1 00:00:00,000 --> 00:00:08,000 And the beginning there was A.M. radio, families everywhere would gather around the living room, 2 00:00:08,000 --> 00:00:12,000 listening to their favorite programs, and all was good. 3 00:00:12,000 --> 00:00:19,000 Who knows what evil looks in the hearts of men, the shadow knows. 4 00:00:19,000 --> 00:00:22,000 Then came the advent of F.M. radio. 5 00:00:22,000 --> 00:00:28,000 Now broadcast could be heard in stereo, and teenagers found this, especially in tweaking, 6 00:00:28,000 --> 00:00:31,000 as rock and roll music to be heard with great clarity. 7 00:00:31,000 --> 00:00:36,000 However, parents became concerned as to what this music was doing to their kids. 8 00:00:39,000 --> 00:00:45,000 Now it's the 21st century, and satellite radio is all the rage, or is it? 9 00:00:45,000 --> 00:00:52,000 In a world where TV networks, movie studios, and record labels still think they can govern what you see in here. 10 00:00:52,000 --> 00:01:01,000 One man has the power to return control of entertainment to the masses and make big media corporations wet their tiny little pants. 11 00:01:01,000 --> 00:01:10,000 From Pod Show, home of the world's most dangerous new content comes the Daily Source Code with Adam Curry. 12 00:01:11,000 --> 00:01:15,000 It was $16 million worth of airplane strapped to my ass. 13 00:01:15,000 --> 00:01:19,000 Done the next generation radio content in my ears. 14 00:01:21,000 --> 00:01:24,000 I like to think I'm flying into the future. 15 00:01:27,000 --> 00:01:32,000 Delta Sharon Charlie 568, it is from our Friday. 16 00:01:32,000 --> 00:01:36,000 If you know the lyrics, please feel free to sing along because we're fucked up beyond our pain. 17 00:01:36,000 --> 00:01:39,000 And let me let you love me. 18 00:01:39,000 --> 00:01:43,000 I'm sitting in your face and tell you I love you too. 19 00:01:43,000 --> 00:01:54,000 [ Music ] 20 00:01:54,000 --> 00:01:58,000 I'll sit in your face and let love you truly. 21 00:01:58,000 --> 00:02:01,000 Life can be fine if we both six to nine. 22 00:02:01,000 --> 00:02:04,000 If we sit in a face as adults as a place as a play. 23 00:02:04,000 --> 00:02:07,000 Till we're blown away. 24 00:02:07,000 --> 00:02:23,000 [ Music ] 25 00:02:23,000 --> 00:02:26,000 You're so explicit, you're show. 26 00:02:26,000 --> 00:02:28,000 I never miss it though. 27 00:02:34,000 --> 00:02:36,000 I think you and me should kick it. 28 00:02:36,000 --> 00:02:39,000 Come with you to screen I want to get it. 29 00:02:43,000 --> 00:02:44,000 Come on. 30 00:02:49,000 --> 00:02:54,000 Now try to pump you up or inflate your ego. 31 00:02:54,000 --> 00:02:55,000 No. 32 00:02:55,000 --> 00:02:57,000 Now this is just place. 33 00:02:57,000 --> 00:02:59,000 Don't you know. 34 00:02:59,000 --> 00:03:02,000 I tune in week after week. 35 00:03:02,000 --> 00:03:05,000 I want to be a host of love and internet geek. 36 00:03:06,250 --> 00:03:36,000 [ Music ] 37 00:03:36,000 --> 00:03:39,000 Because I want you so bad. 38 00:03:42,000 --> 00:03:44,000 You're good. 39 00:03:44,000 --> 00:03:46,000 I can't tell you're free. 40 00:03:46,000 --> 00:03:47,000 We see you. 41 00:03:47,000 --> 00:03:49,000 I passed a little secret. 42 00:03:49,000 --> 00:03:50,000 Yeah. 43 00:03:52,000 --> 00:03:54,000 Day time library. 44 00:03:54,000 --> 00:03:55,000 Yeah. 45 00:03:55,000 --> 00:03:57,000 Night time on the free show. 46 00:03:57,000 --> 00:03:58,000 Yeah. 47 00:03:58,000 --> 00:03:59,000 You're good. 48 00:04:01,000 --> 00:04:04,000 Like the way you move over here. 49 00:04:04,000 --> 00:05:13,000 [ Music ] 50 00:05:13,000 --> 00:05:15,000 I've been waiting for you. 51 00:05:15,000 --> 00:05:19,000 I've got to want you so fair. 52 00:05:21,000 --> 00:05:23,000 What a way to kick off a football Friday. 53 00:05:23,000 --> 00:05:27,000 A brand new bro low soccer girl from his new album. 54 00:05:27,000 --> 00:05:30,000 Somehow a little birdy leaked that song to me and boys. 55 00:05:30,000 --> 00:05:31,000 It's perfect for a football. 56 00:05:31,000 --> 00:05:32,000 Hey, everybody. 57 00:05:32,000 --> 00:05:33,000 How you doing? 58 00:05:33,000 --> 00:05:37,000 Daily source code episode 568 coming to you from an overcast. 59 00:05:37,000 --> 00:05:39,000 And somewhat damp. 60 00:05:39,000 --> 00:05:42,000 Uh, affluent suburb of Surrey known as Gilford. 61 00:05:42,000 --> 00:05:44,000 G. Town West side represent. 62 00:05:44,000 --> 00:05:45,000 It's the curry manner. 63 00:05:45,000 --> 00:05:48,000 The Lord of the Manor at your service. 64 00:05:48,000 --> 00:05:49,000 Hey. 65 00:05:49,000 --> 00:05:52,000 Uh, what a way to wrap up a couple of really busy weeks. 66 00:05:52,000 --> 00:05:54,000 Yesterday with bum rush the charts. 67 00:05:54,000 --> 00:05:55,000 Wow. 68 00:05:55,000 --> 00:05:57,000 We made the needle move. 69 00:05:57,000 --> 00:05:58,000 I couldn't. 70 00:05:58,000 --> 00:05:59,000 I could really. 71 00:05:59,000 --> 00:06:00,000 I was blown away. 72 00:06:00,000 --> 00:06:02,000 How fast it actually happened. 73 00:06:02,000 --> 00:06:04,000 Now has the song. 74 00:06:04,000 --> 00:06:05,000 Black labs. 75 00:06:05,000 --> 00:06:06,000 Mine again. 76 00:06:06,000 --> 00:06:07,000 Reach number one. 77 00:06:07,000 --> 00:06:08,000 No. 78 00:06:08,000 --> 00:06:10,000 I didn't expect to see much. 79 00:06:10,000 --> 00:06:12,000 Let me tell you just in. 80 00:06:12,000 --> 00:06:15,000 The events as they unfolded yesterday. 81 00:06:15,000 --> 00:06:18,000 Of course, I recorded the show relatively early and was busy. 82 00:06:18,000 --> 00:06:21,000 In the city and London for most of the day with meetings and stuff. 83 00:06:21,000 --> 00:06:25,000 So only could, you know, catch some casual updates as they came in. 84 00:06:25,000 --> 00:06:29,000 And the first thing I got which I thought was I learned so much from this exercise. 85 00:06:29,000 --> 00:06:32,000 You know, even as I was doing the show yesterday, I'm thinking, wow. 86 00:06:32,000 --> 00:06:36,000 You know, it's already the 24th of the 27th in Australia. 87 00:06:36,000 --> 00:06:40,000 You know, how at least times of global campaigns are not very easy. 88 00:06:40,000 --> 00:06:46,000 And also in the full knowledge that a lot of people would listen to my show at the end of yesterday. 89 00:06:46,000 --> 00:06:50,000 Or perhaps even today or tomorrow or next week. 90 00:06:50,000 --> 00:06:54,000 And I'm thinking, wow, you know, this is really something like this. 91 00:06:54,000 --> 00:06:58,000 It doesn't really work on a one day, one day shot only. 92 00:06:58,000 --> 00:07:00,000 Yeah, we moved the needle in day one, which is great. 93 00:07:00,000 --> 00:07:05,000 But I think that if we were to continue this, which I don't believe we're going to do. 94 00:07:05,000 --> 00:07:09,000 It doesn't really make sense because to me, the proof is already here. 95 00:07:09,000 --> 00:07:12,000 Let me just tell you what some of the things that learned yesterday. 96 00:07:12,000 --> 00:07:16,000 First of all, the Washington Post had a great article about bum rush the charts. 97 00:07:16,000 --> 00:07:22,000 And I wasn't able to read that before I did yesterday's show, but I got it sent to me. 98 00:07:22,000 --> 00:07:25,000 And there was one piece that I thought was really interesting. 99 00:07:25,000 --> 00:07:30,000 They took the effort, which I really appreciate Mike Musgrove of the Washington Post, 100 00:07:30,000 --> 00:07:35,000 to contact Apple and got through to Derek Mainz, a spokesman for Apple, 101 00:07:35,000 --> 00:07:41,000 who declined to comment on the campaign itself, but said the best seller list that would be the iTunes top 100 102 00:07:41,000 --> 00:07:45,000 is compiled using proprietary methods that the company doesn't disclose. 103 00:07:45,000 --> 00:07:50,000 It's much more complicated than taking a snapshot of the previous 24 hours worth of sales. 104 00:07:50,000 --> 00:07:56,000 So that means you probably would have to have a sustained campaign to really make something move up the charts. 105 00:07:56,000 --> 00:08:00,000 But just to enter the charts and here's what I really learned. 106 00:08:00,000 --> 00:08:03,000 The individual country top 100 charts. 107 00:08:03,000 --> 00:08:06,000 Wow, that's what we really saw a lot of action. 108 00:08:06,000 --> 00:08:10,000 The United States, I don't even know if it's cracked into the actual top 100 yet. 109 00:08:10,000 --> 00:08:15,000 It's done a lot on the individual charts such as the rock chart. 110 00:08:15,000 --> 00:08:19,000 Hold on a second, I have where is it? 111 00:08:19,000 --> 00:08:20,000 Here we go. 112 00:08:20,000 --> 00:08:24,000 Now this was yesterday afternoon, and so I don't have an update. 113 00:08:24,000 --> 00:08:31,000 On the rock singles charts, that is, so it's a subdivision. 114 00:08:31,000 --> 00:08:36,000 In the US, the last time I was able to check it was number 67, 115 00:08:37,000 --> 00:08:43,000 it reminds you the only independent pod save song on the entire top 100 for the rock chart. 116 00:08:43,000 --> 00:08:54,000 In the UK 71 Canada 22 Australia at 35 Austria 35 Denmark, number 40 Finland 42 Germany 13 Ireland 54 Italy 30 the Netherlands. 117 00:08:54,000 --> 00:09:02,000 Number five New Zealand 56 Norway 23 Sweden 9 Switzerland 42 overall the top 100 songs chart. 118 00:09:02,000 --> 00:09:09,000 We entered the Canadian top 196, the German at 98, the Netherlands at 38 Norway 100 Sweden at 98. 119 00:09:09,000 --> 00:09:14,000 That's as of 9 p.m. Pacific Standard Time yesterday. 120 00:09:14,000 --> 00:09:19,000 So I do expect some spill over and depending on how the proprietary magic sauce. 121 00:09:19,000 --> 00:09:26,000 Can you imagine that what a weird industry we live in where the way a chart is compiled is secret. 122 00:09:26,000 --> 00:09:31,000 It doesn't make a lot of sense to me, but it's okay because I'm so proud of what took place. 123 00:09:31,000 --> 00:09:36,000 I saw as I was really busy scanning technology most of the time. 124 00:09:36,000 --> 00:09:42,000 I found that to be the most compelling to see that yes sure podcasters were in this. 125 00:09:42,000 --> 00:09:50,000 And we were telling our audiences what we'd like them to do to see if we could make the needle move. 126 00:09:50,000 --> 00:09:52,000 But it was really the audience. 127 00:09:52,000 --> 00:09:57,000 I saw post things on web logs and on podshow plus pages just everywhere. 128 00:09:57,000 --> 00:10:00,000 And of course, you know, we had a great logo. 129 00:10:00,000 --> 00:10:05,000 And it was an audience participation move of anything. 130 00:10:05,000 --> 00:10:11,000 And I was just blown away by by the results so far. 131 00:10:11,000 --> 00:10:13,000 Was it sent me this. 132 00:10:13,000 --> 00:10:14,000 I got it. 133 00:10:14,000 --> 00:10:15,000 I forgot who sent me this. 134 00:10:15,000 --> 00:10:17,000 But it was kind of funny yesterday. 135 00:10:17,000 --> 00:10:23,000 This report came out US sales of music CDs plunged 20 percent in the first three months of the year. 136 00:10:23,000 --> 00:10:29,000 According to the figures released by Nielsen sounds can 89 million CDs were sold from the start of the year through March 18th. 137 00:10:29,000 --> 00:10:34,000 It's compared to 112 million CDs sold during the same period in 2006. 138 00:10:34,000 --> 00:10:35,000 Wow. 139 00:10:35,000 --> 00:10:40,000 Oh, by the way, we do actually know how many people clicked on the link. 140 00:10:40,000 --> 00:10:43,000 So that'll be some knowledge once everything's compiled. 141 00:10:43,000 --> 00:10:49,000 Now at last count, I heard it was around 15,000 who had clicked on the by link. 142 00:10:50,000 --> 00:10:52,000 To actually purchase the song. 143 00:10:52,000 --> 00:10:55,000 So I'm sure Chris Penn will have an update for us on that. 144 00:10:55,000 --> 00:11:00,000 He actually posted quite a long story about this. 145 00:11:00,000 --> 00:11:04,000 And he really, I think he approached it more as a as a promotion. 146 00:11:04,000 --> 00:11:09,000 And you know, how we could make a promotion like that work differently in the future with more success. 147 00:11:09,000 --> 00:11:11,000 To me, it wasn't really about a promotion. 148 00:11:11,000 --> 00:11:18,000 It was just about seeing if there's enough audience to make something move that is actually visible in the big, 149 00:11:18,000 --> 00:11:19,000 mainstream world. 150 00:11:19,000 --> 00:11:31,000 Do you realize how many tens, if not hundreds of thousands of dollars are spent on on on on individual tracks and albums to get them into a chart? 151 00:11:31,000 --> 00:11:32,000 You know, to chart. 152 00:11:32,000 --> 00:11:38,000 That's the beginning when when a song charts in the mainstream world, even if it just bobs into the top 100, 153 00:11:38,000 --> 00:11:42,000 even if it's not at number 100, that's where the record company is jumping up and down. 154 00:11:42,000 --> 00:11:43,000 Everybody's freaking out. 155 00:11:43,000 --> 00:11:45,000 They start trying to book interviews with the artist. 156 00:11:45,000 --> 00:11:49,000 You know, it would really only be the beginning of an entire campaign. 157 00:11:49,000 --> 00:11:53,000 So I never expected the song to go anywhere. 158 00:11:53,000 --> 00:11:54,000 Certainly. 159 00:11:54,000 --> 00:11:58,000 I'm just amazed it entered the top 100 anywhere on the first day. 160 00:11:58,000 --> 00:12:00,000 That's really fucking fantastic. 161 00:12:00,000 --> 00:12:02,000 And of course, there's plenty of comments about this. 162 00:12:02,000 --> 00:12:03,000 Hi, Adam. 163 00:12:03,000 --> 00:12:04,000 It's been downing. 164 00:12:04,000 --> 00:12:05,000 I listen from Melbourne, Australia. 165 00:12:05,000 --> 00:12:08,000 First of all, let me apologize for the abrupt ending on the prime. 166 00:12:08,000 --> 00:12:10,000 I've tried yesterday. 167 00:12:10,000 --> 00:12:14,000 I'm certainly not a professional podcaster and have, in fact, never been involved in any 168 00:12:14,000 --> 00:12:17,000 aspect of digital audio production. 169 00:12:17,000 --> 00:12:21,000 However, I'm just a chance for something I believe passionately in to the fact where 170 00:12:21,000 --> 00:12:25,000 I didn't actually get to bed this morning till half past one local time. 171 00:12:25,000 --> 00:12:28,000 Just because I was up late monitoring how things were going. 172 00:12:28,000 --> 00:12:33,000 I'd just like to say big thanks to all the Aussies who got out there and pushed 173 00:12:33,000 --> 00:12:38,000 mine again our chosen songs to number 35 on the rock charts on the Australian 174 00:12:38,000 --> 00:12:39,000 and I changed music. 175 00:12:39,000 --> 00:12:41,000 So why took out a guy's? 176 00:12:41,000 --> 00:12:46,000 We're showing that we have an active podcast audience here down under. 177 00:12:46,000 --> 00:12:49,000 Now, Adam, when are you going to get your butt down here? 178 00:12:49,000 --> 00:12:51,000 So we can have some cold frothy bass. 179 00:12:51,000 --> 00:12:53,000 Have a good one, Mike. 180 00:12:53,000 --> 00:12:54,000 Fold our scruncher. 181 00:12:54,000 --> 00:12:55,000 Valmed, I'll tell you. 182 00:12:55,000 --> 00:12:57,000 I'm going to come down. 183 00:12:57,000 --> 00:13:00,000 I don't, I just don't think I'm able to get my girls to go with me. 184 00:13:00,000 --> 00:13:05,000 Which may be better because what happens in Australia stays in Australia, I hear. 185 00:13:06,000 --> 00:13:10,000 Have the green from business we grow to bum russ the charts. 186 00:13:10,000 --> 00:13:15,000 She calls it a grassroots effort that's using social media, including dig YouTube, blogs, 187 00:13:15,000 --> 00:13:18,000 podcasts to try to get podsake music in the iTunes top 100. 188 00:13:18,000 --> 00:13:21,000 It's interesting in light of the meltdown of traditional CD sales. 189 00:13:21,000 --> 00:13:25,000 She points to the same data that supporters of indie music are trying to push sales 190 00:13:25,000 --> 00:13:26,000 of the music. 191 00:13:26,000 --> 00:13:27,000 They treasure. 192 00:13:27,000 --> 00:13:29,000 I understand the idea that by pushing the music. 193 00:13:29,000 --> 00:13:30,000 I understand the idea. 194 00:13:31,000 --> 00:13:35,000 By pushing the music, they feel it will send the message to the RIA that suing folks won't 195 00:13:35,000 --> 00:13:40,000 get them to buy that the music industry needs a to promote a broader group of music 196 00:13:40,000 --> 00:13:45,000 and through a broader group of channels I might add. 197 00:13:45,000 --> 00:13:47,000 So then Heather, almost typical. 198 00:13:47,000 --> 00:13:49,000 I don't blame her for thinking this way. 199 00:13:49,000 --> 00:13:52,000 It says goes on to say, but at the same time, it makes me think whether it will 200 00:13:52,000 --> 00:13:56,000 matter what music you put in the iTunes top 100 sales don't seem to matter because people are 201 00:13:56,000 --> 00:13:57,000 copying each other. 202 00:13:57,000 --> 00:14:00,000 Each other CDs and letting each other copy their hard drives. 203 00:14:00,000 --> 00:14:04,000 In the future of music is band supporting themselves through touring and other kids money 204 00:14:04,000 --> 00:14:08,000 making efforts then wouldn't go into shows be a better way to point to the future. 205 00:14:08,000 --> 00:14:12,000 So there you kind of miss the point, Heather. 206 00:14:12,000 --> 00:14:20,000 The point is that people are so passionate about music and I think it's just as much a call 207 00:14:20,000 --> 00:14:29,000 out to the big four labels to allow really to drop a lot of all the negating factors 208 00:14:29,000 --> 00:14:35,000 of how we can consume music, listen to music, how others play music for us. 209 00:14:35,000 --> 00:14:40,000 That was just as much a shout because here's a song that I'm sure a lot of people didn't even care 210 00:14:40,000 --> 00:14:41,000 about. 211 00:14:41,000 --> 00:14:44,000 They just wanted to participate, which is really the point. 212 00:14:44,000 --> 00:14:49,000 The point is not, I was like Eric Bergen said yesterday. 213 00:14:49,000 --> 00:14:54,000 I was like, well, this is not because people like the song because you told them to go 214 00:14:54,000 --> 00:14:59,000 by it and I can think that's really my point is that I know that within the daily source 215 00:14:59,000 --> 00:15:01,000 code audience, you guys will do a lot of stuff. 216 00:15:01,000 --> 00:15:03,000 I mean, you do it every single day. 217 00:15:03,000 --> 00:15:08,000 The show was filled up with stuff that you're doing for me and for the audience, for yourself. 218 00:15:08,000 --> 00:15:11,000 Really, it's a master-betteria exercise. 219 00:15:11,000 --> 00:15:14,000 You know, and we do all kinds of nutty shit. 220 00:15:14,000 --> 00:15:18,000 We tell people where folders are scrunchers. 221 00:15:18,000 --> 00:15:26,000 I think it's just proving the bond between a podcaster or any producer of independent media 222 00:15:26,000 --> 00:15:29,000 who does really its episodic content. 223 00:15:29,000 --> 00:15:32,000 These are shows people call them what you want, but they're shows. 224 00:15:32,000 --> 00:15:37,000 We have audiences and they're growing in every single MP3 player or a computer that is sold 225 00:15:37,000 --> 00:15:40,000 that enables video or audio. 226 00:15:40,000 --> 00:15:48,000 That's another opportunity for us to grow the audience and it's very hard to prove. 227 00:15:48,000 --> 00:15:53,000 You know, the only people who really know the power of audience are advertisers. 228 00:15:53,000 --> 00:15:56,000 That's really the ones who understand it the most. 229 00:15:56,000 --> 00:16:03,000 And so maybe now that we've started to move the needle, maybe maybe we'll see some things change. 230 00:16:03,000 --> 00:16:08,000 Really the only thing I'd like from the music industry in this regard is just to, 231 00:16:08,000 --> 00:16:12,000 you know, to treat independent producers of programming with some respect. 232 00:16:12,000 --> 00:16:16,000 And you utilize any of the licenses that are available out there. 233 00:16:16,000 --> 00:16:19,000 You could certainly use the pod save music license. 234 00:16:19,000 --> 00:16:25,000 If you own the masters, all you have to do is convince the artist or the singer-songwriter who wrote the tracking 235 00:16:25,000 --> 00:16:31,000 question you want to put up to convince them to sign the pod save music license to waver their ASCAP BMI fee. 236 00:16:31,000 --> 00:16:37,000 Or, or, yeah, to supersede that license, I guess there's to say technically. 237 00:16:37,000 --> 00:16:43,000 And you're good, you know, and I'm sure we'll play your stuff as well as just as much chance. 238 00:16:43,000 --> 00:16:47,000 Actually, you might find out that we hate your shit and we're not going to play it. 239 00:16:47,000 --> 00:16:51,000 And that would be a pretty interesting message for you as well considering it's your business. 240 00:16:51,000 --> 00:16:56,000 Ah boy, when I started this morning, I was like, I barely open my eyes. 241 00:16:56,000 --> 00:17:00,000 I'm just so full-barred, but I'm into it now folks. 242 00:17:00,000 --> 00:17:02,000 Hello? 243 00:17:02,000 --> 00:17:03,000 Hello? 244 00:17:03,000 --> 00:17:04,000 I had them. 245 00:17:04,000 --> 00:17:05,000 It's Edward's when pots of here again. 246 00:17:05,000 --> 00:17:06,000 Oh, yes. 247 00:17:06,000 --> 00:17:09,000 I'm not talking about from this time, so don't worry. 248 00:17:09,000 --> 00:17:15,000 Just saw this article from the 75 March 2007 on the BBC News website. 249 00:17:15,000 --> 00:17:18,000 Had line actors in landmark podcast, too. 250 00:17:18,000 --> 00:17:19,000 No, I'm going to do. 251 00:17:19,000 --> 00:17:20,000 I'm going to play that next. 252 00:17:20,000 --> 00:17:21,000 I want to hold on a second. 253 00:17:21,000 --> 00:17:24,000 Because there's something much, much better. 254 00:17:24,000 --> 00:17:25,000 Thank God. 255 00:17:25,000 --> 00:17:27,000 And I was so happy Eric Bergen provided pushback. 256 00:17:27,000 --> 00:17:28,000 Yes, they thank God. 257 00:17:28,000 --> 00:17:31,000 Not everyone appreciates bomb rush the charts. 258 00:17:31,000 --> 00:17:34,000 Because I love when we have a contrarian view. 259 00:17:34,000 --> 00:17:35,000 Let me say this quick Adam. 260 00:17:35,000 --> 00:17:36,000 This is the New Yorker in London. 261 00:17:36,000 --> 00:17:37,000 You're nylon. 262 00:17:37,000 --> 00:17:39,000 Really bothered by this bomb in the rest thing. 263 00:17:39,000 --> 00:17:41,000 Let me take up to a macro level. 264 00:17:41,000 --> 00:17:45,000 You can play that the big record companies run their machine and people buy records. 265 00:17:45,000 --> 00:17:48,000 You're running the machine and the other podcasts. 266 00:17:48,000 --> 00:17:50,000 People are running the machine and saying, buy black labs. 267 00:17:50,000 --> 00:17:51,000 It'll produce a result. 268 00:17:51,000 --> 00:17:53,000 It's manipulating the system. 269 00:17:53,000 --> 00:17:55,000 You both manipulate the system. 270 00:17:55,000 --> 00:17:58,000 And you both assume, respectfully, that you have a dumb consumer. 271 00:17:58,000 --> 00:18:00,000 If we tell them what to do, they will do it. 272 00:18:00,000 --> 00:18:01,000 And that's our power. 273 00:18:01,000 --> 00:18:04,000 Our power is we can drive people into desired results. 274 00:18:04,000 --> 00:18:05,000 Okay. 275 00:18:05,000 --> 00:18:06,000 Hold on a second. 276 00:18:06,000 --> 00:18:07,000 Oh, I love this. 277 00:18:07,000 --> 00:18:10,000 So first of all, I think I even said this yesterday. 278 00:18:10,000 --> 00:18:13,000 Yes, we're showing that we have a machine that is equally as powerful. 279 00:18:13,000 --> 00:18:16,000 But there's a a slight difference here. 280 00:18:16,000 --> 00:18:22,000 The machine that is the mainstream media is based upon limited access to shelf space. 281 00:18:23,000 --> 00:18:25,000 There's only so many channels. 282 00:18:25,000 --> 00:18:27,000 Only so much ether that can be used up. 283 00:18:27,000 --> 00:18:33,000 So the people that have called control over it or that determine what content goes through it. 284 00:18:33,000 --> 00:18:37,000 They're only giving you an offering that they determine. 285 00:18:37,000 --> 00:18:41,000 And they determine it by a whole bunch of factors, which I think at the end of the day is based upon, 286 00:18:41,000 --> 00:18:45,000 you know, what kind of return can they get on putting something through. 287 00:18:45,000 --> 00:18:49,000 The difference here is we just pick something willy-nilly. 288 00:18:49,000 --> 00:18:50,000 You're right. 289 00:18:50,000 --> 00:18:51,000 It would not have mattered. 290 00:18:51,000 --> 00:18:53,000 It would not have mattered what we chose. 291 00:18:53,000 --> 00:18:54,000 We could have taken any song. 292 00:18:54,000 --> 00:18:56,000 Could have been a classical piece. 293 00:18:56,000 --> 00:19:00,000 The whole point was to show that that power is there. 294 00:19:00,000 --> 00:19:05,000 And that short now we did it with an aggregation of audiences. 295 00:19:05,000 --> 00:19:11,000 But it's not going to be too long before one individual shows audience will be able to move the needle like that. 296 00:19:11,000 --> 00:19:14,000 So yes, of course, that's what we're showing. 297 00:19:14,000 --> 00:19:19,000 And please don't be confused by thinking that we're trying to prove that the music industry, 298 00:19:19,000 --> 00:19:22,000 charts and stuff works better in an independent world. 299 00:19:22,000 --> 00:19:23,000 Not at all. 300 00:19:23,000 --> 00:19:26,000 This is about showing that we have a machine. 301 00:19:26,000 --> 00:19:28,000 So that what you shouldn't take offense to that. 302 00:19:28,000 --> 00:19:32,000 This is, you know, if you want to show someone that your dick is bigger, you got to show your dick. 303 00:19:32,000 --> 00:19:36,000 Like that because it assumes both of you manipulate and both of you have consumers. 304 00:19:36,000 --> 00:19:37,000 Okay. 305 00:19:37,000 --> 00:19:41,000 And by the way, you got to be real careful calling at least my audience dumb. 306 00:19:41,000 --> 00:19:43,000 I don't know something at all. 307 00:19:43,000 --> 00:19:45,000 And they certainly wouldn't have done. 308 00:19:45,000 --> 00:19:47,000 What am I fucking hypnotist? 309 00:19:47,000 --> 00:19:48,000 Let me do my eye. 310 00:19:48,000 --> 00:19:49,000 Look into my eyes. 311 00:19:49,000 --> 00:19:50,000 You show by this. 312 00:19:50,000 --> 00:19:53,000 Oh, it was, we did this together. 313 00:19:53,000 --> 00:19:56,000 And I'm sorry you didn't participate clearly. 314 00:19:56,000 --> 00:19:58,000 That is not making their own choices. 315 00:19:58,000 --> 00:20:00,000 You're driving them and narrowing down their choices. 316 00:20:00,000 --> 00:20:01,000 Okay. 317 00:20:01,000 --> 00:20:04,000 So again, again, I'm not narrowing down the choice. 318 00:20:04,000 --> 00:20:06,000 Simply proving that we can make any choice. 319 00:20:06,000 --> 00:20:10,000 Regardless of what we want to show or what we want to buy or what we want to buy. 320 00:20:10,000 --> 00:20:14,000 Well, this is, you know, this was the original idea behind priceline.com. 321 00:20:14,000 --> 00:20:17,000 Of course, in quite pan out that way, but we'll see this. 322 00:20:17,000 --> 00:20:20,000 You know, the consumers decided to support this. 323 00:20:20,000 --> 00:20:21,000 Yeah. 324 00:20:21,000 --> 00:20:23,000 What I call an audience. 325 00:20:23,000 --> 00:20:26,000 The people who make me want to do this shit every single day. 326 00:20:26,000 --> 00:20:28,000 So it wasn't forcing anything. 327 00:20:28,000 --> 00:20:32,000 It was like just to show that our dick is big too. 328 00:20:32,000 --> 00:20:36,000 So two, this whole thing about not being directly involved. 329 00:20:36,000 --> 00:20:37,000 You are. 330 00:20:37,000 --> 00:20:40,000 And you're next to on a funding on your PowerPoint slide. 331 00:20:40,000 --> 00:20:41,000 We bummed the charts. 332 00:20:41,000 --> 00:20:42,000 Look at our power. 333 00:20:42,000 --> 00:20:44,000 And you will gain some of this. 334 00:20:44,000 --> 00:20:45,000 Last thing. 335 00:20:45,000 --> 00:20:46,000 Really. 336 00:20:46,000 --> 00:20:47,000 Okay. 337 00:20:47,000 --> 00:20:48,000 Okay. 338 00:20:48,000 --> 00:20:49,000 So. 339 00:20:49,000 --> 00:20:50,000 Dude. 340 00:20:50,000 --> 00:20:56,000 The whole point of not sanctioning this as an official pod show thing. 341 00:20:56,000 --> 00:20:59,000 Was so that everybody can take credit for it. 342 00:20:59,000 --> 00:21:04,000 Anybody who's doing anything in podcasting or independent media will be able to say. 343 00:21:04,000 --> 00:21:06,000 Look at what happened. 344 00:21:06,000 --> 00:21:07,000 Okay. 345 00:21:07,000 --> 00:21:09,000 Will we have it on our PowerPoint? 346 00:21:09,000 --> 00:21:10,000 Yes. 347 00:21:10,000 --> 00:21:12,000 For our next funding round. 348 00:21:12,000 --> 00:21:15,000 I don't know if we're going to need another funding round dude. 349 00:21:15,000 --> 00:21:19,000 But will we have this on our presentations towards clients and advertisers? 350 00:21:19,000 --> 00:21:22,000 You better fucking believe it. 351 00:21:22,000 --> 00:21:24,000 Of course. 352 00:21:24,000 --> 00:21:29,000 All the more reason to have not been the official whatever of this. 353 00:21:29,000 --> 00:21:30,000 God. 354 00:21:30,000 --> 00:21:33,000 That was really clear, wasn't it? 355 00:21:34,000 --> 00:21:35,000 No. 356 00:21:35,000 --> 00:21:36,000 You got it wrong. 357 00:21:36,000 --> 00:21:38,000 This is so everyone can take credit for it. 358 00:21:38,000 --> 00:21:41,000 Everybody who who participated can take 100% credit. 359 00:21:41,000 --> 00:21:43,000 That's exactly the point. 360 00:21:43,000 --> 00:21:44,000 Okay. 361 00:21:44,000 --> 00:21:45,000 What's your final point? 362 00:21:45,000 --> 00:21:46,000 Is this record companies? 363 00:21:46,000 --> 00:21:51,000 Why are you dragging the two record companies to come to you to help you manipulate their 364 00:21:51,000 --> 00:21:52,000 artists? 365 00:21:52,000 --> 00:21:53,000 It's the new way for them. 366 00:21:53,000 --> 00:21:54,000 Okay. 367 00:21:54,000 --> 00:21:55,000 Okay. 368 00:21:55,000 --> 00:21:56,000 Well, first of all. 369 00:21:56,000 --> 00:22:00,000 I think you mean not manipulate their artists, but manipulate the audience. 370 00:22:00,000 --> 00:22:05,000 And let me tell you that there are a couple people out there. 371 00:22:05,000 --> 00:22:10,000 Princess Ty, but people who have a podcast will know these names. 372 00:22:10,000 --> 00:22:15,000 Nigel from the UK. 373 00:22:15,000 --> 00:22:18,000 Well, to an extent to Jersey Todd. 374 00:22:18,000 --> 00:22:21,000 I mean, these are people who get really, really passionate. 375 00:22:21,000 --> 00:22:24,000 I have no idea if they have any financial gain. 376 00:22:24,000 --> 00:22:27,000 I just look at them as promoters, promoters of music. 377 00:22:28,000 --> 00:22:30,000 And they, you know, they hook people up with artists. 378 00:22:30,000 --> 00:22:32,000 And there's lots of people doing this. 379 00:22:32,000 --> 00:22:34,000 And it's not just for independent artists. 380 00:22:34,000 --> 00:22:35,000 It's for mainstream. 381 00:22:35,000 --> 00:22:38,000 How do you think Thomas Dolby got on to the pod save music network? 382 00:22:38,000 --> 00:22:39,000 You know, this is what Nigel did. 383 00:22:39,000 --> 00:22:41,000 I had no idea what Nigel does. 384 00:22:41,000 --> 00:22:43,000 He may be fucking Thomas Dolby's record company. 385 00:22:43,000 --> 00:22:44,000 I don't care. 386 00:22:44,000 --> 00:22:46,000 All he's doing is he's coming in. 387 00:22:46,000 --> 00:22:47,000 He's stepping in. 388 00:22:47,000 --> 00:22:48,000 He's saying, hey, how you doing? 389 00:22:48,000 --> 00:22:49,000 I'm Nigel. 390 00:22:49,000 --> 00:22:50,000 Look, I got Thomas Dolby here. 391 00:22:50,000 --> 00:22:51,000 And he'd love to. 392 00:22:51,000 --> 00:22:52,000 He'd look. 393 00:22:52,000 --> 00:22:53,000 He cut a promo for you. 394 00:22:53,000 --> 00:22:54,000 And here's a song. 395 00:22:54,000 --> 00:22:55,000 And he put on the pod save music network. 396 00:22:55,000 --> 00:22:56,000 He wants to join in. 397 00:22:56,000 --> 00:22:59,000 Someone bringing a new kid into the playground and saying, 398 00:22:59,000 --> 00:23:02,000 OK, he's a little older than the rest of y'all. 399 00:23:02,000 --> 00:23:04,000 But he's been around the blocking. 400 00:23:04,000 --> 00:23:05,000 I was out of build a sandcastle. 401 00:23:05,000 --> 00:23:08,000 You know, can we jump in here and play? 402 00:23:08,000 --> 00:23:09,000 You understand? 403 00:23:09,000 --> 00:23:10,000 It's about the promotion. 404 00:23:10,000 --> 00:23:12,000 It's how it works. 405 00:23:12,000 --> 00:23:14,000 It's not manipulation. 406 00:23:14,000 --> 00:23:18,000 Many people can only really take place when there's a monopoly on the resources. 407 00:23:18,000 --> 00:23:20,000 I don't have a monopoly on audience. 408 00:23:20,000 --> 00:23:23,000 No one has a monopoly on audience on the internet. 409 00:23:23,000 --> 00:23:25,000 It's just, it just don't. 410 00:23:26,000 --> 00:23:29,000 You know, and if you just keep doing whatever you want to do, 411 00:23:29,000 --> 00:23:30,000 you'll persevere. 412 00:23:30,000 --> 00:23:31,000 Your audience gets stronger. 413 00:23:31,000 --> 00:23:33,000 Your audience has connections. 414 00:23:33,000 --> 00:23:35,000 People have, you know, stuff starts to happen. 415 00:23:35,000 --> 00:23:37,000 People want to join the party. 416 00:23:39,000 --> 00:23:42,000 So it's not about, uh, I really don't like, 417 00:23:42,000 --> 00:23:44,000 do you saying that? 418 00:23:44,000 --> 00:23:45,000 That's kind of offensive. 419 00:23:45,000 --> 00:23:46,000 New Alan Creek. 420 00:23:46,000 --> 00:23:48,000 Oh, on the new Alan Freed, dude, 421 00:23:48,000 --> 00:23:50,000 I did not take money. 422 00:23:50,000 --> 00:23:51,000 That's, you know, that fuck you. 423 00:23:51,000 --> 00:23:53,000 You know, it just fuck me. 424 00:23:53,000 --> 00:23:54,000 Fuck me with a chainsaw. 425 00:23:55,000 --> 00:23:57,000 You ask. 426 00:23:57,000 --> 00:23:59,000 I, that's, that's very nice. 427 00:23:59,000 --> 00:24:00,000 You calling me a criminal. 428 00:24:00,000 --> 00:24:02,000 But you, we get a new, uh, 429 00:24:03,000 --> 00:24:06,000 milkin dick. 430 00:24:06,000 --> 00:24:12,000 Don't brag about a record company that wants you to manipulate the system for your audience for desired results. 431 00:24:12,000 --> 00:24:13,000 No, dude. 432 00:24:13,000 --> 00:24:15,000 The whole point is to expose, 433 00:24:15,000 --> 00:24:17,000 not brag to expose 434 00:24:17,000 --> 00:24:23,000 that these record companies really see the power in what we can do. 435 00:24:23,000 --> 00:24:27,000 I can't manipulate my audience. 436 00:24:27,000 --> 00:24:28,000 Yeah. 437 00:24:28,000 --> 00:24:32,000 And hey, by the way, part of it's about to drop away by serious. 438 00:24:32,000 --> 00:24:33,000 Sorry. 439 00:24:33,000 --> 00:24:35,000 Short goodbye. 440 00:24:35,000 --> 00:24:37,000 I can't manipulate the audience. 441 00:24:37,000 --> 00:24:40,000 The audience is free to do whatever they want. 442 00:24:40,000 --> 00:24:42,000 And, and people don't like it. 443 00:24:42,000 --> 00:24:43,000 They'll go away. 444 00:24:43,000 --> 00:24:44,000 They'll find something else. 445 00:24:44,000 --> 00:24:47,000 I can't manipulate them because there's no way for me to 446 00:24:47,000 --> 00:24:50,000 determine that it's only one choice and that there's nothing else out there. 447 00:24:50,000 --> 00:24:52,000 You can do a bummer to charge tomorrow. 448 00:24:52,000 --> 00:24:53,000 Today. 449 00:24:53,000 --> 00:24:54,000 Today. 450 00:24:54,000 --> 00:24:55,000 You don't even have podcasts. 451 00:24:55,000 --> 00:24:57,000 You can do it through my space. 452 00:24:57,000 --> 00:24:58,000 I'm sure you can. 453 00:24:58,000 --> 00:25:00,000 It's just when it's podcasting. 454 00:25:00,000 --> 00:25:02,000 I think the message is a little bit more powerful. 455 00:25:02,000 --> 00:25:06,000 And I think the bond between a host and the audience is much, much stronger. 456 00:25:06,000 --> 00:25:08,000 And there's a relationship there. 457 00:25:08,000 --> 00:25:10,000 And I could tell anyone. 458 00:25:10,000 --> 00:25:11,000 I could have told anyone. 459 00:25:11,000 --> 00:25:12,000 Like we had dinner last night. 460 00:25:12,000 --> 00:25:14,000 Anyone at the place I could have said, 461 00:25:14,000 --> 00:25:15,000 Hey, would you do me a favor? 462 00:25:15,000 --> 00:25:16,000 Just because we're buds. 463 00:25:16,000 --> 00:25:18,000 You know, would you buy this song just so we can prove a point? 464 00:25:18,000 --> 00:25:21,000 And you do it. 465 00:25:21,000 --> 00:25:25,000 So that shows a real trusting relationship and a strong bond of anything. 466 00:25:25,000 --> 00:25:27,000 It's not about bragging. 467 00:25:27,000 --> 00:25:30,000 Dude, you are so stuck in the mainstream world. 468 00:25:30,000 --> 00:25:31,000 It's not funny. 469 00:25:31,000 --> 00:25:34,000 Take your head out of it and see the light on the other side. 470 00:25:34,000 --> 00:25:36,000 Nothing to brag about. 471 00:25:36,000 --> 00:25:38,000 No big impression of my part there. 472 00:25:38,000 --> 00:25:41,000 But you're really listening a bit there by thinking that's a plus. 473 00:25:41,000 --> 00:25:45,000 I'm team up with the media to manipulate the audience. 474 00:25:45,000 --> 00:25:46,000 So that's that. 475 00:25:46,000 --> 00:25:48,000 Last thing, the scholarship points. 476 00:25:48,000 --> 00:25:49,000 Go to the site. 477 00:25:49,000 --> 00:25:51,000 I don't see what they skip scholarships. 478 00:25:51,000 --> 00:25:52,000 You sign up. 479 00:25:52,000 --> 00:25:53,000 Do surveys. 480 00:25:53,000 --> 00:25:54,000 You do points. 481 00:25:54,000 --> 00:25:55,000 And you get money at the end. 482 00:25:55,000 --> 00:25:57,000 So I'm even dubious there. 483 00:25:57,000 --> 00:26:03,000 And I like the fact that black labs don't get in 50% of their earnings to the college fund. 484 00:26:03,000 --> 00:26:07,000 All in all, it's everyone making money in a new medium sort of way. 485 00:26:07,000 --> 00:26:12,000 And it assumes that you can manipulate just as well as EMI or Sony can manipulate. 486 00:26:12,000 --> 00:26:14,000 Not moved at all. 487 00:26:14,000 --> 00:26:18,000 And that's all next time in New York and the W Union Square. 488 00:26:18,000 --> 00:26:19,000 Thank you. 489 00:26:19,000 --> 00:26:21,000 You're challenging me to a duel. 490 00:26:21,000 --> 00:26:22,000 What the hell is that? 491 00:26:22,000 --> 00:26:23,000 Yeah, I'm sorry. 492 00:26:23,000 --> 00:26:26,000 And go reread all the information. 493 00:26:26,000 --> 00:26:29,000 You know, I made no money on this. 494 00:26:29,000 --> 00:26:31,000 I didn't get a dime. 495 00:26:31,000 --> 00:26:32,000 I didn't want to see a dime. 496 00:26:32,000 --> 00:26:34,000 It's too bad that money was involved. 497 00:26:34,000 --> 00:26:36,000 But it's the only way we can officially charge something. 498 00:26:36,000 --> 00:26:41,000 It's the only way people say something's believable if someone pulled their wallet. 499 00:26:41,000 --> 00:26:43,000 It was just about proving a point dude. 500 00:26:43,000 --> 00:26:45,000 That's all it was. 501 00:26:45,000 --> 00:26:54,000 And by moving the needle, we've shown that in a very short time with, I think, still a reasonably small audience. 502 00:26:54,000 --> 00:26:56,000 We were able to make something happen. 503 00:26:56,000 --> 00:27:03,000 So the message here is that these audience host relationships are very, very strong. 504 00:27:03,000 --> 00:27:05,000 People are very motivated. 505 00:27:05,000 --> 00:27:08,000 The audience is happy to go and do some fun shit. 506 00:27:08,000 --> 00:27:10,000 Particularly if we can do something against the man. 507 00:27:10,000 --> 00:27:13,000 And love doing that. 508 00:27:13,000 --> 00:27:23,000 And that individual audiences will, one day, maybe sooner than you think, be large enough to move needles all over the fucking dashboard of mainstream media. 509 00:27:23,000 --> 00:27:24,000 Hi, Adam. 510 00:27:24,000 --> 00:27:27,000 Perfect programmer here from San Francisco. 511 00:27:27,000 --> 00:27:31,000 I need to respond to Mr. Bugwin's comment in DSE 567. 512 00:27:31,000 --> 00:27:39,000 And what he said that the bummer the charts thing is he doesn't understand what's going on with it or something like that. 513 00:27:39,000 --> 00:27:47,000 Mind the sign of it seems to be that you are trying to show the record come is that they are no longer necessary to make an artist successful. 514 00:27:47,000 --> 00:27:54,000 In that they can now just upload the music part, save music network, and have podcasts to play it. 515 00:27:54,000 --> 00:27:58,000 And get away from the record monopoly on the industry. 516 00:27:58,000 --> 00:27:59,000 That's all tears. 517 00:27:59,000 --> 00:28:01,000 Broly think programmer. 518 00:28:01,000 --> 00:28:06,000 At your command it's the Broly think programmer program. 519 00:28:06,000 --> 00:28:08,000 Hey, Adam. 520 00:28:08,000 --> 00:28:10,000 It's Angie B. 521 00:28:10,000 --> 00:28:13,000 By the way, that's B.E.E. like a busy little B. 522 00:28:13,000 --> 00:28:17,000 I'm sorry that I haven't said any audio feedback in a really long time. 523 00:28:17,000 --> 00:28:20,000 I know where did our love go. 524 00:28:20,000 --> 00:28:25,000 But yeah, anyways, I had a story. 525 00:28:26,000 --> 00:28:30,000 Since to me, by one of my chill castlessness this week, that I thought you would like. 526 00:28:30,000 --> 00:28:35,000 All right, so he said he was on a photo shoot with a bunch of lovely female models. 527 00:28:35,000 --> 00:28:40,000 And he didn't have a stereo, so he was just playing episodes of the chill cast all morning. 528 00:28:40,000 --> 00:28:42,000 And he said that everyone's in like a dreamy mood. 529 00:28:42,000 --> 00:28:47,000 And around about episode 24, he said he was on a video conference. 530 00:28:47,000 --> 00:28:51,000 And the person said, hey, look behind you on the couch. 531 00:28:51,000 --> 00:28:54,000 And apparently two of the models were totally making out. 532 00:28:54,000 --> 00:28:57,000 So yeah, that's what chill cast is all about. 533 00:28:57,000 --> 00:28:58,000 And that's that's for. 534 00:28:58,000 --> 00:29:08,000 And yeah, unwind is more about taking a hot bath, popping in your earbuds, getting into your bed with the blank. 535 00:29:08,000 --> 00:29:16,000 It's pulled all the way up to your chin and just letting go and unwinding, falling asleep. 536 00:29:16,000 --> 00:29:18,000 Yes. 537 00:29:18,000 --> 00:29:23,000 And I thought that I would clue in as to why we ladies enjoy Tylenol Pam so much. 538 00:29:23,000 --> 00:29:30,000 As opposed to men, there's a certain pain that we get every single month that makes it hard to sleep. 539 00:29:30,000 --> 00:29:34,000 And you men don't have that, so it's really great for that. 540 00:29:34,000 --> 00:29:39,000 And especially now that they've got the vanilla liquid, what could be better? 541 00:29:39,000 --> 00:29:41,000 Drink a little vanilla liquid. 542 00:29:41,000 --> 00:29:43,000 Ah, there goes the pain. 543 00:29:43,000 --> 00:29:44,000 Sleepen through the night. 544 00:29:44,000 --> 00:29:48,000 So anyways, check out the show at unwind.potshow.com. 545 00:29:48,000 --> 00:29:49,000 See there. 546 00:29:49,000 --> 00:29:54,000 And you know how to make an old man smile. 547 00:29:54,000 --> 00:29:56,000 Yeah. 548 00:29:56,000 --> 00:29:58,000 You know, the chill cast does have that effect on me. 549 00:29:58,000 --> 00:30:01,000 I also want to immediately make out with models. 550 00:30:01,000 --> 00:30:03,000 Hey, I disagree with you, dear. 551 00:30:03,000 --> 00:30:06,000 Men have a certain pain every month as well. 552 00:30:06,000 --> 00:30:09,000 And Tylenol Pam may just be very well suited for it. 553 00:30:09,000 --> 00:30:12,000 It's called, the paying the fucking bills. 554 00:30:12,000 --> 00:30:19,000 Yeah, hi. 555 00:30:19,000 --> 00:30:20,000 My name is Adam Curry. 556 00:30:20,000 --> 00:30:23,000 I'm in the funny situation right now. 557 00:30:23,000 --> 00:30:27,000 I'm trying to open a parachute, which I bought in your store. 558 00:30:27,000 --> 00:30:30,000 And it doesn't seem like it wants to open. 559 00:30:30,000 --> 00:30:32,000 But I would like to do that here. 560 00:30:32,000 --> 00:30:36,000 Yeah, I'm kind of in a hurry here because I'm on my cell phone. 561 00:30:36,000 --> 00:30:39,000 I just add some trouble with my plane. 562 00:30:39,000 --> 00:30:42,000 And I jumped off. 563 00:30:42,000 --> 00:30:45,000 And now it seems like my parachute won't open. 564 00:30:45,000 --> 00:30:50,000 And I want the model quay start to, which I bought in your store. 565 00:30:50,000 --> 00:30:53,000 And I thought maybe you could help me with this. 566 00:30:53,000 --> 00:30:54,000 Okay. 567 00:30:54,000 --> 00:30:56,000 So can you explain one more time? 568 00:30:56,000 --> 00:30:57,000 What are you trying to do? 569 00:30:57,000 --> 00:30:58,000 Okay. 570 00:30:58,000 --> 00:31:01,000 I'm trying to pull that thing with my hand. 571 00:31:01,000 --> 00:31:05,000 You know, I'm trying to pull it so that the parachute will open. 572 00:31:05,000 --> 00:31:07,000 And it will expand. 573 00:31:07,000 --> 00:31:10,000 I think I didn't read the manual right. 574 00:31:10,000 --> 00:31:13,000 Or maybe I didn't read the manual at all. 575 00:31:13,000 --> 00:31:14,000 Yeah, that's a quay start. 576 00:31:14,000 --> 00:31:16,000 Yeah, that would be the quay start too. 577 00:31:16,000 --> 00:31:17,000 Okay. 578 00:31:17,000 --> 00:31:19,000 So what is that? 579 00:31:19,000 --> 00:31:20,000 What does it open? 580 00:31:20,000 --> 00:31:21,000 I don't know. 581 00:31:21,000 --> 00:31:24,000 It seems like like the handle is stuck. 582 00:31:24,000 --> 00:31:26,000 You know, I'm trying to pull right now. 583 00:31:26,000 --> 00:31:29,000 And I don't have a lot of time, you know? 584 00:31:29,000 --> 00:31:30,000 Okay. 585 00:31:30,000 --> 00:31:31,000 So what are you trying to do? 586 00:31:31,000 --> 00:31:33,000 Just for me to have an idea. 587 00:31:33,000 --> 00:31:36,000 Oh, DSC. 588 00:31:36,000 --> 00:31:41,000 5. 589 00:31:41,000 --> 00:31:43,000 6. 590 00:31:43,000 --> 00:31:44,000 7. 591 00:31:44,000 --> 00:31:46,000 Hello? 592 00:31:46,000 --> 00:31:49,000 Make that 8 if you don't mind. 593 00:31:49,000 --> 00:31:59,000 And stop the girvee. 594 00:31:59,000 --> 00:32:30,000 [ Music ] 595 00:32:30,000 --> 00:32:41,000 Hey, Adam, how's it going? 596 00:32:41,000 --> 00:32:44,000 It's Jersey Todd, the official musical just of the Cha Cha. 597 00:32:44,000 --> 00:32:46,000 Happy day after bum rushed the charts. 598 00:32:46,000 --> 00:32:49,000 You know, as I record this right now, all the stats aren't in. 599 00:32:49,000 --> 00:32:52,000 And I'm sure by the time that this edition of the Daily Source Code airs. 600 00:32:52,000 --> 00:32:55,000 There's going to be a lot of discussion about the final numbers. 601 00:32:55,000 --> 00:32:57,000 But I got to be honest, I don't care one bit. 602 00:32:57,000 --> 00:33:01,000 Because on March 22, 2007, we did something spectacular. 603 00:33:01,000 --> 00:33:04,000 You see, I've always heard that there wasn't a podcast community. 604 00:33:04,000 --> 00:33:12,000 I've always heard that people were too bogged down in their artificial barriers in their turf to make podcasting anything more than a fad. 605 00:33:12,000 --> 00:33:14,000 That cannot be said anymore. 606 00:33:14,000 --> 00:33:17,000 That is the true benefit of March 22, 2007. 607 00:33:17,000 --> 00:33:23,000 Because on that day, we celebrated the fact that on one day for one band, one song, 608 00:33:23,000 --> 00:33:27,000 we could come together as one giant podcast family. 609 00:33:27,000 --> 00:33:33,000 On March 22, 2007, we celebrated our musical Independence Day. 610 00:33:33,000 --> 00:33:36,000 But what now? What now? What do we do now? 611 00:33:36,000 --> 00:33:41,000 Well, let me propose this, that every day, be bum rushed the charts day. 612 00:33:41,000 --> 00:33:43,000 Because it's not just about one band. 613 00:33:43,000 --> 00:33:46,000 It's about the thousands and thousands of other bands that are out there. 614 00:33:46,000 --> 00:33:52,000 The bands that have been out there on the Ponsate Music Network from day one and the artists that's just about to load their track today. 615 00:33:52,000 --> 00:33:57,000 It's about each and every voice being heard, the podcast or the band, the fan. 616 00:33:57,000 --> 00:34:01,000 And not having a big media tell us what we need to listen to or who to purchase. 617 00:34:01,000 --> 00:34:06,000 I encourage every listener of the Delhi source code, each and every listener of the Delhi source code, 618 00:34:06,000 --> 00:34:11,000 to go out there today and just purchase music from any artist who's going to stand up there and say, 619 00:34:11,000 --> 00:34:13,000 Hey man, my music kicks ass too. 620 00:34:13,000 --> 00:34:17,000 And let me get you a band that check out as the revolution is re-invigorated. 621 00:34:17,000 --> 00:34:19,000 It's South Africa's one-day remains. 622 00:34:20,000 --> 00:34:23,000 They recently uploaded some tracks and I'm just digging them a lot. 623 00:34:23,000 --> 00:34:26,000 They're a little harder than what I normally give you on a football Friday. 624 00:34:26,000 --> 00:34:29,000 But man, oh man, it's good stuff. 625 00:34:29,000 --> 00:34:30,000 So check this out. 626 00:34:30,000 --> 00:34:33,000 It's give it all away by the band one day remains. 627 00:34:33,000 --> 00:34:35,000 Check you later everybody. 628 00:34:36,250 --> 00:37:22,000 [ Music ] 629 00:37:22,000 --> 00:37:27,000 Why don't you tell me 630 00:37:27,000 --> 00:37:29,000 One day remains 631 00:37:29,000 --> 00:37:33,000 The pod save music network, where the wonderful 632 00:37:33,000 --> 00:37:37,000 Lead in there from Jersey Todd, the official musicologist of the 633 00:37:37,000 --> 00:37:39,000 Chacha, absolutely dude right on 634 00:37:39,000 --> 00:37:41,000 Whatever you want to do with pod casting 635 00:37:41,000 --> 00:37:43,000 Just know that you now have the power 636 00:37:43,000 --> 00:37:45,000 You've got proof, you can show 637 00:37:45,000 --> 00:37:48,000 And disagree a little bit about the community aspect 638 00:37:48,000 --> 00:37:51,000 This to me was not a pod cast community 639 00:37:51,000 --> 00:37:56,000 Exercise, it was an exercise in audience 640 00:37:56,000 --> 00:38:00,000 Once again, has shown that they actually have something to say 641 00:38:00,000 --> 00:38:04,000 And do give a shit and do like some control and are willing to exercise 642 00:38:04,000 --> 00:38:06,000 If they feel it's for the right reason 643 00:38:06,000 --> 00:38:08,000 What's going on here today? 644 00:38:08,000 --> 00:38:09,000 It's Friday 645 00:38:09,000 --> 00:38:12,000 One day Tuesday, Wednesday, Thursday, Friday 646 00:38:12,000 --> 00:38:15,000 I have a smile on the phone 647 00:38:15,000 --> 00:38:16,000 Wow 648 00:38:16,000 --> 00:38:18,000 So much to talk about as the final thought 649 00:38:18,000 --> 00:38:20,000 There were he actually 650 00:38:20,000 --> 00:38:23,000 I thought maybe I'd talk about something that's coming up 651 00:38:23,000 --> 00:38:26,000 In the next couple of weeks and I want to thank some people in advance 652 00:38:26,000 --> 00:38:28,000 And for the hard work they've been doing 653 00:38:28,000 --> 00:38:30,000 And that really is 654 00:38:30,000 --> 00:38:33,000 The operations and engineering staff at Pod Show 655 00:38:33,000 --> 00:38:34,000 Just let me know 656 00:38:34,000 --> 00:38:36,000 I want to let you know that 657 00:38:36,000 --> 00:38:39,000 As we have grown exponentially 658 00:38:39,000 --> 00:38:41,000 And of course that's not just the US 659 00:38:41,000 --> 00:38:43,000 But we have services in the UK 660 00:38:43,000 --> 00:38:47,000 And hopefully we'll be going to Germany pretty soon 661 00:38:47,000 --> 00:38:50,000 There's a lot of decisions that have to be made about the big iron 662 00:38:50,000 --> 00:38:55,000 About how these sight of this type of scale 663 00:38:55,000 --> 00:38:57,000 Really works with this type of functionality 664 00:38:57,000 --> 00:39:00,000 And really preparing for the future 665 00:39:00,000 --> 00:39:01,000 It takes a shitload of work 666 00:39:01,000 --> 00:39:05,000 We are in fact going to move over to our own 667 00:39:05,000 --> 00:39:07,000 Colo location 668 00:39:07,000 --> 00:39:10,000 Which means we'll have I just called the Data Barn 669 00:39:10,000 --> 00:39:12,000 And the reason why is because I built one of these in the past 670 00:39:12,000 --> 00:39:14,000 In 2001, 2002 671 00:39:14,000 --> 00:39:16,000 It's a huge project 672 00:39:16,000 --> 00:39:18,000 It's very, very complicated 673 00:39:18,000 --> 00:39:21,000 If you're talking about a live application which would be Pod Show 674 00:39:21,000 --> 00:39:22,000 Plus 675 00:39:22,000 --> 00:39:24,000 And our media delivery 676 00:39:24,000 --> 00:39:27,000 And bandwidth and all this stuff all having to come together 677 00:39:27,000 --> 00:39:29,000 Within three months 678 00:39:29,000 --> 00:39:32,000 The Pod Show operations and engineering teams 679 00:39:32,000 --> 00:39:37,000 Have really gotten a Colo set up from scratch 680 00:39:37,000 --> 00:39:40,000 So that includes design architecture 681 00:39:40,000 --> 00:39:42,000 Technology selection 682 00:39:42,000 --> 00:39:45,000 Think of the stores and machines load balancers 683 00:39:45,000 --> 00:39:47,000 Network equipment 684 00:39:47,000 --> 00:39:50,000 Contract negotiations with vendors 685 00:39:50,000 --> 00:39:52,000 Equipment ordering installation 686 00:39:52,000 --> 00:39:54,000 Set-up configuration 687 00:39:54,000 --> 00:39:56,000 And somewhere around mid-April 688 00:39:56,000 --> 00:40:00,000 We're going to switch over from where we are currently 689 00:40:00,000 --> 00:40:04,000 Which was a typical third party outsourced solution 690 00:40:04,000 --> 00:40:06,000 Which I think is pretty much the way everyone starts 691 00:40:06,000 --> 00:40:09,000 But before the proverbial shit hits the fan 692 00:40:09,000 --> 00:40:11,000 We want to make sure that we're ready 693 00:40:11,000 --> 00:40:14,000 And before we really turn on some interesting marketing initiatives 694 00:40:15,000 --> 00:40:19,000 That should bring a lot more audience into the world of independent media 695 00:40:19,000 --> 00:40:22,000 And so 696 00:40:22,000 --> 00:40:24,000 There's going to be downtime obviously 697 00:40:24,000 --> 00:40:27,000 It's going to affect a lot more people than downtime 698 00:40:27,000 --> 00:40:29,000 Would have affected a year ago 699 00:40:29,000 --> 00:40:31,000 And I'm talking like huge when you think about it 700 00:40:31,000 --> 00:40:32,000 And you ask shit 701 00:40:32,000 --> 00:40:34,000 I won't be able to upload 702 00:40:34,000 --> 00:40:36,000 I won't be able to download 703 00:40:36,000 --> 00:40:38,000 Ads won't run 704 00:40:38,000 --> 00:40:41,000 Even people just messing around 705 00:40:41,000 --> 00:40:42,000 Really it bucks with you 706 00:40:42,000 --> 00:40:48,000 So we're going to try and put together a really nice package of programming for you to enjoy 707 00:40:48,000 --> 00:40:50,000 Keep you busy 708 00:40:50,000 --> 00:40:53,000 You know, in my space usually does like a little tick-tack-toe game 709 00:40:53,000 --> 00:40:55,000 Or Tetris game 710 00:40:55,000 --> 00:40:58,000 We're going to try and bring you some cool media 711 00:40:58,000 --> 00:41:00,000 Because it's going to be several hours 712 00:41:00,000 --> 00:41:01,000 I'm not going to bullshit you 713 00:41:01,000 --> 00:41:04,000 And we're also going to be talking about this more in the weeks to come 714 00:41:04,000 --> 00:41:07,000 As we ramp up and get ready for this day 715 00:41:07,000 --> 00:41:08,000 I'm trying 716 00:41:08,000 --> 00:41:10,000 And engineering and operations 717 00:41:10,000 --> 00:41:13,000 I promise me they'll try to make it happen on Friday the 13th 718 00:41:13,000 --> 00:41:15,000 Which is just fabulous 719 00:41:15,000 --> 00:41:17,000 Because if you can't cover it up 720 00:41:17,000 --> 00:41:18,000 You might as well turn it up 721 00:41:18,000 --> 00:41:21,000 That's one of the Podgeos slogans 722 00:41:21,000 --> 00:41:24,000 So I want to thank the engineers 723 00:41:24,000 --> 00:41:27,000 Both in engineering and in operations 724 00:41:27,000 --> 00:41:30,000 For helping podgeo grow 725 00:41:30,000 --> 00:41:32,000 And for putting in all these extra hours 726 00:41:32,000 --> 00:41:34,000 And for all the shit you're going to encounter 727 00:41:34,000 --> 00:41:37,000 Because of course, something's always full barred somewhere 728 00:41:37,000 --> 00:41:39,000 Along with that I'll say that 729 00:41:39,000 --> 00:41:43,000 I fully intend to talk to a couple of the engineers and 730 00:41:43,000 --> 00:41:45,000 And ops folks about how things are going 731 00:41:45,000 --> 00:41:48,000 And we'll put it on 732 00:41:48,000 --> 00:41:50,000 Slip off my chair, I'm sorry 733 00:41:50,000 --> 00:41:53,000 And we'll put it on the source code 734 00:41:53,000 --> 00:41:55,000 And we'll kind of enjoy this journey together 735 00:41:55,000 --> 00:41:57,000 And we'll try to make it not too thin foil hat-tick 736 00:41:57,000 --> 00:41:59,000 If you know what I'm saying 737 00:41:59,000 --> 00:42:01,000 So to those men and women, I salute you 738 00:42:01,000 --> 00:42:04,000 And really, to all the doers of the world 739 00:42:04,000 --> 00:42:05,000 I love it when you get off your ass 740 00:42:05,000 --> 00:42:06,000 And you do something 741 00:42:06,000 --> 00:42:08,000 Even if you just move in your mouth 742 00:42:08,000 --> 00:42:10,000 I'm really going to buy a link for an iTunes song 743 00:42:10,000 --> 00:42:12,000 Have yourselves a great weekend everybody 744 00:42:12,000 --> 00:42:13,000 Bye-bye 745 00:42:19,000 --> 00:42:22,000 Oh yeah, I'll be smoking one for you too 746 00:42:22,000 --> 00:42:24,000 Another Podgeo Podgeos 747 00:42:24,000 --> 00:42:26,000 Stick it in your ear 748 00:42:32,000 --> 00:42:34,000 The best in the brightest 749 00:42:34,000 --> 00:42:37,000 Served up daily by the sharpest minds in content 750 00:42:37,000 --> 00:42:39,000 Delivering Podgeo and limelight