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16 million dollars worth of airplane strapped to my ass, then the next generation

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radio content in my ears, I like to think I'm flying into the future.

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From home, don't share a Charlie 3-0-3

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[ Music ]

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I'm not afraid of the clothes you wear.

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I'm not afraid to join in your mode.

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I got the feeling that you won't come around, baby.

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I got the feeling that you won't.

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Was it so hard?

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[ Music ]

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Was it so hard?

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Selected for your listening enjoyment.

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By the daily source code, HotSafe is a network personal shoppers.

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Let's leave the echo delta, drop the A for extra assumption.

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Was it hard to title that?

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Like that very much.

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This is exactly the way it should be working.

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People sending me suggestions for songs to play off of the Podsake Music Network.

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Exactly the way.

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Remember, I'm going to write a little letter.

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I'm going to send it to my local DJ.

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That's what we need listeners.

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We need your help.

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That's from the Podsake Music Network.

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How are you doing?

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It's Thursday coming to you from the cottage.

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It may be Friday or the weekend, wherever you are.

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I didn't do a show yesterday.

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I was visiting my mom.

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Talk a little bit about that.

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I'll see some promos, of course.

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Some classic audio on the way from Al Johnson.

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We're going to talk a bit about, well, we'll talk about our Metro Sexual Stuff.

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I'm about shaving a couple more Podsafe tunes, including a Christmas tune on the way.

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I'm having a Trinity and biodiesel talk for tomorrow's show, I guess, along with some blank

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media stuff that I've been collecting.

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I've been using Omni Outliner on the Mac.

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I don't know if you're familiar with that, but it's an outlining program.

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It's really convenient for putting my shows together.

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Because, you know, my show basically starts at the top and ends at the bottom of the list.

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And as I go along, sometimes find myself changing stuff, moving stuff around.

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It kind of corresponds with what I'm doing in Megasag, although there's a lot of manual

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intervention there, keeping both lists synchronized.

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Oh, man.

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Wouldn't it be nice if Megasag could import my Omni Outliner file?

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Oh, my goodness.

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That would be fucking awesome.

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Anyway, it's cool because you can basically drag and drop MP3s into it.

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Bookmarks for URLs, all this stuff, and it just becomes my console, if you will.

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Do you hear that?

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I got a, that's the radiator now.

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Yeah, at first I thought it was Roger Smalls going through my trash again.

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But no, it turns out the radiator at this point has so much air in it that it sounds

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like someone's dragging a milk cart in the cross, the pavement out in front of the cottage.

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A lot of racking.

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I got to find the key to let the air out.

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So yesterday, whoa, big, big, big, big day.

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Went to see my mom, who, first of all, thank you all so much for all the wonderful emails

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that you've sent me emails of support, encouragement of hope of prayer.

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It's really, really appreciated.

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And I mean, I, I've tried to respond, I started this morning, started to respond to,

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to just about everyone who sent something in, there's so much.

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I'm sorry if I missed yours, but I really appreciated this.

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Well, we'll get to the whole cancer thing in a moment.

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Let me take the day step by step because it was quite a, quite a rollercoaster ride,

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actually.

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First of all, the wind commander stayed overnight, so we had an early start.

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Well, when you have two women in the house, an early start is basically leaving within 30 minutes of your estimated time with the part show.

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You're doing pretty good.

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We drove off to the, to Farrow, to the airport.

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We were there around, I wanted to be there around 830.

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We're there on 9 o'clock.

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So I got everything.

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We were already pre-fueled.

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Everything was ready to go.

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I just went up the tower to make sure we had everything all set.

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And our flight plan was filed.

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Also just to say hi, you know, it's a small local airfield to kind of drop in and be social for a couple of minutes.

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And then we took off.

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It wasn't a, it wasn't a brilliant day, but flying at what we do.

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We were around 3,000 feet was nice between broken clouds above us around four and a half thousand feet and a cloud cover below us.

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Now, I don't have an instrument rating.

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I am training from an instrument rating.

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So we do a lot of work in, in the plane on these types of flights, the wind commander and I.

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And he gives me all kinds of stuff to do.

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And now we're not flying on a visual GPS, you know, with a nice screen or anything.

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None of that stuff is, I do have a GPS, but it's a very, very basic system.

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Just basically with a text read out.

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But most of the training that you do for instruments is, well, guess what, flying on instruments, which includes tuning in,

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VORs.

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So you can basically vector where you are and being able to hold altitude and, and your direction while essentially being in complete cloud cover, which is a very weird sensation.

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I mean, that's really, we've talked about this before.

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They call it kind of the leans.

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Well, you'll be flying.

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And if you look outside and, of course, you see nothing but white around you.

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You know that you're moving, but you can't see anything.

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It becomes like a, a really interesting Disney type park ride.

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And you'll think, well, wait a minute, the plane is going right and I should be, you know, and you, your body almost starts leaning left or vice versa.

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And you want to turn and then you look at your instruments and you see that the attitude of the airplane is doing something completely different than what you thought it was doing.

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Now, we have an autopilot in the machine, but when you're doing these exercises, really, you know, doing it all by hand is what it's about.

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So, mostly it was all clear smooth sailing until we got up to Rotterdam where the, the cover was at like 600 feet.

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So it was a complete IFR approach instrument flying rules, which I did by hand.

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And at the same time, it had kind of a panic-stricken passenger in the back, Christina started to freak out because,

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well, both the girls had elected not to wear headsets.

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And I think that when you're not hearing what's going on and you're not seeing anything because you look out, you know,

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and it's like, you know, think about me having the, the leans, how about the passengers who aren't used to it.

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Because you can, not only can you see out the, the left and the right hand side, you can look out in front,

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that's something you can't do on a jetliner.

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So it's very confusing, Christina was definitely, you know, uneasy, which made me, of course, all that more uneasy.

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But, you know, we've vectored all the way down and it was, it was awesome.

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I mean, doing it by hand, there's, whoo, there's a lot to it.

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Along with the GPS that slaves to the autopilot, I say, but fun to do, really, really fun to just drop out of the clouds and all of a sudden,

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boom, there it is, right at AM Airport, right in front of you.

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And it's, and that's nicely lit.

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It's a huge airport where, you know, big jets come in.

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Not 747s, but, you know, vacation like 727s, I think 737s can make it in.

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Nice long runway, and so, you know, that was really good.

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And completed the landing and went into the jet center, because you can't just land at the airport anymore.

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You have to have a handling agent.

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So it costs like a 300 bucks to fucking be handled.

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Which means they pick you up from your plane with an umbrella, take you into where you pay,

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and then shut it out the back.

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And if you want, you can get a cup of coffee, big deal.

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But didn't nice enough folks there.

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So then we went to my mom's house.

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It was exactly one year ago this week that I was in Utrecht,

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for just before and just after the holidays,

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where my mom was scheduled to have a lung removed,

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due to lung cancer.

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And this was all podcasts back in the day.

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Those of you who are just tuning into the daily source code,

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and I was podcasting from the hotel room.

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It was a weird, a very weird Christmas.

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And she survived.

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You know, of the 15% of people who survived that,

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and are declared cancer-free, she made it.

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But throughout the year, she's had another flare-up,

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but not in her, quote, crucial organs, but in on her side,

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tumor, which was removed.

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And now there's some more cell activity going on there.

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And if anything, it's fear.

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You know, that's what's really freaking everybody out.

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It's the unknown.

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It's not knowing what we're at.

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What we're up against.

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And I must say, having all the emails to support really,

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really helps.

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You feel all of a sudden you feel a lot less alone.

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And you also realize how big this problem is.

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It's so fucking medieval.

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That's what struck me this morning when I woke up is,

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you know, to see someone sick,

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but actually, you know,

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I want to use the word wilting away,

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but you can see it.

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It's literally eating at you.

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And it's like medieval, man.

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It's like the, you know,

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with all the technology we have,

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it's seen so unbelievable that you,

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there's no fucking magic pill or something.

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And you know, this is really the only case

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in our immediate family and friend, you know,

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surroundings that we've witnessed this.

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And of course, it to be this close is a major bummer.

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But, you know, mom's positive.

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She really is, but she's really afraid.

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And she's tired of it.

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You know, she's tired of this fighting the whole year.

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And now it just has to continue.

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So my sisters and I are,

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you know, going to go at it full speed.

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Going to support her.

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And unfortunately, Tiffany,

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my oldest sister who was two years younger than I am.

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She lives in Holland.

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So she, of course,

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is the closest in proximity.

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Willow, my younger sister,

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who was four years younger than I.

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She lives in Italy.

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So, um,

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now, of course, I'm shuddling back and forth

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between here in San Francisco.

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So I'm pretty sure that we're going to get

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our instrument rating very quickly.

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So that when I am back here,

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I can just make quick day trips to go and see,

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see mom.

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Because the broader my airport is really,

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it's very conveniently located

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to where she lives.

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Only half hour by cab.

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And actually, we called taxi Eric.

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Tea to the E to come pick us up.

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And he was there last year when my mom

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in the hospital.

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So it was a good, good hang.

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We had fun.

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We laughed.

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My sister came down.

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So that was a lot of fun.

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And Bob, my mom's a new husband.

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She got married to a couple of years ago.

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Yeah, he, of course, took the day off.

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And it was really good.

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It was just a couple hours.

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But it was, you know,

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enough to really raise her spirits.

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And so that was cool.

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So humbled by all of that.

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Back to the airport.

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And I wanted to make it back before dark.

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Now, of course, we were running a little late.

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Now, this was not a problem.

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Even though the wind commander couldn't come with me.

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We had Roy, who is actually my IFR instrument instructor.

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And I'd never flown with Roy before.

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You know, we'd done all kinds of other ground classes together.

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But he is the absolute king of instrument flying

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in the Netherlands and Belgium.

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He's just awesome.

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He's raided on everything, can fly everything.

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And he's a nerd.

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He works like Ericsson or something, doing something really high-tech on the mobile networks.

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I'm not quite sure.

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But, you know, he's got a flight sim at home with multi-screens.

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So we flew home.

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It was beautiful.

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It was, you know, the sun was, we were flying into the sunset,

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if you will.

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You know, just trying to basically catch up with the sun

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as it was setting.

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It was so smooth sailing.

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It was like we were on a cable car almost.

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It was so beautiful.

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Could trim the plane, you know, perfectly hands off

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most of the time, just looking at the surroundings,

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talking with Roy about stuff.

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So it was great.

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By the time we reached the coast of Dover though,

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the sun had set and it was about four PM local time.

243
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And we knew we're going to be making an approach in the dark,

244
00:15:01,000 --> 00:15:03,000
which neither of us had ever done at Ferrox,

245
00:15:03,000 --> 00:15:07,000
which has a reasonably short strip, actually.

246
00:15:07,000 --> 00:15:09,000
And although they're open until six,

247
00:15:09,000 --> 00:15:12,000
and they do have the runway lit.

248
00:15:12,000 --> 00:15:14,000
I think there's a difference between a runway that's lit,

249
00:15:14,000 --> 00:15:17,000
you know, like having seen Rotterdam airport with the center line

250
00:15:17,000 --> 00:15:21,000
is a row of lights and there's just lights everywhere.

251
00:15:21,000 --> 00:15:23,000
You know, it's a beautiful sight.

252
00:15:23,000 --> 00:15:26,000
We actually passed over the airport once

253
00:15:26,000 --> 00:15:28,000
because we couldn't even see it.

254
00:15:28,000 --> 00:15:30,000
Then we saw the runway.

255
00:15:30,000 --> 00:15:32,000
And it was like there had some street lights on,

256
00:15:32,000 --> 00:15:34,000
casting some kind of glow onto it.

257
00:15:34,000 --> 00:15:35,000
But, you know, no center line,

258
00:15:35,000 --> 00:15:37,000
just basically two rows of white lights

259
00:15:37,000 --> 00:15:40,000
and land in the between there somewhere, if you don't mind.

260
00:15:40,000 --> 00:15:42,000
And all of a sudden there was a lot of activity

261
00:15:42,000 --> 00:15:44,000
there were people doing touching goes

262
00:15:44,000 --> 00:15:46,000
and the dark people coming in who were kind of doing the same thing

263
00:15:46,000 --> 00:15:47,000
that we were doing.

264
00:15:47,000 --> 00:15:50,000
I would say probably one of the most dangerous times

265
00:15:50,000 --> 00:15:52,000
at a small airfield or maybe any airfield

266
00:15:52,000 --> 00:15:55,000
is around this time when people are kind of rushing to get home

267
00:15:55,000 --> 00:15:57,000
or maybe they just got caught in the dark.

268
00:15:57,000 --> 00:16:00,000
Now the experience, we had the experience on board,

269
00:16:00,000 --> 00:16:03,000
so I was not worried at all.

270
00:16:04,000 --> 00:16:07,000
But we did, so we actually did one go around

271
00:16:07,000 --> 00:16:09,000
as, you know, we were like,

272
00:16:09,000 --> 00:16:11,000
stirred in row for landing

273
00:16:11,000 --> 00:16:14,000
and the guy right in front of us really

274
00:16:14,000 --> 00:16:15,000
was slow getting in.

275
00:16:15,000 --> 00:16:17,000
We were much, you know, much faster aircraft

276
00:16:17,000 --> 00:16:18,000
and we were hanging everything out

277
00:16:18,000 --> 00:16:19,000
to slow us down, gear down,

278
00:16:19,000 --> 00:16:21,000
flaps down, everything.

279
00:16:21,000 --> 00:16:23,000
And so we actually had to go around

280
00:16:23,000 --> 00:16:25,000
because he wasn't getting off the runway fast enough.

281
00:16:25,000 --> 00:16:26,000
So, you know, did another pass.

282
00:16:26,000 --> 00:16:28,000
That was actually good because then I got

283
00:16:28,000 --> 00:16:30,000
a lot better feel for the situation

284
00:16:30,000 --> 00:16:33,000
of where I was and I could actually recall now

285
00:16:33,000 --> 00:16:35,000
because of course I've done landings there.

286
00:16:35,000 --> 00:16:37,000
You know, what the base and the final leg

287
00:16:37,000 --> 00:16:41,000
should feel like still came in high.

288
00:16:41,000 --> 00:16:43,000
Which is really cool because even though

289
00:16:43,000 --> 00:16:45,000
the runway is lit like shit

290
00:16:45,000 --> 00:16:47,000
and the basic principle of two red,

291
00:16:47,000 --> 00:16:49,000
your dead, two white, your two high

292
00:16:49,000 --> 00:16:51,000
and the white and red, you know,

293
00:16:51,000 --> 00:16:53,000
it's just red and white is just right

294
00:16:53,000 --> 00:16:56,000
or whatever the, whatever way you're supposed to remember that.

295
00:16:56,000 --> 00:16:58,000
So I could pick up the glide path.

296
00:16:58,000 --> 00:17:01,000
But we were going definitely doing 80 knots

297
00:17:01,000 --> 00:17:03,000
that was too fast, put in full flaps

298
00:17:03,000 --> 00:17:06,000
and you know, really when you do full flaps on an aircraft

299
00:17:06,000 --> 00:17:09,000
like that, it becomes a whole different type of machine

300
00:17:09,000 --> 00:17:12,000
and it's almost like you're, you're batman wings

301
00:17:12,000 --> 00:17:15,000
have inflated and you're kind of coasting down

302
00:17:15,000 --> 00:17:18,000
but add to that the depth perception.

303
00:17:18,000 --> 00:17:22,000
We definitely landed about almost halfway

304
00:17:22,000 --> 00:17:24,000
up the runway which, you know,

305
00:17:24,000 --> 00:17:27,000
at the speed we had was really too fast

306
00:17:27,000 --> 00:17:28,000
and the amount of runway we had left.

307
00:17:28,000 --> 00:17:30,000
In fact, I said to Roy, I said, dude,

308
00:17:30,000 --> 00:17:32,000
we're going to run out of runway

309
00:17:32,000 --> 00:17:34,000
and we both started working the brakes

310
00:17:34,000 --> 00:17:38,000
and, you know, that was a tense moment.

311
00:17:38,000 --> 00:17:41,000
It definitely got a little bit exciting there

312
00:17:41,000 --> 00:17:43,000
with, you know, wheels locking up

313
00:17:43,000 --> 00:17:45,000
which of course completely ruins the tires

314
00:17:45,000 --> 00:17:47,000
and you two new tires now but we stopped

315
00:17:47,000 --> 00:17:49,000
before the end of the runway

316
00:17:49,000 --> 00:17:51,000
but it was, it was one of those experiences

317
00:17:51,000 --> 00:17:53,000
that you're glad you had someone really experienced

318
00:17:53,000 --> 00:17:55,000
next to you so that you know

319
00:17:55,000 --> 00:17:58,000
that you're not just an idiot but this is,

320
00:17:58,000 --> 00:18:00,000
I would also sometimes go, I don't know.

321
00:18:00,000 --> 00:18:04,000
I was like, ah, okay, we're back.

322
00:18:04,000 --> 00:18:09,000
So the whole day really drained completely

323
00:18:09,000 --> 00:18:14,000
and so that's why I didn't do a show yesterday.

324
00:18:14,000 --> 00:18:17,000
Anyway, so only positive vibes, ladies and gentlemen,

325
00:18:17,000 --> 00:18:20,000
that's the best thing we've got going for us.

326
00:18:20,000 --> 00:18:24,000
Just a couple more things that I wanted to hit on here

327
00:18:25,000 --> 00:18:29,000
I found, or actually I got a link to a video,

328
00:18:29,000 --> 00:18:33,000
a piece of video from the Hawaiian Association of podcasters

329
00:18:33,000 --> 00:18:36,000
who just had a meeting the other day up

330
00:18:36,000 --> 00:18:38,000
and I don't know where in Hawaii

331
00:18:38,000 --> 00:18:40,000
and it's really cool because the video,

332
00:18:40,000 --> 00:18:41,000
you know, some of the people are talking

333
00:18:41,000 --> 00:18:44,000
and they met at this great restaurant, great food

334
00:18:44,000 --> 00:18:47,000
and they had that all in video

335
00:18:47,000 --> 00:18:49,000
but really what was cool is they were talking about

336
00:18:49,000 --> 00:18:53,000
how they felt to me like is that the podcasters

337
00:18:53,000 --> 00:18:56,000
and Hawaii, you know, finally they're able to free themselves

338
00:18:56,000 --> 00:18:59,000
and spread some of their culture,

339
00:18:59,000 --> 00:19:03,000
which is there is a definite culture happening in Hawaii,

340
00:19:03,000 --> 00:19:06,000
you know, local news, local music

341
00:19:06,000 --> 00:19:09,000
and they're able to spread that around now, you know,

342
00:19:09,000 --> 00:19:12,000
because, you know, really there was no economic model

343
00:19:12,000 --> 00:19:14,000
particularly on the cost side

344
00:19:14,000 --> 00:19:16,000
to get that stuff out.

345
00:19:16,000 --> 00:19:18,000
And it's really nice to see that and I think

346
00:19:18,000 --> 00:19:21,000
we're going to see more of these really locations

347
00:19:21,000 --> 00:19:24,000
that just because the economic model of installing

348
00:19:24,000 --> 00:19:26,000
broadcasting for structure

349
00:19:26,000 --> 00:19:28,000
would never allow that culture to flow out

350
00:19:28,000 --> 00:19:29,000
now that's starting to happen, you know,

351
00:19:29,000 --> 00:19:31,000
I can't wait to see that happen, for example,

352
00:19:31,000 --> 00:19:34,000
in Jamaica, that's going to be freaking awesome.

353
00:19:34,000 --> 00:19:37,000
Thank you all very much for answering my questions

354
00:19:37,000 --> 00:19:39,000
about the television series Lost.

355
00:19:39,000 --> 00:19:42,000
This is low in calling it in from Fresno, California,

356
00:19:42,000 --> 00:19:44,000
home with us, no more podcasters,

357
00:19:44,000 --> 00:19:46,000
no more.lipsen.com.

358
00:19:46,000 --> 00:19:48,000
Just want to let you know from one loss

359
00:19:48,000 --> 00:19:50,000
to another that the show is on hiatus,

360
00:19:50,000 --> 00:19:52,000
like a lot of other TV shows to line up for May sweeps.

361
00:19:52,000 --> 00:19:54,000
It definitely sucks, but that's how

362
00:19:54,000 --> 00:19:56,000
network television people do it.

363
00:19:56,000 --> 00:19:57,000
Maybe when TV shows become podcast,

364
00:19:57,000 --> 00:19:59,000
only we won't have to deal with this kind of junk.

365
00:19:59,000 --> 00:20:00,000
Don't fret, though,

366
00:20:00,000 --> 00:20:01,000
we're only halfway through the series,

367
00:20:01,000 --> 00:20:02,000
so once the hiatus is over with,

368
00:20:02,000 --> 00:20:04,000
they say January 11th,

369
00:20:04,000 --> 00:20:06,000
there should be about 15 more episodes

370
00:20:06,000 --> 00:20:07,000
give or take.

371
00:20:07,000 --> 00:20:09,000
Anyway, just wanted to help a fellow lost out of count.

372
00:20:09,000 --> 00:20:11,000
Love the source code, listen every day,

373
00:20:11,000 --> 00:20:13,000
it's like opening up a Christmas gift five days a week.

374
00:20:13,000 --> 00:20:14,000
Catch you later.

375
00:20:14,000 --> 00:20:15,000
Thank you.

376
00:20:15,000 --> 00:20:17,000
For as Matt Snowgrass would say, Adam,

377
00:20:17,000 --> 00:20:19,000
come on, man, you were in the TV biz.

378
00:20:19,000 --> 00:20:21,000
You know that they're on break of new episodes,

379
00:20:21,000 --> 00:20:23,000
fall like November sweeps.

380
00:20:23,000 --> 00:20:25,000
They'll probably tease you with some new episodes in late January,

381
00:20:25,000 --> 00:20:27,000
and then back full time for February sweeps.

382
00:20:27,000 --> 00:20:29,000
This is also, so the networks can put

383
00:20:29,000 --> 00:20:30,000
out the midseason replacements.

384
00:20:30,000 --> 00:20:32,000
Yeah, of course, during this time.

385
00:20:32,000 --> 00:20:34,000
What are the midseason replacements this year?

386
00:20:34,000 --> 00:20:36,000
I've not been following that at all,

387
00:20:36,000 --> 00:20:38,000
but I definitely missed loss.

388
00:20:38,000 --> 00:20:40,000
It just goes to show that, you know,

389
00:20:40,000 --> 00:20:43,000
what an opportunity here to attach or to first

390
00:20:43,000 --> 00:20:45,000
make the episodes of lost for pay.

391
00:20:45,000 --> 00:20:46,000
That's fine.

392
00:20:46,000 --> 00:20:48,000
Make it a podcast, so I, you know,

393
00:20:48,000 --> 00:20:49,000
it'll just show up.

394
00:20:49,000 --> 00:20:51,000
And if you know this is going to be a two or three week hiatus,

395
00:20:51,000 --> 00:20:52,000
put some melts in there,

396
00:20:52,000 --> 00:20:55,000
put something cool in the feed to tide me over, you know?

397
00:20:55,000 --> 00:20:57,000
God, the needle's in, you pull it out,

398
00:20:57,000 --> 00:20:58,000
you're going to gem it back in.

399
00:20:58,000 --> 00:21:00,000
That really sucks.

400
00:21:00,000 --> 00:21:01,000
Hey, man,

401
00:21:01,000 --> 00:21:03,000
we don't stop at Christmas time.

402
00:21:03,000 --> 00:21:04,000
Shoot.

403
00:21:04,000 --> 00:21:06,000
I mean, I wanted to do this.

404
00:21:06,000 --> 00:21:09,000
Unfortunately, it doesn't work on UK cell phones,

405
00:21:09,000 --> 00:21:12,000
and I only have UK Skype in numbers.

406
00:21:12,000 --> 00:21:14,000
But someone sent me this link.

407
00:21:14,000 --> 00:21:17,000
I'll figure out how to put that together for tomorrow's show.

408
00:21:17,000 --> 00:21:18,000
It'll be great.

409
00:21:18,000 --> 00:21:21,000
Where you can get a phone call from Sir Richard Branson,

410
00:21:21,000 --> 00:21:24,000
which is completely assembled audio based upon what you,

411
00:21:24,000 --> 00:21:25,000
what you entered.

412
00:21:25,000 --> 00:21:27,000
It's really only for travel agents.

413
00:21:27,000 --> 00:21:30,000
And it's kind of like an incentive call from Sir Richard,

414
00:21:30,000 --> 00:21:32,000
and the someone sent it to me,

415
00:21:32,000 --> 00:21:33,000
and I was like, oh, it's interesting.

416
00:21:33,000 --> 00:21:35,000
So I filled out my US cell number,

417
00:21:35,000 --> 00:21:37,000
and low and behold,

418
00:21:37,000 --> 00:21:38,000
then like four minutes at rang,

419
00:21:38,000 --> 00:21:41,000
and it was Sir Richard Branson with a personalized message from me.

420
00:21:41,000 --> 00:21:44,000
I want to get that rolling for tomorrow.

421
00:21:44,000 --> 00:21:48,000
It's just that I don't have telephone recording equipment.

422
00:21:48,000 --> 00:21:50,000
I can do it through Skype,

423
00:21:50,000 --> 00:21:54,000
but you couldn't enter anything but a US phone number.

424
00:21:54,000 --> 00:21:57,000
So let that be a tease for you for tomorrow's

425
00:21:57,000 --> 00:21:59,000
thank God it's Friday edition.

426
00:21:59,000 --> 00:22:03,000
I just wanted to mention some things that are happening on Sirius.

427
00:22:03,000 --> 00:22:05,000
This is pretty much this stuff couldn't happen

428
00:22:05,000 --> 00:22:08,000
on any other venue than satellite radio.

429
00:22:09,000 --> 00:22:11,000
Sirius is a press release that I got from at least Brown,

430
00:22:11,000 --> 00:22:13,000
who's also our press contact over there.

431
00:22:13,000 --> 00:22:15,000
She says that Sirius satellite radio

432
00:22:15,000 --> 00:22:17,000
will broadcast Christmas masses live

433
00:22:17,000 --> 00:22:19,000
from St. Patrick's Cathedral in New York.

434
00:22:19,000 --> 00:22:21,000
And what I like about this is,

435
00:22:21,000 --> 00:22:23,000
you know, there's obviously there's no commercial model,

436
00:22:23,000 --> 00:22:27,000
which is why I don't think any terrestrial radio broadcasts

437
00:22:27,000 --> 00:22:30,000
amass, certainly not in, well,

438
00:22:30,000 --> 00:22:32,000
I'm not 100% sure,

439
00:22:32,000 --> 00:22:34,000
but I don't think they're doing that in New York.

440
00:22:34,000 --> 00:22:37,000
You know, the time has just become so incredibly

441
00:22:37,000 --> 00:22:40,000
precious and every single minute has to be sold.

442
00:22:40,000 --> 00:22:44,000
And here's Sirius who has arguably enough bandwidth

443
00:22:44,000 --> 00:22:46,000
and they're just, what channel are they doing it on?

444
00:22:46,000 --> 00:22:47,000
Let me see.

445
00:22:47,000 --> 00:22:51,000
Sirius Channel 86, what is that normally?

446
00:22:51,000 --> 00:22:53,000
Certainly they have something.

447
00:22:53,000 --> 00:22:55,000
I wonder what channel 86,

448
00:22:55,000 --> 00:22:58,000
maybe that's just one of those channels that's kind of empty.

449
00:22:58,000 --> 00:23:01,000
Anyway, if you're listening to this podcast on Sirius satellite radio,

450
00:23:01,000 --> 00:23:03,000
you've heard me say this before.

451
00:23:03,000 --> 00:23:06,000
We've got a, like a 24 minute and 30 second window

452
00:23:06,000 --> 00:23:08,000
and we're about to close that.

453
00:23:08,000 --> 00:23:10,000
So that we can get on with all the real cool stuff, right?

454
00:23:10,000 --> 00:23:12,000
Which you guys got to tune out.

455
00:23:12,000 --> 00:23:14,000
The podcast continues.

456
00:23:14,000 --> 00:23:16,000
So Pacific Coast,

457
00:23:16,000 --> 00:23:19,000
Hellway is next followed by yeast radio,

458
00:23:19,000 --> 00:23:20,000
followed by Dawn and Drew,

459
00:23:20,000 --> 00:23:23,000
and we take it on up until 10 o'clock with some pod safe,

460
00:23:23,000 --> 00:23:25,000
pod safe music as well.

461
00:23:25,000 --> 00:23:27,000
Still to come here on the podcast.

462
00:23:27,000 --> 00:23:30,000
As I said, we've got some rare audio of Al Jol,

463
00:23:30,000 --> 00:23:32,000
John's, wait, Al Jolson.

464
00:23:32,000 --> 00:23:34,000
Why did I say Jolson? Al Jolson.

465
00:23:35,000 --> 00:23:39,000
And some history there, which particularly this holiday season,

466
00:23:39,000 --> 00:23:41,000
you might be interested in.

467
00:23:41,000 --> 00:23:45,000
We're going to talk a little bit about some more shave.

468
00:23:45,000 --> 00:23:46,000
It's unbelievable.

469
00:23:46,000 --> 00:23:49,000
It's not, I also, I'm the epicenter for all things shaving,

470
00:23:49,000 --> 00:23:52,000
but it seems like there's a lot of different information

471
00:23:52,000 --> 00:23:54,000
and thoughts and theories on what gives you the best,

472
00:23:54,000 --> 00:23:57,000
the closest and the most valuable shave.

473
00:23:57,000 --> 00:23:59,000
And it's not necessarily what the company,

474
00:23:59,000 --> 00:24:03,000
what the shaving kit manufacturers are telling us.

475
00:24:04,000 --> 00:24:09,000
And we've also got two new pod safe music tunes coming up on the way.

476
00:24:09,000 --> 00:24:12,000
So that's, that's still to come.

477
00:24:12,000 --> 00:24:14,000
Man, I'm really beat today.

478
00:24:14,000 --> 00:24:15,000
I feel so incredibly tired.

479
00:24:15,000 --> 00:24:17,000
All right, everybody, do what,

480
00:24:17,000 --> 00:24:20,000
we're going to do the same thing we do every single day around this time.

481
00:24:20,000 --> 00:24:21,000
Raise your right hand.

482
00:24:21,000 --> 00:24:24,000
If you're in traffic, hold on to the steering wheel with your left.

483
00:24:24,000 --> 00:24:25,000
Okay.

484
00:24:25,000 --> 00:24:27,000
And wave goodbye to all those satellite listeners,

485
00:24:27,000 --> 00:24:28,000
so we can get on with the podcast.

486
00:24:28,000 --> 00:24:29,000
Bye, everybody.

487
00:24:29,000 --> 00:24:31,000
We'll see you tomorrow on the Friday show.

488
00:24:32,000 --> 00:24:36,000
And for you, I got some cool shit you can listen to on your own time.

489
00:24:36,000 --> 00:24:39,000
The scenes that show commentary, stories,

490
00:24:39,000 --> 00:24:43,000
using an observation from Ross and Karen.

491
00:24:43,000 --> 00:24:46,000
The sarcastic American and a rye Canadian

492
00:24:46,000 --> 00:24:49,000
joined us in cross border, match and money.

493
00:24:49,000 --> 00:24:51,000
We have friends.

494
00:24:51,000 --> 00:24:52,000
We have friends.

495
00:24:52,000 --> 00:24:53,000
We have friends.

496
00:24:53,000 --> 00:24:54,000
We've got to burn my butt.

497
00:24:54,000 --> 00:24:55,000
What?

498
00:24:55,000 --> 00:24:57,000
I don't like the way that sounds.

499
00:24:57,000 --> 00:24:59,000
Toronto, my hometown, which I miss and loves.

500
00:24:59,000 --> 00:25:00,000
Can we have your hair?

501
00:25:00,000 --> 00:25:02,000
We've got to be sick in him and he's disappointed in us.

502
00:25:02,000 --> 00:25:05,000
I swear like a longshoreman at a hook or convention.

503
00:25:05,000 --> 00:25:09,000
You're just going to show up in his grave and drop trout and let it go.

504
00:25:09,000 --> 00:25:11,000
Just raw meat creep you out.

505
00:25:11,000 --> 00:25:13,000
Ross and I shut up.

506
00:25:13,000 --> 00:25:17,000
You drink wine out of a box and all of a sudden you have standards.

507
00:25:17,000 --> 00:25:18,000
I don't know.

508
00:25:18,000 --> 00:25:19,000
Yeah.

509
00:25:19,000 --> 00:25:20,000
Would you sign my wood?

510
00:25:20,000 --> 00:25:22,000
I'm very much an 80m difference.

511
00:25:22,000 --> 00:25:23,000
Oh my god.

512
00:25:23,000 --> 00:25:25,000
Well, what's our damage?

513
00:25:25,000 --> 00:25:26,000
Well.

514
00:25:26,000 --> 00:25:27,000
And there you go.

515
00:25:27,000 --> 00:25:28,000
That's why we love Target.

516
00:25:28,000 --> 00:25:29,000
Yet again.

517
00:25:29,000 --> 00:25:31,000
And we're not sponsored by Target.

518
00:25:31,000 --> 00:25:32,000
No.

519
00:25:32,000 --> 00:25:35,000
Am I the only one or is Bob the builder kind of pornographic?

520
00:25:35,000 --> 00:25:36,000
I like the Union suit.

521
00:25:36,000 --> 00:25:37,000
I think it's cool.

522
00:25:37,000 --> 00:25:41,000
Well, by the time the cops got out of Tim Horton's and made it to our door.

523
00:25:41,000 --> 00:25:42,000
The ZNZ show.

524
00:25:42,000 --> 00:25:43,000
We're not carrying cancer here.

525
00:25:43,000 --> 00:25:45,000
We're just podcasting.

526
00:25:45,000 --> 00:25:46,000
What do you want for nothing?

527
00:25:46,000 --> 00:25:49,000
ZNZ.blogspot.com.

528
00:25:49,000 --> 00:25:51,000
Beyond Science Podcast.

529
00:25:51,000 --> 00:25:52,000
Dot com.

530
00:25:52,000 --> 00:25:54,000
Species exploration.

531
00:25:54,000 --> 00:25:58,000
The European Space Agency sent some light guns in the space.

532
00:25:58,000 --> 00:25:59,000
It didn't kill him.

533
00:25:59,000 --> 00:26:01,000
There are no more phenomena.

534
00:26:01,000 --> 00:26:05,000
It's called the coming great dissension or the Luciferian angien.

535
00:26:05,000 --> 00:26:07,000
Nanotechnology.

536
00:26:07,000 --> 00:26:10,000
And carbon nanofibers or nanotubes.

537
00:26:10,000 --> 00:26:13,000
Make a cable that can literally reach tens of thousands of miles.

538
00:26:13,000 --> 00:26:14,000
Alienly.

539
00:26:14,000 --> 00:26:15,000
Obduction.

540
00:26:15,000 --> 00:26:18,000
The alien gospel simply this.

541
00:26:18,000 --> 00:26:21,000
That way the aliens are your progenitors.

542
00:26:21,000 --> 00:26:24,000
Journey into the unknown.

543
00:26:24,000 --> 00:26:26,000
Travel through time.

544
00:26:26,000 --> 00:26:27,000
The past.

545
00:26:27,000 --> 00:26:29,000
The future.

546
00:26:29,000 --> 00:26:31,000
Unleash your mind.

547
00:26:31,000 --> 00:26:33,000
Beyond Science.

548
00:26:33,000 --> 00:26:35,000
Beyond Science Podcast.

549
00:26:35,000 --> 00:26:36,000
Dot com.

550
00:26:36,000 --> 00:26:37,000
Hello.

551
00:26:37,000 --> 00:26:38,000
Hello.

552
00:26:38,000 --> 00:26:40,000
Can anyone hear me?

553
00:26:40,000 --> 00:26:44,000
This is Captain Corval of the United Defense Force.

554
00:26:44,000 --> 00:26:49,000
My ship's been disabled and I'm adrift in the shadow of one of Neptune's moons.

555
00:26:49,000 --> 00:26:54,000
If anyone is receiving this transmission, please get it to UDF command.

556
00:26:55,000 --> 00:27:00,000
In front of presence of tar-that invasion forces, currently inbound to the homeworld.

557
00:27:00,000 --> 00:27:03,000
And they are not tipped towing in.

558
00:27:03,000 --> 00:27:05,000
Their ships number in the hundreds.

559
00:27:05,000 --> 00:27:07,000
And they're impossibly huge.

560
00:27:07,000 --> 00:27:09,000
I don't think you're coming to shake hands people.

561
00:27:09,000 --> 00:27:12,000
They're loaded to take us out.

562
00:27:14,000 --> 00:27:17,000
Our homeworld is in ruins.

563
00:27:18,000 --> 00:27:23,000
Our future is in doubt.

564
00:27:23,000 --> 00:27:32,000
This will be a battle unlike any in our history.

565
00:27:32,000 --> 00:27:37,000
And it's outcome will decide who are the chosen ones.

566
00:27:37,000 --> 00:27:39,000
We are all children of creation.

567
00:27:39,000 --> 00:27:44,000
But which of us are the children of the gods?

568
00:27:45,000 --> 00:27:49,000
Join the fight for survival and children of the gods.

569
00:27:53,000 --> 00:27:55,000
Do you believe anything is possible?

570
00:27:55,000 --> 00:27:56,000
We do.

571
00:27:56,000 --> 00:27:57,000
We are a flank.

572
00:27:57,000 --> 00:28:01,000
We believe in an internet that's safe from viruses and scammers.

573
00:28:01,000 --> 00:28:02,000
We're a Earthling.

574
00:28:02,000 --> 00:28:06,000
We believe your personal information should be just that, personal.

575
00:28:06,000 --> 00:28:10,000
And we believe your internet should be a friend, not a foe.

576
00:28:10,000 --> 00:28:12,000
We're a flank.

577
00:28:12,000 --> 00:28:14,000
Make this smart choice.

578
00:28:14,000 --> 00:28:18,000
Visit earthlink.net and discover what our internet experts can do for you.

579
00:28:18,000 --> 00:28:19,000
Earthlink.

580
00:28:19,000 --> 00:28:21,000
We revolve around you.

581
00:28:21,000 --> 00:28:25,000
Okay, so I don't have a partner on my show where I talk about our sex lives.

582
00:28:25,000 --> 00:28:27,000
I haven't taken a dump and talked about it.

583
00:28:27,000 --> 00:28:29,000
I haven't dumped in my tank to get my car to run.

584
00:28:29,000 --> 00:28:31,000
I haven't put my grandma on her tank.

585
00:28:31,000 --> 00:28:33,000
I haven't talked about how I'm going to shave tomorrow.

586
00:28:33,000 --> 00:28:37,000
But I have talked to many great independent musicians in southwest Ohio.

587
00:28:37,000 --> 00:28:41,000
Where they talk about their songs, their music, and what it takes to get their stuff.

588
00:28:41,000 --> 00:28:43,000
To get their stuff to you.

589
00:28:43,000 --> 00:28:45,000
Join us on the Miami Valley Musiccast.

590
00:28:45,000 --> 00:28:47,000
MiamiValleyMusiccast.com.

591
00:28:47,000 --> 00:28:50,000
And our promos are under 30 seconds.

592
00:28:50,000 --> 00:28:52,000
Excellent rich thanks.

593
00:28:52,000 --> 00:28:54,000
Hey, about that Earthling spot.

594
00:28:54,000 --> 00:28:57,000
Oops, when I just got, oh, hold on a second.

595
00:28:57,000 --> 00:28:58,000
That's so crystal.

596
00:28:58,000 --> 00:29:00,000
Almost second.

597
00:29:00,000 --> 00:29:02,000
And then show.

598
00:29:02,000 --> 00:29:04,000
I don't have to do them.

599
00:29:04,000 --> 00:29:06,000
Belly.

600
00:29:06,000 --> 00:29:10,000
That's my PA, my Dutch PA, who now lives in Switzerland.

601
00:29:10,000 --> 00:29:14,000
And we had a talk scheduled for today.

602
00:29:14,000 --> 00:29:15,000
Okay.

603
00:29:15,000 --> 00:29:16,000
Go a crystal.

604
00:29:16,000 --> 00:29:17,000
Great. Thank you.

605
00:29:17,000 --> 00:29:19,000
About the Earthling spot.

606
00:29:19,000 --> 00:29:23,000
Now, I personally think we're under such an, yes, crystal.

607
00:29:23,000 --> 00:29:24,000
Okay.

608
00:29:24,000 --> 00:29:28,000
I personally think we're under something really important here.

609
00:29:28,000 --> 00:29:32,000
It's something really good as we work on changing what advertising means.

610
00:29:32,000 --> 00:29:37,000
I have three different user-generated commercials about Earthling.

611
00:29:37,000 --> 00:29:41,000
People who actually like their service or have used their service in the past.

612
00:29:41,000 --> 00:29:47,000
And I really want to use those instead of the cookie cutter, like 30 second commercial.

613
00:29:47,000 --> 00:29:52,000
And unfortunately, now with Christmas time is very hard to get a hold of people.

614
00:29:52,000 --> 00:29:57,000
But I am really working on, I'm getting together with this, with this advertiser

615
00:29:57,000 --> 00:30:01,000
and talking to them about the possibilities and hopefully being able to, you know,

616
00:30:01,000 --> 00:30:04,000
get some trials going and track some of this stuff.

617
00:30:04,000 --> 00:30:09,000
And I do believe that it's much more powerful to have your customers make your commercials

618
00:30:09,000 --> 00:30:11,000
than it is for you to make the commercials.

619
00:30:11,000 --> 00:30:17,000
It's just a thought, you know, by the way, even though they were completely produced.

620
00:30:17,000 --> 00:30:22,000
That's what Apple did with their, what is it with their switch commercials or whatever.

621
00:30:22,000 --> 00:30:25,000
And you know what, so people start to parry to them, too.

622
00:30:25,000 --> 00:30:26,000
That's great.

623
00:30:26,000 --> 00:30:29,000
Anyway, so I'm working on that, just so you know.

624
00:30:29,000 --> 00:30:34,000
There was one, there was a promo that didn't get, didn't get into that lineup for some reason.

625
00:30:34,000 --> 00:30:37,000
Actually, I know why because I put it in the wrong place.

626
00:30:37,000 --> 00:30:40,000
But this is something that we talked about the other day on the source code.

627
00:30:40,000 --> 00:30:43,000
And already there's a promo ready to roll.

628
00:30:43,000 --> 00:30:47,000
I think that it's a piece of art that you're going to like to listen to this Christmas.

629
00:30:47,000 --> 00:30:48,000
Hey, everybody.

630
00:30:48,000 --> 00:30:49,000
This is the seed of Chris daily.

631
00:30:49,000 --> 00:30:55,000
I want to welcome you to the feed for the upcoming podcast Christmas Carol.

632
00:30:55,000 --> 00:30:56,000
I have come in.

633
00:30:56,000 --> 00:30:57,000
Oh, shut up.

634
00:30:57,000 --> 00:31:00,000
Oh, man.

635
00:31:00,000 --> 00:31:02,000
I really messed that up.

636
00:31:02,000 --> 00:31:03,000
Sorry.

637
00:31:03,000 --> 00:31:04,000
I didn't mean to say shut up.

638
00:31:04,000 --> 00:31:06,000
But I just got really frustrated.

639
00:31:06,000 --> 00:31:07,000
Okay.

640
00:31:07,000 --> 00:31:08,000
That was the seed.

641
00:31:08,000 --> 00:31:09,000
We don't want the damn seed.

642
00:31:09,000 --> 00:31:10,000
Where is it?

643
00:31:10,000 --> 00:31:12,000
Oh, God.

644
00:31:12,000 --> 00:31:14,000
Oh, no.

645
00:31:14,000 --> 00:31:17,000
I'm never going to be able to find this.

646
00:31:17,000 --> 00:31:23,000
It's the, what I'm looking for here is the podcast Christmas Carol.

647
00:31:23,000 --> 00:31:27,000
Maybe I can, I shouldn't have subscribed to that feed and iTunes.

648
00:31:27,000 --> 00:31:28,000
Oh, here it is.

649
00:31:28,000 --> 00:31:29,000
Podcast Christmas Carol.

650
00:31:29,000 --> 00:31:30,000
Don't tell me.

651
00:31:30,000 --> 00:31:31,000
I have to.

652
00:31:31,000 --> 00:31:32,000
Isn't that the one?

653
00:31:32,000 --> 00:31:33,000
Is that exactly what I just played?

654
00:31:33,000 --> 00:31:34,000
Let me try it.

655
00:31:34,000 --> 00:31:35,000
Hold on.

656
00:31:35,000 --> 00:31:36,000
Hey, everybody.

657
00:31:36,000 --> 00:31:38,000
This shit.

658
00:31:38,000 --> 00:31:39,000
Maybe it comes later on.

659
00:31:39,000 --> 00:31:40,000
I don't know.

660
00:31:40,000 --> 00:31:41,000
This is what it gives story.

661
00:31:41,000 --> 00:31:43,000
We have final to cast.

662
00:31:43,000 --> 00:31:45,000
Blow me.

663
00:31:45,000 --> 00:31:46,000
Okay.

664
00:31:46,000 --> 00:31:47,000
Let me go look for that.

665
00:31:47,000 --> 00:31:49,000
I want to play a song.

666
00:31:49,000 --> 00:31:52,000
And while that's playing, I'll go look and see if I can find the right

667
00:31:52,000 --> 00:31:53,000
audience.

668
00:31:53,000 --> 00:31:54,000
It was a great fucking promo too.

669
00:31:54,000 --> 00:31:55,000
I can't believe that.

670
00:31:55,000 --> 00:31:56,000
I'm just placed it.

671
00:31:56,000 --> 00:31:57,000
Wait a minute.

672
00:31:57,000 --> 00:31:58,000
Wait a minute.

673
00:31:58,000 --> 00:32:01,000
Let me check over here.

674
00:32:01,000 --> 00:32:02,000
Shit.

675
00:32:02,000 --> 00:32:03,000
Okay.

676
00:32:03,000 --> 00:32:05,000
I don't want to take up any more of your time.

677
00:32:05,000 --> 00:32:13,000
An email that came to me from my partner and co-founder Ron Bloom.

678
00:32:13,000 --> 00:32:16,000
Turns out, well, let me read the, what he sent to me.

679
00:32:16,000 --> 00:32:21,000
Al Jolson, the star of the first talking movie or talkie was a famous and infamous

680
00:32:21,000 --> 00:32:22,000
artist.

681
00:32:22,000 --> 00:32:24,000
I don't know if he can be famous and infamous at the same time.

682
00:32:24,000 --> 00:32:28,000
He was originally a canter and then became a Vaudeville pop singer and starred in the first

683
00:32:28,000 --> 00:32:29,000
talking picture of the jazz singer.

684
00:32:29,000 --> 00:32:31,000
He's a bit of history for you.

685
00:32:31,000 --> 00:32:37,000
Now, it turns out that Al Jolson is Ron's cousin on his mom's side.

686
00:32:37,000 --> 00:32:40,000
And she circulated an email, bless her heart.

687
00:32:40,000 --> 00:32:47,000
She circulated an email with a file to a whole bunch of members of the Bloom family.

688
00:32:47,000 --> 00:32:51,000
This is where he sings the Israeli National Anthem.

689
00:32:51,000 --> 00:32:56,000
As Ron writes, he was later also ostracized for being a white person, quote, in parentheses

690
00:32:56,000 --> 00:32:59,000
a Jew, playing a black person in black face.

691
00:32:59,000 --> 00:33:05,000
So Ron thought it might be interesting to give the suspense going along with the following

692
00:33:05,000 --> 00:33:09,000
article, so that he encloses article from the American film Institute about the jazz singer.

693
00:33:09,000 --> 00:33:12,000
And it really is a fascinating story.

694
00:33:12,000 --> 00:33:17,000
What's really fascinating is the change that the industry underwent.

695
00:33:17,000 --> 00:33:23,000
And actually the movie studios tried to build a cartel to check this out, to lock people

696
00:33:23,000 --> 00:33:30,000
into certain sound formats so that they really had a doopily on talking movies.

697
00:33:30,000 --> 00:33:32,000
And how people laughed and said it would never happen.

698
00:33:32,000 --> 00:33:35,000
And it wasn't worth it and people weren't interested.

699
00:33:35,000 --> 00:33:37,000
That's just fascinating reading.

700
00:33:37,000 --> 00:33:41,000
So if we can't get a link to wherever that information is from, I'll drop the whole piece

701
00:33:41,000 --> 00:33:42,000
into the show notes.

702
00:33:42,000 --> 00:33:46,000
And again, can I just thank everybody for maintaining those show notes, man.

703
00:33:46,000 --> 00:33:49,000
Wiki's really do rule in some cases.

704
00:33:49,000 --> 00:33:50,000
So check this out.

705
00:33:50,000 --> 00:33:52,000
It's some pretty rare audio.

706
00:33:52,000 --> 00:33:57,000
It's about three minutes of Al Jolson singing the Israeli National Anthem.

707
00:33:58,000 --> 00:33:59,000
Hello.

708
00:33:59,000 --> 00:34:00,000
Oh.

709
00:34:00,000 --> 00:34:01,000
Oh.

710
00:34:01,000 --> 00:34:02,000
Oh.

711
00:34:02,000 --> 00:34:03,000
Oh.

712
00:34:03,000 --> 00:34:04,000
Oh.

713
00:34:04,000 --> 00:34:05,000
Oh.

714
00:34:05,000 --> 00:35:20,500
[ Music ]

715
00:35:20,500 --> 00:35:38,500
I am pardonable, I am pardonable,

716
00:35:38,500 --> 00:35:46,500
I am pardonable, I am pardonable,

717
00:35:46,500 --> 00:36:35,500
[ Music ]

718
00:36:35,500 --> 00:37:01,500
I am pardonable, I am pardonable,

719
00:37:01,500 --> 00:37:16,500
I am pardonable, I am pardonable,

720
00:37:16,500 --> 00:37:31,500
I am pardonable, I am pardonable,

721
00:37:31,500 --> 00:37:41,500
I am pardonable, I am pardonable,

722
00:38:01,500 --> 00:38:16,500
I am pardonable,

723
00:38:16,500 --> 00:38:31,500
I am pardonable, I am pardonable,

724
00:38:31,500 --> 00:38:46,500
I am pardonable, I am pardonable,

725
00:38:46,500 --> 00:39:01,500
I am pardonable, I am pardonable,

726
00:39:01,500 --> 00:39:16,500
I am pardonable,

727
00:39:16,500 --> 00:39:31,500
I am pardonable,

728
00:39:31,500 --> 00:39:40,500
I am pardonable, I am pardonable,

729
00:40:01,500 --> 00:40:16,500
I am pardonable,

730
00:40:16,500 --> 00:40:31,500
I am pardonable,

731
00:40:47,500 --> 00:40:56,500
I am pardonable,

732
00:40:56,500 --> 00:41:11,500
I am pardonable,

733
00:41:11,500 --> 00:41:26,500
I am pardonable,

734
00:41:26,500 --> 00:41:41,500
I am pardonable,

735
00:41:41,500 --> 00:41:58,500
I am pardonable,

736
00:42:11,500 --> 00:42:26,500
I am pardonable,

737
00:42:41,500 --> 00:42:58,500
I am pardonable,

738
00:43:11,500 --> 00:43:40,500
pardonable,

739
00:43:41,500 --> 00:43:56,500
I am pardonable,

740
00:44:11,500 --> 00:44:26,500
I am pardonable,

741
00:44:41,500 --> 00:44:56,500
I am pardonable,

742
00:45:11,500 --> 00:45:26,500
I am pardonable,

743
00:45:26,500 --> 00:46:49,500
[ Music ]

744
00:46:49,500 --> 00:47:15,500
I am pardonable,

745
00:47:19,500 --> 00:47:48,500
I am pardonable,

746
00:47:48,500 --> 00:48:08,750
[ Music ]

747
00:48:18,750 --> 00:48:41,250
[ Music ]

748
00:48:41,500 --> 00:49:07,500
I am pardonable,

749
00:49:11,500 --> 00:49:37,500
pardonable,

750
00:49:41,500 --> 00:50:07,500
I am pardonable,

751
00:50:11,500 --> 00:50:37,500
pardonable,

752
00:50:41,500 --> 00:51:07,500
pardonable,

753
00:51:11,500 --> 00:51:37,500
I am pardonable,

754
00:51:41,500 --> 00:52:07,500
pardonable,

755
00:52:11,500 --> 00:52:37,500
pardonable,

756
00:52:41,500 --> 00:52:56,500
pardonable,

757
00:53:11,500 --> 00:53:26,500
pardonable,

758
00:53:26,500 --> 00:53:41,500
pardonable,

759
00:53:41,500 --> 00:54:07,500
pardonable,

760
00:54:11,500 --> 00:54:26,500
pardonable,

761
00:54:26,500 --> 00:54:41,500
pardonable,

762
00:54:56,500 --> 00:55:13,500
pardonable,

763
00:55:26,500 --> 00:55:41,500
pardonable,

764
00:55:56,500 --> 00:56:13,500
pardonable,

765
00:56:28,750 --> 01:00:11,250
[ Music ]

766
01:00:15,500 --> 01:00:41,500
pardonable,

767
01:00:45,500 --> 01:01:00,500
pardonable,