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up. 24 00:05:51,000 --> 00:05:52,000 Wake up. 25 00:05:52,000 --> 00:05:53,000 Wake up. 26 00:05:53,000 --> 00:05:54,000 Wake up. 27 00:05:54,000 --> 00:05:55,000 Wake up. 28 00:05:55,000 --> 00:05:57,000 Wake up. 29 00:05:57,000 --> 00:05:58,000 Wake up. 30 00:05:58,000 --> 00:05:59,000 Wake up. 31 00:05:59,000 --> 00:06:00,000 Wake up. 32 00:06:00,000 --> 00:06:01,000 Wake up. 33 00:06:01,000 --> 00:06:02,000 Wake up. 34 00:06:02,000 --> 00:06:03,000 Wake up. 35 00:06:03,000 --> 00:06:04,000 Wake up. 36 00:06:04,000 --> 00:06:05,000 Wake up. 37 00:06:05,000 --> 00:06:06,000 Wake up. 38 00:06:06,000 --> 00:06:07,000 Wake up. 39 00:06:07,000 --> 00:06:08,000 Baby. 40 00:06:08,000 --> 00:06:10,000 Since you weren't here before the show. 41 00:06:10,000 --> 00:06:11,000 Yeah. 42 00:06:11,000 --> 00:06:13,000 Let me just adjust yourself. 43 00:06:13,000 --> 00:06:15,000 Let me see. 44 00:06:15,000 --> 00:06:16,000 How's your headphones? 45 00:06:16,000 --> 00:06:17,000 Yeah. 46 00:06:17,000 --> 00:06:18,000 Yeah. 47 00:06:19,000 --> 00:06:20,000 You're the one with the problem. 48 00:06:20,000 --> 00:06:21,000 No. 49 00:06:21,000 --> 00:06:22,000 I got no problems. 50 00:06:22,000 --> 00:06:23,000 Hey everybody. 51 00:06:23,000 --> 00:06:24,000 Baby source code for Friday. 52 00:06:24,000 --> 00:06:26,000 How's your jet lag? 53 00:06:26,000 --> 00:06:28,000 My jet lag is fine actually. 54 00:06:28,000 --> 00:06:29,000 Yeah. 55 00:06:29,000 --> 00:06:30,000 You actually. 56 00:06:30,000 --> 00:06:31,000 You always have a jet lag. 57 00:06:31,000 --> 00:06:32,000 Yeah. 58 00:06:32,000 --> 00:06:34,000 I live in consistent consistent jet lag. 59 00:06:34,000 --> 00:06:35,000 Yes. 60 00:06:35,000 --> 00:06:36,000 So how are you doing? 61 00:06:36,000 --> 00:06:38,000 I think you balance that out with the spliff. 62 00:06:38,000 --> 00:06:39,000 Uh-huh. 63 00:06:39,000 --> 00:06:40,000 Oh, absolutely. 64 00:06:40,000 --> 00:06:41,000 Yeah. 65 00:06:41,000 --> 00:06:42,000 I know. 66 00:06:42,000 --> 00:06:43,000 I know. 67 00:06:43,000 --> 00:06:44,000 It's called a self medication. 68 00:06:44,000 --> 00:06:46,000 I was fine yesterday. 69 00:06:46,000 --> 00:06:47,000 Actually. 70 00:06:48,000 --> 00:06:49,000 Hey, I feel good. 71 00:06:49,000 --> 00:06:50,000 You felt good. 72 00:06:50,000 --> 00:06:51,000 But you really went hardcore. 73 00:06:51,000 --> 00:06:54,000 Because we got back from San Francisco on. 74 00:06:54,000 --> 00:06:55,000 What day was it? 75 00:06:55,000 --> 00:06:57,000 Day before yesterday. 76 00:06:57,000 --> 00:06:58,000 It was. 77 00:06:58,000 --> 00:06:59,000 It wasn't a two day. 78 00:06:59,000 --> 00:07:00,000 No Wednesday. 79 00:07:00,000 --> 00:07:01,000 We left on Tuesday on. 80 00:07:01,000 --> 00:07:02,000 Yeah. 81 00:07:02,000 --> 00:07:03,000 We were Wednesday. 82 00:07:03,000 --> 00:07:05,000 And I was conking out. 83 00:07:05,000 --> 00:07:09,000 I was laying in the chair with a laptop burning my nuts off and fell asleep for an hour. 84 00:07:09,000 --> 00:07:10,000 No. 85 00:07:10,000 --> 00:07:12,000 You slept deeply in the in the plane. 86 00:07:12,000 --> 00:07:14,000 Only for an hour in the plane. 87 00:07:14,000 --> 00:07:15,000 I didn't sleep a lot in the plane. 88 00:07:15,000 --> 00:07:16,000 Yeah. 89 00:07:16,000 --> 00:07:17,000 Oh, yeah. 90 00:07:17,000 --> 00:07:18,000 I mean, this plane could be going down. 91 00:07:18,000 --> 00:07:20,000 Could be descending at 5,000 feet per minute. 92 00:07:20,000 --> 00:07:22,000 It wouldn't even notice. 93 00:07:22,000 --> 00:07:23,000 Uh-huh. 94 00:07:23,000 --> 00:07:24,000 No problem. 95 00:07:24,000 --> 00:07:25,000 Oh. 96 00:07:25,000 --> 00:07:26,000 Yeah. 97 00:07:26,000 --> 00:07:27,000 So then it came home. 98 00:07:27,000 --> 00:07:29,000 And so I never slept. 99 00:07:29,000 --> 00:07:30,000 And why didn't she? 100 00:07:30,000 --> 00:07:32,000 Why didn't she just go to sleep? 101 00:07:32,000 --> 00:07:33,000 I just wanted to stay awake. 102 00:07:33,000 --> 00:07:34,000 I don't want to miss anything. 103 00:07:34,000 --> 00:07:35,000 Oh, okay. 104 00:07:35,000 --> 00:07:36,000 Can I? 105 00:07:36,000 --> 00:07:37,000 Right. 106 00:07:37,000 --> 00:07:38,000 And miss out to anything. 107 00:07:38,000 --> 00:07:39,000 So then I came home. 108 00:07:39,000 --> 00:07:40,000 My parents were here. 109 00:07:40,000 --> 00:07:42,000 Started to talk right of it. 110 00:07:42,000 --> 00:07:44,000 We have no idea how you feel. 111 00:07:45,000 --> 00:07:46,000 They can't remember it. 112 00:07:46,000 --> 00:07:48,000 Isn't that what parents are for though? 113 00:07:48,000 --> 00:07:49,000 I don't know. 114 00:07:49,000 --> 00:07:52,000 When you're 80, you don't remember any more. 115 00:07:52,000 --> 00:07:53,000 How that fell. 116 00:07:53,000 --> 00:07:55,000 Only only 15 more years, huh? 117 00:07:55,000 --> 00:07:56,000 What? 118 00:07:56,000 --> 00:07:58,000 Then you'll be 80. 119 00:07:58,000 --> 00:07:59,000 Oh, don't. 120 00:07:59,000 --> 00:08:01,000 How does that feel, huh? 121 00:08:01,000 --> 00:08:02,000 Yeah. 122 00:08:02,000 --> 00:08:03,000 You imagine that? 123 00:08:03,000 --> 00:08:04,000 You imagine that? 124 00:08:04,000 --> 00:08:05,000 Well, you know what? 125 00:08:05,000 --> 00:08:06,000 I wish. 126 00:08:06,000 --> 00:08:08,000 And I hope. 127 00:08:08,000 --> 00:08:09,000 Wishing. 128 00:08:09,000 --> 00:08:10,000 And hoping. 129 00:08:10,000 --> 00:08:11,000 And hoping. 130 00:08:11,000 --> 00:08:12,000 And wishing. 131 00:08:12,000 --> 00:08:15,000 That I'll be 80 and healthy. 132 00:08:15,000 --> 00:08:16,000 Absolutely. 133 00:08:16,000 --> 00:08:18,000 As well as as healthy as they are. 134 00:08:18,000 --> 00:08:19,000 Exactly. 135 00:08:19,000 --> 00:08:21,000 And then your daughter was already complaining about us. 136 00:08:21,000 --> 00:08:22,000 Yeah. 137 00:08:22,000 --> 00:08:23,000 We'll be bitching even more. 138 00:08:23,000 --> 00:08:25,000 Oh, I'll be out before you know it. 139 00:08:25,000 --> 00:08:26,000 That's what she said yesterday. 140 00:08:26,000 --> 00:08:27,000 Yeah, that's right. 141 00:08:27,000 --> 00:08:29,000 She says, I'm leaving the house when I'm 17. 142 00:08:29,000 --> 00:08:30,000 Uh-huh. 143 00:08:30,000 --> 00:08:31,000 Uh-huh. 144 00:08:31,000 --> 00:08:32,000 Why? 145 00:08:32,000 --> 00:08:34,000 You can't ever clean up your room. 146 00:08:34,000 --> 00:08:35,000 You can. 147 00:08:35,000 --> 00:08:36,000 Exactly. 148 00:08:36,000 --> 00:08:37,000 Yeah. 149 00:08:37,000 --> 00:08:39,000 And I'm a little more practical. 150 00:08:39,000 --> 00:08:40,000 Okay. 151 00:08:40,000 --> 00:08:41,000 So what are you going to do for like friends? 152 00:08:41,000 --> 00:08:42,000 Have you ever seen kitchen? 153 00:08:42,000 --> 00:08:43,000 You're just making a cracker? 154 00:08:43,000 --> 00:08:44,000 Yeah. 155 00:08:44,000 --> 00:08:47,000 It's like World War II. 156 00:08:47,000 --> 00:08:48,000 Battlefield. 157 00:08:48,000 --> 00:08:49,000 After she made one cracker. 158 00:08:49,000 --> 00:08:50,000 Yeah. 159 00:08:50,000 --> 00:08:51,000 Yeah. 160 00:08:51,000 --> 00:08:53,000 So anyway, I'm pretty much on schedule. 161 00:08:53,000 --> 00:08:56,000 Because I slept those hours and then I stayed up until like two. 162 00:08:56,000 --> 00:09:00,000 Well, everything went well until we went out yesterday. 163 00:09:00,000 --> 00:09:01,000 Well, you already want to get to that now. 164 00:09:01,000 --> 00:09:02,000 Hold on a second. 165 00:09:02,000 --> 00:09:03,000 We can't go that fast. 166 00:09:03,000 --> 00:09:04,000 We want people. 167 00:09:04,000 --> 00:09:05,000 You got to build it up a little bit. 168 00:09:05,000 --> 00:09:06,000 Yeah. 169 00:09:06,000 --> 00:09:07,000 But now I feel really shitty. 170 00:09:07,000 --> 00:09:11,000 It's so funny because I said the Patricia said, look, we have to do the show now because 171 00:09:11,000 --> 00:09:13,000 we're going to miss the sound like window p-dubs waiting. 172 00:09:13,000 --> 00:09:16,000 Everybody's waiting for the show so it can be put into the show. 173 00:09:16,000 --> 00:09:17,000 And I said. 174 00:09:17,000 --> 00:09:18,000 So you're sadly said, no problem. 175 00:09:18,000 --> 00:09:20,000 Just let me put on some makeup. 176 00:09:20,000 --> 00:09:21,000 Uh-huh. 177 00:09:21,000 --> 00:09:22,000 Uh-huh. 178 00:09:22,000 --> 00:09:23,000 It's audio. 179 00:09:23,000 --> 00:09:24,000 It's a sound. 180 00:09:24,000 --> 00:09:26,000 Don't scare you in the face. 181 00:09:26,000 --> 00:09:27,000 Looking like shit. 182 00:09:27,000 --> 00:09:28,000 Oh, you're on fire. 183 00:09:28,000 --> 00:09:29,000 You never look like shit. 184 00:09:29,000 --> 00:09:33,000 I don't know about not having the, the temporary teeth in. 185 00:09:33,000 --> 00:09:35,000 But don't pinch and ignite. 186 00:09:35,000 --> 00:09:36,000 I know. 187 00:09:36,000 --> 00:09:38,000 Well, on Trucker Tom is something to say to us. 188 00:09:38,000 --> 00:09:40,000 Yo, Adam and Patricia. 189 00:09:40,000 --> 00:09:41,000 Trucker Tom here. 190 00:09:41,000 --> 00:09:45,000 I think I've come up with a new name for the Carlos. 191 00:09:45,000 --> 00:09:48,000 You should call it Lady Patricia. 192 00:09:48,000 --> 00:09:49,000 And the guy. 193 00:09:49,000 --> 00:09:53,000 I love the interactivity that goes on between you and Patricia. 194 00:09:53,000 --> 00:09:59,000 There's something about listening to two people that really are buddies. 195 00:09:59,000 --> 00:10:02,000 Forget the fact that you've been married 20 years. 196 00:10:02,000 --> 00:10:05,000 You really are buddies and you just seem to go together so well. 197 00:10:05,000 --> 00:10:09,000 And there's something that's really charming about that. 198 00:10:09,000 --> 00:10:12,000 Something that's fun to listen to. 199 00:10:12,000 --> 00:10:15,000 So Lady Patricia and the guy. 200 00:10:15,000 --> 00:10:17,000 I think it's appropriate. 201 00:10:17,000 --> 00:10:18,000 You see what's happening. 202 00:10:18,000 --> 00:10:21,000 You can find my podcast at Trucker Tom. 203 00:10:21,000 --> 00:10:22,000 And then Trucker Dude. 204 00:10:22,000 --> 00:10:23,000 Hot chill. 205 00:10:23,000 --> 00:10:24,000 Trucker Dude.com. 206 00:10:24,000 --> 00:10:25,000 Trucker Dude.com. 207 00:10:25,000 --> 00:10:26,000 Yeah. 208 00:10:26,000 --> 00:10:28,000 I thought that was in your shit. 209 00:10:28,000 --> 00:10:29,000 Oh, no, no, no, no. 210 00:10:29,000 --> 00:10:31,000 You don't seem to understand what's happening here. 211 00:10:32,000 --> 00:10:35,000 Is you are completely taking over my limelight. 212 00:10:35,000 --> 00:10:36,000 It's gone. 213 00:10:36,000 --> 00:10:37,000 It's fading. 214 00:10:37,000 --> 00:10:39,000 I'm pot fading away. 215 00:10:39,000 --> 00:10:41,000 As much information as you always have. 216 00:10:41,000 --> 00:10:44,000 But it's so imagine. 217 00:10:44,000 --> 00:10:45,000 It's a double edged sword. 218 00:10:45,000 --> 00:10:48,000 You know, it's like I have all the shit that I really want to do. 219 00:10:48,000 --> 00:10:49,000 You know, people send feedback. 220 00:10:49,000 --> 00:10:52,000 Which stuff we don't have time for when we're on the show together. 221 00:10:52,000 --> 00:10:54,000 And, you know, promos and all that stuff. 222 00:10:54,000 --> 00:10:58,000 And then whenever I do those shows, you know, people love the fact that I'm playing promos and feedback. 223 00:10:59,000 --> 00:11:00,000 You know, Adam, you're kind of boring without Patricia. 224 00:11:00,000 --> 00:11:02,000 You know, it's like, I can't, um, um, 225 00:11:02,000 --> 00:11:04,000 F-do-fi-do, F-do-fi don't. 226 00:11:04,000 --> 00:11:06,000 Oh my god. 227 00:11:06,000 --> 00:11:07,040 What's okay? 228 00:11:07,040 --> 00:11:08,000 Well, thank you. 229 00:11:08,000 --> 00:11:09,000 It was so sweet. 230 00:11:09,000 --> 00:11:10,040 Oh, man. 231 00:11:10,040 --> 00:11:12,000 I, I so want you to meet Trucker Tom. 232 00:11:12,000 --> 00:11:13,000 You guys be so funny together. 233 00:11:13,000 --> 00:11:15,000 He sounds very nice and sexy. 234 00:11:15,000 --> 00:11:16,000 He's very sexy. 235 00:11:16,000 --> 00:11:17,000 Oh, he is. 236 00:11:17,000 --> 00:11:18,000 Yeah. 237 00:11:18,000 --> 00:11:19,000 Oh, wow. 238 00:11:19,000 --> 00:11:21,000 If you like guys with Skolls tattooed on to the back of their head. 239 00:11:21,000 --> 00:11:22,000 Sometimes. 240 00:11:22,000 --> 00:11:23,000 No, no, no. 241 00:11:23,000 --> 00:11:24,000 Woo. 242 00:11:24,000 --> 00:11:25,000 Woo. 243 00:11:25,000 --> 00:11:27,000 And officially, I know I showed this to you last night. 244 00:11:27,000 --> 00:11:32,520 last night but I'm just gonna hold it up again. You are now officially a nerd. Yeah. This is, uh, 245 00:11:32,520 --> 00:11:37,960 I'll put a link to it. It showed up on Valleywag, but Tom Morris made this, uh, this great, uh, 246 00:11:37,960 --> 00:11:45,080 photo montage. What are the nerds doing? And it's like, uh, Mike Arlington and, uh, Cory Doctro, 247 00:11:45,080 --> 00:11:51,320 Steve Rubel, Steve Jobs, Jason Calcana, Steve Kilmore. I mean, good company. Yeah. Uh, 248 00:11:51,400 --> 00:11:59,560 a whole bunch of old guys and me. Yeah. Yeah. And the Cory's are in sunny California. This 249 00:11:59,560 --> 00:12:03,720 beautiful picture of us at, that was at the gig, I guess at the, uh, at the three bands in the city, 250 00:12:03,720 --> 00:12:08,840 the rock show. Yeah. Yeah. So, but it says, what are the nerds doing? You are officially a nerd. Oh, 251 00:12:08,840 --> 00:12:14,520 good. Well, I think it's a big compliment to be called a nerd. Yeah, yeah, because I always, you know, 252 00:12:14,600 --> 00:12:22,200 I was talking to Marta, Marta Ron. Ron's wife. Ron's wife. And, um, she said, um, 253 00:12:22,200 --> 00:12:27,960 we were talking about our husbands. Oh, boy. Oh, I wish I had a little microphone on you then. Yeah. 254 00:12:27,960 --> 00:12:34,600 And she thinks that Ron is a really sexy man. And I know that the women always fancy, uh, 255 00:12:34,600 --> 00:12:39,080 Ron Bloom. Yeah. That's true. He has something. He has that, uh, comes into the, 256 00:12:39,080 --> 00:12:46,760 male, macho, shining, she's around. He has that. And we were talking about our husbands. 257 00:12:46,760 --> 00:12:52,360 And I said, well, you know, Adam, remember, what was that? What did we bubble bubble bubble bubble? 258 00:12:52,360 --> 00:13:00,120 And you bubble bubble bubble bubble, this is a rondo. That and slow down. Let's hear what does Adam 259 00:13:00,120 --> 00:13:02,840 do? And what does wrong do? And what is wrong do? We're talking about when they get angry, 260 00:13:02,840 --> 00:13:08,280 when they're tired, how you have to be understanding because they're so busy. It's so hard to 261 00:13:08,280 --> 00:13:16,920 live with us, isn't it? We're living their lives. Oh, man, give me a break. Yeah. You know. Well, that's, 262 00:13:16,920 --> 00:13:25,240 that's your, your, um, excuse me. Um, this investment. You also, if you, if you're your, 263 00:13:25,240 --> 00:13:32,840 your man, your husband is, uh, doing something really good and, and, um, uh, it's successful. 264 00:13:32,840 --> 00:13:39,880 And I don't know what I think you, excuse me. It's, it's, it's all to, to back him up and be there for 265 00:13:39,880 --> 00:13:44,600 him is your investment. And by the way, that works the other way around as well. That's what I mean. 266 00:13:44,600 --> 00:13:50,760 Twenty men who, uh, invested in their wives. That way around, yeah, investing, helping them in 267 00:13:50,760 --> 00:13:55,800 what way they want you to help them. And I have to say with this, with this venture that we're doing, 268 00:13:55,800 --> 00:14:01,640 you have been incredibly, uh, investful. Oh, it's something. Yeah. You've, you've, you've, 269 00:14:01,720 --> 00:14:04,760 become natural. No, but, you know, it's the little things. It's like, okay, so we're 270 00:14:04,760 --> 00:14:08,440 on. I'm going to go to San Francisco for two weeks. And then you're like, okay, that's a shame. 271 00:14:08,440 --> 00:14:13,560 That's a pity. But you're not, you don't do like, oh, I miss you and come on. What you do kind of 272 00:14:13,560 --> 00:14:17,000 at the end of each trip. Of course. You know, every time the moment you did, if you didn't know, 273 00:14:17,000 --> 00:14:20,840 it would be like, yeah, I was talking about what we said about our husband. And then 274 00:14:20,840 --> 00:14:27,400 Marta mentioned, she said to me, Adam is such a nerd. I don't see him. Uh, so there's nothing 275 00:14:27,480 --> 00:14:35,320 sexy about him. Yeah, how about that? And yeah, yeah, I can't see him being a great lover. 276 00:14:35,320 --> 00:14:43,560 Or because I said, Adam is wonderful. Oh, but don't him. Wow. Yeah, it's wonderful. And I can't see him 277 00:14:43,560 --> 00:14:52,600 as a good lover. He, he's so nerdy. I said, yes. Exactly. Exactly. Now you hit it. Now you hit it because 278 00:14:52,680 --> 00:15:00,440 nerdy guys. Yeah. Are the best lovers. The, the man that you don't think anything of or 279 00:15:00,440 --> 00:15:06,120 I can't see even doing, you know, something. Yeah. Those are the guys. They're still, you know, 280 00:15:06,120 --> 00:15:12,520 very sexy. They're good. They're good. They're nerd. Because we've had time to study. 281 00:15:12,520 --> 00:15:19,480 It's Latin, sexism. It's, it's hidden, hidden, hidden sexuality. It's sexuality. It's sexuality. Absolutely. 282 00:15:19,480 --> 00:15:29,560 Absolutely. It is one big surprise. After not. Emphasis on big. So they go nerdy. Big, big, big. This one was for you. 283 00:15:29,560 --> 00:15:36,200 Big surprise. Yeah. Yeah. Yeah. You're glad he's young. He's another message round. 284 00:15:36,200 --> 00:15:44,680 That's his father. It's bigger than nerds. That's his father. He's back. I had done this. He's 285 00:15:44,680 --> 00:15:50,520 Mr. The Family, Ed from Tom's End. I just happened to become a shit blogger's news agent. 286 00:15:50,520 --> 00:15:55,480 And the film I mentioned, it comes to it bloggers, because it comes into my news agent. 287 00:15:55,480 --> 00:16:00,680 And I'm actually into it. That makes it women's feeding goats. And you're supposed to have 288 00:16:00,680 --> 00:16:09,320 to buzz as well, presumably to practice. So by now. Roger's doing something weird. He's, 289 00:16:09,320 --> 00:16:12,840 so he called into the voicemail line instead of sending his usual thing. And he's like 290 00:16:12,840 --> 00:16:16,920 got like this feud going on with comic strip blogger. Yeah. So I'm not quite sure. And he's got this 291 00:16:16,920 --> 00:16:22,600 new phone. And I don't know. It's a whole thing that's going on. Well, what was he saying? That he, 292 00:16:22,600 --> 00:16:27,800 he knows, uh, we're comic strip blogger, blah, blah, comic strip blogger. There's some chocolate in his 293 00:16:27,800 --> 00:16:31,000 butt. Something like that. But I'm telling you, I just, I thought it was me. 294 00:16:32,200 --> 00:16:37,720 Huh? Listen, airing this. You thought it was you that you were Roger? No, it was me hearing this. 295 00:16:37,800 --> 00:16:43,240 No, no, no, no, no, no, no. That's exactly what he said. I don't know. I'm just trying to go with 296 00:16:43,240 --> 00:16:47,320 the flow with those two guys. I don't know. They're into some kind of feud. Oh, okay. I have no idea 297 00:16:47,320 --> 00:16:53,240 what you're doing. It's interesting for us. Yeah. You know, Roger's small is the ultimate nerd. 298 00:16:53,800 --> 00:16:57,880 So it, you know, that's why I put that in there. When you're talking about. I've never seen a, 299 00:16:57,880 --> 00:17:04,280 it must be one of a hell sexy guy there. Roger? He never knows. Well, you know, surprise. 300 00:17:04,360 --> 00:17:08,840 Uh, I think that although you may not have seen him, he's probably seen us. You know, he does like 301 00:17:09,640 --> 00:17:17,640 sneak in, sneak around the bushes, the trash and stuff. So. So as a surprise for 302 00:17:18,600 --> 00:17:23,240 your parents, primarily for your dad, actually. Oh, I'm not going to listen. This was it. That was it, 303 00:17:23,240 --> 00:17:27,800 yeah. Oh, are you expected more? Oh, yeah, I'm not. I don't know. No, no, this is it. This is it. 304 00:17:27,800 --> 00:17:31,800 This is it. I'd like it when he sent it. I hate it when he used the voice mail, though. It's 305 00:17:32,440 --> 00:17:36,840 very hard to understand. Yeah, very hard to understand. It's funny, though, because the more I 306 00:17:36,840 --> 00:17:42,680 listen to Brits, I can almost hear Roger's smalls in every single one thing. I'm not kidding. Yeah. 307 00:17:42,680 --> 00:17:47,720 I'm not kidding. You listen to like them. He could be Roger's smalls easily. Yeah. So, 308 00:17:47,720 --> 00:17:52,760 well, even going to Saintsbury, it's still sometimes very hard to understand them. 309 00:17:52,760 --> 00:18:00,040 Uh, Brits. I have to say hundreds, a hundred times a pardon or excuse me. Yeah. 310 00:18:00,120 --> 00:18:04,760 Say it again. Excuse me. And I say it as long and I want to hear what they're saying. Who was it that I 311 00:18:04,760 --> 00:18:09,960 called the other day? Um, that I actually had to ask like five times. Yeah. Oh, you know, it's 312 00:18:09,960 --> 00:18:14,200 much, it's a much, it's mold. It was an, uh, it's an Indian woman, I think. Oh, maybe it was the 313 00:18:14,200 --> 00:18:19,000 part of something different. Oh, that's very hard times. Oh, man, because yeah, because they're not 314 00:18:19,000 --> 00:18:24,760 they used to hear it here. Yeah, of course you get used to it. We don't know that accent. Well, I do 315 00:18:24,760 --> 00:18:31,720 know. Yeah. That's for sure. That's so sweet Indian people. I like them. All Indian people. 316 00:18:31,720 --> 00:18:37,400 No, most of them that I met here are very nice and very polite. I think most of the most of them are 317 00:18:37,400 --> 00:18:44,040 Pakistani, like the drivers who drive for GM cars. Yeah. They love you, man. Oh, they do. 318 00:18:44,040 --> 00:18:48,040 Oh, they love you. I'm nice to them. I have a feeling, yeah, I have a feeling that, um, that they 319 00:18:48,040 --> 00:18:53,560 are treated in the UK. Yeah. Pakistanis are all treated as, yeah, they do get a bad deal. 320 00:18:54,040 --> 00:18:59,640 And because I see guys getting out opening the door for you, bowing, waving to you. Like, wow, 321 00:18:59,640 --> 00:19:04,520 I'm a princess. You, yeah, you've got them. But I talked to them. I want to know where they're coming 322 00:19:04,520 --> 00:19:10,760 from. Do they have a wife? I want to know. I want to know. You know, how they live and we've always been 323 00:19:10,760 --> 00:19:16,040 like very, very, very interesting. But it's very interesting to hear, you know, actually the 324 00:19:16,040 --> 00:19:21,480 life that they're living and what it's all about and where the parents are and the families are. 325 00:19:21,560 --> 00:19:24,680 We know where their families are. In the big house in Pakistan. No, they're in woking. 326 00:19:25,480 --> 00:19:30,280 Some of the families are in woking. That's it. Some of them woking. It's interesting because 327 00:19:30,280 --> 00:19:39,320 all people are interesting. That's right. That's right. That's right. That's life. Yeah. So as a surprise 328 00:19:40,120 --> 00:19:46,600 for Patricia's parents and primarily for your dad, um, I got tickets to the Sinatra Show at 329 00:19:46,680 --> 00:19:53,400 London's palladium in London's West End, which was last night. And, uh, and, you know, I don't 330 00:19:53,400 --> 00:19:58,600 even know how to categorize this show because it wasn't a musical because, you know, there's really no 331 00:19:59,640 --> 00:20:07,400 no dialogue. It wasn't, uh, it wasn't a concert because, of course, you know, it wasn't there. 332 00:20:07,400 --> 00:20:13,240 Sinatra, but he was there. Yeah. This was just a show, I guess, we'd have to call it. Sinatra 333 00:20:13,240 --> 00:20:19,400 in the palladium. That's what the show called. So the way that this works is there's a, I think 334 00:20:19,400 --> 00:20:26,360 I counted 27 piece orchestra. Yeah. Right. And they're on stage in, you know, in a like a bandstand. 335 00:20:27,400 --> 00:20:32,360 Fantastic. Old guys, right? You know, older older musicians. Yeah. Yeah. Yeah. What is old? 336 00:20:32,920 --> 00:20:38,760 Well, I mean, um, I think they're round about 40 to 60. Right. Oh, that's what that's 337 00:20:38,840 --> 00:20:46,280 come to be. So the best jazz big wind. You mean jazz jazz jazz. Yeah. They, they know how to do it. 338 00:20:46,280 --> 00:20:51,080 So then they had a, um, kind of like a ballet. I'd have to say, uh, another slime. 339 00:20:52,920 --> 00:20:56,840 No, of course, lime means they would be singing. And they did sing some, but there was more dancing 340 00:20:56,840 --> 00:21:02,520 and props on stage and setting the move. Now you have to know that my, my dad is a great musician. 341 00:21:03,160 --> 00:21:09,080 He is, of course, he had big bands, especially in the time that Frank Sinatra was big. He also has 342 00:21:09,080 --> 00:21:15,720 the God-given talent and it is God-given talent, uh, for arrangements. Yeah, arrangements without any 343 00:21:15,720 --> 00:21:19,800 instrument. Yeah. You can just do it in his head. Yeah. You can just do it in his head. Yeah. Music in front of 344 00:21:19,800 --> 00:21:25,640 him and he writes just like Mozart. Yeah. He'll write like arrangements when he hears in his head. 345 00:21:25,640 --> 00:21:31,400 I mean, yeah. It's unbelievable. It is. So I'm very proud of my dad and he's one of the best jazz 346 00:21:31,480 --> 00:21:38,120 saxophone musicians from Holland. And well, he's getting old and he's miss, he misses, you know, 347 00:21:38,120 --> 00:21:42,440 play. He doesn't really play anymore. Well, yeah. He does now then with some, with some. 348 00:21:42,440 --> 00:21:47,480 Now those guys are old. Those are, it's like, you know, sorry. Well, that's one of the, the, 349 00:21:47,480 --> 00:21:55,320 um, the little, the little CDs that I made with my dad's big band were all, they were all, um, 350 00:21:55,640 --> 00:22:02,920 uh, 80, 70, 80 and even over 80. I could actually play that if you want to. Yeah. And I did that 351 00:22:02,920 --> 00:22:08,680 especially for my dad because he wanted me to sing with him again. And I thought, you know, 352 00:22:09,720 --> 00:22:15,160 it's always good. So anyway. He's your daddy. Oh, cute. Yeah. You should be pleasing your daddy. 353 00:22:15,160 --> 00:22:19,640 So the end of song was, of course, the daddy. Okay. Oh, yeah. I'll cue that up. We'll play that in a second. 354 00:22:19,720 --> 00:22:26,440 Okay. So let me, let me finish explaining what was on stage. So there's probably 10 women, 10 355 00:22:26,440 --> 00:22:33,720 guys who were, you know, dancing, singing some of the choruses, some interaction. I mean, the real 356 00:22:33,720 --> 00:22:39,000 thing is every single song. And really, I don't know, this could only have come from the 357 00:22:39,000 --> 00:22:43,960 Snatcher family because it was really Snatcher talking about his life. Yeah. I'd never heard this 358 00:22:43,960 --> 00:22:49,480 interview before ever. You know what this was from? Yeah. It's from, uh, C, it was a CBS 359 00:22:49,480 --> 00:22:57,800 static. C, yes. Yeah. I thought CBS, um, interviewed at the ever gave, but never used it. Nobody ever 360 00:22:57,800 --> 00:23:04,680 used it. So they found it again. Yeah. And used it this time. So it was brand new. And why he tells 361 00:23:04,680 --> 00:23:09,640 all stories. Yeah. No, it was fantastic. And then what they did is they had the screens that were 362 00:23:09,640 --> 00:23:16,120 dropped down. All different sizes. One was completely horizontal, uh, you know, thin vertical ones. 363 00:23:16,120 --> 00:23:21,960 Yeah. And, and hold on. Let me get there. Let me get there. Yeah. Let me talk about the video stuff. 364 00:23:21,960 --> 00:23:27,080 Yeah. Oh yeah. Exactly. The video. Yeah. Technical stuff. Um, these were high density screens. 365 00:23:27,080 --> 00:23:32,200 I mean, these were, um, I must have been DLP or whatever. I mean, you know, the screens. It wasn't 366 00:23:32,200 --> 00:23:36,680 being projected. It was actual screens. It was beautiful. And so they did two things, obviously, 367 00:23:36,680 --> 00:23:40,520 because they had all those before a whole bunch of performances, uh, class, some of the 368 00:23:40,520 --> 00:23:45,160 some performances actually recognized what they had done is they had keyed out all the background. 369 00:23:45,160 --> 00:23:50,920 Sometimes they put different backgrounds in. And, and the audio, they did a fantastic job with 370 00:23:50,920 --> 00:23:57,720 basically getting rid of the original track and the band on stage would play, um, the, you know, 371 00:23:57,720 --> 00:24:03,640 their own version. We're playing the track. Well, now here's where I wanted to just say something 372 00:24:03,720 --> 00:24:08,200 about that. Oh. As good as, and, and it was technically, this was an incredible show. 373 00:24:08,200 --> 00:24:11,640 And a whole thing ran on autopilot, because I was watching the control booth that could see it, 374 00:24:11,640 --> 00:24:15,320 you know, on the other side of the theater. It was just one person with all the computer. 375 00:24:15,320 --> 00:24:18,680 Drinking coffee had his feet up on the desk. You know, the thing was just rolling around. 376 00:24:18,680 --> 00:24:23,640 I was looking at it. Yeah. Of course. Yeah. Um, there was a, um, uh, 377 00:24:23,640 --> 00:24:29,400 there's a monitor, um, on the, on the balcony. Yeah. So that the, uh, the, well, I guess we'll just call 378 00:24:29,480 --> 00:24:34,440 actors on stage so that they could, you know, see the conductor when, because the conductor, you know, 379 00:24:34,440 --> 00:24:39,080 he had the click track and he had all the cues and, and you know, so you can see exactly when 380 00:24:39,080 --> 00:24:44,920 when you have to start to sing. Yeah. So that guy was very, very important for the show. But what I 381 00:24:44,920 --> 00:24:51,400 did notice, it was his show, actually. Well, boy, speaking of geeky nerds. Yeah. He was definitely 382 00:24:51,400 --> 00:24:56,200 a geeky nerd. Yeah. You know, even though it was technically perfect in an all fit, 383 00:24:57,080 --> 00:25:02,120 there's something about, uh, and we've seen Sinatra, one of his last concerts in New Jersey. 384 00:25:02,120 --> 00:25:08,440 Yeah. There's something about him interacting with the band, um, you know, the way only he could, 385 00:25:08,440 --> 00:25:16,760 you know, you may think. Hoppically go over three, you know, three, um, beats, whatever, bars, beats, 386 00:25:16,760 --> 00:25:23,640 bars, that I missed. I really did not have that, you know, Sinatra. Of course. And no, 387 00:25:23,640 --> 00:25:28,440 well, but that's the first, you know, I can sing every single Sinatra song. I have the last time 388 00:25:28,440 --> 00:25:33,400 I have all his and Lawrence Wilkes albums. I remember we saw him there, and I saw him before that, 389 00:25:34,600 --> 00:25:41,560 in Las Vegas, coming up through the curtain, but then through the band. All right, through the band. 390 00:25:41,560 --> 00:25:47,160 I came up. I didn't even have something you was there. Yeah. That's typical. And then you could 391 00:25:47,240 --> 00:25:53,080 see, I was in the second row, you could see his blue eyes. They were so blue. And I thought, 392 00:25:53,080 --> 00:26:00,120 no, no, no, you know, they're all blue eyes. Very, very blue. And he looks, it's almost like he looked at 393 00:26:00,120 --> 00:26:10,120 every person in the audience. You feel so, um, like you, you get attention from him. It's wonderful. 394 00:26:10,120 --> 00:26:16,120 Well, he was probably looking at you and at the guys. No, hey, darling. Not really. It was amazing. 395 00:26:16,200 --> 00:26:22,440 And that moment I understood why this guy was so big. So that is exactly what I missed last night at the show. 396 00:26:22,440 --> 00:26:28,120 That was just, it's not there. Okay. That's my turn. Okay. And I speak now. You just talked a whole 397 00:26:28,120 --> 00:26:33,000 time about the whole Sinatra show. No, I didn't, I didn't explain what I thought. I wasn't done yet, but 398 00:26:33,000 --> 00:26:40,040 please, go ahead. Okay. Please, please go ahead. Well, I think the most important thing is 399 00:26:40,280 --> 00:26:48,520 that he could have even done it without the dancers. For me, the dancers were not even there. 400 00:26:48,520 --> 00:26:52,120 And yes, there's something. Looking at him at the screen. 401 00:26:52,120 --> 00:26:57,160 Yeah. I can't say something. Yeah. Here's the problem with the dancers. And I studied this 402 00:26:57,160 --> 00:27:03,400 for three songs in a row. Yeah. Not one of the women was hot looking and not one of the guys was 403 00:27:03,400 --> 00:27:09,400 hot looking. It was not not one single one. Could I say, oh, man, I was waiting. I was waiting. I was 404 00:27:09,400 --> 00:27:14,440 waiting. No, no, no, no. It was very sexy. Which one? She was a little bit fuller and she played 405 00:27:14,440 --> 00:27:20,680 that very sexy woman on the piano. You know, that Roger Rabbit with a short hair. 406 00:27:20,680 --> 00:27:26,440 Jessica Rabbit with a short hair. No long. Long blonde hair. There are wigs. Okay. But that's what 407 00:27:26,440 --> 00:27:33,160 they're all wigs. No problem. I didn't think. Not one single hottie that the dancers and the 408 00:27:33,160 --> 00:27:39,320 singers were looking like movie stars. I should have looked like movie stars from 409 00:27:39,320 --> 00:27:46,600 these days. You know, like an Ava Gardener, like a Brigitte Bardo, a like a Malamon row. 410 00:27:46,600 --> 00:27:53,960 They didn't have the glamour that I found on the screen exactly. That I'm in so much. I'm in 411 00:27:53,960 --> 00:27:59,720 holding it. And then underneath there was a little bit of black and white, a little fade out 412 00:27:59,720 --> 00:28:06,520 thing going on for me. Remember the shows that I also have on tape for myself from the 60s, 413 00:28:06,520 --> 00:28:12,680 the black and white. Not many. You know, one camera and it was only a little bit dull. 414 00:28:12,680 --> 00:28:18,680 Switching the lens together goes up. Not that feeling. I got that feeling again. Like, you know, 415 00:28:18,680 --> 00:28:25,960 a sixies TV show that was still not really, you know. Well, so part of that of course 416 00:28:25,960 --> 00:28:29,400 could have been intentional because it did start in the 40s and it got went all the way through 417 00:28:29,560 --> 00:28:37,560 the 60s. And I think you cannot draw too much attention. But it was not the dancers didn't 418 00:28:37,560 --> 00:28:43,640 belong to Sinatra's world. Here it is. I got, and they tried to do that. They really, 419 00:28:43,640 --> 00:28:49,400 because all of the Sinatra footage was black and white. And they didn't. So they were very colorful, 420 00:28:49,400 --> 00:28:53,800 actually. I think the contrast didn't stop. Bryce, lady, you won't let me talk at all. All right. 421 00:28:54,520 --> 00:28:59,400 Okay. Go ahead darling. No, you please. You clearly have a lot on your mind. I'll wait. 422 00:29:00,120 --> 00:29:08,360 Well, I think they didn't have, they didn't study the way they performed in these days enough. 423 00:29:08,360 --> 00:29:13,800 They were in English. They were English. That was. They were there, too. They were in 40 and 45. 424 00:29:13,800 --> 00:29:19,240 But the, yeah. But so some of the actresses won played me a ferro, which was actually pretty good. 425 00:29:19,240 --> 00:29:22,840 She had the haircut and everything. And kind of that attitude you want to slap her for. 426 00:29:24,120 --> 00:29:30,280 But there was, you know what I mean. And then there was, there was two or three other 427 00:29:31,160 --> 00:29:37,000 pieces where the female, some of the female actors would sing along just a little bit with them. 428 00:29:37,000 --> 00:29:41,400 And with it or speak along in an English accent, that didn't do it for me. I was like, no, no, 429 00:29:41,400 --> 00:29:46,120 that's, that's just, just wasn't right. And why was she doing a duet with him? 430 00:29:47,080 --> 00:29:49,880 Ah, because they had to have at least one duet in the show. 431 00:29:51,160 --> 00:29:55,240 I mean, he's done duets. And actually, you know what? They had that whole piece of videos. 432 00:29:55,240 --> 00:30:00,200 Nancy was there. They had that whole, they had that whole piece of video from Bono. 433 00:30:01,080 --> 00:30:07,400 Yeah. Which was that at the American Music Awards. It was some award show. Very good. 434 00:30:07,400 --> 00:30:11,560 It was a damn good speech. I don't know who the, the speech wrote that. He wrote that. 435 00:30:11,640 --> 00:30:15,800 He wrote. Oh, yeah. Oh, yeah. The tough. That definitely wrote that. That was a good speech. Wasn't it? 436 00:30:15,800 --> 00:30:21,080 My God. Yeah. And we're not big Bono fans. No. But listening to that, I was like, wow. Wow. 437 00:30:21,080 --> 00:30:25,480 Totally. Yeah. Do you think you didn't even talk about that? Absolutely. Of course we didn't. We didn't talk 438 00:30:25,480 --> 00:30:29,480 about the show at all. I wasn't allowed. No, I don't want to talk about the show. No, 439 00:30:30,360 --> 00:30:35,720 yeah. Um, I have your CD. It's not pod safe. You realize that, right? So we could get arrested, 440 00:30:35,720 --> 00:30:40,680 go to jail and be Bubba's bitch. Is that daddy? Yeah, you want me to play that one? Yeah. Okay. 441 00:30:40,680 --> 00:30:45,640 Hold on a second. So you want to set it up? You want to. So my dad is being big band with me. Just, 442 00:30:45,640 --> 00:30:50,840 you know, for my dad. Well, I mean, you do a little more set up than that. I mean, it's an actual CD that you 443 00:30:50,840 --> 00:30:57,720 believe. Well, a couple of songs we recorded real fast in a studio in Rotterdam. She dumped Rotterdam. 444 00:30:58,280 --> 00:31:04,760 And we gave it away when I had my cosmetics because made a company for Christmas, you know, just. 445 00:31:04,760 --> 00:31:09,320 So the band is, it was actually your dad's big band at the time. Was the big old band? It was a big, 446 00:31:09,640 --> 00:31:16,280 small big band. And the guys were all 80 years old, right? Yeah, but great musicians. All right. Let's give it a shot here. 447 00:31:16,280 --> 00:31:20,840 I'm playing this off the other computer. So I have no idea what kind of luck we'll have. Here we go. 448 00:31:23,750 --> 00:34:39,800 [ Music ] 449 00:34:39,800 --> 00:34:43,400 Oh, we want the best for me. 450 00:34:45,800 --> 00:34:46,280 Yeah. 451 00:34:48,440 --> 00:34:49,080 That's sweet. 452 00:34:49,080 --> 00:34:52,760 You're so amazing. Half way through the song, just like, okay, turn it down. I've heard enough. 453 00:34:53,480 --> 00:34:55,320 No way, man. This is awesome. 454 00:34:55,480 --> 00:35:01,240 Now, one thing that really irritated me about that song, no, about the CD. 455 00:35:01,240 --> 00:35:03,240 I about to know about the Sinatra. 456 00:35:03,240 --> 00:35:06,600 Oh, can I just kind of just back and out this for one second then? 457 00:35:06,600 --> 00:35:12,120 So Patricia Pye and the John Pye Orchestra with Daddy written by Bobby Troop and in memory 458 00:35:12,120 --> 00:35:15,080 of the fabulous Julie London who sang the song originally. 459 00:35:16,040 --> 00:35:17,560 Yeah. Yeah. Don't give me that look. 460 00:35:17,560 --> 00:35:19,720 Is she dead? Yeah. 461 00:35:19,720 --> 00:35:20,920 Oh, I didn't know that. 462 00:35:20,920 --> 00:35:24,200 Yeah, she's dead. The people who represent her music, by the way, are not dead. 463 00:35:24,520 --> 00:35:29,000 Remember how much they charge us for using that for a TV commercial Holy Cranky? 464 00:35:29,000 --> 00:35:29,880 Let me tell you. 465 00:35:31,160 --> 00:35:33,400 Great stuff, great stuff. I love that to you. 466 00:35:33,400 --> 00:35:37,720 And isn't a good that I them such a lazy bugger that I hadn't sent that to that guy yet, but I still had it. 467 00:35:37,720 --> 00:35:40,200 Yeah, maybe now I'm going to send it. Well, he has it. 468 00:35:40,200 --> 00:35:43,960 He doesn't know. I'm going to send this to you. He wants the CD. He's a collecter. 469 00:35:43,960 --> 00:35:48,120 So one thing that I always hate because in a musical, 470 00:35:49,000 --> 00:35:53,160 Yeah. That's why I didn't do a musical yet. 471 00:35:54,600 --> 00:35:59,320 Now you know that can you talk into the micro musical people? Yeah. They sing. 472 00:35:59,320 --> 00:36:05,080 They all sing like that. 473 00:36:06,360 --> 00:36:12,600 Everything is like that. And you always know. Especially like that. 474 00:36:12,600 --> 00:36:14,840 And you know exactly when they're going to go into a song, right? 475 00:36:14,840 --> 00:36:18,200 Because then they start the movement starts to slow down and then all sudden. 476 00:36:18,200 --> 00:36:21,640 Oh, they start to sing. But oh, you hear me. Yes. 477 00:36:22,840 --> 00:36:30,680 In the conversation. But the girls who sing and I think if you have a show about Frank Sinatra, 478 00:36:31,240 --> 00:36:35,960 you know, make sure that if somebody sings in that shows, sings exactly the way you 479 00:36:35,960 --> 00:36:43,560 sang in these years. Yeah. Yeah. 40, 50. And so they, they, I don't know what 480 00:36:43,560 --> 00:36:48,600 sound was. But the moment they start to sing, it was all like, I can occur. 481 00:36:48,600 --> 00:36:54,440 Doesn't go with and the hands, and that I'm speaking Dutch because my parents are here. 482 00:36:55,160 --> 00:37:01,800 And then they do a piece of and do sisters kind of thing. Yeah. That didn't work at all. 483 00:37:01,880 --> 00:37:06,360 The little costumes aren't. Now, I am the best. First of all, those costumes were wrinkled, 484 00:37:06,360 --> 00:37:12,280 ill-fitting. And you see that too. And some of the shoes were wrong. I hate to say, 485 00:37:12,280 --> 00:37:16,040 but I've gotten a real eye for things and clothing. And he's really dirty. That's for dirty. 486 00:37:16,680 --> 00:37:21,000 Did you see that too? Okay. The Frank Sinatra had. But in general, in general, 487 00:37:21,000 --> 00:37:25,560 this was a good show. No. No. What I wanted to finish that. And so they did the end 488 00:37:25,560 --> 00:37:33,000 sisters thing together. You know, the suits. I didn't fit that well. You see those little things. 489 00:37:33,000 --> 00:37:37,720 Little things. Little things. Little things. I see those things. And I think it seems to me that they 490 00:37:37,720 --> 00:37:42,760 paid a lot of attention to the technical parts of the show. Exactly. And just, and then it's 491 00:37:42,760 --> 00:37:47,160 right. And it's like they had some choreographer who was only responsible for the choreography. But 492 00:37:47,160 --> 00:37:51,800 no one looking at the total picture and saying it doesn't quite all match the nail together. 493 00:37:51,800 --> 00:37:58,280 The harmonies from the so-called Andrew Sisters kind of thing that they did wrong. Wrong harmonies. 494 00:37:58,280 --> 00:38:01,880 Yeah. Wrong harmonies. Because the Andrew Sisters' harmonies were wrong. The lead. 495 00:38:01,880 --> 00:38:05,800 Now the lead. No, no, no. In these days, the lead was always in the middle. 496 00:38:05,800 --> 00:38:15,800 Then you had the third force, the higher, the third harmony was up there above the middle. 497 00:38:15,800 --> 00:38:20,840 And then you had the lower voice under there. So the lead was always in the middle. 498 00:38:20,920 --> 00:38:25,640 Right. And the lead sometimes took over from the other. That they shifted, right? 499 00:38:25,640 --> 00:38:29,240 Yeah. Right. Right. Right. Right. Right. Right. Right. Right. And that made it so fantastic. 500 00:38:29,240 --> 00:38:34,360 And they got it all wrong. And a lot of people have that wrong. No. We made a study of that and we did 501 00:38:34,360 --> 00:38:39,480 the best thing and we had an award for that. I don't have, I don't have any star sisters stuff. 502 00:38:39,480 --> 00:38:42,440 Well, that's time with you next time. Next time I want to go to jail. 503 00:38:43,880 --> 00:38:45,800 In general, though, how would you rate the show? 504 00:38:45,960 --> 00:38:53,240 I really enjoyed it. But that's because I'm a for in Sinatra fan. 505 00:38:53,240 --> 00:39:01,800 Yeah. And I think that even he's set his charismatic. He's great. He's one of that. We never will. 506 00:39:01,800 --> 00:39:08,360 We never, never, never will have another Sinatra. We won't say that. But not like that. You know? 507 00:39:08,360 --> 00:39:16,200 Yeah. The guy lived, lived to sing and his voice and easy sings very easy. And I so I enjoyed that. 508 00:39:16,200 --> 00:39:21,800 And even I said, I told you already that even without the dances would have been a great show. 509 00:39:21,800 --> 00:39:26,360 Yeah. You know, because he's still, even not being alive. He still did it. 510 00:39:26,360 --> 00:39:31,480 So ladies and gentlemen, the Patricia Pi rating for Sinatra. From one to ten? 511 00:39:31,480 --> 00:39:35,720 Yes. Very big eight. Oh, okay. 512 00:39:35,720 --> 00:39:40,280 And that's because of the two points is because of the dancers and singers. 513 00:39:40,280 --> 00:39:44,280 Oh, really? It would have been a ten if they would have been a ten if that was a little bit more perfect. 514 00:39:44,280 --> 00:39:48,600 Yeah. Now, it's a bit poor. If you plan on going to the Sinatra show, 515 00:39:49,480 --> 00:39:54,760 it's at the London Playedium. Yeah. About half a block down. There's a cafe. 516 00:39:55,560 --> 00:40:01,000 But go and see it because it's amazing. It's definitely see the show. But if you're going to see the show, 517 00:40:01,560 --> 00:40:07,640 do not repeat, do not go into cafe logic, which is half a block. 518 00:40:07,640 --> 00:40:11,480 We were like, look at six, 30. We have an hour before the show. This is a cafe. 519 00:40:11,480 --> 00:40:16,040 So why don't we just pop into the cafe and we'll have a quick bite to eat. It took us four. 520 00:40:16,040 --> 00:40:21,800 It took him 40 minutes for fucking sushi. Yeah. I mean, and they were very apologetic. 521 00:40:21,800 --> 00:40:24,840 But they're like, oh, yeah. Well, all of a sudden, all the people came in the same time. 522 00:40:24,840 --> 00:40:28,760 Well, you're in the theater district. Hello. You're next to the Playedium. 523 00:40:29,720 --> 00:40:34,360 You know, you're going to have people in there. You noted they have to be on time. That's sucked. 524 00:40:34,360 --> 00:40:38,680 That really does not stand. So we missed the actual half of the opening number. 525 00:40:38,680 --> 00:40:43,000 Yes. They let us in, which is nice. Yeah. But it's, oh my god. When you talk to them and I said, 526 00:40:43,000 --> 00:40:48,760 can we come in a little bit late because we're still waiting? But that was unforgivable. Let's just 527 00:40:48,760 --> 00:40:53,800 just put it different. I sent you to go talk to them. Because I know if I go to talk to the guys and 528 00:40:53,800 --> 00:40:58,200 say, hey, if we come in later, is that okay? They'll look like, it's screw you. But when you walk and 529 00:40:58,200 --> 00:41:02,920 you look killer last night, you had your new shoes on. You had, you didn't take it. You're handbag. 530 00:41:02,920 --> 00:41:06,520 I was in the French tonight. You were told they were, you know, they, they probably were saying, 531 00:41:06,520 --> 00:41:10,760 you have to go to the back stage door. The back stage door is there. You aren't you in the show? 532 00:41:10,760 --> 00:41:13,800 We weren't in the show. She had a new good shoot shoot. What did you say? 533 00:41:13,800 --> 00:41:17,800 Well, we went with the train by train. As we say, pardon me, ma'am. 534 00:41:18,680 --> 00:41:20,440 Is that the cat the shit on your shoe? 535 00:41:20,760 --> 00:41:31,080 Oh, yeah. Okay. So, but in general, it was good. And in your dad, he was, he, the 536 00:41:31,080 --> 00:41:36,360 morning he said, I was stoned. He said he was completely stoned because the music 537 00:41:36,360 --> 00:41:40,760 got into his head. And he was, he was separate. I can see it. He was separating the arrangements. 538 00:41:40,760 --> 00:41:46,760 Oh, yeah. He was listening to every single bit. Edge of his chair. Only staring at the orchestra. 539 00:41:46,760 --> 00:41:52,520 Yeah. That's right. And he, just to see my dad, and that's where we, we went actually, 540 00:41:52,520 --> 00:42:00,120 to see my dad enjoyed the so much. Nice, huh? So much. I know that was just, that was the most 541 00:42:00,120 --> 00:42:06,440 beautiful part of the evening. Hey, Adam. This is Jeff. Just out of Nashville. Can I see? 542 00:42:06,440 --> 00:42:12,440 I was calling this message, actually, is for Christina begging her to start her own show. 543 00:42:12,440 --> 00:42:19,160 Because I live in Nashville near Nashville, which is a town full of shitty music. They're very 544 00:42:19,160 --> 00:42:26,840 few rareties here that are actually good, such as Matthew Eagle. And anyway, I need to know about 545 00:42:26,840 --> 00:42:33,880 some good music. So please, please, I beg you, start your own show. Thank you very much. 546 00:42:33,880 --> 00:42:38,120 Thank you very much. Oh, thank you. Everyone from Nashville to go thank you very much. I think 547 00:42:38,120 --> 00:42:42,600 she's going to do it today. Yeah. Right. Who's this? Dude, did you eat my French vanilla 548 00:42:42,600 --> 00:42:51,240 strawberry yogurt? Dude, dude, don't, don't eat someone's yogurt. Hey, dude. I didn't even eat it. 549 00:42:51,240 --> 00:42:56,680 No, I didn't eat anything. Did you eat my French food? I did. I had the generic brand of corn flakes. 550 00:42:56,680 --> 00:43:04,120 I thought I didn't even like it. Oh, did you eat the white? Hey, did you eat it? No, she didn't 551 00:43:04,120 --> 00:43:08,040 hear it. No, it was on that phone. Listen to this. Give her the headphones for second. Give her the 552 00:43:08,040 --> 00:43:13,320 headphones. Don't go away on. Don't you dare leave. Just put the headphones on. Put them on. Put them on. 553 00:43:13,320 --> 00:43:18,680 I'll play it for you here, comes. Hey Adam, this is Jeff. Just out of Nashville, Tennessee. I was 554 00:43:18,680 --> 00:43:26,680 calling this message actually for Christina begging her to start her own show. Because I live in Nashville 555 00:43:26,680 --> 00:43:32,520 near Nashville, which is a town full of shitty music. They're very few rareties here that are 556 00:43:32,600 --> 00:43:40,120 actually good, such as Matthew Eagle. And anyway, I need to know about some good music. So please, 557 00:43:41,240 --> 00:43:49,160 please, I beg you, start your own show. Thank you very much. There you go. Okay, I'll do it just for the 558 00:43:49,160 --> 00:43:55,960 people Nashville. Are you going to do it today? Yeah. Just bring up some MP3s. We've got the theme song. 559 00:43:57,560 --> 00:44:01,800 Christina's really worried about, well, will I be boring? I don't think you'll be boring. 560 00:44:01,800 --> 00:44:06,520 I am kind of boring. Just talk about the vanilla stuff your mom stole in eight. 561 00:44:08,760 --> 00:44:15,480 Okay. Okay. So we'll do it later today. Okay. Okay. But dad, I'm going to go to a gig later. 562 00:44:16,200 --> 00:44:23,800 What gig? I'm not sure yet. What time? At the back line? Yeah. What time? Seven. Did she clear this with you? 563 00:44:23,800 --> 00:44:28,600 I did. I didn't plan on with you yet. I ran it through the authorities first. The real 564 00:44:28,600 --> 00:44:33,480 the real boss, the real word. Okay. We want to do the show before you go then. Okay. I'll go get some stuff right 565 00:44:33,480 --> 00:44:38,280 now. Get a couple MP3s and we'll just do a show. It'll be fantastic. Okay. Go out. Here mom. 566 00:44:39,080 --> 00:44:49,080 You yogurt steel. Yeah. And it was actually not light. And I don't like that. So you shouldn't eat that eater. 567 00:44:49,720 --> 00:44:54,120 I'll be playing a song on them. I'll play a song and then we'll wrap up the show for today. Okay. 568 00:44:54,120 --> 00:45:01,080 Well, you don't want to hear the song. You just rip your headphones off like that. It's the booty voodoo. 569 00:45:03,750 --> 00:47:14,600 [ Music ] 570 00:47:14,600 --> 00:47:44,600 Hey, hey, hey, hey yeah, yeah, yeah, yeah, yeah, yeah yeah, yeah, yeah, yeah yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah yeah, yeah yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah , yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah yeah, yeah, yeah, yeah yeah, yeah, yeah, uh, yeah yeah, yeah, yeah, yeah yeah yeah 571 00:47:44,600 --> 00:47:48,640 She can not stir originally from Australia now from California 572 00:47:49,240 --> 00:47:53,800 Leakholder with the foodie and the booty foodie coming up next on serious stars one-o-two 573 00:47:53,960 --> 00:48:01,160 We've got Madge Weinstein's East Radio followed by Pacific Coast Hellway Dawn Drew then the Gilmore Daily podcast and we wind it up with which it all 574 00:48:01,160 --> 00:48:03,160 rather for its groove grass 575 00:48:03,800 --> 00:48:05,800 Right here on one-o-two 576 00:48:06,920 --> 00:48:08,600 So I will see this weekend, huh? 577 00:48:08,600 --> 00:48:13,400 You know, it was nice that our daughter went to with us last night. It's she and she enjoyed herself 578 00:48:13,480 --> 00:48:17,160 And walking around with her. I noticed nobody's looking at me and 579 00:48:18,280 --> 00:48:21,320 You guys look killer together and you're walking through water loostation 580 00:48:21,880 --> 00:48:23,880 Wow, that is the new and improved 581 00:48:24,920 --> 00:48:29,800 Yeah, yeah, it's a perfect mix of of you and I isn't it 582 00:48:30,040 --> 00:48:33,400 Yeah, okay, well, what does that mean we look so good? 583 00:48:33,400 --> 00:48:40,120 Oh, it's you got the good things from me and the good things from you. Yeah, so yeah, that's right. Yeah, it's true. Yeah, you're long legs 584 00:48:41,000 --> 00:48:43,000 That's about all that's good in me. I guess 585 00:48:43,800 --> 00:48:45,400 You're brain 586 00:48:45,400 --> 00:48:50,600 Hey, baby, so I won't see you this weekend. I'm gonna go see my mom and since she's in the hospital and visiting hours at the end of the day 587 00:48:50,680 --> 00:48:55,000 You too late to fly back some staying overnight, so yeah, well, I've seen enough of you. No 588 00:48:55,720 --> 00:48:58,520 Actually thanks. We had a great time. Didn't we? 589 00:48:59,000 --> 00:49:00,360 We had a fantastic time 590 00:49:00,360 --> 00:49:02,360 We had a fantastic time. Absolutely 591 00:49:02,600 --> 00:49:05,240 It's good to do that now and then. I think people without 592 00:49:05,960 --> 00:49:10,440 With children should should do that absolutely get away get away go do it. Yeah, and 593 00:49:10,520 --> 00:49:16,040 And I'll see you at the palace big opening night Saturday night and and Monday will be back. You're gonna be on the show Monday 594 00:49:16,920 --> 00:49:18,920 I might okay 595 00:49:18,920 --> 00:49:20,200 I love you. I love you, too 596 00:49:20,600 --> 00:49:24,200 Another pod show pod cast stick it in your ear 597 00:49:32,040 --> 00:49:39,240 Get this pod cast and we're great ones like it on the high performance pod cast delivery network from pod show and line-white networks 598 00:49:40,440 --> 00:49:42,520 Love it