38:24,000
That's a lot of airtime.

737
00:38:24,000 --> 00:38:26,000
That's a lot of songs played, man.

738
00:38:26,000 --> 00:38:27,000
That is fantastic.

739
00:38:27,000 --> 00:38:29,000
See, we have,

740
00:38:29,000 --> 00:38:31,000
Oh, yeah.

741
00:38:31,000 --> 00:38:32,000
Oh, man.

742
00:38:32,000 --> 00:38:33,000
We have 1,000.

743
00:38:33,000 --> 00:38:36,000
Just thousands of podcasters registered thousands of artists.

744
00:38:36,000 --> 00:38:38,000
Thousands of songs uploaded.

745
00:38:38,000 --> 00:38:39,000
This is fantastic.

746
00:38:39,000 --> 00:38:41,000
That's really, really cool.

747
00:38:41,000 --> 00:38:42,000
That's great.

748
00:38:42,000 --> 00:38:48,000
Paul, to UCC, and of course, the podshow podsafe music podcasters.

749
00:38:48,000 --> 00:38:54,000
You can find out more about them all at music.podshow.com or podsafe music network.com.

750
00:38:54,000 --> 00:38:56,000
And it's funny.

751
00:38:56,000 --> 00:39:01,000
Because CC actually says, you'll dig this in one of his email subjects.

752
00:39:01,000 --> 00:39:03,000
And that reminded me that someone,

753
00:39:03,000 --> 00:39:08,000
Actually, a couple people pointed out to me that I'm on dig.com.

754
00:39:09,000 --> 00:39:14,000
And yesterday, apparently, someone was incredibly brilliant.

755
00:39:14,000 --> 00:39:16,000
And went to one of our investor's websites.

756
00:39:16,000 --> 00:39:21,000
A quiet capital and found the podshow address and telephone number,

757
00:39:21,000 --> 00:39:22,000
which is no problem.

758
00:39:22,000 --> 00:39:23,000
It's like a phone listing.

759
00:39:23,000 --> 00:39:26,000
And then, and here's Adam Curry's personal phone number.

760
00:39:26,000 --> 00:39:29,000
And so people were sending me message like, wow, man,

761
00:39:29,000 --> 00:39:30,000
you must be really bummed out.

762
00:39:30,000 --> 00:39:31,000
And that really sucks.

763
00:39:31,000 --> 00:39:32,000
I'm like, what are they talking about?

764
00:39:32,000 --> 00:39:33,000
And I looked at the number.

765
00:39:33,000 --> 00:39:35,000
And it is one of my phone numbers.

766
00:39:35,000 --> 00:39:37,000
And it probably picks up with an answering machine

767
00:39:37,000 --> 00:39:38,000
that has my voice on it.

768
00:39:38,000 --> 00:39:42,000
But it's like, it's a prepaid, tea mobile from a couple months ago.

769
00:39:42,000 --> 00:39:45,000
I don't even have to, I'm pissed off about it.

770
00:39:45,000 --> 00:39:46,000
Because I don't have the sim card.

771
00:39:46,000 --> 00:39:49,000
You know, I really wanted to play some of the messages

772
00:39:49,000 --> 00:39:51,000
that folks had left on it for me.

773
00:39:51,000 --> 00:39:53,000
But what was interesting is that people see,

774
00:39:53,000 --> 00:39:55,000
you know, that's like that some kind of intrusion.

775
00:39:55,000 --> 00:39:57,000
I'm like, no, you know, it's like,

776
00:39:57,000 --> 00:39:59,000
I think everyone can have my phone number.

777
00:39:59,000 --> 00:40:01,000
As long as I have your phone number,

778
00:40:01,000 --> 00:40:02,000
have you in my address book,

779
00:40:02,000 --> 00:40:05,000
and you have your caller ID switched on.

780
00:40:05,000 --> 00:40:07,000
Because my phone actually doesn't ring.

781
00:40:07,000 --> 00:40:08,000
If you don't have caller ID,

782
00:40:08,000 --> 00:40:10,000
if you're not recognized in my phone book,

783
00:40:10,000 --> 00:40:11,000
and then you just go to voice mail,

784
00:40:11,000 --> 00:40:13,000
and I'll catch up with you later.

785
00:40:13,000 --> 00:40:15,000
You know, it's funny how that's flipped around,

786
00:40:15,000 --> 00:40:17,000
where the real personal contact happens through email.

787
00:40:17,000 --> 00:40:19,000
It doesn't happen through the telephone anymore.

788
00:40:19,000 --> 00:40:21,000
In fact, my phone barely rings at all.

789
00:40:21,000 --> 00:40:25,000
If only for a prior agreed to time to talk with someone.

790
00:40:25,000 --> 00:40:27,000
It's all email instant message.

791
00:40:27,000 --> 00:40:30,000
It's, uh, it's changing my friends.

792
00:40:30,000 --> 00:40:31,000
It really is a changing.

793
00:40:31,000 --> 00:40:32,000
All right.

794
00:40:32,000 --> 00:40:33,000
Here are the couple promos.

795
00:40:33,000 --> 00:40:34,000
I promise you that I had lined up.

796
00:40:34,000 --> 00:40:37,000
Hey Adam, it's Aaron Chapman here from Vancouver BC.

797
00:40:37,000 --> 00:40:38,000
I love the daily source code,

798
00:40:38,000 --> 00:40:39,000
and I listen all the time.

799
00:40:39,000 --> 00:40:41,000
Listen, I've got a promo here.

800
00:40:41,000 --> 00:40:43,000
It would be awesome if you give it a spin for me.

801
00:40:43,000 --> 00:40:44,000
Check it out.

802
00:40:47,000 --> 00:40:49,000
Send me, me, send me.

803
00:40:49,000 --> 00:40:51,000
Recte, alvi.

804
00:40:51,000 --> 00:40:54,000
Tent, podcast, text, look, again, again, again.

805
00:40:54,000 --> 00:40:56,000
Radio, right now.

806
00:40:56,000 --> 00:41:01,000
The other side of my guy, Tentzoi,

807
00:41:01,000 --> 00:41:03,000
Interess I'm a long guy,

808
00:41:03,000 --> 00:41:05,000
I often change my program.

809
00:41:05,000 --> 00:41:07,000
Orvi, Kai Devi.

810
00:41:07,000 --> 00:41:10,000
Esperadding, where are you from?

811
00:41:10,000 --> 00:41:11,000
Radio Verda.

812
00:41:11,000 --> 00:41:14,000
Lavocho, the Esperanto.

813
00:41:16,000 --> 00:41:18,000
Radio Verda.com.

814
00:41:20,000 --> 00:41:21,000
Did you get all that?

815
00:41:21,000 --> 00:41:24,000
That was in the International Language Esperanto.

816
00:41:24,000 --> 00:41:26,000
In case you haven't heard of Esperanto,

817
00:41:26,000 --> 00:41:28,000
it's a constructed language that's extremely easy to learn.

818
00:41:28,000 --> 00:41:31,000
It was designed to bridge people's cultures around the world,

819
00:41:31,000 --> 00:41:33,000
and it's been around since the 1800s,

820
00:41:33,000 --> 00:41:35,000
so there's a small but vibrant community out there.

821
00:41:35,000 --> 00:41:39,000
Radio Verda, which means green radio or green ray or beam,

822
00:41:39,000 --> 00:41:42,000
was launched in 98 and was the first independent international

823
00:41:42,000 --> 00:41:46,000
radio program entirely in Esperanto entirely on the internet.

824
00:41:46,000 --> 00:41:49,000
Since then, it's been a small, on again, off again project,

825
00:41:49,000 --> 00:41:52,000
but it's recently been relaunched as a podcast,

826
00:41:52,000 --> 00:41:54,000
which you could find at Radio Verda.com

827
00:41:54,000 --> 00:41:57,000
in large part from inspiration from you, my friend.

828
00:41:57,000 --> 00:42:00,000
So thanks very much for that, and all your great work.

829
00:42:00,000 --> 00:42:03,000
I'll keep on listening, especially on my new iPod,

830
00:42:03,000 --> 00:42:04,000
if it ever gets here.

831
00:42:04,000 --> 00:42:06,000
Cheers Adam, take care.

832
00:42:06,000 --> 00:42:09,000
Hot show should only be enjoyed under the supervision

833
00:42:09,000 --> 00:42:11,000
of a podcasting professional,

834
00:42:11,000 --> 00:42:14,000
warning, do not attempt this at home.

835
00:42:20,000 --> 00:42:21,000
Yeah!

836
00:42:21,000 --> 00:42:24,000
Adam Curry, got a couple of quick questions for you

837
00:42:24,000 --> 00:42:25,000
to short plug for my show.

838
00:42:25,000 --> 00:42:26,000
It's kindergarten.

839
00:42:26,000 --> 00:42:27,000
The groggy job is show.

840
00:42:27,000 --> 00:42:29,000
That's available at groggyjovith.tv.

841
00:42:29,000 --> 00:42:31,000
Yeah, what's up with German raygays?

842
00:42:31,000 --> 00:42:33,000
It just made it as a scene like a lot of the raygays.

843
00:42:33,000 --> 00:42:35,000
It's available online today on the podcast,

844
00:42:35,000 --> 00:42:37,000
if you're sitting at work another similar network's like it.

845
00:42:37,000 --> 00:42:39,000
Now they all can seem to come from Germany.

846
00:42:39,000 --> 00:42:41,000
Maybe there's something going on there,

847
00:42:41,000 --> 00:42:42,000
I don't know about.

848
00:42:42,000 --> 00:42:43,000
Maybe there's something you know about it.

849
00:42:43,000 --> 00:42:44,000
I'm not really sure.

850
00:42:44,000 --> 00:42:47,000
Anyways, I would like to see if you could put out a casting call

851
00:42:47,000 --> 00:42:49,000
for more raygays just in general.

852
00:42:49,000 --> 00:42:51,000
I'm for the podcast music network.

853
00:42:51,000 --> 00:42:53,000
I haven't taken out jam and incorporated power,

854
00:42:53,000 --> 00:42:55,000
step for his back-to-luncher.

855
00:42:55,000 --> 00:42:57,000
I've been spinning them.

856
00:42:57,000 --> 00:42:58,000
I've been really digging it.

857
00:42:58,000 --> 00:43:00,000
I'd like to see if we can get some more up in there.

858
00:43:00,000 --> 00:43:02,000
Also, it was interesting for Cisco to be before the last one.

859
00:43:02,000 --> 00:43:04,000
I noticed how very similar there are two

860
00:43:04,000 --> 00:43:06,000
and an answer down the place

861
00:43:06,000 --> 00:43:08,000
that really feels warm in the sun,

862
00:43:08,000 --> 00:43:09,000
cool in the breeze.

863
00:43:09,000 --> 00:43:11,000
Columbus and Grant Boy,

864
00:43:11,000 --> 00:43:13,000
that's about a red light district up around there,

865
00:43:13,000 --> 00:43:14,000
isn't it?

866
00:43:15,000 --> 00:43:17,000
Anyway, is this an SSH department

867
00:43:17,000 --> 00:43:19,000
on my show from a longer winded form

868
00:43:19,000 --> 00:43:21,000
out of Gavin and John,

869
00:43:21,000 --> 00:43:23,000
and having it all in?

870
00:43:23,000 --> 00:43:25,000
Into the more of the morning coffee talks show

871
00:43:25,000 --> 00:43:28,000
with music and me,

872
00:43:28,000 --> 00:43:30,000
and having some fun with guests and stuff like that.

873
00:43:30,000 --> 00:43:31,000
Perhaps some of you,

874
00:43:31,000 --> 00:43:33,000
this is one more stuff by groggyjava.tv

875
00:43:33,000 --> 00:43:34,000
for a cup of Joe.

876
00:43:34,000 --> 00:43:35,000
Anyways, got to run.

877
00:43:35,000 --> 00:43:36,000
You will do.

878
00:43:36,000 --> 00:43:37,000
Thanks for the time,

879
00:43:37,000 --> 00:43:39,000
and have a good one, dude.

880
00:43:39,000 --> 00:43:40,000
You will.

881
00:43:41,000 --> 00:43:42,000
Right.

882
00:43:42,000 --> 00:43:45,000
Let me see Columbus and Grant,

883
00:43:45,000 --> 00:43:48,000
and I have to do a sound scene tour of that.

884
00:43:48,000 --> 00:43:50,000
And today, the source code for Thursday,

885
00:43:50,000 --> 00:43:51,000
to more, of course,

886
00:43:51,000 --> 00:43:52,000
to be the thank God,

887
00:43:52,000 --> 00:43:54,000
is Friday, and we'll have our regular party schedule

888
00:43:54,000 --> 00:43:56,000
and I'm looking forward to that.

889
00:43:56,000 --> 00:43:58,000
Another bit of music I picked up off

890
00:43:58,000 --> 00:44:00,000
of the Pot set music network this morning,

891
00:44:00,000 --> 00:44:01,000
just going to the home page,

892
00:44:01,000 --> 00:44:03,000
and I was listening to the first five songs that come up.

893
00:44:03,000 --> 00:44:04,000
Kind of like this one.

894
00:44:04,000 --> 00:44:06,000
And Lynn.

895
00:44:06,000 --> 00:44:08,000
This is from Renalbo.

896
00:44:09,000 --> 00:44:10,000
The way Loves meant to be,

897
00:44:10,000 --> 00:44:12,000
actually it's an EP as part of the scene

898
00:44:12,000 --> 00:44:14,000
of a daily source code.

899
00:44:14,000 --> 00:46:27,000
[ Music ]

900
00:46:27,000 --> 00:46:29,000
It tracks us all around.

901
00:46:29,000 --> 00:46:31,000
It tracks us all around.

902
00:46:31,000 --> 00:46:33,000
It tracks us all around.

903
00:46:33,000 --> 00:46:35,000
It tracks us all around.

904
00:46:35,000 --> 00:46:37,000
It tracks us all around.

905
00:46:37,000 --> 00:46:39,000
I'm not going to go out on a limb here,

906
00:46:39,000 --> 00:46:41,000
and suggest that the artist's name is the scene

907
00:46:41,000 --> 00:46:43,000
and the title of the song is Anne Lynn.

908
00:46:43,000 --> 00:46:45,000
Not the other way around.

909
00:46:45,000 --> 00:46:47,000
The wonders of ID3 tags.

910
00:46:47,000 --> 00:46:49,000
Sorry for being such an idiot.

911
00:46:49,000 --> 00:46:51,000
PWB just sent me an email.

912
00:46:51,000 --> 00:46:53,000
He was listening to yesterday's source code.

913
00:46:53,000 --> 00:46:55,000
He said that I was trying to hear

914
00:46:55,000 --> 00:46:59,000
that I was trying to track down a ground loop home,

915
00:46:59,000 --> 00:47:01,000
and he goes through, this typical PWB.

916
00:47:01,000 --> 00:47:03,000
He'll go through all the different steps

917
00:47:03,000 --> 00:47:05,000
until he narrows it down to one thing.

918
00:47:05,000 --> 00:47:09,000
It turns out that the real solution

919
00:47:09,000 --> 00:47:13,000
is to make sure your computer that you're recording on

920
00:47:13,000 --> 00:47:17,000
is plugged into the same power circuit

921
00:47:17,000 --> 00:47:21,000
that your outboard gear is.

922
00:47:21,000 --> 00:47:23,000
That's pretty interesting.

923
00:47:23,000 --> 00:47:27,000
I have no desire to rewire this thing.

924
00:47:27,000 --> 00:47:29,000
I got no desire to rewire.

925
00:47:29,000 --> 00:47:31,000
Definitely not.

926
00:47:31,000 --> 00:47:33,000
Okay. I think I've stalled enough.

927
00:47:33,000 --> 00:47:35,000
I can't get Patricia on the show today, so I'll have to do it tomorrow.

928
00:47:35,000 --> 00:47:37,000
But I'll trapper.

929
00:47:37,000 --> 00:47:39,000
So she can't leave the house.

930
00:47:39,000 --> 00:47:41,000
She had to leave the house today early at 10.

931
00:47:41,000 --> 00:47:45,000
She went to see her new cardiologist here in the UK,

932
00:47:45,000 --> 00:47:49,000
and I'm happy to report that we have a very healthy

933
00:47:49,000 --> 00:47:51,000
bouncy baby girl.

934
00:47:51,000 --> 00:47:55,000
She's doing great, so that was great news.

935
00:47:55,000 --> 00:47:59,000
Okay, dailysourcecode.com is where you can find this podcast.

936
00:47:59,000 --> 00:48:01,000
We can always download directly from the website

937
00:48:01,000 --> 00:48:03,000
or even better. You might want to subscribe to the show

938
00:48:03,000 --> 00:48:07,000
in iPod or Lemon, which by the way

939
00:48:07,000 --> 00:48:09,000
is going to change its name pretty soon.

940
00:48:09,000 --> 00:48:11,000
Maybe I'll tell you more about that tomorrow.

941
00:48:11,000 --> 00:48:13,000
And also there's iTunes links

942
00:48:13,000 --> 00:48:17,000
so you can subscribe to it with iTunes just by clicking on the link.

943
00:48:17,000 --> 00:48:20,000
And for feedback, fired off to Adam at curry.com.

944
00:48:20,000 --> 00:48:21,000
I can't say it enough.

945
00:48:21,000 --> 00:48:23,000
I'd really, really, really appreciate it.

946
00:48:23,000 --> 00:48:27,000
If you could add the appropriate ID3 tags

947
00:48:27,000 --> 00:48:30,000
and stick it up on a server somewhere and just send me the link.

948
00:48:30,000 --> 00:48:33,000
So I don't get too filled up here on the Gmail.

949
00:48:33,000 --> 00:48:35,000
And that's it, really.

950
00:48:35,000 --> 00:48:36,000
Okay.

951
00:48:36,000 --> 00:48:40,000
If you got anything cool for tomorrow's weekend kickoff celebration,

952
00:48:40,000 --> 00:48:41,000
send it off to me.

953
00:48:41,000 --> 00:48:43,000
I definitely love playing the crazy stuff.

954
00:48:43,000 --> 00:48:44,000
You know that.

955
00:48:45,000 --> 00:48:48,000
And I will be back tomorrow on the thank god it's edition.

956
00:48:48,000 --> 00:48:50,000
Thank god it's Friday edition of the Daily Source Code.

957
00:48:50,000 --> 00:48:51,000
Take care y'all.

958
00:48:54,000 --> 00:48:57,000
Another pod show podcast.

959
00:48:57,000 --> 00:48:58,000
Stick it in your ear.
