1 00:00:00,000 --> 00:00:06,320 This is Soccer Girl. I just listened to the first episode of Shadow Falls and it's scared me 2 00:00:06,320 --> 00:00:07,520 crapless. 3 00:00:07,520 --> 00:00:15,840 This podcast is brought to you by Poncho and GoDaddy. Want Killer content with a badass 4 00:00:15,840 --> 00:00:21,760 domain name? The show will give you a special code, get great discounts at GoDaddy.com. 5 00:00:22,720 --> 00:00:27,680 Daily source code episode 437. 6 00:00:27,680 --> 00:00:32,240 It was $60 million worth of airplane strapped to my ass. 7 00:00:32,240 --> 00:00:36,000 In the next generation radio content in my ears. 8 00:00:36,000 --> 00:00:41,280 I like to think I'm flying you to the future. 9 00:00:41,280 --> 00:00:51,280 This is Rob and with another content call, over 80-40 minutes, come on. 10 00:00:53,750 --> 00:03:35,040 [ Music ] 11 00:03:35,040 --> 00:03:50,720 Extraordinary girl, I'm falling now, reborn. 12 00:03:52,000 --> 00:03:55,520 Jack in the pulpit, ordinary girl, from the pod save music network. 13 00:03:55,520 --> 00:03:58,960 On episode number 437 of the Daily source code, 14 00:03:58,960 --> 00:04:00,160 hey everybody how you doing? 15 00:04:00,160 --> 00:04:02,080 Coming to you from the curry cottage. 16 00:04:02,080 --> 00:04:05,680 In the affluent suburb of Surrey known as Gilford, Gilford. 17 00:04:06,240 --> 00:04:08,960 And as you can tell, no Patricia on the show today. 18 00:04:08,960 --> 00:04:10,720 Ah, I'm a little bit bummed about that. 19 00:04:10,720 --> 00:04:13,520 I made a huge estimation error. 20 00:04:13,520 --> 00:04:16,800 Now guys, if you're married or if you live with your girl, 21 00:04:17,200 --> 00:04:19,040 you've always got to watch out for the signs. 22 00:04:19,040 --> 00:04:22,000 You've got to think about why things are happening and not happen. 23 00:04:22,000 --> 00:04:23,120 I was so stupid. 24 00:04:23,920 --> 00:04:30,080 How could I think that one day before Patricia's sister comes for a visit for a week 25 00:04:30,160 --> 00:04:31,760 that she would have any time for me. 26 00:04:31,760 --> 00:04:32,480 Of course not. 27 00:04:32,480 --> 00:04:35,760 Now I understand what's been happening for the past two days. 28 00:04:36,480 --> 00:04:41,040 You know, it's like all this cleaning, all this stuff has to be fixed and worked out 29 00:04:41,040 --> 00:04:43,760 and like everyone's got tasks and jobs. 30 00:04:43,760 --> 00:04:47,520 And of course you give a teenager a job and teenagers won't do crap or we'll do it half 31 00:04:47,520 --> 00:04:48,320 heartedly, right? 32 00:04:49,120 --> 00:04:54,800 And so this morning, of course, she's doing her hair and so if I hope you understand, 33 00:04:54,800 --> 00:04:58,400 I'm just going to step away from any energy there. 34 00:05:00,400 --> 00:05:01,600 There's another thing I've noticed though. 35 00:05:01,600 --> 00:05:04,080 Patricia has no idea how much you guys like her on the show. 36 00:05:04,080 --> 00:05:06,800 Yeah, I tell her all the time and I forward her comments and stuff. 37 00:05:07,440 --> 00:05:12,400 I think it's time we get on a little campaign here and let her know how much we love her on the 38 00:05:12,400 --> 00:05:19,760 Charlie send an email to Patricia at curry.com and let her know what you think. 39 00:05:19,760 --> 00:05:21,760 Hey, got some cool parts of music lined up. 40 00:05:21,760 --> 00:05:28,720 Plenty of voice calls, promos, brand new sponsor, which is I think you'll like. 41 00:05:29,680 --> 00:05:32,480 And some things that came into the email box. 42 00:05:32,480 --> 00:05:35,520 Let me see, this is a couple of people passed this one on to me. 43 00:05:35,520 --> 00:05:44,240 It's this awesome, awesome site called goggles, which is, um, it's kind of a mashup of the 44 00:05:44,240 --> 00:05:50,960 Google, I think it's the Google Maps API and just, I don't know, as a flash, whatever funky stuff. 45 00:05:50,960 --> 00:05:54,960 I have no idea how it works, but essentially you can choose a city. 46 00:05:54,960 --> 00:05:56,160 I think it's New York London. 47 00:05:56,160 --> 00:06:00,640 I think that's Singapore in there and you fire this webpage and you're actually flying a little 48 00:06:00,640 --> 00:06:04,320 plane, a little, I mean, it's a, it's a render is a drawing of a plane, but you're flying a little 49 00:06:04,320 --> 00:06:10,000 plane, um, over the city and you can, um, you can go up and altitude, go down, you can, uh, 50 00:06:10,000 --> 00:06:14,400 bank left, bank right. It, it's very, it doesn't quite go up high enough for my taste. 51 00:06:14,400 --> 00:06:18,560 You know, I can't, you can't really see exactly where you are and it's missing some of the 52 00:06:18,560 --> 00:06:24,080 UI bits that as a pilot it would be very handy to know where the alarm flying was extremely cool. 53 00:06:24,160 --> 00:06:28,960 And I put a link in today's show notes for you to check it out, uh, it's called Goggles. 54 00:06:30,000 --> 00:06:35,200 See something that came in that was circulating through the potto severe yesterday, apparently 55 00:06:35,200 --> 00:06:42,560 Brad Pitt, uh, makes, and I don't know if, if Brad Pitt calls it a podcast or not, but, uh, 56 00:06:42,560 --> 00:06:49,440 according to the mirror, it's the mirror that, uh, the post of this, um, oh, the, the link 57 00:06:49,440 --> 00:06:51,760 actually comes from China daily. You'll have to read it for yourself. 58 00:06:52,720 --> 00:07:00,000 Uh, but apparently, while Brad Pitt is away from, uh, from Maddox and uh, and Angelina and, 59 00:07:00,000 --> 00:07:04,880 and how many kids do they have now three? Uh, he makes, and this is the quote, 60 00:07:04,880 --> 00:07:09,760 sends private internet podcast to Maddox and in turn Maddox will turn, uh, five in a few days, 61 00:07:09,760 --> 00:07:14,960 sends films of his paintings and bicycle stunts. It's a personal podcast. I just wonder if they 62 00:07:14,960 --> 00:07:20,400 actually call it a podcast in the paid household. And something you've got to go look at, 63 00:07:20,800 --> 00:07:26,000 uh, um, Jay Donley has been working on this. It says now the fourth episode and I think he's 64 00:07:26,000 --> 00:07:31,920 finally gotten it to where it's, it's, what I once talked about and he really developed a vision 65 00:07:31,920 --> 00:07:40,880 around the concept of podcast doing a test drive in an automobile. And he's, um, I think it's his wife, 66 00:07:42,160 --> 00:07:47,920 and she's now known as the test drive girl. They go to, uh, to new card dealerships and, uh, 67 00:07:48,000 --> 00:07:52,000 they test drive and they basically film it. And, and of course, half the fun is looking at the 68 00:07:52,000 --> 00:07:57,920 idiotic sales guy. I think that they were denied a couple of places, but finally, it really is a 69 00:07:57,920 --> 00:08:02,720 great test drive, you know, and, and you look at all the features and you kind of get to just 70 00:08:02,720 --> 00:08:07,360 hang out and drive along. Um, so I'll link to that in the show notes as well for test drive 71 00:08:07,360 --> 00:08:14,720 girl episode number four out now, continuing, uh, in our contest, a new contest, which if started, 72 00:08:14,800 --> 00:08:17,440 I don't even know what the prize is going to be yet, but I think we're going to have to really 73 00:08:17,440 --> 00:08:21,440 up the stakes because no one has gotten it right. At the end of every single podcast on the 74 00:08:21,440 --> 00:08:28,880 pod show podcast delivery network, you hear a little promo tag and the, uh, the text is, uh, 75 00:08:28,880 --> 00:08:35,600 get this podcast, another one, other great ones like it, um, on the high performance podcast delivery 76 00:08:35,600 --> 00:08:42,080 network, um, from pod show and limelight networks. And then there's this female voice that kind of 77 00:08:42,160 --> 00:08:48,000 floats through there going, I love it. So skip to the end of the show or, or, or any other podcast, 78 00:08:48,000 --> 00:08:55,440 a pod show podcast to hear the voice and you tell me who it is. I had a miss Brian on second 79 00:08:55,440 --> 00:09:01,920 life on Brian's notes. I've also emailed you a bunch of times, but that's nothing. Anyway, I'm thinking 80 00:09:01,920 --> 00:09:09,120 that the voice must be as a lovely Patricia. I'm, uh, 57 year old listener, um, and I'm a folder. 81 00:09:09,120 --> 00:09:14,400 Yeah. No, despite your obvious higher intelligence being a folder, you're wrong. Sorry. 82 00:09:15,200 --> 00:09:20,960 It is not Patricia. Uh, it is not someone who currently has a podcast per se, 83 00:09:21,840 --> 00:09:26,160 although she, and I got to give you some hints to get you to get you going there. She is a member, 84 00:09:26,160 --> 00:09:31,120 uh, an indirect member of the pod show family. I have to have to say a direct member of the pod show 85 00:09:31,120 --> 00:09:40,160 family, and she has been discussed on, uh, certainly one, maybe two podcasts. And does, in fact, 86 00:09:40,160 --> 00:09:48,000 just recently, she was discussed on a podcast that belongs to the pod show lineup. It's not Patricia. 87 00:09:48,000 --> 00:09:52,800 It's not Angie B. Everyone's posting comments at dailysourcecode.com. Get your, you know, 88 00:09:52,800 --> 00:09:58,320 that's the best way to register your answer, obviously. So that I have a time and date stamp 89 00:09:58,400 --> 00:10:02,720 is to when you, uh, when you actually putting your answer. So dailysourcecode.com, leave a message 90 00:10:02,720 --> 00:10:09,760 under today's podcast episode number 437. It's not Patricia. Oh, man. This is going to be good. I, 91 00:10:09,760 --> 00:10:14,800 I think I got to come up with, uh, with a really good prize. I'm a little tired of giving away iPods. 92 00:10:15,360 --> 00:10:20,640 Maybe we should just give away a different brand. You know, something, uh, a really nice one from a, 93 00:10:20,640 --> 00:10:24,400 of a different brand. Give me a suggestion about that as well, if you will. Hey, Adam, 94 00:10:24,560 --> 00:10:31,760 just downloaded, uh, Shane number 436 Monday, the 7th of August. Um, I don't know what's up with it. 95 00:10:31,760 --> 00:10:40,800 All, um, if this problem with castblaster, that's after 25 seconds, um, it's the MP3 stops playing 96 00:10:40,800 --> 00:10:49,680 nightings. Um, if you fast forward it, just after 25 seconds, places normal. So, uh, thought, 97 00:10:49,760 --> 00:10:57,840 I'm just like, you know, and, uh, yeah, there you go. Bye. Folder scruncher, huh? Yeah, thanks. 98 00:10:57,840 --> 00:11:02,880 Uh, you know, this is a problem we've seen in the past. Uh, something that, uh, I think probably 99 00:11:02,880 --> 00:11:08,720 a couple months ago, uh, it, uh, it cropped up. I'm pretty sure it has to do with our de-gap system, 100 00:11:08,720 --> 00:11:14,640 dynamically, uh, generated audio placement, which puts in the ads for shadow falls and, uh, 101 00:11:14,720 --> 00:11:19,920 and go daddy and the, uh, and the promo at the end, uh, which, of course, you can win a fantastic 102 00:11:19,920 --> 00:11:25,840 prize by guessing who the voices that says I love it. Um, uh, you know, so obviously we're looking 103 00:11:25,840 --> 00:11:31,440 into it. We're going to get it fixed. It, it's interesting that it only happens with iTunes and 104 00:11:31,440 --> 00:11:35,920 subsequently when being played on an iPod, which, of course, is a huge market. So we've got to fix 105 00:11:35,920 --> 00:11:41,680 it, no doubt about it. Um, but there is something weird about iTunes that that I've noticed that 106 00:11:41,760 --> 00:11:47,280 iTunes actually rewrites the MP3 file when it comes in. So, you know, if, if you have it set the 107 00:11:47,280 --> 00:11:51,120 download the show or if you're downloading it through a channel and it comes into iTunes and that's how 108 00:11:51,120 --> 00:11:56,080 you sync it up to your iPod. And of course, if it's housed in iTunes, they'll get housed on your iPod. 109 00:11:57,120 --> 00:12:02,480 Um, so it leaves our place perfectly and if you, uh, and if you, uh, drop it into iTunes 110 00:12:03,280 --> 00:12:07,360 manually. Oh, actually, that's something you could try. Please, because this worked for me, if you 111 00:12:07,360 --> 00:12:12,320 download the file and then put it into iTunes manually, does it still have the same problem? I don't 112 00:12:12,320 --> 00:12:19,360 think it will. Because with podcasts, iTunes does something very peculiar, which, um, I would have 113 00:12:19,360 --> 00:12:24,640 expected a lot of people to be up in arms about, but I've not heard hardly anyone ever talk about it. 114 00:12:24,640 --> 00:12:30,720 If you create an MP3 file and you put in your ID3 tags, you know, so that the title and the, and the 115 00:12:30,720 --> 00:12:36,960 the author, et cetera, is all, is all set. If it's downloaded via iTunes from a podcast feed, 116 00:12:37,440 --> 00:12:43,920 iTunes actually rewrites the ID3 tags. It takes away the information you put in there and puts in, 117 00:12:43,920 --> 00:12:49,520 I think the first couple lines of the show notes of the description, which is, well, it's not the 118 00:12:49,520 --> 00:12:53,360 way I sent it out. It's the way that, you know, it's what's happening on the other end. And I think 119 00:12:53,360 --> 00:12:58,320 because of this rewriting, something is getting garbled with, uh, with de-gap insertions. It's 120 00:12:58,320 --> 00:13:04,720 probably, it has to do with the timing issue, but um, working on it, trying to fix it, uh, but very, 121 00:13:04,880 --> 00:13:11,040 amazed, actually, I should say, um, about the fact that iTunes is rewriting every single file, 122 00:13:11,040 --> 00:13:16,560 rewriting the ID3 tags, which is kind of, you know, breaking my authorship there. You know, 123 00:13:16,560 --> 00:13:21,840 I wanted to say something else, not what you determined it to be. Two for Tuesday, if you're 124 00:13:21,840 --> 00:13:28,000 listening to us on the serious stars 102, the serious satellite radio network. Yeah, we pulled a 125 00:13:28,000 --> 00:13:34,560 really old concept out of our ass, two for. So on Tuesdays, besides the lineup that we have 126 00:13:34,560 --> 00:13:40,160 scheduled for you, which I'm going to pull up right now, uh, which, of course, has, uh, daily source 127 00:13:40,160 --> 00:13:46,720 code kicking it off. And we've got Don and Drew actually pod show LA is, uh, is next after daily 128 00:13:46,720 --> 00:13:52,480 source code. It won't be a pacific host, uh, hellway today. It will be, where's my fucking latte, 129 00:13:52,480 --> 00:13:57,040 stories of personal assistance in Hollywood? You have to listen to that show if you've never heard it. 130 00:13:57,040 --> 00:14:01,680 Don and Drew after that, then the rumor girls, and then in our two for Tuesday, on the, the 131 00:14:01,760 --> 00:14:06,240 roaming slots, we've got, uh, pod save the queen will be on at eight to eight o'clock this evening. 132 00:14:06,240 --> 00:14:10,000 East Coast time, and perfect head will be the show after that from eight thirty to nine o'clock. 133 00:14:10,000 --> 00:14:17,680 Then East radio and Scott Sigler to wind it up, uh, here on serious stars 102. Let's see, 134 00:14:17,680 --> 00:14:23,920 one more from the inbox. Now that's from my buddy Tom from from down under, he says he just bought 135 00:14:24,000 --> 00:14:32,160 a swim P3. Have you heard of one of these? Swim P3. So W, S, W, I, M, P3. It's a small 136 00:14:32,160 --> 00:14:38,720 MP3 player that sits on the back of your, uh, swimming goggles and transmits the sound into your 137 00:14:38,720 --> 00:14:45,680 skull via bone conductive technology. Patricia, I tried that out just the other night. 138 00:14:46,400 --> 00:14:51,360 Basically, it vibrates the sound into your temples inside of your ear. It works beautifully. The first 139 00:14:51,440 --> 00:14:55,840 few tracks were songs, then the DSC came on somewhere after the first kilometer of swimming. 140 00:14:55,840 --> 00:15:02,240 As I started, I thought to myself, with one hundred and forty four dollars, 141 00:15:02,240 --> 00:15:06,320 with an MP3 player strapped to my head. And the next generation of radio content being 142 00:15:06,320 --> 00:15:13,680 vibrated into my skull. I think I look like a dickhead in the pool. All right Tom, 143 00:15:14,320 --> 00:15:18,400 Bod said music now for Kevin Reeves on the daily source code. 144 00:15:20,400 --> 00:15:24,720 It's as late as the man that's a kick-ass. Throw me a line. 145 00:15:26,250 --> 00:19:12,240 [ Music ] 146 00:19:12,240 --> 00:19:19,440 Throw me a line. I don't think I can't make it on my own. 147 00:19:19,440 --> 00:19:22,000 I have some quality shape right there. 148 00:19:22,000 --> 00:19:24,880 Kevin Reeves threw me a line from the Pods' music network, 149 00:19:24,880 --> 00:19:28,560 link in the show notes today at sourcecode.com. 150 00:19:42,400 --> 00:19:50,720 This is AB 50. I can't believe he's real hard to tell you what type of password he is. 151 00:19:50,720 --> 00:19:57,440 AB from Conradweedil.com is a folder that's right, but I do have a question for you. 152 00:19:57,440 --> 00:20:01,360 What is that with scrunchies? I just don't get that stuff. 153 00:20:01,360 --> 00:20:07,600 What happened? You scrunch around your finger and you got good coverage on one part. 154 00:20:08,080 --> 00:20:12,160 Under scrunch, another part. You're going to end up with like a stinky finger. 155 00:20:12,160 --> 00:20:16,240 And that's got to happen. All the damn time when you're wiping, sit off your ass. 156 00:20:16,240 --> 00:20:20,800 I mean, I just don't get it. I mean, I'm a folder myself, so anyway. 157 00:20:20,800 --> 00:20:27,760 If anyone can tell your show and your fans with scrunchies, that would be cool. 158 00:20:27,760 --> 00:20:32,080 This is AB, this is that. And just remember, if you ever want to talk about data-based it, 159 00:20:32,160 --> 00:20:39,520 for RFF alone with technology. You know, sit around, talk about that stuff. Anyway, 160 00:20:39,520 --> 00:20:41,520 with that fan, so please out. 161 00:20:42,720 --> 00:20:45,600 Did I hear some of you? James Brown, got bucket. 162 00:20:46,800 --> 00:20:51,520 You're someone said to me the other day, says, hey, man, you know, podshow, 163 00:20:51,520 --> 00:20:54,400 paid James Brown to put his song up on the pods of music network. 164 00:20:56,240 --> 00:20:59,520 I was like, wow, great idea. I wish he'd been that smart. 165 00:21:00,400 --> 00:21:06,560 Fold of scruncher. Yeah, the controversy, controversy continues. What is better? 166 00:21:06,560 --> 00:21:13,520 What is best? Is it genetics? Yesterday we gave away the iPod in the contest. 167 00:21:13,520 --> 00:21:19,120 Troy needs an iPod.com. Create a better domain name, register it to make us laugh. 168 00:21:19,120 --> 00:21:24,560 And announce the winner have not yet actually officially heard from the winner. Of course, 169 00:21:24,560 --> 00:21:30,320 it's possible that she didn't hear that she'd won yet because not everyone's on the same 170 00:21:30,320 --> 00:21:36,720 listening schedule. But we have some insight into all about the winner. Hey, Adam. It's Rebecca from 171 00:21:36,720 --> 00:21:44,640 Tranny Recredo. You can find my show at TrannyRect.com. Yada-yada-fucking-yada. I'm also six-foot-one 172 00:21:44,640 --> 00:21:51,920 and fat enough to play college football. Anyways, the reason I'm calling is because I wanted to 173 00:21:52,000 --> 00:21:59,040 reveal the identity if you haven't already figured it out. The identity of your iPod winner. 174 00:22:00,480 --> 00:22:10,320 He is actually a she, her name is Marty Abernathy. She is frequently appears on multiple shows 175 00:22:10,320 --> 00:22:17,680 on the Trans-FM radio network. She's also been on my show. You can hear all about her by listening 176 00:22:17,680 --> 00:22:26,240 to Tranny Rec episode 22. Anyways, since I know that she is listening to the source code, 177 00:22:26,240 --> 00:22:34,160 I just wanted to say Marty, what the fuck? Quit wasting toilet paper, start folding and save the 178 00:22:34,160 --> 00:22:43,120 god damn planet. So I got- What is that Trans-FM radio? Is that radio or is that a podcast? 179 00:22:43,120 --> 00:22:46,720 I got to listen to that. You have something that's something interesting going on over there for sure. 180 00:22:46,720 --> 00:22:54,720 Your one voice has strength. Many voices have power. 181 00:23:02,640 --> 00:23:08,080 Join your fellow podcasters, bloggers and new media experts in podcamp Boston on September 9th 182 00:23:08,080 --> 00:23:13,280 10th. Learn from each other, teach each other, and lend your voice to the power of many. 183 00:23:13,360 --> 00:23:17,520 For more information visit www.podcamp.org. 184 00:23:20,400 --> 00:23:25,520 That's kind of a cool idea. You know, there's been all these food camps and bar camps and 185 00:23:25,520 --> 00:23:31,840 blog camps and camp camps and whatever the heck. And it seems to be a version of an on conference 186 00:23:32,400 --> 00:23:38,320 kind of a gathering where you have some, you're usually consists of a wiki in a place to go hang out. 187 00:23:38,320 --> 00:23:45,440 And it seems like a really good idea. These kind of ad hoc organist, organist, organist, organist, 188 00:23:45,440 --> 00:23:52,960 organist gathering. Senior is pretty fun. So this is a podcamp which I think is taking place 189 00:23:52,960 --> 00:24:00,560 September 9th and 10th. I will definitely post a link to that site in the show notes for 190 00:24:00,560 --> 00:24:06,320 a quick handy and easy reference at dailysourcecode.com. But it sounds like something cool. 191 00:24:07,040 --> 00:24:10,480 Now it's very interesting that they're holding this event on the east coast. In fact, 192 00:24:10,480 --> 00:24:17,360 I saw someone actually bill it as, what is it, the podcast Expo east? That's very interesting 193 00:24:17,360 --> 00:24:24,400 that doing that so close to the podcast Expo. Let's talk like two weeks later in Ontario, 194 00:24:24,400 --> 00:24:30,720 California. So let me know. I saw that Steve Garfield is going to be there. I'm sure because it's 195 00:24:31,760 --> 00:24:35,200 I think it's Boston, CC Chapman will be hanging out. It sounds like that's going to be a 196 00:24:35,360 --> 00:24:41,680 pretty cool deal. Damn. Maybe I should go. That'll be, it's a shorter trip for me. That's for sure. 197 00:24:42,720 --> 00:24:46,320 If you're listening to us on a serious starts one or two up next, you're going to hear where the 198 00:24:46,320 --> 00:24:51,680 fuck is my latte? Stories of Hollywood personal assistance as codified by Mark Yoshimoto 199 00:24:51,680 --> 00:24:56,960 name cough and joy. Meanwhile, back over here, we've got, I didn't know actually that 200 00:24:56,960 --> 00:25:03,680 Angie B had participated in our earth link ad challenge where you make the advertising. And then 201 00:25:03,760 --> 00:25:10,880 as it turns out today, I got to the list of finalists in. So I think there's like 10 different ads. 202 00:25:10,880 --> 00:25:16,080 They could either be a song. It could be a jingle. It could be an endorsement. It could be a 203 00:25:16,080 --> 00:25:22,160 straight ahead produced commercial. And my girl Angie B is one of the finalists. This is Angie B 204 00:25:22,160 --> 00:25:30,880 independent musician and podcaster. So I joined Love Spirals in very late 1998, which was right around 205 00:25:30,880 --> 00:25:37,200 the time when MP3s were coming into Vogue. And internet radio was getting started. Both things 206 00:25:37,200 --> 00:25:44,000 I was very excited about. But with dial-up service, it was a real nightmare for me trying to upload 207 00:25:44,000 --> 00:25:51,040 MP3s to the internet. I cried many evenings trying to get through to get those big files up. 208 00:25:51,840 --> 00:25:57,600 So I was pretty excited to try out DSL for the first time. I mean, once again, this was right 209 00:25:57,600 --> 00:26:06,480 when broadband was super cutting edge. Well, I called Earthlink to get set up with DSL because I was 210 00:26:06,480 --> 00:26:11,600 lucky enough to live in LA where they were rolling out some of the services early. And boy, 211 00:26:11,600 --> 00:26:16,160 did it change my life? I mean, there was absolutely no turning back for me after that. 212 00:26:16,800 --> 00:26:22,560 As an independent musician, being connected to the internet at high speed 247 is a real 213 00:26:22,560 --> 00:26:27,840 godsend. And Earthlink made it really simple for me to stay connected to my fans and to make 214 00:26:27,840 --> 00:26:34,240 my music available worldwide. Wow. And she put her own music in it. Cool. 215 00:26:35,280 --> 00:26:41,200 Alright, Angie B. Going for the big, was it two grand? Something like that. And I know Angie 216 00:26:41,200 --> 00:26:48,400 reasonably well in a cyber way that is. We hung out in second life. We email a lot and 217 00:26:48,400 --> 00:26:56,320 you know, I listened to her show, of course. And I have to say that she's probably a real regular 218 00:26:56,320 --> 00:27:00,720 user of technology. It doesn't know a hell of a lot about it, but it's very smart. So configure 219 00:27:00,720 --> 00:27:06,560 stuff out if it's reasonably well explained. So from her coming from her, I say that's a huge 220 00:27:06,560 --> 00:27:13,120 endorsement. Now I just love listening to Angie B. Angie, we maybe we should do some, 221 00:27:13,280 --> 00:27:18,160 maybe we should ask Pod Show LA if they can write us some kind of like a Wayne and Wanda 222 00:27:18,160 --> 00:27:23,280 drama where we can just do a short little love dialogue, you know, a couple times a week. 223 00:27:24,000 --> 00:27:28,080 It'll be really good. I think our voices will be perfect together. And imagine if we 224 00:27:28,080 --> 00:27:34,560 recorded them separately, that could be a kind of hot actually. I'll talk to Yoshimo to Nemcoff 225 00:27:34,560 --> 00:27:39,680 today about them. Hey Adam, it's Heather for movie for radio. And I was listening to DSC 436. 226 00:27:39,760 --> 00:27:46,400 And what the hell playing two female artists in the same show has that ever happened before? I mean, 227 00:27:46,400 --> 00:27:51,680 my show is all girls all the time, but for the most part girls get ignored. So thanks for playing 228 00:27:51,680 --> 00:27:55,920 those two awesome artists. And if your listeners get tired of hearing the same boys played over 229 00:27:55,920 --> 00:28:01,600 and over and over, they can check out RubyFruit Radio at RubyFruitRadio.com, where it's all girls, 230 00:28:01,600 --> 00:28:09,520 all the time. Hey, all girls all the time. Told you I had a brand new sponsor on the Pod Show 231 00:28:09,520 --> 00:28:18,400 podcast network. It's Akira. And Akira has a new car that they're out pimping. It's the 232 00:28:18,400 --> 00:28:25,520 Akira RDX. It's an SUV. And so they came to us about advertising on the network and said, okay, 233 00:28:25,520 --> 00:28:30,640 well, you know, we are trying to change advertising. So, you know, we don't think the straight ahead 234 00:28:30,640 --> 00:28:35,120 32nd spots is really going to cut it. What can we do that's different? And we came up with what we 235 00:28:35,120 --> 00:28:40,560 call a target cast. Those of you who have listened to some of the strategy cast, probably or a 236 00:28:40,560 --> 00:28:46,480 year ago or so, heard us talk. And I think I was spoken about this before. The whole concept of a 237 00:28:46,480 --> 00:28:52,720 strategy cast is where across the network, we talk about a specific podcast, which is all about the 238 00:28:52,720 --> 00:28:58,480 product. So it's really, it's if you're interested, you'll go over there and you'll listen to the podcast 239 00:28:58,560 --> 00:29:05,680 or podcasts as in this case, it turns out. So, you know, really, it's almost like our version of 240 00:29:05,680 --> 00:29:10,480 the infomercial only is not hokey. And I'll tell you why it's not hokey because we said, look, 241 00:29:10,480 --> 00:29:17,600 we'll make a target cast. And you can find this at Akira.podshow.com, Akira, ACURA, Akira. 242 00:29:17,600 --> 00:29:24,080 Podshow.com. We, you know, let's make it into content. You know, you have an interesting car. 243 00:29:24,160 --> 00:29:28,960 Oh, by the way, little memo to self, got to get the test drive girl to do a test drive with the 244 00:29:28,960 --> 00:29:39,520 Akira without their knowledge, of course. So, if you go to akira.podshow.com, I think they have 245 00:29:40,160 --> 00:29:47,120 either one or two, maybe it's the second episode isn't up yet. But it's interviews and it's 246 00:29:47,120 --> 00:29:55,280 interviews done by by podcasters. So, you know, no like fake voices coming in and reading from 247 00:29:55,280 --> 00:30:02,480 a script. But really just having a conversation with, in this case, okay, so here's the, the first 248 00:30:02,480 --> 00:30:08,800 one is with Grammy winner, Elliott Shiner. And he's worked with, he's worked with a lot of people, 249 00:30:09,520 --> 00:30:15,440 most notably probably the Eagles. He was involved in designing the Akira RDX surround sound system. 250 00:30:15,520 --> 00:30:21,600 This car is basically an iPod on wheels, if you will. And then Mark Williams of, I think he's 251 00:30:21,600 --> 00:30:28,880 an editor of Motor Trend magazine. Also talks about the Akira RDX competitors, features, etc. 252 00:30:30,080 --> 00:30:34,960 I haven't driven this myself, but it does seem like it's got a lot of cool toys in it. But anyway, 253 00:30:34,960 --> 00:30:41,520 the whole point being this advertisement that you'll hear at akira.podshow.com is content. 254 00:30:41,840 --> 00:30:48,800 It's really, it's a good listen. Listen to what Williams, what's his name, winner. 255 00:30:50,160 --> 00:30:54,640 Elliott Shiner, you could tell I'm reading at the same time trying to remember. My brain is so 256 00:30:54,640 --> 00:30:59,760 farad. Listen to that first show and tell me that you didn't like it because if you're into a sound, 257 00:30:59,760 --> 00:31:04,560 if you're into cars, if you're into sound in cars, which by the way is an as you'll hear in that 258 00:31:04,560 --> 00:31:09,920 interview is a really important part of the recording process is listening to what it sounds like 259 00:31:10,080 --> 00:31:14,160 on your car speakers. I think you'll like it. Accurate.podshow.com. Go check it out. 260 00:31:14,160 --> 00:31:17,760 Let me know what you thought too, by the way. I really do care. 261 00:31:18,960 --> 00:31:23,360 Hi, Adam. This is Peter. I'll listen from Australia. Two things I want to cover. 262 00:31:24,160 --> 00:31:29,280 First up, you put out a call to get to know your listeners. Well, I'm an aircraft technical writer 263 00:31:29,280 --> 00:31:35,920 who's pushing 40 listening to your show on my PDA when traveling home. I'll listen to the DSC 264 00:31:35,920 --> 00:31:40,320 because you have an uncanny knacker putting a smile on my face even after a shitty day. 265 00:31:41,120 --> 00:31:46,000 Just something about the way you put the show together. I don't do my own podcast, 266 00:31:46,000 --> 00:31:51,040 but I will put in a word for another podcast I like. It's called The Small Room. 267 00:31:51,040 --> 00:32:00,000 And you can find it at www.thesmallroom.net. The second thing is that I have a minor gripe about the 268 00:32:00,000 --> 00:32:06,480 PMM. Some labels have been uploading some of their artist songs, which is great, but they put 269 00:32:06,480 --> 00:32:12,480 their label name in the band name column. That means the band name and the song name are smashed 270 00:32:12,480 --> 00:32:18,880 together in the song name column. That makes it a pain in the arse to read, so I just skip those songs 271 00:32:18,880 --> 00:32:25,920 completely. One example is a whole series of tracks uploaded by K records. Can we get another 272 00:32:25,920 --> 00:32:32,400 column put in for a label name if the track has one please? Well, that's about it. 273 00:32:32,400 --> 00:32:36,880 I reckon I must owe you a beer for all the smalls you've given me on the train. When you make 274 00:32:36,880 --> 00:32:42,320 it out to Oz, sing out. No, shout your one down at the pub. Cheers. Oh. Scrunch up. 275 00:32:42,320 --> 00:32:46,880 Yeah, of course. You're from down under. Expect no. A lot of guys in it. A lot of aviation 276 00:32:46,880 --> 00:32:55,200 guys are scrunchers. I've noticed. PMM. Yeah, absolutely. That's one of the changes that's planned. 277 00:32:56,080 --> 00:33:00,960 In fact, we're even thinking about taking a little bit further. Besides having artist song, 278 00:33:02,160 --> 00:33:06,400 it would make sense to maybe have an album tag in there. Of course, a label, 279 00:33:07,280 --> 00:33:11,120 because you're right. That's incorrect. I mean, it's not incorrect. It's the only way we're able to 280 00:33:11,120 --> 00:33:17,120 do it with the system the way it is today. How about venue? That's something that I thought would 281 00:33:17,120 --> 00:33:21,680 might be interesting. If you look at Pod Show Plus and how all of that would integrate where 282 00:33:21,680 --> 00:33:25,440 you can be a podcaster, but you could also be a venue if you have a big backyard or if you 283 00:33:25,520 --> 00:33:30,880 haven't venue. And why wouldn't you attach artists to your venue? So people can easily navigate. 284 00:33:30,880 --> 00:33:35,200 This is what the whole social media network is about, is how you connect all these different things. 285 00:33:36,000 --> 00:33:40,160 Oh, man, we had a great conversation yesterday about, you know, the next, the next couple releases 286 00:33:40,160 --> 00:33:45,040 that we're going to do. It's, it's, you've seen now we've put the un-bata sign up at the top, 287 00:33:45,040 --> 00:33:49,600 because it is, it is still beta, but man, we are working hard and bringing in new features all the 288 00:33:49,600 --> 00:33:54,160 time. And I think in the next couple weeks, we'll, I'll, I should be able to announce and list all the 289 00:33:54,160 --> 00:34:00,960 things that either have changed or about to change. And, you know, we continue to fix bugs and 290 00:34:00,960 --> 00:34:09,040 annoyances throughout the day. For you, interested in my aviation hobby, I have to go to the 291 00:34:09,040 --> 00:34:14,880 Netherlands to visit Casplastre Mike. We have, you know, we have to sit down and chat about, well, 292 00:34:14,880 --> 00:34:20,880 about, you know, the final release I would say of Casplastre. You know, we've talked a lot about 293 00:34:20,880 --> 00:34:25,520 a Casplastre pro, not quite sure where we stand with that, or, you know, we've got to think about that, 294 00:34:25,520 --> 00:34:31,600 also Casplastre for video. And, you know, just, you know, not just a quick Skype chat. This is, 295 00:34:31,600 --> 00:34:36,880 you know, like a couple hours sit down, hang out. So, here's what I've done. I told him that I 296 00:34:36,880 --> 00:34:42,320 would come visit him in the Netherlands. He lives not far from an airfield where, that I've been 297 00:34:42,320 --> 00:34:48,480 too before, it's pretty accessible. But it'll be during the week. Now, I was thinking about maybe 298 00:34:48,560 --> 00:34:53,120 this week, but, you know, with Patricia's sister coming and just a lot of stuff going on. And, 299 00:34:53,120 --> 00:34:57,200 although the weather today actually would be pretty much perfect. I looked at the Maytars and Tafs 300 00:34:57,200 --> 00:35:02,720 and it would have been great. It's going to happen next week. Sometime midweek probably, 301 00:35:03,600 --> 00:35:10,160 and it will be my first solo crossing of the English channel. And, uh, it's a little daunting. 302 00:35:10,160 --> 00:35:15,360 It's, you know, kind of a Lindbergh-airhardt feel that I've got there. And, and I will be recording 303 00:35:15,440 --> 00:35:21,840 the whole thing. So, from start to finish, and I wanted you to know that in the event that, 304 00:35:22,960 --> 00:35:28,320 that I don't make it, you know, uh, my end, my I River, I'm sure will contain the recording, 305 00:35:28,320 --> 00:35:32,960 because it's solid state. So, once it's on, it can short out, but it'll still be in the memory. 306 00:35:32,960 --> 00:35:38,960 So, make sure you get that, because that'll have some great fucking sound. Okay. 307 00:35:39,920 --> 00:35:43,600 What was the other thing? What's something else? Okay. That was it. All right. 308 00:35:43,600 --> 00:35:48,560 Couple, uh, voicemail, uh, feedbacks through our voicemail line, which you might now hopefully have 309 00:35:48,560 --> 00:35:56,560 programmed into your cell phone, plus two-o plus one for the US-201-625-6357, 310 00:35:57,520 --> 00:36:03,040 in the UK plus four four two zero seven six eight one three seven five three. 311 00:36:04,000 --> 00:36:08,720 Two calls I want to play for you that came in about numbering the shows. I question yesterday. 312 00:36:08,720 --> 00:36:14,160 You know, how long should I keep talking about which number episode it is? You know, should I go all the way up to 10,000? 313 00:36:14,160 --> 00:36:20,400 Is that what I should be doing? Hey Adam, it's Jerry from anapolis, and I was up into Charlie 436. 314 00:36:21,040 --> 00:36:25,840 And I, I too had that thought about the numbering scheme, which initially was really great, 315 00:36:25,840 --> 00:36:32,560 because for those of us who were listening to it on an iPod and searched for the latest steps 316 00:36:32,640 --> 00:36:38,480 to, that sort of thing, it was really nice to be able to see the number and kind of mentally remember, 317 00:36:38,480 --> 00:36:44,160 oh yeah, I hadn't heard that one yet or whatever, and to hear it audibly at the first thing in the, 318 00:36:44,160 --> 00:36:48,800 in the field, or near the first thing that you have these insertions. That's great. 319 00:36:49,520 --> 00:36:53,920 Now the issue obviously is that the scales, you know, the numbering gets a little app out of 320 00:36:54,000 --> 00:36:59,200 the radio just and it almost sounds a little bit, you know, as if you're bragging, you know, 321 00:36:59,200 --> 00:37:05,520 hey, I want to show 10,000. So instead, you know, there are some things mainstream, 322 00:37:05,520 --> 00:37:12,080 maybe media and publishing do well, and it has some good ideas, I suppose, and one of them would be 323 00:37:12,080 --> 00:37:19,920 the notion of season numbers or volume numbers, that sort of thing, so you can keep the episode numbers 324 00:37:20,000 --> 00:37:27,440 down to it all raw. So you can have something like, you know, season four, episode 10, that's 325 00:37:27,440 --> 00:37:34,000 sort of thing, and it's still numbering and still is a one-up thing that a serial number if you 326 00:37:34,000 --> 00:37:41,840 will, that people can relate to, but it's not quite too cumbersome to get around looking down 327 00:37:41,840 --> 00:37:46,880 the future here. So anyway, my two cents worth, it's country. 328 00:37:47,840 --> 00:37:54,240 I'm not bad there for a scruncher, some good thoughts, and there were some contrary and 329 00:37:54,240 --> 00:38:02,720 views, of course. Start eight, four, seven, nine, four, five. Um, this is good doctrine from the 330 00:38:02,720 --> 00:38:08,480 carcass, come to you live from beautiful sunny Seattle, Washington. Yep, for a change it is sunny 331 00:38:08,480 --> 00:38:12,480 you're calling and respond to your Monday episode, and your question about whether or not we should 332 00:38:12,480 --> 00:38:17,760 be using numbers that are getting a podcast, the numbering, which episode it is, and I got to tell 333 00:38:17,760 --> 00:38:23,600 you, if it was good enough for John Luke's a car and Captain Kirk, it's damn well good enough 334 00:38:23,600 --> 00:38:30,160 for Adam Curry. Boulder. Yeah, of course, Jamie is my friend. Yeah, you know, listening to a 335 00:38:30,160 --> 00:38:33,920 couple of those comments, I finally figured it out. It's real simple. Why don't you guys 336 00:38:33,920 --> 00:38:39,760 create the tags for them? You know what number I'm at, you know what number I need, send in a couple, 337 00:38:39,760 --> 00:38:44,000 you know, make it a little more entertaining. I think that's probably the best thing we can do. 338 00:38:44,000 --> 00:38:48,560 It can be just a voicemail. You call in. It can be a little piece you produce. I don't care. 339 00:38:48,560 --> 00:38:53,680 Send it in. What are we out today? I mean, the 437 is not what I said. Yeah, we're at 437 today. 340 00:38:54,800 --> 00:38:59,760 Send in the, you know, send in another 50 or something. So I have a little stack and can just pull 341 00:38:59,760 --> 00:39:04,480 from it. That of course is the way we do it here on the chat. Yeah. Hey Adam and Seth, 342 00:39:04,480 --> 00:39:09,360 Paul Parkinson from Pressing 12 and Paul Parkinson magazine. I just had a quick one, mate. 343 00:39:09,360 --> 00:39:12,960 Thanks very much for having this voice now. I think it really works extremely well. 344 00:39:12,960 --> 00:39:18,640 I'm Jennifer's kind of say I love it. I mean, absolutely awesome. And I'm just looking 345 00:39:18,640 --> 00:39:23,440 forward to episode 3 and 4 on however many more you do. And just want to say that. Thanks 346 00:39:23,440 --> 00:39:29,120 very much. Oh, and, um, Boulder. Yeah, of course. I figured as much. 347 00:39:30,080 --> 00:39:35,120 Hey, we got some more cool shows coming out of Pod Show LA, including Flashers Universe. 348 00:39:36,160 --> 00:39:41,120 You're going to crap yourself when you see that. Here's new leaf from the Pod Save Music Network. 349 00:39:43,750 --> 00:44:26,250 [ Music ] 350 00:44:33,920 --> 00:44:41,920 All right, everybody, that's it for today's source code. So tomorrow, apparently the lady Patricia will be on 351 00:44:41,920 --> 00:44:48,720 remember to send her emails, okay? Adam at curry.com or adamantpodshow.com if you really want your email to get there and bypass all the spam 352 00:44:48,720 --> 00:44:53,920 crap and daily source code.com for all your comments. Talk to you tomorrow, everybody. Bye bye. 353 00:45:03,920 --> 00:45:13,920 Cast and more great ones like you on the high performance podcast delivery network from podshow and limelight networks.