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Delta Shira Charley

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We here at Legal Legal Television

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Bring you exclusive live coverage

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of the man versus Adam Curry trial.

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We take you now to the courtroom.

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Hey Lars, for the Apple Church,

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on a handgun.

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This is federal court case

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And the charge is against the defendant.

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Adam Curry is lack of respect for music establishment.

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All those Mr. Clay, please.

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Your honor, my name is envy,

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and I am defending Mr. Curry.

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He plays guilty to being correct in his opinion

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of the music established

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and not guilty for expressing those feelings.

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You're honor, we find Mr. Curry to be a disruptive force

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to the well-established music industry

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and as the charges read,

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very disrespectful indeed.

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We find Mr. Curry to be a disruptive force

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to the well-established music industry

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and as the charges read,

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very disrespectful indeed.

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We'd play for the court the following evidence.

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The issue of copyrights that you sign over to them

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or assign them,

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and we heard about the Dutch Buma Stemera.

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We heard about the German Gema,

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and now you're not going to believe this.

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This is exactly what I was,

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I joked about this happening.

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I've choked about it.

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Okay, so essentially what is happening here

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with the European rights organizations

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and so far we know it's the same.

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Also, it's for the Dutch, the Germans, and the French.

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When you sign up with their version of Ask Had BMI,

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you are not allowed to give away any other rights to anyone.

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So you cannot say to a podcaster,

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hey, go ahead, take my stuff

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and go and play it for free.

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That will be a breach of your contract

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with that rights organization.

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It's like it's a conundrum, I guess.

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So I feel that we need to address this issue.

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I'm not quite sure.

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Is there one central organization?

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I didn't find it.

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I didn't find that it works across all of these rights organizations.

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But this is wrong.

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I mean, if it's your property,

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then you should be able to change that license

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however you want.

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I think it is a constitutional right

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of these organizations to be the only one to collect

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or not collect, I guess.

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On artists' copyright royalties.

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It's not just what it is.

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And with that, you're on a...

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the prosecution rests.

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Well, what does the defense have to say to that?

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Your honor?

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The fact of the matter is...

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the truth hurts.

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In addition, the words spoken by Mr. Curry simply reflect

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the feelings of thousands of podcasters

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and millions of listeners across the planet.

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I, your honor, and both a podcaster

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and a listener of podcasters.

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I serve producer podcasters

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and in bedtime stories my kids love

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and begin listening to podcasters

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and then producing my podcasters

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do in part to the hard work by the podfather

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Adam Curry.

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I for one agree with Mr. Curry

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and believe thousands and thousands of people

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feel the same way.

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Whatever, that number is growing every day, your honor.

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The ground swell has just begun.

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The tipping point is near.

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Your honor, do you want to always be known as the judge

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that failed to support podcasting?

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I do not think so.

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Your honor, I employ you to listen to my podcasters

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bedtime stories my kids love in items.

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And your honor, in closing,

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I am speaking for Mr. Curry

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and thousands of podcasters across the world.

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Get off our back.

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We are not going away.

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And with that, your honor, the defense rests.

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I am overwhelmed by the compelling evidence

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presented.

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Mr. Curry is obviously disrespectful

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to the established music industry.

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Whatever, in light of the growing audience

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and the obvious following of Adam Curry's opinions

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indicated by the swelling number of podcasters,

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both listeners and producers,

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I find Mr. Curry, my guilty.

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60 million dollars worth of airplane

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strapped to my ass.

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Done the next generation radio content in my ears.

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I like to think I'm flying you to the future.

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I'm just kidding.

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And it's Wednesday.

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Hello, everybody.

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Finally, after weeks of bitching,

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we've got one.

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A Hanukkah holiday pod save music track.

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Good morning.

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[ Music ]

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Rock up here.

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All right.

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Enough people sent me that one.

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Thank you very much from the pod save music network.

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The very first holiday Hanukkah song.

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I'm sure we're more to follow.

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We missed Ramadan, but maybe next year we'll catch up on that.

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Hey, everybody.

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How you doing?

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Welcome to the daily source code.

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I'm back in the studio at the Curry Cottage in Gilford, United Kingdom.

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Here for another week or so before I head off to San Francisco.

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One more time before Christmas.

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For a number of things.

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Man, man, man, man, man.

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It's been so busy last night.

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I had a really, a lot of seconds.

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Let me just make sure.

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I found this.

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I think it's better.

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It's a little bit better.

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I got to work on this.

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I didn't sleep very well last night for a number of reasons.

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The first is that yesterday was another one of those 16 hour days where, you know, I was,

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I, you know, I get up.

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Yesterday we did the cruiser cast and around four o'clock.

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That's when San Francisco wakes up.

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Everyone was back from a long holiday.

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Thanksgiving weekend.

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And lots of calls.

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And actually, I got really excited about some of the conversations we had yesterday.

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We had everybody in the office on it.

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And I was on it.

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I call in on a conference call or Skype.

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Sometimes I do video depending on where, however, you know, we have multiple ways of connecting.

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And we had everybody.

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We had software engineers.

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We had designers.

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We had promotion marketing, sales, accounting, controller, finance, operations.

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And of course, what we're going through is the couple of initiatives, the audition, which

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will be hearing more about very soon.

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The podcast, the Pod Show podcast, delivery network, which we're also going to tell you about

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very soon.

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I mean, really in detail, we'll unleash some announcements about that.

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Yes, damn announcements coming.

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And really how everything all kind of fits together.

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And how podcasters who are interested can grow their audience.

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And eventually with some luck and a lot of hard work, elbow grease, quit your day job.

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But that wasn't the main reason for my unrest, just because of the excitement and, you know,

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my brain still spinning by the time it hit the pillow.

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I just kept on going and going.

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But I'm not quite sure.

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I tried to explain to Patricia this morning.

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Actually, the minute I woke up, I said, oh, Matt is sleep very well.

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And here's why.

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And she understood it very well.

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It has to do with negativity and positivity.

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It's a rollercoaster ride that I witnessed every single day online.

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There's something about the human nature.

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And I'm not quite sure what it is, but it is without a doubt human nature.

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First of all, everybody lives in their own reality.

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I have my reality.

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This moment, my reality is completely different from yours.

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You're in a different place.

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You're in a different head space.

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You're thinking of different things.

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And by the way, you are the center of the universe of your universe.

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And I'm the center of my universe.

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And when these universes start to collide, that's when interesting things happen.

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And one of the most interesting things that happens with this incredible growth of communications that we've seen

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is that people who rise to the top get kicked down.

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Or there's people ready to kick them down or drag them down.

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There's other people who are willing to push them back up based upon that dragging down.

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That's why I say this roller coaster.

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It's almost like a yo-yo effect.

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You can see great examples of this, for example, on podcastali.com in the forums where people are talking about pod show.

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You can see this happening with Google now.

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Remember Google?

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Remember when it was the coolest shit and we loved it and it was fantastic.

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And these guys were finally doing the right thing.

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Well, now it seems if you listen to the noise and the signal to noise ratio or something you've got to look out for.

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It seems that Google's evil, all of a sudden, particularly the people who said they would do no evil.

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And when that's kind of baseless, most of this is baseless, but it's based upon someone else's reality of the situation.

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And that's how you read an article, how stories told to you, how you read an article is different from how it's written.

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There are all these things that kind of fit together.

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And one thing that Patricia and I really learned when we moved to the Netherlands and just before the millennium, 1999, the end of the year,

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is that this is really propelled.

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And it is a direct result, I think, of so many people being able to have their voice heard, which is great.

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I mean, I love that.

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But it comes somewhere, this is what Patricia's take on it.

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And I should get her in here to talk about that. Maybe we'll do that tomorrow, we'll have a broader discussion.

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I'm just kind of brain farting at the moment.

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It's not necessarily people who spew negativity or flame.

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There's lots of people like comic strip blogger on thecurry.com comments, the same deal.

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I think that if someone is unhappy about their own universe, regardless of what that problem is,

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and you see someone else who apparently is happy, then there's this automatic humor.

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I do it too, by the way, everyone does this.

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You want to say, ah, you know, screw them and you just lash out at somebody.

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And having been a known figure for a long time, I've learned to deal with this.

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But it has gotten really, really intense, which means a couple things to me.

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The first one is we're doing something really good because people are taking notice.

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And they're questioning and they're coming up with a lot of conspiracy theories, literally, which is pretty funny to read through.

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But just so you know, when you say something in your podcast or write something on your weblog or something's written in an article or, you know, if you send an email, it does hurt.

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I mean, it really does, which is, which, of course, is my problem. I let things affect me.

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And of course, if someone writes something really nice, then it feels really good.

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But the frequency of that is just, it's, the frequency is going up.

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So the roller coaster is really, it's vibrating almost.

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And this is why you, I think, why you see celebrities, particularly new celebrities, people who burst onto the scene.

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They get the same thing and they get it predominantly from newspapers and magazines and entertainment tonight and all these entertainment based shows and stuff on the internet and pictures.

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That's why you see them freak out.

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You see them.

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I've rock rock roll stars used to trash hotel rooms.

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And I believe it is for this very reason for this, this, this, this weird clashing of universes and positivity and negativity vibrating amongst

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them all the time. It's, it's a very weird sensation.

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And as I said, I've been in the public eye since I was 19, I still have not gotten used to it.

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But it also has gotten progressively, the frequency has increased progressively over the years with the amount of communications that we have.

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And by the way, you know, let's not, let's not forget that only 10 years ago, no one knew what a fucking cell phone was almost.

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You know, this was a luxury item that maybe you had in your car.

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You got a card and a cell phone, you got a car phone, text messaging.

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All of these things combined.

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And yeah, I don't know.

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If you have any thoughts about that, I mean, it's, it's got to be something much larger.

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It is a part of human nature. I'm not quite sure what it is.

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And I don't take it, you know, well, I do take it personally, but I understand.

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I do understand where people are coming from.

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But I think that in general, everyone is a nice person.

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I think probably another part that.

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That had to do with my unrestfulness was my brain processing this fantastic book that I read called God's debris.

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It's written by Douglas Adams, who is the Gilbert guy.

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It's actually available for free on the internet.

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You can buy a hardbound copy, but he put it out basically in a kind of open source.

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Maybe, I don't know if he has creative commas on it, but it's, it's a fantastic book.

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It's short. It's a great read. Tom Schuiting, who maintains the fabulous Korean vaninkle archive.

250
00:16:00,000 --> 00:16:04,000
A big archive, a big part of my professional life sent me that.

251
00:16:04,000 --> 00:16:08,000
And I was just totally blown away by the concept in that book.

252
00:16:08,000 --> 00:16:11,000
And maybe that has something to do with.

253
00:16:11,000 --> 00:16:15,000
And I don't, I don't really want to get into explaining what the book is about.

254
00:16:15,000 --> 00:16:19,000
But maybe that is something to do with this reverberation of positive and negative energy.

255
00:16:19,000 --> 00:16:22,000
And perhaps we need the positive and negative energy.

256
00:16:22,000 --> 00:16:24,000
Maybe that's the, the great equalizer.

257
00:16:24,000 --> 00:16:26,000
Maybe it's something that's necessary.

258
00:16:26,000 --> 00:16:30,000
I don't know. And of course, there was also the foxes who were out in drove last night,

259
00:16:30,000 --> 00:16:32,000
rummaging through the trash.

260
00:16:32,000 --> 00:16:34,000
God, that makes so much noise.

261
00:16:34,000 --> 00:16:39,000
You're supposed to put your bags out in the morning, which we do.

262
00:16:39,000 --> 00:16:41,000
But someone put their trash out last night.

263
00:16:41,000 --> 00:16:46,000
And then the foxes who, of course, are coming closer to civilization every single day.

264
00:16:46,000 --> 00:16:49,000
So I'm going to go through the trash and make an all kinds of noise.

265
00:16:49,000 --> 00:16:51,000
But anyway, so I'm awake though.

266
00:16:51,000 --> 00:16:52,000
I'm feeling pretty good.

267
00:16:52,000 --> 00:16:58,000
I want to thank everybody, by the way, who's participating and contributing to the show notes.

268
00:16:58,000 --> 00:17:00,000
You can always find the show notes.

269
00:17:00,000 --> 00:17:05,000
I link to the show notes from from the podcast at dailysourcecode.com.

270
00:17:05,000 --> 00:17:11,000
It's great because people are now actually embellishing and coming up with their own words as to what's being discussed in the show.

271
00:17:11,000 --> 00:17:14,000
For instance, yesterday, 21 minutes, 55 seconds.

272
00:17:14,000 --> 00:17:18,000
Adam comments that the concept of touchscreen navigation is an odd concept for a pilot.

273
00:17:18,000 --> 00:17:21,000
Since as a pilot, you never touch your instruments.

274
00:17:21,000 --> 00:17:23,000
That would be your navigation instruments.

275
00:17:23,000 --> 00:17:25,000
Since you'll get oily residue on them.

276
00:17:25,000 --> 00:17:26,000
And then you can't read them at night.

277
00:17:26,000 --> 00:17:28,000
And you'd die in a fiery crash.

278
00:17:28,000 --> 00:17:30,000
So I obviously didn't add the fiery crash part.

279
00:17:30,000 --> 00:17:32,000
But that showed up in the show notes.

280
00:17:32,000 --> 00:17:33,000
That was a nice touch.

281
00:17:33,000 --> 00:17:34,000
Here's another one.

282
00:17:34,000 --> 00:17:37,000
So he's going to start the show in the parking lot outside of combat.

283
00:17:37,000 --> 00:17:40,000
And no, the cable he bought wasn't one of those packages.

284
00:17:40,000 --> 00:17:43,000
You can't open without a plasma torch.

285
00:17:43,000 --> 00:17:46,000
I think I said scissors, but I like the embellishment.

286
00:17:46,000 --> 00:17:47,000
It really works.

287
00:17:47,000 --> 00:17:51,000
And thanks again to everybody who was contributing to the show notes.

288
00:17:51,000 --> 00:17:52,000
I think it's a fantastic.

289
00:17:52,000 --> 00:17:54,000
You know, Michael show note.

290
00:17:54,000 --> 00:17:55,000
I'll call him that.

291
00:17:55,000 --> 00:17:56,000
Mike show note.

292
00:17:56,000 --> 00:18:03,000
I believe he's trying to start kind of a business or a service for podcasts.

293
00:18:03,000 --> 00:18:05,000
I support that holy fully.

294
00:18:05,000 --> 00:18:10,000
And I think it's fantastic using a wiki for show notes.

295
00:18:10,000 --> 00:18:11,000
I'm really, really digging it.

296
00:18:11,000 --> 00:18:14,000
A little dismayed actually.

297
00:18:14,000 --> 00:18:18,000
I saw once in a while I checked in on the wiki wiki pedia.

298
00:18:18,000 --> 00:18:21,000
And I look in podcasting.

299
00:18:21,000 --> 00:18:23,000
Dave and I have almost been written out.

300
00:18:23,000 --> 00:18:28,000
It's all these other people who have successfully created podcasting.

301
00:18:28,000 --> 00:18:30,000
And I congratulate you for doing that.

302
00:18:30,000 --> 00:18:31,000
Thank you very much.

303
00:18:32,000 --> 00:18:34,000
I had a great slow morning though.

304
00:18:34,000 --> 00:18:38,000
Oh, check out the Potio music rewind episode number 10 is out.

305
00:18:38,000 --> 00:18:40,000
Kick and ass as always.

306
00:18:40,000 --> 00:18:41,000
What a fantastic show.

307
00:18:41,000 --> 00:18:43,000
Give that a listen if you have a chance.

308
00:18:43,000 --> 00:18:44,000
Hey Adam.

309
00:18:44,000 --> 00:18:45,000
It's Swippy from Skepticality.

310
00:18:45,000 --> 00:18:46,000
Hey Swopster.

311
00:18:46,000 --> 00:18:49,000
I've been catching up on back shows sitting at a borders in downtown Atlanta.

312
00:18:49,000 --> 00:18:51,000
Sucking up the coffee and the Wi-Fi while there.

313
00:18:51,000 --> 00:18:53,000
Because it rehabbed during the day.

314
00:18:53,000 --> 00:18:56,000
And low and behold, I hear you talking about my buddy Slaw.

315
00:18:56,000 --> 00:18:58,000
And this new Christmas song.

316
00:18:58,000 --> 00:19:00,000
It just so happens that our friend,

317
00:19:00,000 --> 00:19:05,000
and musician George Rabb, just finished recording his fifth CD at Slaw's B Sharp Studios

318
00:19:05,000 --> 00:19:07,000
in Historia, New York.

319
00:19:07,000 --> 00:19:10,000
And to celebrate the release of the CD entitled,

320
00:19:10,000 --> 00:19:14,000
in Terabang, George held a concert at which Slaw appeared and also performed.

321
00:19:14,000 --> 00:19:16,000
Derek and I were supposed to be there.

322
00:19:16,000 --> 00:19:18,000
But since we couldn't make it, George sent us some pictures.

323
00:19:18,000 --> 00:19:20,000
One of it includes Slaw.

324
00:19:20,000 --> 00:19:22,000
I thought you might enjoy seeing it.

325
00:19:22,000 --> 00:19:24,000
George also plays drums on the Christmas song

326
00:19:24,000 --> 00:19:26,000
and contributed some backing vocals as well.

327
00:19:26,000 --> 00:19:28,000
George says he still gets traffic on his site

328
00:19:28,000 --> 00:19:31,000
and sails of his CDs from the podcast he did with us.

329
00:19:31,000 --> 00:19:33,000
And that was way back in the summer.

330
00:19:33,000 --> 00:19:35,000
So pot safe music is definitely good for artists.

331
00:19:35,000 --> 00:19:37,000
And it's good for podcasting too.

332
00:19:37,000 --> 00:19:40,000
Skepticality ended up in someone's liner notes.

333
00:19:40,000 --> 00:19:41,000
How cool is that?

334
00:19:41,000 --> 00:19:42,000
Yeah.

335
00:19:42,000 --> 00:19:43,000
See you Adam.

336
00:19:43,000 --> 00:19:44,000
All right, Swopie.

337
00:19:44,000 --> 00:19:45,000
Thank you.

338
00:19:45,000 --> 00:19:46,000
Say hi to Derek for me, please.

339
00:19:46,000 --> 00:19:48,000
Please hope everything's going well.

340
00:19:48,000 --> 00:19:50,000
And good to hear your voice again.

341
00:19:50,000 --> 00:19:52,000
Here on the Daily Source Code.

342
00:19:52,000 --> 00:19:54,000
So today I will finally get it done.

343
00:19:54,000 --> 00:19:56,000
Let's go to Xmas.podshow.com.

344
00:19:56,000 --> 00:19:59,000
Kicks off today so that by tomorrow the first of December

345
00:19:59,000 --> 00:20:02,000
you'll have a new Christmas song every day

346
00:20:02,000 --> 00:20:04,000
right on your computer.

347
00:20:04,000 --> 00:20:05,000
Hey Adam, this is Joe.

348
00:20:05,000 --> 00:20:06,000
This is sofa coaches.

349
00:20:06,000 --> 00:20:08,000
I wanted to send you a promo this week.

350
00:20:08,000 --> 00:20:10,000
But when I sat down with the other sofa coaches

351
00:20:10,000 --> 00:20:12,000
and tried to put together some ideas,

352
00:20:12,000 --> 00:20:13,000
things got a little out of control.

353
00:20:13,000 --> 00:20:15,000
Take a listen and see what happened.

354
00:20:15,000 --> 00:20:17,000
Do you think we should tell them it's only an hour long?

355
00:20:17,000 --> 00:20:18,000
Absolutely.

356
00:20:18,000 --> 00:20:20,000
Well, we go a little over an hour.

357
00:20:20,000 --> 00:20:21,000
Yeah.

358
00:20:21,000 --> 00:20:23,000
I mean, you can't say what how long we're going to do every time.

359
00:20:23,000 --> 00:20:25,000
Most of the time we shoot for 60 minutes.

360
00:20:25,000 --> 00:20:26,000
Absolutely.

361
00:20:26,000 --> 00:20:28,000
Yeah, but we always squeeze at least 10,

362
00:20:28,000 --> 00:20:30,000
15 minutes of going material into that hour.

363
00:20:30,000 --> 00:20:32,000
The most important thing they should know what a sofa coach

364
00:20:32,000 --> 00:20:33,000
actually is.

365
00:20:33,000 --> 00:20:35,000
I don't get it because we don't sit on a sofa

366
00:20:35,000 --> 00:20:36,000
and none of us are coaches.

367
00:20:36,000 --> 00:20:37,000
So what's the story here?

368
00:20:37,000 --> 00:20:38,000
Well, we are.

369
00:20:38,000 --> 00:20:39,000
We're slots that know everything.

370
00:20:39,000 --> 00:20:42,000
We're so precodious because we didn't know anything after the fact.

371
00:20:42,000 --> 00:20:44,000
Uh, we do know everything.

372
00:20:44,000 --> 00:20:45,000
That's a good point.

373
00:20:45,000 --> 00:20:46,000
Yeah.

374
00:20:46,000 --> 00:20:48,000
You know, another good point to bring up about the show

375
00:20:48,000 --> 00:20:49,000
is that it's audio only.

376
00:20:49,000 --> 00:20:50,000
And there's no video feed.

377
00:20:50,000 --> 00:20:52,000
So nobody has to worry about what the original is.

378
00:20:52,000 --> 00:20:53,000
Yeah.

379
00:20:53,000 --> 00:20:54,000
Yeah.

380
00:20:54,000 --> 00:20:55,000
Yeah.

381
00:20:55,000 --> 00:20:56,000
We don't have a shot.

382
00:20:56,000 --> 00:20:57,000
Then that's for sure.

383
00:20:57,000 --> 00:20:58,000
We all got faces for radio.

384
00:20:58,000 --> 00:20:59,000
Speak for yourself.

385
00:20:59,000 --> 00:21:01,000
By the way, is there any music on this show?

386
00:21:01,000 --> 00:21:04,000
Every once in a while, we play some pot-safe music.

387
00:21:04,000 --> 00:21:05,000
Yeah.

388
00:21:05,000 --> 00:21:06,000
But where do we do?

389
00:21:06,000 --> 00:21:07,000
Who cares about the music?

390
00:21:07,000 --> 00:21:08,000
We're sports shows.

391
00:21:08,000 --> 00:21:09,000
We're sports shows.

392
00:21:09,000 --> 00:21:10,000
We're sports shows.

393
00:21:10,000 --> 00:21:11,000
We're sports shows.

394
00:21:11,000 --> 00:21:12,000
We're sports shows.

395
00:21:12,000 --> 00:21:13,000
We're sports shows.

396
00:21:13,000 --> 00:21:15,000
We're sports shows.

397
00:21:15,000 --> 00:21:16,000
All there you have it at them.

398
00:21:16,000 --> 00:21:18,000
That's about how things go when we talk about sports, too.

399
00:21:18,000 --> 00:21:19,000
So be sure to tune in.

400
00:21:19,000 --> 00:21:21,000
You can find this in the iTunes music store.

401
00:21:21,000 --> 00:21:23,000
Just search for sofa coaches.

402
00:21:23,000 --> 00:21:25,000
Or you can go to our website.

403
00:21:25,000 --> 00:21:26,000
Listen.

404
00:21:26,000 --> 00:21:28,000
True is not false.com.

405
00:21:28,000 --> 00:21:30,000
Adam, please give us a little move.

406
00:21:30,000 --> 00:21:32,000
Pot show.

407
00:21:32,000 --> 00:21:36,000
No one does chicken like Pot show.

408
00:21:39,000 --> 00:21:40,000
Hey Adam.

409
00:21:40,000 --> 00:21:42,000
It's a long time listener of yours.

410
00:21:42,000 --> 00:21:44,000
I go back almost to the very beginning.

411
00:21:44,000 --> 00:21:49,000
I know how you occasionally become irritated with lawyers from time to time.

412
00:21:49,000 --> 00:21:50,000
Don't deny it.

413
00:21:50,000 --> 00:21:53,000
I know it's true and I don't blame you.

414
00:21:53,000 --> 00:21:54,000
It's a lawyer myself.

415
00:21:54,000 --> 00:21:57,000
I too become frustrated with lawyers from time to time.

416
00:21:57,000 --> 00:22:01,000
In fact, it's how I spend almost every single day.

417
00:22:01,000 --> 00:22:06,000
You can probably guess the way I've chosen to work out my frustrations with a legal profession.

418
00:22:06,000 --> 00:22:07,000
That's right.

419
00:22:07,000 --> 00:22:08,000
With a podcast.

420
00:22:08,000 --> 00:22:13,000
The legal underground podcast, which I started in January 2005.

421
00:22:13,000 --> 00:22:17,000
With a short test episode that you ended up playing in full on your show.

422
00:22:17,000 --> 00:22:18,000
Thanks for that.

423
00:22:19,000 --> 00:22:21,000
Now here we are almost a year later.

424
00:22:21,000 --> 00:22:27,000
And I thought it was a good time to check back in and say I'm still out here in the pot of sphere going strong.

425
00:22:27,000 --> 00:22:33,000
Our friends shows every week or two that are either short form called law-related things that suck.

426
00:22:33,000 --> 00:22:38,000
Or a slightly longer form in which I discuss legal news and a little politics.

427
00:22:38,000 --> 00:22:43,000
And in a reverent way that's probably going to have the lawyer police knocking on my door very soon.

428
00:22:43,000 --> 00:22:46,000
Your thing must lawyers wouldn't know a podcast from.

429
00:22:46,000 --> 00:22:47,000
I don't know.

430
00:22:47,000 --> 00:22:49,000
They're own cold hearts.

431
00:22:49,000 --> 00:22:52,000
So to conclude, it's the legal underground podcast.

432
00:22:52,000 --> 00:22:55,000
You'll find the feed at my weblog.

433
00:22:55,000 --> 00:23:01,000
Evan Shafers, legal underground at www.legalunderground.com.

434
00:23:01,000 --> 00:23:07,000
Meanwhile, Adam, keep up the great work at the pod safe music network and all your other various projects.

435
00:23:07,000 --> 00:23:12,000
You know, with all you've got going on, you're a walking full-time employment act for lawyers.

436
00:23:12,000 --> 00:23:15,000
Would it be wrong of me to thank you from the entire profession?

437
00:23:15,000 --> 00:23:17,000
Well, thank you, Adam.

438
00:23:17,000 --> 00:23:21,000
And if you listen to my show, thanks for tuning in.

439
00:23:21,000 --> 00:23:24,000
Adam Curry Rocks.

440
00:23:24,000 --> 00:23:28,000
Well, actually, in Brazil, Adam Curry Sambas.

441
00:23:28,000 --> 00:23:29,000
Easy.

442
00:23:29,000 --> 00:23:34,000
All castors are connected to the daily source code source code.

443
00:23:34,000 --> 00:23:36,000
I so want to go to Brazil.

444
00:23:36,000 --> 00:23:37,000
It's not funny.

445
00:23:38,000 --> 00:23:42,000
I've been to a lot of countries, a lot of continents, a lot of places.

446
00:23:42,000 --> 00:23:44,000
I've been very, very fortunate that way.

447
00:23:44,000 --> 00:23:45,000
Never to South America, though.

448
00:23:45,000 --> 00:23:47,000
I definitely want to come to Brazil.

449
00:23:47,000 --> 00:23:50,000
So that is in the medium-term planning.

450
00:23:50,000 --> 00:23:54,000
And I know that there's a huge podcast community cropping up there.

451
00:23:54,000 --> 00:23:56,000
I'd love to learn more about it.

452
00:23:56,000 --> 00:23:58,000
So how do you, Brazil?

453
00:23:58,000 --> 00:23:59,000
How are you doing?

454
00:23:59,000 --> 00:24:00,000
Comersta.

455
00:24:00,000 --> 00:24:03,000
Yeah.

456
00:24:03,000 --> 00:24:06,000
I used to know some Portuguese, which is what they speak in Brazil.

457
00:24:06,000 --> 00:24:09,000
No more.

458
00:24:09,000 --> 00:24:12,000
Hey, for those of you who are new to the daily source code,

459
00:24:12,000 --> 00:24:15,000
you may have heard of the sound-vertising experiment.

460
00:24:15,000 --> 00:24:20,000
This is where I anchor your thoughts to a certain sound

461
00:24:20,000 --> 00:24:23,000
or visual and anchor a thought to it.

462
00:24:23,000 --> 00:24:26,000
So what actually started off kind of as an accident,

463
00:24:26,000 --> 00:24:29,000
every single time I burped.

464
00:24:29,000 --> 00:24:33,000
Senseiho would come into your mind.

465
00:24:33,000 --> 00:24:37,000
Then we moved on to another trick, which I'll do it right now,

466
00:24:37,000 --> 00:24:38,000
just in case your brand knew.

467
00:24:38,000 --> 00:24:41,000
If you already know what I'm about to do, then close your eyes and

468
00:24:41,000 --> 00:24:43,000
I don't think it'll work either.

469
00:24:43,000 --> 00:24:46,000
Whatever you're doing right now, look at a point where you are.

470
00:24:46,000 --> 00:24:49,000
It's maybe a house, maybe a tree, maybe a sign.

471
00:24:49,000 --> 00:24:51,000
It could be the current front of you.

472
00:24:51,000 --> 00:24:52,000
It could be a person.

473
00:24:52,000 --> 00:24:55,000
Now look at that object, Senseiho.

474
00:24:55,000 --> 00:24:58,000
So the concept is, whenever you see that object,

475
00:24:58,000 --> 00:25:00,000
in fact whenever you even think of that object,

476
00:25:00,000 --> 00:25:03,000
you'll think of Senseiho.

477
00:25:03,000 --> 00:25:04,000
It works.

478
00:25:04,000 --> 00:25:08,000
I think everyone who was participated in this willingly or unwillingly

479
00:25:08,000 --> 00:25:12,000
knows that this sound-vertising, this anchoring, this Vulcan mind trick,

480
00:25:12,000 --> 00:25:13,000
actually does work.

481
00:25:13,000 --> 00:25:17,000
But it has no real benefit, particularly not to me in the Senseiho case

482
00:25:17,000 --> 00:25:20,000
because Senseiho is not paying me for that.

483
00:25:20,000 --> 00:25:22,000
Now of course I don't mind doing the experiment,

484
00:25:22,000 --> 00:25:27,000
but today I received an email that completely twisted my mind

485
00:25:28,000 --> 00:25:32,000
backwards about this and I really love this.

486
00:25:32,000 --> 00:25:34,000
I can't believe I didn't come up with this.

487
00:25:34,000 --> 00:25:36,000
So this is from Mark Zeta who says,

488
00:25:36,000 --> 00:25:39,000
Hey Adam, Senseiho ads are airing here in Australia as well.

489
00:25:39,000 --> 00:25:42,000
So Senseiho now is kicking up their advertising.

490
00:25:42,000 --> 00:25:43,000
They're kicking it up.

491
00:25:43,000 --> 00:25:45,000
It's in the UK, it's in the US.

492
00:25:45,000 --> 00:25:47,000
It's of course the Netherlands where it comes from.

493
00:25:47,000 --> 00:25:49,000
It's in Australia.

494
00:25:49,000 --> 00:25:52,000
And Mark says, when I saw it, the first thing I thought of

495
00:25:52,000 --> 00:25:54,000
was the Daily Source Code.

496
00:25:54,000 --> 00:25:57,000
I was expecting either character in the ad to do your trademarks

497
00:25:57,000 --> 00:25:58,000
and say, oh, burp.

498
00:25:58,000 --> 00:26:00,000
I think the sound-vertising could go a long way.

499
00:26:00,000 --> 00:26:01,000
Thanks for your show.

500
00:26:01,000 --> 00:26:02,000
I'm loving every episode of it.

501
00:26:02,000 --> 00:26:03,000
Mark, okay.

502
00:26:03,000 --> 00:26:04,000
So all of a sudden like,

503
00:26:04,000 --> 00:26:07,000
No, this is fantastic.

504
00:26:07,000 --> 00:26:08,000
This is it.

505
00:26:08,000 --> 00:26:11,000
I am now utilizing the ad budget of Senseiho

506
00:26:11,000 --> 00:26:13,000
to promote the Daily Source Code.

507
00:26:13,000 --> 00:26:15,000
How freaking cool is that?

508
00:26:15,000 --> 00:26:19,000
And the cool thing is everybody can do it.

509
00:26:19,000 --> 00:26:23,000
So pick a product or pick a service or something

510
00:26:23,000 --> 00:26:27,000
that's being advertised very, very heavily on television and radio.

511
00:26:27,000 --> 00:26:29,000
Anchor your listeners to it.

512
00:26:29,000 --> 00:26:31,000
And then every single time they hear or see that

513
00:26:31,000 --> 00:26:33,000
advertisement, they won't be able to help themselves

514
00:26:33,000 --> 00:26:37,000
but think about your podcast.

515
00:26:37,000 --> 00:26:39,000
How cool is that?

516
00:26:39,000 --> 00:26:41,000
Tell me if it works.

517
00:26:41,000 --> 00:26:43,000
Happy freaking holidays Senseiho.

518
00:26:43,000 --> 00:26:45,000
This is Natalie Brown,

519
00:26:45,000 --> 00:26:49,000
wishing the Daily Source Code listeners a safe and happy holiday season.

520
00:26:49,000 --> 00:26:51,000
This is Chris from the Financial Aid podcast.

521
00:26:51,000 --> 00:26:55,000
Wishing you a safe, happy, and financially responsible holiday season.

522
00:26:55,000 --> 00:26:57,000
This is us online at financialadpodcast.com

523
00:26:57,000 --> 00:26:59,000
for money saving tips this season.

524
00:26:59,000 --> 00:27:01,000
Happy holidays, everyone.

525
00:27:01,000 --> 00:27:03,000
So by tomorrow, make sure that

526
00:27:03,000 --> 00:27:05,000
a special greeting from the Go and Deep podcast

527
00:27:05,000 --> 00:27:08,000
I'm the kid along with Mr. Clean.

528
00:27:08,000 --> 00:27:12,000
And we'd like to wish you and yours a very happy holiday.

529
00:27:12,000 --> 00:27:14,000
Oh, no, no, man. You can't say happy holidays.

530
00:27:14,000 --> 00:27:16,000
Why not? Why can't I say holidays?

531
00:27:16,000 --> 00:27:18,000
Because it's happy, camel to days.

532
00:27:18,000 --> 00:27:19,000
Yes, that's right.

533
00:27:19,000 --> 00:27:20,000
We can't say Christmas.

534
00:27:20,000 --> 00:27:21,000
We can't say holidays.

535
00:27:21,000 --> 00:27:22,000
We can't say how to go.

536
00:27:22,000 --> 00:27:23,000
We can't say quansica.

537
00:27:23,000 --> 00:27:24,000
We've changed it to happy camel to a day.

538
00:27:24,000 --> 00:27:26,000
And we hope everybody has a happy camel to a day.

539
00:27:26,000 --> 00:27:27,000
To you and yours.

540
00:27:27,000 --> 00:27:29,000
From Go and Deep with Get in Clean.

541
00:27:29,000 --> 00:27:34,000
Visit the website at www.godeepwith.us.

542
00:27:34,000 --> 00:27:36,000
And have a happy new year.

543
00:27:36,000 --> 00:27:38,000
Yeah, man.

544
00:27:38,000 --> 00:27:40,000
New snow angels rock.

545
00:27:40,000 --> 00:27:45,000
So by tomorrow, make sure you subscribe to the feed at xmus.podshow.com.

546
00:27:45,000 --> 00:27:50,000
So that every single day will be a happy camel to a day for you.

547
00:27:50,000 --> 00:27:54,000
For the pod save music network, this is Carmen Tyler.

548
00:27:54,000 --> 00:27:55,000
Pick this one up from accident hash.

549
00:27:55,000 --> 00:27:58,000
I'll be there on camel to a day.

550
00:27:58,750 --> 00:32:20,000
[ Music ]

551
00:32:20,000 --> 00:32:24,000
Oh Christmas day.

552
00:32:24,000 --> 00:32:25,000
Is it possible?

553
00:32:25,000 --> 00:32:27,000
I'm falling in love again.

554
00:32:27,000 --> 00:32:28,000
Carmen Tyler.

555
00:32:28,000 --> 00:32:30,000
What a beautiful voice.

556
00:32:30,000 --> 00:32:31,000
I'll be there in Christmas day.

557
00:32:31,000 --> 00:32:35,000
And my apologies for the pilot error midstream there.

558
00:32:35,000 --> 00:32:37,000
But we landed safely.

559
00:32:37,000 --> 00:32:40,000
We walked away from the airplanes and that constitutes a good landing.

560
00:32:40,000 --> 00:32:42,000
Apologize.

561
00:32:42,000 --> 00:32:43,000
Hey, speaking.

562
00:32:43,000 --> 00:32:45,000
Of course, it's from the podcast music network.

563
00:32:45,000 --> 00:32:47,000
Potset music.

564
00:32:47,000 --> 00:32:49,000
Yep, not best.

565
00:32:49,000 --> 00:32:52,000
The podcast music network.

566
00:32:52,000 --> 00:32:56,000
The podcast music network dot com.

567
00:32:56,000 --> 00:32:59,000
Mike O'Leary sent a wonderful email.

568
00:32:59,000 --> 00:33:02,000
Adam, I was checking out clips of the songs on the candy butcher's album.

569
00:33:02,000 --> 00:33:03,000
Hang on.

570
00:33:03,000 --> 00:33:08,000
Mike in iTunes in the music store after hearing what to do with Michael on your podcast.

571
00:33:08,000 --> 00:33:09,000
Love the song.

572
00:33:09,000 --> 00:33:14,000
Anyway, in the top right corner is a list that says listeners also bought.

573
00:33:14,000 --> 00:33:16,000
That's the recommendation engine.

574
00:33:16,000 --> 00:33:21,000
Look at what's listed and see the power that DSE has to persuade and influence not only one,

575
00:33:21,000 --> 00:33:23,000
but a multitude of musical talents.

576
00:33:23,000 --> 00:33:29,000
Brother love and the list of these bitties are listed right there with the candy butchers in one swoop.

577
00:33:29,000 --> 00:33:35,000
So the question I have now is when does the Adam Craig recommends playlists go up on the iTunes page?

578
00:33:35,000 --> 00:33:37,000
That's interesting idea.

579
00:33:37,000 --> 00:33:39,000
Actually it's a damn good idea.

580
00:33:39,000 --> 00:33:41,000
Hey, let's call the iTunes guys about that.

581
00:33:41,000 --> 00:33:43,000
But that is proof.

582
00:33:43,000 --> 00:33:45,000
That is absolutely proof.

583
00:33:45,000 --> 00:33:50,000
So listening to a podcast music on the podcast actually creates sales.

584
00:33:50,000 --> 00:33:52,000
Gee, what a concept.

585
00:33:52,000 --> 00:33:53,000
I love it.

586
00:33:53,000 --> 00:33:55,000
Time to wrap up the,

587
00:33:55,000 --> 00:34:00,000
Emma the Logitech MM50 naming contest that we'd be doing for the last week or so.

588
00:34:00,000 --> 00:34:01,000
Let me see.

589
00:34:01,000 --> 00:34:04,000
First one is an audio contest.

590
00:34:04,000 --> 00:34:07,000
So Adam Jason San Diego.

591
00:34:07,000 --> 00:34:13,000
You said you wanted audio comments on the same MM50 instead of the emails.

592
00:34:13,000 --> 00:34:17,000
So I'm going to stop writing you the 10 or 15 a day that I've been sending you.

593
00:34:17,000 --> 00:34:19,000
Hope you need read them on the air.

594
00:34:19,000 --> 00:34:24,000
So I'm going to just give you some ideas I've been thinking about bouncing up the wall.

595
00:34:24,000 --> 00:34:25,000
See what sticks.

596
00:34:25,000 --> 00:34:27,000
You know, playing that little game.

597
00:34:27,000 --> 00:34:30,000
MM50.

598
00:34:30,000 --> 00:34:32,000
Let's see.

599
00:34:32,000 --> 00:34:34,000
Music maker.

600
00:34:34,000 --> 00:34:36,000
Music box.

601
00:34:36,000 --> 00:34:37,000
Music.

602
00:34:37,000 --> 00:34:39,000
Music with two ends.

603
00:34:39,000 --> 00:34:41,000
How about the,

604
00:34:41,000 --> 00:34:43,000
My personal favorite.

605
00:34:43,000 --> 00:34:47,000
The eye match with two ends.

606
00:34:47,000 --> 00:34:52,000
So it's image not to be confused with eye match.

607
00:34:52,000 --> 00:34:57,000
Or we could just call it the 501.

608
00:34:57,000 --> 00:34:58,000
Any of you.

609
00:34:58,000 --> 00:34:59,000
Give me a call.

610
00:34:59,000 --> 00:35:01,000
We'll do lunch.

611
00:35:01,000 --> 00:35:02,000
Yeah.

612
00:35:02,000 --> 00:35:03,000
Call my people.

613
00:35:03,000 --> 00:35:04,000
Okay.

614
00:35:04,000 --> 00:35:05,000
Well, yeah.

615
00:35:05,000 --> 00:35:06,000
Thank you for the feedback.

616
00:35:06,000 --> 00:35:10,000
No, I think the winner and it was really close because I really like the port of

617
00:35:10,000 --> 00:35:11,000
Potty, the port iPod.

618
00:35:11,000 --> 00:35:14,000
I thought that was good, but it may not be.

619
00:35:14,000 --> 00:35:15,000
I don't know.

620
00:35:15,000 --> 00:35:19,000
It's a great name, but maybe not quite as commercial because there already is a port of

621
00:35:19,000 --> 00:35:21,000
Potty, and that could create all kinds of problems.

622
00:35:21,000 --> 00:35:25,000
But I think Greg Milligan sent in a really good one.

623
00:35:25,000 --> 00:35:30,000
Greg is from Coventry, which I, yeah, presumed to be the UK.

624
00:35:30,000 --> 00:35:31,000
Yeah, Coventry.

625
00:35:31,000 --> 00:35:36,000
And he says, perhaps the MM50 should be referred to as the sound slab.

626
00:35:36,000 --> 00:35:37,000
I like that.

627
00:35:37,000 --> 00:35:38,000
The sound slab.

628
00:35:38,000 --> 00:35:42,000
That sounds, that's nothing to do with MM50, but I do like it is.

629
00:35:42,000 --> 00:35:43,000
It's a slab of sound.

630
00:35:43,000 --> 00:35:45,000
So Greg, congratulations.

631
00:35:45,000 --> 00:35:47,000
Send me your address.

632
00:35:47,000 --> 00:35:49,000
I will send you an MM50.

633
00:35:49,000 --> 00:35:52,000
It might even be my personal one.

634
00:35:52,000 --> 00:35:54,000
I hope we have another one left.

635
00:35:54,000 --> 00:35:57,000
Everyone like walked off with these, the minute they were in the office.

636
00:35:57,000 --> 00:35:58,000
Okay.

637
00:35:58,000 --> 00:36:03,000
What you heard briefly during Carmen Tyler's wonderful Christmas song was some feedback,

638
00:36:03,000 --> 00:36:04,000
which is very long.

639
00:36:04,000 --> 00:36:06,000
I'm not going to play all of it from Eric.

640
00:36:06,000 --> 00:36:08,000
And he has something interesting to say.

641
00:36:08,000 --> 00:36:10,000
It's about feed, hijacking.

642
00:36:11,000 --> 00:36:18,000
So if you're a podcast or if you have an RSS feed at all, pay attention to what he's saying here.

643
00:36:18,000 --> 00:36:22,000
And I'll interject here and there and I don't think I'll get to the whole thing.

644
00:36:22,000 --> 00:36:24,000
But listen to what he says about feed, hijacking.

645
00:36:24,000 --> 00:36:25,000
Hi Adam.

646
00:36:25,000 --> 00:36:27,000
Thank you for having me on the show.

647
00:36:27,000 --> 00:36:37,000
I really appreciate getting the chance to talk to some of your listeners about what I regard as a tremendous threat to the whole podcasting infrastructure.

648
00:36:37,000 --> 00:36:45,000
My name is Eric Marcus and for a bit more than a year now, I've been doing my podcast Eric Steiner.

649
00:36:45,000 --> 00:36:49,000
At the time that I started, there were fewer than 50 podcasts available.

650
00:36:49,000 --> 00:36:55,000
And my show was not only the first one to tackle the subjects of veganism and animal rights.

651
00:36:55,000 --> 00:37:00,000
It was also the first podcast to talk about food, recipes and cooking.

652
00:37:00,000 --> 00:37:05,000
Now, over the past year, Eric Steiner has grown steadily more popular.

653
00:37:05,000 --> 00:37:09,000
When I started out, each show drew only about 100 listeners.

654
00:37:09,000 --> 00:37:14,000
But by last month, my audience had grown to about 1,500 people per show.

655
00:37:14,000 --> 00:37:18,000
Now, this is not a Howard Stern sized audience clearly.

656
00:37:18,000 --> 00:37:20,000
It's not even a dawn and drew type audience.

657
00:37:20,000 --> 00:37:23,000
But Eric Steiner does appeal to a niche audience.

658
00:37:23,000 --> 00:37:27,000
And I think that if I can do a show that reaches more than 1,000 people,

659
00:37:27,000 --> 00:37:33,000
interested in vegan eating and farm animal protection, that's a fantastic use of my time.

660
00:37:33,000 --> 00:37:35,000
Oh, by the way, I just want to interject.

661
00:37:35,000 --> 00:37:40,000
I think if you have more than 1,000 that you can probably start to make money on that if you're interested.

662
00:37:40,000 --> 00:37:45,000
People have emailed me to tell me they've become vegan as a direct result of listening to my show.

663
00:37:45,000 --> 00:37:49,000
I even had one guy right and tell me he bought an iPod specifically,

664
00:37:49,000 --> 00:37:53,000
so he could listen to my show during his drive to work.

665
00:37:53,000 --> 00:37:58,000
This past month with my audience creeping up toward 2,000 listeners per show,

666
00:37:58,000 --> 00:38:01,000
I thought I was ideally positioned for further growth.

667
00:38:01,000 --> 00:38:05,000
I figured that if I kept working hard to produce a quality show,

668
00:38:05,000 --> 00:38:08,000
5,000 listeners was just around the corner.

669
00:38:08,000 --> 00:38:13,000
Instead, everything I spent this past year working on has suddenly collapsed.

670
00:38:13,000 --> 00:38:18,000
My RSS feed has been hijacked by someone I've never met or even heard of,

671
00:38:18,000 --> 00:38:23,000
and every single one of my subscribers through iTunes has been cut off.

672
00:38:23,000 --> 00:38:29,000
In consequence, my audience has dropped overnight by 75%.

673
00:38:29,000 --> 00:38:32,000
Now, a lot of people know what domain hijacking is,

674
00:38:32,000 --> 00:38:38,000
but even as a podcaster, I'd never heard of RSS hijacking until it happened to me.

675
00:38:38,000 --> 00:38:45,000
As I'm about to explain, RSS hijacking involves a different and much simpler technique than domain hijacking.

676
00:38:45,000 --> 00:38:49,000
See, not only is RSS hijacking easy to do,

677
00:38:49,000 --> 00:38:57,000
it also doesn't involve the overacts of law breaking that usually need to occur in order to hijack a domain.

678
00:38:58,000 --> 00:39:05,000
I personally regard RSS hijacking as the greatest threat that the podcaster community has encountered to date.

679
00:39:05,000 --> 00:39:10,000
So let me explain how I discovered that my podcast feed was hijacked,

680
00:39:10,000 --> 00:39:14,000
and why I think RSS hijacking is so insidious.

681
00:39:14,000 --> 00:39:23,000
A couple of months ago, I read on slash dot that Yahoo had released a new podcast search engine at podcast.yahoo.com.

682
00:39:23,000 --> 00:39:28,000
I went to that site and was pleased to see that Eric Steiner already had a listing.

683
00:39:28,000 --> 00:39:36,000
But on this listing, I noticed that the RSS feed listed for my show was not hosted by my website vegan.com,

684
00:39:36,000 --> 00:39:43,000
but instead was hosted by some website I'd never even heard of called podkeyword.com.

685
00:39:43,000 --> 00:39:46,000
Now, what happened was obvious.

686
00:39:46,000 --> 00:39:53,000
And random guy up there owning the podkeyword.com domain had created an RSS feed on his site

687
00:39:53,000 --> 00:39:56,000
and pointed it to my RSS feed.

688
00:39:56,000 --> 00:40:01,000
And somehow Yahoo had picked up his RSS feed instead of my own

689
00:40:01,000 --> 00:40:06,000
and inserted it into its directory listing for my show.

690
00:40:06,000 --> 00:40:10,000
Now, I'm not the most technically savvy person you'll ever meet,

691
00:40:10,000 --> 00:40:13,000
but I could immediately recognize the danger here.

692
00:40:13,000 --> 00:40:20,000
Over time, more and more Yahoo users would subscribe to my show using an RSS feed that belonged not to me,

693
00:40:20,000 --> 00:40:22,000
but to a third party.

694
00:40:22,000 --> 00:40:27,000
Now, I'm from New York and perhaps overly suspicious about people's motives,

695
00:40:27,000 --> 00:40:32,000
but I could see it at glance that this feed hijacking had extortion written all over it.

696
00:40:32,000 --> 00:40:38,000
In getting his URL for my podcast, carried by Yahoo's directory,

697
00:40:38,000 --> 00:40:46,000
the owner of podkeyword.com was establishing himself as the gatekeeper who could control all traffic to my show

698
00:40:46,000 --> 00:40:49,000
from listeners who were subscribed through Yahoo.

699
00:40:49,000 --> 00:40:52,000
Now, this is really interesting.

700
00:40:52,000 --> 00:40:53,000
This is rampant.

701
00:40:53,000 --> 00:40:55,000
This is happening all over the place.

702
00:40:55,000 --> 00:41:06,000
If you register with audio, if you register with any multitude of directories,

703
00:41:06,000 --> 00:41:10,000
perhaps it is even true with podcast, Ali.

704
00:41:10,000 --> 00:41:11,000
I'm not sure.

705
00:41:11,000 --> 00:41:13,000
We'll have to look at that.

706
00:41:13,000 --> 00:41:17,000
You know, this claim your feed shit that I see everywhere, where you claim your feed,

707
00:41:17,000 --> 00:41:21,000
so then you get a new feed, like an audio feed.

708
00:41:21,000 --> 00:41:23,000
These are where this is where it goes wrong,

709
00:41:23,000 --> 00:41:30,000
is that these things get exactly what happened to Eric here is that that feed got sucked in by Yahoo

710
00:41:30,000 --> 00:41:32,000
and Yahoo for all intents and purposes today.

711
00:41:32,000 --> 00:41:33,000
That's my feed.

712
00:41:33,000 --> 00:41:35,000
You know, that's the right feed, no problem.

713
00:41:35,000 --> 00:41:38,000
I don't think there's any malicious intent here, but it is a problem.

714
00:41:38,000 --> 00:41:41,000
This, by the way, is the same thing that feed burner does.

715
00:41:41,000 --> 00:41:43,000
You know, yes, feed burner is great.

716
00:41:43,000 --> 00:41:45,000
Feed burner has a lot of benefits.

717
00:41:45,000 --> 00:41:51,000
It's very easy to use, but if feed burner crops out, if feed burner decides whatever they decide,

718
00:41:51,000 --> 00:41:56,000
they effectively, you know, have control over your RSS feed.

719
00:41:56,000 --> 00:41:58,000
iTunes does the exact same thing.

720
00:41:58,000 --> 00:42:03,000
Ladies and gentlemen, they also, in effect, hijack your feed and then they create their own special feed,

721
00:42:03,000 --> 00:42:07,000
so you have to keep coming back to them and you don't get it directly from the source.

722
00:42:07,000 --> 00:42:09,000
And we all know what the issues are there.

723
00:42:09,000 --> 00:42:16,000
If iTunes messes up, well, caching your RSS feed, then your podcast doesn't download for,

724
00:42:16,000 --> 00:42:18,000
sometimes for four hours.

725
00:42:18,000 --> 00:42:21,000
So this is not the way to do it, and I think that we've known this,

726
00:42:21,000 --> 00:42:23,000
the people in the RSS space have known this.

727
00:42:23,000 --> 00:42:25,000
It's a bad way to do things.

728
00:42:25,000 --> 00:42:31,000
The best way to do this is to register a domain name.

729
00:42:31,000 --> 00:42:34,000
A domain name that you can then point anywhere you want.

730
00:42:34,000 --> 00:42:36,000
So you should be able to put in a redirect.

731
00:42:36,000 --> 00:42:42,000
So it would be atomspodcast.com slash RSS.xml,

732
00:42:42,000 --> 00:42:45,000
and you should be able to redirect that anywhere you want,

733
00:42:45,000 --> 00:42:50,000
so that if you wake up one morning and decide that you're not happy with,

734
00:42:50,000 --> 00:42:54,000
with your infrastructure, all you have to do is just change a couple of parameters,

735
00:42:54,000 --> 00:42:56,000
and everyone will stay subscribed.

736
00:42:56,000 --> 00:42:59,000
You've really got to look into getting a domain name.

737
00:42:59,000 --> 00:43:00,000
You don't take that lightly.

738
00:43:00,000 --> 00:43:03,000
It's very, very, very important.

739
00:43:03,000 --> 00:43:05,000
Erick's comment goes on for another four or five minutes,

740
00:43:05,000 --> 00:43:08,000
but I think it's very clear what's happening here.

741
00:43:08,000 --> 00:43:16,000
And I suggest that you look at getting a domain name,

742
00:43:16,000 --> 00:43:20,000
and redirecting to the infrastructure that you're using.

743
00:43:20,000 --> 00:43:24,000
And of course, when the pod show podcast delivery network comes out,

744
00:43:24,000 --> 00:43:26,000
we'll have those options built right in for.

745
00:43:26,000 --> 00:43:28,000
Hi Adam, this is James from JamesB.com.

746
00:43:28,000 --> 00:43:31,000
Here in Utah, in the US, we have a slightly different vernacular

747
00:43:31,000 --> 00:43:33,000
to express ourselves when we're mad,

748
00:43:33,000 --> 00:43:35,000
allowing me to demonstrate.

749
00:43:35,000 --> 00:43:38,000
I'm mad as heck, and I want to quit my fetching day job.

750
00:43:38,000 --> 00:43:40,000
I'm bored out of my freaking skull with it.

751
00:43:40,000 --> 00:43:41,000
Dang!

752
00:43:41,000 --> 00:43:44,000
What the flip do I have to do, gosh darn it?

753
00:43:44,000 --> 00:43:47,000
Oh boy, if my mother could hear me now.

754
00:43:47,000 --> 00:43:50,000
If you thought of Napoleon Dynamite when you heard that,

755
00:43:50,000 --> 00:43:54,000
let me state for the record that my mother was from the west side of Prestonite home.

756
00:43:54,000 --> 00:43:56,000
So Adam, don't forget about us, poor Utah fellows,

757
00:43:56,000 --> 00:43:58,000
that never learned how to properly work blue.

758
00:43:58,000 --> 00:44:01,000
This is James from JamesB.com, Navalcast,

759
00:44:01,000 --> 00:44:04,000
and my new podcast, face the music, saying,

760
00:44:04,000 --> 00:44:07,000
God, I can't wait to quit my day job.

761
00:44:07,000 --> 00:44:09,000
Hey there, my name's Krantz.

762
00:44:09,000 --> 00:44:11,000
You can find me at a couple of different places,

763
00:44:11,000 --> 00:44:14,000
namely, frikogonvenus.com.

764
00:44:14,000 --> 00:44:19,000
The Sunday fun message that was downloaded

765
00:44:19,000 --> 00:44:23,000
into my ears on Sunday,

766
00:44:24,000 --> 00:44:26,000
had me rolling.

767
00:44:26,000 --> 00:44:29,000
But it is also very, very true.

768
00:44:29,000 --> 00:44:32,000
The reason I spend most of my time listening to podcasts

769
00:44:32,000 --> 00:44:35,000
and ignoring the radio,

770
00:44:35,000 --> 00:44:37,000
and even television really,

771
00:44:37,000 --> 00:44:40,000
is because it's a bunch of shit.

772
00:44:40,000 --> 00:44:42,000
I'm tired of hearing the same song every two hours,

773
00:44:42,000 --> 00:44:44,000
I'm tired of, and I am mad.

774
00:44:44,000 --> 00:44:46,000
I am mad.

775
00:44:46,000 --> 00:44:48,000
I'm a human being Goddamn,

776
00:44:48,000 --> 00:44:50,000
and in my life has value,

777
00:44:50,000 --> 00:44:51,000
and I'm mad as hell!

778
00:44:51,000 --> 00:44:53,000
And I want to quit my day job!

779
00:44:53,000 --> 00:44:55,000
I'm mad as hell,

780
00:44:55,000 --> 00:44:57,000
and I want to quit my day job when I quit.

781
00:44:57,000 --> 00:45:00,000
We all know the atomic bomb is very dangerous.

782
00:45:00,000 --> 00:45:04,000
Now, we must be ready for a new danger.

783
00:45:04,000 --> 00:45:09,000
Hey, I'm Jack Elias from the Get Jack podcast.

784
00:45:09,000 --> 00:45:11,000
Get Jack.Honomus.com,

785
00:45:11,000 --> 00:45:14,000
and I'll spell it out for medically in a minute.

786
00:45:14,000 --> 00:45:18,000
Um, God, you know, you're teasing us now.

787
00:45:18,000 --> 00:45:21,000
And we want to quit our jobs.

788
00:45:21,000 --> 00:45:23,000
Some of us actually,

789
00:45:23,000 --> 00:45:26,000
my wife says that I need to keep working at my job

790
00:45:26,000 --> 00:45:29,000
until such time that this pays more.

791
00:45:29,000 --> 00:45:30,000
Which is fine.

792
00:45:30,000 --> 00:45:32,000
I totally agree with that,

793
00:45:32,000 --> 00:45:34,000
but hey, you know,

794
00:45:34,000 --> 00:45:35,000
I care it.

795
00:45:35,000 --> 00:45:37,000
A tidbit, a taste.

796
00:45:37,000 --> 00:45:38,000
I hint.

797
00:45:38,000 --> 00:45:39,000
Something.

798
00:45:39,000 --> 00:45:40,000
Please?

799
00:45:40,000 --> 00:45:43,000
Get Jack.Honomus.com

800
00:45:43,000 --> 00:45:45,000
That's hotel alpha,

801
00:45:46,000 --> 00:45:47,000
alpha,

802
00:45:47,000 --> 00:45:48,000
alpha,

803
00:45:48,000 --> 00:45:49,000
Sierra,

804
00:45:49,000 --> 00:45:50,000
dot com.

805
00:45:50,000 --> 00:45:52,000
Kind of like Christmas and on,

806
00:45:52,000 --> 00:45:54,000
I got all rolled into one.

807
00:45:54,000 --> 00:45:56,000
Konnichiwa, Adam Curryson.

808
00:45:56,000 --> 00:45:58,000
I'm Terrence Young from the Kobe beef show

809
00:45:58,000 --> 00:46:02,000
at www.cobey-beef.blogspot.com.

810
00:46:02,000 --> 00:46:04,000
Since the music industry won't let us have

811
00:46:04,000 --> 00:46:06,000
our hit test and backtracks podcasts,

812
00:46:06,000 --> 00:46:08,000
how about a quiz using material

813
00:46:08,000 --> 00:46:11,000
they can't control the Japanese language?

814
00:46:11,000 --> 00:46:13,000
I know you know you're Dutch,

815
00:46:13,000 --> 00:46:15,000
but how's your Japanese, Adam?

816
00:46:15,000 --> 00:46:16,000
A while back,

817
00:46:16,000 --> 00:46:17,000
I sent you a promo,

818
00:46:17,000 --> 00:46:19,000
which featured the word Botakuni,

819
00:46:19,000 --> 00:46:21,000
which means Ribbon.

820
00:46:21,000 --> 00:46:22,000
I hope you remember.

821
00:46:22,000 --> 00:46:23,000
Yeah.

822
00:46:23,000 --> 00:46:24,000
They agree at least.

823
00:46:24,000 --> 00:46:26,000
Now it's time to learn some new words.

824
00:46:26,000 --> 00:46:27,000
The game is simple.

825
00:46:27,000 --> 00:46:28,000
My trustee,

826
00:46:28,000 --> 00:46:30,000
imaginary cow sidekick,

827
00:46:30,000 --> 00:46:31,000
Teibontaro,

828
00:46:31,000 --> 00:46:33,000
will give you a practical Japanese word.

829
00:46:33,000 --> 00:46:35,000
Three answers to choose from,

830
00:46:35,000 --> 00:46:37,000
and you guess the answer.

831
00:46:37,000 --> 00:46:39,000
Take it away, Teibong.

832
00:46:41,000 --> 00:46:42,000
It's...

833
00:46:43,000 --> 00:46:45,000
Let's guess Japanese.

834
00:46:45,000 --> 00:46:46,000
Hi.

835
00:46:46,000 --> 00:46:47,000
Today word,

836
00:46:47,000 --> 00:46:48,000
Kurija.

837
00:46:48,000 --> 00:46:50,000
Kurija is...

838
00:46:50,000 --> 00:46:51,000
A.

839
00:46:51,000 --> 00:46:54,000
Rare Japanese glam found in the Japan Sea.

840
00:46:56,000 --> 00:46:57,000
B.

841
00:46:57,000 --> 00:47:00,000
City on Southern Island of Kyushu.

842
00:47:01,000 --> 00:47:02,000
C.

843
00:47:02,000 --> 00:47:04,000
Nickname for Love button.

844
00:47:04,000 --> 00:47:08,000
Found in another region of every woman.

845
00:47:09,000 --> 00:47:12,000
I'm going to go for sea.

846
00:47:12,000 --> 00:47:14,000
I'm not bad.

847
00:47:14,000 --> 00:47:16,000
I know that hard one.

848
00:47:16,000 --> 00:47:18,000
But I hope you guess right.

849
00:47:18,000 --> 00:47:20,000
I hope you guess sea.

850
00:47:20,000 --> 00:47:21,000
I'm going to go for love button.

851
00:47:21,000 --> 00:47:22,000
Yes.

852
00:47:22,000 --> 00:47:24,000
Kurija is Japanese slang.

853
00:47:24,000 --> 00:47:25,000
Floor Clitoris.

854
00:47:25,000 --> 00:47:27,000
Kuriya is shockening of work.

855
00:47:27,000 --> 00:47:28,000
Kitoris.

856
00:47:28,000 --> 00:47:29,000
Browns.

857
00:47:29,000 --> 00:47:30,000
Kuri, Dori, Su.

858
00:47:30,000 --> 00:47:31,000
In Japanese.

859
00:47:31,000 --> 00:47:33,000
And John is invomer ending.

860
00:47:33,000 --> 00:47:35,000
Usually added to people name.

861
00:47:36,000 --> 00:47:37,000
So next time,

862
00:47:37,000 --> 00:47:39,000
you are love snorkeling with Patricia.

863
00:47:39,000 --> 00:47:41,000
You got affectionately caught her.

864
00:47:41,000 --> 00:47:42,000
Love button.

865
00:47:42,000 --> 00:47:43,000
Kurija.

866
00:47:43,000 --> 00:47:44,000
Kurija.

867
00:47:44,000 --> 00:47:45,000
You try now add-on.

868
00:47:45,000 --> 00:47:46,000
Kurija.

869
00:47:46,000 --> 00:47:47,000
Kurija.

870
00:47:47,000 --> 00:47:48,000
Kurija.

871
00:47:48,000 --> 00:47:49,000
Yeah.

872
00:47:49,000 --> 00:47:50,000
Very good.

873
00:47:50,000 --> 00:47:51,000
Hope you enjoyed that add-on.

874
00:47:51,000 --> 00:47:54,000
I know it's nowhere near as polished as the hit test.

875
00:47:54,000 --> 00:47:56,000
But I hope at least you got a chuckle.

876
00:47:56,000 --> 00:47:57,000
And a new word to use with Patricia.

877
00:47:57,000 --> 00:47:58,000
Kurija.

878
00:47:58,000 --> 00:47:59,000
A regular new hongo time lessons.

879
00:47:59,000 --> 00:48:01,000
And my rants about life in Japan.

880
00:48:01,000 --> 00:48:03,000
Please check out the Kobe beef show.

881
00:48:03,000 --> 00:48:08,000
At www.kobei-beef.blogspot.com.

882
00:48:08,000 --> 00:48:10,000
Also, Dear Pod Showgun.

883
00:48:10,000 --> 00:48:12,000
Tibon and I are definitely excited about the audition

884
00:48:12,000 --> 00:48:14,000
and getting hooked up with the Pod Show.

885
00:48:14,000 --> 00:48:16,000
So we'll be back soon.

886
00:48:16,000 --> 00:48:17,000
With another additional.

887
00:48:17,000 --> 00:48:19,000
What is it, Tibon?

888
00:48:19,000 --> 00:48:20,000
Nyongo quiz time.

889
00:48:20,000 --> 00:48:21,000
Kurija.

890
00:48:21,000 --> 00:48:22,000
That's right.

891
00:48:22,000 --> 00:48:23,000
All right.

892
00:48:23,000 --> 00:48:24,000
See you again.

893
00:48:24,000 --> 00:48:25,000
Mata ne.

894
00:48:25,000 --> 00:48:26,000
All right.

895
00:48:26,000 --> 00:48:27,000
Bye bye.

896
00:48:27,000 --> 00:48:28,000
All right.

897
00:48:28,000 --> 00:48:30,000
And I'll see you guys tomorrow right here on the source code.

898
00:48:30,000 --> 00:48:31,000
Bye.
