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It's the Daily Source Code, with the multinational, Adam Curry.

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Good job, Cindy.

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Good waiting, Cass.

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Thank you, buddy.

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I am from Holland.

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Isn't that beer?

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Bringing the show to the US.

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They said I might want to get a bit of American in me.

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I hope you're the first time.

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Delta's Yeracharling.

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489.

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It was $16 million worth of airplane strapped to my ass.

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Did the next generation radio content in my ears?

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We don't need no sticky and dirty.

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I like to think I'm flying into the future.

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Fantastic.

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It's Adam Curry.

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Charlie, what are you doing with daddy's computer?

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I don't know.

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Danny, Josh, Scott.

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Hey, we train hotcasters.

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Seriously early in the day.

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Hey, it's DSE for a line.

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[ Music ]

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Ain't gotta gotta work no more

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Ain't gotta work

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Ila Brown, I quit, brand new on the pod save music network, and you probably know her.

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A C, she was season five American Idol Finalist, place number 13, and of course perform

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for 35 million viewers. She's put all of her CDs tracks up on the pod save music

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that were really like this stuff. Apparently she did the CD in just under two weeks,

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right after American Idol Contract expired. She also went to the NCAA to play for

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Boston College Eagles. I mean, why not? She's also easy on the eyes. Influences,

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Celine Dion, Natasha Beningfield, Disney songs, Mariah Carey, and so many more. No idea

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if she's single. She's probably Sagittarius. Everybody, oh, thank you Jersey Todd

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for pointing that one out to me, man. Always right on dude. Coming to you from the curry

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cottage in the affluent suburb of Suri known as Gilford. It's the daily source code episode

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for 89 beautiful, beautiful crisp sunny day today where we've definitely just, you know,

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November 1st, I played pod save for piece boom. We're into winter all of a sudden. It's cold.

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First sub zero temperature. I'll be sending rate, of course. I think we had one or two degrees below

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zero last night, some frost on the ground this morning. But it really is that nice.

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You know, as long as there's no clouds in this sunshine, it's great for two reasons.

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One, it makes you feel really good with that crisp air outside. And two, there's a much less

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or almost zero risk of icing when you're flying in sub zero temperature. You don't want clouds

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when it's freezing. Or even when it's, I mean, even if it's nine or 10 degrees on the ground up at

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altitude, it could be freezing and could get your icing, could make your fly really, really bad.

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No, I'm saying, yes, it's Thursday. Amy Mac. Here to save my ass. Amy.

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Hey, baby. That's right. It's time to exercise with Amy Mac.

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I'm ready. All right. I think you're going to be pleased with today's exercise.

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Oh, yeah, I always have Amy, you know that. It requires some stability, but not a great deal of movement like last week.

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Hold on, hold on.

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Did you feel those kicks the next day? Wait a minute, wait a minute. Hold on, Amy.

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Hold on. I got to take off my bathroom. I just want to be prepared, you know, before you get me doing stuff.

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Let me open it the out. The second microphone here.

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Let me just check the second. Oh, hey, hold on. Why isn't no working? What the hell?

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Oh, oh, sorry. Didn't mean to hurt you like that. Yeah. Testing one two.

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Yes. Okay. Had to turn on the Phantom Power. Okay. Back to Amy Mac.

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That's what I thought. All right. Let's do it.

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Okay. Let's get started. Okay. I'm ready.

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Stand tall. Stand shoulder with a part.

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Feet shoulder with. Now lift your right leg up and straighten it out in front of you.

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Okay. Good. Now balance and hold. Okay. I'm balancing and holding. Great.

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You probably feel this in your leg. Yeah, my thigh. Yeah. Now take that leg and make eight small circles to the left.

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While holding your balance. Okay. One two. Head tall, stomach squeeze, three, two, and eight.

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And put it down. Now eight small circles to the right.

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I'm sorry.

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Please, that's that. Keep it from to be over.

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Excellent. Bring that right leg down.

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Shake it out. Okay. Shake it out. Good.

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And take your left leg up and straighten it out in front of you.

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Okay. It doesn't go all the way out in front of you. Really?

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Now balance. Okay. I'm balancing.

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Breathing and being small circles to the left.

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One two. Squeeze everything.

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Yeah. Yeah. Woo.

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Full circles. Don't just wiggle in play.

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Okay. Okay. Okay. I did it. And now circle to the right leg.

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Oh, I've heard enough. One two.

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Stand up tall. Yes. Yes. Yes. Yes. Yes.

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You know exactly. I'm sorry.

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Bring it. Well, that seemed pointless.

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It really works all those stability muscles and pills and endurance for the legs and butt.

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As you practice, you'll be able to balance longer and do more circles.

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Well, that's it for me. Visit me over at fitness.patchow.com

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And until next time.

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Okay. Okay. I can turn off the second microphone.

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There we go. It's better. Okay. Thanks, Amy.

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Did that show launch officially?

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I think this now officially on pod show plus the exercise.

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So you can all do all 12 episodes of exercise.

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Back to it's a 12 step program that we have here.

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Also fitness attack, Amy Max regular podcast is now also available on Espanol.

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With pod show diva Marta.

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Catching my breath here for a second. Let me just check my notes.

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Let me see what I got going on today.

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Oh, yeah. This was pretty important.

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I was aware of this, but I kind of forgotten about it.

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The strip podcast. I've played bits from the strip before.

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They always get all the mega celebrities in Vegas.

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Who do we listen to? Who do we listen to?

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Oh, Chubby Chakra. That's right. That was a really good one.

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But they've always got some kind of celebrity hanging out of the strip podcast.

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And they're running a sweepstakes, which I think is coming to an end pretty soon.

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It's a,

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Oh, that was an all expenses.

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It was a trip to Vietnam on a second. Let me just go to his page for a sec.

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Oh, the deadline's been extended. Excellent. Let's see.

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Help us pick a new theme song when a prize. Click here.

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Is that it?

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Somehow I don't think that's the one. Wait a minute.

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Here's the Vegas trip sweepstakes deadline.

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Okay. Let's see what we got here.

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Oh, it's from Southwest Vacations. Excellent.

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Okay. Where do they have?

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Just like you. We love Las Vegas.

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Oops.

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And the strip podcast. Take advantage of our vacation deal.

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The week and experience it throws those Vegas.

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Enter to win a trip to the strip. There you go.

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That's what it is. Okay. Go check it out.

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At, of course, I'll put a link in the, in the show notes.

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Oops. Oh, my words.

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It's SteveFrice.com slash podcast.

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I'm pretty sure they have the strip.podshow.com.

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I'll put a link in the show notes so you can find it easily.

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Now, what the heck happened to my notes here?

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I've been using that Google notebook.

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That's pretty cool.

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Because, you know, it can synchronize across any browser.

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So you kind of have your notes nearby.

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And at your fingertips, regardless of what computer you're on.

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So it's definitely very cool.

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Ah, remember this?

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Remember this is a November jump out.

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A trace and a plot.

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I've seen a reason why I jumped out of trace and should never be forgot.

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So that's the nursery rhyme.

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I was hoping you guys would come up with a good rhyme for me.

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So then 400 years people still know about the daily source code.

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But I think I kind of received a challenge from a lot of the different listeners when we start talking about flying.

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And I checked it out with Captain Dan.

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And it is actually possible for us to fly at night on bonfire night.

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And get some footage of us flying over the fireworks and bonfires.

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Or as Chris Rockwell says, who will be doing camera from the back seat.

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Go up in a plane and if people shoot fireworks at me, fuck yeah, count me in.

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And this is actually, and the reason why I want to do this, besides the fact that it's just cool.

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I haven't done any night flying in a while, is I've been thinking about doing a video show called Flying Fools.

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And it's since I'm flying anyway.

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I meet so many interesting people at airfields, well, certainly all across the UK and different parts of Europe.

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But I do hook up with some interesting folks.

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I think maybe it would be a cool show to show aviation from a little different side.

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And the people that make aviation happen.

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It might be kind of specialist, but I think what better way to start off with the first episode is me being the flying full number one.

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Attempting to go film fireworks and bonfires from the air in the dark.

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And so of course, Captain Dan is working on making that happen.

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I think we have to actually pay to have the airport stay open longer or open up, especially for us.

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It's going to be interesting.

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Actually, I think we're going to pull a bunch of guys who want to do some night flying and they'll all chip in.

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Now I got to figure out when and where the bonfires are.

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The final member of the fifth, which is Sunday, right?

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But then I get this message.

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I had him, it's John from Gielford here again, just following up on yesterday's call about bonfire night seeing Gielford.

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Just be filling up with text from there by things, please.

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And I've just noticed that the sign-up side, the department.

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They're only up in the same three, bonfire and fireworks.

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That's the night 7 p.m.

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So, wrap up.

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We'll get to family down there.

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And I got all of them.

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He's called sign-up down here, we're up on that.

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I've looked rough that.

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Here's what I'm flying.

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Yeah, so I totally want to do that.

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But I got to know, is it Saturday night?

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You said Saturday night.

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Are you sure you were right about Saturday?

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What is Sunday then?

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Is Guy Fark, I mean, is bonfire night?

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Like the night before Christmas?

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Is that the night before the fifth?

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And someone's going to help me out here.

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Come on.

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The Brits help the yank out because I want to do this.

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But if it's Saturday, I have to know.

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And I kind of planned it all for Sunday.

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So is it Sunday night or Saturday night?

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Please help me.

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I love the company.

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Hey Adam, it's a, it's a friend in New York City.

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David, a polito, that guitar man from Central Park.

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Listen, if you careful what you wish for, brother,

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I know you've been saying that you'd like I love the company

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to become part of the Potio Plus family.

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Well, if you go to iltc.potio.com, we hooked up.

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And we're bringing you a new show every day Monday through Friday

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to show about music, the people that make music.

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Once a week, my buddy said Bernstein's coming along.

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You know, the guy that brought the Beatles to America.

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He really wants to meet you, by the way.

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And then, you know, once a week.

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Now we're not even quiet.

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We do something called the Wednesday wake-up call.

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It's all about music's place in politics and social

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conscience.

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This phone numbers that everybody can call in and kind of mix it up with everybody else.

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It's really very cool.

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Just tell people to show up.

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I love the company.

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Good.

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Welcome aboard.

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David at polito is buddy James and sit Bernstein.

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I mean, is that spectacular or what?

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I love the company.

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ILTC.potio.com.

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Great to have you guys on the networking.

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I, I so want to hang out with you guys.

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And of course there will be a New York trip in the near future.

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I was so sick the last time I couldn't go and hang out with him.

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But I definitely want to chill with these dudes.

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That's a cool, it's cool company.

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Our friend David I polito keeps in New York.

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Very, very excited about it.

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So we've been producing, man, we've been doing so much.

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We've been producing shows for our launch.

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We've been signing all kinds of new podcasts, pod shows, independent

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video producers doing some amazing, just amazing shit.

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And I'm really proud about this about an acquisition.

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I guess we'd call an acquisition.

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We won't own anything.

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But we've got none other than Pete Townsend.

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And Rachel Fuller, who will be joining pod show with in the attic.

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Which is, I've talked about this before.

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And of course I've played a piece of audio of Pete and flaming lips doing

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Bobo Riley.

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Essentially, as the who are on their on their world tour,

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they're now in Los Angeles.

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Every single gig, either just before or after the show,

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it kind of depends on what's going on.

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Rachel, who is Pete's girlfriend.

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And Pete's son, who does a lot of the production of the show.

240
00:16:36,200 --> 00:16:40,200
They sit down with one or multiple of the bands who opened up for them,

241
00:16:40,200 --> 00:16:44,200
depending on if it's a festival or a straight ahead who gig.

242
00:16:44,200 --> 00:16:48,200
And they have this air stream trailer, which is completely outfitted

243
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as a production studio audio and video.

244
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They interview them.

245
00:16:54,200 --> 00:16:57,200
It's just really like a sit down chill out, have a cup of tea,

246
00:16:57,200 --> 00:17:00,200
play some songs, talk some shit about the good old days.

247
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And we'll be doing an episode a week.

248
00:17:03,200 --> 00:17:04,200
I'm really excited about this.

249
00:17:04,200 --> 00:17:07,200
There's also a contest, a sweepstakes for charity,

250
00:17:07,200 --> 00:17:11,200
that Pete and Rachel have put together with Pete's,

251
00:17:11,200 --> 00:17:13,200
with the last guitar.

252
00:17:13,200 --> 00:17:16,200
He's promised not never to smash another guitar,

253
00:17:16,200 --> 00:17:18,200
though the one he smashed in Tokyo in 2004.

254
00:17:18,200 --> 00:17:21,200
That's been made into a table.

255
00:17:21,200 --> 00:17:25,200
And they'll be, I guess the sweepstakes,

256
00:17:25,200 --> 00:17:28,200
there's promotion that they'll be giving that away for charity.

257
00:17:28,200 --> 00:17:30,200
So details on that coming very soon,

258
00:17:30,200 --> 00:17:33,200
but I just got to play this one little bit of,

259
00:17:33,200 --> 00:17:35,200
I'm looking at the video here,

260
00:17:35,200 --> 00:17:37,200
so you're only gonna hear the audio of,

261
00:17:37,200 --> 00:17:40,200
see it's Rachel Pete and the flaming lips.

262
00:17:40,200 --> 00:17:45,200
And Pete, Pete goes into the story about a time he dropped acid

263
00:17:45,200 --> 00:17:47,200
with Keith Moon on an airplane.

264
00:17:47,200 --> 00:17:50,200
You just kind of listen to a little bit of it, okay?

265
00:17:50,200 --> 00:17:54,200
This is in the attic, in the trailer, Pete Downson, Rachel Fuller,

266
00:17:54,200 --> 00:17:55,200
and flaming lips.

267
00:17:55,200 --> 00:17:56,200
I love to become that.

268
00:17:56,200 --> 00:17:59,200
No, I mean, when I took LSD, I never liked it.

269
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I'd always freaked me out.

270
00:18:01,200 --> 00:18:04,200
I mean, I never could do the blissful, you know,

271
00:18:04,200 --> 00:18:06,200
see things and be happy and all that sort of.

272
00:18:06,200 --> 00:18:09,200
So you want to go into a place where all the lost socks were,

273
00:18:09,200 --> 00:18:10,200
didn't you?

274
00:18:10,200 --> 00:18:11,200
Yeah.

275
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One.

276
00:18:12,200 --> 00:18:15,200
No, I mean, quite seriously, as I remember it,

277
00:18:15,200 --> 00:18:19,200
the big mistake I made was trying to explain this trip that I had

278
00:18:19,200 --> 00:18:21,200
to Ricky Javez, you know, who he is.

279
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David, my friend, Dad, I don't know.

280
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Genius.

281
00:18:24,200 --> 00:18:26,200
He sat there like this, and I took him,

282
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and then I went up and I went in the plane,

283
00:18:28,200 --> 00:18:30,200
and I go, oh, she's turning to a pig,

284
00:18:30,200 --> 00:18:31,200
and I was hearing, you know,

285
00:18:31,200 --> 00:18:33,200
and suddenly, blah, blah, blah, blah, blah, blah.

286
00:18:33,200 --> 00:18:35,200
I was always in that place where all the fountain pens

287
00:18:35,200 --> 00:18:37,200
get lost at a bullet point pens, I'm sticking glasses,

288
00:18:37,200 --> 00:18:39,200
and socks are going at the back of the hand,

289
00:18:39,200 --> 00:18:40,200
right there.

290
00:18:40,200 --> 00:18:41,200
And I was in this weird place,

291
00:18:41,200 --> 00:18:43,200
and I had a voice telling me, go back, go back, go back.

292
00:18:43,200 --> 00:18:45,200
Just looking at me like that, and I said,

293
00:18:45,200 --> 00:18:48,200
anyway, that's really how I began, you know,

294
00:18:48,200 --> 00:18:51,200
my spiritual thing,

295
00:18:51,200 --> 00:18:54,200
because when I got back in my body and, you know,

296
00:18:54,200 --> 00:18:56,200
accepted the fact that I'd actually been out of it.

297
00:18:56,200 --> 00:18:58,200
I wanted, well, where did I go?

298
00:18:58,200 --> 00:19:01,200
And he said, oh, but that doesn't,

299
00:19:01,200 --> 00:19:03,200
that doesn't convince me that doesn't convince me.

300
00:19:03,200 --> 00:19:04,200
That doesn't convince me.

301
00:19:04,200 --> 00:19:06,200
You wait until you see this show.

302
00:19:06,200 --> 00:19:08,200
He goes way into this whole trip,

303
00:19:08,200 --> 00:19:10,200
into this old experience, he had.

304
00:19:10,200 --> 00:19:11,200
But there you have it.

305
00:19:11,200 --> 00:19:14,200
Pete Townsend visiting the place where all the lost socks go,

306
00:19:14,200 --> 00:19:16,200
and where the lost pens turn up.

307
00:19:16,200 --> 00:19:18,200
I love it.

308
00:19:18,200 --> 00:19:19,200
Fantastic.

309
00:19:19,200 --> 00:19:22,200
I'd be kind of avoiding talking about this next topic,

310
00:19:22,200 --> 00:19:27,200
because I've been following along with the Bob Gentry,

311
00:19:27,200 --> 00:19:31,200
who's been participating in this NBC show called

312
00:19:31,200 --> 00:19:33,200
Star Tomorrow.

313
00:19:33,200 --> 00:19:34,200
You can find a start.

314
00:19:34,200 --> 00:19:36,200
Star, no, star tomorrow.

315
00:19:36,200 --> 00:19:37,200
It's start tomorrow.

316
00:19:38,200 --> 00:19:40,200
Star Tomorrow.com.

317
00:19:40,200 --> 00:19:44,200
I'm not quite sure what the, what the prize is.

318
00:19:44,200 --> 00:19:46,200
And I have a feeling it's web only.

319
00:19:46,200 --> 00:19:47,200
I'm not quite sure, however.

320
00:19:47,200 --> 00:19:51,200
I'll have you know that he is through to the final round,

321
00:19:51,200 --> 00:19:54,200
the top five, so it's the final five,

322
00:19:54,200 --> 00:19:57,200
and he'll be, he'll be vying for,

323
00:19:57,200 --> 00:19:59,200
for winning this, this competition,

324
00:19:59,200 --> 00:20:00,200
which, of course, is, you know,

325
00:20:00,200 --> 00:20:02,200
somewhat like an American idol or whatever,

326
00:20:02,200 --> 00:20:05,200
but just to remind you, who Bob Gentry is,

327
00:20:05,200 --> 00:20:07,200
I'm a big fan of the stuff he's doing.

328
00:20:07,200 --> 00:20:10,200
This has been up on the networks since 2005.

329
00:20:10,200 --> 00:20:12,200
It's upside down.

330
00:20:12,200 --> 00:20:15,200
Back in time on the source code, everybody.

331
00:20:15,200 --> 00:20:18,200
I've been talking in my last sleep,

332
00:20:18,200 --> 00:20:20,200
when I'm waking up.

333
00:20:20,200 --> 00:20:22,200
Well, my tongue is tight.

334
00:20:27,200 --> 00:20:30,200
I've been thinking I should leave

335
00:20:30,200 --> 00:21:28,200
[ Music ]

336
00:21:28,200 --> 00:21:32,200
I've been walking in my last sleep,

337
00:21:32,200 --> 00:21:34,200
when I'm waking up.

338
00:21:34,200 --> 00:21:36,200
Well, my legs are tight.

339
00:21:36,200 --> 00:21:40,200
I've been thinking I should leave

340
00:21:40,200 --> 00:21:42,200
but though in the world,

341
00:21:42,200 --> 00:21:44,200
it's a matter tonight.

342
00:21:44,200 --> 00:21:48,200
Well, I've been thinking I should leave

343
00:21:48,200 --> 00:23:54,200
[ Music ]

344
00:23:54,200 --> 00:23:57,200
until now.

345
00:24:01,200 --> 00:24:02,200
Oh yeah.

346
00:24:02,200 --> 00:24:04,200
So good to hear that again.

347
00:24:04,200 --> 00:24:06,200
Bob Gentry, upside down,

348
00:24:06,200 --> 00:24:08,200
you could find him at the pod state of music network.

349
00:24:08,200 --> 00:24:12,200
And hopefully the winner of NBC's Star Tomorrow.

350
00:24:12,200 --> 00:24:15,200
I see, I didn't even realize this.

351
00:24:15,200 --> 00:24:17,200
He's just, he put up a new song on October 6.

352
00:24:17,200 --> 00:24:19,200
What does that sound like?

353
00:24:19,200 --> 00:24:21,200
I'm playing this directly from the web,

354
00:24:21,200 --> 00:24:24,200
by the way, from the pod team music network.

355
00:24:27,200 --> 00:24:29,200
Oh, you know, it's going to be another

356
00:24:29,200 --> 00:24:31,200
gentry classic for sure.

357
00:24:31,200 --> 00:24:33,200
Listen to that.

358
00:24:37,200 --> 00:24:38,200
Oh, I got to listen that whole song.

359
00:24:38,200 --> 00:24:41,200
Maybe I'll play it for you on tomorrow's Who Bar Friday.

360
00:24:41,200 --> 00:24:43,200
Okay, let me see.

361
00:24:43,200 --> 00:24:45,200
Oh, you'll love this.

362
00:24:48,200 --> 00:24:50,200
Trucker Tom here. Hey, guess what?

363
00:24:50,200 --> 00:24:54,200
My 81 year old mom is podcasting.

364
00:24:54,200 --> 00:24:57,200
I want you all to join us in RVing and knowing the good,

365
00:24:57,200 --> 00:25:01,200
the ends and the outs, the good and the bad and the ugly.

366
00:25:01,200 --> 00:25:04,200
It was her idea. She wanted to start a podcast.

367
00:25:04,200 --> 00:25:08,200
I just wanted to tell you that we're not young people anymore,

368
00:25:08,200 --> 00:25:12,200
but we still have a taste for adventure.

369
00:25:12,200 --> 00:25:15,200
And thanks to cast blaster and pod show working together,

370
00:25:15,200 --> 00:25:19,200
it was easy to set her up with the podcast.

371
00:25:19,200 --> 00:25:26,200
Happy to share my mom with the world at RViddits.podshow.com.

372
00:25:26,200 --> 00:25:30,200
Be good to yourselves and I'll let you know when we start our adventure.

373
00:25:30,200 --> 00:25:32,200
Bye, bye.

374
00:25:32,200 --> 00:25:34,200
I'm waiting to hear that first show is fantastic.

375
00:25:34,200 --> 00:25:37,200
What's your 81 RViddits.podshow.com?

376
00:25:37,200 --> 00:25:40,200
Fantastic. Thank you so much, Trucker Tom.

377
00:25:40,200 --> 00:25:42,200
And I'm glad that I worked out with cast blaster.

378
00:25:42,200 --> 00:25:44,200
Once you kind of figured out,

379
00:25:44,200 --> 00:25:48,200
it's really simple because all you do is you record the show.

380
00:25:48,200 --> 00:25:52,200
You fill out the information, they show notes and some other data.

381
00:25:52,200 --> 00:25:54,200
They'll help people identify what the show is,

382
00:25:54,200 --> 00:26:01,200
what it's about, even your album art and you click upload.

383
00:26:01,200 --> 00:26:06,200
And that's it. There is no step three, essentially.

384
00:26:06,200 --> 00:26:10,200
I'd love to hear from you guys on the voice mail lines.

385
00:26:10,200 --> 00:26:12,200
Lots of Brits calling in these days.

386
00:26:12,200 --> 00:26:16,200
Even though I'm giving out the US number pretty much exclusively these days.

387
00:26:16,200 --> 00:26:17,200
But in case you forgot.

388
00:26:33,200 --> 00:26:35,200
I had a meal for three days.

389
00:26:35,200 --> 00:26:38,200
I've just been listening to four eight nights.

390
00:26:39,200 --> 00:26:47,200
And your comments regarding the audio quality of the report from Jera and Martin Upper in the city.

391
00:26:47,200 --> 00:26:49,200
And it's what I'm going to say.

392
00:26:49,200 --> 00:26:51,200
I don't know if it's been for somebody else.

393
00:26:51,200 --> 00:26:54,200
That was produced at my first podcast of the quarter.

394
00:26:54,200 --> 00:26:56,200
Next that idea makes a product out of it.

395
00:26:56,200 --> 00:26:59,200
You know, something with bright colors and big buttons.

396
00:26:59,200 --> 00:27:05,200
For the album coming, you just know the tomorrow to record their content on.

397
00:27:05,200 --> 00:27:08,200
So I'd like me chuckle that one.

398
00:27:08,200 --> 00:27:11,200
That's just a photo of that.

399
00:27:11,200 --> 00:27:14,200
And yeah, thank you so much.

400
00:27:14,200 --> 00:27:15,200
Thanks, Neil.

401
00:27:15,200 --> 00:27:17,200
Yeah, I don't know what was up with that.

402
00:27:17,200 --> 00:27:19,200
That was I still got to get to the bottom of that.

403
00:27:19,200 --> 00:27:22,200
What they were using up there in Manchester.

404
00:27:22,200 --> 00:27:25,200
I think Spotlight.podshow.com is where they've uploaded more stuff.

405
00:27:25,200 --> 00:27:27,200
I'll check for you and put a link in the show notes.

406
00:27:27,200 --> 00:27:29,200
Because it definitely was a lot going on.

407
00:27:29,200 --> 00:27:32,200
I'd up in Manchester in the city.

408
00:27:32,200 --> 00:27:36,200
And I'm sure that Jill and GD got GM and GD.

409
00:27:36,200 --> 00:27:37,200
I should say.

410
00:27:37,200 --> 00:27:40,200
They got plenty of new artists on the podcast music network.

411
00:27:40,200 --> 00:27:45,200
And hopefully it turned a lot of artists there on to the whole pod safe music movement

412
00:27:45,200 --> 00:27:47,200
and to pod casting in general, et cetera.

413
00:27:47,200 --> 00:27:52,200
But the idea of my first podcast, or actually Katja, who does Katja's cast,

414
00:27:52,200 --> 00:27:53,200
the Kat's cast.

415
00:27:53,200 --> 00:27:58,200
I should say KAT, C-A-S-C-A-S-T dot podshow.com.

416
00:27:59,200 --> 00:28:04,200
She actually did a design of my first podcast recorder.

417
00:28:04,200 --> 00:28:07,200
She never really finished the technological bit,

418
00:28:07,200 --> 00:28:09,200
and we were kind of halfway through cast blaster.

419
00:28:09,200 --> 00:28:12,200
But now that I think about it, this is very much what cast blaster

420
00:28:12,200 --> 00:28:14,200
might always envision for cast blaster.

421
00:28:14,200 --> 00:28:16,200
Find that at castblaster.com, by the way.

422
00:28:16,200 --> 00:28:19,200
You can use it for free for anything under 10 minutes,

423
00:28:19,200 --> 00:28:22,200
and then there's $50 for a lifetime license.

424
00:28:22,200 --> 00:28:27,200
Five, actually, should you change computers five times in the meantime?

425
00:28:28,200 --> 00:28:31,200
And I think it would be as simple as creating a new skin.

426
00:28:31,200 --> 00:28:33,200
I'm not quite sure how it works, and when it does applications,

427
00:28:33,200 --> 00:28:36,200
but I'm pretty sure there's a lot of people who know how it works.

428
00:28:36,200 --> 00:28:42,200
And I guess if you can create a photo shop file that can be cut into bits

429
00:28:42,200 --> 00:28:44,200
or pieces, it can be done.

430
00:28:44,200 --> 00:28:47,200
But Mike is on vacation currently until,

431
00:28:47,200 --> 00:28:50,200
well, until, remember, remember the fifth of November.

432
00:28:50,200 --> 00:28:53,200
When he gets back, I'll see if I can have a chat with him about it.

433
00:28:53,200 --> 00:28:56,200
And also want to tell you that, you know, we're all very excited about the launch of

434
00:28:56,200 --> 00:28:59,200
BTPodShow.com, which is on the 7th of November.

435
00:28:59,200 --> 00:29:02,200
Remember, remember, the 7th of November.

436
00:29:02,200 --> 00:29:07,200
When we'll be bringing you lots of flavour from Splenda.

437
00:29:07,200 --> 00:29:12,200
But we're also launching the new version of PodShow Plus,

438
00:29:12,200 --> 00:29:14,200
to be found at podShow.com.

439
00:29:14,200 --> 00:29:16,200
And I think we've really nailed it this time.

440
00:29:16,200 --> 00:29:21,200
You know, it's only been, was it four months since our first unleash,

441
00:29:21,200 --> 00:29:24,200
and we've learned quite a bit, and we've figured out,

442
00:29:24,200 --> 00:29:27,200
I think what it really takes to have a social media network,

443
00:29:27,200 --> 00:29:29,200
so we've really divided it up into four pieces.

444
00:29:29,200 --> 00:29:31,200
You're going to love this when it comes out.

445
00:29:31,200 --> 00:29:36,200
Which will be November, I'm sorry, November 9th.

446
00:29:36,200 --> 00:29:38,200
The second week of November, whatever.

447
00:29:38,200 --> 00:29:42,200
Somewhere around there, I don't want to have everyone sitting around waiting.

448
00:29:42,200 --> 00:29:48,200
We've divided it into people, which, of course,

449
00:29:48,200 --> 00:29:52,200
is the Plus part, PodShow Plus music, which, of course,

450
00:29:52,200 --> 00:29:54,200
is the PodSet Music Network.

451
00:29:54,200 --> 00:29:57,200
Shows, which, of course, encompasses all things,

452
00:29:57,200 --> 00:29:59,200
podcasting, anything that's serialized.

453
00:29:59,200 --> 00:30:05,200
And then a new addition, videos, which I think we really got

454
00:30:05,200 --> 00:30:10,200
a cool video system that you'll be able to upload single videos

455
00:30:10,200 --> 00:30:13,200
to that you know, you may not want to actually have a show

456
00:30:13,200 --> 00:30:16,200
within RSS feed, or you may want to take advantage of our online

457
00:30:16,200 --> 00:30:19,200
editing system, which will just fucking knock your socks off.

458
00:30:19,200 --> 00:30:23,200
Imagine that upload some music, which you can get from the PodSet Music

459
00:30:23,200 --> 00:30:25,200
Network, upload some graphics, some pictures.

460
00:30:25,200 --> 00:30:28,200
You could get that somewhere from your gallery at PodShow Plus,

461
00:30:28,200 --> 00:30:31,200
upload pieces of video, and then you can, you know,

462
00:30:31,200 --> 00:30:35,200
put it all in a timeline, and put transitions in, and, and,

463
00:30:35,200 --> 00:30:39,200
and out the back end, poop, say, a full edited video.

464
00:30:39,200 --> 00:30:40,200
It's really fucking amazing.

465
00:30:40,200 --> 00:30:43,200
It's, it's exactly the stuff that I've been begging for.

466
00:30:43,200 --> 00:30:46,200
So I think you'll really, really like it.

467
00:30:46,200 --> 00:30:50,200
Also, a way to monetize that if you don't want to use advertising

468
00:30:50,200 --> 00:30:56,200
based monetization, or just to let people embed that

469
00:30:56,200 --> 00:30:59,200
on other pages, you know, very much the YouTube Google

470
00:30:59,200 --> 00:31:01,200
video concept.

471
00:31:01,200 --> 00:31:04,200
But the nice thing is that you can easily then put it

472
00:31:04,200 --> 00:31:08,200
into a show at PodShow Plus, you know, single click stuff.

473
00:31:08,200 --> 00:31:11,200
We've changed how collections work.

474
00:31:11,200 --> 00:31:14,200
Now you can actually create, um, I'm just going to

475
00:31:14,200 --> 00:31:15,200
ramble on for a second.

476
00:31:15,200 --> 00:31:17,200
What the hell is that outside?

477
00:31:17,200 --> 00:31:18,200
Mail truck.

478
00:31:18,200 --> 00:31:21,200
Uh, you'll be able to create a feed of individual items.

479
00:31:21,200 --> 00:31:24,200
So, you know, already you can say, well, let me just put a feed

480
00:31:24,200 --> 00:31:26,200
together of, of shows.

481
00:31:26,200 --> 00:31:29,200
So I have my new show, and, you know, whenever there's a new episode

482
00:31:29,200 --> 00:31:32,200
of any of the shows that I have in that channel in my

483
00:31:32,200 --> 00:31:34,200
collection, it'll, you know, it'll essentially drop out

484
00:31:34,200 --> 00:31:36,200
into my iPod, or I have it on my Nokia,

485
00:31:36,200 --> 00:31:38,200
and 91 cell phone.

486
00:31:38,200 --> 00:31:41,200
So I'm still liking for the, for the podcast portion of it.

487
00:31:41,200 --> 00:31:44,200
Uh, but now you could also put together a feed very much like

488
00:31:44,200 --> 00:31:46,200
gigadile, as you know, Andrew Grummit created gigadile.

489
00:31:46,200 --> 00:31:48,200
You can see gigadile.net.

490
00:31:48,200 --> 00:31:52,200
Um, so now you can say, well, I'm just going to put together a feed

491
00:31:52,200 --> 00:31:56,200
and that feed will only consist of singular items that I put in

492
00:31:56,200 --> 00:31:58,200
there. So you could even make it private.

493
00:31:58,200 --> 00:32:00,200
So I could set up a feed for Patricia.

494
00:32:00,200 --> 00:32:04,200
And whenever I found a, you know, a great show, not not a,

495
00:32:04,200 --> 00:32:08,200
I'm really an individual episode, or, or a great, um,

496
00:32:08,200 --> 00:32:12,200
a great video that I wanted to see, or even just a picture.

497
00:32:12,200 --> 00:32:16,200
Then I can put it into that feed, and it will automatically update

498
00:32:16,200 --> 00:32:18,200
on, uh, on that private channel we have on podgeo

499
00:32:18,200 --> 00:32:20,200
plus or on her iPod or on, well,

500
00:32:20,200 --> 00:32:24,200
G, her set top box or any of the other myriad of distribution

501
00:32:24,200 --> 00:32:26,200
devices. We've been working on with people.

502
00:32:26,200 --> 00:32:28,200
So I'm, I'm really getting excited about this.

503
00:32:28,200 --> 00:32:31,200
Look for that to launch second week of November.

504
00:32:31,200 --> 00:32:33,200
Oh, sorry. Hey, Adam, my name is Logan,

505
00:32:33,200 --> 00:32:35,200
and I'm a broadcast journalism student, CSU Fresno.

506
00:32:35,200 --> 00:32:37,200
I'm also working on filmmaking, screenwriting,

507
00:32:37,200 --> 00:32:39,200
which brings me to my question.

508
00:32:39,200 --> 00:32:43,200
Online video has finally been taken up by major broadcasters.

509
00:32:43,200 --> 00:32:47,200
The big four TV networks are now supplying back episodes for free.

510
00:32:47,200 --> 00:32:49,200
Cable shows. You can now buy on iTunes,

511
00:32:49,200 --> 00:32:51,200
and even shows like Battlestar Galactica,

512
00:32:51,200 --> 00:32:53,200
producing quote unquote webisodes

513
00:32:53,200 --> 00:32:55,200
that are intended exclusively for an online audience.

514
00:32:55,200 --> 00:32:59,200
Right now our independent video podcasts are predominantly

515
00:32:59,200 --> 00:33:01,200
nonfiction,

516
00:33:01,200 --> 00:33:03,200
Dignation Room of Rules, Gaper TV,

517
00:33:03,200 --> 00:33:05,200
or the other variety show type.

518
00:33:05,200 --> 00:33:07,200
Tiki Bar TV or Askin Ninja easily come to mind.

519
00:33:07,200 --> 00:33:09,200
So finally, my question.

520
00:33:09,200 --> 00:33:13,200
Has podcasting matured enough to lure professional

521
00:33:13,200 --> 00:33:15,200
if not union talent for dramatic and genre shows.

522
00:33:15,200 --> 00:33:17,200
And our advertisers and podgeo

523
00:33:17,200 --> 00:33:21,200
ready to begin work with show creators and producers

524
00:33:21,200 --> 00:33:23,200
on making shows with a good production value.

525
00:33:23,200 --> 00:33:25,200
Thanks, Adam. I love the source code,

526
00:33:25,200 --> 00:33:27,200
and I'm always glad to see a new one up here on my iPod.

527
00:33:27,200 --> 00:33:31,200
Yeah, buddy. Well, let me answer this question for you.

528
00:33:31,200 --> 00:33:33,200
First of all, I take slight offense to the

529
00:33:33,200 --> 00:33:35,200
quote good production values.

530
00:33:35,200 --> 00:33:37,200
That's horseshit.

531
00:33:37,200 --> 00:33:39,200
You can create good production values

532
00:33:39,200 --> 00:33:41,200
if you're in an attic somewhere,

533
00:33:41,200 --> 00:33:43,200
or let's anywhere in the world

534
00:33:43,200 --> 00:33:45,200
that you have a computer.

535
00:33:45,200 --> 00:33:47,200
You can create something with great production values.

536
00:33:47,200 --> 00:33:49,200
I mean, that's just horseshit.

537
00:33:49,200 --> 00:33:51,200
There's nothing to do with someone who's quote professional or not.

538
00:33:51,200 --> 00:33:53,200
Is the industry ready?

539
00:33:53,200 --> 00:33:55,200
Yeah, what are you talking about?

540
00:33:55,200 --> 00:33:57,200
I mean, I've been doing this for almost two years.

541
00:33:57,200 --> 00:33:59,200
No, I've been doing it for two years.

542
00:33:59,200 --> 00:34:01,200
I'm a code professional.

543
00:34:01,200 --> 00:34:03,200
Lots of people are in it.

544
00:34:03,200 --> 00:34:05,200
Now, what are we doing about that?

545
00:34:05,200 --> 00:34:07,200
Yeah, absolutely.

546
00:34:07,200 --> 00:34:09,200
We're opening up a studio in Los Angeles.

547
00:34:09,200 --> 00:34:11,200
We have a studio now in London.

548
00:34:11,200 --> 00:34:13,200
You know, it's office studio.

549
00:34:13,200 --> 00:34:15,200
So, you know, there's work going on.

550
00:34:15,200 --> 00:34:19,200
That's cool. That's kind of in the background.

551
00:34:19,200 --> 00:34:23,200
We're working on licensing

552
00:34:23,200 --> 00:34:27,200
with ASCAP BMI to expand that if it all possible.

553
00:34:27,200 --> 00:34:31,200
But, you know, forget about whether that's possible or not.

554
00:34:31,200 --> 00:34:35,200
There's plenty, plenty of professional talent on the pod save music.

555
00:34:35,200 --> 00:34:37,200
Now, work, look at what's coming on board.

556
00:34:37,200 --> 00:34:39,200
Look at the fantastic artists who we have.

557
00:34:39,200 --> 00:34:41,200
There are definitely mainstream names.

558
00:34:41,200 --> 00:34:47,200
Yeah, we've been working with people here in the UK with the OJ

559
00:34:47,200 --> 00:34:49,200
and Olivia.

560
00:34:49,200 --> 00:34:51,200
They're quote unquote professional talent.

561
00:34:51,200 --> 00:34:55,200
The only thing that will be problematic is the concept of union.

562
00:34:55,200 --> 00:34:59,200
This is the one thing that really has to change across the board.

563
00:34:59,200 --> 00:35:03,200
We've changed it in music licensing with the pod save music network license.

564
00:35:03,200 --> 00:35:07,200
We'll have to do something similar with the talent

565
00:35:07,200 --> 00:35:09,200
because it's just not going to play out.

566
00:35:09,200 --> 00:35:13,200
You know, the audiences aren't going to be large enough

567
00:35:13,200 --> 00:35:15,200
and it's just not going to make any sense

568
00:35:15,200 --> 00:35:19,200
with the free distribution model that, you know, that's the path

569
00:35:19,200 --> 00:35:21,200
that we seem to be going down.

570
00:35:21,200 --> 00:35:25,200
There's no way you can tell anymore where something's been played or repropagated.

571
00:35:25,200 --> 00:35:29,200
So it's pretty much going to be buy out for everybody when they do something.

572
00:35:29,200 --> 00:35:35,200
Or a share in revenue, either one, but not like a union where you have unionized rates.

573
00:35:35,200 --> 00:35:37,200
I just don't see that happening.

574
00:35:37,200 --> 00:35:39,200
There's too many variables.

575
00:35:39,200 --> 00:35:40,200
We've ready for it.

576
00:35:40,200 --> 00:35:43,200
Dude, we're deep into it, right in the middle of it.

577
00:35:43,200 --> 00:35:45,200
And it's very, very exciting to me.

578
00:35:45,200 --> 00:35:48,200
And we're getting lots of refugees from the broadcast industry.

579
00:35:49,200 --> 00:35:52,200
One last song for you today from British Columbia.

580
00:35:52,200 --> 00:35:54,200
I've played her before on the show.

581
00:35:54,200 --> 00:35:58,200
And I like her.

582
00:35:58,200 --> 00:36:02,200
Yeah, and when she's got the Levi's on,

583
00:36:02,200 --> 00:36:04,200
and she's got,

584
00:36:04,200 --> 00:36:06,200
oh, that's second.

585
00:36:06,200 --> 00:36:10,200
Do I have the right, I'm thinking, do I,

586
00:36:10,200 --> 00:36:13,200
is this the right, I don't think I have the right song queueed up.

587
00:36:13,200 --> 00:36:15,200
Crap, how do I do that?

588
00:36:16,200 --> 00:36:17,200
Oh, I see what I did.

589
00:36:17,200 --> 00:36:19,200
I queueed up the same song twice.

590
00:36:19,200 --> 00:36:20,200
Hold on.

591
00:36:20,200 --> 00:36:21,200
Here it is.

592
00:36:21,200 --> 00:36:23,200
It was right underneath it.

593
00:36:23,200 --> 00:36:26,200
Yeah, cowboy hat and Levi's cowboy boots and Levi's.

594
00:36:26,200 --> 00:36:27,200
That's what it is.

595
00:36:27,200 --> 00:36:29,200
It's a little bit of country on the DSC,

596
00:36:29,200 --> 00:36:31,200
and it's coming from something that ain't hard on the eyes.

597
00:36:31,200 --> 00:36:33,200
Kelly Brock.

598
00:36:34,200 --> 00:36:38,200
I wonder,

599
00:36:38,200 --> 00:36:41,200
this cowboy wearing a country?

600
00:36:46,200 --> 00:36:47,200
Yeah.

601
00:36:47,200 --> 00:36:49,200
I love to watch and walk.

602
00:36:49,200 --> 00:36:52,200
That boy could put in a healthy girl in shock.

603
00:36:52,200 --> 00:39:16,200
[ Music ]

604
00:39:16,200 --> 00:39:19,200
In his cowboy boots, Levi

605
00:39:22,200 --> 00:39:24,200
Damn

606
00:39:25,200 --> 00:39:28,200
Like that, Kelly Brock, cowboy boots and Levi

607
00:39:28,200 --> 00:39:30,200
I've learned while surfing the internet

608
00:39:30,200 --> 00:39:32,200
Number one, entering your email address on some websites

609
00:39:32,200 --> 00:39:34,200
Is an open invitation to spam

610
00:39:34,200 --> 00:39:36,200
Number two, before forwarding an email about the ghost

611
00:39:36,200 --> 00:39:38,200
Of a dead boy appearing in the theatrical film

612
00:39:38,200 --> 00:39:39,200
Three men and a baby

613
00:39:39,200 --> 00:39:41,200
Check Snopes.com first

614
00:39:41,200 --> 00:39:42,200
Number three

615
00:39:42,200 --> 00:39:44,200
Spyware, then forms you that you have spyware

616
00:39:44,200 --> 00:39:45,200
Is not very helpful

617
00:39:45,200 --> 00:39:46,200
Number four

618
00:39:46,200 --> 00:39:48,200
The FBI will never send you an email

619
00:39:48,200 --> 00:39:51,200
The warning about your visiting 40 illegal websites

620
00:39:51,200 --> 00:39:53,200
They'll simply bust down your door

621
00:39:53,200 --> 00:39:56,200
Never, ever, Google the Toronto-based quartet

622
00:39:56,200 --> 00:39:58,200
The barricade ladies on a computer at work

623
00:39:58,200 --> 00:40:01,200
Number six, Bill Gates and Microsoft are not tracking this email

624
00:40:01,200 --> 00:40:03,200
And fording it to 15 other people

625
00:40:03,200 --> 00:40:06,200
Will not get Walt Disney signed to send you free passes

626
00:40:06,200 --> 00:40:07,200
To Walt Disney World

627
00:40:07,200 --> 00:40:11,200
There is no such thing as a national do not email registry

628
00:40:11,200 --> 00:40:14,200
Number eight, there is no ousted prints in Bangladesh

629
00:40:14,200 --> 00:40:16,200
Willing to share $15 million with you

630
00:40:16,200 --> 00:40:19,200
Closing one porn pop-up window opens 15 more

631
00:40:19,200 --> 00:40:21,200
And number 10, everything as your service provider

632
00:40:21,200 --> 00:40:23,200
Will solve most of these problems

633
00:40:23,200 --> 00:40:27,200
Unfortunately, the remaining few will take some common sense

634
00:40:27,200 --> 00:40:30,200
If you want a great deal on domain name, go to godaddy.com

635
00:40:30,200 --> 00:40:33,200
Use checkout code dsc3

636
00:40:33,200 --> 00:40:36,200
For domain name for entire year for $695

637
00:40:36,200 --> 00:40:39,200
To Maro, Fubar Friday, fucked up beyond dollar pair

638
00:40:39,200 --> 00:40:41,200
We'll have great music, I'm sure the music college is jersey

639
00:40:41,200 --> 00:40:45,200
Todd will check in more promos, more shit to talk about

640
00:40:45,200 --> 00:40:49,200
And please let me know, bonfire night, Gilfuck, Gilfuck's

641
00:40:49,200 --> 00:40:52,200
Guy Fox, when am I supposed to be flying?

642
00:40:52,200 --> 00:40:53,200
When can I actually see something?

643
00:40:53,200 --> 00:40:55,200
When can you shoot a rocket up my ass?

644
00:40:55,200 --> 00:40:57,200
Let me know, Adam at podshow.com

645
00:40:57,200 --> 00:41:00,200
And show notes for today's episode daily source code.com

646
00:41:00,200 --> 00:41:02,200
Take care everybody, talk to you tomorrow, bye

647
00:41:02,200 --> 00:41:06,200
Another podshow podcast, stick it in your ear

648
00:41:11,200 --> 00:41:14,200
Yet this podcast and we're great ones like it

649
00:41:14,200 --> 00:41:17,200
On the hyperformance podcast, delivery network from podshow

650
00:41:17,200 --> 00:41:19,200
And line-white networks

651
00:41:19,200 --> 00:41:21,200
I love it