1
00:00:00,000 --> 00:00:09,600
Dude! Yeah, what's up? Did you see that chick I was with last night? She was smoking.

2
00:00:09,600 --> 00:00:17,400
Yeah, she gave me your number. Yeah, I got it right here. D.S.C. 5.6.5. Oh man, she left a number off.

3
00:00:17,400 --> 00:00:26,200
Don't know, that's what she wrote. D.S.C. 5.6.5. Who? Adam Curry? Yeah, big-haired fag, pink glasses,

4
00:00:26,200 --> 00:00:34,000
jumpsuit. Yeah, I remember him. Here's no Kurt Loder, but I know who he is. A podcast, daily source code.

5
00:00:34,000 --> 00:00:42,400
Oh man, that sucks! Ah, she was a skank anyway. D.S.C. 5.6.5.5. My ass.

6
00:00:43,750 --> 00:01:20,200
[ Music ]

7
00:01:20,200 --> 00:01:30,200
Yes, Adam and Patricia. Adam and the lady Patricia. Adam Curry was just a guy with big-haired,

8
00:01:30,200 --> 00:01:38,200
who sold his first company and thought he'd just kick back and take it easy, but he never counted on this.

9
00:01:38,200 --> 00:01:46,200
Adam and Patricia, the king and queen of the manner, or just the lady and the tramp.

10
00:01:46,200 --> 00:01:53,200
Only on the daily source code.

11
00:01:53,200 --> 00:07:07,200
[ Music ]

12
00:07:07,200 --> 00:07:28,200
I have to go to jail for your pleasure like that.

13
00:07:28,200 --> 00:07:46,200
I took it off of iTunes and then I re-recorded it to get rid of the digital rights management

14
00:07:46,200 --> 00:07:53,200
and then put it back in the cast blast and it sounded shitty.

15
00:07:53,200 --> 00:08:03,200
It's the lady Patricia in the attic.

16
00:08:03,200 --> 00:08:14,200
It is so good to have you back on the show.

17
00:08:14,200 --> 00:08:29,200
You put me in my place, I think that's what people like the most.

18
00:08:29,200 --> 00:08:33,200
That's a real long time.

19
00:08:33,200 --> 00:08:35,200
How are you doing?

20
00:08:35,200 --> 00:08:38,200
I'm doing good as you know.

21
00:08:38,200 --> 00:08:41,200
I came back from Holland.

22
00:08:41,200 --> 00:08:45,200
I was in San Francisco for eight days, something like that.

23
00:08:45,200 --> 00:08:49,200
Then I came back for a week and I left to New York.

24
00:08:49,200 --> 00:08:52,200
I came back and it was the first thing I said when I saw you.

25
00:08:52,200 --> 00:08:55,200
My God, you look good.

26
00:08:55,200 --> 00:08:56,200
Exactly.

27
00:08:56,200 --> 00:08:57,200
It's this dancing.

28
00:08:57,200 --> 00:08:58,200
Because what did I do?

29
00:08:58,200 --> 00:08:59,200
I don't know.

30
00:08:59,200 --> 00:09:00,200
What did you do?

31
00:09:01,200 --> 00:09:03,200
What was his name?

32
00:09:03,200 --> 00:09:07,200
Well, Carl.

33
00:09:07,200 --> 00:09:10,200
Carl, you have that nice freshly fucked face.

34
00:09:10,200 --> 00:09:11,200
Yes.

35
00:09:11,200 --> 00:09:15,200
No, what I did was I trained a lot and I danced.

36
00:09:15,200 --> 00:09:16,200
I'm still dancing.

37
00:09:16,200 --> 00:09:18,200
The dancing is doing wonders for you.

38
00:09:18,200 --> 00:09:20,200
I believe it is absolutely.

39
00:09:20,200 --> 00:09:22,200
And it's fun.

40
00:09:22,200 --> 00:09:24,200
It's fun.

41
00:09:24,200 --> 00:09:27,200
Because actually going to the gym, I don't like that.

42
00:09:27,200 --> 00:09:29,200
It's too boring.

43
00:09:29,200 --> 00:09:30,200
It's very boring.

44
00:09:30,200 --> 00:09:33,200
That's why I don't go because it's stings and it's boring.

45
00:09:33,200 --> 00:09:34,200
And I'm so disgusted.

46
00:09:34,200 --> 00:09:37,200
And they don't let you smoke your spliff while you're working out.

47
00:09:37,200 --> 00:09:38,200
That's right.

48
00:09:38,200 --> 00:09:39,200
It's a real bummer.

49
00:09:39,200 --> 00:09:43,200
But also, you're touching everything you're sitting in somebody else's sweat.

50
00:09:43,200 --> 00:09:44,200
But sweat, no less.

51
00:09:44,200 --> 00:09:45,200
Oh, I hate that.

52
00:09:45,200 --> 00:09:46,200
Yeah, that's a good point.

53
00:09:46,200 --> 00:09:48,200
I like to be outside.

54
00:09:48,200 --> 00:09:54,200
So I'm doing my walk, which is very convenient here across the road.

55
00:09:54,200 --> 00:09:58,200
Which is, of course, because we moved that area across the street is wonderful.

56
00:09:58,200 --> 00:09:59,200
Yeah.

57
00:09:59,200 --> 00:10:02,200
For, for walking, for power, walk is going up.

58
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It's the shantry woods.

59
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It's very good.

60
00:10:04,200 --> 00:10:05,200
Yes, the shantry woods.

61
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Yes.

62
00:10:06,200 --> 00:10:07,200
And it's a mountain.

63
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So you have to go up.

64
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A mountain.

65
00:10:09,200 --> 00:10:10,200
It's like a hill.

66
00:10:10,200 --> 00:10:11,200
It's not really a mountain.

67
00:10:11,200 --> 00:10:12,200
It's a mountain.

68
00:10:12,200 --> 00:10:13,200
It feels like a mountain.

69
00:10:13,200 --> 00:10:14,200
For Dutch people that may be a mountain.

70
00:10:14,200 --> 00:10:15,200
It's a hill.

71
00:10:15,200 --> 00:10:16,200
It's a hill.

72
00:10:16,200 --> 00:10:18,200
And so that's very good.

73
00:10:18,200 --> 00:10:22,200
And then I have weekly, which is actually tonight.

74
00:10:22,200 --> 00:10:23,200
Right.

75
00:10:23,200 --> 00:10:24,200
I have my dance class.

76
00:10:24,200 --> 00:10:26,200
I have got to see this.

77
00:10:27,200 --> 00:10:30,200
These people in the, like, the tight latex suits and the really stuff.

78
00:10:30,200 --> 00:10:31,200
No, no, no, no.

79
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No, no.

80
00:10:32,200 --> 00:10:33,200
There's nobody actually.

81
00:10:33,200 --> 00:10:34,200
There are some people.

82
00:10:34,200 --> 00:10:36,200
Other people rehearsing.

83
00:10:36,200 --> 00:10:38,200
But it's just me and my teacher.

84
00:10:38,200 --> 00:10:39,200
I know.

85
00:10:39,200 --> 00:10:40,200
But what is he wearing?

86
00:10:40,200 --> 00:10:42,200
No, he's wearing, uh, blue jeans.

87
00:10:42,200 --> 00:10:44,200
Soft, dancing shoes.

88
00:10:44,200 --> 00:10:45,200
Uh-huh.

89
00:10:45,200 --> 00:10:51,200
And, uh, sort of, very hugging kind of a, um, black.

90
00:10:51,200 --> 00:10:52,200
Like her.

91
00:10:52,200 --> 00:10:53,200
Like her.

92
00:10:53,200 --> 00:10:54,200
Like her.

93
00:10:54,200 --> 00:10:55,200
Is it like her?

94
00:10:55,200 --> 00:10:56,200
Yeah, exactly.

95
00:10:56,200 --> 00:10:57,200
Yeah.

96
00:10:57,200 --> 00:10:58,200
And he is, he is younger than I am.

97
00:10:58,200 --> 00:10:59,200
I have to say that.

98
00:10:59,200 --> 00:11:00,200
But he looks older, probably.

99
00:11:00,200 --> 00:11:02,200
Uh, I'm not going to say.

100
00:11:02,200 --> 00:11:03,200
You know.

101
00:11:03,200 --> 00:11:04,200
You never know.

102
00:11:04,200 --> 00:11:05,200
It's not delicious.

103
00:11:05,200 --> 00:11:06,200
I never know who's listening.

104
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But he's, he's very nice.

105
00:11:08,200 --> 00:11:11,200
And we have, it's, it's again, I have a lot of fun.

106
00:11:11,200 --> 00:11:13,200
Well, baby, it becomes you completely.

107
00:11:13,200 --> 00:11:17,200
Because, um, now, not that your butt has ever looked big or anything like that.

108
00:11:17,200 --> 00:11:18,200
Let me just, just claim this right up front.

109
00:11:18,200 --> 00:11:19,200
No, I never had a bit.

110
00:11:19,200 --> 00:11:20,200
No, no, no, no, no, no.

111
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But he's even smaller.

112
00:11:22,200 --> 00:11:24,200
Well, no, but it, the, everything is contracted.

113
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You know, so you would, you would just more woman.

114
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And it's contracted a little bit.

115
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And now you are pretty, I'd say you're close to, uh, when you were 38.

116
00:11:33,200 --> 00:11:34,200
Really?

117
00:11:34,200 --> 00:11:36,200
No, but doesn't make you feel good if I say that.

118
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Come on.

119
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Go on.

120
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Go on.

121
00:11:40,200 --> 00:11:41,200
Yes, tell me.

122
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Oh, so I come back.

123
00:11:42,200 --> 00:11:43,200
You know, it's like, uh.

124
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We women like that.

125
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I know.

126
00:11:45,200 --> 00:11:46,200
I say that.

127
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That's why I'm saying it.

128
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So I'm doing it for you.

129
00:11:48,200 --> 00:11:49,200
No, I know.

130
00:11:49,200 --> 00:11:50,200
You're, no, for you.

131
00:11:50,200 --> 00:11:51,200
For all other men of the world.

132
00:11:51,200 --> 00:11:52,200
I don't think that.

133
00:11:53,200 --> 00:11:55,200
Yeah, it looks great.

134
00:11:55,200 --> 00:11:56,200
It really does.

135
00:11:56,200 --> 00:11:57,200
Thank you.

136
00:11:57,200 --> 00:11:59,200
So I come back, uh, what's Saturday?

137
00:11:59,200 --> 00:12:00,200
Yeah.

138
00:12:00,200 --> 00:12:01,200
Saturday from New York.

139
00:12:01,200 --> 00:12:02,200
Yeah.

140
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And we have one day.

141
00:12:03,200 --> 00:12:04,200
And of course, I'm completely messed up on that.

142
00:12:04,200 --> 00:12:06,200
The time really messed with me this time.

143
00:12:06,200 --> 00:12:07,200
I'm gonna left you, okay.

144
00:12:07,200 --> 00:12:08,200
Yeah, then you left, man.

145
00:12:08,200 --> 00:12:11,200
At this time, difference, you know, the, the US of A, uh,

146
00:12:11,200 --> 00:12:13,200
changed, uh, to daylight savings time.

147
00:12:13,200 --> 00:12:16,200
A whole month before the rest, before the rest of the world,

148
00:12:16,200 --> 00:12:18,200
to, uh, it was part of what, uh, part of, uh,

149
00:12:18,200 --> 00:12:21,200
the administration's energy saving plan, which I believe kind of makes sense.

150
00:12:21,200 --> 00:12:25,200
Uh, to give us an extra month of, uh, of more daylight,

151
00:12:25,200 --> 00:12:27,200
therefore, yes, like less electricity being used.

152
00:12:27,200 --> 00:12:28,200
Yeah.

153
00:12:28,200 --> 00:12:31,200
That made the difference between New York and London four hours,

154
00:12:31,200 --> 00:12:34,200
which was really weird because I felt like I was near you,

155
00:12:34,200 --> 00:12:35,200
but I wasn't near you.

156
00:12:35,200 --> 00:12:37,200
And it was still, you know, just those four hours

157
00:12:37,200 --> 00:12:38,200
and by the time I got involved.

158
00:12:38,200 --> 00:12:39,200
We can feel worse.

159
00:12:39,200 --> 00:12:40,200
Oh, man.

160
00:12:40,200 --> 00:12:41,200
Yeah.

161
00:12:41,200 --> 00:12:42,200
It does.

162
00:12:42,200 --> 00:12:43,200
One hour can feel worse than then eight hours.

163
00:12:43,200 --> 00:12:44,200
It's unbelievable.

164
00:12:44,200 --> 00:12:45,200
Yeah.

165
00:12:45,200 --> 00:12:46,200
Yeah.

166
00:12:46,200 --> 00:12:47,200
Yeah.

167
00:12:47,200 --> 00:12:48,200
So, uh, anyway.

168
00:12:49,200 --> 00:12:51,200
Uh, this oriented, and then you laughed.

169
00:12:51,200 --> 00:12:52,200
You, you went away.

170
00:12:52,200 --> 00:12:53,200
Yes.

171
00:12:53,200 --> 00:12:54,200
So what did you do?

172
00:12:54,200 --> 00:12:56,200
I went to my friend, uh,

173
00:12:56,200 --> 00:12:59,200
uh, Paul Schult, who is, uh, a fashion designer.

174
00:12:59,200 --> 00:13:00,200
Oh, yes.

175
00:13:00,200 --> 00:13:01,200
Oh, it's good to hear.

176
00:13:01,200 --> 00:13:02,200
Oh, it's good to hear.

177
00:13:02,200 --> 00:13:03,200
Let me guess.

178
00:13:03,200 --> 00:13:04,200
And is he gay?

179
00:13:04,200 --> 00:13:06,200
One of the best.

180
00:13:06,200 --> 00:13:08,200
Very gay, but so sweet.

181
00:13:08,200 --> 00:13:09,200
I love that.

182
00:13:09,200 --> 00:13:11,200
You know, that's so wonderful.

183
00:13:11,200 --> 00:13:12,200
And he loves women.

184
00:13:12,200 --> 00:13:13,200
Mm-hmm.

185
00:13:13,200 --> 00:13:14,200
And he designs for women.

186
00:13:14,200 --> 00:13:15,200
And, uh,

187
00:13:16,200 --> 00:13:18,200
I'm always, um,

188
00:13:18,200 --> 00:13:21,200
in the first part of, um,

189
00:13:21,200 --> 00:13:23,200
trying to get a whole show together.

190
00:13:23,200 --> 00:13:25,200
And then think with him and with him.

191
00:13:25,200 --> 00:13:28,200
And we, we sort of, uh, a team together.

192
00:13:28,200 --> 00:13:29,200
Yeah.

193
00:13:29,200 --> 00:13:31,200
You know, where we, um,

194
00:13:31,200 --> 00:13:34,200
You come up with a thing that we're,

195
00:13:34,200 --> 00:13:35,200
and these are the shows.

196
00:13:35,200 --> 00:13:37,200
You know, these are real productions.

197
00:13:37,200 --> 00:13:38,200
I mean, this is, uh,

198
00:13:38,200 --> 00:13:40,200
real like Hollywood style productions.

199
00:13:40,200 --> 00:13:41,200
Yeah.

200
00:13:41,200 --> 00:13:42,200
Big.

201
00:13:42,200 --> 00:13:43,200
It's big stuff.

202
00:13:43,200 --> 00:13:44,200
So I've already got the next one.

203
00:13:44,200 --> 00:13:47,200
I do the Dutch designers, um,

204
00:13:47,200 --> 00:13:49,200
do their fashion shows,

205
00:13:49,200 --> 00:13:51,200
either weeks before or weeks after,

206
00:13:51,200 --> 00:13:53,200
like the rest of the world,

207
00:13:53,200 --> 00:13:54,200
like Paris, New York.

208
00:13:54,200 --> 00:13:55,200
Well, that's when you, I don't get it.

209
00:13:55,200 --> 00:13:56,200
No, I don't know.

210
00:13:56,200 --> 00:13:58,200
That's, it seems really wrong to me.

211
00:13:58,200 --> 00:13:59,200
Yeah.

212
00:13:59,200 --> 00:14:01,200
I'm not a fashion guru, but it seems like.

213
00:14:01,200 --> 00:14:03,200
But they all do it.

214
00:14:03,200 --> 00:14:04,200
Yeah.

215
00:14:04,200 --> 00:14:05,200
Maybe.

216
00:14:05,200 --> 00:14:06,200
I don't know.

217
00:14:06,200 --> 00:14:08,200
They're not even, I think,

218
00:14:08,200 --> 00:14:10,200
looking at what the other designers are doing.

219
00:14:10,200 --> 00:14:11,200
They're doing their own thing.

220
00:14:11,200 --> 00:14:12,200
They have their own shorts.

221
00:14:12,200 --> 00:14:13,200
Sure.

222
00:14:14,200 --> 00:14:15,200
So what can we expect?

223
00:14:15,200 --> 00:14:18,200
A lot of famous and very wealthy clients.

224
00:14:18,200 --> 00:14:20,200
So for to spring 2007,

225
00:14:20,200 --> 00:14:22,200
what should we be wearing at Lady Patricia?

226
00:14:22,200 --> 00:14:23,200
What is going to be in?

227
00:14:23,200 --> 00:14:25,200
And I'm not talking about what the Dutch designers are saying,

228
00:14:25,200 --> 00:14:26,200
but what is the,

229
00:14:26,200 --> 00:14:28,200
the world of fashion at large say?

230
00:14:28,200 --> 00:14:30,200
I, you know what?

231
00:14:30,200 --> 00:14:31,200
Those panties you had on,

232
00:14:31,200 --> 00:14:33,200
yes, that they were pretty fashionable.

233
00:14:33,200 --> 00:14:34,200
They're cute.

234
00:14:34,200 --> 00:14:35,200
Mm, very cute.

235
00:14:35,200 --> 00:14:36,200
The whole set with the bra.

236
00:14:36,200 --> 00:14:37,200
Very, very.

237
00:14:37,200 --> 00:14:38,200
Very Brigitte Bardau.

238
00:14:38,200 --> 00:14:39,200
Very Brigitte Bardau.

239
00:14:39,200 --> 00:14:41,200
I couldn't wait to rip them off.

240
00:14:41,200 --> 00:14:42,200
Very.

241
00:14:43,200 --> 00:14:49,200
Very in and big, big, especially the, the bags.

242
00:14:49,200 --> 00:14:51,200
The bags are huge.

243
00:14:51,200 --> 00:14:52,200
The huge bags.

244
00:14:52,200 --> 00:14:55,200
I see bags carrying women around these days.

245
00:14:55,200 --> 00:14:56,200
It's cool.

246
00:14:56,200 --> 00:14:57,200
You and your bags.

247
00:14:57,200 --> 00:14:58,200
Yeah.

248
00:14:58,200 --> 00:14:59,200
It's out of control.

249
00:14:59,200 --> 00:15:01,200
Carl Agafald calls him the La Grande sack.

250
00:15:01,200 --> 00:15:02,200
Yeah.

251
00:15:02,200 --> 00:15:03,200
Well, I've got a La Grande sack for you right here.

252
00:15:03,200 --> 00:15:04,200
Listen.

253
00:15:04,200 --> 00:15:05,200
This, this.

254
00:15:05,200 --> 00:15:06,200
This bag thing.

255
00:15:06,200 --> 00:15:07,200
It's out of control.

256
00:15:07,200 --> 00:15:08,200
It's very, this.

257
00:15:08,200 --> 00:15:09,200
You know, the more expensive.

258
00:15:09,200 --> 00:15:11,200
I feel this is porn for women.

259
00:15:12,200 --> 00:15:16,200
So it's almost like we've now gone into the, uh, into the double D territory.

260
00:15:16,200 --> 00:15:19,200
You know, it's like, uh, now all sudden it's hot to have really, you know,

261
00:15:19,200 --> 00:15:21,200
porn with really big boobs.

262
00:15:21,200 --> 00:15:22,200
And this is crazy.

263
00:15:22,200 --> 00:15:23,200
Yeah.

264
00:15:23,200 --> 00:15:25,200
This, I mean, these bags are way too big.

265
00:15:25,200 --> 00:15:27,200
What are you coming from boobs to boobs?

266
00:15:27,200 --> 00:15:28,200
No, no, no.

267
00:15:28,200 --> 00:15:30,200
Bags are porn for women.

268
00:15:30,200 --> 00:15:31,200
Yes.

269
00:15:31,200 --> 00:15:32,200
So porn for men.

270
00:15:32,200 --> 00:15:33,200
We have trends, right?

271
00:15:33,200 --> 00:15:36,200
Right now it's very much, uh, she males are very trendy.

272
00:15:36,200 --> 00:15:39,200
Of course I, I like to think I set the trend.

273
00:15:39,200 --> 00:15:40,200
Yeah.

274
00:15:41,200 --> 00:15:43,200
No, but seriously.

275
00:15:43,200 --> 00:15:44,200
Yeah.

276
00:15:44,200 --> 00:15:46,200
But big boobs were, were a big, you know, big trend.

277
00:15:46,200 --> 00:15:53,200
Well, there's, there actually back because if you look at all the, the braziers and the bras,

278
00:15:53,200 --> 00:15:56,200
they're self, they're full with, with stuff in there.

279
00:15:56,200 --> 00:15:58,200
Women are filling up their bras.

280
00:15:58,200 --> 00:15:59,200
They're filling up their panties.

281
00:15:59,200 --> 00:16:00,200
Their butts are all safe.

282
00:16:00,200 --> 00:16:01,200
They have big, big boobs.

283
00:16:01,200 --> 00:16:04,200
I don't get that because it's going to be so disappointed if you take it.

284
00:16:04,200 --> 00:16:05,200
Exactly.

285
00:16:05,200 --> 00:16:06,200
In the future, you know,

286
00:16:06,200 --> 00:16:07,200
Why would you fool yourself?

287
00:16:07,200 --> 00:16:09,200
We're going to have like this, you know,

288
00:16:09,200 --> 00:16:14,200
auto photoshop reality where women walk around in a haze of photoshop and they look beautiful.

289
00:16:14,200 --> 00:16:21,200
And even kids, 15, 16 years old, even younger, all those little bras have those, those air bags in them.

290
00:16:21,200 --> 00:16:26,200
And cur bags and silicone things and I think that's not good, is it?

291
00:16:26,200 --> 00:16:29,200
But anyway, so I was back in Amsterdam.

292
00:16:29,200 --> 00:16:34,200
And every time I'm there, all the photographers, all the photographers just,

293
00:16:34,200 --> 00:16:35,200
How you know that?

294
00:16:35,200 --> 00:16:36,200
Run, how you love it.

295
00:16:36,200 --> 00:16:38,200
Because I'm never there.

296
00:16:38,200 --> 00:16:39,200
Finally, I'm there.

297
00:16:39,200 --> 00:16:40,200
The queen has arrived.

298
00:16:40,200 --> 00:16:44,200
So, you know, they took all those pictures and guess what happened?

299
00:16:44,200 --> 00:16:51,200
Because I was, I was actually a little bit of wearing a vest, a man's vest.

300
00:16:51,200 --> 00:16:52,200
I saw it in the heart.

301
00:16:52,200 --> 00:16:56,200
And I had a little white shirt on a neat open.

302
00:16:56,200 --> 00:16:57,200
Mm-hmm.

303
00:16:57,200 --> 00:17:01,200
And you could see my very beautiful, clean, very neat, but, you know,

304
00:17:01,200 --> 00:17:02,200
Clevage.

305
00:17:02,200 --> 00:17:04,200
So what happened was, I, I, I tear it.

306
00:17:04,200 --> 00:17:05,200
No.

307
00:17:05,200 --> 00:17:07,200
I tried to close it in suddenly, I tear it.

308
00:17:08,200 --> 00:17:09,200
You tore it.

309
00:17:09,200 --> 00:17:10,200
Yeah.

310
00:17:10,200 --> 00:17:11,200
So it was a, a big tear.

311
00:17:11,200 --> 00:17:12,200
It was a big tear.

312
00:17:12,200 --> 00:17:13,200
And I tore it.

313
00:17:13,200 --> 00:17:14,200
It was a big, no you tore it.

314
00:17:14,200 --> 00:17:16,200
You tore it and you had a big tear.

315
00:17:16,200 --> 00:17:17,200
Yeah.

316
00:17:17,200 --> 00:17:21,200
So then, you know, all the, all the photographers,

317
00:17:21,200 --> 00:17:22,200
Oh yeah, they loved that.

318
00:17:22,200 --> 00:17:23,200
Oh yeah, they loved that.

319
00:17:23,200 --> 00:17:24,200
The photographers started to,

320
00:17:24,200 --> 00:17:25,200
Perhaps, no common, perhaps not.

321
00:17:25,200 --> 00:17:27,200
That's what they call here, paparazzi, the paparazzi.

322
00:17:27,200 --> 00:17:28,200
The paparazzi.

323
00:17:28,200 --> 00:17:29,200
The paparazzi.

324
00:17:29,200 --> 00:17:31,200
So started to flash, of course.

325
00:17:31,200 --> 00:17:32,200
Of course, did anything top out?

326
00:17:32,200 --> 00:17:33,200
God.

327
00:17:33,200 --> 00:17:34,200
They needed a white angle length.

328
00:17:34,200 --> 00:17:35,200
I have to say.

329
00:17:35,200 --> 00:17:36,200
They popped out.

330
00:17:36,200 --> 00:17:39,200
Now, not, not really with a nipple, but you can see a lot of brass.

331
00:17:39,200 --> 00:17:40,200
Yeah.

332
00:17:40,200 --> 00:17:41,200
That's something closer to any more.

333
00:17:41,200 --> 00:17:43,200
So that was a nice moment.

334
00:17:43,200 --> 00:17:44,200
Excellent.

335
00:17:44,200 --> 00:17:45,200
I, I, I hope they're happy with it.

336
00:17:45,200 --> 00:17:46,200
You know.

337
00:17:46,200 --> 00:17:47,200
So did you, did you close that go?

338
00:17:47,200 --> 00:17:48,200
I gave him something.

339
00:17:48,200 --> 00:17:49,200
No, I couldn't.

340
00:17:49,200 --> 00:17:50,200
I couldn't.

341
00:17:50,200 --> 00:17:54,200
It was just, it was really, it was, I couldn't throw the way now.

342
00:17:54,200 --> 00:17:55,200
Right.

343
00:17:55,200 --> 00:17:56,200
Okay.

344
00:17:56,200 --> 00:17:57,200
So that's what happened.

345
00:17:57,200 --> 00:18:00,200
And so now tell me, are you going to be doing dancing with the stars again?

346
00:18:00,200 --> 00:18:01,200
What's happening?

347
00:18:01,200 --> 00:18:02,200
No.

348
00:18:02,200 --> 00:18:03,200
No.

349
00:18:03,200 --> 00:18:04,200
I didn't explain that last time.

350
00:18:05,200 --> 00:18:07,200
So they were, when I did the, the special.

351
00:18:07,200 --> 00:18:08,200
We're dancing with the stars.

352
00:18:08,200 --> 00:18:09,200
Yeah.

353
00:18:09,200 --> 00:18:12,200
Or the, you know, it's called here a strictly condense.

354
00:18:12,200 --> 00:18:13,200
Don't.

355
00:18:13,200 --> 00:18:15,200
It's called dancing with the stars in the stage.

356
00:18:15,200 --> 00:18:16,200
Yeah.

357
00:18:16,200 --> 00:18:17,200
I know.

358
00:18:17,200 --> 00:18:20,200
So I did that special Christmas and New Year.

359
00:18:20,200 --> 00:18:24,200
And, well, of course, it was, got a lot of attention.

360
00:18:24,200 --> 00:18:30,200
And so the, the producer and the, what is it?

361
00:18:30,200 --> 00:18:31,200
The broadcaster.

362
00:18:31,200 --> 00:18:32,200
Yeah.

363
00:18:32,200 --> 00:18:33,200
The broadcaster.

364
00:18:33,200 --> 00:18:35,200
I said, would you like to do the real one?

365
00:18:35,200 --> 00:18:36,200
Right.

366
00:18:36,200 --> 00:18:37,200
Think about it.

367
00:18:37,200 --> 00:18:38,200
Yeah.

368
00:18:38,200 --> 00:18:39,200
Which, of course, is why you immediately went into training.

369
00:18:39,200 --> 00:18:42,200
Because you really wanted to get to mass secret training.

370
00:18:42,200 --> 00:18:44,200
And keep that, you know, the vibe going.

371
00:18:44,200 --> 00:18:46,200
And, and I was in good shape.

372
00:18:46,200 --> 00:18:48,200
So, and I kept that up.

373
00:18:48,200 --> 00:18:51,200
And they actually asked me twice.

374
00:18:51,200 --> 00:18:54,200
And now I didn't hear anything anymore.

375
00:18:54,200 --> 00:18:55,200
And I thought that's strange.

376
00:18:55,200 --> 00:18:56,200
So now.

377
00:18:56,200 --> 00:18:57,200
Typical tellers.

378
00:18:57,200 --> 00:18:59,200
But the girls, I spoke and I said, no, you know what?

379
00:18:59,200 --> 00:19:02,200
They couldn't do it because they got the rules from the BBC.

380
00:19:02,200 --> 00:19:04,200
There's a couple of rules.

381
00:19:04,200 --> 00:19:05,200
And it is.

382
00:19:05,200 --> 00:19:09,200
Once you did the special, you cannot do the real one.

383
00:19:09,200 --> 00:19:11,200
Because you already are ahead of the other.

384
00:19:11,200 --> 00:19:14,200
That's, that's the rules of the format before.

385
00:19:14,200 --> 00:19:15,200
Okay.

386
00:19:15,200 --> 00:19:16,200
Oh, that sucks.

387
00:19:16,200 --> 00:19:18,200
So, and I said, it doesn't mean you can dance.

388
00:19:18,200 --> 00:19:20,200
I only did two dances.

389
00:19:20,200 --> 00:19:21,200
I don't know.

390
00:19:21,200 --> 00:19:22,200
Really?

391
00:19:22,200 --> 00:19:23,200
But I want to try it.

392
00:19:23,200 --> 00:19:24,200
And I'm not the youngest.

393
00:19:24,200 --> 00:19:25,200
No.

394
00:19:25,200 --> 00:19:26,200
No.

395
00:19:26,200 --> 00:19:27,200
So, I think it's, it's a big deal.

396
00:19:27,200 --> 00:19:28,200
But no.

397
00:19:28,200 --> 00:19:29,200
No.

398
00:19:29,200 --> 00:19:30,200
So that.

399
00:19:30,200 --> 00:19:31,200
But I probably, I'm left lame.

400
00:19:31,200 --> 00:19:33,200
I might be a guest or anything.

401
00:19:33,200 --> 00:19:38,200
And there were all kinds of, there were all kinds of rumors about you being a judge on

402
00:19:38,200 --> 00:19:39,200
So you want to be a pop star.

403
00:19:39,200 --> 00:19:43,200
I mean, like, I read at least 20 different newspaper articles that said,

404
00:19:43,200 --> 00:19:44,200
Well, yeah, that's true.

405
00:19:44,200 --> 00:19:45,200
They asked you for them.

406
00:19:45,200 --> 00:19:46,200
They asked you for them.

407
00:19:46,200 --> 00:19:47,200
They couldn't afford me.

408
00:19:47,200 --> 00:19:48,200
Okay.

409
00:19:48,200 --> 00:19:51,200
Dude, those other guys have it even fucking paid you from dancing with the stars.

410
00:19:51,200 --> 00:19:52,200
That's true.

411
00:19:52,200 --> 00:19:53,200
That sucks.

412
00:19:53,200 --> 00:19:54,200
Oh, man.

413
00:19:54,200 --> 00:19:55,200
I hate that.

414
00:19:55,200 --> 00:19:57,200
And you know, it's like now, and you can't go asking for it.

415
00:19:57,200 --> 00:19:58,200
Because if you, you were going to give it away.

416
00:19:58,200 --> 00:19:59,200
It looks silly.

417
00:20:00,200 --> 00:20:01,200
Yeah.

418
00:20:01,200 --> 00:20:02,200
Because it's not that much.

419
00:20:02,200 --> 00:20:04,200
But, you know, we could give it away for forever.

420
00:20:04,200 --> 00:20:05,200
You were going to give it away.

421
00:20:05,200 --> 00:20:07,200
You said, I want, it's like, it was like nothing.

422
00:20:07,200 --> 00:20:09,200
I want to give it to the animal.

423
00:20:09,200 --> 00:20:11,200
It was like 1,500 bucks or something.

424
00:20:11,200 --> 00:20:12,200
It's totally negative.

425
00:20:12,200 --> 00:20:14,200
What it is, but they're still dead.

426
00:20:14,200 --> 00:20:15,200
Oh, I hate that.

427
00:20:15,200 --> 00:20:17,200
Oh, well, when they ask you for something else next time,

428
00:20:17,200 --> 00:20:20,200
you tell them that you're, uh, your manager in a council wants to talk to us.

429
00:20:20,200 --> 00:20:21,200
Even the dancers.

430
00:20:21,200 --> 00:20:22,200
They didn't get paid either.

431
00:20:22,200 --> 00:20:24,200
No, the UK dances here.

432
00:20:24,200 --> 00:20:26,200
Get so much more.

433
00:20:27,200 --> 00:20:29,200
But then there's a leverage.

434
00:20:29,200 --> 00:20:30,200
Hold on a second.

435
00:20:30,200 --> 00:20:31,200
Don't compare.

436
00:20:31,200 --> 00:20:32,200
Do not compare.

437
00:20:32,200 --> 00:20:33,200
No, no, you can't.

438
00:20:33,200 --> 00:20:36,200
You can't compare the UK market to the Dutch market.

439
00:20:36,200 --> 00:20:37,200
The Dutch market.

440
00:20:37,200 --> 00:20:39,200
There's like 2 million people watch a program.

441
00:20:39,200 --> 00:20:41,200
You know, and here it's like 10 million.

442
00:20:41,200 --> 00:20:43,200
So you can afford a lot more.

443
00:20:43,200 --> 00:20:44,200
But still.

444
00:20:44,200 --> 00:20:45,200
No, no still.

445
00:20:45,200 --> 00:20:47,200
They, they spend a lot.

446
00:20:47,200 --> 00:20:49,200
But on different things.

447
00:20:49,200 --> 00:20:50,200
Yeah.

448
00:20:50,200 --> 00:20:51,200
They do spend a lot.

449
00:20:51,200 --> 00:20:52,200
They just cock suckers.

450
00:20:52,200 --> 00:20:53,200
They should, they should pay everyone.

451
00:20:53,200 --> 00:20:55,200
I know these dancers don't get paid.

452
00:20:56,200 --> 00:20:58,200
They're not paying.

453
00:20:58,200 --> 00:21:01,200
They just go down and be begging for their money.

454
00:21:01,200 --> 00:21:03,200
It's not that complicated.

455
00:21:03,200 --> 00:21:05,200
Everybody's complaining in Holland.

456
00:21:05,200 --> 00:21:07,200
And I spoke to a lot of people that the the, um,

457
00:21:07,200 --> 00:21:09,200
The quality of the, the, um,

458
00:21:09,200 --> 00:21:10,200
The quality of the, of the shows and the program.

459
00:21:10,200 --> 00:21:12,200
Yeah, that's crap.

460
00:21:12,200 --> 00:21:13,200
Okay.

461
00:21:13,200 --> 00:21:14,200
All right.

462
00:21:14,200 --> 00:21:15,200
Who gives it.

463
00:21:15,200 --> 00:21:17,200
Going bang down down.

464
00:21:17,200 --> 00:21:18,200
All right.

465
00:21:18,200 --> 00:21:19,200
I don't care anymore.

466
00:21:19,200 --> 00:21:21,200
I don't live there.

467
00:21:21,200 --> 00:21:22,200
And it's a pity.

468
00:21:22,200 --> 00:21:24,200
It's because they don't want to pay.

469
00:21:24,200 --> 00:21:30,360
me. I had my prize and they said no. Something completely different. Yeah. How about our garden?

470
00:21:31,400 --> 00:21:37,480
Oh, isn't it? I took pictures. I put them up on the website. Yeah. Yeah, did you see them? Oh, man. They're awesome. No, I haven't.

471
00:21:37,480 --> 00:21:46,600
Yeah, but no, actually they're almost done. That's why that's why. Yeah, to be fast. That's why Sunday when it was, was it Sunday? No,

472
00:21:48,200 --> 00:21:52,920
yesterday Monday. No, I fuck. I don't remember Sunday, maybe. Yeah. It was so beautiful here. Look at this

473
00:21:53,400 --> 00:22:02,200
and how does it smell when you open up those French doors of the dining room? It smells like heaven. It smells like spring.

474
00:22:03,000 --> 00:22:06,280
I'm going to show you these pictures in the meantime. I got to play one little promo. There's something big

475
00:22:06,280 --> 00:22:13,080
that's happening on what's today. Today is Tuesday on Thursday. Yeah. Big thing happened. Listen. Oh.

476
00:22:13,080 --> 00:22:18,120
Hey, this is Neil from the Podsafe Revolution podcast. I'm sure you've already heard about this thing

477
00:22:18,120 --> 00:22:24,200
called bum rush the charts. That tiny spark that is turned into a bonfire and is currently burning

478
00:22:24,200 --> 00:22:29,160
up the Podsphere and the blogosphere. I'm sure you've already marked it on your calendars as well.

479
00:22:29,160 --> 00:22:35,000
March 22nd, 2007, but this is a little reminder for those of you who are late to the party.

480
00:22:35,400 --> 00:22:42,280
Here's what's going on. The whole premise is this. On March 22nd, 2007, that's this Thursday.

481
00:22:42,280 --> 00:22:47,400
We're going to stand together to be counted. We'll put our collective dollars where our mouths are.

482
00:22:47,480 --> 00:22:53,000
We'll take two minutes of our time and we'll purchase one song on one day in order to drive

483
00:22:53,000 --> 00:22:58,680
that song to number one on iTunes. Now along the way, we'll be doing something positive for the world.

484
00:22:58,680 --> 00:23:03,640
A world in which record labels think that Payola and Swedish pop songwriters are the only way to make

485
00:23:03,640 --> 00:23:09,560
a difference. All proceeds from our iTunes affiliate link as well as 50% of the band's proceeds

486
00:23:09,560 --> 00:23:14,360
will go towards providing money for a deserving college student to pursue higher education.

487
00:23:15,240 --> 00:23:20,760
Now when we first started this little experiment in social media, the question was, will anyone care?

488
00:23:21,880 --> 00:23:27,960
Well, not only has the online community joined our little Podsafe army, but big media has taken notice.

489
00:23:27,960 --> 00:23:34,120
Bumrush the charts has been represented on the CBC, the BBC, wired blogs, the San Jose Mercury,

490
00:23:34,120 --> 00:23:40,920
and now a little rag called billboard ever heard of it. The world is watching and our time is now.

491
00:23:41,000 --> 00:23:47,720
On March 22, we ask you to join forces with us using the affiliate link found on bumrushthecharts.com,

492
00:23:47,720 --> 00:23:55,960
purchase the song mine again by Black Lab and be a part of history. One day, one song, one voice,

493
00:23:55,960 --> 00:24:01,880
number one on iTunes. Bumrushthecharts.com. I'm in. Are you?

494
00:24:02,040 --> 00:24:09,720
So that's this Thursday. I told you about this, right? What we're doing?

495
00:24:09,720 --> 00:24:14,840
Yeah. We're all going to buy it. That's wonderful. Yeah, so we chose Black Lab because they

496
00:24:14,840 --> 00:24:19,880
were dropped from a major record label. And so now they're independent, they're on the Podsafe music network.

497
00:24:19,880 --> 00:24:23,320
So everyone's going to say, go and buy this song to their audience. And of course,

498
00:24:23,320 --> 00:24:28,040
you know, David Sorscott audience, a lot of them will buy it. It's 99 cents, but what happens is

499
00:24:28,120 --> 00:24:32,040
we're going to show this song, move up the iTunes charts. You know, up until, you know,

500
00:24:32,040 --> 00:24:36,360
where like Beyonce and all that. Yeah, yeah, yeah. So we can show that there's actually a lot of

501
00:24:36,360 --> 00:24:41,160
power and podcasting. Oh, that's good. Yeah, I thought it was a pretty great idea. No, great idea.

502
00:24:41,160 --> 00:24:48,040
Yeah, it wasn't my idea. Oh, I hate to say. Okay. Yeah, but so that's Thursday. More about that tomorrow.

503
00:24:48,040 --> 00:24:53,720
I'm obviously. Hey, great pictures. Don't you like him? Beautiful. Aren't they pretty? Very pretty.

504
00:24:53,720 --> 00:25:02,840
Thank you. I thought so, too. I don't want to keep you too long. So funny. It's like,

505
00:25:02,840 --> 00:25:08,920
why not? Because I got to go. Oh, okay. It's like my grandfather used to say,

506
00:25:08,920 --> 00:25:13,800
oh, lay down, take off the empanies, be out. Oh, well, you wouldn't be abused.

507
00:25:13,800 --> 00:25:23,320
I've just been over the desk. I can't help it. I love with you. Oh, thank you.

508
00:25:23,320 --> 00:25:29,800
I love in lust. I get butterflies in the stomach. Mm-hmm. Mm-hmm. The butterflies are still there. Absolutely.

509
00:25:29,800 --> 00:25:36,760
People getting nauseous now. I hope so. Yeah. No, women love that shit. Women love that.

510
00:25:37,320 --> 00:25:40,520
When I, when I talked to him. How long are we having butterflies?

511
00:25:40,520 --> 00:25:46,280
The Fox 20 years. Yeah. Twenty twenty-one years. And they're still fluttered. It was October

512
00:25:46,280 --> 00:25:51,960
20 years ago that we came to the States together. Wow. Wow. It's a long time.

513
00:25:52,280 --> 00:25:54,200
It's one big adventure with you, huh?

514
00:25:56,200 --> 00:25:57,320
Emphasis on big.

515
00:25:59,400 --> 00:26:03,320
You're the only woman I know who will make me wait up here in the studio.

516
00:26:03,320 --> 00:26:06,200
Well, I'm coming. Yeah. I was like, well, what do you, would you please hurry up? Well, I'm putting

517
00:26:06,200 --> 00:26:10,680
on my makeup. Is it? It's audio. It's like, it's almost like, um, what were you used to call

518
00:26:10,680 --> 00:26:16,760
um, radio? I was like, you don't even make up for, oh, yeah, for this show. Yeah, well,

519
00:26:16,760 --> 00:26:19,000
I wanted a good for you. Mm-hmm. Yeah, what you do.

520
00:26:19,960 --> 00:26:25,720
For me. All right. So I got to go because I'm, uh, Ron and I'm meeting with Gavin. Yeah. Yeah. You know,

521
00:26:25,720 --> 00:26:30,520
Gavin from our, yeah. Yeah. Yeah. Yeah. Of course. We were in the dinner party. Oh, uh, and good looking

522
00:26:30,520 --> 00:26:37,400
guy to say. Oh, pardon. Uh-huh. Well, no butterflies for him. No butterflies for Gavin. You sure

523
00:26:37,400 --> 00:26:47,160
no. Not even a, a moth? No, no, no. I do have moth. No, no. Uh, I'm not blind. Of course. That's true. Not neither

524
00:26:47,240 --> 00:26:52,680
my. Don't worry. Mm-hmm. I like to flirt in you, too. No, I don't flirt at all. Yes, you do. Yes, I do.

525
00:26:52,680 --> 00:26:57,160
Very big flirt. I know you are. Emphasis on big. And that's good. Just keep it. You know,

526
00:26:57,160 --> 00:27:03,640
makes you look good. Can you buy Tylenol PM here in the UK? No. So it doesn't exist because I was wondering

527
00:27:03,640 --> 00:27:07,160
this yesterday. I told everyone that you want to try them out because it seems like the perfect thing

528
00:27:07,160 --> 00:27:13,720
for women, uh, Tylenol PM sponsoring unwind and G. B's new show. Although I don't take a lot of

529
00:27:13,800 --> 00:27:19,400
pain killers because I'm not in pain. But if, if you are, if you want to go to sleep, it's

530
00:27:19,400 --> 00:27:24,040
nice. Exactly. And I suppose to take it every single day. I guess not. That could be moth or

531
00:27:24,040 --> 00:27:29,480
back pain. But what I understood from you is that, um, well, women have more pain, aches and pains

532
00:27:29,480 --> 00:27:37,080
regardless. Oh, we're one big pain. In the ass. Exactly. But that it's a perfect thing. Will you try it?

533
00:27:37,080 --> 00:27:45,080
It's just, it's just painful to be woman. That's it. Sometimes it's hard to be a woman.

534
00:27:46,360 --> 00:27:50,920
Give it all. What were you doing? Were you doing? Did you just want money? You guys have a little

535
00:27:50,920 --> 00:27:58,120
bit of pain. Oh, then it's not, and then I need like a whole bottle. Oh, I bet headache. That's true.

536
00:27:59,960 --> 00:28:04,840
I wanted to play something for you. I song the off the pod save music network. I want you to evaluate

537
00:28:05,480 --> 00:28:08,840
this. I've played this a couple times. I know you don't listen to the show when you're not on.

538
00:28:08,840 --> 00:28:13,400
No, I hear you the rest of the days. I know I'm, you know, you're one big pod show, don't

539
00:28:14,600 --> 00:28:19,640
this is my husband, the pod show. I want to listen to this tell me what you think, but I thought it was

540
00:28:19,640 --> 00:28:26,440
really good because guys got a big future. Pete Hopkins become from the pod save music network.

541
00:28:28,750 --> 00:32:41,250
[ Music ]

542
00:32:43,660 --> 00:32:45,660
You like it, don't you?

543
00:32:45,660 --> 00:32:46,660
Yeah, very mellow.

544
00:32:46,660 --> 00:32:47,660
Every single time.

545
00:32:47,660 --> 00:32:48,660
Very much in love.

546
00:32:48,660 --> 00:32:49,660
Mm-hmm.

547
00:32:49,660 --> 00:32:51,660
It reminds me a little bit of the Elessi Brothers kind of,

548
00:32:51,660 --> 00:32:53,660
the vibe, not the singing or the song,

549
00:32:53,660 --> 00:32:54,660
and it's kind of the happiness.

550
00:32:54,660 --> 00:32:56,660
A sort of a Michael Jackson kind of a...

551
00:32:56,660 --> 00:32:57,660
Yeah, that.

552
00:32:57,660 --> 00:32:58,660
Yeah, that.

553
00:32:58,660 --> 00:32:59,660
The vibrato thing.

554
00:32:59,660 --> 00:33:00,660
Yeah, especially with the stop.

555
00:33:00,660 --> 00:33:01,660
Yeah.

556
00:33:01,660 --> 00:33:02,660
I love that.

557
00:33:02,660 --> 00:33:03,660
I love that.

558
00:33:03,660 --> 00:33:04,660
I love that.

559
00:33:04,660 --> 00:33:05,660
I love that.

560
00:33:05,660 --> 00:33:06,660
When the stop was there...

561
00:33:06,660 --> 00:33:07,660
Like...

562
00:33:07,660 --> 00:33:08,660
Quiet?

563
00:33:08,660 --> 00:33:10,660
Did that remind you of anything?

564
00:33:10,660 --> 00:33:11,660
How do you?

565
00:33:11,660 --> 00:33:12,660
What?

566
00:33:12,660 --> 00:33:14,660
Oh, oh.

567
00:33:14,660 --> 00:33:16,660
On the heavy breeders, they always cold me.

568
00:33:16,660 --> 00:33:18,660
No, whenever I play that song,

569
00:33:18,660 --> 00:33:20,660
people write in, they love it.

570
00:33:20,660 --> 00:33:21,660
This people often scoff.

571
00:33:21,660 --> 00:33:22,660
Yeah, it's good.

572
00:33:22,660 --> 00:33:23,660
It's good.

573
00:33:23,660 --> 00:33:24,660
It's good.

574
00:33:24,660 --> 00:33:25,660
Yeah, very nice.

575
00:33:25,660 --> 00:33:26,660
Beautiful. Nice, so harmonies.

576
00:33:26,660 --> 00:33:29,660
So we kind of make up for the Billy Joel violation.

577
00:33:29,660 --> 00:33:30,660
Yeah.

578
00:33:30,660 --> 00:33:31,660
Make it show.

579
00:33:31,660 --> 00:33:32,660
All right.

580
00:33:32,660 --> 00:33:33,660
Will you promise to come on a little more often, baby?

581
00:33:33,660 --> 00:33:34,660
Yes, of course.

582
00:33:34,660 --> 00:33:35,660
Yeah, because...

583
00:33:35,660 --> 00:33:37,660
There's so much that we haven't talked about

584
00:33:37,660 --> 00:33:38,660
that I'm of course I'm going to remember

585
00:33:38,660 --> 00:33:39,660
the minute after we're done with the show.

586
00:33:39,660 --> 00:33:40,660
You want to discuss with me?

587
00:33:40,660 --> 00:33:41,660
Yeah, we have to do it more often.

588
00:33:41,660 --> 00:33:43,660
Yeah, of course I want to discuss.

589
00:33:43,660 --> 00:33:45,660
Oh, you have to be our consultant, you know,

590
00:33:45,660 --> 00:33:46,660
on the cover girl stuff.

591
00:33:46,660 --> 00:33:47,660
Okay.

592
00:33:47,660 --> 00:33:48,660
We're going to do this.

593
00:33:48,660 --> 00:33:49,660
Yeah, yeah.

594
00:33:49,660 --> 00:33:50,660
Definitely need you to consult on that.

595
00:33:50,660 --> 00:33:53,660
And if you wouldn't mind, could you please buy some

596
00:33:53,660 --> 00:33:56,660
Folgers coffee and splendor.

597
00:33:56,660 --> 00:33:57,660
They've splendid here, right?

598
00:33:57,660 --> 00:33:58,660
Just not the...

599
00:33:58,660 --> 00:33:59,660
Yes, yeah, the sugar.

600
00:33:59,660 --> 00:34:00,660
Yeah, yeah, yeah.

601
00:34:00,660 --> 00:34:01,660
No, it's not sugar.

602
00:34:01,660 --> 00:34:02,660
Splendid sugar, too.

603
00:34:02,660 --> 00:34:03,660
Yeah, but it's not sugar.

604
00:34:03,660 --> 00:34:04,660
Yeah, but it's not sugar.

605
00:34:04,660 --> 00:34:05,660
Yeah, but it's not sugar.

606
00:34:05,660 --> 00:34:07,660
Yeah, but it's not sugar.

607
00:34:07,660 --> 00:34:08,660
Yeah, but it's not sugar.

608
00:34:08,660 --> 00:34:09,660
Yeah, but it's not sugar.

609
00:34:09,660 --> 00:34:10,660
Yeah, but it's not sugar.

610
00:34:10,660 --> 00:34:11,660
Exactly.

611
00:34:11,660 --> 00:34:12,660
No, that's not their slogan.

612
00:34:12,660 --> 00:34:13,660
I know.

613
00:34:13,660 --> 00:34:14,660
Yeah.

614
00:34:14,660 --> 00:34:15,660
Could you could because in America,

615
00:34:15,660 --> 00:34:18,660
I'm always drinking Folgers and mixing with Splenda.

616
00:34:18,660 --> 00:34:19,660
Yeah.

617
00:34:19,660 --> 00:34:21,660
And I got nothing to talk about for the commercials.

618
00:34:21,660 --> 00:34:22,660
Yeah, yeah.

619
00:34:22,660 --> 00:34:23,660
I need to have it here.

620
00:34:23,660 --> 00:34:24,660
You're Folgica.

621
00:34:24,660 --> 00:34:25,660
I'm a L'Oréal girl.

622
00:34:25,660 --> 00:34:26,660
You are a L'Oréal girl.

623
00:34:26,660 --> 00:34:27,660
Yes.

624
00:34:27,660 --> 00:34:28,660
For sure.

625
00:34:28,660 --> 00:34:29,660
It's perfect.

626
00:34:29,660 --> 00:34:30,660
I use it for years.

627
00:34:30,660 --> 00:34:31,660
And I'm actually waiting.

628
00:34:31,660 --> 00:34:32,660
But we're not getting paid for this.

629
00:34:32,660 --> 00:34:33,660
What do you do?

630
00:34:33,660 --> 00:34:35,660
I know, but I'm waiting for somebody to...

631
00:34:35,660 --> 00:34:37,660
Oh, you're having a great offer.

632
00:34:37,660 --> 00:34:38,660
Hey, L'Oréal.

633
00:34:38,660 --> 00:34:39,660
I want to be in there.

634
00:34:40,660 --> 00:34:41,660
In the commercials?

635
00:34:41,660 --> 00:34:42,660
Who's doing it now?

636
00:34:42,660 --> 00:34:44,660
And in McDonald, or no, she's not L'Oréal.

637
00:34:44,660 --> 00:34:45,660
No, no, no.

638
00:34:45,660 --> 00:34:46,660
Jane Fonda.

639
00:34:46,660 --> 00:34:47,660
Jane Fonda.

640
00:34:47,660 --> 00:34:48,660
Jane Fonda.

641
00:34:48,660 --> 00:34:49,660
I don't like that commercial that she does.

642
00:34:49,660 --> 00:34:50,660
No, no.

643
00:34:50,660 --> 00:34:52,660
Yeah, you want to slap her.

644
00:34:52,660 --> 00:34:54,660
Yeah, you don't want to buy it.

645
00:34:54,660 --> 00:34:55,660
Yeah.

646
00:34:55,660 --> 00:34:56,660
It's bad.

647
00:34:56,660 --> 00:34:58,660
No, it should be more vital and hip.

648
00:34:58,660 --> 00:34:59,660
Who else is doing it?

649
00:34:59,660 --> 00:35:00,660
More trendy.

650
00:35:00,660 --> 00:35:01,660
It's not you.

651
00:35:01,660 --> 00:35:02,660
It's me.

652
00:35:02,660 --> 00:35:03,660
Yes.

653
00:35:03,660 --> 00:35:04,660
It's you.

654
00:35:04,660 --> 00:35:05,660
Patricia.

655
00:35:05,660 --> 00:35:06,660
Yes.

656
00:35:06,660 --> 00:35:07,660
Of course.

657
00:35:07,660 --> 00:35:08,660
I'm going to be 58.

658
00:35:08,660 --> 00:35:10,660
I thought it wasn't allowed to say that.

659
00:35:10,660 --> 00:35:13,660
I thought we weren't talking about your age.

660
00:35:13,660 --> 00:35:14,660
Yeah, we're not saying it.

661
00:35:14,660 --> 00:35:16,660
Seventh of April, we're going to be 58 too.

662
00:35:16,660 --> 00:35:17,660
You want us to say 60.

663
00:35:17,660 --> 00:35:18,660
I mean, that's it.

664
00:35:18,660 --> 00:35:19,660
You're done.

665
00:35:19,660 --> 00:35:20,660
You're toast.

666
00:35:20,660 --> 00:35:24,660
As long as people, if you go in the street, yes.

667
00:35:24,660 --> 00:35:25,660
Because we do that.

668
00:35:25,660 --> 00:35:26,660
Christine and I do that now.

669
00:35:26,660 --> 00:35:28,660
And she said, this is my mom.

670
00:35:28,660 --> 00:35:29,660
How old do you think she is?

671
00:35:29,660 --> 00:35:30,660
Yeah.

672
00:35:30,660 --> 00:35:31,660
She's stupid.

673
00:35:31,660 --> 00:35:32,660
It's not thinking.

674
00:35:32,660 --> 00:35:34,660
You know, and the kid is saying, well, 35.

675
00:35:34,660 --> 00:35:35,660
And I was like, oh, oh, oh.

676
00:35:36,660 --> 00:35:37,660
I made my day.

677
00:35:37,660 --> 00:35:38,660
Yes.

678
00:35:38,660 --> 00:35:39,660
Would you like some dinner?

679
00:35:39,660 --> 00:35:40,660
Come over to our house.

680
00:35:40,660 --> 00:35:41,660
Still think I'm 35.

681
00:35:41,660 --> 00:35:42,660
That's good.

682
00:35:42,660 --> 00:35:43,660
Yeah, that's good.

683
00:35:43,660 --> 00:35:44,660
And I'm a milk.

684
00:35:44,660 --> 00:35:45,660
Yeah.

685
00:35:45,660 --> 00:35:46,660
What else?

686
00:35:46,660 --> 00:35:47,660
What else?

687
00:35:47,660 --> 00:35:51,660
I got to show you this site called milkseeker.com.

688
00:35:51,660 --> 00:35:52,660
Yeah.

689
00:35:52,660 --> 00:35:53,660
It's unbelievable.

690
00:35:53,660 --> 00:35:54,660
Guys take a camera.

691
00:35:54,660 --> 00:35:55,660
It's don't really in.

692
00:35:55,660 --> 00:35:56,660
Mils are totally.

693
00:35:56,660 --> 00:35:57,660
I know.

694
00:35:57,660 --> 00:35:58,660
But check it out.

695
00:35:58,660 --> 00:35:59,660
So they take a camera.

696
00:35:59,660 --> 00:36:01,660
They go into like a mall.

697
00:36:01,660 --> 00:36:03,660
And they pick up mothers.

698
00:36:03,660 --> 00:36:05,660
And they end up in the camera.

699
00:36:05,660 --> 00:36:07,660
So they got this whole wrap of what we're doing.

700
00:36:07,660 --> 00:36:09,660
A student film and blah, blah, blah.

701
00:36:09,660 --> 00:36:11,660
And they get him in the car to their,

702
00:36:11,660 --> 00:36:13,660
So mom's studio, which is nearby.

703
00:36:13,660 --> 00:36:14,660
Which is the top.

704
00:36:14,660 --> 00:36:15,660
What do you mean take off the top?

705
00:36:15,660 --> 00:36:17,660
They fucking, they have sex with them.

706
00:36:17,660 --> 00:36:18,660
No.

707
00:36:18,660 --> 00:36:19,660
And like serious.

708
00:36:19,660 --> 00:36:20,660
Two guys.

709
00:36:20,660 --> 00:36:21,660
To go.

710
00:36:21,660 --> 00:36:22,660
How old are they?

711
00:36:22,660 --> 00:36:23,660
These mils?

712
00:36:23,660 --> 00:36:24,660
No, the guys.

713
00:36:24,660 --> 00:36:25,660
Oh, they're young.

714
00:36:25,660 --> 00:36:26,660
Yeah.

715
00:36:26,660 --> 00:36:27,660
Oh, they're good.

716
00:36:27,660 --> 00:36:28,660
And one of them has a huge shwanshin sticker.

717
00:36:28,660 --> 00:36:29,660
Not that I'm just writing.

718
00:36:29,660 --> 00:36:30,660
I said, guys.

719
00:36:30,660 --> 00:36:32,660
What do you got to go to California?

720
00:36:33,660 --> 00:36:34,660
Really?

721
00:36:34,660 --> 00:36:36,660
Do all mothers dream about that?

722
00:36:36,660 --> 00:36:38,660
I'm telling you, no, no, no.

723
00:36:38,660 --> 00:36:39,660
Is it true?

724
00:36:39,660 --> 00:36:41,660
So often you have these, I mean, you know, me.

725
00:36:41,660 --> 00:36:42,660
I'm a porn official notto.

726
00:36:42,660 --> 00:36:45,660
So so often you see these like the bang busts and all this stuff.

727
00:36:45,660 --> 00:36:47,660
And you can tell that they're paid, right?

728
00:36:47,660 --> 00:36:50,660
It's like, like, hookers walking on the street or porn actresses.

729
00:36:50,660 --> 00:36:51,660
And you know, it's like an act.

730
00:36:51,660 --> 00:36:54,660
But this, you can tell these women are not faking it.

731
00:36:54,660 --> 00:36:55,660
It's real.

732
00:36:55,660 --> 00:36:57,660
And the one for one, they all go with these.

733
00:36:57,660 --> 00:36:59,660
I mean, I don't know how many they struck out.

734
00:36:59,660 --> 00:37:00,660
You got to see it.

735
00:37:00,660 --> 00:37:01,660
It is.

736
00:37:01,660 --> 00:37:05,660
But I know it's going on because I see it when I walk in Guilford here.

737
00:37:05,660 --> 00:37:08,660
The guys are really flirting with you.

738
00:37:08,660 --> 00:37:09,660
You mean, Milford.

739
00:37:09,660 --> 00:37:10,660
Milford.

740
00:37:10,660 --> 00:37:12,660
Milford.

741
00:37:12,660 --> 00:37:15,660
And Christina says to Mama, they love you.

742
00:37:15,660 --> 00:37:16,660
They love your breasts.

743
00:37:16,660 --> 00:37:17,660
They're looking at you.

744
00:37:17,660 --> 00:37:19,660
And I think what's going on.

745
00:37:19,660 --> 00:37:22,660
I know it's because women these days don't

746
00:37:22,660 --> 00:37:26,660
Exude that sexual energy that women used to.

747
00:37:26,660 --> 00:37:28,660
Yeah, but because now it's all like what we do.

748
00:37:28,660 --> 00:37:30,660
It's like pumped up bras and fake butts and all that.

749
00:37:30,660 --> 00:37:31,660
But you're real.

750
00:37:31,660 --> 00:37:32,660
Yeah.

751
00:37:32,660 --> 00:37:33,660
Oh, yeah.

752
00:37:33,660 --> 00:37:34,660
Maybe that's it.

753
00:37:34,660 --> 00:37:36,660
Maybe they're looking for the real thing.

754
00:37:36,660 --> 00:37:39,660
And they know that those little kids are fake.

755
00:37:39,660 --> 00:37:40,660
Maybe that's it.

756
00:37:40,660 --> 00:37:41,660
Maybe.

757
00:37:41,660 --> 00:37:42,660
I don't know what it is.

758
00:37:42,660 --> 00:37:43,660
Maybe it's just a thing.

759
00:37:43,660 --> 00:37:45,660
Very, very strange what's going on.

760
00:37:45,660 --> 00:37:46,660
I can see it.

761
00:37:46,660 --> 00:37:47,660
But it's true.

762
00:37:47,660 --> 00:37:48,660
It is a milking milking milking.

763
00:37:48,660 --> 00:37:51,660
In fact, I think the females are out and the milks are in for the spring.

764
00:37:51,660 --> 00:37:52,660
Very much.

765
00:37:52,660 --> 00:37:53,660
Very much.

766
00:37:53,660 --> 00:37:54,660
That's the milky look.

767
00:37:54,660 --> 00:37:55,660
Yeah, you are.

768
00:37:55,660 --> 00:37:56,660
Yeah.

769
00:37:56,660 --> 00:37:57,660
Amazing.

770
00:37:57,660 --> 00:37:59,660
But very nice for our milks.

771
00:38:00,660 --> 00:38:01,660
Milks united.

772
00:38:01,660 --> 00:38:02,660
Yeah.

773
00:38:02,660 --> 00:38:03,660
Yeah.

774
00:38:03,660 --> 00:38:04,660
Yeah.

775
00:38:04,660 --> 00:38:05,660
You're bad.

776
00:38:05,660 --> 00:38:06,660
All right.

777
00:38:06,660 --> 00:38:07,660
I've got to go to London on.

778
00:38:07,660 --> 00:38:08,660
I've got to get out of here.

779
00:38:08,660 --> 00:38:09,660
Right now.

780
00:38:09,660 --> 00:38:11,660
So daily source code dot com.

781
00:38:11,660 --> 00:38:12,660
Adam at pot show dot com.

782
00:38:12,660 --> 00:38:14,660
Anything else you want to say to the other.

783
00:38:14,660 --> 00:38:15,660
No, no.

784
00:38:15,660 --> 00:38:16,660
Have a wonderful day.

785
00:38:16,660 --> 00:38:17,660
Have a wonderful day.

786
00:38:17,660 --> 00:38:18,660
It's going to be a bit cold, but.

787
00:38:18,660 --> 00:38:19,660
Yeah.

788
00:38:19,660 --> 00:38:20,660
Yeah.

789
00:38:20,660 --> 00:38:21,660
That's right.

790
00:38:21,660 --> 00:38:22,660
And between our legs.

791
00:38:22,660 --> 00:38:23,660
It's somewhere else.

792
00:38:23,660 --> 00:38:24,660
Yeah.

793
00:38:24,660 --> 00:38:25,660
Thank you for coming on the show.

794
00:38:25,660 --> 00:38:26,660
You're welcome, babe.

795
00:38:26,660 --> 00:38:28,660
And see you again, maybe end of the week.

796
00:38:28,660 --> 00:38:29,660
Yes.

797
00:38:29,660 --> 00:38:30,660
Friday, maybe.

798
00:38:30,660 --> 00:38:31,660
Let's do a Friday show.

799
00:38:31,660 --> 00:38:32,660
A football Friday show.

800
00:38:32,660 --> 00:38:33,660
You know what football means, don't you?

801
00:38:33,660 --> 00:38:34,660
Yeah.

802
00:38:34,660 --> 00:38:35,660
Football.

803
00:38:35,660 --> 00:38:36,660
You don't know what football.

804
00:38:36,660 --> 00:38:37,660
Football.

805
00:38:37,660 --> 00:38:38,660
Do you know what football stands for?

806
00:38:38,660 --> 00:38:39,660
F U B A R.

807
00:38:39,660 --> 00:38:40,660
What was that?

808
00:38:40,660 --> 00:38:41,660
Fucked up beyond all.

809
00:38:41,660 --> 00:38:42,660
Oh, yeah.

810
00:38:42,660 --> 00:38:43,660
Yeah.

811
00:38:43,660 --> 00:38:44,660
God.

812
00:38:44,660 --> 00:38:45,660
I'm so happy you listened to this show.

813
00:38:45,660 --> 00:38:46,660
There's so many things.

814
00:38:46,660 --> 00:38:48,660
If you actually explained it to me before.

815
00:38:48,660 --> 00:38:49,660
If you actually listened.

816
00:38:49,660 --> 00:38:50,660
You'd be horrified.

817
00:38:50,660 --> 00:38:51,660
I'm sure.

818
00:38:51,660 --> 00:38:52,660
Okay.

819
00:38:52,660 --> 00:38:53,660
Yeah.

820
00:38:53,660 --> 00:38:54,660
I believe it.

821
00:38:54,660 --> 00:38:55,660
All right.

822
00:38:55,660 --> 00:38:56,660
Thanks, baby.

823
00:38:56,660 --> 00:38:57,660
I know you're saying awful thing.

824
00:38:58,660 --> 00:38:59,660
But I'm not there.

825
00:38:59,660 --> 00:39:01,660
Does anyone email you and say I can't believe what Adam said?

826
00:39:01,660 --> 00:39:02,660
No.

827
00:39:02,660 --> 00:39:03,660
I only speak.

828
00:39:03,660 --> 00:39:04,660
Oh, you know.

829
00:39:04,660 --> 00:39:05,660
I hear it all the whole day.

830
00:39:05,660 --> 00:39:06,660
So I know.

831
00:39:06,660 --> 00:39:08,660
And I, there's a lot of humor in that.

832
00:39:08,660 --> 00:39:09,660
Okay.

833
00:39:09,660 --> 00:39:10,660
All right.

834
00:39:10,660 --> 00:39:11,660
You're a lot of fun, baby.

835
00:39:11,660 --> 00:39:12,660
Oh, well, thank you.

836
00:39:12,660 --> 00:39:13,660
40 minutes exactly.

837
00:39:13,660 --> 00:39:14,660
Perfect.

838
00:39:14,660 --> 00:39:15,660
All right.

839
00:39:15,660 --> 00:39:16,660
Friday.

840
00:39:16,660 --> 00:39:17,660
Yep.

841
00:39:17,660 --> 00:39:18,660
I'll see the rest of you guys back here tomorrow.

842
00:39:18,660 --> 00:39:19,660
I love you, baby.

843
00:39:19,660 --> 00:39:20,660
I love you too.

844
00:39:20,660 --> 00:39:22,660
Another pod show podcast.

845
00:39:22,660 --> 00:39:23,660
Stick it in your ear.

846
00:39:23,660 --> 00:39:24,660
The best of the brightest.

847
00:39:24,660 --> 00:39:36,660
Saved up daily by the sharpest minds in content delivering pod show and limelight.