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In a world where TV networks, movie studios and record labels, still think they can govern

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what you see in here.

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One man has the power to return control of entertainment to the masses and make big media

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corporations wet their tiny little pants.

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From Pod Show, home of the world's most dangerous new content comes the Daily Source Code

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with Adam Curry.

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Notice Yara Charlie, five-four nine-year-old, was $16 million worth of airplane

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strapped to my ass, and the next generation radio content in my ears.

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I like to think I'm flying into the future.

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[ Music ]

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We're just gonna find out, with another man.

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We're just gonna find out, with another man.

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We're just gonna find out, with another man.

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We're just gonna find out, with another man.

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We're just gonna find out, with another man.

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We're just gonna find out, with another man.

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We're just gonna find out, with another man.

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We're just gonna find out, with another man.

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We're just gonna find out, with another man.

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We're just gonna find out, with another man.

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We're just gonna find out, with another man.

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We're just gonna find out, with another man.

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We're just gonna find out, with another man.

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We're just gonna find out, with another man.

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One, two, three, four.

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There you go.

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How they sound a lot heavier.

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Not quite together there.

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All right, of course, a link to their page on the network.

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It is to be found at dailysourcecode.com.

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That sounds pretty heavy.

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All right, beat stockers.

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Hey, everybody, it is Tuesday.

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You know how I know it's Tuesday?

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Because it's trash day.

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That's how I know.

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That means I got to get up with Crackadon and take that crap out.

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Because, oh, please, please don't take your trash out at night.

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In the middle of the darkness, because you'll get a ticket.

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Mmm, they check that shit all the time.

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It's Tuesday.

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I'm still here at the curry manner.

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In the affluent suburb of Surrey, known as Gilford, in the United Kingdom.

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West side of G-Tam up here in the attic.

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I will be leaving tomorrow, though.

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So tomorrow, I arrive in San Francisco.

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Just in time, I think, for the clouds.

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It's been beautiful for the past week or so, according to all the reports I've heard.

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And, you know, so now I'm coming.

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Now it's going to fricking rain.

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So we got to most of the business that I was stayed here.

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A cleared up or cleared up is not the right word.

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It's rolling.

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Let's put it that way.

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I just can't tell you about it yet until all the shit signed and everything.

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You know, we got a little bow around it, but I can't wait to tell you.

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It's really exciting.

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I mean, there's not a lot of stuff that's going to make me postpone my trip.

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You know what I'm saying?

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And up here in the attic, thank you so much for the glowing compliments of the attic up here,

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the third floor of the manner.

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If you haven't seen it, shots at curry.com, you can see this from fun.

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Some funny comments on there as well.

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Hey, is this where the green room is?

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Yeah, I wish.

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I know chicks here, man.

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It's going to be, uh, I think I relatively short show today.

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It's, uh, it's what I'd call a slow day in podcast land.

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There's literally nothing came in.

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No openers, no promos, no.

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Not very, very little, uh, was sent in.

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Uh, let me see.

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Let me just get my Google notebook here.

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Yeah, there are a couple of important things we got to talk about today.

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Well, at least I think they're pretty important.

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First of all, uh, you remember my, um, uh, hey, is this a voice mail message?

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Oh, that's interesting.

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Hold on a second.

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Let me see if, uh, I thought that this was, oh, wow.

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Let me see view message.

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Oh, shit.

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Is it gone?

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Oh, no, here it is.

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Well, this would be interesting.

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I was going to talk about EMI.

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Um, one of the big three record labels.

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Um, now remember my prediction where I said that, um,

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you know, the record labels are going to come crumbling down in 2007.

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And when I said the record labels,

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I'm really talking about the music selling arm,

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not the licensing arm because this is what, you know,

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the big guys have figured out is that, um,

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the licensing of music is, of course, we're all the money's at.

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What's the problem with the product is,

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well, consumers are shifting their behavior,

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and they're finding perhaps the purchase of music much less important

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than going to the concert or buying the merchandise or building

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some form of fan relationship with, uh, with the artist.

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So that is definitely morphed.

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Uh, yeah, folders.

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There we go with a nice bit of the splendor flavor blend blend.

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I'll see if this comment relates home on.

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Hello, Adam.

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So I'm like, turn it here.

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Currently, we're looking at a Shelton.

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I'm just listening to the SC 548.

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Talk about podcasting license and then the Dutch

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been the first one out.

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Well, actually, you think of fine,

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the MCPS.

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Oh, crap.

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I wanted to play that in just a second.

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We'll get back to that.

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Okay.

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So, um, now that it's all the rumors have been swirling around

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about, um, about EMI looking,

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well, first of all, they had two profit warnings

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right after another.

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Now, when you are in big company land,

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this is a bad idea,

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particularly if you have investors,

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investors do not like surprises.

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They don't even like surprises on the good end

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because it gets them freaked out about the next quarter.

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Believe me, having run a public company,

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was wrong.

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We know exactly what that's about.

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But to do a profit warning,

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uh, and then another profit warning a month later

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is really, really bad news.

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Heads will roll as no doubt about it.

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So what they've been looking into as far as I understand

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is leveraging their licensing business,

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which is pretty constant, um,

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or it's proved to be pretty constant

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to leverage that against their,

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their sales arm, their sales division.

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And the problem with the sales division is,

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yeah, this is how it works.

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When you, uh, when you publish a CD,

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you, um, you have to pay right then and there,

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there's a whole bunch of,

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when the CD comes off the press,

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uh, there's money that has to be paid

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for the person pressing that CD.

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And if you send those out to the store

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and they come back,

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you basically lose your investment

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unless you can dump them somewhere

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and sell them really cheap.

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Of course, don't even get me started

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about where that shit goes to.

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Ever hear of cutouts? Anyway.

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Um, so they're really, really suffering

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on that end.

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And, uh, and now,

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the, uh, the word the this morning

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was that Warner records

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has made a bid, uh,

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to acquire them.

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I don't know if that's acquiring

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the record division or, uh,

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the, the sales division

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or if it's the publishing division.

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And, yeah, we may never know

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until the deal is done

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because this stuff is, you know,

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so typically cloak and dagger.

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Um,

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but it is great

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because amidst all of this confusion

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we're going to bum rush the charts.

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If you, um,

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if you don't know what that's about,

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you definitely want to go to

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bum rush the charts.blogspot.com.

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There's a link, uh,

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all over the place.

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I'm, I'm seeing it pop up

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on all kinds of podcast on March 22nd

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a day when, as far as we know,

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there are no major releases scheduled.

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Uh, we're going to entice

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the audience.

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Our audience is collective audiences

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and this thing is spread

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not pretty far and wide

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to buy one track by, um,

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one band.

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And the band we've chosen, uh,

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is black lab.

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For a couple of reasons,

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one kick ass music to really

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involved in podcasting.

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Three, they used to be, uh,

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an act on a major label.

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They got dropped.

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And, uh, so we're,

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what we're trying to point out here

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is that as podcasters,

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I'm not going to say the C word

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because I,

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uh, I'm certainly believe in the,

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the community of podcasting.

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But I do think that we can kind of

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bond together here and show that we do.

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Have the power to make a difference.

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We can make one track rise

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to the top of the iTunes music charts.

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By sales.

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Which is just as good as,

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as showing something on sound scan

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and in my humble opinion.

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It's the new version of sound scan.

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And of course,

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you can make some money along the way

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if you, uh, use an affiliate link.

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So your listeners, uh,

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when they spend their 99 cents,

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you'll get a piece of the action.

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I, I look, I'm going to buy the track.

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And I hope all of you will.

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I'm not putting the links out yet

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because it has to happen on March 22nd.

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That's when we want a complete bum rush

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to show this, uh,

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show this power that we have.

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And then maybe maybe,

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some of these idiotic schemes,

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which have been published just recently.

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Yesterday we talked about the,

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the National Association of Music Publishers

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in the Netherlands,

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charging thousands of euros a year.

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Up to like, you know,

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for some from a minimal audience,

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for commercial use of music and podcasting,

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and commercial podcasts.

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And, uh,

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what was it,

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it was still about, uh,

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about six,

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seven hundred dollars a year,

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translated from euros.

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For a non-commercial podcast,

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up to 10,000 listeners.

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And yesterday I said,

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this was the first, uh,

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published license as such.

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And apparently,

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as you just heard from the comment,

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I'm wrong.

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Let's listen to it again.

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Hello, Adam.

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So I'm like,

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turn it here.

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Currently, we're going to,

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Shelton, I'm just listening to the,

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the SC548.

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Do about podcasting license,

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and then the Dutch,

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in the first one out.

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Actually, you think it's fine,

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that the,

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the,

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the,

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the,

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the,

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the,

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00:12:16,120 --> 00:12:17,120
the,

271
00:12:17,120 --> 00:12:18,120
the,

272
00:12:18,120 --> 00:12:19,120
the,

273
00:12:19,120 --> 00:12:20,120
the,

274
00:12:20,120 --> 00:12:21,120
the,

275
00:12:21,120 --> 00:12:22,120
the,

276
00:12:22,120 --> 00:12:23,120
the,

277
00:12:23,120 --> 00:12:24,120
the,

278
00:12:24,120 --> 00:12:25,120
the,

279
00:12:25,120 --> 00:12:26,120
the,

280
00:12:26,120 --> 00:12:27,120
the,

281
00:12:27,120 --> 00:12:28,120
the,

282
00:12:28,120 --> 00:12:29,120
the,

283
00:12:29,120 --> 00:12:30,120
the,

284
00:12:30,120 --> 00:12:31,120
the,

285
00:12:31,120 --> 00:12:32,120
the,

286
00:12:32,120 --> 00:12:33,120
the,

287
00:12:33,120 --> 00:12:35,120
the,

288
00:12:35,120 --> 00:12:36,120
and I'm just меч,

289
00:12:36,120 --> 00:12:37,120
to,

290
00:12:37,120 --> 00:12:38,120
the,

291
00:12:38,120 --> 00:12:39,120
this is musical about the dats,

292
00:12:39,120 --> 00:12:41,120
we,

293
00:12:41,120 --> 00:12:43,120
the,

294
00:12:43,120 --> 00:12:45,120
uh,

295
00:12:45,120 --> 00:12:47,120
the,

296
00:12:47,120 --> 00:12:49,120
short-sinces,

297
00:12:49,120 --> 00:12:51,120
here's the�.

298
00:12:51,120 --> 00:12:52,120
The,

299
00:12:52,120 --> 00:12:53,120
the,

300
00:12:53,120 --> 00:12:54,120
the,

301
00:12:54,120 --> 00:12:55,120
the,

302
00:12:55,120 --> 00:13:02,080
You must take specific precautions to ensure that your dentists be songs cannot be written.

303
00:13:02,080 --> 00:13:03,080
How does your podcast?

304
00:13:03,080 --> 00:13:04,680
I don't know what they mean by that.

305
00:13:04,680 --> 00:13:07,600
They're much better to be sound it.

306
00:13:07,600 --> 00:13:11,600
Go, men, show.bt.show.com.

307
00:13:11,600 --> 00:13:12,600
Cheers, Adam.

308
00:13:12,600 --> 00:13:13,600
Yeah, right, Adam.

309
00:13:13,600 --> 00:13:18,560
I guess I was wrong about that, but of course it's still nowhere in comparison to the great

310
00:13:18,560 --> 00:13:24,520
deal commercial radio has, which of course is also completely recordable and ripable

311
00:13:24,520 --> 00:13:33,720
and there are plenty of shows where you can record an entire album, radio stations,

312
00:13:33,720 --> 00:13:39,800
pay performance fees, but because of the confusion about what is a podcast, it's downloaded

313
00:13:39,800 --> 00:13:44,720
or people are going to rip stuff off and that's what we have these ridiculous fees.

314
00:13:44,720 --> 00:13:47,640
So I don't think there's going to be a lot of traction for that.

315
00:13:47,640 --> 00:13:49,840
I mean, I have honestly, I've considered it.

316
00:13:49,840 --> 00:13:53,320
I was thinking of myself, well, you know, of course I can afford it.

317
00:13:53,320 --> 00:13:54,320
I can afford it.

318
00:13:54,320 --> 00:13:57,760
Podshow can afford it, but then like, so what good is that going to mean is it's going

319
00:13:57,760 --> 00:13:58,760
to do for me.

320
00:13:58,760 --> 00:14:01,560
I'm not going to see, you know how much I love music history.

321
00:14:01,560 --> 00:14:05,440
You know how much, how important I think it is that you hear certain songs that you just

322
00:14:05,440 --> 00:14:09,280
don't hear on the radio anymore, certain genres of songs.

323
00:14:09,280 --> 00:14:14,440
But to have to pay for the privilege of education and actually helping sell music because

324
00:14:14,440 --> 00:14:19,320
it's been proven time and time again that when any song is played on my show at least,

325
00:14:19,320 --> 00:14:22,120
I can't speak for others, but I'm pretty short similar.

326
00:14:22,120 --> 00:14:23,120
But that sells music.

327
00:14:23,120 --> 00:14:26,360
It's just a fact, I'm not going to pay for that privilege.

328
00:14:26,360 --> 00:14:27,360
It pisses me off.

329
00:14:27,360 --> 00:14:32,560
I'd much rather bum rush the charts and help independent artists and independent labels also

330
00:14:32,560 --> 00:14:36,560
who are really understanding that this world has changed and there's nothing wrong with

331
00:14:36,560 --> 00:14:37,560
a record label.

332
00:14:37,560 --> 00:14:39,480
I think it's fantastic.

333
00:14:39,480 --> 00:14:40,840
But the record labels have changed.

334
00:14:40,840 --> 00:14:41,840
They've morphed.

335
00:14:41,840 --> 00:14:47,360
They've turned into something new and they think they're much, much, much smarter than the

336
00:14:47,360 --> 00:14:49,160
big guys.

337
00:14:49,160 --> 00:14:53,240
And I think the big guys are in big, big, big, big trouble.

338
00:14:53,240 --> 00:14:56,840
Let's see what else that I have here I wanted to talk about.

339
00:14:56,840 --> 00:15:03,680
Oh, man, did you hear about this, serious satellite radio, which you may be listening to

340
00:15:03,680 --> 00:15:10,480
this show on serious at this very moment, is set to merge with XM.

341
00:15:10,480 --> 00:15:14,480
The arrival, the arch rival I have to say.

342
00:15:14,520 --> 00:15:23,160
Now, of course, this still has to go through anti-competition and monopolistic judgment

343
00:15:23,160 --> 00:15:24,640
and rulings.

344
00:15:24,640 --> 00:15:29,800
But there's a pretty good chance it's going to work and that they will actually merge.

345
00:15:29,800 --> 00:15:36,240
It's just, it's really twisted my nut here because I'm looking at what analyst are writing

346
00:15:36,240 --> 00:15:40,360
and a lot of the analysts, even in the financial times this morning, as you know, I love

347
00:15:40,360 --> 00:15:41,760
that yellow newspaper.

348
00:15:41,800 --> 00:15:46,440
Yellow, not as in yellow journalism, but the papers literally yellow and the stories

349
00:15:46,440 --> 00:15:47,880
are shortened to the point.

350
00:15:47,880 --> 00:15:51,520
But I read that analysts are saying, well, you know, these satellite radio stations,

351
00:15:51,520 --> 00:15:55,240
they have to combat the iPod, I'm thinking, well, crap.

352
00:15:55,240 --> 00:15:56,480
That's us.

353
00:15:56,480 --> 00:15:57,480
What's going to happen?

354
00:15:57,480 --> 00:16:02,560
I mean, I can see many, many ways to embrace this.

355
00:16:02,560 --> 00:16:06,200
But it's going to be very interesting to see because when mergers take place, man, all kinds

356
00:16:06,200 --> 00:16:08,000
of funny crap happens.

357
00:16:08,000 --> 00:16:09,560
So I don't have any news.

358
00:16:09,560 --> 00:16:16,440
I've received no internal memos and I am on several internal memo lists at serious.

359
00:16:16,440 --> 00:16:23,320
I don't own any stock, which is, I don't know, I stopped investing in stock in a long

360
00:16:23,320 --> 00:16:24,320
time ago.

361
00:16:24,320 --> 00:16:30,080
I'd like cash and buildings to be quite honest, they seem to last a lot longer.

362
00:16:30,080 --> 00:16:35,320
But wow, that is really, really interesting news.

363
00:16:35,800 --> 00:16:40,920
Now, of course, you know that the way it really works, the real sales channel for

364
00:16:40,920 --> 00:16:43,760
serious is not radio shack.

365
00:16:43,760 --> 00:16:45,920
It's not your local electronics store.

366
00:16:45,920 --> 00:16:50,240
The same goes for XM, the real sales channel, the real pipeline, these guys work on

367
00:16:50,240 --> 00:16:54,800
all the time is the automotive industry because they're the ones that are building these

368
00:16:54,800 --> 00:16:59,240
receivers right into their cars as they roll off the line.

369
00:16:59,240 --> 00:17:05,000
And in fact, you, I think you can even build in your subscription to either serious

370
00:17:05,080 --> 00:17:11,080
or XM, you can build it right into to your monthly lease if you lease the car or

371
00:17:11,080 --> 00:17:13,640
you just pay the subscription separately.

372
00:17:13,640 --> 00:17:15,800
But that's where the real, the real sales are going.

373
00:17:15,800 --> 00:17:20,320
And guess what, most of the auto manufacturers are the trouble as well.

374
00:17:20,320 --> 00:17:24,240
I think who's not in trouble, GM's not in trouble, right?

375
00:17:24,240 --> 00:17:26,920
Is GM now poised to buy Chrysler?

376
00:17:26,920 --> 00:17:27,920
Is it's crazy?

377
00:17:27,920 --> 00:17:30,920
What a nutty ass world.

378
00:17:31,000 --> 00:17:36,920
By the way, last night I finally saw the, because I had it on Sky Digital, I saw the top

379
00:17:36,920 --> 00:17:42,200
gear episode, man, these guys, you know, the new season of top gear, this is only the

380
00:17:42,200 --> 00:17:43,200
second episode.

381
00:17:43,200 --> 00:17:45,680
I'm a big fan of video productions.

382
00:17:45,680 --> 00:17:49,520
And when we do, uh, Mary Clare dot podshow dot com, we do the Mary Clare, the

383
00:17:49,520 --> 00:17:50,520
mass Ted show.

384
00:17:50,520 --> 00:17:52,800
I mean, I am making female porn.

385
00:17:52,800 --> 00:17:53,800
I mean, I'm not doing it.

386
00:17:53,800 --> 00:17:57,120
The team is, but that's what I'm looking for, I'm looking for female porn.

387
00:17:57,120 --> 00:18:04,080
Look here, completely, the male version of non-sexual porn, automotive porn.

388
00:18:04,080 --> 00:18:11,520
They make these, these clips, these, these packages of video about the cars, they are so

389
00:18:11,520 --> 00:18:12,520
sexy.

390
00:18:12,520 --> 00:18:13,520
They're so well done.

391
00:18:13,520 --> 00:18:17,520
I can't wait until the media room is done to have the surround sound and the really,

392
00:18:17,520 --> 00:18:20,000
really big screen because that shit is just awesome.

393
00:18:20,000 --> 00:18:26,960
And indeed, they built a space shuttle out of a, a robin, a reliant robin, which is

394
00:18:26,960 --> 00:18:28,280
one of those three wheel jobbies.

395
00:18:28,280 --> 00:18:31,960
And I have to say, the whole launch and everything, it looked pretty damn good.

396
00:18:31,960 --> 00:18:37,440
You know, the, the main booster rocket never, jettisoned from, never jettisoned from the

397
00:18:37,440 --> 00:18:40,920
reliant itself, uh, but it looked like a thing was flying, man.

398
00:18:40,920 --> 00:18:45,280
And I have a, uh, I really think that they probably could have glided that thing down to earth

399
00:18:45,280 --> 00:18:50,240
reasonably well, but it never jettisoned from, uh, or the, the main fuel tank never jettisoned.

400
00:18:50,240 --> 00:18:54,240
And so it just kind of crashed in a huge ball of flame and smoke, but what an amazing

401
00:18:54,240 --> 00:18:55,240
show.

402
00:18:55,240 --> 00:19:03,560
And you know what, as we say in, in video production, the money was definitely on the screen.

403
00:19:03,560 --> 00:19:04,560
Get I at him.

404
00:19:04,560 --> 00:19:05,560
Guess what?

405
00:19:05,560 --> 00:19:09,400
Phil Walker calling in from Australia and I live in Canberra, would you believe?

406
00:19:09,400 --> 00:19:10,400
Ah, camera.

407
00:19:10,400 --> 00:19:11,400
Of course.

408
00:19:11,400 --> 00:19:12,240
This is, you know, so I did that interview.

409
00:19:12,240 --> 00:19:16,560
What two weeks ago, where is the publication of the interview about podcasting that I did

410
00:19:16,560 --> 00:19:19,440
with the, uh, with the reporter from the Canberra Times?

411
00:19:19,440 --> 00:19:24,360
So you'll reference to the Canberra Times was, uh, very interesting and brought home that,

412
00:19:24,360 --> 00:19:28,760
so even though you're a global podcast, it can still, uh, right back down to our little

413
00:19:28,760 --> 00:19:29,760
town.

414
00:19:29,760 --> 00:19:31,640
Let me tell you a little bit about Canberra, mate.

415
00:19:31,640 --> 00:19:36,160
It's, uh, a small city, even though it's the capital of Australia, about 300,000.

416
00:19:36,160 --> 00:19:40,480
But I would say that, um, we are a very IT literate community, uh, even though we're

417
00:19:40,480 --> 00:19:45,880
a small place and, uh, away from, uh, the main cities of, uh, Sydney and Melbourne.

418
00:19:45,880 --> 00:19:49,880
So yeah, we do probably know a little bit of our IT, and I suspect you've probably got

419
00:19:49,880 --> 00:19:53,160
a lot of, uh, the people who listen to podcasts in this small community.

420
00:19:53,160 --> 00:19:54,560
Yeah, I got to say something.

421
00:19:54,560 --> 00:20:00,880
I'm just sitting here realizing how cool this is to have real, um, audience interaction

422
00:20:00,880 --> 00:20:06,120
or as they say an advertising consumer engagement with Australia.

423
00:20:06,120 --> 00:20:13,720
You know, there's, you hear, um, lots of radio guys and, uh, mainstream radio, mainstream

424
00:20:13,720 --> 00:20:17,400
media in general, like, well, you know, we get comments from Australia, but do you actually

425
00:20:17,400 --> 00:20:19,920
have a fucking conversation with people from Australia?

426
00:20:19,920 --> 00:20:20,920
No.

427
00:20:21,920 --> 00:20:22,600
I love it.

428
00:20:23,200 --> 00:20:27,000
Uh, in regard to the camp of times, uh, it's a small town paper, really.

429
00:20:27,000 --> 00:20:32,920
Um, yeah, small circulation compared to the big rags, not good, not bad, but, uh,

430
00:20:32,920 --> 00:20:36,280
probably just, um, just a small town newspaper.

431
00:20:36,920 --> 00:20:41,680
Um, I actually take a bit of a positive out of the, the call you got from, uh, or the

432
00:20:41,680 --> 00:20:45,640
email you got from, uh, from the camp of times and that they've come to you, mate, rather

433
00:20:45,640 --> 00:20:47,720
any other so-called podfathers out there.

434
00:20:47,720 --> 00:20:48,440
You are the podf...

435
00:20:48,440 --> 00:20:48,920
Yeah.

436
00:20:48,920 --> 00:20:49,920
You know, holler.

437
00:20:49,920 --> 00:20:50,920
Father.

438
00:20:50,920 --> 00:20:51,920
Yeah.

439
00:20:51,920 --> 00:20:57,280
I saw, um, well, we all know Ricky Jervais stole the title, and I saw Cameron from, uh, the

440
00:20:57,280 --> 00:21:03,720
podcast network, also with, uh, with, you know, some headline like the true podfathers.

441
00:21:03,720 --> 00:21:04,720
That's fine.

442
00:21:04,720 --> 00:21:05,720
Y'all can be podfathers.

443
00:21:06,720 --> 00:21:07,720
I'm happy to share.

444
00:21:07,720 --> 00:21:12,320
The person is driving this podcast business as far as I can tell, and, uh, they've

445
00:21:12,320 --> 00:21:14,000
come to you because they recognize that.

446
00:21:14,000 --> 00:21:19,320
So, uh, even though we only have a small distribution, it might be worth, um, yeah,

447
00:21:19,320 --> 00:21:23,320
really, uh, giving them the, the credit for, uh, at least, uh, come into the right source

448
00:21:23,320 --> 00:21:24,320
of information.

449
00:21:24,320 --> 00:21:26,320
Mate, I've said it once.

450
00:21:26,320 --> 00:21:27,320
I'll say it again.

451
00:21:27,320 --> 00:21:32,320
If you get a chance, uh, check out Nick Walker on the podcast music network, my 20-year-old

452
00:21:32,320 --> 00:21:37,320
son out there trying to make a living in the music world, uh, Nick Walker, podsafe,

453
00:21:37,320 --> 00:21:40,320
music network, give him a spin and now you'll love it.

454
00:21:40,320 --> 00:21:41,320
Take care from a hot Australia.

455
00:21:41,320 --> 00:21:44,320
I hope everything's okay out there, mate, and, uh, rock on.

456
00:21:44,320 --> 00:21:45,320
Yeah.

457
00:21:45,320 --> 00:21:46,320
Bye.

458
00:21:46,320 --> 00:21:47,320
Bye, Phil.

459
00:21:47,320 --> 00:21:52,320
Uh, this comment, uh, two or three times, and I've basically been holding onto it.

460
00:21:52,320 --> 00:21:59,320
Because, uh, I listened to, uh, Nick songs, and honestly, they didn't do much for me.

461
00:21:59,320 --> 00:22:02,320
And I felt really bad, you know, because he kept sending the same message.

462
00:22:02,320 --> 00:22:06,320
And I really wanted to play the comment, but I didn't want to like, you know, leave off the,

463
00:22:06,320 --> 00:22:07,320
play my son bit.

464
00:22:07,320 --> 00:22:09,320
And it's cool that he's promoting his son.

465
00:22:09,320 --> 00:22:12,320
And there's son that has stuff up on the podsafe music network.

466
00:22:12,320 --> 00:22:16,320
But honestly, I really spend a lot of, I pay a lot of attention to one

467
00:22:16,320 --> 00:22:19,320
I'm playing on, uh, on the show.

468
00:22:19,320 --> 00:22:21,320
And I just don't know if this fit.

469
00:22:21,320 --> 00:22:26,320
And so today is a perfect day since everything's kind of slow anyway.

470
00:22:26,320 --> 00:22:29,320
And those of you on serious satellite can play you out with the song.

471
00:22:29,320 --> 00:22:31,320
And I'll come back for those of you on the podcast.

472
00:22:31,320 --> 00:22:33,320
Because of course, as I thought about it, I'm like,

473
00:22:33,320 --> 00:22:35,320
what makes no fucking difference.

474
00:22:35,320 --> 00:22:38,320
If no one else likes the song, just fast forward.

475
00:22:38,320 --> 00:22:39,320
I know.

476
00:22:39,320 --> 00:22:42,320
There he is, Nick Walker.

477
00:22:42,320 --> 00:22:43,320
Won't fall back in love.

478
00:22:43,320 --> 00:22:45,320
I'd love to hear what you think about it.

479
00:22:45,320 --> 00:22:47,320
I'd love to hear what you think about it.

480
00:22:47,320 --> 00:22:49,320
I'd love to hear what you think about it.

481
00:22:49,320 --> 00:22:51,320
I'd love to hear what you think about it.

482
00:22:51,320 --> 00:25:43,750
[ Music ]

483
00:25:45,320 --> 00:25:49,320
I won't walk back in love

484
00:25:49,320 --> 00:25:55,320
You can find a link to page on the pod safe music network at dailysourceco.com

485
00:25:55,320 --> 00:25:59,320
I was just looking through Napster

486
00:25:59,320 --> 00:26:03,320
I have to say I like Napster as a service because it's all you can drink

487
00:26:03,320 --> 00:26:07,320
Basically I don't know what I pay it was like nine bucks a month or something

488
00:26:07,320 --> 00:26:11,320
And you can only play stuff when you're connected online and through Windows Media Player

489
00:26:11,320 --> 00:26:16,320
And you can only play stuff when you're connected to the camera

490
00:26:16,320 --> 00:26:19,320
Because I want to play some EMI music for you

491
00:26:19,320 --> 00:26:24,320
I think you guys who are working at EMI, they got no time right now to mess around with my customers

492
00:26:24,320 --> 00:26:26,320
All right, ADV, how are you?

493
00:26:26,320 --> 00:26:30,320
And you're going to be so jealous from you here that I've got on the red couch this week

494
00:26:30,320 --> 00:26:34,320
Another miss Rachel Fuller, she's from in the attic fan

495
00:26:34,320 --> 00:26:37,320
She's talking about all manner of things you won't hear anywhere else

496
00:26:37,320 --> 00:26:40,320
I know about how sarcastic that woman can be

497
00:26:40,320 --> 00:26:43,320
And believe me, I have never heard sarcasm like it

498
00:26:43,320 --> 00:26:45,320
Then you need to get yourself to who's on it

499
00:26:45,320 --> 00:26:49,320
Don't beat the pod show, don't come to Rachel's buildings

500
00:26:49,320 --> 00:26:51,320
Y'all is a, that's OJ calling OJ Borge

501
00:26:51,320 --> 00:26:53,320
Who's on it?

502
00:26:53,320 --> 00:26:55,320
BTpodshow.com

503
00:26:55,320 --> 00:26:56,320
Rachel Fuller on the show

504
00:26:56,320 --> 00:26:58,320
Definitely take a look at this one

505
00:26:58,320 --> 00:27:00,320
Rachel of course is the star of in the attic

506
00:27:00,320 --> 00:27:03,320
Another fantastic show that we're running all over the world

507
00:27:03,320 --> 00:27:05,320
But of course it's a UK show

508
00:27:05,320 --> 00:27:07,320
In the attic.btpodshow.com

509
00:27:07,320 --> 00:27:09,320
Or in the attic.podshow.com

510
00:27:09,320 --> 00:27:11,320
Rachel and her boyfriend Pete Townsend

511
00:27:11,320 --> 00:27:15,320
And in this particular show, OJ does a,

512
00:27:15,320 --> 00:27:17,320
Rachel's a singer as well

513
00:27:17,320 --> 00:27:19,320
I'm totally in love with her voice and with her songs

514
00:27:19,320 --> 00:27:23,320
And he does a segment called, what is it?

515
00:27:23,320 --> 00:27:25,320
You or the who?

516
00:27:25,320 --> 00:27:32,320
And so he, he sights lyrics and then Rachel has to guess

517
00:27:32,320 --> 00:27:35,320
Whether it's one of her songs or whether it's one of the who's songs

518
00:27:35,320 --> 00:27:36,320
Now you should definitely check that out

519
00:27:36,320 --> 00:27:38,320
Who's on it.btpodshow.com

520
00:27:38,320 --> 00:27:40,320
So David Bowie did something brilliant

521
00:27:40,320 --> 00:27:44,320
And I'm gonna say this was probably 10 years ago

522
00:27:44,320 --> 00:27:47,320
He put together a bond

523
00:27:47,320 --> 00:27:49,320
What's a financial instrument

524
00:27:49,320 --> 00:27:52,320
For all of his future revenue

525
00:27:52,320 --> 00:27:58,320
From publishing of his, from publishing of his music catalog

526
00:27:58,320 --> 00:28:01,320
And of course the publishing is handled by EMI

527
00:28:01,320 --> 00:28:04,320
I believe at the time he pocketed 50 million

528
00:28:04,320 --> 00:28:06,320
Dollars

529
00:28:06,320 --> 00:28:09,320
And of course he didn't, all the, all the residuals that come in

530
00:28:09,320 --> 00:28:11,320
Don't go to him, they go back into the fund

531
00:28:11,320 --> 00:28:13,320
And people get repaid, etc

532
00:28:13,320 --> 00:28:18,320
And as you know, big fans of Bowie here

533
00:28:18,320 --> 00:28:20,320
Really big fans

534
00:28:20,320 --> 00:28:24,320
And a shit Patricia slept with him once

535
00:28:24,320 --> 00:28:27,320
Or twice, I don't know, she hasn't really told me for sure

536
00:28:27,320 --> 00:28:29,320
But it's interesting that

537
00:28:29,320 --> 00:28:32,320
The first 245s I ever bought in my entire life

538
00:28:32,320 --> 00:28:34,320
The first one was

539
00:28:34,320 --> 00:28:37,320
Rubber band man by the Detroit spinners

540
00:28:37,320 --> 00:28:40,320
The Detroit spinners, yeah, Rubber band man

541
00:28:40,320 --> 00:28:44,320
And the second one was this song from the album Low

542
00:28:44,320 --> 00:28:45,320
Sound and Vision

543
00:28:45,320 --> 00:28:49,320
Which is just a fantastic track, particularly the way it kicks off

544
00:28:49,320 --> 00:28:54,320
A little bit of music history for 80 on the day

545
00:28:54,320 --> 00:28:56,320
To source code

546
00:29:00,320 --> 00:29:03,320
Whatever you do, don't rip it out of this podcast

547
00:29:03,320 --> 00:29:06,320
We'll both go to jail

548
00:29:08,750 --> 00:31:43,750
[ Music ]

549
00:31:45,320 --> 00:31:51,880
Yeah, why don't you hop on over to iTunes or Napster or whatever if you have a music service

550
00:31:51,880 --> 00:31:56,760
the Yahoo Music Service by a track from David Bowie, please so that you know when those guys

551
00:31:56,760 --> 00:32:00,280
are getting ready to sue me for playing sound and vision I could say well why did you

552
00:32:00,280 --> 00:32:06,840
see if we sold anything dickheads? It's so confusing so it says it's from the album low which

553
00:32:06,840 --> 00:32:12,280
is correct when it says released 1977 this single is from 1975 I know because somewhere I still

554
00:32:12,280 --> 00:32:20,120
have it and it says 1975 right there 22 years ago oh my goodness still love that shit love what

555
00:32:20,120 --> 00:32:27,800
he's doing uh so you know a free Trinity update today uh still working on wrapping my head

556
00:32:27,800 --> 00:32:33,880
or you know what I yesterday I actually got into the vibe of you know what I think I want to uh

557
00:32:33,880 --> 00:32:40,040
I think I I think I want to go on part of this journey I just suddenly got excited about it and I

558
00:32:40,040 --> 00:32:46,840
wouldn't mind to hit in a couple of states so uh still working on par abroad the Palo Alto podcast

559
00:32:46,840 --> 00:32:52,600
are freaked out after she heard what I said yesterday oh man and everyone keep keep keep keep

560
00:32:52,600 --> 00:32:57,240
you cool keep you head on she's gonna roll everyone will be able to participate I'm just trying

561
00:32:57,240 --> 00:33:05,160
to figure out how and uh I think we uh we actually might have a real sponsor for this thing so

562
00:33:05,720 --> 00:33:11,000
as I said you know I'm maybe looking to compensate some people if they're going above and beyond and

563
00:33:11,000 --> 00:33:16,280
it's still gonna be uh a real oh it's gonna be user generated project there you go that's the hook

564
00:33:17,640 --> 00:33:19,880
and uh let me see

565
00:33:23,720 --> 00:33:30,920
so I got a email from Oscar who says yes I'd like to apply for an account on the N800 or should I say

566
00:33:30,920 --> 00:33:35,640
I wish I could come into your ports yes yes Oscar I will allow you access to my ports

567
00:33:38,520 --> 00:33:44,280
so I've spoken to my contact at Nokia Nokia and we're gonna get that set up so we're gonna get set up

568
00:33:44,280 --> 00:33:50,440
is an N800 with the navigation in place uh with the the world map of course we intend to see

569
00:33:50,440 --> 00:33:56,120
Trinity go all the way around the globe right and I think what I'll do is I'll set it up in the

570
00:33:56,120 --> 00:34:01,320
condo and in San Francisco just have Luke send it over there so we'll have a dedicated IP address it'll

571
00:34:01,320 --> 00:34:07,880
just you know sit there all day and then we'll just allow people in there's a couple of the comments

572
00:34:07,880 --> 00:34:12,360
or received which sounded like a real administrative nightmare saying well you could set it up so that

573
00:34:12,360 --> 00:34:18,440
there could be a couple hours per program or per day but I'm thinking you know it's like everyone's

574
00:34:18,440 --> 00:34:23,640
gonna have scripts in there and it's gonna be a real mess and I guess I'd have to set up user accounts

575
00:34:23,640 --> 00:34:29,480
and you know now I'm gonna have to figure out how to administrate the N800 as a as a Linux server

576
00:34:30,280 --> 00:34:35,160
that may just be going you know at the end of the day it's you know a lot of trust here you come in

577
00:34:35,160 --> 00:34:40,440
you try your test just grips you look at it on VNC see if it works and then you clean your

578
00:34:40,440 --> 00:34:45,800
shit up and then the next guy should come in I guess or maybe we maybe I should just create

579
00:34:45,800 --> 00:34:51,400
accounts I guess I can do that maybe I'll just create accounts so that each individual can

580
00:34:51,400 --> 00:34:57,800
can try themselves stuff to ponder on the plane ride tomorrow for sure okay I got another

581
00:34:57,800 --> 00:35:02,280
pod save song for you gonna play out with I just could not resist playing the song because well

582
00:35:02,280 --> 00:35:10,120
the lyrics say it all it's the modest lads I gotta trust a little bit of love for you baby

583
00:35:11,250 --> 00:37:16,250
[ Music ]

584
00:37:19,720 --> 00:37:28,440
the lyrics are catchy right I've got a thousand out of love the modest lads

585
00:37:28,440 --> 00:37:34,360
Stranger load of love wrapping up the Charlie for another show from the curry man or an

586
00:37:34,360 --> 00:37:41,160
Adam's attic and tomorrow no show tomorrow hey I'm sorry to disappoint you but I'm just going to be

587
00:37:41,160 --> 00:37:47,240
traveling a virgin Atlantic is even for some reason the the pickup is half an hour earlier so

588
00:37:47,240 --> 00:37:50,680
I'm gonna pick me up at eight o'clock and just in the way I already had to do all kinds of stuff for

589
00:37:50,680 --> 00:37:56,200
serious satellite to work ahead it and so you just have to wait until when is the night of course

590
00:37:56,280 --> 00:38:01,240
because I will do that for you I'll stay up so I arrived the afternoon I go straight in it

591
00:38:01,240 --> 00:38:07,560
you know I dropped my shit off at the condo I'll walk to the office do the shuffle at the office

592
00:38:08,440 --> 00:38:14,600
and then I'll come home I'll have some need and and I'll do the show for Thursday Wednesday night

593
00:38:14,600 --> 00:38:21,080
which I know all of you appreciate when I do that so until then daily source code dot com is where you can

594
00:38:21,080 --> 00:38:26,280
find all the links and information or today's show and of course Adam at podshow.com is where

595
00:38:26,280 --> 00:38:33,080
I appreciate you sending all your correspondents to and take care yourself I'll talk to you very very soon

596
00:38:33,080 --> 00:38:37,080
another podshow podcast stick it in your ear

597
00:38:44,120 --> 00:38:49,080
the best in the brightest sub duct daily by the sharpest minds in content delivering podshow

598
00:38:49,080 --> 00:38:51,080
and limelight