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A Domain Registration is a gift that keeps on giving for all the geeks in your life.

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The newer shot hit GoDaddy.com.

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Listen to this podcast for a special code that you can use to get great discounts at GoDaddy.com.

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Have your attention, please.

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Do not try to remain calm.

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This show is going into motion.

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That is the worst code number.

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Five hundred and forty.

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In a world where women wear comfortable shoes and nothing else.

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It's the daily source code episode five thirteen.

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Sixty million dollars worth of airplane strapped to my ass.

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In the next generation radio content in my ears.

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I like to think I'm flying into the future.

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I'm on fire.

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I could barely stand myself.

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[ Music ]

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It took me a little while to figure it out, but yeah, that's what he's singing.

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I'm going to show her my old face.

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His name is Bo Halle, he's from Georgia.

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And he's got the most piercing blue eyes I've seen in a long, long time.

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If Prince had a car wreck with the Rolling Stones and Stevie Ray Vaughn, the resulting candy bar would be called...

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UNAs, Bo Halle's new city, which he calls the soundtrack for mating Toronto Sorrows.

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Okay.

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It's on the pod save music networks where you can find it.

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Show notes.

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We'll lead you there at DailySourceCode.com.

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Hey everybody, how you doing?

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It's Thursday.

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It is episode 513 of the DailySourceCode coming to you once again from Northern California, from San Francisco, the Curry condo.

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So what is up with San Francisco?

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San Francisco, what is up with you?

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It's weather is shite.

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It's been raining.

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It's like Seattle.

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It is literally like Seattle here.

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As since we've had the company since I've had the condo, I don't think I've seen it this bad.

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Maybe I just wasn't here.

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This time Christmas last year, but nasty.

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Thursday.

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It's early once again.

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I gotta tell you this is just about the time when I start feeling ready to go back home.

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To be back on a...

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Just a different schedule.

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This early morning stuff is very difficult for me.

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And we've had so many logistical challenges.

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I didn't mention this for some very obvious reasons.

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But yesterday, Patricia left early in the morning.

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You know, that was the whole life I got my medicine thing.

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Which worked out fine, by the way.

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She turned out she was only a half an hour later in the studio than if she'd taken her original flight.

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Go figure that.

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But Christina was actually all alone in the house yesterday.

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This was a big, big, big...

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Well, I don't want to call it a test.

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I want to call it a challenge.

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When you leave your kid alone overnight, and of course the neighbors were very well aware of the situation.

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But neither I could be there nor Patricia and her grandparents arrived this afternoon.

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So, you know, I knew that she would be there full overnight all by herself.

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And it's really one of the most frightening things for her parent.

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Even though, you know, she's 16.

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She can take care of herself.

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She can certainly take care of herself out on the streets and in the city.

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At least I think so.

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She seems to be staying on a trouble.

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But it was, you know, so anyway, so I stayed up extra late to call to make sure that she was up in the morning.

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You K-time, and you know, she was up and about and getting ready for school and everything was okay.

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And, you know, I just didn't really have a very restful night to be quite honest.

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It was like, oh, my baby.

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I know I'd promised you, well, promises a big word.

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I said that what I'd like to do today is I'd like to go through everything that Podshow is doing.

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And as I sat down this morning at 6.15 a.m.

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To start writing it all down, I realized that that preparing even for an hour

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would just not do anything justice.

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And so I really want to take some time to map everything out because we are doing an incredible amount of stuff.

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You know, we basically have four networks that we've now integrated into one.

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If you look at the music flowing from the Podsate Music Network.

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If you look at shows, all of the shows on the network, thousands of shows on the network.

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Over 200, we produce co-produce or finance.

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And they're all making money, which is fantastic.

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You know, so I'd like to talk to you about that.

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We, of course, have videos, which we're just adding.

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We have some announcements to make, and we have some stuff to unveil in January.

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In January, maybe the beginning of February, but I presume January.

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So that's something that I wanted to talk about.

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How about the people?

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And what is it going to look like on television?

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You know, all of this stuff is I really have to sit down.

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In fact, I know a great time when I'll be sitting down for about, let me think, ten hours when I fly home Sunday.

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Normally, fly home Saturday, but I'm flying home a day later.

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So when I hope fly home Sunday, I'm going to really prepare this.

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And I'll just do a real sit down.

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It's not probably not going to be a show that everyone will want to listen to,

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but those who are interested.

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I'm sure you will enjoy it.

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So I just have to get through, you know, I just have to organize my thoughts because it's so much.

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I say the sale with some splendor.

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Hey, wait a minute.

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Aren't we, uh, there's another, uh, another hell is it?

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I got another promotion starting tomorrow.

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It's for a movie.

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Hold on a second.

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Let me just see.

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I'm not supposed to talk about it until tomorrow.

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What is it to stop the yard?

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That's a new movie, which is coming out.

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What January 12th, stop the yard.

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Oh, that's right.

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Yeah, it's centers around, uh, a troubled youth from Los Angeles attending the historically Black

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Truth University in Atlanta, Georgia.

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When adapting to his new environment, it proves very difficult.

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Blah, blah, blah, blah, blah, blah.

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Okay, so I get it.

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So we got a special podcast.

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We want you to listen to.

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I'll talk about that tomorrow.

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So when I burp tomorrow, at least I'll know what the hell I have to promote.

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Hey, it's Thursday.

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You know what that usually means, don't you?

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It's time once again to firm up the behind.

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Because you know when you hit 40 years, where they got to work on that ass.

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Amy.

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Hey, baby, how you doing?

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Hello.

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You actually disappointed that last week was not a killer workout.

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Yeah, it was kind of easy, you know?

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That makes my day dump in the next two weeks.

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Oh, no.

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Jump and kick.

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Oh, no.

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No, name me.

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I didn't really mean it like that.

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Today we're going to be jumping.

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So get your mic situated.

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You can space as plenty of room to each side.

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Yeah, sure.

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Take a deep breath and get ready.

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Do I have to put down the spliff?

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Is that the point?

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Okay.

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And the tea.

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You're going to start with feet together.

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Hands at your side.

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I want to still put down the tea.

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Okay.

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Now leave it to your left leg and jump a couple of feet to your left.

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Landing with your left knee slightly bent and your right leg lifts it just a little bit.

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So it's not touching the ground.

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Kind of like a leap and lizard thing like good.

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Now jump a few feet to your right.

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Letting the right leg land with knee bent and the left leg follow.

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But keeping the left foot a couple inches off the ground.

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What do I do?

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Good.

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Now back and forth to each side.

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Eight times.

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Eight jump.

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Squeeze your butt.

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It's squeezing the butt.

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Make sure you land with your knee bent.

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I hit the, I hit the bankers rack.

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Breathe.

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Faster.

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Faster.

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Faster.

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Oh baby, faster.

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I don't hear you counting.

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Oh, six.

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Amy, oh, faster.

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Oh, that was fun.

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You did a good job.

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Well, I'll let you get back to your show.

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I'm off to do some test runs for my video show Fit Life that will hopefully launch

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in January.

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Last week, I gave you a hard time about avoiding me in town.

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This week, it's all my fault.

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I'm getting ready to leave for home and haven't been to the office.

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Well, where are you going?

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I will see you at the Christmas party, which I will be attending.

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Not as Amy Mac, but as podcast alley wife.

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Oh.

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So until next time.

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I'm doing this in front of the big open window.

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We're not the open window, but the, I have these floor to ceiling windows all around the

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condo.

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And there's the building this rink and hill tower, which is going to be the largest building

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west of the Mississippi, 70 stories high.

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And there's probably like 15 construction workers all looking at me going like,

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look at that boy.

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That boy's not right.

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That's not right.

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It reminds me someone sent me an awesome podcast.

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Let me just see if I can find the notes on it here.

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Here it is.

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This is from John Hamilton.

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Adam, you've got to hear the impression this podcast is doing you.

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Doing a few of its funny is all hell.

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I know you're always looking for fresh and different things when it comes to podcasting.

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You have to hear this.

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Okay.

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What is it?

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Oblivion.lipsin.com.

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Hold on.

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I just got to load this up.

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Hold on a second.

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Where is it?

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Here we go.

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It's, I don't know.

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It's this show number three or four.

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This, the accents are all off, but some of this shit is really funny.

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Check it out.

211
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Hello and welcome to another episode of road trip to oblivion.

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Today's episode takes place in the curry condo.

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Adam Curry is taking one too many hits on the curry crack rock.

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And decides to do an improv show where he does two reviews on iTunes.

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Both of them on the show, it fights with Don.

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You know, the fact check from Don and Drew.

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Anyways, the story behind this is that Jason just got on the road.

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Hey, hey, hey mother fucker.

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Lay off my girlfriend, okay?

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Nothing to talk about because this is his first and second day out.

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He doesn't even done one delivery yet.

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But he wanted to do a show for you addicted mother fuckers to the show.

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And we just wanted to extend our gratitude to everyone who was download the show from Lipsin.

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There's a lot of downloads considering that the fucking shit doesn't even work on iTunes yet.

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Fuck you.

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And you stupid cock sucking pieces shit.

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Run by fucking Steve Jobs and your fucking pants.

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Hide up to your fucking crotch and your balls hanging down like a fucking camel's neck.

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Fuck you asshole.

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Fix my fucking feed shit ball.

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I'm telling you, this is outrageous shit.

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You're late.

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Here I'm flicking the light.

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Oh, that's a good shit.

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Adam, put down the goddamn crack.

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I'm getting ready to take your proud out.

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We got dead bitch.

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Can't you just fucking wait?

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I can't do a goddamn thing until I'm fucking big out of my goddamn mind.

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Ah, but if I'm wrong then, I have bad to find again.

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And show you my base content.

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Fine, what my base?

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What do you say base curtains?

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Oh, man, this is bad.

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Okay, you know what?

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You should not have a fuck of a buzz bitch.

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That's wrong.

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Now let's get in when it's goddamn proud out already.

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I've got to go in the bathroom and shave my pussy.

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You know what Patricia?

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That picture that you keep continuously painting this morning.

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It's getting more and more scarier.

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And it doesn't even matter how much fucking curry crack rock.

254
00:15:00,000 --> 00:15:02,000
I got runnin' through my veins.

255
00:15:02,000 --> 00:15:03,000
Alright.

256
00:15:03,000 --> 00:15:04,000
Alright.

257
00:15:04,000 --> 00:15:06,000
Oblivion.lipsin.com.

258
00:15:06,000 --> 00:15:07,000
That's pretty funny.

259
00:15:08,000 --> 00:15:09,000
That was alright.

260
00:15:11,000 --> 00:15:13,000
Let me see.

261
00:15:13,000 --> 00:15:16,000
That's a more stuff in the notebook here.

262
00:15:16,000 --> 00:15:20,000
Ah, let me see.

263
00:15:23,000 --> 00:15:25,000
What was this?

264
00:15:26,000 --> 00:15:28,000
Ah, I'm like Feldebore.

265
00:15:28,000 --> 00:15:30,000
I'm sure this has been asked to you more.

266
00:15:30,000 --> 00:15:33,000
And once it's a possible to put Patricia's music on the pot set music network.

267
00:15:33,000 --> 00:15:35,000
I made it know it's part of some record companies.

268
00:15:35,000 --> 00:15:39,000
They probably start to go bonkers if you suggested blah, blah, blah, blah, blah.

269
00:15:39,000 --> 00:15:40,000
Okay.

270
00:15:40,000 --> 00:15:41,000
Now we can't do that actually.

271
00:15:41,000 --> 00:15:42,000
Can't legally do it.

272
00:15:42,000 --> 00:15:44,000
Anything that we've done and produced.

273
00:15:44,000 --> 00:15:47,000
We can't put up anything that we own the masters to.

274
00:15:47,000 --> 00:15:53,000
Ah, and I'm sure I could get permission from these record companies to put it up on the pot set music network.

275
00:15:53,000 --> 00:15:55,000
But who the hell wants to go through that?

276
00:15:55,000 --> 00:15:56,000
Ah, here's it.

277
00:15:56,000 --> 00:15:58,000
I moved from Holland to Vancouver.

278
00:15:58,000 --> 00:16:00,000
Seven years ago experienced one earthquake.

279
00:16:00,000 --> 00:16:03,000
I'm in the middle of finally creating an earthquake kit.

280
00:16:03,000 --> 00:16:07,000
So when an earthquake hits, I actually have food for three days in water and cash, etc.

281
00:16:07,000 --> 00:16:12,000
My question is, would it not be an interesting topic to discuss or get feedback from your listeners?

282
00:16:12,000 --> 00:16:17,000
I mean, your curry condo was on the 24th floor of a building situated on an earthquake central.

283
00:16:17,000 --> 00:16:20,000
Have you given any thought about what you would do in case of an earthquake?

284
00:16:20,000 --> 00:16:22,000
Ah, and I read that email.

285
00:16:22,000 --> 00:16:25,000
I thought, you know, that is kind of interesting because no doubt the, you know,

286
00:16:25,000 --> 00:16:31,000
whenever I would come to San Francisco in the past before we, you know, had headquarters here,

287
00:16:31,000 --> 00:16:32,000
you'd always think about it.

288
00:16:32,000 --> 00:16:33,000
Even Los Angeles.

289
00:16:33,000 --> 00:16:34,000
Los Angeles or San Francisco.

290
00:16:34,000 --> 00:16:36,000
You always think, oh, man, I hope the big one doesn't hit well.

291
00:16:36,000 --> 00:16:37,000
I'm here.

292
00:16:37,000 --> 00:16:38,000
And that goes away pretty quick.

293
00:16:38,000 --> 00:16:41,000
I haven't, this is really the first time in at least a year.

294
00:16:41,000 --> 00:16:42,000
I think I've thought about it.

295
00:16:42,000 --> 00:16:45,000
And honestly, I don't have an earthquake kit ready.

296
00:16:45,000 --> 00:16:48,000
And I really don't know what happened up here on the 24th floor.

297
00:16:48,000 --> 00:16:50,000
There's a lot of big buildings that they've built in this,

298
00:16:50,000 --> 00:16:56,000
and I'm in the financial district right near right near the Bay Bridge.

299
00:16:56,000 --> 00:16:57,000
And I don't know.

300
00:16:57,000 --> 00:16:59,000
As I said, I'm looking out the window.

301
00:16:59,000 --> 00:17:03,000
I see another 70, I think it's going to be 60 or 70 story building that they're,

302
00:17:03,000 --> 00:17:07,000
that they're erecting.

303
00:17:07,000 --> 00:17:12,000
So I presume that these things are earthquake proof.

304
00:17:12,000 --> 00:17:13,000
Is that what everyone says?

305
00:17:13,000 --> 00:17:16,000
Yeah, it's famous last words, I guess, right?

306
00:17:16,000 --> 00:17:18,000
But I should have an earthquake kit.

307
00:17:18,000 --> 00:17:20,000
So what do I need?

308
00:17:20,000 --> 00:17:26,000
Jim shoes, flashlight, water, pop tarts.

309
00:17:26,000 --> 00:17:27,000
I don't like that.

310
00:17:27,000 --> 00:17:30,000
Hi, I don't mean it's GD here from GD's by size bonus.

311
00:17:30,000 --> 00:17:32,000
I know what I need.

312
00:17:32,000 --> 00:17:34,000
Well, they're one of the organizers of podcast.

313
00:17:34,000 --> 00:17:36,000
Now, unfortunately, on Wednesday 29th November,

314
00:17:36,000 --> 00:17:39,000
you were unable to make it down to the purple turtling camp,

315
00:17:39,000 --> 00:17:41,000
and then could you play Mr. Mum?

316
00:17:41,000 --> 00:17:42,000
But never mind.

317
00:17:42,000 --> 00:17:43,000
All is not lost.

318
00:17:43,000 --> 00:17:44,000
Artists.

319
00:17:44,000 --> 00:17:45,000
Artists.

320
00:17:45,000 --> 00:17:46,000
Artists.

321
00:17:46,000 --> 00:17:47,000
Artists.

322
00:17:47,000 --> 00:17:48,000
Artists.

323
00:17:48,000 --> 00:17:49,000
Artists.

324
00:17:49,000 --> 00:17:50,000
Artists.

325
00:17:50,000 --> 00:17:51,000
Artists.

326
00:17:51,000 --> 00:17:52,000
Artists.

327
00:17:52,000 --> 00:17:53,000
Artists.

328
00:17:53,000 --> 00:17:54,000
Artists.

329
00:17:54,000 --> 00:17:56,000
Artists.

330
00:17:56,000 --> 00:17:57,000
Artists.

331
00:17:57,000 --> 00:17:58,000
Artists.

332
00:17:58,000 --> 00:17:59,000
Artists.

333
00:17:59,000 --> 00:18:00,000
Artists.

334
00:18:00,000 --> 00:18:01,000
Artists.

335
00:18:01,000 --> 00:18:02,000
Artists.

336
00:18:02,000 --> 00:18:04,000
Artists.

337
00:18:04,000 --> 00:18:05,000
Artists.

338
00:18:05,000 --> 00:18:06,000
Artists.

339
00:18:06,000 --> 00:18:07,000
Artists.

340
00:18:07,000 --> 00:18:08,000
Artists.

341
00:18:08,000 --> 00:18:09,000
Artists.

342
00:18:09,000 --> 00:18:10,000
Artists.

343
00:18:10,000 --> 00:18:11,000
Artists.

344
00:18:11,000 --> 00:18:12,000
Artists.

345
00:18:12,000 --> 00:18:13,000
Artists.

346
00:18:13,000 --> 00:18:15,000
Artists.

347
00:18:15,000 --> 00:18:16,000
Artists.

348
00:18:16,000 --> 00:18:17,000
Artists.

349
00:18:17,000 --> 00:18:19,000
Artists.

350
00:18:19,000 --> 00:18:20,000
Artists.

351
00:18:20,000 --> 00:18:21,000
Artists.

352
00:18:21,000 --> 00:18:26,000
the first past life, breach of a new face of rip-bub in the form of the Union Streetrunner

353
00:18:26,000 --> 00:18:31,000
as they take the stage of the Burble Turquered Camden, what is...punfest.

354
00:18:36,000 --> 00:18:38,000
So if you can get to Budfest, you're not going to miss out.

355
00:18:38,000 --> 00:18:42,000
You can listen to all three sets we call it live, from your listening pleasure.

356
00:18:42,000 --> 00:18:45,000
Exclusively to Potsho, delivering that work.

357
00:18:45,000 --> 00:18:47,000
Yes, this is Punfest Live.

358
00:18:47,000 --> 00:18:50,000
Go to www.punfestlive.com

359
00:18:50,000 --> 00:18:52,000
www.puncho.com

360
00:18:52,000 --> 00:18:53,000
Right on fest.

361
00:18:53,000 --> 00:18:55,000
We need the best live music.

362
00:18:55,000 --> 00:18:56,000
On fest.

363
00:18:56,000 --> 00:18:57,000
On fest.

364
00:18:57,000 --> 00:18:58,000
On fest.

365
00:18:58,000 --> 00:18:59,000
Well, plot this.

366
00:18:59,000 --> 00:19:00,000
I wish it could have been there.

367
00:19:00,000 --> 00:19:01,000
Sounds good, man.

368
00:19:01,000 --> 00:19:06,000
I'll put it into my on-the-go channel on Pod Show.

369
00:19:06,000 --> 00:19:08,000
So it'll show up on my Nokia.

370
00:19:08,000 --> 00:19:10,000
And then I can use the Bluetooth headphones.

371
00:19:10,000 --> 00:19:11,000
I really got a system with that.

372
00:19:11,000 --> 00:19:12,000
I'm really digging that.

373
00:19:12,000 --> 00:19:14,000
How I talked about that enough about the Nokia.

374
00:19:14,000 --> 00:19:16,000
It's completely replaced by Blackberry.

375
00:19:16,000 --> 00:19:19,000
The E61.

376
00:19:19,000 --> 00:19:21,000
Which includes the Wi-Fi.

377
00:19:21,000 --> 00:19:24,000
So Nokia has this awesome podcasting.

378
00:19:24,000 --> 00:19:26,000
Well, it's not really awesome.

379
00:19:26,000 --> 00:19:27,000
It really does the job.

380
00:19:27,000 --> 00:19:29,000
There's a lot left to be desired.

381
00:19:29,000 --> 00:19:31,000
But because you got Wi-Fi, essentially, you know,

382
00:19:31,000 --> 00:19:34,000
I have a couple channels set up and I have one that's called on the go.

383
00:19:34,000 --> 00:19:36,000
Set it up in my Pod Show Plus account.

384
00:19:36,000 --> 00:19:40,000
You can actually see what's on that channel if you go to Adam.podshow.com.

385
00:19:40,000 --> 00:19:42,000
And you look at channels I have.

386
00:19:42,000 --> 00:19:45,000
You can see what I collected in there.

387
00:19:46,000 --> 00:19:50,000
And so I just fire up the application before I leave the house.

388
00:19:50,000 --> 00:19:52,000
It connects on Wi-Fi.

389
00:19:52,000 --> 00:19:54,000
So it's nice to zip you fast.

390
00:19:54,000 --> 00:19:56,000
And I just say, go get everything new.

391
00:19:56,000 --> 00:19:58,000
And usually within like 10 minutes it'll have everything.

392
00:19:58,000 --> 00:20:00,000
Depending on the bandwidth where I am.

393
00:20:00,000 --> 00:20:03,000
The bandwidth at the condo is fucking rocking, by the way.

394
00:20:06,000 --> 00:20:07,000
What was I gonna say?

395
00:20:07,000 --> 00:20:09,000
Yeah, this is it, man.

396
00:20:09,000 --> 00:20:11,000
I'm so tired that I just can't keep my thoughts straight.

397
00:20:11,000 --> 00:20:14,000
I didn't get any email from John Glasscock.

398
00:20:15,000 --> 00:20:18,000
And he did some analysis, which I do appreciate.

399
00:20:18,000 --> 00:20:24,000
He said the, the, the jazel guy who called yesterday said the jazel has been missing for four days.

400
00:20:24,000 --> 00:20:27,000
He says he ran both voices through an analyzer.

401
00:20:27,000 --> 00:20:28,000
He says, well, I'm not an expert.

402
00:20:28,000 --> 00:20:29,000
They appeared to be a match.

403
00:20:29,000 --> 00:20:32,000
CSI, CSI podcaster.

404
00:20:32,000 --> 00:20:34,000
Cool, John.

405
00:20:34,000 --> 00:20:38,000
But he does say that, you know, there is some cause for concern.

406
00:20:38,000 --> 00:20:42,000
You should post her picture and alert the authorities.

407
00:20:43,000 --> 00:20:46,000
Uh, I don't think I can post the picture.

408
00:20:46,000 --> 00:20:47,000
She sent to me.

409
00:20:47,000 --> 00:20:50,000
And by the way, I don't think it really help anyone

410
00:20:50,000 --> 00:20:54,000
I identify her unless you're in an interesting situation with her.

411
00:20:54,000 --> 00:20:57,000
Uh, I, I'm still not convinced.

412
00:20:57,000 --> 00:20:58,000
I don't know.

413
00:20:58,000 --> 00:20:59,000
I'm just not convinced.

414
00:20:59,000 --> 00:21:01,000
That's what I mean.

415
00:21:01,000 --> 00:21:03,000
Um, so we'll see what happens.

416
00:21:03,000 --> 00:21:04,000
We'll see if we hear for us.

417
00:21:04,000 --> 00:21:05,000
It was his name, Nick.

418
00:21:05,000 --> 00:21:06,000
We'll see if we hear back from Nick.

419
00:21:06,000 --> 00:21:08,000
He did say, where is it?

420
00:21:08,000 --> 00:21:09,000
Oh, shit.

421
00:21:09,000 --> 00:21:10,000
I got rid of it.

422
00:21:10,000 --> 00:21:13,000
Anyway, so I mean, we'll see what we hear.

423
00:21:13,000 --> 00:21:14,000
I didn't even hear anything.

424
00:21:14,000 --> 00:21:15,000
Nothing on the voicemail.

425
00:21:15,000 --> 00:21:17,000
Since that last call.

426
00:21:17,000 --> 00:21:18,000
Uh, but I, I don't know.

427
00:21:18,000 --> 00:21:20,000
I don't think I should start up anything.

428
00:21:20,000 --> 00:21:24,000
You know, if she's missing, then I think Nick is the guy who should

429
00:21:24,000 --> 00:21:27,000
uh, who should call the authorities.

430
00:21:27,000 --> 00:21:32,000
So I try that test with you by giving you some voicemail dial tones.

431
00:21:32,000 --> 00:21:36,000
And if you hold up the mouthpiece of a standard telephone,

432
00:21:36,000 --> 00:21:37,000
it won't work with your cell phone.

433
00:21:37,000 --> 00:21:38,000
It was standard phone.

434
00:21:39,000 --> 00:21:40,000
And you need an outside line.

435
00:21:40,000 --> 00:21:43,000
So that would be your house phone or your office phone,

436
00:21:43,000 --> 00:21:45,000
if you know, dial an outside line.

437
00:21:45,000 --> 00:21:48,000
And you hold it up to the speaker while I play the,

438
00:21:48,000 --> 00:21:51,000
the, the, the, the, the, the, this called the DMTF tones,

439
00:21:51,000 --> 00:21:54,000
it's the touch tones and it actually dials the number.

440
00:21:54,000 --> 00:21:57,000
And I'm amazed how many people find this amazing.

441
00:21:57,000 --> 00:22:00,000
Yeah, we used to have phone dialers.

442
00:22:00,000 --> 00:22:02,000
And in fact, this is how you, you use this basic,

443
00:22:02,000 --> 00:22:06,000
uh, method of dialing as a, it was a way to hack into public

444
00:22:06,000 --> 00:22:09,000
phone systems back in the day even.

445
00:22:09,000 --> 00:22:11,000
You could completely circumvent all kinds of, you know,

446
00:22:11,000 --> 00:22:12,000
charging mechanisms.

447
00:22:12,000 --> 00:22:14,000
This has been around for a long, long time.

448
00:22:14,000 --> 00:22:16,000
Of course, with cell phones,

449
00:22:16,000 --> 00:22:18,000
um, you don't really use it anymore.

450
00:22:18,000 --> 00:22:21,000
Except maybe you use those tones when, um,

451
00:22:21,000 --> 00:22:23,000
um, you're in some kind of electronic system,

452
00:22:23,000 --> 00:22:25,000
and they ask you to, you know, select a menu item.

453
00:22:25,000 --> 00:22:27,000
But I don't think it's really used to dial anymore.

454
00:22:27,000 --> 00:22:29,000
Because, you know, you dial the number first,

455
00:22:29,000 --> 00:22:32,000
then you hit send or call or whatever on your phone,

456
00:22:32,000 --> 00:22:33,000
and then it dials the number.

457
00:22:33,000 --> 00:22:35,000
Until you don't even hear the DMTF tones.

458
00:22:35,000 --> 00:22:38,000
Because, of course, they're not actually being transmitted.

459
00:22:38,000 --> 00:22:41,000
But I did get some interesting info on this.

460
00:22:41,000 --> 00:22:42,000
Uh, this is from John Kitts.

461
00:22:42,000 --> 00:22:44,000
A couple of people sent me this.

462
00:22:44,000 --> 00:22:46,000
Uh, they googled on the use of dial tones.

463
00:22:46,000 --> 00:22:49,000
It is a US federal trade commission.

464
00:22:49,000 --> 00:22:52,000
It was the US federal trade commission that issued the so-called

465
00:22:52,000 --> 00:22:57,000
900 rule, which in 308 decimal 3G states,

466
00:22:57,000 --> 00:23:00,000
electronic tones and advertisements.

467
00:23:00,000 --> 00:23:02,000
It states that, and I quote,

468
00:23:02,000 --> 00:23:06,000
the provider of pay-per-call services is prohibited from using

469
00:23:06,000 --> 00:23:09,000
advertisements that emit electronic tones that can automatically

470
00:23:09,000 --> 00:23:11,000
dial a pay-per-call service.

471
00:23:11,000 --> 00:23:13,000
Huh.

472
00:23:13,000 --> 00:23:16,000
Well, of course, it wasn't a pay-per-call,

473
00:23:16,000 --> 00:23:21,000
other than your regular, you know, provider charges.

474
00:23:21,000 --> 00:23:24,000
So I guess I'm okay there, but that's pretty interesting.

475
00:23:24,000 --> 00:23:28,000
So you can advertise using those numbers

476
00:23:28,000 --> 00:23:31,000
as long as you don't charge for the call.

477
00:23:31,000 --> 00:23:32,000
Hmm.

478
00:23:32,000 --> 00:23:34,000
Well, I have one for you, folks.

479
00:23:34,000 --> 00:23:36,000
Uh, it's different.

480
00:23:36,000 --> 00:23:38,000
I decided, what are you going to call this?

481
00:23:38,000 --> 00:23:40,000
The demon dialer.

482
00:23:40,000 --> 00:23:41,000
There you go.

483
00:23:41,000 --> 00:23:44,000
This is the demon dialer, and today's demon dialer,

484
00:23:44,000 --> 00:23:46,000
and of course, you're all going to participate.

485
00:23:46,000 --> 00:23:50,000
Uh, this is someone who I haven't heard from in, uh,

486
00:23:50,000 --> 00:23:54,000
in a couple of weeks, and I'm wondering why I haven't heard from him.

487
00:23:54,000 --> 00:23:57,000
And so I think you should call him and ask him that.

488
00:23:57,000 --> 00:24:01,000
Now, of course, what you really want to do is, is you want to record what you're,

489
00:24:01,000 --> 00:24:03,000
you know, if you're going to call this person, record it,

490
00:24:03,000 --> 00:24:06,000
so you can send it in and let us all, you know,

491
00:24:06,000 --> 00:24:09,000
listen to how it went and when you found out who it was,

492
00:24:09,000 --> 00:24:10,000
how the conversation went.

493
00:24:10,000 --> 00:24:12,000
So the demon dialer today is as follows.

494
00:24:12,000 --> 00:24:16,000
For the US, hold up your, the mouthpiece of your phone

495
00:24:16,000 --> 00:24:17,000
to the speakers right now.

496
00:24:17,000 --> 00:24:19,000
Of course, you can always put it on pause

497
00:24:19,000 --> 00:24:21,000
while you get all that shit together.

498
00:24:21,000 --> 00:24:23,000
Make sure you have an outside line.

499
00:24:23,000 --> 00:24:25,000
And remember, you're going to say,

500
00:24:25,000 --> 00:24:28,000
hi, this is the demon dialer.

501
00:24:28,000 --> 00:24:31,000
When the person answers, and you'll say,

502
00:24:31,000 --> 00:24:34,000
how can we have and heard from you for a while?

503
00:24:34,000 --> 00:24:39,000
Now, that's only if you're in the US.

504
00:24:39,000 --> 00:24:41,000
If you're outside of the US in Europe,

505
00:24:41,000 --> 00:24:43,000
here's your number.

506
00:24:43,000 --> 00:24:47,000
Uh,

507
00:24:47,000 --> 00:24:49,000
folks on serious satellite radio,

508
00:24:49,000 --> 00:24:51,000
just move on.

509
00:24:52,000 --> 00:24:55,000
I hope that works.

510
00:24:55,000 --> 00:24:58,000
I hope that someone records a phone call when they call this guy

511
00:24:58,000 --> 00:25:00,000
and say, hey, it's the demon dialer.

512
00:25:00,000 --> 00:25:02,000
Where the hell are you, asshole?

513
00:25:02,000 --> 00:25:05,000
Of course, we have a regular phone numbers open,

514
00:25:05,000 --> 00:25:07,000
which you don't need the demon dialer for to access.

515
00:25:07,000 --> 00:25:25,000
So if you're a Brit, that is the number you want to be calling in the UK.

516
00:25:25,000 --> 00:25:29,000
So you want to keep that nice little jingle-med-lea memorise.

517
00:25:29,000 --> 00:25:31,000
If you're in the US, clear your brain.

518
00:25:31,000 --> 00:25:32,000
Here comes your song.

519
00:25:32,000 --> 00:25:39,000
One, two, one, six, two, five, six, three, five, seven.

520
00:25:39,000 --> 00:25:48,000
One, two, one, six, two, five, six, three, five, seven.

521
00:25:48,000 --> 00:25:52,000
Hello Adam, it's Hugh from Pharaohs,

522
00:25:52,000 --> 00:25:55,000
where it is Wednesday, 13th.

523
00:25:55,000 --> 00:25:57,000
Early evening, I'm not sure.

524
00:25:57,000 --> 00:25:59,000
I haven't heard you haven't heard the latest source card.

525
00:25:59,000 --> 00:26:02,000
I'm not sure if you're back from San Francisco.

526
00:26:02,000 --> 00:26:04,000
But just to say that we are currently

527
00:26:04,000 --> 00:26:07,000
is gone for the rest of the week at Pharaohs,

528
00:26:07,000 --> 00:26:09,000
with our twin squirrel helicopter,

529
00:26:09,000 --> 00:26:12,000
with the train modeling laser on it,

530
00:26:12,000 --> 00:26:15,000
and would be delighted to see you if you happen to drop by.

531
00:26:15,000 --> 00:26:17,000
And I will show you how it all works.

532
00:26:17,000 --> 00:26:20,000
Also, you've got a neighbor in the hangar now.

533
00:26:20,000 --> 00:26:23,000
Somebody has come to live with us at Pharaohs,

534
00:26:23,000 --> 00:26:28,000
with a wakeo, which is an utterly, utterly gorgeous aircraft.

535
00:26:28,000 --> 00:26:31,000
An American built open cockpit by plane.

536
00:26:31,000 --> 00:26:34,000
It's smaller than the steam and that got gorgeous.

537
00:26:34,000 --> 00:26:36,000
Anyway, hope to see you.

538
00:26:36,000 --> 00:26:39,000
Otherwise, hope San Francisco is okay.

539
00:26:39,000 --> 00:26:43,000
And if not, enjoy Christmas and speech in the new year by.

540
00:26:43,000 --> 00:26:44,000
All right, Hugh.

541
00:26:44,000 --> 00:26:47,000
You know, there's so many cool people in aviation.

542
00:26:47,000 --> 00:26:51,000
And this will be one of my projects for 2007.

543
00:26:51,000 --> 00:26:53,000
I really am going to do this.

544
00:26:53,000 --> 00:26:57,000
I want to get my flying fools show up and running.

545
00:26:57,000 --> 00:27:00,000
It's all about aviation and the people that make it happen.

546
00:27:00,000 --> 00:27:03,000
You come to these airports, you landed airports.

547
00:27:03,000 --> 00:27:06,000
All over the world, because I have flown all over the world.

548
00:27:06,000 --> 00:27:11,000
And you meet the most interesting people with the most interesting stories

549
00:27:11,000 --> 00:27:15,000
with the most beautiful aircraft with, you know,

550
00:27:15,000 --> 00:27:19,000
obsessions, love, disappointment, sorrow.

551
00:27:19,000 --> 00:27:22,000
It really, the emotions run the gamut.

552
00:27:22,000 --> 00:27:28,000
And in aviation, it's, I find it a really beautiful thing to see the passion that goes

553
00:27:28,000 --> 00:27:29,000
into that.

554
00:27:29,000 --> 00:27:32,000
So my plan is to do a video show called flying.

555
00:27:32,000 --> 00:27:34,000
I think it's a flying fool or flying fools.

556
00:27:34,000 --> 00:27:35,000
Flying fools.

557
00:27:35,000 --> 00:27:36,000
Flying fool.

558
00:27:36,000 --> 00:27:38,000
It could be Adam Curry flying fool.

559
00:27:38,000 --> 00:27:43,000
But that sounds more like I'm doing stunts or, or flying fools with Adam Curry.

560
00:27:43,000 --> 00:27:45,000
Or flying fools.

561
00:27:45,000 --> 00:27:47,000
Was there David?

562
00:27:47,000 --> 00:27:49,000
Niven.

563
00:27:50,000 --> 00:27:52,000
Or flying fools.

564
00:27:52,000 --> 00:27:54,000
Was Richard Attenborough.

565
00:27:54,000 --> 00:27:56,000
There you go.

566
00:27:56,000 --> 00:27:59,000
Because, you know, look, look at the content that could go create.

567
00:27:59,000 --> 00:28:01,000
God, I need a producer for that.

568
00:28:01,000 --> 00:28:03,000
I really do.

569
00:28:03,000 --> 00:28:04,000
All right.

570
00:28:04,000 --> 00:28:05,000
One last song.

571
00:28:05,000 --> 00:28:07,000
This is going to be something that is not on the pod safe music network.

572
00:28:07,000 --> 00:28:09,000
It's sent to be by my friend.

573
00:28:09,000 --> 00:28:11,000
David at Polito, known as that guitar man in New York.

574
00:28:11,000 --> 00:28:15,000
Of course, he's winding down his, his park appearance.

575
00:28:15,000 --> 00:28:17,000
I think he actually has wound down the park appearance,

576
00:28:17,000 --> 00:28:19,000
is because now it's the winter.

577
00:28:19,000 --> 00:28:22,000
Unless so we get some kind of beautiful.

578
00:28:22,000 --> 00:28:25,000
Maybe an Indian summer type day, all of a sudden.

579
00:28:25,000 --> 00:28:27,000
You probably won't see him in the park, but he's doing.

580
00:28:27,000 --> 00:28:30,000
I love the company his podcast every single day.

581
00:28:30,000 --> 00:28:33,000
It's, it's really a joy to listen to.

582
00:28:33,000 --> 00:28:38,000
And let me just find the email that he sent to me because I want to set it up right.

583
00:28:38,000 --> 00:28:41,000
Uh, pop, pop, pop, pop, pop.

584
00:28:41,000 --> 00:28:42,000
Let's see.

585
00:28:42,000 --> 00:28:43,000
So he did his year-end concert.

586
00:28:43,000 --> 00:28:45,000
And I'm so bummed that, you know, I was out here.

587
00:28:45,000 --> 00:28:47,000
Actually, the six, I was in,

588
00:28:47,000 --> 00:28:49,000
I was back in the UK, I think.

589
00:28:49,000 --> 00:28:51,000
And we would have loved to have streamed it live,

590
00:28:51,000 --> 00:28:53,000
but we just couldn't get any of that together with,

591
00:28:53,000 --> 00:28:57,000
with a new pod show plus launch and all that stuff.

592
00:28:57,000 --> 00:28:59,000
Um, anyway, when David does a gig,

593
00:28:59,000 --> 00:29:01,000
he, uh, he like, especially a big gig.

594
00:29:01,000 --> 00:29:03,000
He likes to feature the, feature the men and women that, you know,

595
00:29:03,000 --> 00:29:07,000
are behind him that are playing, uh, the band, essentially.

596
00:29:07,000 --> 00:29:11,000
And this year gave a solo to what he says is one of the most brilliant song

597
00:29:11,000 --> 00:29:13,000
writers he's ever worked with.

598
00:29:13,000 --> 00:29:16,000
Uh, also one of the purest rock and roll piano players in town.

599
00:29:16,000 --> 00:29:18,000
His name is George Wortsbach.

600
00:29:18,000 --> 00:29:20,000
And, uh, he sent me the recording.

601
00:29:20,000 --> 00:29:26,000
I think you'll like it because George has a pretty cool song for those of you who are married.

602
00:29:26,000 --> 00:29:28,000
But now, I'm going to leave this stage.

603
00:29:28,000 --> 00:29:29,000
We're going to leave this stage.

604
00:29:29,000 --> 00:29:33,000
And I'm sorry, but you're going to have to hang out for just a little while with him.

605
00:29:33,000 --> 00:29:35,000
I'm sorry, too.

606
00:29:36,000 --> 00:29:38,000
Well, thank you.

607
00:29:38,000 --> 00:29:58,000
I was waiting for them to turn a lights down because you people frighten me.

608
00:29:59,000 --> 00:30:06,000
I've been married for a little over 23 years.

609
00:30:11,000 --> 00:30:13,000
More or less to the same woman.

610
00:30:17,000 --> 00:30:22,000
I say that because in the 23 years or so that we've been married, um,

611
00:30:22,000 --> 00:30:25,000
she's changed, she's grown, she's evolved.

612
00:30:26,000 --> 00:30:27,000
So, bye.

613
00:30:27,000 --> 00:30:32,000
But mostly because she makes me.

614
00:30:32,000 --> 00:30:40,000
And in that time, I've never, um, I've never written a love song.

615
00:30:40,000 --> 00:30:47,000
And so, you're about to hear the first love song I've ever written.

616
00:30:47,000 --> 00:30:49,000
Thank you.

617
00:30:49,000 --> 00:30:54,000
You might want to save your judgment.

618
00:30:56,000 --> 00:31:03,000
Most men live lives in quiet desperation, but not me.

619
00:31:03,000 --> 00:31:07,000
My desperation's loud.

620
00:31:07,000 --> 00:31:32,000
And so it is, I'm taking your rejection like a man, a man who's freaking out.

621
00:31:32,000 --> 00:34:29,000
[ Music ]

622
00:34:29,000 --> 00:34:35,000
No one can blame me.

623
00:34:35,000 --> 00:34:42,000
George Worsbach, live with David Ecolito, you know, thank God for podcasting man.

624
00:34:42,000 --> 00:34:46,000
You never, ever, ever hear this shit on the radio.

625
00:34:46,000 --> 00:34:54,000
Otherwise, it would become just a lost art form, only to be performed in theaters, and we just never hear of it again.

626
00:34:54,000 --> 00:34:55,000
So thank God for that.

627
00:34:55,000 --> 00:34:59,000
All right, tomorrow we'll be food bar Friday. I've seen some suggestions coming for songs.

628
00:34:59,000 --> 00:35:02,000
I'm looking for more twisted sisters, even sent in their ID.

629
00:35:02,000 --> 00:35:08,000
So everyone, did you see him last night? They were on Leno? I think?

630
00:35:09,000 --> 00:35:12,000
Yeah, Leno, or was it Letterman? No, I think was Leno.

631
00:35:12,000 --> 00:35:17,000
Twisted sister doing a song that's on the Podsake Music Network, the Christmas song.

632
00:35:17,000 --> 00:35:21,000
I love it. Okay, so tomorrow we're going to have a good jam. We have some good times.

633
00:35:21,000 --> 00:35:25,000
And in the meantime, if you got anything to send to me, add them at podshow.com.

634
00:35:25,000 --> 00:35:31,000
Or of course, if you're looking for stuff that was that appeared in today's program, daily source code.com.

635
00:35:31,000 --> 00:35:36,000
And if you're looking for a great deal on domain name, well, definitely go to godaddy.com.

636
00:35:36,000 --> 00:35:40,000
Use checkout code DSC3 for an awesome deal on any domain name for a year.

637
00:35:40,000 --> 00:35:42,000
Take care, everybody, bye-bye.

638
00:35:42,000 --> 00:35:46,000
Another Podshow Podcast. Stick it in your ear.