1 00:00:00,000 --> 00:00:13,000 Ladies and gentlemen, I present Padshal's poet laureate Melvin P. LeBeth. 2 00:00:13,000 --> 00:00:20,000 Roses are wed, my sweater is beige. For your domain name needs, you should go to this page. GoDaddy.com. 3 00:00:20,000 --> 00:00:34,000 Time for an extra special bonus! That's right, because I'm a passionate guy like that. 4 00:00:34,000 --> 00:00:39,000 So as a sit here, touching myself, I thought to myself, I should call Mark. I should tell Mark, 5 00:00:39,000 --> 00:00:44,000 do you love what you're doing with a chacha? The chacha has never been so fresh, so invigorating. 6 00:00:44,000 --> 00:00:50,000 So, um, turning it on. I sit here every night and the doctor said it's my homework. 7 00:00:50,000 --> 00:00:56,000 I put the iPod into my ears. I grab the Vaseline and I turn off the lights and I crank up the chacha with Mark. 8 00:00:56,000 --> 00:01:03,000 You'll show more on him, cough. It makes me happy. It makes me giddy. It makes a mess of my sheets and my socks, but that's okay. 9 00:01:03,000 --> 00:01:06,000 Thank you, Mark. Keep up the good work. 10 00:01:07,000 --> 00:01:13,000 First, there was brain twisting, jallin jipper, together, the principles of mathematics and cross-all puzzles. 11 00:01:13,000 --> 00:01:16,000 From Japan, the country that brought you suitable. 12 00:01:16,000 --> 00:01:19,000 Come! Bookaku! 13 00:01:19,000 --> 00:01:30,000 All right, let's see, seven, one. The four goes here. Wait, no damn, that's not right. 14 00:01:30,000 --> 00:01:34,000 Holy shit, dude, you just jacked off on me. 15 00:01:35,000 --> 00:01:39,000 I'm like regular Sudoku, where you can make mistakes and erase them with pencil. 16 00:01:39,000 --> 00:01:47,000 Bookaku is much more challenging, because if you get even one number wrong, you will find you and jack off on you. 17 00:01:50,000 --> 00:01:53,000 Oh my eye! 18 00:01:53,000 --> 00:02:01,000 Bookaku is fun for parties, national parties, retirement parties, and the occasion in perfect time for Bookaku. 19 00:02:01,000 --> 00:02:06,000 Today, Little Schmolikko, Bergonia 13, birthday you are a man. 20 00:02:07,000 --> 00:02:10,000 My Little Schmolik, somebody get a towel. 21 00:02:10,000 --> 00:02:14,000 Idiot, days no 13, in Bookaku! 22 00:02:14,000 --> 00:02:19,000 Get Bookaku today! Before Bookaku, get you! 23 00:02:21,000 --> 00:02:22,000 Bookaku! 24 00:02:23,000 --> 00:02:32,000 You're listening to the daily source code with Mark Yoshimoto Nenkov. 25 00:02:38,000 --> 00:02:46,000 Welcome back, my friends, to the show that never ends, coming to you from Gilford, somewhere deep in the bowels of the UK. 26 00:02:46,000 --> 00:02:49,000 And the bowels are pretty deep here. 27 00:02:49,000 --> 00:02:58,000 Yeah, guess what, it's me again, and I'm here at Adam's house, where something in the attic smells like corn chips and feet, and Adam is still unconscious. 28 00:02:58,000 --> 00:03:03,000 You're listening to episode 5-8-2 of the Chacha. 29 00:03:03,000 --> 00:03:09,000 Tell you what, let's start it all off with some really kick-ass shit from Kevin Reeves. 30 00:03:11,250 --> 00:07:08,750 [ Music ] 31 00:07:10,000 --> 00:07:16,000 Kevin Reeves with redemption, fuck yeah man, that's on rocks like a mother fucker 32 00:07:16,000 --> 00:07:21,000 So hey, welcome to the daily source code, I'm Mark Yoshimoto Nemkoff 33 00:07:21,000 --> 00:07:25,000 You know what, I'm declaring today, Bong hit Tuesday 34 00:07:25,000 --> 00:07:29,000 I found some Adam's stash here at the manner and I'm a dude 35 00:07:29,000 --> 00:07:31,000 This is some Primo Primo shit, hold on 36 00:07:36,000 --> 00:07:39,000 Oh fuck, oh my god 37 00:07:40,000 --> 00:07:43,000 That should make Willie Nelson blind, oh my god 38 00:07:44,000 --> 00:07:49,000 I have no idea where he gets it from, but so today, yeah today is, I got to do another one hold on 39 00:07:59,000 --> 00:08:01,000 Oh shit 40 00:08:02,000 --> 00:08:05,000 Okay, so today is Bong hit Tuesday 41 00:08:06,000 --> 00:08:14,000 And, oh fuck man, so if you're in your car, if you're on the subway, I don't care 42 00:08:14,000 --> 00:08:20,000 Fucking, I pull out that Bong, I want everybody doing Bong hits right now 43 00:08:20,000 --> 00:08:23,000 Even, yeah, okay 44 00:08:26,000 --> 00:08:33,000 Oh, right, right, right, so Adam, right, right 45 00:08:33,000 --> 00:08:38,000 So yeah, yeah, I was going through his underwear drawer 46 00:08:38,000 --> 00:08:42,000 And it's all thongs, it is, it's all thongs 47 00:08:42,000 --> 00:08:45,000 And thongs and bolo ties, I swear to god 48 00:08:45,000 --> 00:08:48,000 So I'm going through Adam's underwear drawer 49 00:08:48,000 --> 00:08:56,000 And I find his stash, this beautiful, beautiful stash of, well, I found that stash too 50 00:08:56,000 --> 00:08:58,000 But we'll talk about that later 51 00:08:58,000 --> 00:09:02,000 But I also found I swear to god, you got to see this, it's the most amazing thing 52 00:09:02,000 --> 00:09:09,000 It's, basically, I found his show formula 53 00:09:11,000 --> 00:09:15,000 This is one of the most highly guarded secrets in all of podcasting 54 00:09:15,000 --> 00:09:20,000 The recipe for the daily source code that he kept hidden in his underwear drawer 55 00:09:20,000 --> 00:09:25,000 Right underneath that turtle shape vibrator that was signed by Kurt Loader 56 00:09:25,000 --> 00:09:31,000 I don't know if it was actual signature because the turtle face on the vibrator actually looks like Kurt Loader 57 00:09:32,000 --> 00:09:36,000 Anyway, so this is the recipe for the daily source code 58 00:09:36,000 --> 00:09:43,000 Item number one, play series of repetitive opening jingles in order to get those last 20 drags in on the blunt 59 00:09:43,000 --> 00:09:48,000 Number two, for five minutes line about my internet connection in my new house 60 00:09:48,000 --> 00:09:52,000 I'm be sure to give specific details on download and upload data rates 61 00:09:52,000 --> 00:09:57,000 Number three, spend 10 minutes delivering soliloquy on geopolitical landscape 62 00:09:57,000 --> 00:10:04,000 And partying opinions and expertise gained from years spent introducing the latest music video from CNC music factory 63 00:10:04,000 --> 00:10:08,000 Number four, playback message from multi-lingual vampire from the EU 64 00:10:08,000 --> 00:10:12,000 Number five, fantasize about girls would call into the show 65 00:10:12,000 --> 00:10:15,000 Number six, play cold pod save song 66 00:10:15,000 --> 00:10:20,000 Number seven, ruin cold pod save song with cowbell and or singing 67 00:10:20,000 --> 00:10:23,000 Number eight, flick lighter, set man or on fire 68 00:10:23,000 --> 00:10:28,000 Okay, yeah, I think this is all going to be useful shit 69 00:10:28,000 --> 00:10:32,000 So, hold on let me ask Adam what do you think 70 00:10:32,000 --> 00:10:39,000 Dude chill, okay chill, alright look you want you want to bang it 71 00:10:39,000 --> 00:10:44,000 Dude, you're going to whip the duct tape come on, dude 72 00:10:44,000 --> 00:10:47,000 Fuck hold on 73 00:10:47,000 --> 00:10:51,000 Oh fuck, I think I set the cattle prod too high 74 00:10:51,000 --> 00:10:55,000 Oh man, he's probably going to crap himself now, odd cheese 75 00:11:21,000 --> 00:11:27,000 I thought that you said about piracy and the statistical information about the boss 76 00:11:27,000 --> 00:11:33,000 It may be thick about the whole concept of being born to run 77 00:11:33,000 --> 00:11:38,000 If I had an endless word to have phrasing, let tell the format 78 00:11:38,000 --> 00:11:45,000 I truly wrap your legs around these velvet ribs and strap your hands across my inches 79 00:11:45,000 --> 00:11:49,000 Is that what you had in mind when you mentioned that M's could stay 80 00:11:50,000 --> 00:11:53,000 Well anyway, just some thoughts to ponder 81 00:11:53,000 --> 00:11:55,000 Goodbye, Mr. Namca 82 00:11:55,000 --> 00:12:02,000 Oh, and please still Adam, I put the victory set me on the medicine chest right over the Tylenol PM 83 00:12:02,000 --> 00:12:09,000 Bro, I think pro grammar at your command is the melodic pro grammar program 84 00:12:09,000 --> 00:12:24,000 Oh man, that is oh fuck, what the fuck is that in there? 85 00:12:24,000 --> 00:12:26,000 Oh, it's like kitty litter 86 00:12:26,000 --> 00:12:28,000 Oh shit 87 00:12:28,000 --> 00:12:32,000 Oh my god, I think he's lacing his stuff with cat shit 88 00:12:32,000 --> 00:12:37,000 Oh my god, oh, I don't care whatever it is man 89 00:12:37,000 --> 00:12:39,000 Anyway, so 90 00:12:39,000 --> 00:12:43,000 So I know Adam hasn't really talked about second life a whole lot lately 91 00:12:43,000 --> 00:12:47,000 But you know, kind of got me involved in it and I think a lot of you too 92 00:12:47,000 --> 00:12:50,000 And something that's actually happening in second life 93 00:12:50,000 --> 00:12:54,000 CC Chapman sent me a press release his company crayon 94 00:12:54,000 --> 00:13:00,000 They're this cutting edge marketing company and check this out. They're working with Coca-Cola 95 00:13:00,000 --> 00:13:06,000 So let me read this press release Coca-Cola launches competition to design online 96 00:13:06,000 --> 00:13:13,000 Virtual first Coke machine open competition invites in world second life residents and the public 97 00:13:13,000 --> 00:13:17,000 To imagine a virtual vending machine with a limitless possibilities 98 00:13:17,000 --> 00:13:19,000 Check this out check this out 99 00:13:19,000 --> 00:13:24,000 Imagine a vending machine that dispenses entertainment adventure or happiness 100 00:13:24,000 --> 00:13:28,000 A device that satisfies curiosities and fulfills virtual wishes 101 00:13:28,000 --> 00:13:34,000 Coca-Cola is launching an open contest for second life residents and the general population 102 00:13:34,000 --> 00:13:41,000 To design a virtual experience machine through its virtual thirst competition second life is a three-dimensional online digital world 103 00:13:41,000 --> 00:13:46,000 That enables user residents to explore digital universe and blow lives, you know what second life is 104 00:13:46,000 --> 00:13:50,000 So let me hold on 105 00:13:50,000 --> 00:13:52,000 Uh, scan up 106 00:13:52,000 --> 00:13:58,000 But simply we've invited the world to use the second life platform to design and prototype the ultimate Coke machine 107 00:13:59,000 --> 00:14:05,000 Something that delivers an innovative engaging experience in second life as defined by its community of residents 108 00:14:05,000 --> 00:14:10,000 Says Michael Donnelly director global marketing global interactive marketing Coca-Cola company 109 00:14:10,000 --> 00:14:16,000 So for example, I guess it could play music from a jukebox or display fun animation in video 110 00:14:16,000 --> 00:14:21,000 Or transform the user's experience and capabilities in some positive way 111 00:14:21,000 --> 00:14:24,000 So that's pretty fucking cool 112 00:14:24,000 --> 00:14:32,000 So you design this virtual vending machine right that can dispense 113 00:14:32,000 --> 00:14:41,000 Um entertainment and Coke and whatever right I mean it's totally outside the box kind of thinking 114 00:14:41,000 --> 00:14:44,000 And it's not about second life, right? 115 00:14:44,000 --> 00:14:53,000 It's it's about imagination and the thing is you could submit apparently you could submit your submission 116 00:14:53,000 --> 00:15:00,000 Man, that's it. I'm smoking is way too fucked up. You could submit your submission. Yeah, good job 117 00:15:00,000 --> 00:15:03,000 So you could submit your prototype 118 00:15:03,000 --> 00:15:09,000 Um, you know, either through audio a video or whatever 119 00:15:09,000 --> 00:15:13,000 So it says right here go to virtualthirst.com 120 00:15:13,000 --> 00:15:15,000 That's pretty fucking cool. Now 121 00:15:15,000 --> 00:15:17,000 I don't know about you 122 00:15:17,000 --> 00:15:24,000 But my my idea for the perfect Coke vending machine involves you know 123 00:15:24,000 --> 00:15:30,000 I put in my dollar. I get a ice cold coke, you know chilled perfectly and I get a blowjob 124 00:15:30,000 --> 00:15:33,000 Now, you know the machine doesn't have to give me a blowjob 125 00:15:33,000 --> 00:15:39,000 I mean there could you know be a someone there hopefully a pretty young girl 126 00:15:39,000 --> 00:15:40,000 I 127 00:15:40,000 --> 00:15:44,000 I'm not picky though if I'm getting a blowjob for a box and you know 128 00:15:45,000 --> 00:15:52,000 Who am I to pick and choose but that's kind of the concept so you could design your coke vending machine 129 00:15:52,000 --> 00:15:56,000 If you want your coke vending machine to you know 130 00:15:56,000 --> 00:16:03,000 Dispense coke and play music and and spread sunshine and happiness across the globe 131 00:16:03,000 --> 00:16:07,000 Then you're kind of fucked in the head, but no, no, you know what I'm saying 132 00:16:07,000 --> 00:16:10,000 Then it's it's a great idea. It's a grand idea 133 00:16:11,000 --> 00:16:15,000 You know, I'm definitely going to enter my a blowjob coke machine prototype though 134 00:16:15,000 --> 00:16:24,000 So I way I can go in second life when they prototype the thing and I can stand there with my avatar and get blown in drink of virtual coke 135 00:16:24,000 --> 00:16:27,000 I think that'd be fucking awesome. That sounds like Saturday afternoon to me 136 00:16:27,000 --> 00:16:32,000 And I'm doing this my online avatar and second life 137 00:16:32,000 --> 00:16:34,000 Doesn't have a dick 138 00:16:35,000 --> 00:16:40,000 Yeah, because barely you have to buy a fucking cock for your online avatar 139 00:16:40,000 --> 00:16:45,000 There are shops in second life. I swear to God. I didn't know this right and 140 00:16:46,000 --> 00:16:53,500 True story when Brittany Mason was showing me around the town of Shadow Falls what when they built the town of Shadow Falls 141 00:16:53,500 --> 00:16:55,000 We did that whole thing 142 00:16:55,000 --> 00:16:59,000 She was showing me a bunch of other places in second life and I was I was really like amazed by 143 00:17:00,000 --> 00:17:04,000 How creative people got with their buildings and their little islands and stuff 144 00:17:04,000 --> 00:17:11,000 And she took me as a place and it was actually a pretty big ad agency that had a office in second life 145 00:17:11,000 --> 00:17:15,000 And so I was running around naked. I just I hit the button that said take my clothes 146 00:17:15,000 --> 00:17:20,000 I'm running around naked and you know and she said you got no dick 147 00:17:20,000 --> 00:17:24,000 And I was like, oh check that out. She's like, I'll buy you a dick 148 00:17:24,000 --> 00:17:30,000 And I felt kind of weird. I felt a little weird having a strange online woman buy me a penis 149 00:17:32,000 --> 00:17:34,000 I don't know maybe something I just have to get over 150 00:17:34,000 --> 00:17:37,000 But I know one way to make my inhibitions go away hold on 151 00:17:47,000 --> 00:17:50,000 That's definitely catch it. Oh fuck 152 00:17:54,000 --> 00:17:56,000 Common strip 153 00:17:58,000 --> 00:17:59,000 Common strip 154 00:18:01,000 --> 00:18:03,000 Common strip 155 00:18:25,000 --> 00:18:30,000 Is a club called the man bar and eighty two great suffix street in London 156 00:18:30,000 --> 00:18:33,000 WWE dot man bar dot info 157 00:18:33,000 --> 00:18:37,000 They do have a good two for one decorate night on Tuesday 158 00:18:37,000 --> 00:18:39,000 But I do not want to meet Adam's hair 159 00:18:39,000 --> 00:18:42,000 Anyway, Markio Shomodonemka fuck you 160 00:18:42,000 --> 00:18:45,000 I have to go now and pop a hemorrhoid 161 00:18:45,000 --> 00:18:49,000 Not one of my own, but this none of your business 162 00:18:50,000 --> 00:18:51,000 Common strip 163 00:18:54,000 --> 00:18:55,000 Common strip 164 00:18:57,000 --> 00:18:58,000 Common strip 165 00:19:04,000 --> 00:19:06,000 Hey Mark, I've got some feedback for you 166 00:19:06,000 --> 00:19:10,000 When you started talking about the RIA it really got my blood boiling 167 00:19:10,000 --> 00:19:12,000 Because here's the deal 168 00:19:12,000 --> 00:19:15,000 The RIA can win and moan all the wants 169 00:19:15,000 --> 00:19:19,000 But reality is it and the companies represents our scared shitless 170 00:19:19,000 --> 00:19:24,000 They are falling way behind as they stick to their old models of production and distribution 171 00:19:24,000 --> 00:19:28,000 Sort of like how Adam's remote control sticks to his inner thigh 172 00:19:28,000 --> 00:19:30,000 I think you understand me 173 00:19:30,000 --> 00:19:33,000 Point is before the internet sharing was negligible 174 00:19:33,000 --> 00:19:37,000 And even then it's still encouraged people to go to concerts and buy merchandise 175 00:19:37,000 --> 00:19:39,000 Of course this is still happening 176 00:19:39,000 --> 00:19:44,000 But back then big labels had the power to produce very few acts and promote them excessively 177 00:19:44,000 --> 00:19:47,000 Because we only had so many ways of accessing media 178 00:19:47,000 --> 00:19:51,000 In fact, they would sign good artists and then bury them in the vaults 179 00:19:51,000 --> 00:19:54,000 In order to protect their big cash running acts 180 00:19:54,000 --> 00:19:56,000 This model is fucking dying 181 00:19:56,000 --> 00:19:59,000 The internet has retribulized the world 182 00:19:59,000 --> 00:20:02,000 And people are getting sick and tired of the same shit on the radio 183 00:20:02,000 --> 00:20:04,000 And on the Rax and ATMP 184 00:20:04,000 --> 00:20:07,000 Or whatever other shitty records store this, drop it 185 00:20:07,000 --> 00:20:12,000 The labels are convinced that they have to keep a few huge acts and earn all their cash from them 186 00:20:12,000 --> 00:20:16,000 And as since they are creating the piracy that they claim is hurting them 187 00:20:16,000 --> 00:20:19,000 By over saturating us, the listeners 188 00:20:19,000 --> 00:20:22,000 I mean, do we really need another Britney Spears album? 189 00:20:22,000 --> 00:20:24,000 We have no choice but to pirate 190 00:20:24,000 --> 00:20:27,000 If the labels would pull their heads out of their asses 191 00:20:27,000 --> 00:20:30,000 And promote a wide variety of good artists 192 00:20:30,000 --> 00:20:33,000 It would dilute musical tastes across the board 193 00:20:33,000 --> 00:20:35,000 This would make piracy irrelevant 194 00:20:35,000 --> 00:20:38,000 Because the labels would need the social aspect of the internet 195 00:20:38,000 --> 00:20:40,000 To get the word out on their artists 196 00:20:40,000 --> 00:20:43,000 This is what the positive music network is doing 197 00:20:43,000 --> 00:20:45,000 And if the labels don't get their shit together 198 00:20:45,000 --> 00:20:47,000 They're going to get their asses kicked 199 00:20:47,000 --> 00:20:50,000 And I for one would love to see that 200 00:20:50,000 --> 00:20:54,000 Oh, and by the way, I hope you remember to poke some holes in the closet 201 00:20:54,000 --> 00:20:56,000 Or something so that Adam can breathe 202 00:20:56,000 --> 00:20:57,000 Take care 203 00:20:57,000 --> 00:20:59,000 Hold on, hold on 204 00:20:59,000 --> 00:21:00,000 Fuck you 205 00:21:00,000 --> 00:21:01,000 Travis, thank you 206 00:21:01,000 --> 00:21:02,000 Travis Martin 207 00:21:02,000 --> 00:21:04,000 With that comment, thanks Travis 208 00:21:04,000 --> 00:21:07,000 And thank you for reminding me to actually throw some holes in the door here 209 00:21:07,000 --> 00:21:10,000 You gotta hope it's not too late 210 00:21:10,000 --> 00:21:12,000 Anyway, you know what Travis, you have a really good point 211 00:21:12,000 --> 00:21:16,000 The record companies, I've friend to work in the music business 212 00:21:16,000 --> 00:21:18,000 Over the last five years 213 00:21:18,000 --> 00:21:21,000 So many people who work at record companies 214 00:21:21,000 --> 00:21:23,000 You know, we're talking suits and our guys 215 00:21:23,000 --> 00:21:25,000 Whoever have lost their fucking jobs 216 00:21:25,000 --> 00:21:28,000 Because these record companies are failing to make money 217 00:21:28,000 --> 00:21:30,000 And they blame it all on piracy 218 00:21:30,000 --> 00:21:34,000 But one of the things that has always struck me as being fucking ironic 219 00:21:34,000 --> 00:21:38,000 Is that throughout the history of maybe the last what? 220 00:21:38,000 --> 00:21:40,000 20, 30 years 221 00:21:40,000 --> 00:21:42,000 The record industry 222 00:21:42,000 --> 00:21:44,000 Has spent a fortune 223 00:21:44,000 --> 00:21:46,000 Baddling piracy 224 00:21:46,000 --> 00:21:49,000 Whether it's a battling real-to-real tape 225 00:21:49,000 --> 00:21:50,000 Or cassette 226 00:21:50,000 --> 00:21:51,000 Or dat 227 00:21:51,000 --> 00:21:53,000 When dat recorders came out 228 00:21:53,000 --> 00:21:56,000 Which was the first actual consumer model 229 00:21:56,000 --> 00:21:59,000 Digital audio recording medium 230 00:21:59,000 --> 00:22:01,000 When dat recorders came out 231 00:22:01,000 --> 00:22:03,000 The record companies 232 00:22:03,000 --> 00:22:04,000 The RAA 233 00:22:04,000 --> 00:22:06,000 Went fucking insane 234 00:22:06,000 --> 00:22:07,000 Spending a fortune 235 00:22:07,000 --> 00:22:09,000 And having hearings 236 00:22:09,000 --> 00:22:11,000 So that they could enforce 237 00:22:11,000 --> 00:22:13,000 What was I think was what was it called at the time 238 00:22:13,000 --> 00:22:17,000 DCMS or whatever digital copy management system 239 00:22:17,000 --> 00:22:20,000 So you could not actually hook up a CD player 240 00:22:20,000 --> 00:22:23,000 The optical output of a CD player to a 241 00:22:23,000 --> 00:22:25,000 Consumer level dat machine 242 00:22:25,000 --> 00:22:27,000 And make a perfect digital copy 243 00:22:27,000 --> 00:22:29,000 They spend millions of dollars 244 00:22:29,000 --> 00:22:31,000 We'll fuck do you think those millions of dollars came from 245 00:22:31,000 --> 00:22:32,000 That's right 246 00:22:32,000 --> 00:22:34,000 They came from artist royalties 247 00:22:34,000 --> 00:22:36,000 So instead of taking the money 248 00:22:36,000 --> 00:22:38,000 That they were making from the artists 249 00:22:38,000 --> 00:22:40,000 And putting it back 250 00:22:40,000 --> 00:22:41,000 Into the business 251 00:22:41,000 --> 00:22:43,000 To invest in new artists 252 00:22:43,000 --> 00:22:47,000 Or even fucking pay their artist what they're actually worth 253 00:22:47,000 --> 00:22:49,000 They took this money 254 00:22:49,000 --> 00:22:50,000 And they've been doing this 255 00:22:50,000 --> 00:22:52,000 They took this money to fight piracy 256 00:22:52,000 --> 00:22:55,000 But they've done the same thing with cassettes 257 00:22:55,000 --> 00:22:57,000 With CD recorders with anything 258 00:22:57,000 --> 00:22:59,000 I mean you look at the history 259 00:22:59,000 --> 00:23:01,000 They've spent a fortune on this 260 00:23:01,000 --> 00:23:03,000 And then every few years or so 261 00:23:03,000 --> 00:23:05,000 Another medium comes out 262 00:23:05,000 --> 00:23:08,000 Another way to copy music comes out 263 00:23:08,000 --> 00:23:11,000 And then they spend another fortune going to fight that 264 00:23:11,000 --> 00:23:13,000 That's just the way it has been 265 00:23:13,000 --> 00:23:17,000 Since the fucking invention of any sort of home recording 266 00:23:17,000 --> 00:23:19,000 Right 267 00:23:19,000 --> 00:23:21,000 And you know who's fault this fucking is 268 00:23:21,000 --> 00:23:23,000 I'll tell you 269 00:23:23,000 --> 00:23:25,000 It's the fucking lawyers 270 00:23:25,000 --> 00:23:27,000 Because some lawyer basically says 271 00:23:27,000 --> 00:23:29,000 Hey, you know what we need to fight this 272 00:23:29,000 --> 00:23:31,000 And they find a way that their firm 273 00:23:31,000 --> 00:23:33,000 Can make millions of dollars 274 00:23:33,000 --> 00:23:35,000 And I'll tell you why that's not bullshit 275 00:23:35,000 --> 00:23:37,000 Going back like five years 276 00:23:37,000 --> 00:23:39,000 Actually more than that 277 00:23:39,000 --> 00:23:40,000 Going back a few years 278 00:23:40,000 --> 00:23:43,000 I had a literary manager here in Hollywood 279 00:23:43,000 --> 00:23:44,000 His name is Daniel Alter 280 00:23:44,000 --> 00:23:47,000 And Daniel told me the story one day that his lawyer 281 00:23:47,000 --> 00:23:51,000 Was the same lawyer who handles Metallica 282 00:23:51,000 --> 00:23:55,000 And basically the lawyer went to Metallica one day 283 00:23:55,000 --> 00:23:57,000 With this whole story about what was going on 284 00:23:57,000 --> 00:24:01,000 With this company called Napster 285 00:24:01,000 --> 00:24:03,000 And the lawyer said to Metallica, hey look what's going on 286 00:24:03,000 --> 00:24:07,000 I think we have a way here that we can make millions of dollars 287 00:24:07,000 --> 00:24:09,000 That is exactly what happened 288 00:24:09,000 --> 00:24:11,000 I am not fucking making this up 289 00:24:11,000 --> 00:24:15,000 The idea to sue Napster was not Metallica 290 00:24:15,000 --> 00:24:17,000 It was their fucking lawyers idea 291 00:24:17,000 --> 00:24:19,000 Oh shit hold on serious 102 listeners 292 00:24:19,000 --> 00:24:22,000 You're going to have to go to dailysourceco.podshow.com 293 00:24:22,000 --> 00:24:24,000 To download the rest of the podcast 294 00:24:24,000 --> 00:24:26,000 And hear me say fuck a bunch more times 295 00:24:26,000 --> 00:24:27,000 Catch you later 296 00:24:27,000 --> 00:24:28,000 Okay 297 00:24:28,000 --> 00:24:31,000 So yeah, the whole thing 298 00:24:31,000 --> 00:24:33,000 Was cooked up by a fucking lawyer 299 00:24:33,000 --> 00:24:35,000 And I'm sure it's the same thing 300 00:24:35,000 --> 00:24:37,000 At the record companies 301 00:24:37,000 --> 00:24:40,000 With how the RAAA manages to 302 00:24:40,000 --> 00:24:42,000 You know spend their fucking money 303 00:24:42,000 --> 00:24:43,000 Badling piracy 304 00:24:43,000 --> 00:24:44,000 Now 305 00:24:44,000 --> 00:24:45,000 Granted 306 00:24:45,000 --> 00:24:48,000 If you go to a record company 307 00:24:48,000 --> 00:24:50,000 A lot of times a lot of the suits there 308 00:24:50,000 --> 00:24:51,000 Are lawyers 309 00:24:51,000 --> 00:24:54,000 Because they come up in the entertainment ranks 310 00:24:54,000 --> 00:24:55,000 They know the business 311 00:24:55,000 --> 00:24:57,000 They know the finances blah blah bullshit 312 00:24:57,000 --> 00:24:58,000 Whatever 313 00:24:58,000 --> 00:25:00,000 A lot of the suits at any major record company 314 00:25:00,000 --> 00:25:01,000 The major suits 315 00:25:01,000 --> 00:25:03,000 We're talking the guys who run the fucking business 316 00:25:03,000 --> 00:25:04,000 They're all fucking lawyers 317 00:25:04,000 --> 00:25:06,000 I'll tell you what with the exception 318 00:25:06,000 --> 00:25:08,000 Of this fucking douchebag 319 00:25:08,000 --> 00:25:10,000 That runs the universal music group 320 00:25:10,000 --> 00:25:12,000 This fucking Doug Morris guy 321 00:25:12,000 --> 00:25:14,000 Now remember this is the guy that called 322 00:25:14,000 --> 00:25:16,000 All iPod users 323 00:25:16,000 --> 00:25:17,000 Pirate 324 00:25:17,000 --> 00:25:19,000 And we said all iPods 325 00:25:19,000 --> 00:25:22,000 Are full of pirated music 326 00:25:22,000 --> 00:25:24,000 You know that Doug Morris guy 327 00:25:24,000 --> 00:25:25,000 Doug 328 00:25:25,000 --> 00:25:26,000 Doug Morris 329 00:25:26,000 --> 00:25:27,000 You music.com 330 00:25:27,000 --> 00:25:29,000 That Doug Morris guy 331 00:25:29,000 --> 00:25:32,000 Who I think is the biggest fucking scumbag 332 00:25:32,000 --> 00:25:33,000 In the music industry 333 00:25:33,000 --> 00:25:34,000 Doug Morris 334 00:25:34,000 --> 00:25:35,000 If you can hear me 335 00:25:35,000 --> 00:25:37,000 Fucking blow me you fucking piece of shit 336 00:25:37,000 --> 00:25:38,000 You know what 337 00:25:38,000 --> 00:25:39,000 I swear to God 338 00:25:39,000 --> 00:25:40,000 It's like 339 00:25:40,000 --> 00:25:42,000 The fucking bullshit 340 00:25:42,000 --> 00:25:44,000 That the universal music group has perpetrated 341 00:25:44,000 --> 00:25:46,000 On their artists 342 00:25:46,000 --> 00:25:47,000 Their listeners 343 00:25:47,000 --> 00:25:48,000 Is a fucking sin 344 00:25:48,000 --> 00:25:52,000 And here's a guy who started his fucking career as a songwriter 345 00:25:52,000 --> 00:25:55,000 And this guy doesn't give a fuck about the artist on his label 346 00:25:55,000 --> 00:25:58,000 Again, here's a fucking company 347 00:25:58,000 --> 00:26:01,000 That is spending countless millions of dollars 348 00:26:01,000 --> 00:26:04,000 Fucking fighting piracy 349 00:26:04,000 --> 00:26:05,000 Right? 350 00:26:05,000 --> 00:26:07,000 You know they're trying to eliminate all their videos 351 00:26:07,000 --> 00:26:09,000 Off YouTube and all that 352 00:26:09,000 --> 00:26:10,000 I mean come on 353 00:26:10,000 --> 00:26:12,000 Do you honestly think that anybody 354 00:26:12,000 --> 00:26:14,000 Is fucking copying the audio 355 00:26:14,000 --> 00:26:17,000 From the video on YouTube 356 00:26:17,000 --> 00:26:19,000 And listening to it on their MP3 player 357 00:26:19,000 --> 00:26:21,000 I mean a video 358 00:26:21,000 --> 00:26:22,000 A music video 359 00:26:22,000 --> 00:26:26,000 They're all created as a fucking commercial for the song 360 00:26:26,000 --> 00:26:27,000 Right? 361 00:26:27,000 --> 00:26:30,000 Remember MTV when they used to fucking play videos 362 00:26:30,000 --> 00:26:31,000 Right? 363 00:26:31,000 --> 00:26:33,000 What do you think all that content was? 364 00:26:33,000 --> 00:26:34,000 This is freebie shit 365 00:26:34,000 --> 00:26:36,000 MTV was not paying 366 00:26:36,000 --> 00:26:38,000 To fucking play these videos 367 00:26:38,000 --> 00:26:40,000 So in the same way 368 00:26:40,000 --> 00:26:42,000 It's like how is how is YouTube 369 00:26:42,000 --> 00:26:44,000 Showing these videos 370 00:26:44,000 --> 00:26:46,000 Anything other than a 371 00:26:46,000 --> 00:26:48,000 You know a way to market this shit 372 00:26:48,000 --> 00:26:50,000 That otherwise people would never see it 373 00:26:50,000 --> 00:26:52,000 What the fuck is the difference? 374 00:26:52,000 --> 00:26:53,000 I don't get it 375 00:26:53,000 --> 00:26:55,000 Okay, maybe I'm missing something 376 00:26:55,000 --> 00:26:57,000 Maybe I'm fucking taking too many bong hits 377 00:26:57,000 --> 00:26:59,000 And I just don't fucking get it 378 00:26:59,000 --> 00:27:00,000 But anyway 379 00:27:00,000 --> 00:27:03,000 And the other thing Travis, I think you totally nailed 380 00:27:03,000 --> 00:27:04,000 Is that 381 00:27:04,000 --> 00:27:06,000 You have these record companies 382 00:27:06,000 --> 00:27:08,000 And same thing with the movie industry 383 00:27:08,000 --> 00:27:09,000 Or the book industry or whatever 384 00:27:09,000 --> 00:27:11,000 They rely on a blockbuster release 385 00:27:11,000 --> 00:27:13,000 To fucking pay for everything else on their slate 386 00:27:13,000 --> 00:27:15,000 That doesn't do so well 387 00:27:15,000 --> 00:27:17,000 And when you get into that kind of mentality 388 00:27:17,000 --> 00:27:19,000 Where you rely on the blockbuster 389 00:27:19,000 --> 00:27:21,000 Then you are going to go after it 390 00:27:21,000 --> 00:27:23,000 The easy fucking sell bullshit 391 00:27:23,000 --> 00:27:25,000 And you're eventually going to say 392 00:27:25,000 --> 00:27:26,000 You know what? 393 00:27:26,000 --> 00:27:27,000 It makes more sense 394 00:27:27,000 --> 00:27:28,000 To fucking promote 395 00:27:28,000 --> 00:27:30,000 You know 10 Britney Spears clones 396 00:27:30,000 --> 00:27:31,000 That we know all 397 00:27:31,000 --> 00:27:34,000 You know sell a few hundred thousand units 398 00:27:34,000 --> 00:27:36,000 Then trying to promote new artists 399 00:27:36,000 --> 00:27:39,000 That may only sell 30, 40, 50,000 units 400 00:27:39,000 --> 00:27:40,000 Their first time out 401 00:27:40,000 --> 00:27:42,000 You know nobody wants to develop a new artist anymore 402 00:27:42,000 --> 00:27:44,000 In the same way that media 403 00:27:44,000 --> 00:27:46,000 A television, especially 404 00:27:46,000 --> 00:27:49,000 Doesn't want to give a television show 405 00:27:49,000 --> 00:27:51,000 Any sort of chance to build an audience 406 00:27:51,000 --> 00:27:53,000 If you don't fucking build an audience right away 407 00:27:53,000 --> 00:27:54,000 You're gone 408 00:27:54,000 --> 00:27:56,000 And that is exactly 409 00:27:56,000 --> 00:27:57,000 The kind of fucking mentality 410 00:27:57,000 --> 00:27:59,000 That is going to fuck the record industry 411 00:27:59,000 --> 00:28:00,000 Right in the ass 412 00:28:00,000 --> 00:28:02,000 Unless they're into that kind of thing 413 00:28:02,000 --> 00:28:03,000 And then 414 00:28:03,000 --> 00:28:04,000 You're regardless 415 00:28:05,000 --> 00:28:08,000 The mentality of the record industry 416 00:28:08,000 --> 00:28:11,000 Has always been to protect 417 00:28:11,000 --> 00:28:13,000 What they fucking currently have 418 00:28:13,000 --> 00:28:15,000 And not evolve 419 00:28:15,000 --> 00:28:17,000 Which is why they're fucking dying 420 00:28:17,000 --> 00:28:19,000 Which is why the record industry 421 00:28:19,000 --> 00:28:21,000 Is fucking hemorrhaging right now 422 00:28:21,000 --> 00:28:22,000 And they sit around 423 00:28:22,000 --> 00:28:24,000 And they have no fucking idea 424 00:28:24,000 --> 00:28:25,000 What to do? 425 00:28:25,000 --> 00:28:27,000 It's it's sad and pathetic 426 00:28:27,000 --> 00:28:28,000 So here we go 427 00:28:28,000 --> 00:28:29,000 Record industry 428 00:28:29,000 --> 00:28:31,000 I'm going to tell you what to do 429 00:28:31,000 --> 00:28:32,000 First thing you do 430 00:28:32,000 --> 00:28:34,000 It's called a PCH comment line 431 00:28:34,000 --> 00:28:36,000 At 1-800-875-099-5 432 00:28:36,000 --> 00:28:38,000 And I'll set your shit straight 433 00:28:38,000 --> 00:28:41,000 Because the new methods of distribution over the internet 434 00:28:41,000 --> 00:28:44,000 Are slaying the record companies 435 00:28:44,000 --> 00:28:46,000 And what you're going to see is that 436 00:28:46,000 --> 00:28:48,000 As record companies 437 00:28:48,000 --> 00:28:49,000 Have fewer 438 00:28:49,000 --> 00:28:51,000 Resources for distribution 439 00:28:51,000 --> 00:28:53,000 They're going to rely on 440 00:28:53,000 --> 00:28:57,000 Basically they're the top few distribution outlets they have 441 00:28:57,000 --> 00:28:58,000 And of course 442 00:28:58,000 --> 00:29:00,000 You know what scares the fuck out of me 443 00:29:00,000 --> 00:29:05,000 Is the number one distribution outlet for music in the United States 444 00:29:05,000 --> 00:29:07,000 The number one distributor of music 445 00:29:07,000 --> 00:29:08,000 Wal-Mart 446 00:29:08,000 --> 00:29:09,000 Wal-Mart 447 00:29:09,000 --> 00:29:11,000 Conservative fucking Wal-Mart 448 00:29:11,000 --> 00:29:13,000 Okay Wal-Mart who basically says 449 00:29:13,000 --> 00:29:15,000 Oh no we want to distribute that because it's 450 00:29:15,000 --> 00:29:16,000 It's too controversial 451 00:29:16,000 --> 00:29:18,000 Okay 452 00:29:18,000 --> 00:29:20,000 So Wal-Mart 453 00:29:20,000 --> 00:29:23,000 Sounds more records than anybody else in the United States 454 00:29:23,000 --> 00:29:26,000 So what you're going to see are fewer choices on the racks 455 00:29:26,000 --> 00:29:28,000 And as a result 456 00:29:28,000 --> 00:29:31,000 The record industry is going to have to rely on 457 00:29:31,000 --> 00:29:33,000 More and more blockbuster hits 458 00:29:33,000 --> 00:29:34,000 And when they don't have them 459 00:29:34,000 --> 00:29:37,000 Because their audiences are being drawn away 460 00:29:37,000 --> 00:29:38,000 By more and more choices 461 00:29:38,000 --> 00:29:40,000 Guess what's going to fucking happen 462 00:29:40,000 --> 00:29:44,000 So I feel like Nikita Kruzchev banging my fucking shoe on the podium 463 00:29:44,000 --> 00:29:45,000 You know we will fucking bury you 464 00:29:45,000 --> 00:29:47,000 But guess what record companies 465 00:29:47,000 --> 00:29:48,000 RIA 466 00:29:48,000 --> 00:29:50,000 We're going to bury your mother fucking asses 467 00:29:50,000 --> 00:29:52,000 And it's going to be fun to watch 468 00:29:52,000 --> 00:29:54,000 Hey questions comments 469 00:29:54,000 --> 00:29:56,000 Let me know 470 00:29:56,000 --> 00:29:57,000 Send me an email 471 00:29:57,000 --> 00:29:59,000 At where is Adam Curry at gmail.com 472 00:29:59,000 --> 00:30:02,000 Or you can send one to Adam Curry's gay 473 00:30:02,000 --> 00:30:03,000 At gmail.com 474 00:30:03,000 --> 00:30:06,000 Mark Yosin Mode and NMK 475 00:30:06,000 --> 00:30:08,000 Well my god 476 00:30:08,000 --> 00:30:10,000 I was being a daily source code 477 00:30:10,000 --> 00:30:11,000 Look now 478 00:30:11,000 --> 00:30:13,000 I thought the point of this whole Adam going away 479 00:30:13,000 --> 00:30:17,000 Saying was to reduce the almost factor on the DSC 480 00:30:17,000 --> 00:30:19,000 Well anyway 481 00:30:19,000 --> 00:30:20,000 I guess he'll do 482 00:30:20,000 --> 00:30:21,000 Let's go on on man 483 00:30:21,000 --> 00:30:23,000 Then that is what I'm going to do 484 00:30:23,000 --> 00:30:24,000 Let me show you 485 00:30:24,000 --> 00:30:26,000 Nice little surprise 486 00:30:26,000 --> 00:30:27,000 Kind of the DSC this morning 487 00:30:27,000 --> 00:30:29,000 And find you co hosting at door 488 00:30:29,000 --> 00:30:31,000 Substitute hosting at home 489 00:30:31,000 --> 00:30:34,000 Anyway 490 00:30:34,000 --> 00:30:37,000 Calling in regards to your RIA 491 00:30:37,000 --> 00:30:39,000 Major record label 492 00:30:39,000 --> 00:30:40,000 Inquiry 493 00:30:40,000 --> 00:30:42,000 Pun intended of course 494 00:30:42,000 --> 00:30:43,000 Anyway 495 00:30:43,000 --> 00:30:44,000 It seems to me like 496 00:30:44,000 --> 00:30:47,000 Although we end up talking about this in great detail 497 00:30:47,000 --> 00:30:50,000 These should seem to be becoming 498 00:30:50,000 --> 00:30:52,000 More and more muddy 499 00:30:52,000 --> 00:30:54,000 As time goes on 500 00:30:54,000 --> 00:30:55,000 And here's a deal 501 00:30:55,000 --> 00:30:56,000 As you know 502 00:30:56,000 --> 00:30:57,000 Because you want to create this for the show 503 00:30:57,000 --> 00:30:58,000 Talking about 504 00:30:58,000 --> 00:31:01,000 Major record labels with me not so long ago 505 00:31:01,000 --> 00:31:04,000 Or some major record labels are screwed anyway 506 00:31:04,000 --> 00:31:06,000 Anyway 507 00:31:06,000 --> 00:31:07,000 Anyway 508 00:31:07,000 --> 00:31:09,000 It seems like there are two components of this 509 00:31:09,000 --> 00:31:10,000 The date although they are not defined 510 00:31:10,000 --> 00:31:12,000 One is a legalistic component 511 00:31:12,000 --> 00:31:14,000 The second is a moralistic component 512 00:31:14,000 --> 00:31:17,000 And more realistic component comes from 513 00:31:17,000 --> 00:31:18,000 The legalistic end 514 00:31:18,000 --> 00:31:20,000 That is to say that 515 00:31:20,000 --> 00:31:23,000 This technique is technically illegal 516 00:31:23,000 --> 00:31:26,000 To quote unquote pirate music 517 00:31:26,000 --> 00:31:27,000 However 518 00:31:27,000 --> 00:31:29,000 And the RIAs 519 00:31:29,000 --> 00:31:32,000 Justifications seem to come from 520 00:31:32,000 --> 00:31:33,000 While this is illegal 521 00:31:33,000 --> 00:31:35,000 Therefore we have the right to do 522 00:31:35,000 --> 00:31:36,000 X, Y, and Z 523 00:31:36,000 --> 00:31:38,000 They're being resisted 524 00:31:38,000 --> 00:31:40,000 However because of the moralistic end 525 00:31:40,000 --> 00:31:42,000 Which comes from the legalistic end 526 00:31:42,000 --> 00:31:44,000 Although it is technically illegal 527 00:31:44,000 --> 00:31:47,000 It is due in part to the lobbying 528 00:31:47,000 --> 00:31:49,000 Of the government 529 00:31:49,000 --> 00:31:51,000 We are a double way 530 00:31:51,000 --> 00:31:53,000 These people have much more leverage money 531 00:31:53,000 --> 00:31:54,000 And power 532 00:31:54,000 --> 00:31:56,000 Than the other side 533 00:31:56,000 --> 00:31:57,000 Being the end user 534 00:31:57,000 --> 00:31:58,000 The consumer 535 00:31:58,000 --> 00:32:00,000 New and me and all the other cool people 536 00:32:00,000 --> 00:32:01,000 Actually pay for music 537 00:32:01,000 --> 00:32:02,000 And 538 00:32:02,000 --> 00:32:03,000 Dan 539 00:32:03,000 --> 00:32:04,000 Dan 540 00:32:04,000 --> 00:32:05,000 Where'd you go? 541 00:32:05,000 --> 00:32:07,000 Dan Patterson cut off there 542 00:32:07,000 --> 00:32:09,000 I don't know 543 00:32:09,000 --> 00:32:11,000 I'm thinking he might have been silenced 544 00:32:11,000 --> 00:32:13,000 By the RIA 545 00:32:13,000 --> 00:32:14,000 He knew too much 546 00:32:14,000 --> 00:32:16,000 They had to keep him quiet 547 00:32:16,000 --> 00:32:17,000 Dan Patterson 548 00:32:18,000 --> 00:32:20,000 Are you on the bonnet Tuesday? 549 00:32:20,000 --> 00:32:22,000 On the daily cold sore 550 00:32:22,000 --> 00:32:24,000 Yeah 551 00:32:24,000 --> 00:32:26,000 And 552 00:32:26,000 --> 00:32:28,000 Oh we got another comment 553 00:32:28,000 --> 00:32:29,000 Hold on 554 00:32:29,000 --> 00:32:32,000 Similar to Adam Roger here 555 00:32:32,000 --> 00:32:34,000 I was going to be in the Guilford 556 00:32:34,000 --> 00:32:37,000 I was wandering by the 557 00:32:37,000 --> 00:32:38,000 Curry Cottage 558 00:32:38,000 --> 00:32:40,000 And I was wondering if I could stop 559 00:32:40,000 --> 00:32:42,000 In for a 560 00:32:42,000 --> 00:32:44,000 Jolly Good Rogering today 561 00:32:44,000 --> 00:32:46,000 Anyway 562 00:32:46,000 --> 00:32:47,000 Goodbye 563 00:32:47,000 --> 00:32:49,000 Fuck I don't have Roger Smalls 564 00:32:49,000 --> 00:32:50,000 Is a jingle 565 00:32:50,000 --> 00:32:52,000 Here I can't find it on Adam's 566 00:32:52,000 --> 00:32:53,000 Laptop 567 00:32:53,000 --> 00:32:54,000 Hold on 568 00:32:54,000 --> 00:32:55,000 No 569 00:32:55,000 --> 00:32:56,000 I can't find it 570 00:32:56,000 --> 00:32:57,000 So I don't know 571 00:32:57,000 --> 00:32:58,000 I don't even remember how 572 00:32:58,000 --> 00:32:59,000 How's it go? 573 00:32:59,000 --> 00:33:01,000 Roger Smalls 574 00:33:01,000 --> 00:33:02,000 Roger Smalls 575 00:33:02,000 --> 00:33:03,000 You really creepy guy 576 00:33:03,000 --> 00:33:05,000 You want to lick Adam's balls 577 00:33:05,000 --> 00:33:06,000 I don't know 578 00:33:06,000 --> 00:33:07,000 Something like that 579 00:33:07,000 --> 00:33:09,000 What I did find on this laptop 580 00:33:09,000 --> 00:33:10,000 Oh my god 581 00:33:10,000 --> 00:33:12,000 There is so much porn on here 582 00:33:12,000 --> 00:33:13,000 I can't but 583 00:33:13,000 --> 00:33:14,000 Panda 584 00:33:14,000 --> 00:33:15,000 There are pandas fucking 585 00:33:15,000 --> 00:33:17,000 That's the kind of shitties got here 586 00:33:17,000 --> 00:33:18,000 And it's 587 00:33:18,000 --> 00:33:19,000 Hold on 588 00:33:19,000 --> 00:33:21,000 Oh no 589 00:33:21,000 --> 00:33:22,000 Haha 590 00:33:22,000 --> 00:33:23,000 My bad 591 00:33:23,000 --> 00:33:24,000 Those aren't pandas 592 00:33:24,000 --> 00:33:25,000 That's actually 593 00:33:25,000 --> 00:33:27,000 Ed Asner fucking Rosie O'Donnell 594 00:33:27,000 --> 00:33:28,000 Hey Mike 595 00:33:28,000 --> 00:33:29,000 How's it going 596 00:33:29,000 --> 00:33:30,000 In Adam's attic there 597 00:33:30,000 --> 00:33:32,000 Causing too much trouble 598 00:33:32,000 --> 00:33:33,000 Inviting the Guils around 599 00:33:33,000 --> 00:33:34,000 I hope 600 00:33:34,000 --> 00:33:35,000 Anyway 601 00:33:35,000 --> 00:33:36,000 Jeff 602 00:33:36,000 --> 00:33:37,000 Yeah 603 00:33:37,000 --> 00:33:38,000 Can you cue the music? 604 00:33:45,000 --> 00:33:46,000 Moving forward 605 00:33:46,000 --> 00:33:47,000 Going on into 606 00:33:47,000 --> 00:34:02,600 [ Music ] 607 00:34:02,600 --> 00:34:03,600 feminine 608 00:34:03,600 --> 00:34:04,600 Yes 609 00:34:04,600 --> 00:34:06,000 Good morning 610 00:34:06,000 --> 00:34:06,600 You can't 611 00:34:06,600 --> 00:34:07,500 Good morning 612 00:34:07,500 --> 00:34:08,600 You're so cute 613 00:34:08,600 --> 00:34:09,000 Dominive 614 00:34:09,000 --> 00:34:10,000 Gonzard 615 00:34:10,000 --> 00:34:11,000 How would tic-d motorcycle 616 00:34:11,000 --> 00:34:12,000 Did you sit on it? 617 00:34:12,000 --> 00:34:12,600 He just he 618 00:34:12,600 --> 00:34:17,240 getting any of the things and you just can't pump it out, oh it's crazy. Anyway this is 619 00:34:17,240 --> 00:34:21,320 Derek from Sydney Australia and if you remember that jingle from last year that's the 620 00:34:21,320 --> 00:34:25,880 potty for cancer jingle and you know we're getting excited again because May is when we're 621 00:34:25,880 --> 00:34:31,720 having the world's biggest morning tea. What it is is we're raising money for cancer and it's 622 00:34:31,720 --> 00:34:36,040 it's been, it's been affected by this lately and it's just crazy that like people should 623 00:34:36,040 --> 00:34:39,720 be able to get on with their lives and do pot casting and anything they want with having to 624 00:34:39,720 --> 00:34:46,280 bother with some crazy disease so we're donating money to cure it basically and well not 625 00:34:46,280 --> 00:34:50,200 basically we're going to cure it it's going to be great the day we see it on the front page 626 00:34:50,200 --> 00:34:55,400 on the newspaper but at the moment we're just donating money for the research so you can donate 627 00:34:55,400 --> 00:35:00,840 money by going to potty for cancer.com or you can you know get some out of it as well if that's 628 00:35:00,840 --> 00:35:07,400 enough for you by buying a limited edition mug or stine from my cafe press store which there's 629 00:35:07,400 --> 00:35:12,040 links on potty for cancer.com and they're really limited the ones that were available last year 630 00:35:12,040 --> 00:35:17,080 can't get him anymore this year 2007 mugs only get him this year and of course all the profits 631 00:35:17,080 --> 00:35:22,280 from their sales are donated to the cause then on the 24th of May the official day for the world's 632 00:35:22,280 --> 00:35:27,080 biggest morning tea you can join me on Skype and we can have a massive Skype session as we 633 00:35:27,080 --> 00:35:31,480 did last year it was great and we can just have a morning tea and a matter where you are in the world 634 00:35:31,480 --> 00:35:34,920 it's going to be morning here Australia but it might be like midnight where you are so it can 635 00:35:34,920 --> 00:35:40,600 be exciting have teens, scones and stuff like that you know some big ease we're really exciting so 636 00:35:40,600 --> 00:35:45,320 check out potty for cancer.com and try not to get too addicted to this song. Catch you later 637 00:35:51,800 --> 00:35:56,440 the pride of Sydney Australia Derek J. Steen it's also the host of a show called the 638 00:35:56,440 --> 00:36:03,320 pot show about nothing which is at nothingpot show.blockspot.com or the pot show about nothing 639 00:36:03,560 --> 00:36:10,040 pot show.com so yeah potty for cancer definitely check that out thank you Derek really appreciate 640 00:36:10,040 --> 00:36:15,880 you sending that in Derek's a great guy Derek really is a fucking amazing dude and he's doing 641 00:36:15,880 --> 00:36:20,520 some really cool shit in Australia. Hey real quick before we go on to talk about one last thing 642 00:36:21,240 --> 00:36:26,680 do you know what a stumble squad is? I learned this from Chris Penn from the Financial Aid podcast 643 00:36:26,680 --> 00:36:32,440 Chris Penn evil genius Chris Penn and I don't know if you've hooked up with stumble upon 644 00:36:32,440 --> 00:36:37,800 at stumble upon.com it's a really cool way to actually find new websites you kind of put this thing 645 00:36:37,800 --> 00:36:44,280 in a toolbar of your browser and you click on it it just kind of randomly kicks out a website based 646 00:36:44,280 --> 00:36:49,080 upon you know your preferences the things that you like so if you click that you like 647 00:36:50,120 --> 00:36:56,200 books or movies or fisting boom it'll click out a website based upon like something that you're 648 00:36:57,160 --> 00:37:01,240 interested in and you know basically you give it thumbs up thumbs down whatever or give it a review 649 00:37:01,240 --> 00:37:07,800 you know that kind of thing but it's a really it's an amazing marketing tool as well because what 650 00:37:07,800 --> 00:37:16,440 you do is if you are inclined to right you get a bunch of friends together and you help each other out 651 00:37:16,440 --> 00:37:21,640 like if somebody says hey check out my page and give it a thumbs up then you know apparently the more 652 00:37:21,720 --> 00:37:28,360 thumbs up response is something gets the more frequently it's delivered to anybody who clicks on 653 00:37:28,360 --> 00:37:34,680 the stumble upon button in their toolbar so check it out stumble upon.com and I was thinking you 654 00:37:34,680 --> 00:37:41,240 don't be amazing we should create a big stumble squad and all help each other out promoting 655 00:37:42,040 --> 00:37:47,160 you know our shows or stuff or anything crazy you're doing on the web so I don't know 656 00:37:47,160 --> 00:37:53,000 shoot me an email fuck maybe I'm just some kind of crazy optimist maybe maybe it's the shit in 657 00:37:53,000 --> 00:37:57,160 Adam's Bung I swear to God this stuff is amazing hold on one more 658 00:38:01,880 --> 00:38:09,320 fuck oh so I'll tell you what let's get out of here with a song and nothing could be more 659 00:38:09,320 --> 00:38:15,640 appropriate on Bung hit Tuesday then a little Lewis Taylor somewhere right now Andrew Grummit's going 660 00:38:15,640 --> 00:38:21,720 fuck yeah courtesy of our friends over at Hacktone Records from the album of the same name 661 00:38:41,250 --> 00:42:18,420 [ Music ] 662 00:42:18,420 --> 00:42:33,420 Who you and when you're storming I get so clever 663 00:42:33,420 --> 00:42:43,420 Who you and when you're storming I get so clever 664 00:42:43,420 --> 00:42:49,420 Who you and when you're storming I get so clever 665 00:42:49,420 --> 00:42:58,420 Who you and when you're storming I get so clever 666 00:42:58,420 --> 00:43:08,420 Who you and when you're storming I get so clever 667 00:43:08,420 --> 00:43:26,420 Who you and when you're storming I get so clever 668 00:43:26,420 --> 00:43:36,420 Who you and when you're storming I get so clever 669 00:43:36,420 --> 00:43:42,420 Who you and when you're storming I get so clever 670 00:43:42,420 --> 00:43:50,420 Who you and when you're storming I get so clever 671 00:43:50,420 --> 00:43:54,420 Who you and when you're storming I get so clever 672 00:43:54,420 --> 00:43:58,420 Who you and when you're storming I get so clever 673 00:43:58,420 --> 00:44:02,420 Who you and when you're storming I get so clever 674 00:44:02,420 --> 00:44:06,420 Who you and when you're storming I get so clever 675 00:44:06,420 --> 00:44:10,420 Who you and when you're storming I get so clever 676 00:44:10,420 --> 00:44:14,420 Who you and when you're storming I get so clever 677 00:44:14,420 --> 00:44:18,420 Who you and when you're storming I get so clever 678 00:44:18,420 --> 00:44:22,420 Who you and when you're storming I get so clever