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Introducing Adam Curry, here down to his butt crack and layer of field that just don't wash off.

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I'm towed three, four, five, six.

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Sweetheart, thank you, thank you.

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With a $14 bicycle strap to his ass and a Yahoo Map of Gilbert England is front pocket.

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He likes to think of himself as peddling into the future.

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Adam Curry helped us Sierra Charlie 307 happy new year, everybody.

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[ Music ]

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Negative tones for Brooklyn, so my troubles begin on safe music network.

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Hey everybody, how are you doing?

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I'm so 307.

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How did the daily source code starting off a new year?

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2006, we did it.

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We made it all the way through.

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I hope you had a great new year, I hope you had a great celebration, and hope you are

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ready and pumped for some cool stuff coming up this year.

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Whew, oh my goodness, thanks Camille AC for pointing out the negative tone track to me.

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Actually, I heard that on the Ultimate Mix podcast.

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I was like, what, does something about that song?

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I'm not really a guy who plays a lot of indie rock or punk rock, but it was almost

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like, there was a piece taken from the Beatles, the, the, the, the, the, the mixed in with,

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it almost sounded like hello from YouTube, I don't know, just the, it kind of worked

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for me.

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Learned a lot of things over the, over the, the passing of the past year and the entrance

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of the new year, all kinds of lists showed up everywhere, and all kinds of information,

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and the hundred things you found out this year.

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That's actually something that I found in, let's see, who sent this to me?

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It was, uh, Steve Page sent me this link to the BBC website.

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I think what it was, it's exactly a title of this.

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I think it's a hundred things.

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We didn't know this time last year.

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So this was published on Friday the 30th and at number 100, I think it's number 100.

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And this is something I didn't know.

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Um, it turns out, and I quote from this article, musical instrument shops.

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So that's places where you buy guitars and drums and stuff like that.

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Must pay an annual royalty to cover shoppers who perform a recognizable riff before they

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buy.

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Considering a public performance.

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So I guess that's true in the, in the UK.

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I don't know.

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Is that true in the US?

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I assure there's lots of people who work at, uh, at music shops who listen to,

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I actually I probably should ask big, big mic, he go figure find out for me.

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But I was blown away by that.

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Of course, it makes sense.

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You're playing music.

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We've, and I told Patricia this and it's been an ongoing discussion throughout the new

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years.

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She said, but I don't understand why the, well, that's bullshit.

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I said, well, when, you know, because she's a, um, uh, uh,

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be my stem rower slash asscat BMI artist.

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And, um, and she gets she collects royalties from public performances.

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And I went down the list.

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Well, if someone plays your music in an elevator, yeah, I want to get paid.

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Well, if someone plays your music on the radio, yeah, I want to get played.

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If someone plays your music on a podcast.

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And then she's like, well, yeah, yeah, I guess so.

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I said, well, how much?

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So I basically what it boils down to every single time.

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As I keep saying, look, you know, these are the problems.

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And we've just stopped bothering with them.

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There's plenty of talent, plenty of great music out there.

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Yeah, it's a fuck.

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It's a major bummer that I can't play because what we're listening to today.

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Stevie Wonder story, um, and the BBC has a wonderful, um, musical journey

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through Stevie's life and, um, and an interview with Stevie Wonder.

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Yeah, I'd love to have that on a podcast, but obviously we can't do that.

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So she said, yeah, but so that'll never happen again.

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How about Glenn Miller said, nope, can't play that either.

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I just went going on a list and look, you know, representatives from your community

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need to step up and say, this is messed up and we need to come up with something else.

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But in the meantime, we're not stopping.

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We're just continuing with what we're doing.

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And, um, she bought Kumar.

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I think I pronounced in that right.

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Sent me a link to, um, see, what site is this?

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This was pretty funny.

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This is, um, it's a website, but it's basically a publication for, um,

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for the radio broadcast industry, radio daily news.com named Steve Jobs,

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radio person of the year.

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For his innovation and podcasting.

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Let me see if I can read from the press release.

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He was pretty funny.

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Oh, there was a specific mention of, of podcasting in here.

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Oh, yeah, Steve Jobs has been a champion innovator and producer of technological

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products, absolutely true.

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His Apple II, my iPad, I put shuffle blah, blah, blah, blah, blah.

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The introduction of the iPod changed the way that people listen to music

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and other audio and video programming iPod spawn podcast and almost overnight.

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A new distribution channel for radio entertainment program for radio program was born

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with the introduction of replays of sports news information entertainment program content.

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That's right.

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It continues to grow measureably with more innovations expected to be introduced by

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Steve Jobs and Apple in 2006, absolutely fantastic.

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My goodness.

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Hey, and of course, this says the first show the new year on a serious stars one

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of three, the lineup is back and everyone's cracking and rearing to go.

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I'm told.

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So for the first half hour of this podcast, we'll be simultaneously cast on

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the serious satellite radio network.

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And I guess it's only what seven more days until Howard Stern arrives.

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Hey, you have to think about, by the way, so the goal here is to show you the stars,

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so you'll think about what I'm going to do.

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Hey, Adam, this is Tokyo Dan hitting the hot clubs and recording the hot indie bands

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in Tokyo.

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In the background is the live version of dear friend by Diky and Little Wings,

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which C.C. played on accident hash number 96 and C.C. really liked them.

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Well, if you want to hear the rest of this tune, go over to the pod safe music network

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where Diky and I just uploaded some clips from Diky and Little Wings recent live

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performance.

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Check them out.

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We're catching a complete live performance on my podcast.

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What's happening in Tokyo at www.whi-o-k-y-o-dot-in-for.

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Hello, Adam Curry.

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This is Carmen Tyler.

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I just wanted to drop you a line and tell you that I hope that you and your family have

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the most awesome new year and that this year has been awesome for podcasting and shout

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out through the pod father himself and I know that 2006 is going to be really awesome

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and podcasting and I'm very honored to be a part of it and very honored to have been

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played on your show.

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So just have a great awesome and happy new year.

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Do you believe anything is possible?

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We do.

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We are a flank.

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We believe in an internet that's safe from virus hissing scammers.

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We're Earthlink.

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We believe your personal information should be just that personal and we believe your

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internet should be a friend, not a foe.

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We're Earthlink.

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Make this smart choice, visit earthlink.net and discover what our internet experts can do

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for you, Earthlink.

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We revolve around you.

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Hey, are you a professional singer and amateur dramatic screw, a school, a karaoke superstar?

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What do you do when you need a professional quality backing track for your performance?

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The music without vocals podcast is a regular show that features some of the most recent

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backing track productions.

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At www.musicwithoutvocals.com, you will find thousands of professional backing tracks available

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for instant MP3 download, or you could order a custom karaoke disc containing exactly

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the songs you need.

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Check out the podcast now at www.musicwithoutvocals.com.

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You know, I got Patricia that karaoke microphone for Christmas, so I'm totally enthralled

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by the capabilities and possibilities and that was actually it was more like a commercial

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than a promo, but it kind of worked both ways, which is why I played it for you.

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Quite a community, this karaoke stuff is Peter Jacobs lives in Germany, and he sent me

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an email titled the Senseo Conspiracy, and he's come up with something that even had

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caught my attention.

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Not just for those of you who knew to the show just tuning in for the first time, maybe

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maybe you got an iPod for Christmas and you hooked it up and like, oh, what's this podcast

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thing?

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I love the Senseo Coffee machine made by Philips and Dawa Echiberts.

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I love it.

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I love the product.

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I love the coffee, and then I figured out how to make it just right.

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It gives me gastronomitis, and I love to talk about the Senseo whenever I do burp.

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But now, PJ from Germany says, I've been listening to your show for a few weeks now.

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There's something that keeps bugging me about it, while you seem to struggle from freedom

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from the music industry.

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You keep advertising the Senseo brand, as someone who really likes coffee and really dislikes

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the way the world is shaped by global players.

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This is a constant thorn in my ears.

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Here's why.

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Senseo is a brand of Sarah Lee, which I don't think is true.

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I don't, I think it's, well, I could be wrong, but I thought it was Philips, and maybe

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they sold it.

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Anyway, just as Nestle has Nest Spresso, and craft foods has Tassimo, those brands

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are closed.

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Non-interoperable formats, that was a great.

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We're getting down into, and today, wine a land of coffee.

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Just as if Sony was to create a media device that was sold for very cheap money, but

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could only play content from Sony or their licensees.

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Well indeed, such a device exists.

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It's the Sony PlayStation portable.

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Here's how it works.

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The brand owner sells licenses to the companies who produce the coffee makers, while they

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may actually not sell licenses, they may sponsor them for every machine sold.

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This way, cheap, system-bound coffee makers are pushed in the market.

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Yeah, kind of like razor blades, I guess, which is also an uninteroperable format.

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The brand owners may sell licenses for the supplies, like coffee tablets, where they may

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choose to keep them monopoly on it, just like with inkjet printer cartridges.

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So if you've got one of the cheap machines, this effectively gets you on the hook of a global

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player, such as those named above.

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Not only can they dictate what you pay for your coffee, and the system coffee is as much

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as three times expensive as normal coffee, they can also push competitors out of the

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market.

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Podcasting is closely linked to freedom, since sale and the likes are linked to closed markets

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and control, and if you like the stuff fine, but don't advertise it.

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It's bad.

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When I presume he means by that they're evil.

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Dude, it's coffee.

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It's fucking coffee, okay?

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Hello Adam, this is Robin, that's Robin from InsightWorks.com, that's INS-YT-W-O-R-K-S.com.

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I want to give you my thoughts on advertising and the possibilities with podcasting.

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I think it's all about relationships.

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Right now, relationships between the buyer and the seller with the intermediary of the advertisers.

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There's not much of a relationship other than cash on an individual basis.

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We send out an advertisement either over the radio, over TV, trying to induce the buyer to then

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make an individual relationship with the seller.

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They'll go to whatever source and then buy the product.

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We have the capability of building great relationships through podcasting.

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If we can aggregate those buyers through the websites, through the show notes, and create

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huge numbers of buyers, slash listeners, the marketing folks, the advertising folks are absolutely

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going to want to listen.

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Let's use a Senseo machine for example, Senseo right now sells on Amazon for roughly $50 a

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unit.

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If you were to have a capability of aggregating all the listeners or the buyers that might

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be interested in buying Senseo machines and say, hey, here's a sliding scale.

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If you're not in a rush, sign up to buy a Senseo at either $25 a unit, $30, $35, $40, $45, $50.

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All those listeners can then go click on whatever choice they want.

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So, yep, I will commit to buy a Senseo machine over the next two months at $35 a unit.

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Everybody picks their own price range.

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By aggregating all those people together, then pot show could go to the Senseo manufacturer.

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We have $10,000 people that are willing to buy Senseo at $25 a unit, or we have an additional

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$8,000 to buy at $35 a unit, or we have $2,000 that are willing to do it at $40,000,

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and we have three people willing to do it at $49.

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If you can take those kind of numbers, go to the Senseo manufacturer.

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I think they would fall over themselves to sell 10 or 20,000 units, even though it's

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below their retail price.

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It's about the relationship between the pot caster and the listener, and the listeners

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are the buyers.

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I pull in them all together, you can get some big numbers that will have a lot of power.

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Love to hear your thoughts on this.

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Mr. Robin at InsightWorks.com, that's IMSYTWORKS.com.

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Thanks, Rob.

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Thanks, Rob.

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Thanks so long, Adam.

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Hey, Owens.

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Tailwinds.

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Back at your buddy.

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Okay, so that was very complicated.

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Founded a lot like some of those internet bubble companies that would use the power of aggregating

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consumer demand.

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Yeah, that works to a certain degree, actually it works very well to a certain degree,

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but it's a whole business by itself, and just putting my pod caster hat on here for a second,

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which I do all the time, boy, do we get into some heated arguments when I put the pod

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caster on at the office?

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I don't want to any.

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That's too complicated.

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I like the idea of, excuse me, do I have to say it?

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I like the idea of turning the tables around, and indeed, if we start acting like these

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relationships that we have with our listeners, that they really are that special, and there

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is something much bigger going on than just what you can achieve with spot advertising.

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Then we have to covet it.

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Then we also have to stand up for it and say, look, we're going to only advertise

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what we want to advertise, we're going to, and by the way, the numbers work out so nicely

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in this, you know, what I was thinking about this a lot over the holiday, I think that

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was really brought us all down when it comes to the traditional broadcasts that we see

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now.

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Radio television, radio television predominantly, is that, you know, the only way for the, for the

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media companies to make more money is to either a raise the prices on advertising, which

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is, wow, you know, that's like, yeah, if, if they could, they would, but there's just,

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you know, that's been hammered out, that's what these industries really drive on is that,

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that price, you know, what are we paying for eyeballs or ear drums, they either, so

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they can either raise the price or they can, they can broadcast more commercials, repetition

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basically, and that is the fundamental difference between what we're doing in podcasts and

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just an example, because it'll, it'll go to vlogging and all that other stuff is that we

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have no limitation on time, you know, hey, you know, you just make more shows, more choice,

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that's what, that's what I see, when I look at the directories, I said to myself, oh my God,

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look at that, you know, tens of thousands of, of stations, something that's just not possible

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in any radio market, any terrestrial, either based radio market, anywhere in the world, it's fantastic,

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I love it. So we'll be talking a lot more about that special relationship between advertisers,

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podcasters, and their audience, and how that's, how we're, yeah, we're going to try and make

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it work this year, that will definitely be high on the mission statement for me. Quick update about

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my parents, I spoke to my mom this morning, and I actually didn't get to speak to her,

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New Year's Eve, because she went to bed early. So Friday, she starts with her chemo,

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instead of the two to three sessions, they said, well, we'll start you off with six sessions,

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so that was kind of a bummer, and I guess just, you know, keeping positivity up is the, is the best

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we can do. I really, it sucks so fucking bad because, you know, it's, it's one thing when I'm here,

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I can just pop across the channel and go help route or visit or whatever, but since I'm in San Francisco,

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a lot too, that makes it a little more complicated. So I'm going to try and schedule stuff with my sister,

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so that there will always be one of us around. And of course, she's got Bob, who's a fantastic,

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you know, he's, he's really helping her sail through all this crap. And both my sisters went to visit

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my dad in the hospital, it turns out that, oh, and I have to pronounce this properly, hold on a second,

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who sent me this, I got an email about, from Neil, the acronym TIA, please, in the states,

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we never call it a TIA, we call it a TIA, and I guess that Neil, what Neil, Neil is for 20 years,

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has been ultrasound and vascular technologist and now a radiology computer nerd. Okay,

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pronunciation correction accepted. So it's a TIA, actually it wasn't a TIA, it turned out it was

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really just a small stroke. So he is still in the hospital and will be there probably for the

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rest of this week and things not going too well on that front because he's lost 40% of his left,

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the use of his left side. Oh my goodness. Hey, here at the cottage, we're all healthy, okay?

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We're feeling good here. Say it with me now. Yodsey. Yep. I'm bringing it back. Yodsey.

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There will be Yankee Alpha Delta Charlie, yet another drum cadence. We started off today with Zack

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Winick. Adam sent you a request of drum cadences. Thought I'd tap into my archives. The first track

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is a remix of a cadence from Valencia High School in Valencia, California home of six flags magic

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mountain. It's done by a band called Lotus Fear. The band unfortunately no longer exists, but

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he does have permission to hand off to me to play it. Sounds kind of fuzzy, but I'll risk it. Okay.

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The name of the song is Rump Bump Bump.

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All right, from the Valencia High School watching band.

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[ Music ]

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something going on over there and feel free to send me your drum cadences for the

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Yatsi yet another drum cadence. Oh, that means we need another jingle for that segment totally

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into the jingles for segments these days. And I'd ask all of you to send me in suggestions from

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the pop music network to play on the show and I'm getting a lot of them. Thank you very much

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picking out the ones that, you know, so you like them and I listen to it if I like it,

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then play it on the show. It's pretty simple. And I also talked about that I thought in 2006,

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we'll, we'll definitely see music videos being created for songs from the potsafe music network.

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Excuse me, CC Chapman from accident hash immediately contacted me as he does and pointed me to his

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random food. Now I don't know if he, if it's cool to give out the link, so he'll have to put that

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or let me know or put it on his show notes or whatever. And he's done a couple of videos for some

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potsafe artists and they're really good. It's really, and I was like blown away. And then to hit

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me that in order to create a music video, very much, you know, the way we've been putting together

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stuff like potsafe or peas, the way the Christmas carol projects that were multiple podcasts,

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Christmas carol stories, how they were put together, you really only need, well, first you need

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the music, then you need and believe me, this is exactly how the MTV videos are conceptualized.

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So you need someone to shoot the performance footage, because you need the band either.

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You need to, usually, not all videos, but usually you have some kind of performance footage.

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Then you have, we call the conceptual footage. You know, this is the, the Arty Farty shit that we

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make around it or whether that's done with video editing or whether that's done with, with effects

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or or with some other story line that that we've through. And then of course you need editing.

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So you really need to find, if you have one of those skills to find two other people, and of

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course, the willingness of the band, and then we can really turn out some great shit.

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Oh, before I forget, people on the satellite listening to this show right now, the Daily

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Source code, it's all part of pod shows line up. And next, we have Pacific Coast Hellway for you

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followed by an hour of the Angry Jewish Lesbian Madge Weinstein. I'll see you guys tomorrow.

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Thanks for listening. While we continue.

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Right. So now the question is, do people care? I think they would care about about music videos.

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I really enjoyed looking at the three that CC had up on his feed. And I think there's something

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there. So I'm just opening up the Florida suggestions. Something else I found while I was

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checking out the pod safe music network. Hey, Agent, just refresh a couple of times.

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Do they know the songs that show up have been played at least once? So there's some validity

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to play it in. I scan them. And I really like what I heard on this one. It's from Sad Light,

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from 2004. It's just another girl on D.S.C.

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[ Music ]

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From satellite just another girl from using.tomutiot.com

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Just wrapping up a couple of things

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Before we wind up the first show the new year something that I had missed something with my Gmail filters screwed it up

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Adrian peg sent me a fantastic recording of Podsay for peace if every day could work Christmas

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That was played on the BBC in the context of Podsay for music and there was some interview. I was really good

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I was on I think radio five

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So I just wanted to make mention of that and one of my new years resolutions

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I don't have a lot of them because you know, and a new year's kind of came and went

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You know, yeah, we celebrated but it was your weird home. We just quiet

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Christina by the way went to her first new year's party. So we picked her up around 1-15

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Oh boy, um, yeah, she had a great time by the way

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It was you know a little frightening from mom and dad as you can imagine

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One of my new years resolutions. I'm gonna get my audio book up and rolling now

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This is not a story or actually it's a series of stories that I did not write myself

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But I've enjoyed I enjoyed the stories immensely when I was a kid

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And it turns out there in the public domain

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And I found it on that the Gutenberg project and

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I will be contributing to LibriVox which we talked about last year. Oh sounds good. Doesn't last year

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Which is the open source audio book collection? I guess we'd call it and I'm so loving this because I actually have a downloaded a book

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That I've been listening to and there is absolutely no difference between what these guys are doing and

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What um

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Audible is doing and I'm a a customer of audible

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But sometimes you know and facts more often than not

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I'll be pretty disappointed with the quality or with not just the audio quality

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They've they seem to have gotten that pretty much you know on track now

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But if it's not the audio quality then it's just the the general performance quality of the of the readers or

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The speaker some of course are fantastic

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But you know, I listen to this stuff that is done by quote amateurs and the only reason they're quote amateurs because they're not being paid for it

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There's no difference in quality in fact some of it the quality is superior and so is the performance quality

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And I think it's great and

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You know to be able to to enjoy these stories and to be able to pass them on and I'm very excited about doing that

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So I look soon I'll keep you up the speed but that is one of my resolutions

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I just have to kind of you know take the time to do it because it does take time to and I want to figure out how to do it

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And am I gonna do different voices am I going to do it all from you know

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I just got to figure all that stuff out one of the resolutions though and

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Speaking of liberal box I was very excited as you know

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I'm excited about the whole idea, but I was even more excited when I received the following audio feedback. Hey Adam

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This is Tom Maris. I have talked you before

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I just thought I'd drop you an audio comment about what you said in the DSC

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306

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You were talking about liberal box and

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So great service

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Great thing I've been trying to start up a open source audio books kind of a service for years now and nobody's been interested

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But finally somebody's done it and

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It's worked so and I'm gonna record something for it, which is I'm gonna do it because I'm a

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I'm a university student study philosophy and one of my specialisms is in nature

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So I'm gonna do I'm probably gonna do one of the public domain translations of nature and and put that up

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In English of course, but most of the amount public to manage is only two I think which are

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One of them has already been done by the liberal box people

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So that's pretty cool. I just thought I'd say you asked about getting stuff in OPML and

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You asked you receive I put together an

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OPML file

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I've heard about it

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opened up my OPML editor

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typed it up and

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Before the show was even finished. I put it online

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You can get it at host them to OPML.org slash Tom Maris slash Librevox dot OPML and

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You can stick it in indie pot or you can

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Subscribe to it whatever you want to do with it. I'll try and keep it up to date. I'm basing it on the RSS feed

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So when the RSS feed is updated I'll update the OPML shortly afterwards

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It may take a few hours to get around doing it, but it'll get done eventually

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Anyway, I love the show. I'm looking forward to

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whole years filled with a daily source code entertainment and information and

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All the other good stuff. I've come to expect from from the podfather himself

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Cheers. Bye. Well, all right Tom. Thank you very much. Fantastic. I immediately copied and pasted the link put it into indie potter.org

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Right there on the homepage. I don't control the audio books node

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So I just plopped it underneath and said audio books from Librevox

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I hopefully the noted editor of audio books will

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We'll add the Librevox stuff and we'll add that link until then. I'll just keep this one on the homepage

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It's kind of the way it works with these open source directories or distributed directories and

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By the way, in the coming weeks because this week is going to be completing code and

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The week of the ninth will be testing. We're going to open up the podsafe the pod

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Forget about it. We're opening up goddamn it. We're opening up our doors

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We're going to start slowly, but we're getting there and of course

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audio books are

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totally valid

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use of pod casting as

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Anything that you want to do in audio essentially just match it up right there's no right or wrong way to do this stuff

400
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Okay, everybody. So

401
00:34:13,240 --> 00:34:18,040
little little secret today. I did the whole show in my in my house code stolen from the

402
00:34:19,240 --> 00:34:21,240
names that hotel

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00:34:25,240 --> 00:34:27,240
The hotel that looks like a sailboat

404
00:34:27,800 --> 00:34:29,800
there in as in

405
00:34:30,360 --> 00:34:32,360
Saudi Arabia. Come on

406
00:34:32,600 --> 00:34:39,400
Burshalar up. There you go. So it's a nice long. That's why I stole a nice long house code and then I have my bear legs

407
00:34:39,400 --> 00:34:43,720
Underneath that and then my black ogs. Oh, yeah, so stylish. Maybe I should go out of your view really quick