1 00:00:00,000 --> 00:00:04,160 Already a hit state side. Now you can check out the following podcast and good old 2 00:00:04,160 --> 00:00:08,800 blightybtpodshot.com. Single-handedly making a mens for giving you Madonna. 3 00:00:08,800 --> 00:00:10,800 One show at a time. 4 00:00:30,000 --> 00:00:33,280 And of course, your host, Adam Curry. 5 00:00:33,280 --> 00:00:37,920 Delta Sierra Charlie 5-0-4. 6 00:00:37,920 --> 00:00:42,080 $16 million worth of airplane strapped my ass. 7 00:00:42,080 --> 00:00:47,760 And the next generation radio content in my ears. 8 00:00:47,760 --> 00:00:53,760 I like to think I'm flying you to the future. 9 00:00:53,760 --> 00:01:58,960 [ Music ] 10 00:01:58,960 --> 00:02:04,000 And you are ready to ask someone, 11 00:02:04,000 --> 00:02:06,000 and I can do that you will. 12 00:02:06,000 --> 00:02:08,000 And you are ready to ask someone, 13 00:02:08,000 --> 00:02:12,000 take me and do that you will. 14 00:02:12,000 --> 00:02:14,000 And you are ready to ask someone, 15 00:02:14,000 --> 00:02:16,000 take me and do that you will. 16 00:02:16,000 --> 00:02:18,000 And you are ready to ask someone, 17 00:02:18,000 --> 00:02:20,000 take me and do that you will. 18 00:02:20,000 --> 00:02:22,000 And you are ready to ask someone, 19 00:02:22,000 --> 00:02:24,000 take me and do that you will. 20 00:02:24,000 --> 00:02:26,000 And you are ready to ask someone, 21 00:02:26,000 --> 00:02:28,000 take me and do that you will. 22 00:02:28,000 --> 00:02:30,000 And you are ready to ask someone, 23 00:02:30,000 --> 00:02:32,000 take me and do that you will. 24 00:02:32,000 --> 00:02:34,000 And you are ready to ask someone, 25 00:02:34,000 --> 00:02:36,000 take me and do that you will. 26 00:02:36,000 --> 00:02:38,000 and you are ready to ask someone, 27 00:02:38,000 --> 00:04:51,250 [ Music ] 28 00:04:58,000 --> 00:05:05,000 I'm taking their own words to hard, bring it back, sing it back, Malico, on the Pod Save Music Network. 29 00:05:05,000 --> 00:05:06,000 It's really nice. 30 00:05:06,000 --> 00:05:15,000 I think what happened is the rights to the masters, either were sold or reverted, but apparently owned by an entity called Maloco catalog. 31 00:05:15,000 --> 00:05:16,000 There you go. 32 00:05:16,000 --> 00:05:17,000 This is what you can do with you. 33 00:05:17,000 --> 00:05:21,000 Put it on the Pod Save Music Network, get some pod play, sell some tracks. 34 00:05:21,000 --> 00:05:23,000 Of course, we're open for business now. 35 00:05:23,000 --> 00:05:27,000 Anyone who any artist or band or whatever, anyone who puts up stuff on the Pod Save Music Network, 36 00:05:27,000 --> 00:05:31,000 you can select which tracks you want to be for sale from 99 cents. 37 00:05:31,000 --> 00:05:34,000 9 cents of that goes to the transaction company, the rest goes to the artist. 38 00:05:34,000 --> 00:05:36,000 So it's a good deal all around. 39 00:05:36,000 --> 00:05:37,000 Everybody, how you doing? 40 00:05:37,000 --> 00:05:41,000 It's episode 504 of the Daily Source Code coming to you from Curry Cottage. 41 00:05:41,000 --> 00:05:43,000 The current Curry Cottage, of course. 42 00:05:43,000 --> 00:05:47,000 In just weeks from now, about seven weeks, we will be... 43 00:05:47,000 --> 00:05:49,000 Is it even seven weeks? 44 00:05:49,000 --> 00:05:50,000 Less than that. 45 00:05:50,000 --> 00:05:51,000 Six weeks. 46 00:05:51,000 --> 00:05:55,000 We'll be moving to the new Curry Cottage on the other side of the tracks here in Guilford. 47 00:05:55,000 --> 00:05:56,000 I feel like shit today. 48 00:05:56,000 --> 00:05:57,000 I gotta tell you. 49 00:05:57,000 --> 00:05:59,000 God didn't yesterday morning from San Francisco. 50 00:05:59,000 --> 00:06:01,000 I think I did sleep about four hours on the flight. 51 00:06:01,000 --> 00:06:03,000 The flight was actually was nice. 52 00:06:03,000 --> 00:06:04,000 We had a tailwind. 53 00:06:04,000 --> 00:06:06,000 So nine hours and 20 minutes. 54 00:06:06,000 --> 00:06:07,000 And we landed it. 55 00:06:07,000 --> 00:06:10,000 Actually, we were above Heathrow at 10 past 10. 56 00:06:10,000 --> 00:06:13,000 So a full 40 minute ahead of schedule. 57 00:06:13,000 --> 00:06:17,000 And of course, we had to stay in the holding pattern for about 10 minutes. 58 00:06:17,000 --> 00:06:18,000 And then we landed. 59 00:06:18,000 --> 00:06:19,000 And then all you knew was going to happen. 60 00:06:19,000 --> 00:06:21,000 Well, the gate, of course, isn't ready. 61 00:06:21,000 --> 00:06:23,000 So you never win anything on that. 62 00:06:23,000 --> 00:06:28,000 So we still de-plained around 11 a.m. 63 00:06:28,000 --> 00:06:30,000 Came back. 64 00:06:30,000 --> 00:06:34,000 I did, I caulked out for a couple hours on the couch yesterday afternoon. 65 00:06:34,000 --> 00:06:36,000 It's just, it's hard. 66 00:06:36,000 --> 00:06:38,000 I'm not complaining or anything. 67 00:06:38,000 --> 00:06:41,000 But this morning, my stomach is a little upset. 68 00:06:41,000 --> 00:06:43,000 I'm running a little bit of a fever. 69 00:06:43,000 --> 00:06:44,000 I know it's just my body. 70 00:06:44,000 --> 00:06:46,000 It's just winging out. 71 00:06:46,000 --> 00:06:48,000 Anyway, plenty to do this week. 72 00:06:48,000 --> 00:06:52,000 I think there's a whole bunch of yanks in town for the digital Hollywood London, 73 00:06:52,000 --> 00:06:56,000 which sounds like a mistake. 74 00:06:56,000 --> 00:06:58,000 Digital Hollywood London. 75 00:06:58,000 --> 00:07:01,000 Anyway, and I believe I'm on a panel on Wednesday. 76 00:07:01,000 --> 00:07:04,000 So I'm not quite sure what it's all about. 77 00:07:04,000 --> 00:07:08,000 I think this is the thing that I was held earlier in the year in Hollywood. 78 00:07:08,000 --> 00:07:11,000 Los Angeles, at least surprise surprise. 79 00:07:11,000 --> 00:07:13,000 So I've got to find out what's going on there. 80 00:07:13,000 --> 00:07:16,000 I know that there's lots of people in the UK. 81 00:07:16,000 --> 00:07:17,000 We're going to be attending this. 82 00:07:17,000 --> 00:07:19,000 So it should be very interesting. 83 00:07:19,000 --> 00:07:22,000 Unless you forget what the Daily Source Code is all about. 84 00:07:22,000 --> 00:07:27,000 Please, feast your ears on this movie style promo. 85 00:07:29,000 --> 00:07:33,000 In a world where corporate monstrosities control the airways. 86 00:07:33,000 --> 00:07:35,000 A new media has a risen. 87 00:07:35,000 --> 00:07:41,000 One man leads the internet rebellion that will change the world forever. 88 00:07:42,000 --> 00:07:49,000 Potua Productions presents Adam Curry as the podfather in the Daily Source Code. 89 00:07:49,000 --> 00:07:51,000 Witness the pain. 90 00:07:51,000 --> 00:07:52,000 Fuck me. 91 00:07:52,000 --> 00:07:54,000 I didn't work or I wanted to. 92 00:07:54,000 --> 00:07:58,000 Brahman that used to suck so bad and the pleasure. 93 00:07:58,000 --> 00:08:00,000 And I went into the bathroom and got myself off. 94 00:08:00,000 --> 00:08:03,000 Biting my lips the whole time so that nobody would hear me. 95 00:08:03,000 --> 00:08:05,000 As the podfather saves the world, 96 00:08:05,000 --> 00:08:10,000 as only a former MTVVJ can with extreme prejudice. 97 00:08:10,000 --> 00:08:12,000 You are such a dick weed. 98 00:08:12,000 --> 00:08:14,000 Get the fuck out of my office. 99 00:08:14,000 --> 00:08:16,000 Deep in the bowels of the curry cottage. 100 00:08:16,000 --> 00:08:18,000 Lands are set. 101 00:08:18,000 --> 00:08:20,000 Splendid consumed. 102 00:08:20,000 --> 00:08:24,000 And soon humanity will experience a reckoning. 103 00:08:24,000 --> 00:08:27,000 That usually fucks companies up. 104 00:08:27,000 --> 00:08:30,000 For the next year there's going to be a lot of turmoil and radio. 105 00:08:30,000 --> 00:08:33,000 Trim everything down get rid of the quote excess fat. 106 00:08:33,000 --> 00:08:35,000 Which usually comes in the home. 107 00:08:35,000 --> 00:08:37,000 You know chop people up into bits. 108 00:08:37,000 --> 00:08:40,000 So I think this is the time we need to strike, strike, strike, strike. 109 00:08:40,000 --> 00:08:44,000 Don't miss this daily event because if you do. 110 00:08:44,000 --> 00:08:45,000 Fuck you. 111 00:08:49,000 --> 00:08:53,000 Adam Curry and the Daily Source Code. 112 00:08:53,000 --> 00:08:55,000 This show is fucking awesome. 113 00:08:55,000 --> 00:08:58,000 This podcast is free to get gas. 114 00:08:59,000 --> 00:09:06,000 Thank you Wayne from the worlds of Wayne podcast worlds of Wayne.com. 115 00:09:06,000 --> 00:09:08,000 That's his voice. 116 00:09:08,000 --> 00:09:09,000 Awesome dude. 117 00:09:09,000 --> 00:09:15,000 Now you heard me talking about Mark Yoshimotanemkov using the real movie guy voice. 118 00:09:15,000 --> 00:09:20,000 And as I said, all I want is I just want one of those from my own that starts with in the world 119 00:09:20,000 --> 00:09:23,000 where women wear comfortable shoes or something like that. 120 00:09:23,000 --> 00:09:25,000 And he started off with in a world. 121 00:09:25,000 --> 00:09:26,000 Thanks buddy. 122 00:09:26,000 --> 00:09:27,000 That really made me smile. 123 00:09:27,000 --> 00:09:29,000 And you heard the giselle in there. 124 00:09:29,000 --> 00:09:33,000 I'm not sure if there was an email problem because you know I get all these voice 125 00:09:33,000 --> 00:09:34,000 emails. 126 00:09:34,000 --> 00:09:36,000 I get emailed to me as. 127 00:09:36,000 --> 00:09:40,000 I'm not even as way files as like G at the GSM protocol or something. 128 00:09:40,000 --> 00:09:43,000 You can open it in quick time and then I can export them as AIFF and then re-import 129 00:09:43,000 --> 00:09:45,000 them as MP3s etc. 130 00:09:45,000 --> 00:09:50,000 But I only had one message from giselle which I played for you on Thursday the day after 131 00:09:50,000 --> 00:09:53,000 Thanksgiving because she was coming up from San Diego to meet me. 132 00:09:53,000 --> 00:09:57,000 And so now all of a sudden I got like three messages from her. 133 00:09:57,000 --> 00:10:00,000 Let's just play them and then enjoy together. 134 00:10:00,000 --> 00:10:03,000 Hey Adam, it's me just now. 135 00:10:03,000 --> 00:10:07,000 So I went into the little store and I was able to find a prepaid phone. 136 00:10:07,000 --> 00:10:10,000 So here's my number for one five. 137 00:10:10,000 --> 00:10:12,000 And it cuts off right there. 138 00:10:12,000 --> 00:10:16,000 So now I couldn't have called her anyway because I didn't get these until yesterday. 139 00:10:16,000 --> 00:10:20,000 But you can almost almost see the saga that she went. 140 00:10:20,000 --> 00:10:22,000 I guess she really did come up to San Francisco. 141 00:10:22,000 --> 00:10:25,000 I'm feeling pretty bad about this right now. 142 00:10:25,000 --> 00:10:27,000 Hey Adam. 143 00:10:27,000 --> 00:10:36,000 So I went into an internet cafe today and I wanted to listen to some of the shows that I missed. 144 00:10:36,000 --> 00:10:43,000 And I heard you talking about me and how all of a sudden you didn't want me to come up to San Francisco. 145 00:10:43,000 --> 00:10:46,000 I thought you wanted me to come up. 146 00:10:47,000 --> 00:10:51,000 Anyway, I'm a little bit pissed off and I really need to think about things. 147 00:10:51,000 --> 00:10:53,000 So I'll just call you later. 148 00:10:53,000 --> 00:10:55,000 Bye. 149 00:10:55,000 --> 00:10:56,000 Okay. 150 00:10:56,000 --> 00:10:57,000 So now I'm feeling bad. 151 00:10:57,000 --> 00:11:01,000 But you know, you have to understand Gizelle after getting a call like this. 152 00:11:01,000 --> 00:11:05,000 I don't know who this is but stop fucking calling Gizelle at all. 153 00:11:05,000 --> 00:11:07,000 You know, I got a little bit worried. 154 00:11:07,000 --> 00:11:09,000 And then after that I got calls like this. 155 00:11:09,000 --> 00:11:12,000 I don't know who the fuck you are, but stop putting what you're also. 156 00:11:12,000 --> 00:11:14,000 And and it gets worse. 157 00:11:14,000 --> 00:11:15,000 Hey. 158 00:11:15,000 --> 00:11:16,000 I don't know who this is. 159 00:11:16,000 --> 00:11:18,000 But stop calling me specifically. 160 00:11:18,000 --> 00:11:19,000 I know. 161 00:11:19,000 --> 00:11:20,000 Sorry. 162 00:11:20,000 --> 00:11:21,000 Hey Adam. 163 00:11:21,000 --> 00:11:22,000 Okay. 164 00:11:22,000 --> 00:11:27,000 I feel like a total dumb ass jerk for coming all the way up here to San Francisco. 165 00:11:27,000 --> 00:11:29,000 Thinking that you wanted to see me. 166 00:11:29,000 --> 00:11:32,000 So I'm just going to go back to San Diego now. 167 00:11:32,000 --> 00:11:34,000 I don't want to bug you anymore. 168 00:11:34,000 --> 00:11:35,000 Bye. 169 00:11:35,000 --> 00:11:36,000 No, Gizelle. 170 00:11:36,000 --> 00:11:38,000 I feel pretty stupid about this. 171 00:11:38,000 --> 00:11:39,000 Listen. 172 00:11:39,000 --> 00:11:43,000 I think we can still carry on our our long distance voice mail relationship. 173 00:11:43,000 --> 00:11:46,000 And I love the pictures you've been sending me. 174 00:11:46,000 --> 00:11:48,000 You know, you come and I'm just freaking me out. 175 00:11:48,000 --> 00:11:51,000 Again, it was certainly after this call that I got to break. 176 00:11:51,000 --> 00:11:56,000 I don't know who this is, but stop fucking calling Gizelle at all. 177 00:11:56,000 --> 00:11:58,000 I am in so much trouble. 178 00:11:58,000 --> 00:11:59,000 Hi. 179 00:11:59,000 --> 00:12:02,000 This is Jim Farley of the Musical World podcast. 180 00:12:02,000 --> 00:12:09,000 And I'd like to invite you and all of your listeners over to musicalworld.us to listen to the interview. 181 00:12:09,000 --> 00:12:12,000 I had with the beautiful. 182 00:12:12,000 --> 00:12:15,000 And the charming. 183 00:12:15,000 --> 00:12:17,000 Carmen Tyler. 184 00:12:17,000 --> 00:12:19,000 I hate it because I'm so Gary. 185 00:12:19,000 --> 00:12:24,000 I know you'll find her as sweet as you can ever imagine. 186 00:12:24,000 --> 00:12:27,000 So when you're done with the Charlie, 187 00:12:27,000 --> 00:12:32,000 swing on over to musical world and download episode 21. 188 00:12:32,000 --> 00:12:35,000 I know you'll love it. 189 00:12:35,000 --> 00:12:37,000 Hey, this is Carmen Tyler. 190 00:12:37,000 --> 00:12:41,000 Check out my interview and a whole bunch more on musical world podcast. 191 00:12:41,000 --> 00:12:45,000 That's really, I'm like, give this a clear area. 192 00:12:45,000 --> 00:12:46,000 And we had a couple. 193 00:12:46,000 --> 00:12:51,000 I mean, I just don't want to be offensive. 194 00:12:51,000 --> 00:12:52,000 Oh, yes. 195 00:12:52,000 --> 00:12:54,000 The lovely and talented Carmen Tyler. 196 00:12:54,000 --> 00:12:56,000 Still waiting for those naked pictures. 197 00:12:56,000 --> 00:13:01,000 Other cool things on the network that I wanted to bring to your attention. 198 00:13:01,000 --> 00:13:03,000 The high fee show. 199 00:13:03,000 --> 00:13:06,000 If you're never seeing the high fee show, you've got to check this out. 200 00:13:06,000 --> 00:13:10,000 Kevin App's legendary in the Bay Area as a movie producer. 201 00:13:10,000 --> 00:13:11,000 Creating a show. 202 00:13:11,000 --> 00:13:12,000 It's called the high fee show. 203 00:13:12,000 --> 00:13:15,000 H-Y-P-H-Y dot pod show dot com. 204 00:13:15,000 --> 00:13:16,000 High fee. 205 00:13:16,000 --> 00:13:19,000 And the host on the show is Malica, who's also done stuff on MTV. 206 00:13:19,000 --> 00:13:23,000 And she has a brief but very interesting interview with Snoop Dogg. 207 00:13:23,000 --> 00:13:28,000 When he came, I guess he came to the Bay Area and they've got all kinds of live footage of him performing. 208 00:13:28,000 --> 00:13:30,000 See, might want to take a look at that. 209 00:13:30,000 --> 00:13:35,000 Had some other stuff that I wanted to bring your attention to. 210 00:13:35,000 --> 00:13:39,000 Oh, did you see, I don't know if you if you've looked at the feed or at the site for a 211 00:13:39,000 --> 00:13:43,000 podcast con uk, which is podcast con uk dot pod show dot com. 212 00:13:43,000 --> 00:13:47,000 That's the one I'm going to point you to because there's a whole wrap up there that I think 213 00:13:47,000 --> 00:13:52,000 I told you this of Jill Mills and Robert Dolby did a video show. 214 00:13:52,000 --> 00:13:53,000 It's really good. 215 00:13:53,000 --> 00:13:55,000 You should take a look at it. 216 00:13:55,000 --> 00:14:01,000 But there's something you'll see in the video as I was looking at it on the plane right home. 217 00:14:01,000 --> 00:14:02,000 There's lots of people. 218 00:14:02,000 --> 00:14:05,000 I forget it was a podcast Paul who was selling those t-shirts. 219 00:14:05,000 --> 00:14:07,000 He had some awesome t-shirts. 220 00:14:08,000 --> 00:14:12,000 Which looked very much like the old t-shirt home taping is killing the music. 221 00:14:12,000 --> 00:14:15,000 We had a cassette with a cross through it. 222 00:14:15,000 --> 00:14:18,000 So now that the cassette is kind of turned into a skull and cross bones. 223 00:14:18,000 --> 00:14:23,000 And the actual t-shirt says podcasting is selling music. 224 00:14:23,000 --> 00:14:25,000 I really like it. 225 00:14:25,000 --> 00:14:28,000 Unfortunately, I think they were all sold out by the time I got there. 226 00:14:28,000 --> 00:14:31,000 But maybe someone could put one up on eBay or something. 227 00:14:31,000 --> 00:14:36,000 And I'd be happy to take off your hands because I just love the concept of that podcasting is selling music. 228 00:14:36,000 --> 00:14:38,000 And you know it. 229 00:14:38,000 --> 00:14:41,000 Every year on a special winter day, 230 00:14:41,000 --> 00:14:47,000 Little podcaster girls and boys wake up early to find something special in their iPods. 231 00:14:47,000 --> 00:14:51,000 Little do they know how close they came to losing it all. 232 00:14:51,000 --> 00:14:53,000 Ah, humbug. 233 00:14:53,000 --> 00:14:58,000 The podcast community presents a podcast Christmas Carol. 234 00:14:58,000 --> 00:15:04,000 A special adaptation of Charles Dickens classic tale of broadcast mobile Ebony's or Scrooge. 235 00:15:05,000 --> 00:15:09,000 And the visitation of three ghosts on Christmas Eve. 236 00:15:09,000 --> 00:15:14,000 And I suppose you'll expect me to just play this little promo for free. 237 00:15:14,000 --> 00:15:17,000 Visit a podcast Christmas Carol.com. 238 00:15:17,000 --> 00:15:24,000 And listen, as Scrooge has shown his tragic feature and learns to share the spirit of the Christmas season. 239 00:15:24,000 --> 00:15:27,000 Go stop your own radio station. 240 00:15:27,000 --> 00:15:30,000 A podcast Christmas Carol. 241 00:15:30,000 --> 00:15:35,000 Featuring talents from the podcasting community, including Adam Curry. 242 00:15:35,000 --> 00:15:36,000 And say yo. 243 00:15:36,000 --> 00:15:37,000 Leo Leport. 244 00:15:37,000 --> 00:15:41,000 And starring David Lawrence as Ebony's or Scrooge. 245 00:15:41,000 --> 00:15:44,000 Visit a podcast Christmas Carol.com. 246 00:15:44,000 --> 00:15:47,000 The future is just around the corner. 247 00:15:47,000 --> 00:15:53,000 Seems like so long ago yet really just short short time ago really if you think about it. 248 00:15:53,000 --> 00:15:55,000 Last year we were doing all that stuff. 249 00:15:55,000 --> 00:15:57,000 The podcast Christmas Carol. 250 00:15:57,000 --> 00:16:00,000 If you've never heard it, definitely go and check that out. 251 00:16:00,000 --> 00:16:01,000 It's awesome. 252 00:16:01,000 --> 00:16:02,000 Very well produced. 253 00:16:02,000 --> 00:16:06,000 I think the 30 or 40 different podcasts participated in that, of course. 254 00:16:06,000 --> 00:16:11,000 Around the same time we had podcasts for peace, which I'll be playing all the way up through Christmas. 255 00:16:11,000 --> 00:16:13,000 Obviously. 256 00:16:13,000 --> 00:16:15,000 Not today though. 257 00:16:15,000 --> 00:16:18,000 I got a different Christmas tune queueed up for you, which I think you like. 258 00:16:18,000 --> 00:16:24,000 Lots of comments about the accessibility of the upgraded pod show plus. 259 00:16:24,000 --> 00:16:27,000 Some people saying that it's completely unusable. 260 00:16:27,000 --> 00:16:32,000 Then I got an email from Tino, Tino Fella. 261 00:16:32,000 --> 00:16:34,000 Or what? 262 00:16:34,000 --> 00:16:35,000 Let's see. 263 00:16:35,000 --> 00:16:37,000 I'm almost blind myself. 264 00:16:37,000 --> 00:16:38,000 I appreciate the way you reacted. 265 00:16:38,000 --> 00:16:40,000 Right now I have no opportunity to do an audio comment. 266 00:16:40,000 --> 00:16:41,000 Okay. 267 00:16:41,000 --> 00:16:43,000 Speaking for myself, pod show.com is still pretty well accessible. 268 00:16:43,000 --> 00:16:47,000 Even the new embedded player on the music segment works easy because the buttons can also be activated with the 269 00:16:47,000 --> 00:16:48,000 Interkeys. 270 00:16:48,000 --> 00:16:49,000 Sometimes I have to hit it twice. 271 00:16:49,000 --> 00:16:50,000 But I don't care. 272 00:16:50,000 --> 00:16:51,000 It works. 273 00:16:51,000 --> 00:16:53,000 The only problem is the dashboard. 274 00:16:53,000 --> 00:16:55,000 Here's if you click play it. 275 00:16:55,000 --> 00:16:56,000 To play a show, of course. 276 00:16:56,000 --> 00:16:59,000 A few weeks ago you said there would be a download link on the board. 277 00:16:59,000 --> 00:17:03,000 My screen reader, which Tino uses jaws, doesn't show any links. 278 00:17:03,000 --> 00:17:05,000 Maybe it's not a text-based link. 279 00:17:05,000 --> 00:17:09,000 Of course, the show starts playing normally for me, but the most important thing. 280 00:17:09,000 --> 00:17:11,000 By the way. 281 00:17:11,000 --> 00:17:13,000 Okay. 282 00:17:13,000 --> 00:17:14,000 Yeah. 283 00:17:14,000 --> 00:17:16,000 I think the big problem here is with flash. 284 00:17:16,000 --> 00:17:18,000 That's when I'm understanding. 285 00:17:18,000 --> 00:17:20,000 The dashboard has gone from a straight Ajax. 286 00:17:20,000 --> 00:17:24,000 Actually, kind of a combination of Ajax. 287 00:17:24,000 --> 00:17:26,000 Javascript. 288 00:17:26,000 --> 00:17:28,000 Of course, that would be a part of Ajax. 289 00:17:28,000 --> 00:17:30,000 What's a specific JavaScript call. 290 00:17:30,000 --> 00:17:32,000 There was even some flash-based stuff in there. 291 00:17:32,000 --> 00:17:34,000 We've changed that to all flash. 292 00:17:34,000 --> 00:17:36,000 There is a download link there, but I can understand. 293 00:17:36,000 --> 00:17:38,000 I think it's baked into the flash. 294 00:17:38,000 --> 00:17:41,000 So what we have to do is we have to pull that out of the flash. 295 00:17:41,000 --> 00:17:44,000 So that the screen readers can access. 296 00:17:44,000 --> 00:17:50,000 Obviously, yeah, if you're able to tab to the play it link, and you hit enter, 297 00:17:50,000 --> 00:17:52,000 and then that works. 298 00:17:52,000 --> 00:17:54,000 And it's playing that's fantastic. 299 00:17:54,000 --> 00:17:56,000 But if you want to take it with you, I guess, on a mobile device, 300 00:17:56,000 --> 00:17:59,000 we have to expose the download link differently. 301 00:17:59,000 --> 00:18:01,000 So I will get on that. 302 00:18:01,000 --> 00:18:05,000 I've also received some other messages, people saying that actually the code isn't all that bad. 303 00:18:05,000 --> 00:18:09,000 There's only a few things that have to be changed in order for some of the screen readers to work. 304 00:18:09,000 --> 00:18:10,000 Oh. 305 00:18:10,000 --> 00:18:11,000 Hi, Adam. 306 00:18:11,000 --> 00:18:12,000 Nice to see you. 307 00:18:12,000 --> 00:18:14,000 I didn't want to play that right now. 308 00:18:14,000 --> 00:18:15,000 I'm sorry. 309 00:18:15,000 --> 00:18:16,000 Here's the one I want to play. 310 00:18:16,000 --> 00:18:17,000 Hi, Adam. 311 00:18:17,000 --> 00:18:20,000 This is Bob Netherway in Bristol, South West England. 312 00:18:20,000 --> 00:18:28,000 I'm a freedom box user, and I'm having problems downloading and listening to your shows 313 00:18:28,000 --> 00:18:31,000 since the new home page came in. 314 00:18:31,000 --> 00:18:34,000 My email is Bob Netherway. 315 00:18:34,000 --> 00:18:41,000 It's the NETH, the RWAY, at myfreedombox.com. 316 00:18:41,000 --> 00:18:43,000 I look forward to hearing from you. 317 00:18:43,000 --> 00:18:44,000 Goodbye. 318 00:18:44,000 --> 00:18:47,000 Yeah, freedom box. 319 00:18:47,000 --> 00:18:49,000 But it sounds like that's an online application. 320 00:18:49,000 --> 00:18:51,000 I'm going to have to look into that. 321 00:18:51,000 --> 00:18:54,000 But as I said, we've got plenty of people pitching in the house, 322 00:18:54,000 --> 00:18:56,000 so we'll get it fixed with us soon. 323 00:18:56,000 --> 00:19:13,000 Let's do it for the U.S. folks as well. 324 00:19:13,000 --> 00:19:34,000 So there's this whole long, uh, I just noticed that it's six and a half minutes long. 325 00:19:34,000 --> 00:19:39,000 This reply about Chris Moiles from David Graham here in the UK. 326 00:19:39,000 --> 00:19:41,000 Let me just give you a little bit of it, okay? 327 00:19:41,000 --> 00:19:42,000 Hi, Adam. 328 00:19:42,000 --> 00:19:46,000 Listen to the feedback you receive from your listeners about the mention you've got from 329 00:19:46,000 --> 00:19:48,000 Radio 1 DJ Chris Moiles. 330 00:19:48,000 --> 00:19:51,000 I have to reply and make some corrections. 331 00:19:51,000 --> 00:19:56,000 A response from one of your listeners called James made out the Chris Moiles was a game's podcasting 332 00:19:56,000 --> 00:19:58,000 and so no future in it. 333 00:19:58,000 --> 00:20:00,000 This is incorrect. 334 00:20:00,000 --> 00:20:06,000 Chris actively promotes his podcast, which in turn educates the public about podcasting. 335 00:20:06,000 --> 00:20:09,000 You know, so then he plays all these clips of Chris Moiles. 336 00:20:09,000 --> 00:20:14,000 It really is interesting if you really are interested in the topic, which I am. 337 00:20:14,000 --> 00:20:18,000 But six and a half minutes is just too long for me to do it, but I do appreciate it. 338 00:20:18,000 --> 00:20:22,000 Give me a pointer, put this thing up on the online somewhere, so people can go access it. 339 00:20:22,000 --> 00:20:25,000 I don't just want to put it up without your permission. 340 00:20:25,000 --> 00:20:28,000 But apparently, and this is something I didn't know. 341 00:20:28,000 --> 00:20:33,000 And that's the clip that would have rolled for the next two minutes, two and a half minutes. 342 00:20:34,000 --> 00:20:42,000 Chris, as a employee of the BBC, is not allowed to make any content specifically for the podcast. 343 00:20:42,000 --> 00:20:45,000 It has to be content that is aired on the BBC. 344 00:20:45,000 --> 00:20:48,000 I find this very entertaining and interesting. 345 00:20:48,000 --> 00:20:50,000 Now, what a missed opportunity. 346 00:20:50,000 --> 00:20:53,000 Here's a whole extra channel, a whole distribution channel. 347 00:20:53,000 --> 00:20:56,000 They can take advantage of, but they're just not allowed to do it. 348 00:20:56,000 --> 00:21:02,000 And there's other stuff in there, but I thought that was the most relevant piece of what 349 00:21:02,000 --> 00:21:03,000 was his name again. 350 00:21:03,000 --> 00:21:04,000 Sorry about that. 351 00:21:04,000 --> 00:21:09,000 David, what David sent in, sent in to me. 352 00:21:09,000 --> 00:21:12,000 So I wonder, I wonder what the BBC's plans are. 353 00:21:12,000 --> 00:21:16,000 I mean, you would think that if these guys are brimming with creativity, 354 00:21:16,000 --> 00:21:18,000 they should be allowed to put that out there, don't you? 355 00:21:18,000 --> 00:21:22,000 Hey, Adam Chris, daily hear from a many, many podcasts that you name it, 356 00:21:22,000 --> 00:21:25,000 writing with the window down the PMC top there and Lone Star Grid, 357 00:21:25,000 --> 00:21:27,000 I heard the list goes on and on. 358 00:21:28,000 --> 00:21:34,000 I wanted to mention, I just put the wraps on show number 429. 359 00:21:34,000 --> 00:21:37,000 And here you are approaching 510. 360 00:21:37,000 --> 00:21:38,000 My hats off to you. 361 00:21:38,000 --> 00:21:41,000 I know what it takes to put together 429. 362 00:21:41,000 --> 00:21:44,000 And I started, gosh, a few months after you. 363 00:21:44,000 --> 00:21:48,000 So kudos to you on halfway to a thousand. 364 00:21:48,000 --> 00:21:49,000 Can you believe it? 365 00:21:49,000 --> 00:21:53,000 And one of those shows, you'll remember from a year ago, 366 00:21:53,000 --> 00:21:55,000 because you were one of the stars. 367 00:21:55,000 --> 00:21:56,000 That's right. 368 00:21:56,000 --> 00:22:00,000 You were a rostophariant Jacob Marley in a podcast Christmas carol. 369 00:22:00,000 --> 00:22:03,000 I think it would be a great time for you to spend that promo out. 370 00:22:03,000 --> 00:22:05,000 And hey, when you're sitting down with Leo Leport, 371 00:22:05,000 --> 00:22:10,000 remind him that you two were virtually in a show together already, 372 00:22:10,000 --> 00:22:12,000 a podcast Christmas carol. 373 00:22:12,000 --> 00:22:15,000 Thanks, Adam, and as always, keep it real. 374 00:22:15,000 --> 00:22:17,000 Yeah, so much for scheduling. 375 00:22:17,000 --> 00:22:18,000 Oh, my audio is today. 376 00:22:18,000 --> 00:22:19,000 Sorry. 377 00:22:19,000 --> 00:22:20,000 Screw that one up. 378 00:22:20,000 --> 00:22:22,000 Yeah, I'll be on the Twitter next week, everybody. 379 00:22:22,000 --> 00:22:24,000 Let's put these dropping in again. 380 00:22:24,000 --> 00:22:27,000 I'm all alone out of work tonight. 381 00:22:27,000 --> 00:22:30,000 I used to have a spring in my step, 382 00:22:30,000 --> 00:24:54,000 [ Music ] 383 00:24:54,000 --> 00:24:56,000 and it's a sweet turtle, nothing. 384 00:24:56,000 --> 00:25:00,000 I have a wanted on my Christmas, and on it was you. 385 00:25:00,000 --> 00:25:01,000 Oh, yeah. 386 00:25:01,000 --> 00:25:02,000 The Jeff Smith, everybody. 387 00:25:02,000 --> 00:25:05,000 It's the Christmas hugging, as you, baby. 388 00:25:05,000 --> 00:25:07,000 And kiss them from you. 389 00:25:07,000 --> 00:25:09,000 Now available on the Podsate Music Network. 390 00:25:09,000 --> 00:25:13,000 If you want to hear the song again, just go to the GoToDabysourceco.com. 391 00:25:13,000 --> 00:25:15,000 Look at the show notes for today's episode. 392 00:25:15,000 --> 00:25:16,000 Click on the link. 393 00:25:16,000 --> 00:25:20,000 It'll take you to the music network page for Jeff Smith. 394 00:25:20,000 --> 00:25:21,000 You can see all the songs. 395 00:25:21,000 --> 00:25:23,000 It's a nice little player there. 396 00:25:23,000 --> 00:25:26,000 You can embed the player in your web blog or any page you want to. 397 00:25:26,000 --> 00:25:30,000 And of course, many of Jeff's tracks are enabled for sales. 398 00:25:30,000 --> 00:25:32,000 You can buy it and help a brother out. 399 00:25:32,000 --> 00:25:34,000 Patricia walks by when I'm playing that song. 400 00:25:34,000 --> 00:25:38,000 This morning says, hey, that's the guy who did the lady 401 00:25:38,000 --> 00:25:39,000 and the Atom. 402 00:25:39,000 --> 00:25:40,000 Atom's. 403 00:25:40,000 --> 00:25:41,000 Atom's. 404 00:25:41,000 --> 00:25:42,000 Atom's. 405 00:25:42,000 --> 00:25:43,000 All alone. 406 00:25:43,000 --> 00:25:46,000 And he needs his love right there on the microphone. 407 00:25:46,000 --> 00:26:06,000 [ Music ] 408 00:26:06,000 --> 00:26:22,780 It's Adam and Patricia, so that is G Jeff Smith, G-E-O-F-O, that is 409 00:26:22,780 --> 00:26:26,160 Jeff Smith, DJF Smith.com. 410 00:26:26,160 --> 00:26:27,760 And she said something really exciting. 411 00:26:27,760 --> 00:26:30,320 She said, wow, you know, this guy is unbelievable. 412 00:26:30,320 --> 00:26:34,600 He just, he can just shake shit like that right out of his, out of his arms, no problem. 413 00:26:34,600 --> 00:26:39,480 He just does it whenever he wants to, what a talent, and I said, and she said, hey, 414 00:26:39,480 --> 00:26:42,240 do you think that I could do a song with him? 415 00:26:42,240 --> 00:26:43,240 Like, what? 416 00:26:43,240 --> 00:26:44,240 I can't believe it. 417 00:26:44,240 --> 00:26:47,840 It's the first time she said something like this in a long, long time. 418 00:26:47,840 --> 00:26:52,360 And so her concept, I guess, is she wants to do her tracks here. 419 00:26:52,360 --> 00:26:54,040 So, Jeff, if you're listening, I hope you are. 420 00:26:54,040 --> 00:26:56,560 I know you're a little behind on the listening. 421 00:26:56,560 --> 00:27:02,640 She'd love to do some kind of song, like this, like a swing big band type thing with you. 422 00:27:02,640 --> 00:27:05,240 She'd like to record her tracks here. 423 00:27:05,240 --> 00:27:06,640 Wouldn't that be cool? 424 00:27:06,640 --> 00:27:12,680 And it would be a great collaboration, I think, so let's see if we can make that happen. 425 00:27:12,680 --> 00:27:16,640 And I'd say that, you know, I'd get her on the show, but tomorrow morning she leaves 426 00:27:16,640 --> 00:27:20,320 a very early, she'll leave the house around 530. 427 00:27:20,320 --> 00:27:25,480 She's going to the Netherlands, once again, to practice, once again, for the dancing with 428 00:27:25,480 --> 00:27:29,280 the stars, extravaganza, she'll be on at the end of the year. 429 00:27:29,280 --> 00:27:31,080 It's going to be a very interesting show. 430 00:27:31,080 --> 00:27:39,160 She leaves tomorrow, she comes back Thursday, then I leave on Monday or Tuesday, I leave 431 00:27:39,160 --> 00:27:43,160 for San Francisco for good, you know, 10 days or something like that. 432 00:27:43,160 --> 00:27:49,360 And in that meantime, she's going back, oh, hey, it's a true show, bid in the family. 433 00:27:49,360 --> 00:27:51,800 And that's what it takes. 434 00:27:51,800 --> 00:27:54,000 Okay, everybody, I'll be back tomorrow. 435 00:27:54,000 --> 00:27:59,680 Yeah, so keep sending your stuff, love to hear from you. 436 00:27:59,680 --> 00:28:00,680 Talk to you then. 437 00:28:00,680 --> 00:28:09,680 Bye-bye. 438 00:28:09,680 --> 00:28:14,760 Get this piece of the show and more great ones like it on the BT Pot Show Media Network. 439 00:28:14,760 --> 00:28:16,800 Howard by Pot Show and Limelight Network. 440 00:28:16,800 --> 00:28:20,360 Control your part in the show at btpotshow.com.