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What is this?

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It's a daily source code rewind.

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6 million dollars with their pledge rights by us.

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With the next generation free of cost, anybody here's.

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I like to think I'm trying to keep you ready.

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You're fantastic.

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You built a CRT.

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BBC.

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I'm sure they're bummed out about all this noise about the Minister of Parliament

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and they're trying to now really push the pedal to the metal.

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They get their money from public funds.

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Well, I mean, from public funds, the public literally pays for a television and radio license.

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It's a hundred and twenty-one pounds a year.

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Ten pounds a month and you can watch and enjoy all the BBC programs.

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If you don't buy the way and even if you buy a television set, they'll track you down.

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And the fine can be up to a thousand pounds.

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But it's good.

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I enjoy what the BBC delivers.

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And now they want to raise the amount of money they want, above standard inflation rate.

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So they're asking for, I think, 2.3 percent more.

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I'm not too sure on the figures, but it's a hell of a lot of hundred millions more.

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Which means that we, the inhabitants would have to pay more.

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And so now they're going through this whole review process.

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And they're trying to prove that it's going to be worth it.

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One of the things is very interesting.

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They said it's that they're dealing with extraordinary inflation, which boils down to the fact,

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they say that because of the media landscape today, it's very hard to get good qualified people.

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So they need more money to attract these, these high flyers who are already been snapped up by

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other broadcast corporations and other production companies.

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And I was like, please, would you open up your ears for a second and listen to the talent that's all around you?

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No, no.

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They've put that in a separate little box and they're saying, we're going to make the BBC.com website,

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or BBC.co.uk website.

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We're going to make it the place for user generp when a minute.

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For user generated content content content content content.

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So they're trying to be hipsters.

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And they're also saying it's going to be, this is interesting that they want to be the place

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for independent music.

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Okay.

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That's, we'll see what they do with that.

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I still find that there's a huge disconnect within the BBC between BBC digital who responsible for all that stuff.

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And the program makers, the people who are making radio and television programming,

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they really don't cooperate together from my personal observations.

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So it was just, you know, so they're trying to make it show that they're worth all this extra money.

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And I think they're going to be, it's going to be declined, I think.

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And justly so.

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Yeah, and so now they're also publishing the salaries of the top TV hosts and then radio presenters.

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And it's just, it's, and the newspapers are really going at this.

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You know, you have Rupert Murdoch who owns Sky, who has used really a competition for the BBC in the marketplace,

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even though it's competition for eyeballs, not for advertising money,

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because the BBC doesn't have any advertisers.

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And so the sun newspaper, which he owns, of course, is slamming the BBC off the time.

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So it's just fun to watch.

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Over the weekend, I did show Patricia a second life.

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And I was a little wary to be quite honest because, you know, she's a smart.

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She's like, um, online game.

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Mm-hmm.

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Yeah, okay. What's it about fucking?

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I said, well, there's that.

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And she said, well, just don't let anyone see you.

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Okay.

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This is why I love my wife. She's so incredibly smart and with it.

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But she was actually fascinated. And she's been asking a lot of questions.

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And she has some pretty good insights that we've been talking about business opportunities for second life.

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And I think we can really be productive.

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There's a lot of things.

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In fact, I wouldn't mind sitting in my office and having representations of other podshow people at HQ,

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sitting in my office, sitting in the office or in the same proximity.

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And we can, you know, pass stuff to each other, which would be notes or, you know,

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the way we do in real life.

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Only, I think that this is a much richer interface.

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And you really do get sucked in, whereas if I'm on Skype or on IM or, you know,

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or emailing with people, then, you know, it's still seem somewhat removed.

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And the reverse is also kind of true that, and I've said this before,

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second life is doing something to me in real life.

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In fact, I actually went out shopping with Patricia on Sunday and had a good time.

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And as she's walking along, I'm looking at her saying to myself,

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how she would really look good and, you know, dress like this sort of.

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And it's because I've been looking at all these avatars and having these exact same thoughts.

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And it's really giving me some kind of extra appreciation for, um, for real life.

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It's hard, it's hard to explain it.

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It really, really is.

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But emotion and communication melted into one with the visual aspect.

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It does something to you.

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Again, I am the guy who gladly point you towards the drugs that won't kill you.

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In five years, we will be using this type of architecture, I believe,

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for a lot of our day-to-day communication.

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And what's happening is there's this just fantastic world where you have everything that you can

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imagine, you can make, you can dream up, but there's infrastructure of money flow

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and land and ownership and rights and stuff like that.

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And I see so much opportunity.

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And I don't necessarily see it as, oh, let's go all sitting a circle and listen to a podcast.

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But once again, what happened last night, where I think we had at one point almost 50 different avatars, people,

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on the rooftop of Curry Castle.

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Partying, um, I really got to figure out how to, how to play Podsake music.

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I got this box of free tunes and what's cool about it is,

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when I start playing it, everybody in proximity hears it.

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And if you walk away from it, it actually gets softer and it's a stereo vibe.

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So if you are to the right of me, you'll hear it in your left ear and vice versa on the left side.

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It's, it's outrageously cool.

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You know, you can dance, you can chat, but then all of a sudden, all of a sudden, ladies and gentlemen,

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who should crash the party?

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But Madge Weinstein beautifully, beautifully animated as the bloated lesbian.

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And, you know, so that was very funny, of course.

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But what, what I really, really liked is, um,

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Kachia was there. You know, Kachia, she just done all this great video work for us.

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And does my headers on Curry.com. She gives such great head there.

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And Madge says, hey, is that Kachia, the video chick from Holland?

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They paired off and they went off into a separate corner and had a conversation.

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I mean, that doesn't happen on just regular instant message systems.

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This was something extraordinarily cool.

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In fact, I know that at least five people who were at the party got laid last night in second life.

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And yes, that's an uneven number, but hey, it is second life.

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Now, just as in first life, real life, you have to respect other people in second life.

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And no, none of my neighbors, and all of a sudden, I have sprouted quite a few,

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including my good friend comic strip blogger with his lighthouse to the right,

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who has not once dropped by the castle because, as he says in the comments on Curry.com,

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he, uh, he didn't receive an invite.

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So I did make sure to invite him, because I think that people would really get a kick out of meeting him at a party.

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But I have neighbors, people.

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So could you please do me favor and not be flying through other people's castles and houses and messing about with their stuff and sitting in their chairs and stuff?

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Otherwise, everyone has to lock their shit up and it's just not, it's not cool.

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So a little bit of respect for the neighbors if you don't mind because they actually did come and complain.

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They were cool about it, but, you know, it is a neighborhood and it is kind of looking pretty gaudy.

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So if you wouldn't mind taking your crap with you, you know, your cages, your sex machines,

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there were some awesome stuff there this morning.

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I left the, the rotating pod show, um, headphone head ball about the castle.

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So it's a little more of a beacon and you should be able to find it.

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A curry castle just to go to the search command in a second life.

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Since, yeah, totally messes with your head.

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Totally sets you up differently than you'd expect.

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It's not really a game.

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It is interaction with other people.

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It is very much like real life.

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Now I've been on, you know, for a lot like 12, 13 days now.

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Some people observations and some things that I really, um, that really I don't like about the system.

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If you, uh, form a friendship with someone, which if essentially is like becoming, you know,

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you're both on each other's body list, you can at that point be tracked by your friend.

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And you can teleport to your friend no matter where they are in second life.

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Now that really takes a whole lot of respect because I have business meetings.

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I'm, I'm right now doing some interesting business stuff development in second life.

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Uh, we're not buying an island, but you better believe we're buying something.

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You better believe we need much bigger infrastructure for what I expect we can actually do with this.

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I mean, cheese. Think about, you know, the pod save music artist performing live and then being able to meet and greet them later.

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You'll find the experiences almost as good as the real thing almost as good.

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Certainly a heck of a lot more convenient.

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So, you know, I've, I've been in meetings, I've been other places when all of a sudden someone who's on my friends list drops right in, you know, and it's rude.

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And you really have to treat that with respect. So what I've done is I've cleaned up my friends list.

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Everyone who added me as a friend, I've pretty much removed every single one of you.

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Not because I don't want to be your buddy and hang out, but before I give away friendship, um,

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I have to know that I can get that respect because it's, uh, the interruptions are not fun.

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And I, what I don't think is anywhere or something, you know, I like to be in second life.

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I'd like to be able to listen to podcasts in there, do my email in there, watch some video podcasts, maybe invite someone in if I see something cool.

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It's a great way to share media, by the way, particularly that song stuff, man.

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Just I click on the CD that I have on my hand and everyone can hear it, you know, that's a very, very cool way to share audio.

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And the same can be done with video because people have demonstrated that to me.

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But I'd like to have like a cone of silence, you know, so I can just pull something down where no one can see me, no one can hear me, whatever I'm doing.

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And this is not about sex, by the way.

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But of course, that would be an integrated part of the experience.

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But, you know, because I can't have sex now, you know, anyone can, can just teleport down on me and take a picture, you know, I'd be the laughing stock.

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I could just be spin Martin posting that everywhere. No, no, no, no, we're not going to, I'm completely,

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celibate.

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Second life, celibate, SLC, Sierra Lima, Charlie.

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Because of that.

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You know, so it would be cool if there was some way of pulling down a cone of silence.

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So if you're not on my friends list, you obviously can't track me.

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And then the I am's cranky, oh, man.

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Just, and I don't, there's no way to shut them off.

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You either shut off every all communications or you shut nothing off, and that's a real bummer.

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So, you know, I just have I am's coming in all the time.

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It's okay. I'm learning to ignore them or respond when it's appropriate.

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But, you know, if I don't respond, it's because I'm probably doing something else.

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And I am very, very excited to tell you that what we're doing, and it'll be under the pod show banner.

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It's going to fit perfectly with what we're doing.

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And I hope we get lots more listeners coming in.

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Podcasters, of course, very welcome, because you guys are enthusiastic and you bring such an incredible network of people and,

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and music and entertainment and fun.

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I want to be able to encapsulate that, as it were, into something that anybody can really enjoy and experience.

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And also, we'll help you learn.

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Okay?

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So I'll keep you up the speed. I say within about 30 days, we should have something up and running.

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I'm just not going to tell you where or what or how, but very, very excellent and exciting opportunity.

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Do you take it in the air?

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Yeah.

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Lady Patricia, let's drop by.

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Hello.

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This is not just because we love each other very much and we like doing stuff together.

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But it's all about ratings.

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Oh, isn't it so sharp?

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I don't like that.

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What?

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Well, that's not honest.

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Of course.

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What do you mean?

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It's the most honest thing I can say.

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People love it when you're on the show.

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Okay.

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But I just do it because sometimes I like to talk to you.

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Is it okay?

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No, it's okay.

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I can hear you.

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Yeah, Patricia was complaining about the sound in the studio.

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It's right.

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I gave, I lent Christina my headphones.

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Uh-huh.

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Yep.

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So that's how they got busted.

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Yeah.

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I like it.

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So anyway, due to popular demand, I'm trying to get Patricia.

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I'm trying to wear it on.

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This is not, it is nice.

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Adam is in his underwear.

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No, I'm not in my underwear.

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Adam is on the way.

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Not in my underwear.

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Oh, yeah.

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I have my black, uh, for say, slacks on.

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Are these my first six?

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Yes.

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Yep.

226
00:13:39,000 --> 00:13:41,000
And my rustling, brumly, crumly shoes.

227
00:13:41,000 --> 00:13:42,000
Yep.

228
00:13:42,000 --> 00:13:44,000
And this is, this is, this you gave me.

229
00:13:44,000 --> 00:13:45,000
This is my Italian wife beater.

230
00:13:45,000 --> 00:13:46,000
Yeah.

231
00:13:46,000 --> 00:13:47,000
Yeah.

232
00:13:47,000 --> 00:13:48,000
Yeah.

233
00:13:48,000 --> 00:13:49,000
Oh, is it?

234
00:13:49,000 --> 00:13:50,000
My other ones are really wife beater.

235
00:13:50,000 --> 00:13:51,000
This is a little more stylish.

236
00:13:51,000 --> 00:13:53,000
I said, are you going to beg the bread?

237
00:13:53,000 --> 00:13:54,000
Yes.

238
00:13:54,000 --> 00:13:55,000
I'm making a pasta for you, baby.

239
00:13:55,000 --> 00:13:56,000
Come here.

240
00:13:56,000 --> 00:13:57,000
I'll make your pasta rise.

241
00:13:57,000 --> 00:13:58,000
So we're doing something fun tonight.

242
00:13:59,000 --> 00:14:00,000
I think it's seven o'clock.

243
00:14:00,000 --> 00:14:01,000
Hopefully it's fun.

244
00:14:01,000 --> 00:14:02,000
We don't know that.

245
00:14:02,000 --> 00:14:06,000
Uh, we were watching Joan Collins on Jonathan Ross.

246
00:14:06,000 --> 00:14:07,000
Two, three weeks ago.

247
00:14:07,000 --> 00:14:08,000
Yeah.

248
00:14:08,000 --> 00:14:10,000
And you like Joan Collins?

249
00:14:10,000 --> 00:14:11,000
You're, uh, like her.

250
00:14:11,000 --> 00:14:13,000
She's, she's a feisty lady.

251
00:14:13,000 --> 00:14:14,000
Yeah.

252
00:14:14,000 --> 00:14:15,000
And how old is she now?

253
00:14:15,000 --> 00:14:16,000
She's got to be pushed in seven days.

254
00:14:16,000 --> 00:14:17,000
Wow.

255
00:14:17,000 --> 00:14:18,000
She's got to be very close.

256
00:14:18,000 --> 00:14:19,000
She's already seven.

257
00:14:19,000 --> 00:14:20,000
Really?

258
00:14:20,000 --> 00:14:21,000
She looks amazing.

259
00:14:21,000 --> 00:14:23,000
And, you know, you can say anything about her.

260
00:14:23,000 --> 00:14:24,000
She's well preserved.

261
00:14:24,000 --> 00:14:25,000
Now she's well preserved.

262
00:14:25,000 --> 00:14:27,000
She looks good.

263
00:14:27,000 --> 00:14:28,000
And she's.

264
00:14:28,000 --> 00:14:29,000
But that's gone.

265
00:14:29,000 --> 00:14:33,000
I think even on there's something very sexy about her.

266
00:14:33,000 --> 00:14:34,000
Yes.

267
00:14:34,000 --> 00:14:37,000
I really, really, really just, I'm curious.

268
00:14:37,000 --> 00:14:39,000
What the rest of her looks like?

269
00:14:39,000 --> 00:14:40,000
Why?

270
00:14:40,000 --> 00:14:42,000
Because I just want to know.

271
00:14:42,000 --> 00:14:45,000
I mean, would it be like a, would her head stick out like a sore thumb?

272
00:14:45,000 --> 00:14:46,000
About the rest?

273
00:14:46,000 --> 00:14:47,000
Yeah.

274
00:14:47,000 --> 00:14:48,000
I think no, no, no.

275
00:14:48,000 --> 00:14:49,000
I think she takes care of herself.

276
00:14:49,000 --> 00:14:50,000
For skin is not bad.

277
00:14:50,000 --> 00:14:51,000
She knows.

278
00:14:51,000 --> 00:14:52,000
She's still with that guy.

279
00:14:52,000 --> 00:14:53,000
Didn't she have some younger guy?

280
00:14:53,000 --> 00:14:54,000
Yeah, she has a younger guy.

281
00:14:54,000 --> 00:14:55,000
Those guys will keep you moving.

282
00:14:55,000 --> 00:14:56,000
Yeah.

283
00:14:57,000 --> 00:14:59,000
She said that she's very happy with him.

284
00:14:59,000 --> 00:15:01,000
She tried a couple of times.

285
00:15:01,000 --> 00:15:02,000
I mean, with her.

286
00:15:02,000 --> 00:15:03,000
She's been interested.

287
00:15:03,000 --> 00:15:04,000
She's been married.

288
00:15:04,000 --> 00:15:05,000
Some interesting guys.

289
00:15:05,000 --> 00:15:06,000
Yeah.

290
00:15:06,000 --> 00:15:07,000
But didn't work out.

291
00:15:07,000 --> 00:15:08,000
Who was she?

292
00:15:08,000 --> 00:15:09,000
She's a strong woman.

293
00:15:09,000 --> 00:15:10,000
Who was she married to?

294
00:15:10,000 --> 00:15:11,000
I don't know.

295
00:15:11,000 --> 00:15:12,000
Yeah, come on.

296
00:15:12,000 --> 00:15:13,000
There was some famous guy.

297
00:15:13,000 --> 00:15:14,000
She was married to.

298
00:15:14,000 --> 00:15:15,000
It wasn't her?

299
00:15:15,000 --> 00:15:16,000
No.

300
00:15:16,000 --> 00:15:17,000
No.

301
00:15:17,000 --> 00:15:18,000
I thought so.

302
00:15:18,000 --> 00:15:20,000
And some whack-out guy that didn't work out at all.

303
00:15:20,000 --> 00:15:21,000
Peter or something.

304
00:15:21,000 --> 00:15:22,000
Yeah.

305
00:15:22,000 --> 00:15:23,000
Yeah.

306
00:15:23,000 --> 00:15:24,000
He turned out to be some kind of, of course.

307
00:15:24,000 --> 00:15:25,000
Of course.

308
00:15:25,000 --> 00:15:26,000
So she's doing a tour.

309
00:15:26,000 --> 00:15:28,000
A small theater to a.

310
00:15:28,000 --> 00:15:29,000
Yeah.

311
00:15:29,000 --> 00:15:31,000
An evening with Joan.

312
00:15:31,000 --> 00:15:32,000
And I can't.

313
00:15:32,000 --> 00:15:33,000
Yeah.

314
00:15:33,000 --> 00:15:34,000
And so we're lying on that.

315
00:15:34,000 --> 00:15:35,000
And now we're looking at each other.

316
00:15:35,000 --> 00:15:36,000
We're saying, what is she going to do?

317
00:15:36,000 --> 00:15:37,000
Yeah.

318
00:15:37,000 --> 00:15:38,000
And I grab a blackberry.

319
00:15:38,000 --> 00:15:39,000
I'm like, yeah.

320
00:15:39,000 --> 00:15:40,000
Let's order some tickets.

321
00:15:40,000 --> 00:15:41,000
Yeah.

322
00:15:41,000 --> 00:15:42,000
So we were very curious.

323
00:15:42,000 --> 00:15:44,000
What an evening with Joan Collins.

324
00:15:44,000 --> 00:15:45,000
Yeah.

325
00:15:45,000 --> 00:15:46,000
It's about 35 miles away.

326
00:15:46,000 --> 00:15:47,000
It's not in London.

327
00:15:47,000 --> 00:15:48,000
She's not in London at all.

328
00:15:48,000 --> 00:15:51,000
It's a nice, nice trip.

329
00:15:51,000 --> 00:15:52,000
I hope so.

330
00:15:52,000 --> 00:15:53,000
Yeah.

331
00:15:53,000 --> 00:15:54,000
Yeah.

332
00:15:54,000 --> 00:15:55,000
So it's to the south of here.

333
00:15:55,000 --> 00:15:56,000
So it's about.

334
00:15:56,000 --> 00:15:58,000
Why are you doing that?

335
00:15:58,000 --> 00:15:59,000
Why?

336
00:15:59,000 --> 00:16:00,000
Well, we don't have to go.

337
00:16:00,000 --> 00:16:02,000
If you don't want to go, we don't have to go.

338
00:16:02,000 --> 00:16:03,000
Oh, why not?

339
00:16:03,000 --> 00:16:04,000
But because.

340
00:16:04,000 --> 00:16:05,000
You know how to do a lesson.

341
00:16:05,000 --> 00:16:06,000
Yeah.

342
00:16:06,000 --> 00:16:07,000
Yeah.

343
00:16:07,000 --> 00:16:08,000
I thought it'd be interesting.

344
00:16:08,000 --> 00:16:09,000
How my future will be.

345
00:16:09,000 --> 00:16:11,000
Oh, please.

346
00:16:11,000 --> 00:16:12,000
I mean, this is your future.

347
00:16:12,000 --> 00:16:14,000
Right here on this show.

348
00:16:14,000 --> 00:16:15,000
This is your future.

349
00:16:15,000 --> 00:16:16,000
This is your future.

350
00:16:16,000 --> 00:16:18,000
When Jonathan asked her.

351
00:16:18,000 --> 00:16:20,000
You know, why she did this.

352
00:16:20,000 --> 00:16:21,000
She said, why?

353
00:16:21,000 --> 00:16:22,000
I need the money.

354
00:16:22,000 --> 00:16:23,000
That's what I always say.

355
00:16:23,000 --> 00:16:24,000
I mean, work.

356
00:16:24,000 --> 00:16:25,000
I need the money.

357
00:16:25,000 --> 00:16:26,000
That's what I always say.

358
00:16:26,000 --> 00:16:27,000
People think that.

359
00:16:27,000 --> 00:16:28,000
I don't always use more money.

360
00:16:28,000 --> 00:16:30,000
People always equate celebrity status to wealth.

361
00:16:30,000 --> 00:16:32,000
Don't have to do anything anymore.

362
00:16:32,000 --> 00:16:33,000
Yeah.

363
00:16:33,000 --> 00:16:34,000
It's so not true.

364
00:16:34,000 --> 00:16:35,000
Look it up.

365
00:16:35,000 --> 00:16:36,000
Yeah.

366
00:16:36,000 --> 00:16:37,000
Don't have to do anything.

367
00:16:37,000 --> 00:16:40,000
You want to live like a star.

368
00:16:40,000 --> 00:16:41,000
If you want.

369
00:16:41,000 --> 00:16:43,000
Once you are a star like she is.

370
00:16:43,000 --> 00:16:45,000
People expect her to live in a beautiful house.

371
00:16:45,000 --> 00:16:47,000
She cannot just live in a little college.

372
00:16:47,000 --> 00:16:48,000
It's like we do.

373
00:16:48,000 --> 00:16:49,000
Of course she could.

374
00:16:49,000 --> 00:16:50,000
Of course she could.

375
00:16:50,000 --> 00:16:53,000
You know, people expected to live in a mansion.

376
00:16:53,000 --> 00:16:54,000
And she lives.

377
00:16:54,000 --> 00:16:55,000
She has a beautiful man.

378
00:16:55,000 --> 00:16:56,000
I've got to tell you.

379
00:16:56,000 --> 00:16:58,000
I am so beyond that.

380
00:16:58,000 --> 00:16:59,000
For myself.

381
00:16:59,000 --> 00:17:00,000
Oh yeah.

382
00:17:00,000 --> 00:17:03,000
Then why are you building castles in second life?

383
00:17:03,000 --> 00:17:05,000
Well, to accommodate.

384
00:17:05,000 --> 00:17:06,000
Why a castle.

385
00:17:06,000 --> 00:17:08,000
Well, why just because I like what a castle looks like.

386
00:17:08,000 --> 00:17:10,000
Why not a bunker.

387
00:17:10,000 --> 00:17:13,000
For exactly the way you just said a bunker.

388
00:17:13,000 --> 00:17:16,000
And besides, curry bunker does not have the same caché as curry castle.

389
00:17:16,000 --> 00:17:19,000
So what I mean is everybody would like to have their own castle.

390
00:17:19,000 --> 00:17:21,000
Let me just say, well, we've had a castle.

391
00:17:21,000 --> 00:17:22,000
And I miss it.

392
00:17:22,000 --> 00:17:23,000
Still very much.

393
00:17:23,000 --> 00:17:24,000
Yeah.

394
00:17:24,000 --> 00:17:25,000
That's part of it.

395
00:17:25,000 --> 00:17:29,000
Because the castle I'm building in second life is a great place for entertaining.

396
00:17:29,000 --> 00:17:30,000
Oh.

397
00:17:30,000 --> 00:17:31,000
Okay.

398
00:17:31,000 --> 00:17:33,000
Uh huh.

399
00:17:33,000 --> 00:17:34,000
Yeah.

400
00:17:34,000 --> 00:17:35,000
Okay.

401
00:17:35,000 --> 00:17:36,000
You want to get into second life now.

402
00:17:36,000 --> 00:17:37,000
You want to talk about that?

403
00:17:37,000 --> 00:17:39,000
Well, you know.

404
00:17:39,000 --> 00:17:40,000
I see that it's.

405
00:17:40,000 --> 00:17:42,000
Very, very interesting.

406
00:17:42,000 --> 00:17:44,000
And it's brilliant.

407
00:17:44,000 --> 00:17:47,000
And I see it as a game.

408
00:17:47,000 --> 00:17:49,000
But I don't see that.

409
00:17:49,000 --> 00:17:51,000
You don't see the purpose of it?

410
00:17:51,000 --> 00:17:52,000
No.

411
00:17:52,000 --> 00:17:55,000
I mean, people can hardly deal with the first life.

412
00:17:55,000 --> 00:17:57,000
And now they're escaped to.

413
00:17:57,000 --> 00:17:59,000
They want to escape to a second life.

414
00:17:59,000 --> 00:18:00,000
Well, let.

415
00:18:00,000 --> 00:18:01,000
Let.

416
00:18:01,000 --> 00:18:03,000
And then and then probably somebody that they're not.

417
00:18:03,000 --> 00:18:09,000
And then probably be a girl a chick with big boobs and a very extremely high heels.

418
00:18:09,000 --> 00:18:11,000
Have you seen me in second life?

419
00:18:11,000 --> 00:18:13,000
Are you the girl with a boobs?

420
00:18:13,000 --> 00:18:14,000
No.

421
00:18:14,000 --> 00:18:15,000
No.

422
00:18:15,000 --> 00:18:19,000
So everybody's of course somebody that they actually are not.

423
00:18:19,000 --> 00:18:20,000
Well, you, you can.

424
00:18:20,000 --> 00:18:21,000
Is that the, the fantasy?

425
00:18:21,000 --> 00:18:25,000
Well, did you, well, first of all, let's just step back.

426
00:18:25,000 --> 00:18:28,000
See, I am the girl with the big boobs and the extremely high heels.

427
00:18:28,000 --> 00:18:29,000
Yes, exactly.

428
00:18:29,000 --> 00:18:34,000
And, and all the girls in all the girls in second life who look anything like you.

429
00:18:34,000 --> 00:18:35,000
I immediately have a crush on.

430
00:18:35,000 --> 00:18:37,000
The only thing is they're about six feet tall.

431
00:18:37,000 --> 00:18:38,000
Uh huh.

432
00:18:38,000 --> 00:18:39,000
That's the only difference.

433
00:18:39,000 --> 00:18:41,000
And if you were in second life.

434
00:18:41,000 --> 00:18:42,000
Yeah.

435
00:18:42,000 --> 00:18:43,000
But if you were in second life.

436
00:18:43,000 --> 00:18:46,000
The, the only thing you change about yourself is you make yourself taller.

437
00:18:46,000 --> 00:18:47,000
Right.

438
00:18:47,000 --> 00:18:48,000
True or not.

439
00:18:48,000 --> 00:18:49,000
Yeah.

440
00:18:49,000 --> 00:18:50,000
Okay.

441
00:18:50,000 --> 00:18:53,000
Now, let me just step back for a sec because I said this to you last night.

442
00:18:53,000 --> 00:18:57,000
You said, who has, in fact, you, you did want a real Patricia.

443
00:18:57,000 --> 00:18:58,000
Who was time for this?

444
00:18:58,000 --> 00:18:59,000
You're really.

445
00:18:59,000 --> 00:19:00,000
And I said, this is.

446
00:19:00,000 --> 00:19:02,000
People have hard time for each other.

447
00:19:02,000 --> 00:19:03,000
No, boy.

448
00:19:03,000 --> 00:19:04,000
No.

449
00:19:04,000 --> 00:19:05,000
Yeah.

450
00:19:05,000 --> 00:19:07,000
Before you get into that, let me just step back.

451
00:19:07,000 --> 00:19:09,000
It's replacing television time.

452
00:19:09,000 --> 00:19:12,000
It's replacing all that other time that is spent on other entertainment.

453
00:19:12,000 --> 00:19:15,000
I don't think that it's in addition.

454
00:19:15,000 --> 00:19:16,000
You know, so we spend.

455
00:19:16,000 --> 00:19:18,000
Time to find the TV.

456
00:19:18,000 --> 00:19:22,000
If we watch television together, you know, that we always,

457
00:19:22,000 --> 00:19:25,000
uh, you know, or argue about it.

458
00:19:25,000 --> 00:19:26,000
Or usually about.

459
00:19:26,000 --> 00:19:28,000
Can't you make comments during the commercials?

460
00:19:28,000 --> 00:19:30,000
Have you, you know, or, you know, a discussion.

461
00:19:30,000 --> 00:19:31,000
Or you talk about it.

462
00:19:31,000 --> 00:19:33,000
Or you enjoy it together.

463
00:19:33,000 --> 00:19:36,000
And you know, with me, you do something together.

464
00:19:36,000 --> 00:19:37,000
Together.

465
00:19:37,000 --> 00:19:38,000
Right.

466
00:19:38,000 --> 00:19:39,000
But that's what second life.

467
00:19:39,000 --> 00:19:41,000
To get lots of people do second life together.

468
00:19:41,000 --> 00:19:42,000
Couso and Joe.

469
00:19:42,000 --> 00:19:47,000
So I need to sit there with my laptop and play with you together in second time.

470
00:19:47,000 --> 00:19:48,000
Oh, you don't have to.

471
00:19:48,000 --> 00:19:53,000
Well, first of all, I'm allowed to have some personal time to do whatever the hell I want to do.

472
00:19:53,000 --> 00:19:54,000
Right.

473
00:19:54,000 --> 00:19:56,000
And you know, like you don't do that.

474
00:19:56,000 --> 00:19:58,000
Oh, I take advantage of that privilege.

475
00:19:58,000 --> 00:20:02,000
And this actually is, if anything, this is cutting into my flying time.

476
00:20:02,000 --> 00:20:05,000
I might have, I might have decided to fly instead of, uh,

477
00:20:05,000 --> 00:20:07,000
sit on second life for two hours.

478
00:20:07,000 --> 00:20:09,000
So, but it's a, it's a choice.

479
00:20:09,000 --> 00:20:11,000
And that's what I think is so interesting.

480
00:20:11,000 --> 00:20:12,000
Why are people choosing this?

481
00:20:12,000 --> 00:20:14,000
Don't give me that, that's smart.

482
00:20:14,000 --> 00:20:17,000
You think I'm talking out of it?

483
00:20:17,000 --> 00:20:18,000
I'm not.

484
00:20:18,000 --> 00:20:19,000
I'm serious about it.

485
00:20:19,000 --> 00:20:20,000
I'm serious about it.

486
00:20:20,000 --> 00:20:21,000
I'm serious.

487
00:20:21,000 --> 00:20:22,000
I'm serious.

488
00:20:22,000 --> 00:20:24,000
Okay, dear.

489
00:20:24,000 --> 00:20:27,000
Um, so, uh, Mark Yosimoto Nemkov.

490
00:20:27,000 --> 00:20:30,000
Hold on, you know, from Pacific Coast, Hellway.

491
00:20:30,000 --> 00:20:34,000
So we interviewed Blake Morgan, who, uh, is the owner of the record company.

492
00:20:35,000 --> 00:20:39,000
And also of a couple other, uh, pod save artists that we've played.

493
00:20:39,000 --> 00:20:40,000
Listen to what he says.

494
00:20:40,000 --> 00:20:45,000
Undeniably, every single time, um, any of our music has been played on, on your show or on Adam's show.

495
00:20:45,000 --> 00:20:48,000
I'm, and Adam playing, uh, ever since, um, from Leslie's record.

496
00:20:48,000 --> 00:20:50,000
We, we saw a gigantic hit instantly.

497
00:20:50,000 --> 00:20:53,000
Like we saw a huge spike instantly.

498
00:20:53,000 --> 00:20:55,000
And it's not like a coincidence or anything.

499
00:20:55,000 --> 00:20:57,000
It's, it's absolutely clear.

500
00:20:57,000 --> 00:20:58,000
You can see it on iTunes.

501
00:20:58,000 --> 00:21:00,000
We know it happening off of our site.

502
00:21:00,000 --> 00:21:01,000
There's no doubt about it.

503
00:21:01,000 --> 00:21:02,000
Podcasting works.

504
00:21:02,000 --> 00:21:03,000
It's the new radio.

505
00:21:04,000 --> 00:21:05,000
Yeah.

506
00:21:05,000 --> 00:21:06,000
Well, I wouldn't go so far.

507
00:21:06,000 --> 00:21:07,000
Say it's the new radio.

508
00:21:07,000 --> 00:21:08,000
But for those guys.

509
00:21:08,000 --> 00:21:10,000
I always say it for the music.

510
00:21:10,000 --> 00:21:12,000
Well, but for the, you know, people from traditional music business.

511
00:21:12,000 --> 00:21:13,000
Yeah, it is, it is the new radio.

512
00:21:13,000 --> 00:21:15,000
It's the new promotional vehicle.

513
00:21:15,000 --> 00:21:17,000
And they're selling on iTunes.

514
00:21:17,000 --> 00:21:19,000
So wait until we finally get everything open up.

515
00:21:19,000 --> 00:21:22,000
And the MP3's will be available on the podcast music network.

516
00:21:22,000 --> 00:21:25,000
I think we can actually break some of the shit that's going on.

517
00:21:25,000 --> 00:21:26,000
It's going to be phenomenal.

518
00:21:26,000 --> 00:21:27,000
Yeah.

519
00:21:27,000 --> 00:21:30,000
The following is an actual pod star conversation.

520
00:21:30,000 --> 00:21:32,000
May 1st 2006.

521
00:21:33,000 --> 00:21:34,000
Pod star emergency.

522
00:21:34,000 --> 00:21:35,000
This is Adam.

523
00:21:35,000 --> 00:21:36,000
Yeah.

524
00:21:36,000 --> 00:21:37,000
I'm stuck in a stop wait.

525
00:21:37,000 --> 00:21:40,000
And the guy we're coming next to me is listening to corporate radio.

526
00:21:40,000 --> 00:21:41,000
So loud.

527
00:21:41,000 --> 00:21:43,000
I can't hear my favorite podcast.

528
00:21:43,000 --> 00:21:44,000
Okay, sir.

529
00:21:44,000 --> 00:21:45,000
Try not to panic.

530
00:21:45,000 --> 00:21:47,000
I've just called in an air strike from the pod father.

531
00:21:47,000 --> 00:21:51,000
That things happen to people who listen to bad radio.

532
00:21:51,000 --> 00:21:52,000
Is everything all right now, sir?

533
00:21:52,000 --> 00:21:53,000
Yes.

534
00:21:53,000 --> 00:21:54,000
Yes.

535
00:21:54,000 --> 00:21:55,000
Thank you.

536
00:21:55,000 --> 00:21:56,000
Oh, bless you.

537
00:21:56,000 --> 00:21:57,000
Odd star.

538
00:21:57,000 --> 00:21:59,000
Tell us where bad radio lives.

539
00:21:59,000 --> 00:22:01,000
And we'll make sure it's gone.

540
00:22:02,000 --> 00:22:05,000
So the pod show palace coming along quite nicely.

541
00:22:05,000 --> 00:22:06,000
Quite nicely.

542
00:22:06,000 --> 00:22:08,000
In fact, I'm looking for

543
00:22:08,000 --> 00:22:11,000
Scriptures and animators.

544
00:22:11,000 --> 00:22:14,000
Who, so this is real life stuff.

545
00:22:14,000 --> 00:22:15,000
Okay.

546
00:22:15,000 --> 00:22:19,000
I'm looking for Scriptures and animators who can help out with this project that I'm working on,

547
00:22:19,000 --> 00:22:23,000
which I think will fit seamlessly into what we're doing in real life and podcast.

548
00:22:23,000 --> 00:22:25,000
And we'll just give us an extra dimension.

549
00:22:25,000 --> 00:22:29,000
You know, not trying to hook you on crack or anything, but it could happen.

550
00:22:29,000 --> 00:22:32,000
So if you're, you know, think, what is it?

551
00:22:32,000 --> 00:22:33,000
Machinima?

552
00:22:33,000 --> 00:22:34,000
Is that what they call it?

553
00:22:34,000 --> 00:22:37,000
You know, where you create videos from second life.

554
00:22:37,000 --> 00:22:38,000
Think that.

555
00:22:38,000 --> 00:22:40,000
Think about, you know, great animation.

556
00:22:40,000 --> 00:22:44,000
Think about, you know, the Scriptures who, and I've looked at the scripting language for second life.

557
00:22:44,000 --> 00:22:45,000
It seems.

558
00:22:45,000 --> 00:22:47,000
It doesn't actually seem all that rich.

559
00:22:47,000 --> 00:22:50,000
You know, there's some, there's some good stuff in there.

560
00:22:50,000 --> 00:22:51,000
But could do with a lot more.

561
00:22:51,000 --> 00:22:56,000
But if you're interested, fire off an email to pod show palace at gmail.com.

562
00:22:56,000 --> 00:23:00,000
So, Scriptures and animators experience in second life, please only,

563
00:23:00,000 --> 00:23:04,000
and send them off to podshowpalis at gmail.com.

564
00:23:04,000 --> 00:23:05,000
Again, neighbor.

565
00:23:05,000 --> 00:23:10,000
Open up your parcel to me, neighbor, so I can drop by unexpectedly when you're having sex.

566
00:23:10,000 --> 00:23:31,000
What is that?

567
00:23:31,000 --> 00:23:34,000
That's the recycle bin dudes.

568
00:23:34,000 --> 00:23:35,000
They're late today.

569
00:23:35,000 --> 00:23:37,000
I was bank holiday, of course.

570
00:23:37,000 --> 00:23:38,000
That's why.

571
00:23:39,000 --> 00:23:41,000
Uh, yeah, here.

572
00:23:41,000 --> 00:23:47,000
This is a sound seeing tour of the cottage recycle pickup.

573
00:23:47,000 --> 00:23:49,000
Recycle it.

574
00:23:49,000 --> 00:23:50,000
Don't waste it.

575
00:23:50,000 --> 00:23:51,000
Call the recycling hotline.

576
00:23:51,000 --> 00:23:55,000
143, 445, 084.

577
00:23:55,000 --> 00:24:00,000
There's a bunch of guys with no t-shirts on outside my house.

578
00:24:00,000 --> 00:24:01,000
Okay.

579
00:24:01,000 --> 00:24:03,000
So, well, that's going out in the background.

580
00:24:03,000 --> 00:24:06,000
It's, it's not all irritating.

581
00:24:07,000 --> 00:24:13,000
Uh, make so little say.

582
00:24:13,000 --> 00:24:15,000
This is what pod casting is all about.

583
00:24:15,000 --> 00:24:16,000
We don't.

584
00:24:16,000 --> 00:24:17,000
What soundproof studios?

585
00:24:17,000 --> 00:24:20,000
We ain't got no stinking soundproof studios.

586
00:24:20,000 --> 00:24:23,000
When it comes to the, to the world stage,

587
00:24:23,000 --> 00:24:24,000
it's all about turf.

588
00:24:24,000 --> 00:24:25,000
It's all about money.

589
00:24:25,000 --> 00:24:28,000
It's all about who's, who's the boss of who is coming.

590
00:24:28,000 --> 00:24:30,000
Yes, coming strip.

591
00:24:31,000 --> 00:24:32,000
Comic strip.

592
00:24:32,000 --> 00:24:34,000
Comic strip.

593
00:24:35,000 --> 00:24:37,000
Comic strip.

594
00:24:39,000 --> 00:24:40,000
Comic strip.

595
00:24:40,000 --> 00:24:43,000
Can't start a weekend without a note from CSB.

596
00:24:43,000 --> 00:24:45,000
Hello, what I'm carry.

597
00:24:45,000 --> 00:24:47,000
How are you?

598
00:24:47,000 --> 00:24:50,000
So, I am just a listener of your show.

599
00:24:50,000 --> 00:24:54,000
I would like to suggest you something is a listener.

600
00:24:54,000 --> 00:24:55,000
Namely.

601
00:24:55,000 --> 00:24:58,000
One of my favorite radio presenters.

602
00:24:59,000 --> 00:25:05,000
He's a number of correspondence who are regular listeners.

603
00:25:05,000 --> 00:25:10,000
Appointed by him to report on subjects such as video games,

604
00:25:10,000 --> 00:25:12,000
London Underground,

605
00:25:12,000 --> 00:25:15,000
urban, music, urban music, etc.

606
00:25:15,000 --> 00:25:20,000
The opportunity to become a correspondent is a very, very,

607
00:25:20,000 --> 00:25:25,000
one and much valued by listeners of this radio presenter.

608
00:25:26,000 --> 00:25:29,000
I, I hereby suggest Adam carried you two,

609
00:25:29,000 --> 00:25:32,000
we'll appoint some correspondence on various topics

610
00:25:32,000 --> 00:25:36,000
and let them pluck the topics of podcasts

611
00:25:36,000 --> 00:25:40,000
and you would play the short audio reports on a regular basis.

612
00:25:40,000 --> 00:25:42,000
Once a month for example.

613
00:25:42,000 --> 00:25:45,000
I want to hear for being a correspondent on European Union

614
00:25:45,000 --> 00:25:48,000
but I reckon that several people would want to hear

615
00:25:48,000 --> 00:25:51,000
as correspondence on various topics and areas of interest.

616
00:25:51,000 --> 00:25:53,000
Just ask your listeners.

617
00:25:53,000 --> 00:25:56,000
So, have a nice weekend mate.

618
00:25:56,000 --> 00:26:01,000
And move your skinny ass out of this fucking gulfot

619
00:26:01,000 --> 00:26:05,000
to admire the rest of beautiful UK too.

620
00:26:05,000 --> 00:26:06,000
Ciao.

621
00:26:06,000 --> 00:26:08,000
Dude, I admire it plenty.

622
00:26:08,000 --> 00:26:10,000
I saw Portsmouth just the other night.

623
00:26:10,000 --> 00:26:13,000
And tomorrow I'll be flying over Dover

624
00:26:13,000 --> 00:26:15,000
and all kinds of other wonderful places.

625
00:26:15,000 --> 00:26:16,000
It's beautiful.

626
00:26:16,000 --> 00:26:19,000
And as a pilot, you have such a different perspective on

627
00:26:19,000 --> 00:26:20,000
the land that you live on.

628
00:26:20,000 --> 00:26:21,000
So, I enjoy it.

629
00:26:22,000 --> 00:26:23,000
You know, comic strip.

630
00:26:23,000 --> 00:26:26,000
I think that's exactly not the way to go.

631
00:26:26,000 --> 00:26:28,000
Everybody, every listener of this show

632
00:26:28,000 --> 00:26:31,000
as far as I'm concerned is a correspondent.

633
00:26:31,000 --> 00:26:34,000
Whatever's going on in your piece of the world,

634
00:26:34,000 --> 00:26:36,000
or in your piece of your life.

635
00:26:36,000 --> 00:26:37,000
Let me know about it.

636
00:26:37,000 --> 00:26:40,000
If you think why does Adam suck so bad on the cowbell,

637
00:26:40,000 --> 00:26:42,000
I just want you to know that I don't really have

638
00:26:42,000 --> 00:26:45,000
the proper equipment yet because I've been using a pencil.

639
00:26:45,000 --> 00:26:48,000
And the pencil just doesn't have the right,

640
00:26:48,000 --> 00:26:51,000
the earth or length or weight to really get into the rhythm.

641
00:26:51,000 --> 00:26:52,000
All right.

642
00:26:52,000 --> 00:26:54,000
So, I want you to know that there are obstacles

643
00:26:54,000 --> 00:26:57,000
in my cowbell playing, and I'm really trying on.

644
00:26:57,000 --> 00:26:58,000
Okay.

645
00:26:58,000 --> 00:27:01,000
I told you about the pod safe music.

646
00:27:01,000 --> 00:27:03,000
Some are stuff that we're working on.

647
00:27:03,000 --> 00:27:07,000
Now, I haven't really discussed this with the sales

648
00:27:07,000 --> 00:27:12,000
and marketing team, but just think parks.

649
00:27:12,000 --> 00:27:14,000
Think big parks.

650
00:27:14,000 --> 00:27:16,000
Think all around America.

651
00:27:16,000 --> 00:27:20,000
Think wouldn't it be great if you could go see

652
00:27:20,000 --> 00:27:25,000
a pod safe music showcase in a really professional environment?

653
00:27:25,000 --> 00:27:26,000
Wouldn't that be cool?

654
00:27:26,000 --> 00:27:27,000
Okay.

655
00:27:27,000 --> 00:27:28,000
Now, there's only a couple of them.

656
00:27:28,000 --> 00:27:31,000
So, and trust me, it's not the mouse house.

657
00:27:31,000 --> 00:27:32,000
Okay.

658
00:27:32,000 --> 00:27:33,000
So, there you go.

659
00:27:33,000 --> 00:27:34,000
Second life.

660
00:27:34,000 --> 00:27:35,000
I got a sign off here.

661
00:27:35,000 --> 00:27:36,000
I can't see tailwinds.

662
00:27:36,000 --> 00:27:37,000
I'm not a pilot.

663
00:27:37,000 --> 00:27:39,000
I can't do the wider flick.

664
00:27:39,000 --> 00:27:42,000
I don't even do that stuff anymore, unfortunately.

665
00:27:42,000 --> 00:27:45,000
But I did think of one thing that I could sign off with

666
00:27:45,000 --> 00:27:47,000
to be to wish you many blow jobs.

667
00:27:47,000 --> 00:27:49,000
So, BJ's at them.

668
00:27:49,000 --> 00:27:51,000
And I'm hoping this catches on because I really want

669
00:27:51,000 --> 00:27:53,000
to hear comic strip bloggers say,

670
00:27:53,000 --> 00:27:55,000
the low jobs and then charity,

671
00:27:55,000 --> 00:27:58,000
or how about, you know, rather small doing it.

672
00:27:58,000 --> 00:28:00,000
They've a good job to be with you at them.

673
00:28:00,000 --> 00:28:01,000
So, there you go, buddy.

674
00:28:01,000 --> 00:28:04,000
We'll be getting many, and we'll be getting many blow jobs

675
00:28:04,000 --> 00:28:05,000
in the next week.

676
00:28:05,000 --> 00:28:06,000
Thank you, later.

677
00:28:06,000 --> 00:28:07,000
Oh, man.

678
00:28:07,000 --> 00:28:09,000
At first, I'm like, no, not another second life comment.

679
00:28:09,000 --> 00:28:11,000
But then you really pulled it out, man.

680
00:28:11,000 --> 00:28:12,000
I appreciate that.

681
00:28:12,000 --> 00:28:13,000
Yeah, many BJ's to you, man.

682
00:28:13,000 --> 00:28:15,000
May you receive or shall you give this weekend.

683
00:28:15,000 --> 00:28:16,000
Either one is fine.

684
00:28:16,000 --> 00:28:18,000
Let's have more of those this weekend.

685
00:28:18,000 --> 00:28:19,000
Okay?

686
00:28:19,000 --> 00:28:20,000
Get your ass out of second life.

687
00:28:20,000 --> 00:28:22,000
And let's concentrate on blow jobs.

688
00:28:22,000 --> 00:28:23,000
Much better idea.

689
00:28:23,000 --> 00:28:25,000
portions of the show brought you by earth link.

690
00:28:25,000 --> 00:28:28,000
The pod show challenge on the way soon brought you by earth link.

691
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You're going to love it.

692
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You're going to be able to participate in wind valuable cash prizes.

693
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And change advertising at the same time.

694
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I know it sounds really hokey, but you can love it.

695
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It's different.

696
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I have a lot of fun just prepping for it.

697
00:28:38,000 --> 00:28:41,000
Also, of course, I'll keep you download with her

698
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and journal download.accu.com.

699
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700
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703
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And that's it.

704
00:28:58,000 --> 00:29:00,000
A little bit longer than intended.

705
00:29:00,000 --> 00:29:02,000
We'll be back to 40 minutes on Monday.

706
00:29:02,000 --> 00:29:03,000
Another full week coming up.

707
00:29:03,000 --> 00:29:05,000
Have yourselves a great weekend.

708
00:29:05,000 --> 00:29:07,000
BJ's everybody.

709
00:29:07,000 --> 00:29:09,000
Another pod show podcast.

710
00:29:09,000 --> 00:29:10,000
Stick it in your ear.

711
00:29:10,000 --> 00:29:13,000
Get this pod cast and more great ones like it.

712
00:29:13,000 --> 00:29:15,000
On the high performance pod cast delivery network

713
00:29:15,000 --> 00:29:18,000
from pod show and limelight networks.

714
00:29:18,000 --> 00:29:19,000
I love it.