1
00:00:00,000 --> 00:00:04,160
Already a hit state side now you can check out the following podcast and good old

2
00:00:04,160 --> 00:00:10,600
blighty btpotjo.com single-handedly making a men's for the Boston Tea Party one show at a time

3
00:00:30,000 --> 00:00:42,580
I got it a 5-5-5m

4
00:00:42,820 --> 00:00:49,260
was $60m worth of air planes strapped to my ass, then the next generation radio content

5
00:00:49,260 --> 00:00:56,260
I like to think I'm flying into the future.

6
00:01:16,250 --> 00:04:14,260
[ Music ]

7
00:04:14,260 --> 00:04:21,260
Ah, nothing like a little bit of cowbell.

8
00:04:21,260 --> 00:04:23,960
You get to go on on a Tuesday.

9
00:04:23,960 --> 00:04:24,960
Everybody how you doing?

10
00:04:24,960 --> 00:04:28,160
So that a source code coming to you from Curry Cottage in the affluent suburb of Surrey

11
00:04:28,160 --> 00:04:29,660
known as Gulford.

12
00:04:29,660 --> 00:04:35,260
That's Cherry Swade from Ontario, Canada, and not a day goes by.

13
00:04:35,260 --> 00:04:40,420
Thank you very much to Brian, no for suggesting that a no secret there, the influences

14
00:04:40,420 --> 00:04:43,220
has listed on the on the pontsive music network.

15
00:04:43,220 --> 00:04:47,980
Of course, links to that in the show notes at dailysourcecode.com influences Brian Adams,

16
00:04:47,980 --> 00:04:50,900
Bon Jovi, Deflopper, and the Beatles, Bibles.

17
00:04:50,900 --> 00:04:51,900
You know what's so cool?

18
00:04:51,900 --> 00:04:56,540
Every single time I do the cowbell because of the the microphone set up and the compression

19
00:04:56,540 --> 00:04:57,540
and everything.

20
00:04:57,540 --> 00:05:01,140
You know, if I hit the cowbell really hard, then it'll, you know, I got to find the right

21
00:05:01,140 --> 00:05:03,340
mix for the music.

22
00:05:03,340 --> 00:05:07,180
And so I take the the cowbell and my drumstick and I turn away from the microphone.

23
00:05:07,180 --> 00:05:11,340
But when I do that, I'm looking straight at my mom, picture of my mom here on my desk

24
00:05:11,340 --> 00:05:15,460
and she's looking back and she's always smiling at me and I can just hear her almost

25
00:05:15,460 --> 00:05:19,500
thinking, he's so idiot.

26
00:05:19,500 --> 00:05:20,500
Okay.

27
00:05:20,500 --> 00:05:27,420
Mr. Mom for the next couple of days Patricia's off again to Rotterdam to go and practice rehearsal

28
00:05:27,420 --> 00:05:28,420
for her.

29
00:05:28,420 --> 00:05:32,260
I think she's doing two different dances, I don't know if it's two or three, two for

30
00:05:32,260 --> 00:05:37,900
sure for dancing with the stars, which will be the year and episodes in the Netherlands

31
00:05:37,900 --> 00:05:42,260
and she's very excited and of course she's out to win too and I think she's going to do

32
00:05:42,260 --> 00:05:43,260
it.

33
00:05:43,260 --> 00:05:46,740
She's really, she's so good at this stuff even though she's not trained at dancing.

34
00:05:46,740 --> 00:05:49,220
She's just, she's got the rhythm, you know what I'm saying?

35
00:05:49,220 --> 00:05:55,220
Hey, portions of this podcast are definitely not family friendly to me tell you right

36
00:05:55,220 --> 00:06:00,460
now that even though you may find portions of today's show extremely humorous, some

37
00:06:00,460 --> 00:06:04,340
of the topics discussed in the daily source code may not be appropriate for young ears

38
00:06:04,340 --> 00:06:09,220
and may be very difficult to explain but since we're kind of in a, won't we do this?

39
00:06:09,220 --> 00:06:14,620
We're, we're getting, here we go, we're this work, we're getting kind of into a, into a holiday

40
00:06:14,620 --> 00:06:16,620
group here.

41
00:06:16,620 --> 00:06:23,700
This is horrible, it's like, don't we have a better Christmas, Christmas music?

42
00:06:23,700 --> 00:06:27,140
What's this Christmas Eve at the club, maybe this will sound better, let's try this.

43
00:06:27,140 --> 00:06:35,140
We're getting into the holiday vibe here, everybody, there really is a lot of love going

44
00:06:35,140 --> 00:06:42,260
around in the Pod Show family, of course we have thousands of shows now who are podcasting

45
00:06:42,260 --> 00:06:48,100
out to the universe and sending you all kinds of good cheer for the holidays and well,

46
00:06:48,100 --> 00:06:54,740
you know, you can always count on my fellow podcast network producers to make me feel really

47
00:06:54,820 --> 00:07:01,060
nice and warm and, and just a part of their family and some people love this time of year.

48
00:07:01,060 --> 00:07:06,260
Here's an example for a good tidings and holiday cheer from our Los Angeles chapter.

49
00:07:06,420 --> 00:07:18,740
One thing, I never want to miss is Adam Curry's, Mary Mary Fistmus, oh yeah.

50
00:07:22,260 --> 00:07:30,260
When Adam gets back to San Francisco, I'm gonna buy some stock in Chrisco,

51
00:07:30,260 --> 00:07:36,980
there's big Christmas grin and holiday chuck goes ill tear up your o-ring with his

52
00:07:36,980 --> 00:08:10,020
[ Music ]

53
00:08:10,020 --> 00:08:16,180
When he gets started it's hard to make him stop. He'll treat you like Sherry Lewis,

54
00:08:16,180 --> 00:08:24,020
treated lamb chop because he's bringing joy to all the girls and boys with a rubber ball gag and

55
00:08:24,020 --> 00:08:32,260
the bag of sex toys. On his belt you'll see some missile toe and he's got his hand inside your

56
00:08:32,260 --> 00:08:41,700
Cheerio and maybe while you let him deck your halls he'll give you a reach around and tickle your balls

57
00:08:41,700 --> 00:08:57,380
it's oh yeah. Adam Curry's, Mary Mary Fistmus, insert cowbell here.

58
00:08:57,380 --> 00:09:05,220
He's making a fist and greasing it twice and when he's all done you'll probably need ice.

59
00:09:05,220 --> 00:09:10,900
He knows if you've been folding, he knows if you might scrunch and if you're really lucky he'll

60
00:09:10,900 --> 00:09:22,100
give you a don't get bunch. Oh yeah. Adam Curry's, Mary Mary Fistmus.

61
00:09:22,100 --> 00:09:30,340
That's a real sing along. Mary Mary Fistmus, Mary Mary Fistmus.

62
00:09:32,420 --> 00:09:40,820
Happy Fistmus everybody. Mark I think we need to find some more things for you to do there.

63
00:09:40,900 --> 00:09:48,020
Mary Fistmus Adam in the shock. Adventist Beach. Hey it's not like I didn't warn you okay?

64
00:09:49,140 --> 00:09:54,260
Let's see what's going on some things that haven't seen a lot of post on around the net,

65
00:09:54,260 --> 00:10:01,780
not yet at least. The first one is something happening here in the UK as reported by BBC,

66
00:10:02,580 --> 00:10:09,460
the Everettrustworthy BBC. There was a lobby. I believe led by Sir Cliff Richard

67
00:10:10,420 --> 00:10:17,540
to extend copyright in the United Kingdom to 95 years instead of the present 50 years.

68
00:10:18,740 --> 00:10:22,980
And so now an independent review is going to recommend that these terms are not extended.

69
00:10:22,980 --> 00:10:27,780
What this means and I understand where Sir Cliff is coming from by the way because he did

70
00:10:27,780 --> 00:10:34,180
songs when he was 15, 16 years old. It probably even could even be older than that. Maybe even

71
00:10:34,180 --> 00:10:44,420
when he was 17 or 18 and that was 50 years ago. In fact, it was at 2008 and back in the day

72
00:10:44,420 --> 00:10:50,180
and we're talking like late 50s, Cliff Richard was without a doubt the British Elvis Presley.

73
00:10:50,180 --> 00:10:56,820
I mean he was the shit and chicks loved him and guys loved everyone loved Sir Cliff. He wasn't a

74
00:10:56,900 --> 00:11:02,660
certain. Everyone loved Cliff Richard. And so understandably he's saying hey what the fuck!

75
00:11:03,860 --> 00:11:08,820
So when these things, when the copyright expires 50 years after their creation,

76
00:11:08,820 --> 00:11:13,140
what that means that anyone can do anything they want with those songs in the public domain.

77
00:11:13,140 --> 00:11:18,180
These were those songs we'll go. So automatically they could be played on podcasts. I wouldn't

78
00:11:18,180 --> 00:11:22,980
mind playing summer holiday. That'd be kind of fun. Of course Sir Cliff will make no money on these

79
00:11:22,980 --> 00:11:27,860
anymore. And so I understand his gripe about that. I don't know if he's making a shitload of money

80
00:11:27,860 --> 00:11:33,300
off of summer holiday anymore. But I can understand certainly if someone were to do a remake.

81
00:11:33,300 --> 00:11:38,740
I remember the young ones did a remake of summer holiday. It went to number one in many countries

82
00:11:38,740 --> 00:11:43,140
around the world. So if that were to happen again then he'd obviously he would miss out and I

83
00:11:43,140 --> 00:11:49,140
can understand where that's a farmer. But at the same time think about the wealth that he'll be adding

84
00:11:49,140 --> 00:11:55,780
to the public domain literally by his songs coming into into that realm and being able to be

85
00:11:55,780 --> 00:12:00,580
used and passed on and shared with the younger generation. I have no idea who Cliff Richard is

86
00:12:00,580 --> 00:12:06,900
besides that old queen that keeps popping up. So I haven't seen a lot of news about that. And by the

87
00:12:06,900 --> 00:12:11,380
way I think we'll see a lot more of these songs coming to the public domain over the next couple

88
00:12:11,380 --> 00:12:15,540
years. I'm not quite sure what it is in the States now because that got so convoluted.

89
00:12:16,100 --> 00:12:24,020
Sonny Bono was of course one of the people who passed legislation to extend copyrights. It's

90
00:12:24,020 --> 00:12:30,580
basically a way for hollywood to have an edge. And that's okay. Don't mind. We don't really

91
00:12:30,580 --> 00:12:35,540
need your shit necessarily but it'll be fun to be able to share. And this caught my attention yesterday

92
00:12:35,540 --> 00:12:45,460
as a story on MacanN.com that Apple is apparently has filed for a patent on the concept

93
00:12:45,460 --> 00:12:52,420
of a podcatcher. And if you read it, it literally describes what iPod or lemon did, what iPod or

94
00:12:52,420 --> 00:13:00,660
did. In fact, I think we could even argue the case that radio user land, the day-winer created,

95
00:13:01,380 --> 00:13:07,460
that that even supersedes any patent attempts. And I looked at that and I said to myself, you know,

96
00:13:09,300 --> 00:13:13,780
I think we should stop this. I mean, it wouldn't be fucking horrible if all the work that all

97
00:13:13,860 --> 00:13:18,980
these developers spent on making this work and integrating it with Apple's product, if the

98
00:13:19,540 --> 00:13:25,300
the patents were given to Apple, which of course is ludicrous because there's so much prior art

99
00:13:26,900 --> 00:13:30,820
of this technology synchronizing. You know, iPod literally says, down automatically,

100
00:13:30,820 --> 00:13:35,700
downloading podcasts, synchronizing it to a portable device. And we were doing all of that every single bit

101
00:13:35,700 --> 00:13:44,580
of it. So I have asked our attorneys to form an opinion on how to block this because I think we should.

102
00:13:44,580 --> 00:13:49,860
And well, of course, there's always one guy who can always trust in the case like this to weigh in

103
00:13:49,860 --> 00:13:52,740
with his explicit commentaries.

104
00:13:52,820 --> 00:14:04,820
Comic strip, comic strip, comic strip, comic strip, comic strip, comic strip, all right,

105
00:14:04,820 --> 00:14:12,420
hitting C.S.B. Hi Adam Curry. When you woke up today, can you notice this each in your

106
00:14:12,420 --> 00:14:21,220
ennus? Oh, yo, yo, some utterness wrote you a bad damn when you were sleeping. Who could it be?

107
00:14:22,100 --> 00:14:30,500
Yes, it was Steve Jobs from Apple Corporation. He tickled your ego by inviting you to creation

108
00:14:30,500 --> 00:14:38,580
of potfinder and hands podcast. And in meantime, Apple's lawyers were busy screwing up secretly

109
00:14:38,660 --> 00:14:46,740
you personally Adam and whole pod of fear. Adam, I kindly ask you to stop sucking cock of

110
00:14:46,740 --> 00:14:54,980
Steve Jobs and to oppose Apple's evil actions like patenting of iPoder. Recently,

111
00:14:54,980 --> 00:15:01,700
I noticed on Wikipedia entry about Jeremy's effort and that he is one of inventors of podcasting.

112
00:15:01,700 --> 00:15:09,300
If it will go on, then soon nobody will even know that you had something to do with invention

113
00:15:09,300 --> 00:15:17,300
of podcasting and a stood as fetching MP3s from RSS automatically to media player. Adam,

114
00:15:17,300 --> 00:15:26,420
just listen to me. You're genuine friend. Yo. Yo. Well, let me just say,

115
00:15:27,380 --> 00:15:31,700
first of all, I don't believe that I think this is just an automatic process, which of course is

116
00:15:31,700 --> 00:15:37,300
exactly what Apple should be doing. Everything they create needs to go through a process and if it can

117
00:15:37,300 --> 00:15:41,300
be trademarked, if it can be a registered trademark, if it can be a patent, that I think that's pretty

118
00:15:41,300 --> 00:15:45,380
much automatic. So I don't fault the corporation for doing that, but I'm not going to let it happen.

119
00:15:46,420 --> 00:15:51,140
And by the way, add Kevin Marx to the list as well. All these people who created prior art,

120
00:15:51,140 --> 00:15:57,300
what I commit today is that Pod Show will put up resources and funds to keep the entire concept

121
00:15:57,300 --> 00:16:04,260
of a pod catcher in the public domain. I'm not quite sure if we have to make it. I mean,

122
00:16:04,260 --> 00:16:12,340
the script I created iPoder was always open source from day one very clear. So, this patent

123
00:16:12,340 --> 00:16:16,340
fuck you. It's not going to happen. Pod Show is going to put their money where their mouth is and

124
00:16:16,340 --> 00:16:18,580
stop that. That will not take place.

125
00:16:46,340 --> 00:16:52,340
I'm in that used to suck so bad and the pleasure. And I went into the bathroom and got myself off,

126
00:16:52,340 --> 00:16:57,220
biting my lips the whole time because nobody would hear me. As the pod bother saves the world,

127
00:16:57,220 --> 00:17:05,060
as only a former MTVVJ can with extreme prejudice. You are such a dickweed. Get the fuck out of my office.

128
00:17:06,020 --> 00:17:13,620
Deep in the bowels of the curry cottage, plans are set. Splendid consumed and soon humanity will

129
00:17:13,620 --> 00:17:20,660
experience a reckoning. That usually fucks companies up. For the next year there's going to be a

130
00:17:20,660 --> 00:17:26,500
lot of turmoil and radio, trim everything down, get rid of the quote, excess fat, which is usually

131
00:17:26,500 --> 00:17:31,620
comes in the form of chop people up into bits. So, I think this is the time we need to strike

132
00:17:32,580 --> 00:17:44,340
drunk. Don't miss this daily event because if you do fuck you, Adam Curry and the daily source code.

133
00:17:45,540 --> 00:17:50,020
This show is fucking awesome. This podcast is rated gigas.

134
00:17:51,220 --> 00:17:56,100
All right, it's episode 505 of your daily source code of course. I say it's your daily source code

135
00:17:56,100 --> 00:18:00,660
because you completely contribute to it and it does one way for you to do it if you live in an

136
00:18:00,660 --> 00:18:19,940
UK pay attention, sing along and put this in yourself. So while we're here talking about the UK,

137
00:18:20,900 --> 00:18:26,020
David, who sent in that David Graham, who sent in that six minute long comment. Yes,

138
00:18:26,020 --> 00:18:31,300
today about Chris Moiles, the BBC, what they can and can't do with podcasts. Here at the call,

139
00:18:31,300 --> 00:18:38,660
he edited it down to three minutes. Okay, let's listen. Hi, Adam. Listen to the feedback you

140
00:18:38,660 --> 00:18:44,020
received from your listeners about the mention you got from Radio 1 DJ Chris Moiles. I have to

141
00:18:44,020 --> 00:18:49,460
apply and make some corrections. Our response from one of your listeners called James made out

142
00:18:49,460 --> 00:18:56,420
the Chris Moiles was against podcasting and saw no future in it. This is incorrect. Chris

143
00:18:56,420 --> 00:19:02,820
actively promotes his podcast which in turn educates the public about podcasting. Chris would love

144
00:19:02,820 --> 00:19:08,820
to do a original content for his podcast, but BBC rules restrict him from doing so and the following

145
00:19:08,820 --> 00:19:14,900
explains this. It's the new and improved podcast this week and I'll tell you what how this works

146
00:19:14,900 --> 00:19:19,300
and I'm going to explain to you exactly the truth, right? Who dug his currently loading it on

147
00:19:19,300 --> 00:19:26,420
to the website as we speak? Here's how it works. The podcast through somebody's bizarre BBC rule

148
00:19:27,140 --> 00:19:32,340
states that we can't have any new material on the podcast. It's all going to be stuff that we put

149
00:19:32,340 --> 00:19:40,340
out on the radio. So to get around this this morning, so what do you got this morning,

150
00:19:41,060 --> 00:19:46,420
the new show? It's between half three and four. We played out what will be today's podcast.

151
00:19:47,300 --> 00:19:51,860
So technically what? No, it has been broken out. So therefore we can put it on. Yeah, so every week

152
00:19:51,860 --> 00:19:56,660
half three to four in the morning on a Friday morning, we'll put the podcast out on the air.

153
00:19:57,380 --> 00:20:01,540
Another lesson I call Chris Moiles Home of Public, which I also think is untrue.

154
00:20:02,820 --> 00:20:07,700
Listening to Chris for over five years now, I cannot understand where these comments have come from.

155
00:20:07,700 --> 00:20:14,580
Probably the tabloid media. Chris has a gay day producer who often picks on him for show entertainment.

156
00:20:15,220 --> 00:20:19,380
The producer. Oh, please. This is the song my best friends are gay excuse.

157
00:20:19,380 --> 00:20:25,060
There's no problem with this as it's normal show banter, but listeners who don't listen that often

158
00:20:25,060 --> 00:20:31,460
may think it's because he is gay who knows. Thank you. I do like it. And you know,

159
00:20:31,460 --> 00:20:37,380
cause it's cool to have a human being on the show. Oh, well, but it is because I'm hated by

160
00:20:38,580 --> 00:20:44,900
that's why I'm a homophobic brother. Yeah, I know, I hear that. Yeah, I hear that. I hate all the

161
00:20:44,900 --> 00:20:52,020
gays. But you want to meet Ali? No, to be fair, let's just clear the song. I don't give him. I don't have

162
00:20:52,820 --> 00:20:57,460
care what your anybody's sexual orientation is. I really don't care. I do hate Alan, though.

163
00:20:58,420 --> 00:21:03,540
Nothing to do with his gay. He was bisexual, stray, acesial. What bother me? The slide

164
00:21:03,540 --> 00:21:10,100
is I still find them irritated with a huge ego. My final question is the statement that Chris

165
00:21:10,100 --> 00:21:16,500
wears a little there. Again, which I think is untrue. The majority of time, it's Chris's guess

166
00:21:16,500 --> 00:21:22,100
who swear on air not actually him. But again, the media headlines it so it sounds like he was a

167
00:21:22,100 --> 00:21:26,900
one with the foul mouth. Well, there you have it Adam. You can make your mind up what you really think

168
00:21:26,980 --> 00:21:31,620
Chris is like. I find it interesting that listeners who obviously don't listen to Chris's show

169
00:21:31,620 --> 00:21:36,980
find it acceptable to comments on something that they don't listen to. I find that odd. Anyway,

170
00:21:36,980 --> 00:21:42,220
this has been David Graham from Dorset England, who some of say has been corrupted by Chris

171
00:21:42,220 --> 00:21:47,860
Mose. Grunge. Yeah, of course you're a scruncher. Not you're absolutely right. I don't know Chris

172
00:21:47,860 --> 00:21:53,540
Mose. I've not listened to his show enough. So you've certainly given me a different perspective and I

173
00:21:53,620 --> 00:22:01,540
appreciate it. And I'm still watching. I'm a celebrity get me out of here, which I think is

174
00:22:01,540 --> 00:22:07,860
four more nights. And David guessed lies in manellies of former husband is still in there. Boy,

175
00:22:07,860 --> 00:22:14,260
what was I wrong about this guy? This guy is fucking funny. He's really funny and he's endearing

176
00:22:14,260 --> 00:22:21,140
and he's very American at the same time. Not at all the liquid I thought he was. And you know,

177
00:22:21,140 --> 00:22:30,740
and even through the lens of, even through the television camera, you know, you still end the

178
00:22:30,740 --> 00:22:35,300
way. It's edited. You still don't really know what someone's like, but I certainly have a much better

179
00:22:35,300 --> 00:22:42,740
idea. Well, here you go. Throw Chris Mose in the jungle. That's an idea. Hey, Minks, Genevieve

180
00:22:42,740 --> 00:22:46,980
and I wanted to call you up and tell you the good news. Really? What's the world cast? Just cut

181
00:22:46,980 --> 00:22:50,580
sign up at the pod show network. Yep. Just cut the contract in the mail today. Going to be at

182
00:22:50,580 --> 00:22:56,340
a rope.potcho.com. Awesome. Did this be what I think it means? No, no, we're not changing anything.

183
00:22:56,340 --> 00:23:00,820
Still covering all kinds of rope bondage. Thank you so much. I think she needs interviews with the

184
00:23:00,820 --> 00:23:06,020
experts. Talk about politics and performance art and, of course, I'll still ask you both as the

185
00:23:06,020 --> 00:23:12,500
official rope sluts to be my assistance. Thanks. I mean, yes, sir. But are we care about

186
00:23:12,500 --> 00:23:21,460
if Adam Curry? Wait, Minks, you should see great answers. Thanks. No, don't tell me you signed

187
00:23:21,460 --> 00:23:26,020
it without making it. But both of you, I couldn't very well demand exclusive bondage rights

188
00:23:26,020 --> 00:23:30,660
to Adam Curry. Now, could I? Why not? Was it not what I've done? It's can't believe

189
00:23:30,660 --> 00:23:35,620
let you talk to me to that where my, and then you, hey, you, you enjoyed that. Well, yeah, but

190
00:23:35,620 --> 00:23:40,660
you promised me Adam Curry. You promised me Adam would. Hey, hey, we're not even really sure

191
00:23:40,660 --> 00:23:46,020
he's actually kinky. Okay. That's just rumors. I don't care. Me either. You either get us

192
00:23:46,020 --> 00:23:50,580
Adam Curry or you can take a rope cast and shove it up. All right. All right. Well, Adam,

193
00:23:50,580 --> 00:23:55,540
you know where to find me. Great answer. And the rope cast at rope dot podshow dot com. No,

194
00:23:55,540 --> 00:24:05,940
Adam Curry. Yes. Welcome to the network rope cast. Uh-huh. Now, I'm not, I'm kinky, but not

195
00:24:06,020 --> 00:24:12,580
it. I'm not into rope at all, but I saw some of the pictures at rope dot podshow dot com.

196
00:24:14,740 --> 00:24:18,900
I also found your hidden video cast. I wouldn't mind hanging out with you guys.

197
00:24:21,140 --> 00:24:24,740
I can tie in or I pretty mean not a chic shank.

198
00:24:29,380 --> 00:24:33,700
It's, you know, it's interesting. I said to the to Richard Brueh and Joe and our talent

199
00:24:33,780 --> 00:24:37,700
department. I said, you know, I, I want an erotic a channel. I want, especially since it gets

200
00:24:37,700 --> 00:24:42,820
no play on iTunes, I want a proper erotic a channel. Can I just say, I think the guys are

201
00:24:42,820 --> 00:24:48,660
really, really delivering this time. Good job, boys. Good job. Okay.

202
00:24:51,220 --> 00:24:55,380
Sadly, Windows now officially closed. It's just you and I, my friends and the juries.

203
00:24:58,750 --> 00:27:33,700
[ Music ]

204
00:27:33,700 --> 00:27:46,380
You know, this kind of sounds like one of those songs that's running out of copywriting.

205
00:27:46,380 --> 00:27:56,580
Yeah, the Jerry's and change your mind from the pod save music network.

206
00:27:56,580 --> 00:27:57,980
I don't know what it is about those guys.

207
00:27:57,980 --> 00:28:00,540
I played a different song by then earlier.

208
00:28:00,540 --> 00:28:02,540
Was it Friday, maybe?

209
00:28:02,780 --> 00:28:04,020
Remember what day?

210
00:28:04,020 --> 00:28:05,220
Previous show.

211
00:28:05,220 --> 00:28:06,140
I like him.

212
00:28:06,140 --> 00:28:08,620
I really like the way they sound.

213
00:28:08,620 --> 00:28:11,500
Uh, what was it going to say?

214
00:28:11,500 --> 00:28:12,860
Oh, yeah.

215
00:28:12,860 --> 00:28:15,460
I got a nice note and my checks back.

216
00:28:15,460 --> 00:28:21,380
I tell you that from from the camera, the camera police who who snapped me,

217
00:28:21,380 --> 00:28:26,780
speeding, they're saying that I have to get a UK equivalent license.

218
00:28:26,780 --> 00:28:31,220
And then when I get the license, then I send the license in with my,

219
00:28:31,220 --> 00:28:32,220
what is it?

220
00:28:32,220 --> 00:28:36,980
120 pound fine with my check because it's two fines each, 60 pounds each.

221
00:28:36,980 --> 00:28:40,260
Then they'll take off six points off of my license and pack to me.

222
00:28:40,260 --> 00:28:44,780
So I'm like, and now, of course, since, you know, this has to happen within some,

223
00:28:44,780 --> 00:28:49,980
I guess some agreeable amount of time, I'm already getting all kinds of, you know, legal

224
00:28:49,980 --> 00:28:53,980
notices that I'm going to, basically going to jail is what's going to happen.

225
00:28:53,980 --> 00:28:57,340
So I'm going to see if I can, if I can, I got a, I feel like shit today.

226
00:28:57,340 --> 00:29:01,180
I got, I've been running a fever for two days, but sometimes this week I have to

227
00:29:01,420 --> 00:29:05,980
have to take care of this, I have to get it done along with all the services that

228
00:29:05,980 --> 00:29:08,420
have to be changed as we move to the new cottage.

229
00:29:09,420 --> 00:29:11,340
I've got to get to bandwidth set up.

230
00:29:11,340 --> 00:29:15,220
I've got to get to the sky, satellite TV set up.

231
00:29:15,220 --> 00:29:17,380
Oh, man, this is just so much, it has to be done.

232
00:29:21,020 --> 00:29:22,500
But that's just my personal life.

233
00:29:22,940 --> 00:29:25,180
There's stuff to be done professionally as well.

234
00:29:25,780 --> 00:29:30,140
Some good news regarding accessibility of podshow plus I'm so happy that someone

235
00:29:30,180 --> 00:29:31,460
called in with this information.

236
00:29:31,820 --> 00:29:40,700
Adam listening to 504 and just one thing that if we use in your text, this drawing or

237
00:29:40,700 --> 00:29:48,420
your beautiful flash content, there is an accessibility panel where you can put

238
00:29:48,420 --> 00:29:54,580
like shortcuts and tab in that description so that screen readers can actually interact

239
00:29:54,580 --> 00:29:59,900
with a content, just sort of getting my sense of the show holder.

240
00:29:59,900 --> 00:30:00,900
Thank you.

241
00:30:00,900 --> 00:30:01,900
Thank you so much.

242
00:30:01,900 --> 00:30:03,220
Okay, I'm all over this.

243
00:30:03,220 --> 00:30:08,740
I had no idea I bet you the developers didn't know or weren't thinking about it.

244
00:30:08,740 --> 00:30:09,740
This is great news.

245
00:30:09,740 --> 00:30:16,220
And quite honestly, I could hardly imagine that Adobe, with its 98 or 99% penetration

246
00:30:16,220 --> 00:30:21,380
of flash on all computers in the known universe, that they wouldn't have baked in some

247
00:30:21,380 --> 00:30:22,380
accessibility stuff.

248
00:30:22,380 --> 00:30:23,980
So apparently it's in there.

249
00:30:23,980 --> 00:30:25,740
I will have the boys and girls look at it.

250
00:30:25,740 --> 00:30:29,580
I promise you, let's get this done already, let's get this stuff working for people.

251
00:30:29,900 --> 00:30:34,540
And this is where this was supposed to queue up, but there we go.

252
00:30:36,250 --> 00:30:56,250
[ Music ]

253
00:30:59,900 --> 00:31:07,460
Yeah, what's up AC is, Jersey Todd, the official musicologist of the Chacha.

254
00:31:07,460 --> 00:31:11,900
Hey listen, coming off the ton of blues of 35th birthday party last Friday, I had to bring

255
00:31:11,900 --> 00:31:15,700
you a special midweek song to the Daily Source code, and I just had to get this song up

256
00:31:15,700 --> 00:31:16,700
to you today.

257
00:31:16,700 --> 00:31:20,100
I couldn't wait till Friday, the artist is Peter Mulvey out of Wisconsin.

258
00:31:20,100 --> 00:31:23,780
His new album, The Nuckleball Sweet, well it's out on signature sounds.

259
00:31:23,780 --> 00:31:27,020
And this is an artist that's been getting a lot of national press.

260
00:31:27,020 --> 00:31:30,700
The songs are absolutely wonderful and I'm telling you, you got to check them out.

261
00:31:30,700 --> 00:31:33,580
The song that I'm going to give you today, growing the high tops, is going to give

262
00:31:33,580 --> 00:31:36,060
you a good kick in the ass for the middle of the week.

263
00:31:36,060 --> 00:31:41,660
So go over to signature sounds website at www.signaturesounds.com, tell them to post more

264
00:31:41,660 --> 00:31:45,340
of their artists of the Podsate music network, because they have got some absolutely amazing

265
00:31:45,340 --> 00:31:46,660
people on their roster.

266
00:31:46,660 --> 00:31:50,180
Hey, I'll see you guys on Friday, but right now this is Peter Mulvey on The Daily Source

267
00:31:50,180 --> 00:31:50,460
Code.

268
00:31:53,750 --> 00:34:19,900
[ Music ]

269
00:34:19,900 --> 00:34:20,900
website at www.signaturesounds.com

270
00:34:20,900 --> 00:34:21,900
website at www.signaturesounds.com

271
00:34:21,900 --> 00:34:23,900
website at www.signaturesounds.com

272
00:34:23,900 --> 00:34:24,900
website at www.signaturesounds.com

273
00:34:24,900 --> 00:34:25,900
website at www.signaturesounds.com

274
00:34:25,900 --> 00:34:27,900
website at www.signaturesounds.com

275
00:34:27,900 --> 00:34:28,900
website at www.signaturesounds.com

276
00:34:28,900 --> 00:34:29,900
website at www.signaturesounds.com

277
00:34:29,900 --> 00:34:30,900
website at www.signaturesounds.com

278
00:34:30,900 --> 00:34:31,900
website at www.signaturesounds.com

279
00:34:31,900 --> 00:34:32,900
website at www.signaturesounds.com

280
00:34:32,900 --> 00:34:33,900
website at www.signaturesounds.com

281
00:34:33,900 --> 00:34:34,900
website at www.signaturesounds.com

282
00:34:34,900 --> 00:34:35,900
website at www.signaturesounds.com

283
00:34:35,900 --> 00:34:36,900
website at www.signaturesounds.com

284
00:34:36,900 --> 00:34:37,900
website at www.signaturesounds.com

285
00:34:37,900 --> 00:34:39,900
website at www.signaturesounds.com

286
00:34:39,900 --> 00:34:40,900
website at www.signaturesounds.com

287
00:34:40,900 --> 00:34:41,900
website at www.signaturesounds.com

288
00:34:41,900 --> 00:34:42,900
website at www.signaturesounds.com

289
00:34:42,900 --> 00:34:43,900
website at www.signaturesounds.com

290
00:34:43,900 --> 00:34:44,900
website at www.signaturesounds.com

291
00:34:44,900 --> 00:34:45,900
website at www.signaturesounds.com

292
00:34:45,900 --> 00:34:46,900
website at www.signaturesounds.com

293
00:34:46,900 --> 00:34:47,900
website at www.signaturesounds.com

294
00:34:47,900 --> 00:34:48,900
website at www.signaturesounds.com

295
00:34:48,900 --> 00:34:49,900
website at www.signaturesounds.com

296
00:34:49,900 --> 00:34:50,900
website at www.signaturesounds.com

297
00:34:50,900 --> 00:34:52,900
website at www.signaturesounds.com

298
00:34:52,900 --> 00:34:53,900
website at www.signaturesounds.com

299
00:34:53,900 --> 00:34:54,900
website at www.signaturesounds.com

300
00:34:54,900 --> 00:34:55,900
website at www.signaturesounds.com

301
00:34:55,900 --> 00:34:56,900
website at www.signaturesounds.com

302
00:34:56,900 --> 00:34:58,900
website at www.signaturesounds.com

303
00:34:58,900 --> 00:34:59,900
website at www.signaturesounds.com

304
00:34:59,900 --> 00:35:00,900
website at www.signaturesounds.com

305
00:35:00,900 --> 00:35:01,900
website at www.signaturesounds.com

306
00:35:01,900 --> 00:35:02,900
website at www.signaturesounds.com

307
00:35:02,900 --> 00:35:03,900
website at www.signaturesounds.com

308
00:35:03,900 --> 00:35:04,900
website at www.signaturesounds.com

309
00:35:04,900 --> 00:35:05,900
website at www.signaturesounds.com

310
00:35:05,900 --> 00:35:06,900
website at www.signaturesounds.com

311
00:35:06,900 --> 00:35:07,900
website at www.signaturesounds.com

312
00:35:07,900 --> 00:35:08,900
website at www.signaturesounds.com

313
00:35:08,900 --> 00:35:09,900
website at www.signaturesounds.com

314
00:35:09,900 --> 00:35:10,900
website at www.signaturesounds.com

315
00:35:10,900 --> 00:35:11,900
website at www.signaturesounds.com

316
00:35:11,900 --> 00:35:13,900
website at www.signaturesounds.com

317
00:35:13,900 --> 00:35:14,900
website at www.signaturesounds.com

318
00:35:14,900 --> 00:35:15,900
website at www.signaturesounds.com

319
00:35:15,900 --> 00:35:17,900
website at www.signaturesounds.com

320
00:35:17,900 --> 00:35:18,900
website at www.signaturesounds.com

321
00:35:18,900 --> 00:35:19,900
website at www.signaturesounds.com

322
00:35:19,900 --> 00:35:21,900
website at www.signaturesounds.com

323
00:35:21,900 --> 00:35:22,900
website at www.signaturesounds.com

324
00:35:22,900 --> 00:35:23,900
website at www.signaturesounds.com

325
00:35:23,900 --> 00:35:24,900
website at www.signaturesounds.com

326
00:35:24,900 --> 00:35:25,900
website at www.signaturesounds.com

327
00:35:25,900 --> 00:35:26,900
website at www.signaturesounds.com

328
00:35:26,900 --> 00:35:27,900
website at www.signaturesounds.com

329
00:35:27,900 --> 00:35:28,900
website at www.signaturesounds.com

330
00:35:28,900 --> 00:35:29,900
website at www.signaturesounds.com

331
00:35:29,900 --> 00:35:30,900
website at www.signaturesounds.com

332
00:35:30,900 --> 00:35:31,900
website at www.signaturesounds.com

333
00:35:31,900 --> 00:35:32,900
website at www.signaturesounds.com

334
00:35:32,900 --> 00:35:33,900
website at www.signaturesounds.com

335
00:35:33,900 --> 00:35:34,900
website at www.signaturesounds.com

336
00:35:35,900 --> 00:35:36,900
website at www.signaturesounds.com

337
00:35:36,900 --> 00:35:37,900
website at www.signaturesounds.com

338
00:35:37,900 --> 00:35:38,900
website at www.signaturesounds.com

339
00:35:38,900 --> 00:35:39,900
website at www.signaturesounds.com

340
00:35:39,900 --> 00:35:40,900
website at www.signaturesounds.com

341
00:35:40,900 --> 00:35:41,900
website at www.signaturesounds.com

342
00:35:41,900 --> 00:35:42,900
website at www.signaturesounds.com

343
00:35:42,900 --> 00:35:43,900
website at www.signaturesounds.com

344
00:35:43,900 --> 00:35:44,900
website at www.signaturesounds.com

345
00:35:44,900 --> 00:35:45,900
website at www.signaturesounds.com

346
00:35:45,900 --> 00:35:46,900
website at www.signaturesounds.com

347
00:35:46,900 --> 00:35:47,900
website at www.signaturesounds.com

348
00:35:47,900 --> 00:35:48,900
website at www.signaturesounds.com

349
00:35:48,900 --> 00:35:49,900
website at www.signaturesounds.com

350
00:35:49,900 --> 00:35:50,900
website at www.signaturesounds.com

351
00:35:50,900 --> 00:35:51,900
website at www.signaturesounds.com

352
00:35:51,900 --> 00:35:52,900
website at www.signaturesounds.com
