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Delta Sierra Charlie 458.

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Okay, Grandpa, just talking to the microphone.

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What?

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Yeah, right there.

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Right, yeah, that thing right there, the big circle.

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Well, yeah, that's the pop filter.

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No, we're not getting a pop, okay, just read the paper.

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Alright, alright.

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Yeah, there you go, right there.

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Right.

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You can't, you're always counting things.

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Back in my day, we didn't count everything.

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What?

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It wasn't all these numbers.

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What do you mean?

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Just when you did something and you were done with it.

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The DSC.

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Yeah, that's Adam Curry, he's...

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What?

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He's a pilot, so say tailwinds.

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So I'm off facing tailwinds, like you were a pilot.

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Tailwinds, what did I float?

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I'm sorry.

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Ah, geez.

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Yeah, yeah, yeah, yeah, yeah, yeah, yeah.

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Yeah, yeah, yeah, yeah, yeah, yeah.

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Yeah, yeah, yeah, yeah, yeah, yeah.

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Yeah, yeah, yeah, yeah, yeah, yeah.

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[ Music ]

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I'm really got to thank Jeff Hins for making that suggestion. I no idea they showed up on the

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pod save music network Jeff of course from the Friday night dance party podcast.

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The Carmen Apicy Project which of course I have a member that coming out.

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Now in the pod save music network there's three songs gunna rain days or nights

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and what you just heard was nobody knew and the way the Carmen Apicy Project works.

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Carmen man he's he's been around. Of course on drums he's a very well-known drummer.

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Tony Franklin is on this you know him from blue murder probably from white snake,

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Kelly Keeling on bass. He was in baton Rouge and I and I have a feeling that Ron

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Ron actually produced a baton Rouge record. I have to ask him about that.

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So the the guest solo guitar on nobody knew was Brian May of Queen fame. As if you couldn't

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hear that very distinct sound. On the other songs that are also on the P and then you want to check

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him out gunna rain guitar solo is by Richie Sambora and days or nights. Michael Butler's going to

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love that. That's probably why it's on the pod save music network the new Ted Newgeon doing guitar

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solo. Excellent. I mean what a way to kick off a football Friday because we really are all

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footballer by the end of the week. Football fucked up beyond all recognition. This is the daily

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source code episode 458 everybody how you doing coming to you from Curry Cottage in the

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affluent suburb of Surrey known as Gilford. Let me get the Joseph Jaffee stuff out of the way right

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away. No in no way have we gotten enough punishment in or any really good ideas. There's some good

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comments over at daily source code.com on pod show plus. Let me see comic strip blogger things I

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shouldn't let him air the second part of the interview regardless. What was another one that came

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in somewhere? What is this? LePierre says you may have held your interview hostage but I think it's

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pretty safe to say you held his balls hostage. So so far nothing really earthshattering this

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coming. This is kind of normal for a pod cast because it does take a couple days for people to catch

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up. So I think we'll have to wait until Monday as we have some suggestions streaming over the weekend.

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Hey Adam it's Carlos again. Just a scene show for five six and I've started upon a punishment. I think

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that Joseph should get a set and amount of listeners to your show so I'm increasing your traffic

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from his pod cast and anyone who's done that he can play the interview. So thanks bye.

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Yo he's already done that really just by I mean that was the whole point I think and that's kind

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of where I'm a little torn over this. I see I disagree fundamentally with what Joseph did by saying

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I'm not going to air the second half of your interview because you haven't sent me any link love. I just

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thought that was really wrong and I think that he still thinks it's a joke and that I'm actually

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making a this is some kind of traffic driving thing that I'm into or that we're both doing together.

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Not at all. I certainly don't need his traffic. I don't care if he gets I want everyone to be

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very successful. It's not about that. It's just about he was rude. It's fucking rude. That's all.

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And he keeps sending me email messages. Are we okay? Are we on the right track yet? And it's like

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it's not a game. This is real. And it won't be done until I think the listeners have spoken.

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At least the listeners to the Charlie because it's bestowed all that crap on you, apologies.

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Hey great news today. Let me just bring this up in the outline. One of our very own board members

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at Potio Ray Lane became a granddaddy. So we welcome Walker Hugh Torrance Rollinson born at

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945 PM last night, Stanford Hospital, 7 pounds, 14 ounces, 20 and 1 quarter inches.

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Welcome him to the extended Potio family. Mom and baby are doing just fine.

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Looking at the pictures that came in over email today. Granddaddy's doing very fine as well.

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Oh man fantastic. The big question is of course. And this is a fantastic opportunity. We know

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Ray Lane is a scruncher. Will it carry through two generations of lanes? That is the question.

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Hello Adam. Happy birthday. Happy belated birth. That should say from Colorado. Just catching up on

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some DSCs from the past week, listening to 454. And after hearing about you to loud of gas incident,

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I'm glad to hear that it was nothing more than a butt-puckering experience. Now we pilots,

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we get those on occasion to remind us how fallible we really are. And I could tell that it was

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that it was one of those experiences for you. My only take on the whole thing is, hey, use your checklist.

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Checklists, of course, are designed to keep us out of trouble and to make sure that we

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do all the things that we think we can do via routine. But as you know, as soon as we get distracted or change the routine,

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that's when things get screwed up. Just like, you know, for getting to put down your landing gear because you dropped your pencil,

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you know, it's that sort of thing. So use the checklist, please. I've enjoyed your work since the days of MTV

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and hope to hear you for a long time on the DSC. So take care and folder. Thanks, Michael,

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I appreciate your comments. That's a good question. I don't know, Robin from Inside Work, he's a pilot.

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I think he may be a scruncher. I don't recall. I should write all that down. You know, this wasn't

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really a case of following the checklist. This was actually a case of following the aircraft manual,

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which is the most interesting thing about it because it really what happened was an accordance with

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the manual, but not in accordance with reality. Now, a butt buckering moment, you better believe it.

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When you're engine quits anywhere, even if for a second, it's a butt bucker. No kidding.

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Dan and Captain Dan and I spent a couple minutes kind of glancing at each other after that. I'm going like,

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fuck man. Dude, that could have been really bad. We were really, really lucky.

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So the aircraft manual really, you carry that with you, at least I do. We have it within, within

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reach, actually, all to always within reach. For instance, let's say that the landing gear

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didn't come down, that we didn't get three greens. There is a way to manually pump them down.

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I've never, of course, had to do that, and there is a procedure you have to follow,

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and you wouldn't need the checklist for that, but really, I guess it's a checklist within the

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manual. So we followed the manual, actually. You know, if the, if the right tank is depleted,

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switched to the left tank, turns out that the indicators that Sessna makes are pieces of crap.

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So it's always flying on both, but I appreciate it, and you're absolutely right. And

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regarding landing with your gear up, you know, that really are only two types of pilots.

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Those that have made a gear up landing, and those that will.

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For Adam in Great Britain, dial plus four, four, two, seven, six, eight, one, three,

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seven, five, three, plus four, four, two, seven, six, eight, one, three, seven, six, eight, one, three,

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seven, five, three. Thanks for going on the daily source code. Good bye. Oh,

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fold it as concha. Jeff Smith, everybody. He heard this shout out. He heard the call. He couldn't

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stand those horrible jingles. I was actually they weren't horrible, but these are definitely nice.

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Jeff, thank you so much. I love it. So you got the numbers now. They're embedded into your brain.

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There should be in your cell phone. Whenever you're hearing something, whenever you think about something,

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just pick up the phone and call. You know, they're not to be about the show. Can be about anything.

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Of course, sometimes it's about the show. Hi, Adam. This is Mark Furnish from Albany, New York.

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I don't fold or scrunched because quite frankly, I don't go to the bathroom. I think. Okay. So

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he's pretty much set himself up. He's a full of it, I guess, on toldry.

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Anyway, I'm really interested about what you were talking about editing your podcast and taking

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up the ears and the arms and things like that. You know, that's a good point podcasting should be raw.

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No, hold on a second. I really want you guys to listen to this because he's going to

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misunderstand what I'm saying and I think he doesn't really have a grasp of where my head is at,

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which granted could take some effort to get in the same headspace.

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So exactly that. I just heard me go, you know, I wouldn't edit that. This show is live to MP3.

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You know, I record everything in real time, right off a cast blaster, right onto the MP3 file.

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I don't take anything out. I don't think I've, I can't recall ever editing a daily source code

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post post creation because I like it when it's, you know, there's an energy that you have to have.

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And I don't, I don't want to safety net. It makes me, it's, yeah, that's really it. It's like not having a

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safety net. So if I want to reduce the arms and arms and if it really bothers the audience,

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I'll do it. I'll work on it. My audience will help me in fact. Charlie listeners have done just that.

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But I think you take, you're failing to put into consideration the fact that

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good people like yourself have the best top-notch podcasting equipment available to you.

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Uh-huh. The best top-notch podcasting. Do you hear the hums in the background? Do you hear the

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crunching and the crackling? You sound like you're recording from a professional studio, which you are.

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Got to stop you, everybody. I'm not. I'm not podcasting from a professional studio.

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I have a cast blaster, which will run on any Windows machine.

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I have a, uh, a high-l, PR 40 microphone, which pretty much is is like the, I think it's become

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some form of standard. It's a very inexpensive microphone. I believe it's under $200. The mixer

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that I have is a sound craft, $150. He listened to this potential meter here. Actually, it's not

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crackling now, but it's, it's really, really a sub-standard piece of kit.

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And that's the loop. The only thing I have is a stereo valve processor, which, again, you can

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buy a compressor for $100. So you could be done for about $500. That is not the type of

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studio I think you're describing. Which is fantastic. And I wish I could do that as well.

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But when you're just working from a common computer microphone and like a free audio program,

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like Audacity, your program sounds like shit. And you want to do, uh,

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Audacity has nothing to do with your program sounding like shit. It's just a recorder.

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And your cast blaster is free for, for anything, uh, 10 minutes are under. I think there's

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enough value there to buy it if you want to make longer shows. But Audacity is fantastic.

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Now, that's not a real-time live thing, but it will record. It will let you edit. It will let you

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process the sound. It will let you do everything that professionals actually do. In fact, if I used

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Audacity, my show would probably sound more, quote, professional. Not the sound I'm looking for, though.

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Anything you can't have a try to make it feel better. And if that, I think that means kind of like

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taking out the other the eyes or quite frankly, it becomes unlicable. I'd really like to see an

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experiment from you sometime. And I don't know if it's even possible. But I'd like to see your

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record your podcast from a, just a normal computer microphone that you could get at a radio

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shack, or I don't know if they have radio checks in Europe, but any kind of computer store,

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and using a free audio software program and do your podcast like that to see how it sounds.

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Now, you have years of broadcasting experience. So you sound polished as it is, and that's a good thing.

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But I'd be really curious to see how a polished podcast you sound using just every day, cheap,

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normal equipment on a podcast, and see how it sounds, and not using the expensive equipment that

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the top notch podcast is used. I think that'd be interesting. And if you ever do that sometime,

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I think it'd be really fun to hear. Take care Adam. All right. So let me just respond to a couple

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things there. First of all, the editing and the quality of the studio. I mean, look, there's a lot of

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people on the radio who are in million dollar studios that just sound like shit. Don't belong

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there whatsoever. Lots of them. So, you know, it's, it's all about just the quality of the content,

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and not about the, the quality of the sound, or, but I will do the experiment with you. Hold on a second.

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Let me, let me just grab, I do have a cheap microphone. Here we go. In fact, I, I'll,

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we'll say that I don't even have a stand, okay? So I'm holding it in my hand now. Now the trick

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would be to turn off the processing. Let me see if I can do this. Hello, hello, hello, okay. So this

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is me on a cheap microphone with, so I've turned off that stereo valve processor. Nothing is running

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through it. I got to tell you, I don't think it sounds all that bad. I really don't. And I still

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hear all kind of all the, you know, the, the crackling and the, and I hear a very distinct hum in the

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background. So, you know, will this stop people from listening? I just don't see it, dude. And I just don't

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see it. Now, the, what I'm talking about is clearly something else. It's about the, about being

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people, about being human. This is not about having, you know, in fact, I think that if, if I,

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if you don't use professional sounding processing, it's even better because it's so much more

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distinctive. Yeah, this, this is what it sounds like. This is what top 40 radio sounds like.

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Oh, man. Hey, everybody. It's a hot dragon flavor for us. You 100. Yeah. Yeah. And then we've got to,

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oh, sorry. I got to go to this one. And then, of course, you always have the,

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WLT, W light FM. You know, then you've got like the news guys. And in the, and in New York,

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news today, Bob, Cassinola is standing by for Bob, what you got down the on the street. You know,

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so I think it's more interesting to hear just a regular raw sound with all the

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warts and the bumps on it. All right. Let me go back. Now, I will say one thing. I have found in,

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in the past, that having a great sound in your headphones, which, of course, is just as much

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a function of the headphones, as it is a function of a function of, of your setup and your microphone,

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it really does motivate. For me, it does. I really feel in tune. And yeah, I just feel like I'm,

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I'm in the show a lot more, like it's really, um, enveloping my entire head.

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Smoked some of the only herbs seems to help, too, by the way. Those Republicans in the

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audience have already purchased CDs that they are non-refundable.

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George Bush lied about weft the mass destruction. Cleating got a blow job.

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So there was deception added to the suction, but

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Cleating got a blow job. Now what's worse, starting a war, are keeping your coheibas in a human human door.

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Oh!

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And who got impeached? And what for? All right. Cling got a blow job.

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George Bush vacationed Juan New Orleans drowned.

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He sat in a classroom with a tower's falling down.

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He fucked up FEMA, which fucked up Katrina.

197
00:22:29,320 --> 00:22:33,320
Not to mention the conventions of Geneva,

198
00:22:33,320 --> 00:22:36,320
with 23 civilians murdered in Haditha.

199
00:22:36,320 --> 00:22:46,320
Now how can a man without a brain,

200
00:22:46,320 --> 00:22:58,320
[ Music ]

201
00:22:58,320 --> 00:23:06,320
Cause a Congress held but act in the face of every fact I have presented here.

202
00:23:06,320 --> 00:23:12,320
The comparison couldn't be more clear.

203
00:23:12,320 --> 00:23:17,320
George Bush authorized leaks of classified information.

204
00:23:17,320 --> 00:23:24,320
To make the case for attacking a sub-renation.

205
00:23:24,320 --> 00:23:30,320
Well, they couldn't shoot him, so they had to shame him.

206
00:23:30,320 --> 00:23:34,320
But if you know a single honest politician, name him,

207
00:23:34,320 --> 00:23:38,320
and you've seen Hillary, can you blame her?

208
00:23:39,320 --> 00:23:45,320
I mean, I'm sorry, Hillary.

209
00:23:45,320 --> 00:23:50,320
We all got a take one for the two.

210
00:23:50,320 --> 00:23:57,320
George Bush, fun, sex head that says that condoms don't work.

211
00:23:57,320 --> 00:24:04,320
If they did it, both your daughters would be framing you, jerk.

212
00:24:04,320 --> 00:24:08,320
Bush lied about his bus for driving drunk.

213
00:24:08,320 --> 00:24:13,320
Clinton's biggest crime was having spunk.

214
00:24:13,320 --> 00:24:17,320
And for choosing a statue, less than statue-esque,

215
00:24:17,320 --> 00:24:25,320
and hiding her under the oval office days.

216
00:24:25,320 --> 00:24:28,320
What else, George? What else have you done?

217
00:24:28,320 --> 00:24:32,320
So research, abstinence, what else have you learned about?

218
00:24:32,320 --> 00:24:38,320
Global warming, missile defense, going a wall from the National Garden.

219
00:24:38,320 --> 00:24:41,320
Fun somewhere, everybody. It's not that hard.

220
00:24:41,320 --> 00:24:46,320
Jack Abramoff, Valerie Plame, Al Qaeda's links to Saddam Hussein.

221
00:24:46,320 --> 00:24:50,320
I will grieve, can you lay our record deficit today?

222
00:24:50,320 --> 00:24:54,320
We're tapping in for leaking water, boarding power, hoarding,

223
00:24:54,320 --> 00:25:03,320
great destroying, crazy, plowing, load of skinless steps.

224
00:25:03,320 --> 00:25:09,320
And to my part, I'll play the pond.

225
00:25:09,320 --> 00:25:13,320
If that's what it takes to get you gun,

226
00:25:13,320 --> 00:25:16,320
I'm on my knees, George.

227
00:25:16,320 --> 00:25:26,320
You can't find that on the pod save music network yet.

228
00:25:26,320 --> 00:25:33,320
Perfect for a Friday. Eric Schwartz, Clinton got a blowjob.

229
00:25:33,320 --> 00:25:40,320
You can't find that on the pod save music network yet.

230
00:25:41,320 --> 00:25:44,320
But David E. Palito, my buddy in New York,

231
00:25:44,320 --> 00:25:48,320
that guitar man from New York who plays in Central Park, who has his own podcast.

232
00:25:48,320 --> 00:25:50,320
I love the company. He's working on it.

233
00:25:50,320 --> 00:25:53,320
I heard this song on his episode of Think104.

234
00:25:53,320 --> 00:25:56,320
I'm telling you, David E. Palito, Eric Schwartz,

235
00:25:56,320 --> 00:25:58,320
these kinds are the dealings of our generation.

236
00:25:58,320 --> 00:26:01,320
This is awesome stuff. These are cool songs.

237
00:26:01,320 --> 00:26:03,320
You can sing along. They have a great message.

238
00:26:03,320 --> 00:26:06,320
Very funny lyrics are just right on target.

239
00:26:06,320 --> 00:26:10,320
I was offended though. I have to be honest about the Hillary Clinton comment.

240
00:26:10,320 --> 00:26:12,320
I don't think that was necessary.

241
00:26:12,320 --> 00:26:16,320
You know, Hillary's not ugly. She's a very intelligent woman.

242
00:26:16,320 --> 00:26:19,320
No, I think she was cute back in the day.

243
00:26:19,320 --> 00:26:23,320
Oh, I can't wait for the voice mail on this one.

244
00:26:23,320 --> 00:26:28,320
We can't transmit because something else is already transmitted somewhere close to the secret storm.

245
00:26:28,320 --> 00:26:30,320
What kind of transformation is it?

246
00:26:30,320 --> 00:26:32,320
Could be a soft phone? Maybe a radio.

247
00:26:32,320 --> 00:26:33,320
Can we listen to it?

248
00:26:33,320 --> 00:26:35,320
Let me get the frequency first.

249
00:26:37,320 --> 00:26:42,320
This is a generally speaking podcast network update.

250
00:26:42,320 --> 00:26:45,320
Hi, everybody. My name's Cliff Ravenscraft.

251
00:26:45,320 --> 00:26:47,320
And I'm Stephanie Ravenscraft.

252
00:26:47,320 --> 00:26:51,320
Together, we record and produce the generally speaking weekly loss podcast,

253
00:26:51,320 --> 00:26:55,320
a fan-based podcast devoted to the hit ABC show loss.

254
00:26:55,320 --> 00:26:59,320
From the beginning, our purpose has been to take the casual loss viewer

255
00:26:59,320 --> 00:27:02,320
and turn them into lost a hollocks.

256
00:27:02,320 --> 00:27:08,320
It's work, too. We have thousands of listeners from all over the world, including some of the cast from the show.

257
00:27:08,320 --> 00:27:14,320
Each week, we review the current episode of Lost, where we break the show down into two main segments.

258
00:27:14,320 --> 00:27:17,320
Character analysis and exploring the mystery.

259
00:27:17,320 --> 00:27:20,320
We also keep everybody up to date with Lost and the news.

260
00:27:20,320 --> 00:27:24,320
You can learn who's going to be interviewed on what TV talk show,

261
00:27:24,320 --> 00:27:30,320
and where you can find access to special deleted scenes on the net and things of that nature.

262
00:27:30,320 --> 00:27:34,320
And of course, we're always happy to take a call from our listener line,

263
00:27:34,320 --> 00:27:37,320
where you can be part of our show with your own thoughts and theories.

264
00:27:37,320 --> 00:27:42,320
Here's a clip from a call we received from someone who any lost a hollock would recognize.

265
00:27:42,320 --> 00:27:45,320
Hey, Cliff, Stephanie, it's for it.

266
00:27:45,320 --> 00:27:48,320
Um, heard you guys calling, honey.

267
00:27:48,320 --> 00:27:51,320
We want to invite you to come and get Lost with us.

268
00:27:51,320 --> 00:27:57,320
You can find us on the web at generally speakingpodcast.com.

269
00:27:57,320 --> 00:28:01,320
And if you listen to the generally speaking, weekly Lost podcast,

270
00:28:01,320 --> 00:28:04,320
you'll understand why thousands of our listeners are saying to themselves.

271
00:28:04,320 --> 00:28:06,320
We're going to need to watch that again.

272
00:28:06,320 --> 00:28:08,320
I got to tell you, I'm a big lost head.

273
00:28:08,320 --> 00:28:10,320
Is that starting again? Has the new season started?

274
00:28:10,320 --> 00:28:13,320
Of course, I only watch it on, I buy it on iTunes.

275
00:28:13,320 --> 00:28:15,320
And I usually have a marathon with myself.

276
00:28:15,320 --> 00:28:17,320
I have two types of marathons.

277
00:28:17,320 --> 00:28:18,320
One is iTunes.

278
00:28:18,320 --> 00:28:22,320
When I see a Lost on iTunes, so I load it up.

279
00:28:22,320 --> 00:28:23,320
And I load it up on the computer.

280
00:28:23,320 --> 00:28:26,320
I've really tried the video I pod on the airplane.

281
00:28:26,320 --> 00:28:29,320
And I start to hurt my neck after a while.

282
00:28:29,320 --> 00:28:32,320
And my wrist gets limp.

283
00:28:32,320 --> 00:28:37,320
And then, of course, there's the problems when I'm watching Lost.

284
00:28:37,320 --> 00:28:40,320
So I watch it on the computer in iTunes.

285
00:28:40,320 --> 00:28:44,320
And then I have Comcast cable at the condo in San Francisco.

286
00:28:44,320 --> 00:28:46,320
And I always have a marathon of ontourage,

287
00:28:46,320 --> 00:28:49,320
because you can get those on demand.

288
00:28:49,320 --> 00:28:51,320
Everything's blurring together, my friends.

289
00:28:51,320 --> 00:28:53,320
It really is.

290
00:28:53,320 --> 00:28:56,320
But still, you know, the really nice cinematic stuff,

291
00:28:56,320 --> 00:28:58,320
like Lost, I can't watch that on a small screen.

292
00:28:58,320 --> 00:29:00,320
That's insulting to myself.

293
00:29:00,320 --> 00:29:04,320
I'm not even getting half the, I wind up watching episodes of Lost.

294
00:29:04,320 --> 00:29:06,320
Again, on television.

295
00:29:06,320 --> 00:29:08,320
Of course, I like it.

296
00:29:08,320 --> 00:29:11,320
But I've just amazed by the information that I actually missed

297
00:29:11,320 --> 00:29:13,320
by watching it on a small screen.

298
00:29:13,320 --> 00:29:16,320
Something to be said for that, I think.

299
00:29:16,320 --> 00:29:18,320
Hello, I don't reach again here from UK.

300
00:29:18,320 --> 00:29:20,320
I'm just driving back from work.

301
00:29:20,320 --> 00:29:22,320
It's just gone midnight.

302
00:29:22,320 --> 00:29:23,320
I just listened to the entire stuff.

303
00:29:23,320 --> 00:29:26,320
It was a great person that was on Radio 4 today.

304
00:29:26,320 --> 00:29:29,320
So it's all due away.

305
00:29:29,320 --> 00:29:31,320
It's Thursday now.

306
00:29:31,320 --> 00:29:32,320
No.

307
00:29:32,320 --> 00:29:33,320
Sorry.

308
00:29:33,320 --> 00:29:34,320
It's well.

309
00:29:34,320 --> 00:29:35,320
No.

310
00:29:35,320 --> 00:29:37,320
Oh, shit.

311
00:29:37,320 --> 00:29:39,320
This is why I don't like stuff edited out.

312
00:29:39,320 --> 00:29:41,320
How beautiful is this?

313
00:29:41,320 --> 00:29:42,320
It's all like, anyway.

314
00:29:42,320 --> 00:29:45,320
It's now Friday, but it was Thursday Thursday night.

315
00:29:45,320 --> 00:29:47,320
Probably one of about half past eleven.

316
00:29:47,320 --> 00:29:50,320
And it was called at three cool trees.

317
00:29:50,320 --> 00:29:52,320
It's just quite a good radio program.

318
00:29:52,320 --> 00:29:56,320
It was about how Nashville, a lot of control of the reckoning.

319
00:29:56,320 --> 00:29:58,320
It's literally a channel as mentioned.

320
00:29:58,320 --> 00:30:01,320
And sort of just basically how no one had a complete stop of it.

321
00:30:01,320 --> 00:30:02,320
So you might want to listen to it.

322
00:30:02,320 --> 00:30:04,320
It was quite musical.

323
00:30:04,320 --> 00:30:09,320
A lot of things that I know you've been saying in this sort of some sort of perspective

324
00:30:09,320 --> 00:30:14,320
of how the whole thing is managed by business.

325
00:30:15,320 --> 00:30:21,320
Well, when you think we have quite as much an experience of it,

326
00:30:21,320 --> 00:30:23,320
you just don't notice.

327
00:30:23,320 --> 00:30:30,320
But hearing that from the CRS, then, you know, that was very clear message anyway.

328
00:30:30,320 --> 00:30:32,320
Well, I would like to check it out.

329
00:30:32,320 --> 00:30:34,320
I'm treating it on BBC.

330
00:30:34,320 --> 00:30:36,320
Listen again on the website.

331
00:30:36,320 --> 00:30:41,320
And I say it was called three calls from the trees.

332
00:30:41,320 --> 00:30:45,320
And it was not half past eleven on BBC right there for one Thursday.

333
00:30:45,320 --> 00:30:46,320
Anyway, thanks so much.

334
00:30:46,320 --> 00:30:47,320
Right.

335
00:30:47,320 --> 00:30:48,320
Hey.

336
00:30:48,320 --> 00:30:49,320
Yeah, you know what?

337
00:30:49,320 --> 00:30:50,320
I have.

338
00:30:50,320 --> 00:30:51,320
It's good to have.

339
00:30:51,320 --> 00:30:53,320
I have a set of amount of time.

340
00:30:53,320 --> 00:30:57,320
I set aside every single morning for, for my daily round of podcast.

341
00:30:57,320 --> 00:31:00,320
And I always have a couple of what I would call mainstream slots.

342
00:31:00,320 --> 00:31:01,320
I have a channel.

343
00:31:01,320 --> 00:31:02,320
I actually built up.

344
00:31:02,320 --> 00:31:04,320
And then that channel just feels stuff in.

345
00:31:04,320 --> 00:31:06,320
I think I call it the news channel.

346
00:31:06,320 --> 00:31:08,320
You can get it off of my podshowplus site,

347
00:31:08,320 --> 00:31:09,320
Adam.podshow.com.

348
00:31:09,320 --> 00:31:12,320
And you can subscribe to my entire channel if you like.

349
00:31:12,320 --> 00:31:14,320
And use that.

350
00:31:14,320 --> 00:31:16,320
And listen to the same things I've listened to in the morning.

351
00:31:16,320 --> 00:31:24,320
So I, I, I, I, I, I dropped one MPR show and the New York Times front page to listen to that program.

352
00:31:24,320 --> 00:31:26,320
Of course, I'll have show notes.

353
00:31:26,320 --> 00:31:29,320
I'll have a link in the show notes at dailysourcecode.com to the BBC.

354
00:31:29,320 --> 00:31:34,320
Listen again service, which is kind of, it's pretty cool because you can find what you want.

355
00:31:34,320 --> 00:31:35,320
But you don't have a lot of control.

356
00:31:35,320 --> 00:31:38,320
It's all streaming and you can get a jump ahead a minute.

357
00:31:38,320 --> 00:31:41,320
Or, you know, or 15 minutes.

358
00:31:41,320 --> 00:31:44,320
It's, I don't really dig how they're doing that.

359
00:31:44,320 --> 00:31:47,320
But yes, this is a show you must listen to.

360
00:31:47,320 --> 00:31:49,320
I really recommend it.

361
00:31:49,320 --> 00:31:54,320
And I can understand how you wanted to call in the minute the minute you heard that.

362
00:31:54,320 --> 00:31:59,320
It really talks about how this stuff works, you know, how clear channel functions,

363
00:31:59,320 --> 00:32:02,320
how the, and the country, country music business.

364
00:32:02,320 --> 00:32:04,320
Wow, man, you want to talk about cut throat?

365
00:32:04,320 --> 00:32:05,320
Oh, yeah.

366
00:32:05,320 --> 00:32:07,320
So give that a listen.

367
00:32:07,320 --> 00:32:11,320
If you want to know why, what we're doing is such an incredible revolution.

368
00:32:11,320 --> 00:32:12,320
Hey there.

369
00:32:12,320 --> 00:32:13,320
It's Angie B.

370
00:32:13,320 --> 00:32:16,320
I love spirals and the chill cast.

371
00:32:16,320 --> 00:32:21,320
And I just started a brand new video blog over on Podshow called,

372
00:32:21,320 --> 00:32:23,320
Chillin' of Angie B.

373
00:32:23,320 --> 00:32:24,320
What do you know?

374
00:32:24,320 --> 00:32:29,320
If you've ever been curious to put a face to the voice, well, this is your chance.

375
00:32:29,320 --> 00:32:34,320
I'm just going to be talking about my life and career and whatever else comes to mind.

376
00:32:34,320 --> 00:32:37,320
It should be lots of fun and I'm just getting started.

377
00:32:37,320 --> 00:32:43,320
So, once you head on over and check it out at AngieBchat.podshow.com.

378
00:32:43,320 --> 00:32:44,320
Hope to see you there.

379
00:32:44,320 --> 00:32:46,320
Oh, Angie.

380
00:32:46,320 --> 00:32:50,320
So, Angie's already cut her side of hidden desires.

381
00:32:50,320 --> 00:32:53,320
Which is a drama we're doing together.

382
00:32:53,320 --> 00:32:55,320
So, I have to cut my lines and it'll have to interspersed.

383
00:32:55,320 --> 00:32:58,320
I'm going to do that this weekend along with a new perversion for profits.

384
00:32:58,320 --> 00:33:00,320
So, that should be out either Sunday night or Monday.

385
00:33:00,320 --> 00:33:01,320
It's going to be really busy.

386
00:33:01,320 --> 00:33:06,320
A Ron's coming to town, he's flying today, so he'll arrive tomorrow, mid afternoon.

387
00:33:06,320 --> 00:33:07,320
Of course, he'll be completely wrecked.

388
00:33:07,320 --> 00:33:12,320
So, I'm pretty sure Saturday evening and Sunday and Monday and Tuesday and Wednesday,

389
00:33:12,320 --> 00:33:15,320
I'll be in the city in this, if London town.

390
00:33:15,320 --> 00:33:21,320
We've got some pretty cool stuff working on with something special for us on Wednesday.

391
00:33:21,320 --> 00:33:23,320
I'll tell you about that later on next week.

392
00:33:23,320 --> 00:33:26,320
So, it's busy, but I'm going to be able to get some of this stuff out.

393
00:33:26,320 --> 00:33:28,320
Time for another perversion for profit.

394
00:33:28,320 --> 00:33:29,320
And, Angie, I loved it.

395
00:33:29,320 --> 00:33:30,320
I loved it.

396
00:33:30,320 --> 00:33:31,320
I loved just sitting there watching you.

397
00:33:31,320 --> 00:33:33,320
That was incredibly cool.

398
00:33:33,320 --> 00:33:36,320
Angie just sitting there with a microphone.

399
00:33:36,320 --> 00:33:37,320
Nice.

400
00:33:37,320 --> 00:33:41,320
Porsons of the show brought to you by the Accurate Target cast about the Accurate.

401
00:33:41,320 --> 00:33:43,320
I was at the RDX SUV.

402
00:33:43,320 --> 00:33:45,320
Find that at Accurate.podshow.com.

403
00:33:45,320 --> 00:33:49,320
And if you want to hear all of the finalists for the podshow ad challenge,

404
00:33:49,320 --> 00:33:51,320
create the earthling commercial.

405
00:33:51,320 --> 00:33:53,320
All of the, so you can go to ad challenge.

406
00:33:53,320 --> 00:33:55,320
A podshow.com to see what that was all about.

407
00:33:55,320 --> 00:33:57,320
Of course, now you can't enter anymore.

408
00:33:57,320 --> 00:34:00,320
The finalists, though, and we'll be doing more ad challenges.

409
00:34:00,320 --> 00:34:01,320
I'm sure of it.

410
00:34:01,320 --> 00:34:06,320
The finalists for earthling, you can find an earthling.podshow.com.

411
00:34:06,320 --> 00:34:12,320
And there's another guy on podshow who I always rest on.

412
00:34:12,320 --> 00:34:14,320
No, I don't mean that.

413
00:34:14,320 --> 00:34:16,320
I have his support.

414
00:34:16,320 --> 00:34:19,320
Every single end of the week.

415
00:34:19,320 --> 00:34:24,320
When Friday comes around, I know that I won't have to worry about the music,

416
00:34:24,320 --> 00:34:27,320
because the music college is on the scene.

417
00:34:27,320 --> 00:34:28,320
His name.

418
00:34:28,320 --> 00:34:31,320
I'd like to make a motion too.

419
00:34:31,320 --> 00:34:33,320
I was like really stupidly dramatic.

420
00:34:33,320 --> 00:34:34,320
I fucked it up.

421
00:34:34,320 --> 00:34:36,320
You're on her.

422
00:34:36,320 --> 00:34:38,320
Please don't bang that gavel.

423
00:34:38,320 --> 00:34:42,320
You can try this cowbell out.

424
00:34:42,320 --> 00:35:12,320
[ Music ]

425
00:35:12,320 --> 00:35:14,320
I'm a gentleman now.

426
00:35:14,320 --> 00:35:16,320
He's Jersey.

427
00:35:16,320 --> 00:35:18,320
I'm a man.

428
00:35:18,320 --> 00:35:19,320
Yeah.

429
00:35:19,320 --> 00:35:20,320
I'm a man.

430
00:35:20,320 --> 00:35:21,320
I'm a man.

431
00:35:21,320 --> 00:35:22,320
No.

432
00:35:22,320 --> 00:35:23,320
What's up?

433
00:35:23,320 --> 00:35:24,320
I'm happy for our Friday.

434
00:35:24,320 --> 00:35:27,320
He's Jersey Todd, the official musical, just of The Cha Cha.

435
00:35:27,320 --> 00:35:28,320
Hey.

436
00:35:28,320 --> 00:35:30,320
You got your cowbell out.

437
00:35:30,320 --> 00:35:31,320
Yep.

438
00:35:31,320 --> 00:35:32,320
I'm here.

439
00:35:32,320 --> 00:35:33,320
All right.

440
00:35:33,320 --> 00:35:34,320
Hey listen.

441
00:35:34,320 --> 00:35:35,320
I've got some really, really special for you today.

442
00:35:35,320 --> 00:35:36,320
Devon,

443
00:35:36,320 --> 00:35:37,320
Allmond's Honey Tribe.

444
00:35:37,320 --> 00:35:38,320
Yeah.

445
00:35:38,320 --> 00:35:39,320
Devon, Allmond.

446
00:35:39,320 --> 00:35:40,320
Sound familiar?

447
00:35:40,320 --> 00:35:41,320
Yeah.

448
00:35:41,320 --> 00:35:42,320
Allmond brothers.

449
00:35:42,320 --> 00:35:43,320
Yeah.

450
00:35:43,320 --> 00:35:44,320
Devon's of the family.

451
00:35:44,320 --> 00:35:45,320
And don't think of this as just an Allmond brothers.

452
00:35:45,320 --> 00:35:48,920
off because this is great stuff coming out of live wire recordings.

453
00:35:48,920 --> 00:35:52,360
They stuck a ton of stuff on the pod save music network very, very quietly.

454
00:35:52,360 --> 00:35:55,120
Go out and find it because they're all good stuff.

455
00:35:55,120 --> 00:35:59,880
And Devon Almond's Honey Tribe has this great song out called Torch.

456
00:35:59,880 --> 00:36:00,880
You're gonna absolutely love it.

457
00:36:00,880 --> 00:36:03,160
You're gonna put a dent in that silly cowbell.

458
00:36:03,160 --> 00:36:04,160
So check this out.

459
00:36:04,160 --> 00:36:07,200
This is Devon Almond's Honey Tribe on the Daily Source Code.

460
00:36:08,750 --> 00:38:59,320
[ Music ]

461
00:38:59,320 --> 00:39:17,920
I'm ready for Rockstar Supernova.

462
00:39:17,920 --> 00:39:21,760
Wow, Jersey Tyler, the official musicologist of the Charlie, thank you so much for

463
00:39:21,760 --> 00:39:22,760
Devon Alman.

464
00:39:22,760 --> 00:39:27,120
You can find that on the Podsave Music Network links in the show notes at DailySourceCode.com.

465
00:39:27,120 --> 00:39:31,120
Have a great weekend everybody, perversion for profit coming up after the weekend as well

466
00:39:31,120 --> 00:39:33,120
as a whole another week of the Charlie.

467
00:39:33,120 --> 00:39:47,120
Adam at podshow.com DailySourceCode.com and have a good weekend, bye-bye.

468
00:39:47,120 --> 00:39:51,840
Get this podcast and more great ones like it on the high performance podcast delivery

469
00:39:51,840 --> 00:39:55,120
network from Podshow and Limelight Networks.

470
00:39:55,120 --> 00:39:57,120
I love it.