1 00:00:00,000 --> 00:00:07,000 With $60 million worth of airplane strapped my ass. 2 00:00:07,000 --> 00:00:10,000 For the next generation radio content in my ears. 3 00:00:10,000 --> 00:00:12,000 We don't mean us. 4 00:00:12,000 --> 00:00:13,000 We can get rid of you. 5 00:00:13,000 --> 00:00:16,000 I like to think I'm trying to make sure. 6 00:00:16,000 --> 00:00:17,000 Autistic. 7 00:00:17,000 --> 00:00:19,000 It's Adam Curry. 8 00:00:19,000 --> 00:00:21,000 Dr. Doctor, do you think he's in a make it? 9 00:00:21,000 --> 00:00:24,000 I don't know what to mean, but there's a few things we can try. 10 00:00:24,000 --> 00:00:27,000 First, James Earbuds and his ears real tight. 11 00:00:28,000 --> 00:00:31,000 Now, crank up the DSC 570. 12 00:00:31,000 --> 00:00:34,000 All right, I can do find this picture in the current time. 13 00:00:34,000 --> 00:00:41,000 I'll just open the basket and see if he'll come around. 14 00:00:43,000 --> 00:00:45,000 That guy's coming right in, look. 15 00:00:45,000 --> 00:00:46,000 That's good. 16 00:00:46,000 --> 00:00:48,000 That's good. Keep it up. 17 00:00:48,000 --> 00:00:50,000 Keep cranking the DSC 570. 18 00:00:50,000 --> 00:00:53,000 Of course, he'll picture the current time I always have. 19 00:00:54,000 --> 00:00:56,000 I will look for my eyes. 20 00:00:56,000 --> 00:00:58,000 The wind's coming with my help. 21 00:00:58,000 --> 00:01:00,000 You might have come up from the war. 22 00:01:02,000 --> 00:01:05,000 He will have supper that I put to be moved. 23 00:01:05,000 --> 00:01:07,000 He that keep it be will not slumber. 24 00:01:07,000 --> 00:01:10,000 Behold, he that keep it is real. 25 00:01:10,000 --> 00:01:12,000 He'll tell me they're slumber. 26 00:01:12,000 --> 00:01:14,000 The Lord is that keeper. 27 00:01:14,000 --> 00:01:17,000 The Lord is that I shade upon their right hand. 28 00:01:17,000 --> 00:01:20,000 The sun shall not smite by day. 29 00:01:20,000 --> 00:01:22,000 We're the moon by night. 30 00:01:22,000 --> 00:01:24,000 The Lord shall preserve thee from all evil. 31 00:01:24,000 --> 00:01:26,000 We shall preserve thy soul. 32 00:01:26,000 --> 00:01:28,000 The Lord shall preserve that going out. 33 00:01:28,000 --> 00:01:30,000 And I coming in from this time for it. 34 00:01:30,000 --> 00:01:32,000 And even for it ever more. 35 00:01:33,750 --> 00:03:55,000 [ Music ] 36 00:03:55,000 --> 00:03:59,000 The Lord shall preserve that going out. 37 00:03:59,000 --> 00:04:03,000 The Lord shall preserve that going out. 38 00:04:03,000 --> 00:04:05,000 The Lord shall preserve that going out. 39 00:04:05,000 --> 00:04:07,000 The Lord shall preserve that going out. 40 00:04:07,000 --> 00:04:09,000 The Lord shall preserve that going out. 41 00:04:09,000 --> 00:04:11,000 The Lord shall preserve that going out. 42 00:04:11,000 --> 00:04:13,000 The Lord shall preserve that going out. 43 00:04:13,000 --> 00:04:57,000 [ Music ] 44 00:04:57,000 --> 00:04:59,000 The Lord shall preserve that going out. 45 00:04:59,000 --> 00:05:09,000 I've got to say kind of to me by surprises as well. 46 00:05:09,000 --> 00:05:13,000 Here in the whole thing for the third time, I'm liking it. 47 00:05:13,000 --> 00:05:17,000 It is, of course, the Shakes from the pod and set music network. 48 00:05:17,000 --> 00:05:18,000 I want a better life. 49 00:05:18,000 --> 00:05:19,000 This is the Dr. Remix. 50 00:05:19,000 --> 00:05:23,000 I put up two remixes yesterday. 51 00:05:23,000 --> 00:05:27,000 And something about it just like, yeah. 52 00:05:27,000 --> 00:05:32,600 like yeah. Awesome. Can wait to hear this one in the 53 00:05:32,600 --> 00:05:36,200 clubs, fellas. Everybody how you doing is daily source code 54 00:05:36,200 --> 00:05:40,200 episode five hundred and seventy five seven zero coming to you 55 00:05:40,200 --> 00:05:43,640 from the affluent suburb of Surinone is gulford the west side of 56 00:05:43,640 --> 00:05:46,280 G-town is represented for you. It's the curry manner up in the 57 00:05:46,280 --> 00:05:51,000 air and Adams attic more a more iteration for you perhaps it 58 00:05:51,000 --> 00:05:55,240 is a beautiful day outside. I'm so hoping that the weather keeps 59 00:05:55,240 --> 00:05:58,840 up for tomorrow because there's a sixty percent chance that my 60 00:05:58,840 --> 00:06:02,440 aircraft will be returned which means you probably won't have a 61 00:06:02,440 --> 00:06:05,560 daily source code tomorrow morning because I'll be in transit. If you 62 00:06:05,560 --> 00:06:09,320 don't have a daily source code by Thursday then you'll know that 63 00:06:09,320 --> 00:06:13,160 something didn't go well with the English channel navigation 64 00:06:13,160 --> 00:06:18,520 solo flying you know what I'm saying. Lots of thoughts today 65 00:06:18,520 --> 00:06:21,560 about bum rush the charts lots of bum rush thoughts that 66 00:06:21,560 --> 00:06:24,360 listeners in the UK please do not be alarmed I know that you think of 67 00:06:24,360 --> 00:06:27,560 something different when I talk about bum rush. 68 00:06:27,560 --> 00:06:32,440 Speaking of bum rushing hold on a second let me open up the other microphone. 69 00:06:32,440 --> 00:06:36,600 I think something must have gone wrong with uh with my email and Amy Mac last 70 00:06:36,600 --> 00:06:41,240 week because well I've quite frankly I didn't get to ask her size. 71 00:06:41,240 --> 00:06:44,760 Make it to the other mic. 72 00:06:44,760 --> 00:06:47,640 Hello. All right there we go. 73 00:06:47,640 --> 00:06:50,040 Amy, thank you so much. 74 00:06:50,040 --> 00:06:53,160 Adam, hey, Amy Matt. Hey, Matt. 75 00:06:53,240 --> 00:06:55,800 How you doing today? We're doing tiptoe squat. 76 00:06:55,800 --> 00:07:00,280 Tiptoe squats okay. I'm sure there's a more masculine name for him but I like this one. 77 00:07:00,280 --> 00:07:03,640 Yeah there's no masculine name for him. You're going to start standing tall with 78 00:07:03,640 --> 00:07:08,520 feet facing out in a diagonal away from you and hands on hips okay away from 79 00:07:08,520 --> 00:07:13,160 that. Nowadays up under your tiptoe's and then squat down as far as you can 80 00:07:13,160 --> 00:07:15,720 keeping those heels off the ground. Taking them like with me. 81 00:07:15,720 --> 00:07:19,240 You want your head shoulders and hips to all be in a straight line. 82 00:07:19,400 --> 00:07:23,400 So no sticking that booty back. It's hurting into the right hands. 83 00:07:23,400 --> 00:07:26,200 Squeeze the butt as you come up. Coming. 84 00:07:26,200 --> 00:07:28,680 Come on. Good. Now you have nine more to do. 85 00:07:28,680 --> 00:07:33,720 All right all my tips. This is really good for your core as well because you have to keep your 86 00:07:33,720 --> 00:07:39,080 balance on this one. Yeah you do. It's going to nasty or don't hold your breath. 87 00:07:39,080 --> 00:07:43,000 You always remind me to breathe and I'm so happy you do. Stay up on those tiptoe. 88 00:07:43,080 --> 00:07:50,440 Yes yes yes. Oh that squeeze the butt nabs. It's kind of weird. Good job. 89 00:07:50,440 --> 00:07:53,640 Makes me want to have a great weekend and until next time. 90 00:07:56,440 --> 00:08:00,040 I think I I was a little premature with the exercise. 91 00:08:00,040 --> 00:08:05,800 Pre-missue or a ascertainization. Yeah have a great weekend as well. It's only Tuesday where I'm 92 00:08:05,800 --> 00:08:10,120 living. I'm sorry. I'll let me close the other mic there. That's the lady Patricia's mic. 93 00:08:10,760 --> 00:08:15,320 Ugh. That's really weird. You should try that one. This of course is in the continuing quest to 94 00:08:16,280 --> 00:08:21,960 tone up my ass because I sit on it most of the time. Now that I have the sit down studio instead 95 00:08:21,960 --> 00:08:24,840 of the stand-up studio. The whole office is sit down for Cry 6. 96 00:08:27,400 --> 00:08:32,520 Let me just catch my breath. I should try that tiptoe thing. 97 00:08:33,560 --> 00:08:37,400 Because when you go all the way down to the ground it feels like you're squatting like you want to do 98 00:08:37,400 --> 00:08:47,000 something nasty. Let's see what my condition is so shit. Let's see what's coming on the 99 00:08:47,000 --> 00:08:53,000 voicemail comments. Of course, no milk cast complete without a comment from Eric Burgund's mom. 100 00:08:53,880 --> 00:09:00,520 Hey Adam. Alice in the ear. Hey. By the way. No hummer. Rapcast.com. 101 00:09:00,680 --> 00:09:07,640 So I had to call in and say something after listening to my son's speak and after talking 102 00:09:07,640 --> 00:09:12,200 to him in great lengths last week. That would be Eric Burgund calling it about bummering the 103 00:09:12,200 --> 00:09:17,480 charts. Hold on a second. Now did I already play this for you? I don't know. If I already 104 00:09:17,480 --> 00:09:22,440 played it just fast forward. And I got to say something that the two of you left out that I think 105 00:09:22,440 --> 00:09:29,880 is really important, which is how you feel and how empowering it is once you do something like this, 106 00:09:29,960 --> 00:09:35,480 that it's not about getting a song to number one. It's about being heard. It's not about 107 00:09:35,480 --> 00:09:39,080 well, do we just pick a song? We didn't really care about the song itself. We just wanted to show 108 00:09:39,080 --> 00:09:44,120 we can do it. Like you said Adam, yeah, that is what it's about. But even more importantly about 109 00:09:44,120 --> 00:09:49,880 that, it's like having that experience that you can do it because what happens next is exactly 110 00:09:49,880 --> 00:09:55,000 that. What do you want to have next? Once you realize that you have the power to change something 111 00:09:55,000 --> 00:10:01,560 like that, it's freeing. You just know, okay, what am I going to do next? How do I get heard more? 112 00:10:03,560 --> 00:10:07,640 It's no surprise to me. In the times today, there's an article written by Jeff Leeds called 113 00:10:07,640 --> 00:10:13,640 the album, a commodity in disfavor with the tagline underneath, with CD sales falling, 114 00:10:13,640 --> 00:10:18,600 label-seek new deals with Apple. Here's a quote from the article, 115 00:10:18,600 --> 00:10:23,880 executives maintain that they must establish more lasting connections with fans who may 116 00:10:23,880 --> 00:10:28,680 well lose interest if forced to wait two years or more for their favorite artist, 117 00:10:28,680 --> 00:10:36,440 releasing new music. Well, there you go. I mean, that is what podcasting and everything has 118 00:10:36,440 --> 00:10:42,120 over everything. It's why I started craftcast. I realized that loved all the crafting networks, 119 00:10:42,120 --> 00:10:47,160 but when they went into repeats, there was no new information you had to wait months. 120 00:10:47,240 --> 00:10:55,800 And here is a format where you can put out information every day. I know from the subscribers 121 00:10:55,800 --> 00:11:00,920 and people who write in who listen to me and how my fanbase is grown, that people want to be 122 00:11:00,920 --> 00:11:08,120 able to have that kind of content that there's a need for it. It's very exciting. It's really 123 00:11:08,120 --> 00:11:13,560 the bottom line. I can barely wait to hear what the next bum rush the chart type of that is, 124 00:11:13,560 --> 00:11:19,880 because it's just it's being on the frontier edge here. It's just all unfolding and it's really 125 00:11:19,880 --> 00:11:28,760 exciting. So big thank you to you Adam. Love your show and love all the discussions and look 126 00:11:28,760 --> 00:11:34,840 forward to what's happening next. Naked pictures. That's what's happening. As you say unfolding around 127 00:11:34,840 --> 00:11:40,680 unscrewing before I very eyes, I didn't quite catch it. Yeah, bum rush the charts has it has a 128 00:11:40,680 --> 00:11:44,920 different meaning for every person involved. And that's what's nice about it because it didn't 129 00:11:44,920 --> 00:11:52,280 have really one central drive behind it. But it is of course an audience exercise. And I've thought 130 00:11:52,280 --> 00:11:56,600 about this. Remember yesterday, I just thought started popping into my head. This is exactly what 131 00:11:56,600 --> 00:12:02,600 happens to hip hoppers. Whenever they receive an award, they always thank God for putting those 132 00:12:02,600 --> 00:12:07,160 lyrics into their heads. It's exactly what happened to me yesterday. And I want to share those thoughts 133 00:12:08,040 --> 00:12:13,400 with you. But first to continue in the bum rush thoughts with some other typical griping, 134 00:12:13,400 --> 00:12:17,560 it's our friend. You know, we need a jingle for this guy. It's the New York Londoner. It's the 135 00:12:17,560 --> 00:12:24,280 nylon. Hey, Adam. It's the nylon. The New Yorker in London. I can just hear Jeff Smith's brain 136 00:12:24,280 --> 00:12:28,440 crunching what he can do with the nylon. I know you're in a little budget there. You can't 137 00:12:28,440 --> 00:12:34,680 employ a sack check, checker. So, oh, yeah. Oh, nylon. Why do you start off like this? Yeah. 138 00:12:35,000 --> 00:12:39,480 I know you want a little budget dude. You can play a trick tricker. No, that's what I have 139 00:12:39,480 --> 00:12:45,000 you for. You're my fact checking bitch. Corrections and then a final word on bum rush to talk. 140 00:12:45,000 --> 00:12:50,520 All right. First, the reason why you probably don't know about the E.C. 50th is that 141 00:12:51,080 --> 00:12:56,040 it's actually the European economic community that's somewhere in the 50th birthday. And that 142 00:12:56,040 --> 00:13:01,560 consists of Belgium, France, Italy, Luxembourg, the Netherlands, and West Germany. It wasn't 143 00:13:01,560 --> 00:13:08,200 sort of master treaty in 92 that what we now know is the European community came into force. So, 144 00:13:08,200 --> 00:13:12,840 it's only about seven countries that actually were part of that gum celebration. I'm signing back 145 00:13:12,840 --> 00:13:19,080 in 1957, I guess. Second. Okay, before we go to second. All right. Well, thank you very much for 146 00:13:19,080 --> 00:13:24,120 the correction. That does explain a lot if the U.K. was not in that region, in that treaty from 147 00:13:24,120 --> 00:13:30,680 1957. Then this is what I mean. It's so confusing. We've got the European economic community. We've 148 00:13:30,760 --> 00:13:39,000 got the European Union. It's complicated. Why can't it? Why can't it just be easier to understand? 149 00:13:39,880 --> 00:13:45,720 And yeah, you're right. I don't have fact checkers for that. If I had to fact check everything, 150 00:13:45,720 --> 00:13:52,760 I'd be like fucking mainstream media dude. Of course, I do expect comics to be blogger to check in. 151 00:13:52,760 --> 00:13:57,880 He is the official EU correspondent. Is you mentioned the powerhouse of A.D.M. 152 00:13:57,880 --> 00:14:03,720 Ambro and the Dutch and such. Let me maybe be behind your F.C. But if I'm likely in 90 days, 153 00:14:03,720 --> 00:14:09,240 that A.D.M. will be a Dutch bank to allow the British or American bank. Well, obviously, 154 00:14:09,240 --> 00:14:14,120 I understand that. I could read newspapers too, Nylon. I know that A.B. and Ambro was for sale 155 00:14:14,120 --> 00:14:18,680 due to underperformance. In fact, I think I even alluded to that in what I said. I was very careful 156 00:14:18,680 --> 00:14:23,240 to say it still is a Dutch bank. It's not even a fully owned Dutch bank, of course. 157 00:14:24,120 --> 00:14:29,880 It's part to talk now because you've got me in this whole fact checking thing. 158 00:14:29,880 --> 00:14:35,800 Yeah, I do read the newspaper. And by the way, that's a big part of the discussion going on 159 00:14:35,800 --> 00:14:41,000 in the Netherlands right now is, you know, Unilever has already been partially sold off. 160 00:14:42,600 --> 00:14:46,760 In fact, what does the Netherlands still produce after A.B. and Ambro has gone? What's their main 161 00:14:46,760 --> 00:14:53,080 industry besides tourism for tulips and fucking bicycles? Nothing. All the great industry 162 00:14:53,160 --> 00:14:57,160 has been sold off or moved on or consolidated and sold off. 163 00:15:00,360 --> 00:15:03,560 So anyway, thank you for pointing that out. There's made a bit as you know, and probably 164 00:15:03,560 --> 00:15:09,320 city bank will come in. So mine is a collection there. And by the way, Nylon, I'd like to know a little 165 00:15:09,320 --> 00:15:13,560 bit more about what you do exactly. You're in the financial sector. Are you a trader? 166 00:15:15,400 --> 00:15:19,960 You know, a manager or maybe IT manager, banking, of course, is largely an IT business. 167 00:15:20,920 --> 00:15:25,400 Tell me a little bit about you if you don't mind. You're so credible, you know. 168 00:15:26,040 --> 00:15:31,400 On second bank, F.C. again, actually, was that Twitter made the front page of the F.C. at least 169 00:15:31,400 --> 00:15:37,640 here in the UK? Yeah, that's uh, I think I said that as well. That's the reason why I brought it 170 00:15:37,640 --> 00:15:43,640 up is because in on the front page, there was a whole article about Twitter. I think at 171 00:15:43,640 --> 00:15:48,040 line, I'll see what you're saying. So be interesting to see how this new little phenomenon has hit 172 00:15:48,040 --> 00:15:52,760 the front page of the Wall Street Journal without even a bummerous, the on-challenge sort of 173 00:15:52,760 --> 00:15:58,520 promotion. Oh, please. Has nothing to do with bum rush the charts? It's completely something 174 00:15:58,520 --> 00:16:02,520 completely different. Podcasting was on the front page of the, it's continues to be on the front 175 00:16:02,520 --> 00:16:09,400 page of the F.T. Twitter is a phenomenon. And again, I'll say that there's really only two parts 176 00:16:09,480 --> 00:16:13,720 who would want. I believe that the United States is now finally discovering the simplicity 177 00:16:14,440 --> 00:16:20,280 and reliability. I'll just say quote reliability of SMS text messaging. And they're loving it 178 00:16:20,280 --> 00:16:27,960 because it's a very personal communications channel. And of course, the the cool thing about it is 179 00:16:27,960 --> 00:16:32,680 that it's opt-in. So it's a published and subscribe mechanism. I think we'll see several of these, 180 00:16:32,680 --> 00:16:37,560 but this is a very, very obvious one. And I think Twitter is really catching on more in the states 181 00:16:38,440 --> 00:16:43,480 because the whole idea of text messaging is now dawning upon. I think a very important group of 182 00:16:43,480 --> 00:16:48,840 influencers and early adopters. So curious thing to watch. And finally, I'll say the topic, 183 00:16:48,840 --> 00:16:54,840 bum rush. Yeah. This is the short version of it. Is that it sounds like a promotion or was 184 00:16:54,840 --> 00:17:02,040 a podcast is for a podcast of the benefit barcasters. If there is a bummer chart version 2.0, 185 00:17:02,840 --> 00:17:07,560 make it customer centric. Make it where me, someone in the outside, not like you, someone in the 186 00:17:07,560 --> 00:17:14,680 inside, look at it and say, okay, as a customer, I see what this is doing for me. You need to expand 187 00:17:14,680 --> 00:17:19,800 the audience, not preach to the converted. So my constructive comment is version 2.0, 188 00:17:19,800 --> 00:17:25,480 bum rush discharge. You've got expand in your audience, not preaching to the converted patting everyone 189 00:17:25,480 --> 00:17:31,160 on their back. You need to get that 1% who download a 100 million iPods out there to 5%. 190 00:17:31,800 --> 00:17:36,920 Then I think you've moved the needle. It's about customers. So not to criticize it, but 191 00:17:36,920 --> 00:17:42,040 constructive comment. And last thing. All right. So first of all, I don't take that as criticism. 192 00:17:42,040 --> 00:17:47,800 I think you're you're right in in many regards. I'll let you finish. I see you've got like nine 193 00:17:47,800 --> 00:17:52,280 seconds left. So whatever you have to say is gone. Oh, why do my ass? Since you always like my ass 194 00:17:52,280 --> 00:17:56,520 on the radio show after I'm done. Why if you're asking me to talk about scrunching and holding. 195 00:17:56,520 --> 00:18:01,000 Cheers. Do keep calling. Okay. Whatever you do, don't 196 00:18:01,000 --> 00:18:05,320 stop and don't turn nice on me. But that last comment you made makes a lot of sense to me. I did 197 00:18:05,320 --> 00:18:11,160 some thinking yesterday. I do my best thinking in three places. One is in the bathroom. 198 00:18:12,040 --> 00:18:19,240 Dirling my morning break, which consists of the financial times. I take no technology with me 199 00:18:19,240 --> 00:18:24,600 into the into the smallest room in the house. And by the way, we have a special room just for me, 200 00:18:24,600 --> 00:18:29,000 which is off to the back of the pantry. So it's a and it's nicely heated and I've got my 201 00:18:29,080 --> 00:18:33,960 ash tray in there. Because of course, you know, I have to have my morning tea and perhaps 202 00:18:33,960 --> 00:18:40,200 something else to get my brain going. And, you know, I'll just sit there and I take a long time, 203 00:18:40,200 --> 00:18:45,640 and like half an hour type of guy. I love it and I'll read the two sections of the paper that 204 00:18:45,640 --> 00:18:49,800 I enjoy reading the most and I take the rest upstairs. So that's one place where I do a lot of 205 00:18:49,800 --> 00:18:56,520 great thinking. I'm always inspired. I love the newspaper. I really do. In the shower is another 206 00:18:56,520 --> 00:19:02,600 place where I just can completely zone out as if hypnotize, as if back in the womb. And the third 207 00:19:02,600 --> 00:19:08,920 place is actually when I go to bed. When I close my eyes, I'll usually cement a problem in there. 208 00:19:08,920 --> 00:19:13,080 I don't know if it's healthier not to do this, but I'll cement a problem into my mind or 209 00:19:13,800 --> 00:19:18,280 something that I want to work out. And then often in the morning, the brain is done the work. 210 00:19:18,280 --> 00:19:21,880 During the night and it all becomes very, very clear. Maybe the brain has already done the work. 211 00:19:21,880 --> 00:19:27,160 It just has to sort it all out and put it into perspective so that my consciousness can 212 00:19:27,160 --> 00:19:33,320 take note of it and act on it. So bummer us the charts version 2.0. I think should 213 00:19:33,320 --> 00:19:38,520 become something completely different. What? In hindsight, looking at this, we used iTunes as 214 00:19:38,520 --> 00:19:45,960 a validation mechanism, and really very difficult to validate against mainstream media. Obviously, 215 00:19:45,960 --> 00:19:52,280 we want customers to, and when you call customers, what I call audience, to feel that they have 216 00:19:52,280 --> 00:19:57,960 this power, to see how to use it, which works through posting things on web logs and calling in, 217 00:19:57,960 --> 00:20:03,080 writing into your favorite podcast and using your my space to propagate the message, just really 218 00:20:03,080 --> 00:20:07,560 the concept of the unlabel. What we have not had, and we have a lot of really good things, 219 00:20:07,560 --> 00:20:13,320 though the massively important piece that we have is the pod save music network that allows access 220 00:20:13,320 --> 00:20:20,680 to the free and clear MP3 tracks for producers of shows to use and the reporting mechanism, 221 00:20:20,680 --> 00:20:26,760 the reporting back because that gives us a social media network. You find a song, you like, 222 00:20:26,760 --> 00:20:30,520 you see what other shows who played the song, you're likely to find another song that you will 223 00:20:30,520 --> 00:20:37,240 also like that that same show played. Also, we can compile charts. The sea dog is one of the 224 00:20:37,240 --> 00:20:44,200 many people who do a pod save music countdown. So this is all extremely important in like a parallel 225 00:20:44,200 --> 00:20:51,560 music industry universe. So what we're missing really is the accepted and approved. It's the 226 00:20:51,560 --> 00:20:56,200 same thing, no matter what new media always comes down to a certain point, you have to be able to 227 00:20:57,000 --> 00:21:02,840 compare it to traditional media. It's unfortunate, we'll get to other types of metrics, but we do 228 00:21:02,840 --> 00:21:11,320 need to have this and the iTunes charts are obviously used a lot as as a means of justification 229 00:21:11,320 --> 00:21:16,280 or proof. Regardless, we don't even know how the iTunes charts are put together. So here's the idea 230 00:21:16,280 --> 00:21:20,360 because we've been talking to app as we being pod show. This is what I'd like to do. I don't know 231 00:21:20,360 --> 00:21:26,120 what else is going to do with bum rushed the charts. I don't own it. We've been talking for 232 00:21:26,440 --> 00:21:32,760 man over a year now, at least, about what we can do with iTunes music store and the pod save 233 00:21:32,760 --> 00:21:41,240 music network. And I think I've finally got it. What we need to do is to enable, let me step back one 234 00:21:41,240 --> 00:21:46,600 second. It's very hard for an individual artist to get their track onto the iTunes music store, 235 00:21:46,600 --> 00:21:52,440 because it's really it's a huge backlog. There's, you know, the iTunes music store team isn't, 236 00:21:52,440 --> 00:21:59,880 you know, isn't huge. And what they much rather prefers taking a weekly upload from aggregators 237 00:21:59,880 --> 00:22:04,120 and these aggregators are, of course, record companies and a few other and independent labels. 238 00:22:04,120 --> 00:22:09,160 There are a couple of these aggregators. So the concept for me would be to become an aggregator. 239 00:22:09,160 --> 00:22:15,720 You get your song onto the iTunes music store by uploading your track, basically, with all the 240 00:22:15,720 --> 00:22:19,480 appropriate information to the pod save music network. So a lot of you have already done that. 241 00:22:19,480 --> 00:22:24,360 So all you have to do then is just tick a box, which says, yes, make this eligible for purchase 242 00:22:24,360 --> 00:22:34,200 through the iTunes music store. Now, here comes the tricky part. What I'd, so the concept here is 243 00:22:36,200 --> 00:22:42,440 that we use the purchase of these songs as, as the metric that they're traditionally used for, 244 00:22:42,520 --> 00:22:49,000 in other words, we link, if you want to buy a track, and this is, it's very, very tricky, 245 00:22:49,000 --> 00:22:54,120 because we already have a purchase function on pod save music network. If you want to buy a track, 246 00:22:54,760 --> 00:22:58,440 and you want to have your vote counted through this, quote, official thing, which will be through 247 00:22:58,440 --> 00:23:02,680 the, you know, the official metric that Apple uses for all of their purchase data, 248 00:23:04,360 --> 00:23:08,440 then you'll be shuddled over to the pod save music to the, to the iTunes music store, your iTunes 249 00:23:08,440 --> 00:23:13,640 pop open, you'll buy the track. I'm still happy to pass on all the money. I don't need to take 250 00:23:13,640 --> 00:23:18,120 any money from the artist. The iTunes is already taking money, just like the credit card companies 251 00:23:18,120 --> 00:23:23,160 take money if you buy it through the PMN. And then we should also enable you to automatically 252 00:23:23,160 --> 00:23:29,080 download the, the MP3 version. Maybe it's an email with a link to it or something like that. You know, 253 00:23:29,080 --> 00:23:33,720 if you buy it, then, you know, the whole concept is that you should be able to have that MP3 254 00:23:33,720 --> 00:23:38,200 free and clear of DRM. So we kind of sort that issue out. Then what we have, literally, 255 00:23:38,840 --> 00:23:43,320 is a bum rush the charts chart, which is open for anybody. So, 256 00:23:44,280 --> 00:23:49,320 even if you don't have a podcast, if you just want to, if you're just turning people onto this piece 257 00:23:49,320 --> 00:23:55,000 of music, this track or this artist, you can use a link, send them over there, depending on how many 258 00:23:55,000 --> 00:23:58,920 people download, whatever the magic sauce of the calculation is. It'll rise in the charts when 259 00:23:58,920 --> 00:24:02,600 it rises in the charts. That's when people get excited. You try to make it go higher in the chart, 260 00:24:02,600 --> 00:24:07,800 and then there's really another tier. You know, you could break into the overall iTunes top 100 chart. 261 00:24:07,800 --> 00:24:13,560 You understand what I'm saying? So this chart would only be of songs purchased through iTunes 262 00:24:14,120 --> 00:24:19,880 that are affiliated with the pod safe music network. I hope I'm explaining this properly because 263 00:24:19,880 --> 00:24:25,160 it's starting to gel in, in my head. And we're going to have a meeting this week and see if we 264 00:24:25,160 --> 00:24:29,560 can get this going because it makes a lot of sense. It will be, it's almost like an independent chart. 265 00:24:29,960 --> 00:24:34,360 I just had to shut up for a second there as the satellite listeners dropped off. 266 00:24:35,960 --> 00:24:44,680 Hmm. So this chart would be only to be manipulated or changed by people purchasing tracks. 267 00:24:45,320 --> 00:24:50,600 So essentially, you can start your own bum brush because it'll move the needle on our own chart 268 00:24:51,240 --> 00:24:54,840 and from our own chart, of course, there's many other places it can go. 269 00:24:55,720 --> 00:24:58,920 Does it place us as a second tier? No, I see it as a parallel. 270 00:24:59,560 --> 00:25:05,880 But we're coming in as an whole industry as a label that has as an unlabel that has no interest 271 00:25:05,880 --> 00:25:13,480 in the in the sales of the music. But does have an interest in making all this content available 272 00:25:13,480 --> 00:25:19,880 and being able to produce, you know, a real network effect based upon a reward system, which is, 273 00:25:19,880 --> 00:25:26,520 hey, look at that. It moved up. So of course, the sales are going to be much lower than, you know, 274 00:25:26,600 --> 00:25:30,520 the mainstream efforts just because, well, we're learning how to use our network. 275 00:25:31,160 --> 00:25:34,520 So that's why we have to have a separate chart. Something like that. 276 00:25:35,160 --> 00:25:40,840 Hey, you know what I haven't done in a while? I haven't, uh, I haven't done a proper go daddy commercial 277 00:25:40,840 --> 00:25:47,240 but, oh, let me, uh, you like this track? I found on the pod saying music network. 278 00:25:49,400 --> 00:25:50,440 Let me just open this up. 279 00:25:51,000 --> 00:25:57,480 I think it's Dan from Creepy Sleepy who, uh, who gave me this, uh, 280 00:25:59,320 --> 00:26:04,040 just this regular read. He really thought about it too. So I'll provide the music and he'll provide, uh, 281 00:26:05,080 --> 00:26:07,080 oh, it's like lyrics and music. 282 00:26:20,440 --> 00:26:50,440 It's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it's like, it 283 00:26:50,440 --> 00:26:54,600 is like, it's like, yeah, that's right. 284 00:26:54,600 --> 00:27:02,220 But that's right, and if you use, uh, uh, I wish I knew the creepy sleeping code. 285 00:27:02,220 --> 00:27:06,460 Well, my code is dsc3go onto creepy sleeping.com. 286 00:27:06,460 --> 00:27:07,640 Find out what this code is and use that. 287 00:27:07,640 --> 00:27:09,660 And he'll get a little bonus. 288 00:27:09,660 --> 00:27:10,960 And you'll get a bonus discount. 289 00:27:10,960 --> 00:27:13,420 That's fun the way that works. 290 00:27:13,420 --> 00:27:16,520 So those of you wondering what's going on with the free Trinity project, I'll 291 00:27:16,520 --> 00:27:19,620 tell you our um, We can New York and in London. 292 00:27:19,620 --> 00:27:27,080 Interestingly enough resulted in some very serious interest to a sponsor the project so I'm kind of in limbo because if we get sponsoring in 293 00:27:27,080 --> 00:27:29,080 And it's a whole different approach I'd like to take 294 00:27:30,000 --> 00:27:36,000 Both with sending some finances on to save the world, but more importantly, we could really do something with the production 295 00:27:36,000 --> 00:27:38,000 I've kept everybody in limbo 296 00:27:38,000 --> 00:27:40,640 Kind of like in irons, if you will, I'm sorry about that 297 00:27:41,360 --> 00:27:46,460 Particular apologies go to Barbara the polo Alto podcast, who's just also been kind of like sitting still waiting for me to 298 00:27:46,460 --> 00:27:49,580 To go left or right. It is going to happen 299 00:27:49,580 --> 00:27:53,020 I just want to give it another week or two 300 00:27:53,980 --> 00:27:55,980 To see if we can 301 00:27:55,980 --> 00:27:57,980 Up the ante a little bit so to speak 302 00:27:59,260 --> 00:28:03,740 Remember it's all about independence and true human relationships 303 00:28:05,020 --> 00:28:08,100 Jeff you got that. I'm gonna order a jingle pack as pretty soon 304 00:28:10,580 --> 00:28:13,980 And of course this program has with many shows on the 305 00:28:14,700 --> 00:28:21,660 Pot show podcast network has brought to you in part by folders the gourmet blends of coffee to be nicely combined 306 00:28:22,260 --> 00:28:26,620 With the splendor splendor with the splendor splendor what's your flavor 307 00:28:28,460 --> 00:28:34,420 My forgetting something. Oh, yeah. Yeah. Oh, I got to get Patricia up here. She had the only reason I want to get her on the show so she can 308 00:28:36,060 --> 00:28:38,060 Do a spot for me for 309 00:28:39,020 --> 00:28:41,020 Tylenol PM 310 00:28:41,020 --> 00:28:44,860 Which is sponsoring Angie B's show on wine dot pod show dot com 311 00:28:46,060 --> 00:28:49,340 Another interesting comment. I've been going back and forth with this guy for quite a while 312 00:28:50,620 --> 00:28:54,580 We're supposed to hook up for an interview. I didn't really want to cloud the free Trinity 313 00:28:55,340 --> 00:28:59,780 vibe with what he was coming in with but it is so interesting to me 314 00:28:59,780 --> 00:29:07,580 And it's a real tin foil hat type of moment. So here it is Adam right Adam's here. You know the guy that wants to build backyard atomic engines 315 00:29:08,140 --> 00:29:13,140 Okay, it sounds like shit. What's going on? It's a run out run atoms. I think it is and 316 00:29:13,700 --> 00:29:19,180 He's completely into backyard atomic energy. I got to tell you that's tough does turn me on 317 00:29:19,180 --> 00:29:22,420 It's wanted to call and say how much I enjoyed your last two-board Friday show 318 00:29:22,420 --> 00:29:28,460 I think you have it about right the great thing about new media is it's a playing field that's then leveled a bit 319 00:29:28,460 --> 00:29:31,900 By the wide open unconstrained access to the internet provides 320 00:29:32,460 --> 00:29:42,060 Sure bum rest of charts was display of power the goal was to show the old guard that they no longer have as much controlled over the distribution channels as they once did 321 00:29:42,580 --> 00:29:49,820 As time goes on the battle be a little bit more about talent and passion and about ownership of the scarce resource like radio airtime 322 00:29:49,820 --> 00:29:55,460 How absolutely I'm all the way with you there buddy. I'm a big fan of independent action 323 00:29:55,700 --> 00:30:00,940 I've been working for about a decade and a half as an indie atomic engine designer and builder 324 00:30:01,500 --> 00:30:06,740 Our system is all about independence from control by oil exporters coal suppliers 325 00:30:07,100 --> 00:30:10,620 large equipment manufacturers and gas pipelines with 326 00:30:11,100 --> 00:30:16,780 1950s inches technology. I once steamed around the ocean completely divorced from the grid from months of the time 327 00:30:17,180 --> 00:30:23,580 With current technology we think we have a way forward that will demystify and democratize atomic energy 328 00:30:24,140 --> 00:30:28,140 You've said that you do not want to get into the atomic controversy or is that 329 00:30:28,620 --> 00:30:35,580 Controversy it's controversy the topic is important in a world with constrained fossil fuel energy supplies and a growing 330 00:30:35,740 --> 00:30:42,860 Understanding that air pollution just might be damaging the planet's ability to sustain human civilization as we know it 331 00:30:43,660 --> 00:30:46,860 Just imagine some day in the not too distant future 332 00:30:47,100 --> 00:30:50,940 It might be a clean emissions free reliable moderately priced 333 00:30:51,500 --> 00:30:54,900 Adams engine supplying a new pod so data bar 334 00:30:55,860 --> 00:30:58,900 Hey, dude. I'm totally into it. I'm totally interested 335 00:30:59,940 --> 00:31:02,980 And you know that that there's a huge 336 00:31:03,780 --> 00:31:08,020 pile of money that is being invested in this sector if you really got something let's talk about it 337 00:31:08,020 --> 00:31:10,580 I can certainly make the right introductions for you 338 00:31:12,580 --> 00:31:19,220 But if you please send in in some more info and do something about the recording quality because that was absolute crap 339 00:31:19,220 --> 00:31:22,500 I don't know what you're using you can if you're not gonna do more than 10 minutes 340 00:31:22,500 --> 00:31:26,180 Won't just go to casplash.com and download the free version. You can use that 341 00:31:28,500 --> 00:31:33,540 Tell me what does need it what what has to be done? What are the the raw materials? Is it safe? 342 00:31:33,540 --> 00:31:38,260 I mean these are all the questions. What about the the nuclear waste? You know that's the kind of stuff we get here to know 343 00:31:41,780 --> 00:31:47,540 Remember these guys that came on to the network about month ago the brand new heavies all fired up from the pod save music network 344 00:31:48,660 --> 00:31:50,660 on TSC 345 00:31:50,660 --> 00:31:52,660 7 346 00:31:53,750 --> 00:35:16,250 [ Music ] 347 00:35:19,660 --> 00:35:23,660 Try, fall up 348 00:35:23,660 --> 00:35:25,660 Try, fall up 349 00:35:25,660 --> 00:35:27,660 Try, fall up 350 00:35:27,660 --> 00:35:37,660 Try, fall up 351 00:35:37,660 --> 00:35:42,660 Try, fall up 352 00:35:42,660 --> 00:35:47,660 Try, fall up 353 00:35:47,660 --> 00:35:52,660 Try, fall up 354 00:35:52,660 --> 00:36:02,660 Try, fall up 355 00:36:02,660 --> 00:36:05,660 Try, fall up 356 00:36:05,660 --> 00:36:09,660 Try, fall up 357 00:36:09,660 --> 00:36:11,660 Try, fall up 358 00:36:11,660 --> 00:36:15,660 Try, fall up 359 00:36:15,660 --> 00:36:17,660 Try, fall up 360 00:36:17,660 --> 00:36:19,660 Try, fall up 361 00:36:19,660 --> 00:36:20,660 Try, fall up 362 00:36:20,660 --> 00:36:21,660 Try, fall up