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Hey, Adam, man, hey, this is Alman, yeah, I live up under the overpass and San Francisco.

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You know, I was there when the day you had to put that bag over your head to save your hair on the day we're raining.

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We don't mean we could consider ourselves kind of financially challenged, but I heard about this bum rush, the charts thing.

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Well, me and the guys were thinking, if there's any money to be made, we'd be happy to volunteer to rush the charts for you.

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You know, because, you know, we just want to get a little something to drink and I'll say, and come on, Adam give us a chance.

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You know, on the DSC 567, let us know how we can rush the charts for you.

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bum rush the charts. I like that. I have a financially challenged bum rush in the chart.

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There's $16 million worth of airplane strapped to my ass.

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Do the next generation radio content in my ears.

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I like to think I'm flying into the future.

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I don't know if it is bum rush the charts thing is all about, but you boys, but I put those charts back the way you found the way you're all dumber from tomorrow.

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You can't do it's rush rush rush rush.

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There's a place I used to go.

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[ Music ]

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I'll know that every day, till you're mine again

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I'll be right again

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Blacklab, mine again, on March 22, the official bum rock the charts date

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Hey everybody, how are you doing?

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First, I code episode number 567, coming to you from the afloan suburb of Surinone

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Gilford run the westside of Gtown

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It is the curry manner

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to my attic on the third floor.

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Ah man, I'm still messing with the sound.

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I got a lot of complaints from people who say that it's all, well, messed up, essentially.

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Ever since I, this is me off, ever since I, I leave everything here perfectly and then

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I come back and the mix has been unplugged and this is Yamaha Alpha Whiskey 16 golf is just,

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it's an impossible mixer to save all your states perfectly.

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So, apologies and advance.

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Anyway, today of course, bum rusted charts.

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You've been hearing about it on this show, you've been hearing about it on a plethora

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of podcasts around the world.

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In fact, this seems to be a much more global event than I even expected to check out

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the promos coming in today.

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This is a message from least trying listeners of the Daily Source Code.

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You might've heard about bum rusted charts.

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You may wonder how you can get involved.

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It's quite simple.

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Simply, go to iTunes Music Store or Australia.

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Pay a dollar 69.

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Download money again by Black Lab.

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Not only would you get a grize song, you'd be trying.

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They traditionally really pay for that way, main business.

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Yeah, kind of an abrupt ending there.

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Oh, yeah.

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So let me just quickly explain the concept.

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And then as you can imagine, there's a lot of people who've sent in stuff who are calling in

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about bum rusted charts.

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So today we'll be more or less about bum rusted charts.

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However, I have to say I'm quite happy.

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Not everyone is, you know, there's some people asking questions.

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There are some contrarian views.

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So I like that because, well, it gives us something to talk about from multiple angles.

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So the concept here was to see if the podcasting audiences who are

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clued into this, if we could actually make a song go to number one on the iTunes chart.

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And as far as we know, this is actually, you know, this is how kind of loosely

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organized this whole thing is we don't even know how the iTunes charts are really compiled.

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You know, I presume that they're compiled based upon download sales.

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Actually, I looked at it this morning.

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Let me see what is on top now.

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Beyonce and Shakira, beautiful liar.

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Number one, Fergi with glamorous number two, A-Con.

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I don't even know that fucking song.

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The hell, can I play a preview on my allowed to do that?

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Let me just say, that's iTunes still.

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You do that stuff.

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We don't vibe, we don't vibe.

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All right.

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Okay, Avril Lavigne.

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Number four with girlfriend and then we get Jim class heroes with

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Cubid's chokehold.

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I'm telling you man, this shit here I've never heard of before in my life.

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Well, I do like this quince to find the song.

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That's kind of cool.

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That's cool.

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Anyway, so presumably this chart is compiled based upon based upon purchases

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through the iTunes music store.

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That's what everyone presumes.

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That makes a lot of sense, obviously.

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So it was kind of like a social experiment to see if we could get one particular

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track one song onto the chart and up the chart, hence the bum rush, the chart idea.

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And if you want to find out more about that, you can go to bum rushthecharts.com

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and all the informations there.

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So Black Lab, the song you just heard, mine again was chosen as the track that we're all going to

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go out and buy today.

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I've already bought my copy for 99 cents downloaded perfectly.

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In fact, what you heard was the copy that I downloaded from iTunes.

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And the way you do it is you go to either bum rushthecharts.com where you can go to the show

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notes for the daily source code at dailysourcecode.com and you'll see a link there.

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And from there you click on the big ass.

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I'm talking about big ass blue iTunes button.

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You can barely miss it.

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It's at the top of the page.

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There's also some explanation there because it's an affiliate link, a good portion of the proceeds of

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this campaign, I should call it, is going to help kids get through school, through scholarship funds,

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of course, Chris from the Financial Aid podcast is involved.

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So you know where that came from and that just makes it that much more interesting as a social

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experiment because we're doing some good.

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However, the actual reasons and what we're trying to prove with this, I think has become a little

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bit misconstrued and I have to say Eric Bergen, who of course is my buddy from the Jersey Boy

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San Francisco version called in and and had I think exactly the right question.

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So I'm going to play this for it's kind of a long comment, but I it's worth it because with all

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this euphoria about bum rushthecharts and actually I should just say before we get to that

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that the well maybe I should hold it to laughter but the news reports, the amount of reporting in

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mainstream media San Jose Mercury news did a piece I believe today were in the Washington

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Post with bum rushthecharts and you know that that's some I couldn't actually read the

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Washington Post yeah I had to go register I'm so tired of registering for news if I just

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wait a little bit I'll get a copy of it from somewhere else. Eric hey Adam it's Eric Bergen

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from the San Francisco cast of Jersey Boys sending in an audio comment not about Jersey Boys

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believe it or not. Well the second part is the first first part I want to ask, did you see us on

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what do you think? Okay dude I did not see you on Leno because I live in the UK and I forgot to

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set the the Tvo the sky digital thing I'm sorry. Is it on YouTube yet or Google I did hear from Brian

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know from the nose on the you guys kicked whole ass so when Brian says it then he you know it's true

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so didn't see it love to see it congratulations love you mean it. Let me tell you it was the coolest

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thing ever it was out of this world wild okay anyway ever mind the second thing this is why I'm

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sending in this audio comment I want to talk about this bum rush the charts thing here's my

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problem with it well first off let me say I'm not associated with bum rush the charts I don't know

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anyone who's putting it together I'm unrelated in in every way possible all it and let me just say on

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that Eric everybody is unrelated in every way possible um this is not a pod show promotion this is

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uh as far as I know I think Chris from financial aid podcast Mark Yoshimoto Namcoff I think those

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are probably the two main drivers behind this but this is not anything you know it's not like an

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official thing just kind of started which I love so much because those are usually the most beautiful

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when something just kind of starts and we all just kind of want to go and do some all I know is the

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information that has been given on jelly source code as well as other podcasts right okay yeah

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here's my feeling on the bum rush the charts thing I think it's a I think it's a cool idea and I

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it's something that um I think is a noble effort but and please correct me if I'm wrong so let me

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oh Eric don't worry you know I will let me state this not as a problem but let me state this as a

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question a let me just play devil's advocate here while I think it's a cool idea and I think it's

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absolutely a a obviously it's good natured I'm unclear as to how this bum rush the charts project

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proves that pod casting is a powerful force in media oh no boy I care for now

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because that's exactly what it proves but the reasons why well let there continue so we've already proven

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that the podcasting is a powerful force because Billboard magazine picks up the story or picked

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up the story excuse me about the bum rush the charts project that already happened so we know that

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it's a powerful situation however it's not as though you just played this black lab song on your podcast

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and people liked it's so much that they went out and bought it either on iTunes or the

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music network or whatever it's not like all these people that it's not like pod castors all

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to sort of discover the song started playing it and people loved it so much that it shot to the

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top of the charts okay let's I just want to interrupt Eric here because he's getting into something

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very important um you're absolutely right however if you believe if you truly believe that the

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way records get to the top of the chart in either let's just say the billboard chart as the quintessential

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example you know that's not because people heard the song it's because the machine kicked into motion

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and this machine look we know now for a fact it's been proven that as recent as 2000 to 2002 I

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believe Payola was going on with some of the largest radio broadcast companies and some of the

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largest music companies it's the way it works it's like you know there's there's tons and tons and tons

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of great music I having I come from top 40 radio I come from MTV I know how this works they're all

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just cogs in the wheel of this great machine which is all based upon making money which is fantastic

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I love making money but because of the limited resources which is what broadcast mainstream broadcasting

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is all about is limited it's you know is is having a piece of space on a limited shelf you know

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there are only so many frequencies only the people who have lobbied and have made it their business

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to acquire these frequencies have the frequencies and can make money off of it which makes it seem

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unfair that there's so much great music out there that only a sliver of it actually gets through

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to the public so all right and but how it gets through the public is not because the public is

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saying play this for me no the machine is playing it for you and by the way it's literally a

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fucking machine it's a computer that is spinning out playlists across the the clear channel

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empire of stations you know it's programmed it's it's spreadsheet business almost so yeah it's

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you know these independent promoters look I know this business that you know this here's $40,000

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you know and I'm expecting 12 spins a week for it that's and that's probably not enough but

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that's exactly how it works and you know there's no contracts but you know there's shadow stuff

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and it's just it's okay I'm not I'm not against it it's uh it's their businesses what they do we have

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a totally different business so the mechanics of what's going on here is showing something very different

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is showing that yes you may have that very expensive very well-oiled very fine tuned machine

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which works in conjunction with the music business by the way not all radio of course works in

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conjunction with the music business and you know and and and rules and regulations and and payoffs

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and payments and licenses and all kinds of stuff and I think what we're about the proof here is that

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we have a machine too okay now I do have to say that when songs are played on podcast they do

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move product absolutely when songs are played on college radio people go out and and look for

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these songs even if they're not available through a major label so any type of promotion you do is

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always going to move the needle um there is in the way podcasting works it's uh because everyone

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is kind of their own entity their own show their own network and you know they can do whatever they want

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there's no you know forced you know there's no funnel effect that makes everyone play one song at the same

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time unless you specifically get set out to do it so this is more showing that we have a machine

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as well and um it's have you ever done something to someone just a fuck with them have you ever done

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that you know just a you know what do they call it here in the UK uh are you winding me up that's

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it are you winding me up it's a wind up basically it's a shot across the bow I guess and what's

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so I'll tell you what's so interesting about it to me after we continue with Eric because he's

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under something good here this black lab song if this bummer us the charts project doesn't

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do you work and a song gets to number one the only reason it has gotten to number one is because

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and I don't want to say you I don't mean you but you you the the podcaster or whoever

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goes out and promotes the bummer us the charts project is telling the audience what to do

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the audience is going to do it because they want to take part in this project because it it's

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cool moving what they do what they love works yes and it's about yes thank you exactly and that's

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what it's supposed to prove we know that if you have a machine and you put a quarter in the top

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that a dollar is supposed to roll out of the bottom that's what the the music industry machine has

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been for many many years um let's just say they've had a they've had a Mercedes 500 you know

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SEL or whatever and they're cruising down the road and I think all we're doing is saying hey

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hey hey hey record industry we've got a interesting car over here as well it's um well

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it's it's the color of baby crap and it runs on biodiesel but you know it's a car and it's working

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and it's the understand the metaphor that's really what it's about and by the way we're all in the

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car together okay this proves the power of the audience so this is not about podcasters you know

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but I have a ton of songs that I'd love to be number one on the iTunes music charts but

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it's never gonna happen or not in the foreseeable future because my audience probably just isn't

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large enough to have a percentage of people go and do that going by that song but it does show that

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there is power and um that we actually have a way of kind of harnessing that and we do have a way

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of grouping together and doing stuff you know what I mean if you had uh for instance that lower

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clap song or the pit hop console uh if those songs were an iTunes and you played it and some

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other podcasters also played it and that many people heard it and then they loved it that much

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that they went out and bought it that would prove it I'm unclear as to how this someone telling

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someone what to buy by saying this is the song you have to buy this is gonna prove something

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this is going to prove that pod casting is powerful well I think it's a great idea I'm just

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unclear as to it's not because it's not coming from an actual creative uh it's not coming from an

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audience member or an audience that actually just wants to listen to the song it's coming from

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this rule or this this rule of this project I don't see how it's actually a uh how it actually

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proves that pod casting is a powerful force and media so I just would love to know your thoughts on

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that and and why I'm wrong okay all right I appreciate it I really do so the reason why it's

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to me this this has already been proven it it already works and it's not because of the press

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and it's uh and we don't even have to go to number what we don't have to hit the chart at all

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what has already happened I believe I told you this yesterday is that two major labels one of

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the largest independent labels and one of the uh a label the belongs to one of the big four

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have contacted me directly and personally and said quote I really love this bum rush the chart's

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idea could you do it for one of our artists do you understand the significance of that this is the

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music that we're not allowed to play we're not allowed to play I mean independent uh label is

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a little different but I you know I'm just bringing that in to show that you know once you're big

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and once you're growing and and money's coming in that uh you know capitalism kicks in and even

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the independent guys they're into to make money what do you think they just want to try and

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make it on different terms however both of them set exactly the same thing how can you can you

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organize this for one of our artists and I'm thinking of myself okay I love this because if we can

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make this happen uh and already have the major uh players in an well established uh decade old decades

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old industry uh come up and say hey wait a minute there's something going on here we have already

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moved the needle we really have if you take all of the things together I believe that this will in

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some way probably affect what podcasters can do I it may actually turn the tables it may open up music

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to uh you know I'm most interested in back catalog I always find that an incredible shame and

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a travesty literally that uh I can't play um back catalog stuff from 20 years ago stuff from 30

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years ago stuff from 50 years ago I cannot share that with a new audience who I know for fact go out

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and actually buy albums and get interested and buy more songs so this is about showing an industry

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that we're here that we're relevant and it shows a whole massive industries what we're capable of

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now do I hope that one day um a song will become so popular which I just don't see how it can actually

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happen but that we would collectively through audience um demand that songs would start to sell

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particular songs yeah of course you know if I had an audience of 10 million uh or maybe 20 million

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I'm sure I could do it all by myself just by by repetition it's how we buy things people buy

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things because media tells them to buy things make no mistake look at the commercials they're telling

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you they literally say go buy it now get to one free buy it get to three for the price of two

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this is being and by the way we threaten in commercials if you don't buy this product you will never

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get laid if you don't buy this product you'll get pimples and you'll never get laid it's all

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it always comes back to not getting laid trust me that's how advertising works it's what media

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as a party if you don't watch this news you will die just watch the six o'clock news you need to

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watch this because there's something poisonous in the air that will kill you stay tuned we're

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gonna do it in 20 minutes almost near the end of the broadcast you know hey how can you not become

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fucked up like Britney Spears I mean this is what media has become commercial media

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so it's they were playing on the same terms and it's very exciting to me because it's such a small

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it's 99 cents it's nothing and look at the automation of it look at our machine look at how

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that's put together this is going to register with people and as I said it already has

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and I'm really fucking proud of it actually so bum rush the charts dot com or you can go to

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the show notes for daily source code dot com for this particular podcast you're listening to

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and just click on the humongous humongous blue iTunes link and it's an affiliate link so money is

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going to help kids get scholarships and and help show that we have a machine okay it's it's built

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up of all different pieces but we do have a machine little pause there for these serious satellite

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radio listeners as they yes which stuff boy are they missing some shit huh having someone

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looking over your shoulder when you're trying to make art suck hi this is Dave Jackson from the

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musicians cool and if you're a musician that's just been dreaming of getting that big record deal

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then you've got to come listen to the latest addition of the musicians core podcasts where we

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interview Paul Durham of the band black lab he spills the beans on the music business it's been a year

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of a life a year and a half of their life the how many years they spend writing it's all how many years

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of this band working and sweating blood over those songs giving those songs getting those songs to

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the point where they were first class to make it the best possible rendition of them and then

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the label decided well we need to need a christening egg yellow effect this month and so we're just

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going to put this on the show be sure to go to bum rush the charts on March 22 let's help put Paul

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and black lab on the top of the iTunes charts then check out the interview in musicians cooler.com

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yo yeah you may be surprised but what he has to say remember black lab had a mainstream

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big record label deal they were dropped they fought to get their songs back and now they're

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sharing them with the world and making them the first input and output of the machine that

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we're proving does exist it's the machine of you the audience this is not podcasters this is the

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audience okay and by the way audience you you people there all over the world you can put the link

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on your weblog as well you know you can put it anywhere you want and you can participate it

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is about you showing that you can make happen what you want to have happen you know so if we have

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tens of thousands of people buying this song you know yeah a thousand people will buy different songs

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when they hear them on podcasts and it may not move the charts but it is happening it's for real

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I will talk about other stuff today besides bum rush the chart at promise

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from rush the charts can can we buy them the UK or not I don't know be useful if I know because

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I wouldn't mind you know doing something this and just right yeah of course you can and it will

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there's a separate chart I believe for the UK for every territory every country there's a separate

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chart so please keep your eye on your local chart and let me know if you see any movement or anything at

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all actually let me um let me just check out iTunes right now this thing doesn't refresh automatically

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is that I thought there was a webpage where you could check this stuff out but I guess I'm wrong I have to

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go into iTunes specifically every single time let me see uh what do I look for under the M and uh nothing

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look I bought it I know I know I registered for one vote oh man

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hey there's so much uh excitement about Twitter I don't know if you've seen this or try to

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yourself I I did register and I immediately I almost immediately turned it off and and I realized as I was

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listening to the latest tweet it's a tweet 91 which I still haven't finished listening to that

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uh the reason why this I think this is exploding is because it is the quintessential app that has

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suddenly shown Americans specifically Americans what SMS text messaging is all about you know

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for Europeans uh and UK of course proud member of the EU uh but yeah we've been text messaging for years

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for years it is part of our culture I text message with Patricia and it's always been amazing to me

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how how few people use this in the United States mainly because a lot of the cell phone services

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in the early days were not I'm not entirely sure of the technical details of this but I know

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that they did not use the GSM protocol which I believe also includes the SMS you know the short messaging

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service and and by the way it's it's become what do you call you know how you don't search for

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something you Google something so you don't you know send a message to someone through your cell

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phone and so I'm gonna send you an SMS I'm gonna SMS you which is kind of hot and so I believe

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that this is all of a sudden has shown uh people in the US the text messaging is really useful

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and really really cool for short messages which is exactly what it is but you know the idea

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being able to send a group SMS I mean that's that's kind of like built into my phone already you

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know now of course this is the opposite of of me determining who's going to receive

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it's more of a published subscribe mechanism which of course is is fantastic for the blogger's

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fear because everyone's like wow it's just like a weblog and of course there is just like a weblog only

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with a very specific use but for me the signal to noise ratio on Twitter forget about it I use

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my SMS text messaging for business you know I do not want all kinds of shit cluttering up my

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inbox and besides that it's annoying you know unless you use your your text message unless you

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don't use your text messaging and you know you check it like your email once once or twice a day

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and then go through all the Twitter things you know then it makes a lot of sense and you can have

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some fun with it but this is you know it's like when someone really needs to get me a message

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whether it's my family or whether it's my business associates you know SMS text messaging pretty much

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assures that I'm going it's not like an email in fact it is the better version of an email because

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it costs money in some cases I think it even costs money to receive text messaging depending

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on where you receive I think if you are roaming in another country it will cost you money to receive

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a text message it definitely always costs money to send one from your phone but I like it very

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much for for that very reason because the stuff I get on there I consider to be of high value

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because someone has my personal number first of all so I've given them that or they they may have

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gotten it from somewhere else but I've given them that they're going to be identified when they send

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their message yeah you can spoof it and all that stuff but it's great you know I love it so I

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I hate having a whole bunch of noise in there that is just in fact I only follow one Twitter

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account and that's a comic strip blogger I found that an an I unbefriended everybody I you know

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I've sent one or two messages and I'm like now I don't this not for me it really isn't because

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I don't want to be a one way street if I'm if I'm communicating in some type of protocol so I

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don't want it to be only send no receive and then I'm just not going to send because I got to

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get that's a clean channel for me I don't want it to I don't want it to pollute it in any way

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I just wanted to point that out as an observation that and I also I don't know if Twitter is

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catching fire as much in the rest of the world as it is in the in the US but I think it's good because now

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finally people in the States understand how incredibly convenient and reliable SMS messaging is

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SMSing. SMSing. Hey look who's here is the candy man. Hi Adam it's Luke your

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800 BFF splinter go daddy. Hey listen I'm sure that this rum rush to charge is very important but

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I would like to talk about something else. My colleague Phil from the UK is going on a week long trip

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through the Sahara on on Sunday and while you may think what's special about that but

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actually what he will be doing together with his partner Susie is to run full length marathon

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every day so they are going to run a full marathon through this haira desert every day next week

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and they are doing that to support a charity in the UK which is helping kids with the

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learning disability starting that's pretty important charity for you know to give kids a good start

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in education and so yeah I could send you the links to their website so I mean it's

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difficult to explain those of a voicemail comment and I hope that you and your listeners could

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have a look and maybe give their support to the charity. Hey Luke are you calling from the bathroom man

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sounds like you're in the loop. On the website you can you can follow where they are

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you can send them also some emails to support them through the website and the email will be printed

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out and they will go to their tent I understood so that it's something even my assistant is not doing

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so I think it's pretty amazing I mean I'm already out of breath if I walk two flights of stairs here

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into PowerPoint Palace and let alone run a full-time full length marathon every day in this

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haira desert so I hope I hope we could all support that that's what and thanks in advance for

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all your support thanks by Luke. You can tell Luke's in sales man it's pretty funny talking about the

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powerpoint palace you know that shit is I think I saw Jack Osborn when he had a series where he was

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doing the unbelievable things with his new tone down body and his new healthy spirit in mind and

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he I think he did one of those tracks and he did the first day and I mean and he he just couldn't

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continue maybe he did a little bit of the second day but this this literally kills people there

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people die on this it's an amazing track so I just can't believe I can't believe someone would do it

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as shit man is like can I just send let me just send money all right please send me those links Luke

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because I I want to just send money for the kids I'm way too lazy and I like life way too much to

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participate and something like that but hats off to those guys they got my attention for sure

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which of course is exactly why you do stuff like that but man that's that's no joke I loop by the way

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who turned me on to something called the cloud in London it's actually in the UK but it's

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really prevalent in London it's this blanketing Wi-Fi network which is nothing super new and of

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course you know don't please don't send me all the comments about phone and all those yeah yeah and

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but what I did like about or what I do like about the cloud is that you don't log in to an access

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point every single time with the any hundred you basically look up the MAC address that's the

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the physical ethernet adapter it has it's kind of like an IP address only for the one layer

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down in the stack for the for the hardware and any of those is just as unique as an IP address

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or even more unique as an IP address I should say and it and and the minute your device in this

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case I'm using the the the internet tablet the n800 the minute it goes searching for an access

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point and it hits the the cloud the Wi-Fi zone the cloud I think is what it's called it's going

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to automatically register log on any kind of course then do stuff it updates my news aggregators

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a built-in news aggregator but yesterday so you understand the concept right it's like 995 maybe

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that's a promotional offer but I think it's 995 a month is really it's not a lot of money

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check it out at the train station boom it kicked in

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run and I were having lunch boom it kicked in even at the office I was getting a Wi-Fi

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access point from the cloud it wasn't even using the office access point didn't even know it

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and here was the cool thing we went to have some lunch at the hawkston which is a hawkston hotel

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it took fabulous hotel by the way which is right across the road from the crash pad and shortage

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and and they have free Wi-Fi so you know and I've already been there before so it automatically

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connected we had a conference call and it took Ron I think a good five or eight minutes maybe

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to call in through his cell phone was having trouble getting the carrier getting a signal inside

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the building and and as often happens you know you go through you have to dial all these

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extra long numbers because 800 numbers sometimes are recognized and meanwhile I had already

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dialed in and I was listening to the fabulous hold music in when I'm stereo but through two

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head you know two ear buds because that's what comes with the 800 is two ear buds in a microphone

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two ear buds in the microphone and I was already on mutant ready to go for free no cost

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I love it let me see I speak in of unbelievable things we're achieving with music podcasting

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you're Adam it's good in Seattle I wanted to let you know that I am driving home from work

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listening to a metal band from Ecuador and you are solely responsible for that I just want to

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point out the impact all of your years of action and working for people who enjoy media

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have taken and I really appreciate that this is awesome you rock. Oh man I'm actually I'm quite

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lame but I really appreciate you saying that because that that is entirely what it's about and

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I told you when I played that song in Pablo from Ecuador called Pablo from Escobar and Pablo from

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Ecuador called in and said you know dude here's a metal band they've had some number one hits

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and they're really big here and and I played it and I was a little apprehensive because I don't

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play a lot of metal on the show and then I realized like who cares who cares if you don't like

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it you're just going to fast forward it's no big deal yeah man it's working absolutely it is working

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love it

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he had his he had the phone number programmed into his phone which is something I recommend you do

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I'm going to give you these numbers with a handy little jingle which will haunt you

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throughout the rest of your day as you'll be singing this over and over again the point is put this

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into your cell phone right now and use the plus so you know you could do oh oh if you're in the

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state you could do 01144 but just do plus four four well if you're in the US it's going to be

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plus one and trust me you just want to do it because you're going to find yourself one day in some

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area that's not going to understand just the 201 or the 10201 put the plus in front of it

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it's different on all phones how to get the plus sign but please do it and here's that jingle that's

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going to haunt you forever

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just looking at the the time here almost 40 minutes I got a hurry up we got the

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dinner with Dr. Cockney tonight

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all right is it embedded in your brain yet

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Adam Hi Charles I would just want to do a bit of always for us that does the

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put your own light the female UK voice because I like a voice I'd come out I might want to

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maybe use her on or or not at least it's like a real phone her yeah I think

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male foot man yeah yeah let me just say something about those are the tags that we have

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at the end of every show that come out of the UK it's interesting you say that because there was

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quite a discussion we auditioned number of voices I have no idea who they are I did at one point

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but I don't know anymore it's not really not important because I was just listening to the voices

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00:40:32,120 --> 00:40:37,000
listening to the reads and I said hey I really like this voice and I got a lot of pushback people

403
00:40:37,000 --> 00:40:45,080
saying well you know is it no I got a feeling that I don't know and maybe it's maybe it's not a

404
00:40:45,080 --> 00:40:52,120
stereotypical you know media voice or something you it's just I really liked it it happens with a lot

405
00:40:52,120 --> 00:40:58,840
of stuff that I don't know I think that one of the things I pride myself on is I think I can spot

406
00:41:00,040 --> 00:41:07,080
product and media and talent that I believe will resonate with an audience and it resonated with you

407
00:41:07,640 --> 00:41:12,360
and I appreciate it I'll find out who it is now let you know if you want a caller for or something

408
00:41:12,360 --> 00:41:17,160
for yourself remember it's voice work only okay I hope you're getting the right idea here

409
00:41:17,160 --> 00:41:22,040
so they come and say to me I'm something that made me laugh she said you're the food bar boy

410
00:41:22,040 --> 00:41:27,480
and he wants made a mistake you replied to one of my emails with your two bar boy at gmail.com

411
00:41:27,480 --> 00:41:31,480
so I knew what she was getting out there I wonder how many other people understood what she was

412
00:41:31,480 --> 00:41:36,280
getting out there because don't see your personal personal secret email address but of course the

413
00:41:36,280 --> 00:41:48,360
big secret anyway maybe no no I've changed it now though I'm using the Google apps for my

414
00:41:48,360 --> 00:41:52,760
domain I've got to call the Google peeps because I'm having some trouble with my MX records

415
00:41:52,760 --> 00:41:56,520
yes it's a very long story you don't want to hear about it's a curry dot com still isn't fixed

416
00:41:56,520 --> 00:42:01,320
either let me see okay just to wrap it up and I do have a very cool song from the

417
00:42:01,320 --> 00:42:05,000
pot to music network I want to play for you the end of this bum rest of charge edition

418
00:42:05,000 --> 00:42:10,680
of the daily source code uh first two more quick promos of people participating in uh in the campaign

419
00:42:10,680 --> 00:42:16,280
hey there Adam it's Jennifer it was so great to see you in New York last week and I hope you

420
00:42:16,280 --> 00:42:20,920
enjoyed the tasty dinner that chef Mark prepared for you oh yeah in honor of bummer's the

421
00:42:20,920 --> 00:42:26,120
charge stay I wanted to let you know that for the first time ever I'm featuring a musician on food

422
00:42:26,120 --> 00:42:32,360
philosophy I found bohal on the pot safe music network and I've used his music ever since because

423
00:42:32,440 --> 00:42:38,200
I just love it and you've played him a couple of times too on the DSC so I was happy to hear that you

424
00:42:38,200 --> 00:42:45,400
found him and he and I had a chance to talk about that and also the sassy rhythms of food and music

425
00:42:45,400 --> 00:42:51,320
so you can check that out at foodphilosophy.podshow.com and I also wanted to address

426
00:42:51,320 --> 00:42:58,120
Mark Yoshimoto Namcoff's comment on the power of new media because that really hit home for me

427
00:42:59,000 --> 00:43:04,600
since chef Mark and I started the culinary podcast network to take back food media and to

428
00:43:04,600 --> 00:43:10,440
feature the kind of content we wanted to hear and see so we are with you all the way and we are so proud

429
00:43:10,440 --> 00:43:17,480
to be a part of this movement and DSC listeners can check out all of our shows at culinarypodcastnetwork.com

430
00:43:18,040 --> 00:43:23,480
now I'm off to download me some black lab so have a great day Adam and I'll see you again soon

431
00:43:23,480 --> 00:43:29,800
by the way thanks for the kiss on the cheek. Oh yeah yeah hang out with Chef Mark and Jennifer

432
00:43:29,800 --> 00:43:34,520
in New York I didn't even tell you that Chef Mark cooked for me he had brought food for myself and

433
00:43:34,520 --> 00:43:40,680
sales we go weasel Greg and it was funny because you know I said no hotel I made them go warm it up

434
00:43:41,880 --> 00:43:45,640
because I tell you there's a couple of things you can do for somebody when you cook for someone

435
00:43:45,640 --> 00:43:50,600
that's a real love man that really is and I appreciate it and we're going to be doing some big

436
00:43:50,600 --> 00:43:58,360
things with the culinary podcast network peeps or is we just say Adam damn food shows those guys

437
00:43:58,360 --> 00:44:04,520
yes how we shall them we got some damn food shows uh speaking of which sponsors for this program

438
00:44:04,520 --> 00:44:10,520
title and all PM check out Angie Bees brand new show it's unwind on wind dot pod show dot com

439
00:44:11,320 --> 00:44:15,960
to get you in the mood it's the only show that is actually designed to put you to sleep which I think

440
00:44:15,960 --> 00:44:23,400
is a pretty spectacular full just coffee uh the gourmet blends of course and a splendour yeah I was

441
00:44:25,800 --> 00:44:33,560
let me see final thought for today this is from Nigel you know I always read Nigel's emails

442
00:44:33,560 --> 00:44:39,880
the minute I see him pop into my inbox because he always turns me on to some amazing projects amazing

443
00:44:39,960 --> 00:44:47,080
music he brought uh he brought Tom's Dolby to my attention and he's all over the place so this is one

444
00:44:47,080 --> 00:44:52,440
of his uh it's not a personal email even uh which Gmail a nicely identifies whether it's sent to

445
00:44:52,440 --> 00:44:56,840
me as the primary recipient or not but it doesn't matter hi all really pleased to announce that

446
00:44:56,840 --> 00:45:04,680
60's icon sandy show will be joined the pod safe revolution from Monday the 26th of March now sandy

447
00:45:04,760 --> 00:45:11,080
show I actually put some uh he put some great uh bio information here that liked the way it was

448
00:45:11,080 --> 00:45:15,480
written so I'll read it to you because this is exactly what I would have said the original brick girl

449
00:45:15,480 --> 00:45:21,240
chiseled cheekbones sophisticated pop operas independent girl about town other worldliness

450
00:45:21,240 --> 00:45:27,720
impossible glamour voice of an angel bear face and showfooted in a way kind of the Kylieman no

451
00:45:27,720 --> 00:45:35,240
good for day I would say uh first number one hit when she was 17 uh two more before she was 21 hits all

452
00:45:35,240 --> 00:45:43,720
over the over Europe the United States uh the UK Russia uh first British recording star to perform

453
00:45:43,720 --> 00:45:48,680
behind the iron curtain the last to perform in Iran uh first British to artist to win the

454
00:45:48,680 --> 00:45:53,720
Eurovision song contest first British female artists to produce and own her masters and copyright

455
00:45:53,720 --> 00:45:59,320
ding ding ding ding pay attention there let me read that one more time the first British female artist

456
00:45:59,320 --> 00:46:06,520
to produce and own her masters and copyright a leader in the field of pod safe music because she

457
00:46:06,520 --> 00:46:13,160
is now chosen to put out it what is this girl power knocked into a cocked hat that's must be

458
00:46:13,160 --> 00:46:21,240
British woman power there you go and uh let me just look um he put a uh how do I get to the link oh

459
00:46:21,240 --> 00:46:28,280
hey uh Google notebook changed you click on a link and then it says change or test link and it

460
00:46:28,280 --> 00:46:35,240
opens it up in a new window thank you it's Google dudes what you appreciated let me see

461
00:46:35,240 --> 00:46:44,040
Sandy's let me see if she's still hot oh man oh yeah ha ha hold on gallery it notice how

462
00:46:44,920 --> 00:46:51,080
uh it's using the same words as a porn site oh shit coming soon uh I hate that hold on

463
00:46:51,080 --> 00:47:00,840
Sandy's Shaw dot com oh she's a milky she's definitely milky oh man they don't have it so uh it's

464
00:47:00,840 --> 00:47:06,920
too bad the uh the gallery uh the gallery has no pictures there are pictures throughout the site

465
00:47:07,080 --> 00:47:17,160
oh I don't like the welcome to Buddha world drawing that's kind of harsh um okay so uh you

466
00:47:17,160 --> 00:47:21,640
remember puppet on a string the course you don't because we can't play that song anymore you why should

467
00:47:21,640 --> 00:47:28,520
you know fucking music history well Sandy Shaw's back she owns her own masters and copyright so of

468
00:47:28,520 --> 00:47:35,160
course makes total sense for her to cut a new version titled puppet got a brand new string

469
00:47:36,920 --> 00:47:44,680
bit of an old dude James Brown now enjoy it it's part safe

470
00:47:46,250 --> 00:50:33,920
[ Music ]

471
00:50:33,920 --> 00:50:54,920
Oh yeah, I so weird, the other version that I have in my head is so incredibly different

472
00:50:55,920 --> 00:50:58,920
Pop it, got a brand new string, it's Sandy Shaw

473
00:50:59,920 --> 00:51:01,920
A leader of a generation of musicians

474
00:51:01,920 --> 00:51:06,920
And I think taking a fine position once again at the front

475
00:51:06,920 --> 00:51:09,920
Leading into the pot-sake music revolution

476
00:51:09,920 --> 00:51:11,920
Alright everybody, please

477
00:51:11,920 --> 00:51:14,920
If you do anything today, let's show them something

478
00:51:14,920 --> 00:51:16,920
Go to bumrushthecharts.com

479
00:51:16,920 --> 00:51:19,920
Buy the song from Black Lab

480
00:51:19,920 --> 00:51:21,920
Through the affiliate link on that page

481
00:51:21,920 --> 00:51:24,920
It's a big ass, you'll see it

482
00:51:24,920 --> 00:51:28,920
It's going to be in the show notes as well at DailySourceCode.com

483
00:51:28,920 --> 00:51:30,920
And of course you can always send me an email

484
00:51:30,920 --> 00:51:32,920
That's Adam at poncho.com

485
00:51:32,920 --> 00:51:34,920
And I will be back tomorrow

486
00:51:34,920 --> 00:51:36,920
We'll find out how we did with the bumrush

487
00:51:36,920 --> 00:51:39,920
And it'll be a full bar body

488
00:51:39,920 --> 00:51:41,920
Another poncho podcast

489
00:51:41,920 --> 00:51:43,920
Stick it in your ear

490
00:51:43,920 --> 00:51:51,920
The best and the brightest

491
00:51:51,920 --> 00:51:54,920
Saved up Daily by the sharpest minds in content delivery

492
00:51:54,920 --> 00:51:56,920
Pot-show and limelight