1 00:00:00,000 --> 00:00:02,600 I can get through this, I can get through this, I can get through this. 2 00:00:02,600 --> 00:00:06,600 Hort City PD, the number one online police drama series is now available. 3 00:00:06,600 --> 00:00:09,700 Subscribe now and get the entire first season on your iPod. 4 00:00:09,700 --> 00:00:13,900 And get ready for an action-packed season 2 coming July 2007. 5 00:00:13,900 --> 00:00:16,200 Hort City.podshow.com. 6 00:00:19,800 --> 00:00:21,600 Wow! 7 00:00:21,600 --> 00:00:25,000 It is Friday, the 13th today. 8 00:00:25,000 --> 00:00:29,700 And you are listening to DSC, 634. 9 00:00:29,700 --> 00:00:33,900 The Fubar Edition, similarly like myself. 10 00:00:33,900 --> 00:00:39,200 This day was fucked up already before it even started. 11 00:00:39,200 --> 00:00:45,400 And now, ladies, all the ladies, let's talk about channels. 12 00:00:45,400 --> 00:00:46,400 All right. 13 00:00:47,400 --> 00:00:50,600 For $60 million worth of airplane strapped my ass. 14 00:00:51,600 --> 00:00:54,400 In the next generation radio content in my ears. 15 00:00:54,700 --> 00:00:57,300 We don't need no sticking, couldn't you? 16 00:00:57,300 --> 00:00:59,800 I like to think I'm flying into the future. 17 00:00:59,800 --> 00:01:00,300 I don't care. 18 00:01:00,300 --> 00:01:03,100 I'll be asking you a matter of theory. 19 00:01:03,100 --> 00:01:05,800 Give me another slide, I can't get through this. 20 00:01:05,800 --> 00:01:08,300 I can't get through this. 21 00:01:08,300 --> 00:01:09,300 Oh! 22 00:01:09,300 --> 00:01:11,300 I can't get through this. 23 00:01:11,300 --> 00:01:13,300 I can't get through this. 24 00:01:13,300 --> 00:01:15,300 I can't get through this. 25 00:01:15,300 --> 00:01:19,300 People are all you ready! 26 00:01:19,300 --> 00:01:20,900 Let's start the show. 27 00:01:20,900 --> 00:01:25,400 You sure are a cup-up man and then the one behind the hood. 28 00:01:25,400 --> 00:01:30,400 Put it on for you. 29 00:01:30,400 --> 00:01:33,300 It's like that thick and won sweet fish. 30 00:01:36,250 --> 00:04:16,900 [ Music ] 31 00:04:16,900 --> 00:04:18,900 Let's make it to my new weekend, make it to my new weekend 32 00:04:18,900 --> 00:04:20,900 Let's make it to my new weekend, make it to my new weekend 33 00:04:21,300 --> 00:04:22,900 Let's make it to my new weekend 34 00:04:22,900 --> 00:04:24,900 Let's make it to my new weekend, make it to my new weekend 35 00:04:24,900 --> 00:04:26,900 Let's make it to my new weekend, make it to my new weekend 36 00:04:26,900 --> 00:04:29,260 Dr. Art Ruthy 37 00:04:29,260 --> 00:04:32,260 We're if you missed it up for us, we're brought it back 38 00:04:32,260 --> 00:04:36,240 Feel a bit of bangers a mess for the NCT incluso back, and black mashed 39 00:04:36,240 --> 00:04:38,540 up with late sports calling out kicking off a foodbark frody on the daily 40 00:04:38,540 --> 00:04:42,940 source code from swanky cereal everybody from the west side of G-town 41 00:04:42,940 --> 00:04:46,780 it is the daily source code episode six hundred and thirty four 42 00:04:46,780 --> 00:04:49,300 Beautiful day, we've got blue skies, we've got a little bit of wind 43 00:04:49,300 --> 00:04:53,260 We got some clouds, but right now locally, it is fantastic. 44 00:04:53,260 --> 00:04:55,460 I've got maximum music, full food bar for you, 45 00:04:55,460 --> 00:04:57,940 all kinds of cool stuff coming your way. 46 00:04:57,940 --> 00:04:59,940 And of course, apologies for the non-family safe 47 00:04:59,940 --> 00:05:01,340 opening the other comic strip blogger. 48 00:05:01,340 --> 00:05:03,380 But hey, who am I to complain? 49 00:05:03,380 --> 00:05:06,660 Yes, because we've got one and only Amy Max. 50 00:05:06,660 --> 00:05:07,660 Mm-hmm. 51 00:05:07,660 --> 00:05:08,660 Amy. 52 00:05:08,660 --> 00:05:09,660 Amy. 53 00:05:09,660 --> 00:05:10,660 Amy. 54 00:05:10,660 --> 00:05:11,660 Amy. 55 00:05:11,660 --> 00:05:12,660 Amy. 56 00:05:12,660 --> 00:05:13,660 Hey, Adam. 57 00:05:13,660 --> 00:05:14,660 Hey, Amy. 58 00:05:14,660 --> 00:05:15,660 Sorry about last week. 59 00:05:15,660 --> 00:05:17,260 Once again, I was confused on my days. 60 00:05:17,260 --> 00:05:19,820 And then I was going to send you one on Friday, four Friday. 61 00:05:19,820 --> 00:05:22,020 And then I figured you're already done recording. 62 00:05:22,020 --> 00:05:24,300 And then you didn't put up the food bar until Saturday. 63 00:05:24,300 --> 00:05:25,300 It's so okay. 64 00:05:25,300 --> 00:05:26,620 Amy was just not on our side. 65 00:05:26,620 --> 00:05:27,300 Don't worry about it. 66 00:05:27,300 --> 00:05:28,300 Don't worry. 67 00:05:28,300 --> 00:05:29,700 Did I mention that I had caffeine today? 68 00:05:29,700 --> 00:05:30,540 Uh-oh. 69 00:05:30,540 --> 00:05:31,540 Anyway, how are you? 70 00:05:31,540 --> 00:05:32,540 I'm good. 71 00:05:32,540 --> 00:05:33,540 Thank you. 72 00:05:33,540 --> 00:05:34,540 How about you, baby? 73 00:05:34,540 --> 00:05:35,540 Everything okay? 74 00:05:35,540 --> 00:05:36,540 Good. 75 00:05:36,540 --> 00:05:37,540 Yeah. 76 00:05:37,540 --> 00:05:38,540 So, I think you're going to love this week's exercise. 77 00:05:38,540 --> 00:05:39,540 Oh, yay. 78 00:05:39,540 --> 00:05:40,540 Okay. 79 00:05:40,540 --> 00:05:41,740 Since you've complained last time about it being too easy, 80 00:05:41,740 --> 00:05:43,540 I haven't been easy for you. 81 00:05:43,540 --> 00:05:44,540 Okay. 82 00:05:44,540 --> 00:05:46,540 Does anyone say doozy anymore? 83 00:05:46,780 --> 00:05:47,540 All right. 84 00:05:47,540 --> 00:05:48,540 Sorry. 85 00:05:48,540 --> 00:05:49,540 I'm going to be on the floor. 86 00:05:49,540 --> 00:05:51,300 So go ahead and get yourself situated. 87 00:05:51,300 --> 00:05:53,300 How long am I back? 88 00:05:53,300 --> 00:05:56,940 You're going to lay on your right side and you're going to prop yourself up with 89 00:05:56,940 --> 00:05:59,220 your right hand. 90 00:05:59,220 --> 00:06:01,020 Now straighten the right arm. 91 00:06:01,020 --> 00:06:02,020 All right. 92 00:06:02,020 --> 00:06:04,580 Make sure that your hand is in line with your shoulder. 93 00:06:04,580 --> 00:06:05,740 Yeah, it is. 94 00:06:05,740 --> 00:06:08,300 Your left leg should be stacked onto your right leg. 95 00:06:08,300 --> 00:06:09,300 Yeah, it is. 96 00:06:09,300 --> 00:06:10,300 It hurts. 97 00:06:10,300 --> 00:06:11,300 Is it woodwork? 98 00:06:11,300 --> 00:06:12,300 Okay. 99 00:06:12,300 --> 00:06:13,300 Are you a triangle? 100 00:06:13,300 --> 00:06:14,300 Okay. 101 00:06:14,300 --> 00:06:15,300 Now, DSC kids, don't try this at home. 102 00:06:15,300 --> 00:06:16,300 Okay. 103 00:06:16,340 --> 00:06:18,340 Take your left leg and lift it up. 104 00:06:18,340 --> 00:06:19,340 Crack. 105 00:06:19,340 --> 00:06:21,340 Now bring it down. 106 00:06:21,340 --> 00:06:22,340 Oh. 107 00:06:22,340 --> 00:06:23,340 Take it forward. 108 00:06:23,340 --> 00:06:24,340 I'm going to get the mic close. 109 00:06:24,340 --> 00:06:26,340 I'm going to bring it back to center. 110 00:06:26,340 --> 00:06:27,340 Forward. 111 00:06:27,340 --> 00:06:28,340 And then up. 112 00:06:28,340 --> 00:06:29,340 Yeah. 113 00:06:29,340 --> 00:06:30,340 Or is this top? 114 00:06:30,340 --> 00:06:31,340 And back down. 115 00:06:31,340 --> 00:06:32,340 It's really hard. 116 00:06:32,340 --> 00:06:33,340 Now to the back. 117 00:06:33,340 --> 00:06:35,340 And then to the center. 118 00:06:35,340 --> 00:06:36,340 Up. 119 00:06:36,340 --> 00:06:37,340 One more time. 120 00:06:37,340 --> 00:06:38,340 Up. 121 00:06:38,340 --> 00:06:39,340 And down. 122 00:06:39,340 --> 00:06:40,340 Don't tell me how to do on the other side. 123 00:06:40,340 --> 00:06:41,340 Deep breath. 124 00:06:41,340 --> 00:06:42,340 Great. 125 00:06:42,340 --> 00:06:43,340 One more time. 126 00:06:43,340 --> 00:06:44,340 And then we're going to switch sides. 127 00:06:44,340 --> 00:06:45,340 Up. 128 00:06:45,340 --> 00:06:46,180 Up. 129 00:06:46,220 --> 00:06:47,180 Forward. 130 00:06:47,180 --> 00:06:48,180 Down. 131 00:06:48,180 --> 00:06:49,180 Down. 132 00:06:49,180 --> 00:06:50,180 Forward. 133 00:06:50,180 --> 00:06:51,180 Back to center. 134 00:06:51,180 --> 00:06:52,180 Back to center. 135 00:06:52,180 --> 00:06:53,180 Up. 136 00:06:53,180 --> 00:06:54,180 Up. 137 00:06:54,180 --> 00:06:55,180 Down. 138 00:06:55,180 --> 00:06:56,180 To the back. 139 00:06:56,180 --> 00:06:57,180 Back. 140 00:06:57,180 --> 00:06:58,180 Center. 141 00:06:58,180 --> 00:06:59,180 Center. 142 00:06:59,180 --> 00:07:00,180 Up. 143 00:07:00,180 --> 00:07:01,180 And back down. 144 00:07:01,180 --> 00:07:02,180 Come down. 145 00:07:02,180 --> 00:07:03,180 Another deep breath. 146 00:07:03,180 --> 00:07:04,180 I'm sweating. 147 00:07:04,180 --> 00:07:05,180 I'm sweating. 148 00:07:05,180 --> 00:07:06,180 I'm sweating. 149 00:07:06,180 --> 00:07:07,180 And switch sides. 150 00:07:07,180 --> 00:07:08,180 Okay. 151 00:07:08,180 --> 00:07:09,180 I'm on left now. 152 00:07:09,180 --> 00:07:10,180 Okay. 153 00:07:10,180 --> 00:07:11,180 Up on the left side. 154 00:07:11,180 --> 00:07:12,180 Okay. 155 00:07:12,180 --> 00:07:13,180 I'm on the shoulder. 156 00:07:13,180 --> 00:07:14,180 I'm straight. 157 00:07:14,180 --> 00:07:16,180 And the right leg goes up. 158 00:07:16,180 --> 00:07:17,180 Down. 159 00:07:17,180 --> 00:07:18,180 Down. 160 00:07:18,180 --> 00:07:19,180 Front. 161 00:07:19,180 --> 00:07:20,180 Front. 162 00:07:20,180 --> 00:07:21,180 Center. 163 00:07:21,180 --> 00:07:22,180 Center. 164 00:07:22,180 --> 00:07:23,180 Up. 165 00:07:23,180 --> 00:07:24,180 Up. 166 00:07:24,180 --> 00:07:25,180 Down. 167 00:07:25,180 --> 00:07:26,180 Out. 168 00:07:26,180 --> 00:07:27,180 To the back. 169 00:07:27,180 --> 00:07:28,180 And center. 170 00:07:28,180 --> 00:07:29,180 Again. 171 00:07:29,180 --> 00:07:30,180 Up. 172 00:07:30,180 --> 00:07:31,180 Down. 173 00:07:31,180 --> 00:07:33,180 Front. 174 00:07:33,180 --> 00:07:34,180 Center. 175 00:07:34,180 --> 00:07:35,180 Back. 176 00:07:35,180 --> 00:07:36,180 Up. 177 00:07:36,180 --> 00:07:37,180 Down. 178 00:07:37,180 --> 00:07:38,180 And back. 179 00:07:38,180 --> 00:07:39,180 And center. 180 00:07:39,180 --> 00:07:40,180 Great. 181 00:07:40,180 --> 00:07:42,180 Take a deep breath. 182 00:07:42,180 --> 00:07:44,180 It's been fun, hasn't it? 183 00:07:44,180 --> 00:07:45,180 I'm sure. 184 00:07:45,180 --> 00:07:46,180 All right. 185 00:07:46,180 --> 00:07:47,180 Until next time. 186 00:07:47,180 --> 00:07:48,180 Oh wait. 187 00:07:48,180 --> 00:07:49,180 Hang on. 188 00:07:49,180 --> 00:07:50,180 Not yet. 189 00:07:50,180 --> 00:07:51,180 What? 190 00:07:51,180 --> 00:07:52,180 What? 191 00:07:52,180 --> 00:07:53,180 No. 192 00:07:53,180 --> 00:07:55,180 I'm not going to tell him about the health of Venice channel yet. 193 00:07:55,180 --> 00:07:56,180 Because it's already. 194 00:07:56,180 --> 00:07:58,180 Did you want to tell him about the channel editor? 195 00:07:58,180 --> 00:08:00,180 Really? 196 00:08:00,180 --> 00:08:01,180 Wow. 197 00:08:01,180 --> 00:08:02,180 What? 198 00:08:02,180 --> 00:08:03,180 All right. 199 00:08:03,180 --> 00:08:04,180 Well, you guys heard it your first. 200 00:08:04,180 --> 00:08:05,180 This is Amy Mack. 201 00:08:05,180 --> 00:08:06,180 What? 202 00:08:06,180 --> 00:08:07,180 You guys heard it your first. 203 00:08:07,180 --> 00:08:08,180 This is Amy Mack. 204 00:08:08,180 --> 00:08:09,180 What? 205 00:08:09,180 --> 00:08:11,180 You guys say your name. 206 00:08:12,180 --> 00:08:13,180 It's ridiculous. 207 00:08:13,180 --> 00:08:16,180 Until next time. 208 00:08:16,180 --> 00:08:17,180 Thanks, baby. 209 00:08:17,180 --> 00:08:20,180 The one and only Amy Mack plays a gentleman 210 00:08:20,180 --> 00:08:24,180 Our ray of sunshine through the clouds of anything. 211 00:08:24,180 --> 00:08:25,180 Amy. 212 00:08:25,180 --> 00:08:27,180 I didn't feel anything in my ass. 213 00:08:27,180 --> 00:08:29,180 Let me rephrase that. 214 00:08:29,180 --> 00:08:33,180 I didn't feel any muscle pull in the glutamus maximus region. 215 00:08:33,180 --> 00:08:34,180 Yeah. 216 00:08:34,180 --> 00:08:36,180 And my arms hurt and my legs hurt. 217 00:08:36,180 --> 00:08:38,180 Nothing else worked. 218 00:08:39,180 --> 00:08:40,180 Health and fitness channel, huh? 219 00:08:40,180 --> 00:08:41,180 Hmm. 220 00:08:41,180 --> 00:08:44,180 I wonder if we'd have that channel editor coming out soon. 221 00:08:56,180 --> 00:08:57,180 Hey there, Adam. 222 00:08:57,180 --> 00:08:58,180 It's pretty Mason. 223 00:08:58,180 --> 00:08:59,180 You're a virtual girl fan. 224 00:08:59,180 --> 00:09:01,180 It's just checking in. 225 00:09:01,180 --> 00:09:03,180 I was hoping you'd like to play a game with me. 226 00:09:03,180 --> 00:09:05,180 You like games, don't you, Adam? 227 00:09:05,180 --> 00:09:07,180 Now there's no handcuffs or feathers involved in this one. 228 00:09:07,180 --> 00:09:11,180 But you seem to know an awful lot about ancient 80s music. 229 00:09:11,180 --> 00:09:14,180 Geekboy stuff like HTML. 230 00:09:14,180 --> 00:09:17,180 Pop this and pop that. 231 00:09:17,180 --> 00:09:20,180 But do you know your pop culture? 232 00:09:20,180 --> 00:09:21,180 Are you ready for it? 233 00:09:21,180 --> 00:09:22,180 You know what I mean? 234 00:09:22,180 --> 00:09:23,180 I got to stop. 235 00:09:23,180 --> 00:09:24,180 Brittany. 236 00:09:24,180 --> 00:09:25,180 What happened? 237 00:09:25,180 --> 00:09:27,180 Something's completely full barred. 238 00:09:27,180 --> 00:09:29,180 I'm only hearing you through the through one channel. 239 00:09:29,180 --> 00:09:30,180 Send it again. 240 00:09:30,180 --> 00:09:31,180 Well, yeah. 241 00:09:31,180 --> 00:09:33,180 Because I definitely want to test my pop culture knowledge. 242 00:09:34,180 --> 00:09:35,180 Maximum music's full barred. 243 00:09:35,180 --> 00:09:36,180 I'm the Danny source. 244 00:09:36,180 --> 00:09:37,180 Come to everybody. 245 00:09:37,180 --> 00:09:38,180 Rockin' it out for the pop team. 246 00:09:38,180 --> 00:09:39,180 Music Network. 247 00:09:39,180 --> 00:09:40,180 Health and digital. 248 00:09:40,180 --> 00:09:42,180 Sweet system. 249 00:09:45,180 --> 00:09:46,180 Now we're freaking out. 250 00:09:46,180 --> 00:09:47,180 You system. 251 00:09:47,180 --> 00:09:48,180 Dayo being gone. 252 00:09:48,180 --> 00:09:49,180 Yeah. 253 00:09:49,180 --> 00:11:56,180 [ Music ] 254 00:11:56,180 --> 00:12:01,180 You're getting down, pushing me out into this town 255 00:12:01,180 --> 00:12:05,180 Now we're waiting outside 256 00:12:05,180 --> 00:12:08,180 So many nights, the time is up 257 00:12:08,180 --> 00:12:11,180 So many nights, the time is up 258 00:12:11,180 --> 00:12:13,180 Yeah, I wanna tell you, it's me 259 00:12:13,180 --> 00:12:15,180 You're getting down, pushing me out into this town 260 00:12:15,180 --> 00:13:16,180 [ Music ] 261 00:13:16,180 --> 00:13:20,180 All right, I'll give you one guess where they're from 262 00:13:20,180 --> 00:13:23,180 Think about it, it looks, it's guns and roses, 263 00:13:23,180 --> 00:13:25,180 Motel crew, speed row, and fuel 264 00:13:25,180 --> 00:13:28,180 You get it yet? 265 00:13:28,180 --> 00:13:31,180 Of course, they're from Sweden, where else? 266 00:13:31,180 --> 00:13:33,180 Hell and diesel! 267 00:13:33,180 --> 00:13:37,180 Hell, hell and they're from Sweden 268 00:13:37,180 --> 00:13:41,180 From the pot safe music network, link to that in the show notes at 269 00:13:42,180 --> 00:13:45,180 Kicking ass of the Mexican music bar Friday 270 00:14:01,180 --> 00:14:03,180 Shea were maximum music, but there's still lots of stuff 271 00:14:03,180 --> 00:14:06,180 Coming into the phone numbers, now that I actually know how to get all the messages 272 00:14:06,180 --> 00:14:09,180 It's almost overwhelming, but there's so much good stuff 273 00:14:09,180 --> 00:14:12,180 Got him, hey, who is this? 274 00:14:12,180 --> 00:14:14,180 I don't want to get my name, it doesn't matter 275 00:14:14,180 --> 00:14:17,180 Listen, I happen to have about this music thing in the copyright board 276 00:14:17,180 --> 00:14:19,180 I happen to know somebody who works 277 00:14:19,180 --> 00:14:26,180 It's a executive at one of the very top level music streaming companies 278 00:14:26,180 --> 00:14:28,180 You know the name and a heartbeat of your heart 279 00:14:28,180 --> 00:14:29,180 Pandora 280 00:14:29,180 --> 00:14:34,180 And just so happens, I was at a little Shindig with the guy 281 00:14:34,180 --> 00:14:36,180 And I'm asked how's the company going 282 00:14:36,180 --> 00:14:38,180 You guys gonna stay in business 283 00:14:40,180 --> 00:14:42,180 Let me just stop for a second 284 00:14:42,180 --> 00:14:44,180 For those of you who don't know the context of this 285 00:14:44,180 --> 00:14:47,180 This is about this coming Sunday, July 15th 286 00:14:47,180 --> 00:14:52,180 When the new royalty rates go into effect for streaming internet radio 287 00:14:52,180 --> 00:14:55,180 Which I've discovered is really two things 288 00:14:55,180 --> 00:15:00,180 It's either radio stations who are broadcasting their signal on the internet 289 00:15:00,180 --> 00:15:04,180 Or it's playlists of music 290 00:15:04,180 --> 00:15:06,180 That are being streamed 291 00:15:06,180 --> 00:15:09,180 Like live 365 Pandora last FM 292 00:15:09,180 --> 00:15:13,180 Even to an extent, Napster and another online music services 293 00:15:13,180 --> 00:15:15,180 Where you rent music 294 00:15:15,180 --> 00:15:19,180 Those fees are going up significantly 295 00:15:19,180 --> 00:15:23,180 And will be calculated on a per listener basis going forward 296 00:15:23,180 --> 00:15:25,180 Actually, there's some of its retroactive 297 00:15:25,180 --> 00:15:29,180 So I guess the question was that you pose to this executive of 298 00:15:29,180 --> 00:15:32,180 And I love the fact that you're calling me anonymously 299 00:15:33,180 --> 00:15:37,180 The question you pose to some exact of a big streaming company 300 00:15:37,180 --> 00:15:40,180 Was are you gonna guys stay in business 301 00:15:40,180 --> 00:15:43,180 And so this is about the regulation that kick off in July 302 00:15:43,180 --> 00:15:44,180 July 15th 303 00:15:44,180 --> 00:15:48,180 So the mood and at least at this particular company is not good 304 00:15:48,180 --> 00:15:52,180 And he told me something that I don't think is widely known 305 00:15:52,180 --> 00:15:57,180 There has been legislation, both in the Senate and the House 306 00:15:57,180 --> 00:16:01,180 That would overturn this copyright board decision 307 00:16:01,180 --> 00:16:04,180 Well, not entirely true, wouldn't overturn it 308 00:16:04,180 --> 00:16:07,180 But it would certainly delay it and provide for some 309 00:16:07,180 --> 00:16:10,180 Some breathing room for people to get their act together 310 00:16:10,180 --> 00:16:12,180 And everyone to figure some stuff out 311 00:16:12,180 --> 00:16:14,180 So it's not a complete overturn of the legislation 312 00:16:14,180 --> 00:16:17,180 But it is a block of the legislation that's absolutely true 313 00:16:17,180 --> 00:16:20,180 And I think that has been posted relatively widely 314 00:16:20,180 --> 00:16:24,180 However, if you notice, you haven't heard me say about that, right? 315 00:16:24,180 --> 00:16:25,180 On a mainstream 316 00:16:25,180 --> 00:16:27,180 Well, a couple of weeks ago or so 317 00:16:28,180 --> 00:16:32,180 Apparently of the heads of all these companies that would be affected 318 00:16:32,180 --> 00:16:37,180 And the RIA and these are a couple of executives represented 319 00:16:37,180 --> 00:16:43,180 And you're all brought into a room with some big monkey mucks and cops 320 00:16:43,180 --> 00:16:46,180 Don't honestly know who it was, I don't remember 321 00:16:46,180 --> 00:16:49,180 But it was like, you know, kind of a committee, some big guy 322 00:16:49,180 --> 00:16:52,180 And this guy just sits and down and goes, all right guys, look 323 00:16:52,180 --> 00:16:55,180 We are not going to legislate on this 324 00:16:56,180 --> 00:16:58,180 So wait a minute, so we got Congress together 325 00:16:58,180 --> 00:17:03,180 With all the the mucketing mucks of all these streaming radio companies 326 00:17:03,180 --> 00:17:05,180 And Congress said, we're not going to vote on this 327 00:17:05,180 --> 00:17:09,180 Boy, does this take me back to everything I've been saying for the past two weeks 328 00:17:09,180 --> 00:17:12,180 You know, don't just write your congressman with some bullshit plea 329 00:17:12,180 --> 00:17:15,180 Threaten them, that's the best way to work 330 00:17:15,180 --> 00:17:17,180 They threaten you, threaten them 331 00:17:17,180 --> 00:17:21,180 If you don't vote for what I want, if you don't vote the way I want you to 332 00:17:21,180 --> 00:17:23,180 I will not vote for you, I promise 333 00:17:23,180 --> 00:17:25,180 Guarantee, I'll get you out of office 334 00:17:25,180 --> 00:17:27,180 It's the only thing that works, cut to the chase 335 00:17:27,180 --> 00:17:30,180 You don't have to be nice and political about it 336 00:17:30,180 --> 00:17:33,180 And just story, we don't want to have to vote on this 337 00:17:33,180 --> 00:17:34,180 So we're not going to 338 00:17:34,180 --> 00:17:37,180 So you guys are going to come back in a week 339 00:17:37,180 --> 00:17:40,180 And you're going to tell us how you're going to work this out 340 00:17:40,180 --> 00:17:43,180 You will do this 341 00:17:43,180 --> 00:17:46,180 Now I haven't heard what the result of that was 342 00:17:46,180 --> 00:17:49,180 It might have just been a bunch of FUs and that was it 343 00:17:49,180 --> 00:17:52,180 And if the congress isn't going to vote for 344 00:17:52,180 --> 00:17:56,180 Why would the music industry bother to make a deal with anybody 345 00:17:56,180 --> 00:17:58,180 They force their concerns to help make you just go away 346 00:17:58,180 --> 00:17:59,180 Yeah, they won 347 00:17:59,180 --> 00:18:02,180 You know, we can go back to the 1980s with CDs cost 20 bucks 348 00:18:02,180 --> 00:18:06,180 Um, anybody had to buy them, right? 349 00:18:06,180 --> 00:18:08,180 But anyway, that's not widely known 350 00:18:08,180 --> 00:18:11,180 And that is a God's honest truth as I understand it 351 00:18:11,180 --> 00:18:15,180 Um, and things are just simply not looking good 352 00:18:15,180 --> 00:18:18,180 Last SM sure those guys got bought 353 00:18:18,180 --> 00:18:22,180 But there are a lot of other resources that are either dependent 354 00:18:22,180 --> 00:18:24,180 Or part of another corporation 355 00:18:24,180 --> 00:18:28,180 A lot of lines, those guys are not going to want to spend the money 356 00:18:28,180 --> 00:18:30,180 To stay in business so 357 00:18:30,180 --> 00:18:32,180 I don't know if it's interesting to you or not 358 00:18:32,180 --> 00:18:34,180 It is great 359 00:18:34,180 --> 00:18:36,180 Oh, cool 360 00:18:36,180 --> 00:18:38,180 Holder folder folder folder folder 361 00:18:38,180 --> 00:18:41,180 An anonymous folder, ladies and gentlemen, appreciate the info 362 00:18:41,180 --> 00:18:43,180 Do good intel 363 00:18:43,180 --> 00:18:45,180 Yeah, that's not going to get overturned 364 00:18:45,180 --> 00:18:47,180 That's clear unless it all of a sudden happens today 365 00:18:47,180 --> 00:18:49,180 Um, so I doubt that 366 00:18:49,180 --> 00:18:51,180 And there you go 367 00:18:51,180 --> 00:18:53,180 It's clear there's only one direction 368 00:18:53,180 --> 00:18:56,180 And it's very topical for me because I've been in conversations with 369 00:18:56,180 --> 00:18:59,180 A large European independent record company 370 00:18:59,180 --> 00:19:01,180 And we have a couple of them on the network 371 00:19:01,180 --> 00:19:03,180 It was so great because 372 00:19:03,180 --> 00:19:07,180 As I'm talking about having this company put all of their back catalog 373 00:19:07,180 --> 00:19:09,180 On to the pod save music network and there's some awesome stuff in there 374 00:19:09,180 --> 00:19:13,180 Um, and in fact, I can say it's red bullet 375 00:19:13,180 --> 00:19:15,180 And uh, they have golden earring 376 00:19:15,180 --> 00:19:17,180 You know, I've played some of this before because I got permission 377 00:19:17,180 --> 00:19:19,180 So golden earring 378 00:19:19,180 --> 00:19:21,180 Uh, focus, uh, shocking blue 379 00:19:21,180 --> 00:19:25,180 Um, but his, uh, the sun has his own, uh, his runs a spin and records 380 00:19:25,180 --> 00:19:27,180 Which is a big dance label 381 00:19:27,180 --> 00:19:29,180 Anyway, we had email conversation 382 00:19:29,180 --> 00:19:31,180 And he brought in, um, his buddy Hine 383 00:19:31,180 --> 00:19:33,180 Who is, um, on the board of epitaph records 384 00:19:33,180 --> 00:19:35,180 And, you know, and I said, well in that interesting 385 00:19:35,180 --> 00:19:37,180 Uh, Hine has over a hundred tracks 386 00:19:37,180 --> 00:19:41,180 Uh, epitaph has over a hundred tracks on the pod save music network 387 00:19:41,180 --> 00:19:45,180 So what's happening is this 25% of the music business 388 00:19:45,180 --> 00:19:47,180 Which uh, is made up of independence 389 00:19:47,180 --> 00:19:49,180 They're seeing the light, my friends 390 00:19:49,180 --> 00:19:51,180 They are seeing the light 391 00:19:51,180 --> 00:19:53,180 This, this, the whole conversation was in Dutch 392 00:19:53,180 --> 00:19:57,180 I wish it could translate it because a lot of it just doesn't carry over 393 00:19:57,180 --> 00:19:59,180 But one thing, um, uh, 394 00:19:59,180 --> 00:20:01,180 Villam said Villam is the owner of the record company 395 00:20:01,180 --> 00:20:03,180 He said 396 00:20:03,180 --> 00:20:05,180 Essentially he said, what the fuck? 397 00:20:05,180 --> 00:20:07,180 No guts, no glory 398 00:20:07,180 --> 00:20:09,180 And I love that so much 399 00:20:09,180 --> 00:20:11,180 Right, he's absolutely right 400 00:20:11,180 --> 00:20:13,180 And we're just going to route around it 401 00:20:13,180 --> 00:20:15,180 You know, this whole music thing, this whole license music 402 00:20:15,180 --> 00:20:17,180 These, you know, the 40 most popular 403 00:20:17,180 --> 00:20:19,180 You can't even name 40 most popular songs of the day 404 00:20:19,180 --> 00:20:21,180 Because you probably only can name 405 00:20:21,180 --> 00:20:23,180 The top five or the top ten, if anything 406 00:20:23,180 --> 00:20:25,180 It's the spectacle, it's part of the spectacle 407 00:20:25,180 --> 00:20:29,180 You know, we've been talking about the society of the spectacle 408 00:20:29,180 --> 00:20:31,180 And the, the business works perfectly 409 00:20:31,180 --> 00:20:35,180 Um, you, uh, you create, uh, you've got a star 410 00:20:35,180 --> 00:20:37,180 They have a hit record, uh, then the tabloids jump on top 411 00:20:37,180 --> 00:20:39,180 And then there's all kinds of scandals 412 00:20:39,180 --> 00:20:41,180 And it has to stir around, to wher around 413 00:20:41,180 --> 00:20:43,180 And if you're, timely enough to be out with the tour 414 00:20:43,180 --> 00:20:45,180 Or the album, you can benefit from that 415 00:20:45,180 --> 00:20:47,180 And then of course, the artist self-destructs 416 00:20:47,180 --> 00:20:49,180 And maybe we'll make a comeback later on 417 00:20:49,180 --> 00:20:51,180 It's all about the society of the spectacle 418 00:20:51,180 --> 00:20:55,180 I'm, uh, this is Mark Elso, Los Angeles, California 419 00:20:55,180 --> 00:20:57,180 Listening to 633 420 00:20:57,180 --> 00:20:59,180 A long time listener of, uh, 421 00:20:59,180 --> 00:21:03,180 Well, basically, to Charlie and other podcasts 422 00:21:03,180 --> 00:21:05,180 And, uh, I gotta tell you, you're right on the money 423 00:21:05,180 --> 00:21:07,180 Uh, when it comes to mainstream music 424 00:21:07,180 --> 00:21:11,180 And, uh, when it becomes pot-safe music 425 00:21:11,180 --> 00:21:13,180 And when it becomes, in alternative 426 00:21:13,180 --> 00:21:15,180 For people to listen 427 00:21:15,180 --> 00:21:19,180 And, um, it's just, uh, just bear with me a little bit 428 00:21:19,180 --> 00:21:21,180 Because I haven't thought here 429 00:21:21,180 --> 00:21:25,180 You know, in the States, NFL is really big 430 00:21:25,180 --> 00:21:27,180 And baseball is big, but interestingly enough 431 00:21:27,180 --> 00:21:29,180 They're charging a lot of places right now 432 00:21:29,180 --> 00:21:33,180 For the NFL network to be able to watch 433 00:21:33,180 --> 00:21:35,180 The NFL 434 00:21:35,180 --> 00:21:37,180 And, uh, so all your favorite bars 435 00:21:37,180 --> 00:21:39,180 And stuff like that 436 00:21:39,180 --> 00:21:41,180 They, they got restrictions 437 00:21:41,180 --> 00:21:43,180 They don't have the, they don't have the, uh, 438 00:21:43,180 --> 00:21:45,180 The games you want to see 439 00:21:45,180 --> 00:21:47,180 So, basically, people go other bars 440 00:21:47,180 --> 00:21:49,180 And stuff like that, but 441 00:21:49,180 --> 00:21:51,180 Oh yeah, well, it's, it's no different from the music business 442 00:21:51,180 --> 00:21:53,180 I mean, sports rights 443 00:21:53,180 --> 00:21:55,180 Oh man, sports sports rights 444 00:21:55,180 --> 00:21:57,180 That's the, that's the big deal in television 445 00:21:57,180 --> 00:21:59,180 That's the big draw, that's where all the money 446 00:21:59,180 --> 00:22:01,180 In fact, that's not where all the money comes from 447 00:22:01,180 --> 00:22:03,180 Drawing audiences 448 00:22:03,180 --> 00:22:05,180 And, um, and because, you know, 449 00:22:05,180 --> 00:22:07,180 A showing this in your bar 450 00:22:07,180 --> 00:22:09,180 Is essentially a public performance 451 00:22:09,180 --> 00:22:11,180 And, of course, that is prohibited 452 00:22:11,180 --> 00:22:13,180 You know, you can do it, but you just have to pay money 453 00:22:13,180 --> 00:22:15,180 Um, and believe me, they've got a force 454 00:22:15,180 --> 00:22:17,180 Out on the ground that goes to every single bar 455 00:22:17,180 --> 00:22:19,180 And they get charged for the music 456 00:22:19,180 --> 00:22:21,180 They play, they get charged for the, uh, 457 00:22:21,180 --> 00:22:23,180 Uh, the television they're showing 458 00:22:23,180 --> 00:22:25,180 It's, uh, hey, it's not illegal 459 00:22:25,180 --> 00:22:27,180 It's not wrong, it's just, you know, 460 00:22:27,180 --> 00:22:29,180 They're basically forcing their customers away 461 00:22:29,180 --> 00:22:31,180 Uh, and their customers, in this case, uh, 462 00:22:31,180 --> 00:22:33,180 Right now, our bars and, uh, public places 463 00:22:33,180 --> 00:22:35,180 And, places where stuff is performed 464 00:22:35,180 --> 00:22:37,180 Then use as well 465 00:22:37,180 --> 00:22:43,180 So, uh, well, they're squeezing out every, uh, last drop of revenue 466 00:22:43,180 --> 00:22:45,180 Which again, is, there's nothing wrong with it 467 00:22:45,180 --> 00:22:47,180 It's what the organization has to do, you know 468 00:22:47,180 --> 00:22:49,180 That's, that's the way the beast operates 469 00:22:49,180 --> 00:22:51,180 They're losing money on sales 470 00:22:51,180 --> 00:22:53,180 So they got to make it up somewhere else 471 00:22:53,180 --> 00:22:55,180 Uh, excuse me, Coca-Cola 472 00:22:55,180 --> 00:22:57,180 Um 473 00:22:57,180 --> 00:22:59,180 What was the point I was going to make about that 474 00:22:59,180 --> 00:23:01,180 Ah, I don't know, what's continued listening 475 00:23:01,180 --> 00:23:03,180 Oops 476 00:23:03,180 --> 00:23:05,180 Where the, uh, here we go 477 00:23:05,180 --> 00:23:07,180 Uh, uh, there was a point I was going to make 478 00:23:07,180 --> 00:23:09,180 I'll come back to it 479 00:23:09,180 --> 00:23:13,180 I'm seeing, and one I'm predicting here is the rise of soccer 480 00:23:13,180 --> 00:23:17,180 And, um, and it's just funny to watch it 481 00:23:17,180 --> 00:23:21,180 Basically the more you control and try to control people 482 00:23:21,180 --> 00:23:23,180 And the more you, you push a bunch of rules on things 483 00:23:23,180 --> 00:23:25,180 People find other 484 00:23:25,180 --> 00:23:29,180 avenues and, uh, as much as, believe it or not 485 00:23:29,180 --> 00:23:31,180 I'm not a soccer fan, but dammit 486 00:23:31,180 --> 00:23:35,180 I just watched Argentina beat Mexico 487 00:23:35,180 --> 00:23:37,180 And somebody was explaining explaining to me 488 00:23:37,180 --> 00:23:39,180 I don't know why, but how I was watching it 489 00:23:39,180 --> 00:23:41,180 But dammit, it was exciting 490 00:23:41,180 --> 00:23:45,180 And, um, and, and that's taken from me 491 00:23:45,180 --> 00:23:47,180 Somebody would never even think about watching soccer 492 00:23:47,180 --> 00:23:51,180 So, if, if you could put the same kind of logic in there 493 00:23:51,180 --> 00:23:53,180 Just the idea that people will actually 494 00:23:53,180 --> 00:23:55,180 Listen to other things 495 00:23:55,180 --> 00:23:57,180 And, uh, it's, it's funny 496 00:23:57,180 --> 00:23:59,180 Because whatever you want to call it 497 00:23:59,180 --> 00:24:03,180 Big media or big paid media or whatever 498 00:24:03,180 --> 00:24:05,180 Restriction media you want to call it 499 00:24:05,180 --> 00:24:09,180 There's always going to be an avenue for other people 500 00:24:09,180 --> 00:24:13,180 To enjoy and it expands itself and it creates 501 00:24:13,180 --> 00:24:15,180 Other opportunities for people out there 502 00:24:15,180 --> 00:24:17,180 So, yeah, big go 503 00:24:17,180 --> 00:24:19,180 Right on man 504 00:24:19,180 --> 00:24:23,180 Yes, indeed, in fact, uh, I noticed something very early on 505 00:24:23,180 --> 00:24:25,180 When you've heard a pod save song 506 00:24:25,180 --> 00:24:27,180 Which, of course, by definition, is not mainstream 507 00:24:27,180 --> 00:24:29,180 Not a hit, it's not being jammed into you 508 00:24:29,180 --> 00:24:31,180 Over and over again, but you hear 509 00:24:31,180 --> 00:24:33,180 One or two times on a different podcast 510 00:24:33,180 --> 00:24:35,180 You start to recognize it 511 00:24:35,180 --> 00:24:37,180 You start to be able to sing along and I realize very early on 512 00:24:37,180 --> 00:24:41,180 Oh, sounds like, wait a minute, this feels just like a, you know, mainstream 513 00:24:41,180 --> 00:24:43,180 It's like I'm sing along to the hits 514 00:24:43,180 --> 00:24:45,180 It's just, it's different hits coming from different places 515 00:24:45,180 --> 00:24:47,180 Absolutely. Now, why do you think we have 516 00:24:47,180 --> 00:24:51,180 Such a beautiful arrangement with British telecom here in the UK? 517 00:24:51,180 --> 00:24:53,180 It's really simple 518 00:24:53,180 --> 00:24:57,180 Just like, um, every, every media company 519 00:24:57,180 --> 00:24:59,180 Um, basically has the same offering 520 00:24:59,180 --> 00:25:03,180 You know, you've got your BBC channels 521 00:25:03,180 --> 00:25:07,180 You've got your, uh, your, uh, your ITV or channel 4 522 00:25:07,180 --> 00:25:09,180 And you can get the same offering 523 00:25:09,180 --> 00:25:11,180 And of course, it's all the triple or quadruple play 524 00:25:11,180 --> 00:25:13,180 Right, so you get your internet, your telephone 525 00:25:13,180 --> 00:25:15,180 And your television 526 00:25:15,180 --> 00:25:17,180 Uh, all through a box 527 00:25:17,180 --> 00:25:19,180 So virgin media has a box, which comes through cable 528 00:25:19,180 --> 00:25:21,180 We have sky, which comes through has a, they have a box 529 00:25:21,180 --> 00:25:23,180 Comes through satellite 530 00:25:23,180 --> 00:25:25,180 And then we have British telecom 531 00:25:25,180 --> 00:25:27,180 Who have just recently put a box into limited release 532 00:25:27,180 --> 00:25:29,180 Called, um, BT vision 533 00:25:29,180 --> 00:25:31,180 And it's IP TV, so television over the internet 534 00:25:31,180 --> 00:25:33,180 That comes through the DSL cable 535 00:25:33,180 --> 00:25:35,180 Um, 536 00:25:35,180 --> 00:25:37,180 Now, all of these companies 537 00:25:37,180 --> 00:25:39,180 Basically go out and spend millions 538 00:25:39,180 --> 00:25:41,180 On the same thing 539 00:25:41,180 --> 00:25:43,180 So they spend millions on getting some movies 540 00:25:43,180 --> 00:25:45,180 They spend millions on getting some, some rights 541 00:25:45,180 --> 00:25:47,180 To some, to some sports in Europe 542 00:25:47,180 --> 00:25:49,180 It's traditionally, uh, football 543 00:25:49,180 --> 00:25:51,180 Or soccer as you would say 544 00:25:51,180 --> 00:25:53,180 But it's all kind of the same thing 545 00:25:53,180 --> 00:25:55,180 You know, there's no differentiator 546 00:25:55,180 --> 00:25:59,180 Uh, unless of course you think of the concept of pod show TV 547 00:25:59,180 --> 00:26:01,180 So that would be something very, very different to have on your box 548 00:26:01,180 --> 00:26:05,180 Now wouldn't it? So that's really the main reason why why we're here 549 00:26:05,180 --> 00:26:07,180 And why it's so exciting, uh, because, you know, 550 00:26:07,180 --> 00:26:09,180 We are there to give people an alternative 551 00:26:09,180 --> 00:26:11,180 Something cool to watch or to listen to 552 00:26:11,180 --> 00:26:13,180 And they're coming 553 00:26:13,180 --> 00:26:15,180 You know, people are secreting out 554 00:26:15,180 --> 00:26:17,180 And in a certain point, it's just like it's not going to be seen 555 00:26:17,180 --> 00:26:19,180 You know, not be labeled as alternative, but just 556 00:26:19,180 --> 00:26:21,180 Good shit 557 00:26:21,180 --> 00:26:23,180 Or maybe not so good shit 558 00:26:23,180 --> 00:26:27,180 Who knows, maybe maybe I might become a big soccer fan 559 00:26:27,180 --> 00:26:29,180 If that happens, it just tells you that 560 00:26:29,180 --> 00:26:33,180 Uh, that those that are trying to control people 561 00:26:33,180 --> 00:26:37,180 We'll find themselves in the loot short end of the stick 562 00:26:37,180 --> 00:26:39,180 Yeah, and uh, maybe it's the same thing with music 563 00:26:39,180 --> 00:26:41,180 Uh, absolutely meant, absolutely 564 00:26:41,180 --> 00:26:43,180 Totally 565 00:26:43,180 --> 00:26:47,180 Totally agree. Of course the whole shame of uh, of the music part is 566 00:26:47,180 --> 00:26:49,180 Is that we're actually being restricted 567 00:26:49,180 --> 00:26:53,180 And we are um, no longer able to share 568 00:26:53,180 --> 00:26:55,180 The soundtrack to our lives 569 00:26:55,180 --> 00:26:59,180 You don't hear the soundtrack to your life anymore, because it's not commercially viable 570 00:26:59,180 --> 00:27:03,180 Because it's not a huge hit and can't be, you know, programmed in 571 00:27:03,180 --> 00:27:07,180 To be shoved down the very thin tubes that traditional mainstream media has 572 00:27:07,180 --> 00:27:09,180 If you're talking about radio 573 00:27:09,180 --> 00:27:13,180 They just don't have time to play all the songs that are part of the soundtrack to your life 574 00:27:13,180 --> 00:27:15,180 But we've got a solution to that, my friend 575 00:27:27,180 --> 00:27:29,180 Hey Adam, how are you doing? 576 00:27:29,180 --> 00:27:31,180 Right, man, how are you? 577 00:27:31,180 --> 00:27:33,180 So hit this number, 78. I'm ready. Again, three very short clips 578 00:27:33,180 --> 00:27:35,180 And the three answers, so you know how everything works 579 00:27:35,180 --> 00:27:37,180 Oh, this is number one 580 00:27:37,180 --> 00:27:39,180 Oh, please, John 581 00:27:39,180 --> 00:27:41,180 Steven to me one more time 582 00:27:41,180 --> 00:27:43,180 Frankie goes to Hollywood 583 00:27:43,180 --> 00:27:45,180 Relax 584 00:27:45,180 --> 00:27:47,180 That was pretty easy. Come on, crank it out baby 585 00:27:47,180 --> 00:27:49,180 Give me some tough ones 586 00:27:49,180 --> 00:27:51,180 And number two 587 00:27:55,180 --> 00:27:57,180 Let the music play Shannon 588 00:27:57,180 --> 00:28:01,180 Oh, yes, 1984 589 00:28:01,180 --> 00:28:03,180 And number three 590 00:28:11,180 --> 00:28:13,180 I think you got me on the third one there, John 591 00:28:13,180 --> 00:28:15,180 Of course, I'll be saying oh crap when I hear it 592 00:28:15,180 --> 00:28:17,180 And times up and these are the answers 593 00:28:17,180 --> 00:28:19,180 Number one 594 00:28:23,180 --> 00:28:25,180 From 84, Frankie goes to Hollywood 595 00:28:25,180 --> 00:28:27,180 This is relax 596 00:28:27,180 --> 00:28:29,180 Relax 597 00:28:29,180 --> 00:28:31,180 When you want a second to it 598 00:28:31,180 --> 00:28:33,180 Relax, don't do it 599 00:28:33,180 --> 00:28:35,180 When you want to come 600 00:28:41,180 --> 00:28:43,180 When you want to come 601 00:28:45,180 --> 00:28:47,180 And so number one Frankie goes to Hollywood 602 00:28:47,180 --> 00:28:49,180 I know what this is 603 00:28:49,180 --> 00:28:51,180 So number two, also from 84, Shannon 604 00:28:51,180 --> 00:28:53,180 We started 605 00:28:53,180 --> 00:28:55,180 Yeah 606 00:28:55,180 --> 00:28:57,180 Oh man, that was the jam back in the day 607 00:28:59,180 --> 00:29:13,180 Yeah, what was number three 608 00:29:15,180 --> 00:29:19,180 And so number two, Shannon and let the music play and this is answer number three 609 00:29:19,180 --> 00:29:21,180 It's with me, Houston 610 00:29:21,180 --> 00:29:23,180 Oh 611 00:29:25,180 --> 00:29:27,180 Okay 612 00:29:29,180 --> 00:29:31,180 Oh 613 00:29:33,180 --> 00:29:35,180 Oh 614 00:29:37,180 --> 00:29:39,180 Oh, yeah 615 00:29:45,180 --> 00:29:47,180 Whitney Houston from 1987 616 00:29:47,180 --> 00:29:49,180 As handsome number three and so emotional 617 00:29:49,180 --> 00:29:53,180 And that concludes hit test number 78 618 00:29:55,180 --> 00:29:57,180 Well, Adam, I hope you had them all and you did well 619 00:29:57,180 --> 00:29:59,180 Um, I had fun 620 00:29:59,180 --> 00:30:01,180 Creating these answers 621 00:30:01,180 --> 00:30:05,180 It was difficult to bring these tracks back to about 30 seconds 622 00:30:05,180 --> 00:30:07,180 But I did it and it was kind of fun to do 623 00:30:07,180 --> 00:30:09,180 So 624 00:30:09,180 --> 00:30:13,180 Um, the answers and iTunes links can be found at hittest.partsio.com 625 00:30:13,180 --> 00:30:17,180 And I'll be back probably next week 626 00:30:17,180 --> 00:30:19,180 With hittest number 79 627 00:30:19,180 --> 00:30:21,180 So until then, take care 628 00:30:21,180 --> 00:30:23,180 Bye bye 629 00:30:23,180 --> 00:30:25,180 Hittest at gmail.com 630 00:30:25,180 --> 00:30:27,180 info.com 631 00:30:27,180 --> 00:30:31,180 www.gmail.com 632 00:30:31,180 --> 00:30:33,180 Alright everybody, how about that for a Friday 633 00:30:33,180 --> 00:30:37,180 Fix from the organization to the preservation for the soundtrack of our lives 634 00:30:37,180 --> 00:30:39,180 Everything used under the fair use doctrine 635 00:30:39,180 --> 00:30:41,180 Just thinking about Shannon let the music play 636 00:30:41,180 --> 00:30:43,180 Just a personal anecdote about that 637 00:30:43,180 --> 00:30:45,180 When I went to West Virginia to go to college 638 00:30:45,180 --> 00:30:47,180 And I was planning on studying communications 639 00:30:47,180 --> 00:30:49,180 And so I'm in BF West Virginia 640 00:30:49,180 --> 00:30:51,180 Actually 641 00:30:51,180 --> 00:30:53,180 New Clarksburg 642 00:30:53,180 --> 00:30:55,180 And 643 00:30:55,180 --> 00:30:57,180 And my roommate is Ty Hamilton 644 00:30:57,180 --> 00:30:59,180 Ty is from Trenton, New Jersey 645 00:30:59,180 --> 00:31:01,180 Black Kid and I was from Holland 646 00:31:01,180 --> 00:31:03,180 I wasn't really a white kid 647 00:31:03,180 --> 00:31:05,180 And we'd never met each other 648 00:31:05,180 --> 00:31:07,180 So we're in, you know, in a relatively small dorm room 649 00:31:07,180 --> 00:31:09,180 And we're kind of like hey man, how are you doing? 650 00:31:09,180 --> 00:31:11,180 Like scoping each other a little bit 651 00:31:11,180 --> 00:31:13,180 He pulls out his boom box 652 00:31:13,180 --> 00:31:15,180 I pull out my boom box 653 00:31:15,180 --> 00:31:17,180 And that was going to be the defining moment 654 00:31:17,180 --> 00:31:19,180 You know, I'm sure he expected some incredible 655 00:31:19,180 --> 00:31:21,180 My boom box instead 656 00:31:21,180 --> 00:31:23,180 I clicked it on and played a tape 657 00:31:23,180 --> 00:31:25,180 From the radio station that I had been working 658 00:31:25,180 --> 00:31:27,180 At the pirate radio station Amsterdam 659 00:31:27,180 --> 00:31:29,180 Called radio decibel and the song that I played 660 00:31:29,180 --> 00:31:31,180 Was Shannon let the music play 661 00:31:31,180 --> 00:31:33,180 And then he showed me how to 662 00:31:33,180 --> 00:31:35,180 How to a body pop 663 00:31:35,180 --> 00:31:37,180 I know it sounds real 80s 664 00:31:37,180 --> 00:31:39,180 But it was a very defining moment in my life 665 00:31:39,180 --> 00:31:41,180 I have to tell you 666 00:31:41,180 --> 00:31:43,180 Y'all pull that, thank you once again 667 00:31:43,180 --> 00:31:45,180 Body brought to you by Coca-Cola 668 00:31:45,180 --> 00:31:47,180 This summer when you buy Coke 669 00:31:47,180 --> 00:31:49,180 You get music 670 00:31:49,180 --> 00:31:53,180 You can win an iPod or free songs or nightchains 671 00:31:53,180 --> 00:31:57,180 You're outer, I'd like to make a motion 672 00:31:57,180 --> 00:31:59,180 To rock this mother out 673 00:31:59,180 --> 00:32:21,180 [ Music ] 674 00:32:21,180 --> 00:32:23,180 The official musicologist of the Cha Cha 675 00:32:23,180 --> 00:32:25,180 And well, the hardest working lawyer in podcasting 676 00:32:25,180 --> 00:32:27,180 Yeah, that's the new title 677 00:32:27,180 --> 00:32:29,180 But listen, I've got a great, great band 678 00:32:29,180 --> 00:32:31,180 And a great, great story for you 679 00:32:31,180 --> 00:32:33,180 I got somebody called The Seed Dragons 680 00:32:33,180 --> 00:32:35,180 And I got a great, great story for you 681 00:32:35,180 --> 00:32:37,180 I got somebody called The Seed Dragons 682 00:32:37,180 --> 00:32:39,180 And I got a great, great, great story for you 683 00:32:39,180 --> 00:32:41,180 I got somebody called The Seed Dragons 684 00:32:41,180 --> 00:32:43,180 And I got somebody called The Seed Dragons 685 00:32:43,180 --> 00:32:45,180 And I got a new York city 686 00:32:45,180 --> 00:32:47,180 Actually, it's really just one guy 687 00:32:47,180 --> 00:32:49,180 And some other guys went like all bands 688 00:32:49,180 --> 00:32:51,180 But it's Darrell Thurston 689 00:32:51,180 --> 00:32:53,180 And Darrell's been around for a really, really long time 690 00:32:53,180 --> 00:32:55,180 He was a session artist 691 00:32:55,180 --> 00:32:57,180 He was heard on HBO Showtime 692 00:32:57,180 --> 00:32:59,180 He was heard in Madison Square 693 00:32:59,180 --> 00:33:01,180 Garden when the next came out 694 00:33:01,180 --> 00:33:03,180 And he's really been around for a long time 695 00:33:03,180 --> 00:33:05,180 But he finally got back to writing songs on his own 696 00:33:05,180 --> 00:33:07,180 And he's come up with a great one 697 00:33:07,180 --> 00:33:09,180 That's up on the pot safe music network 698 00:33:09,180 --> 00:33:11,180 This song is called Sweet The Lion Island 699 00:33:11,180 --> 00:33:13,180 And I'm absolutely loving it 700 00:33:13,180 --> 00:33:15,180 It's just kind of got this great kind of bird's feeling to it 701 00:33:15,180 --> 00:33:17,180 And it just kind of really, really works for me 702 00:33:17,180 --> 00:33:19,180 I think it's going to work for you too 703 00:33:19,180 --> 00:33:21,180 Check this out 704 00:33:21,180 --> 00:33:23,180 It's The Seed Dragons with Sweet The Lion 705 00:33:23,180 --> 00:33:25,180 On your Food Bar Friday 706 00:33:25,180 --> 00:33:27,180 Check this out 707 00:33:28,750 --> 00:36:37,180 [ Music ] 708 00:36:37,180 --> 00:36:42,180 And no one else can make me feel this way 709 00:36:43,180 --> 00:36:48,180 My thanks as always to the official music colleges of the Charney, Sir Jersey Todd 710 00:36:49,180 --> 00:36:54,180 See Dragons and Sweet Delilah, you need to wake me up in the middle of the night to give me a sound like that 711 00:36:55,180 --> 00:36:56,180 That's 60s kind of 712 00:36:57,180 --> 00:37:01,180 I would call it the era of the pirate ships in the North Sea 713 00:37:02,180 --> 00:37:04,180 Those of you old enough to know what the hell I'm talking about 714 00:37:05,180 --> 00:37:06,180 Nice, really, really nice 715 00:37:07,180 --> 00:37:10,180 Oh man, I'm not even halfway through my list of stuff to do for you today 716 00:37:11,180 --> 00:37:14,180 Already at 36 minutes and that's without a check 1, 2, 1, 2 at the beginning 717 00:37:15,180 --> 00:37:21,180 Today, if all things go according to plan, I can't promise it because it's not my call to make 718 00:37:22,180 --> 00:37:25,180 But if all goes according to plan, we may be able to push cheddar live 719 00:37:26,180 --> 00:37:29,180 Which means we'll be able to be messing around with channels all weekend long 720 00:37:30,180 --> 00:37:32,180 You'll know how it's there 721 00:37:33,180 --> 00:37:39,180 If you go to, if you have an account on pod show, you go to your profile page 722 00:37:40,180 --> 00:37:42,180 So mine is adam.podshow.com 723 00:37:43,180 --> 00:37:45,180 And at the top there there's a box and you click on my channels 724 00:37:46,180 --> 00:37:47,180 And it'll look the same 725 00:37:48,180 --> 00:37:50,180 Only there will be different options to play the channels 726 00:37:51,180 --> 00:37:52,180 And you'll also see an edit channel button 727 00:37:53,180 --> 00:37:54,180 That's really all that you have to look for 728 00:37:55,180 --> 00:38:01,180 I don't know if I do anything better than you, but this is the way I see channels 729 00:38:02,180 --> 00:38:05,180 This is for your call, I had to know what's what our control is 730 00:38:06,180 --> 00:38:10,180 In your iTunes, you've got your podcast feed 731 00:38:11,180 --> 00:38:16,180 So you've got your list of big busy news, daily source code, blah blah blah 732 00:38:17,180 --> 00:38:20,180 Your channel is just an RSS feed, that's all it is 733 00:38:21,180 --> 00:38:23,180 Put in the channel manager on pod show website 734 00:38:24,180 --> 00:38:27,180 You're actually controlling what gets dumped into that feed 735 00:38:28,180 --> 00:38:31,180 Oh James, I love it when you're on the money 736 00:38:32,180 --> 00:38:34,180 Regardless of what it is, it does not have to be described 737 00:38:35,180 --> 00:38:37,180 Somebody else's feed, it does not have to be described 738 00:38:38,180 --> 00:38:42,180 XML or RSS, it's just it's 739 00:38:43,180 --> 00:38:46,180 It's as easy as dragging a dropping an icon into a box 740 00:38:47,180 --> 00:38:50,180 That's exactly what it is James, you don't have to know about feeds or anything 741 00:38:51,180 --> 00:38:53,180 You just say, hey, here's an episode or here's a show 742 00:38:54,180 --> 00:38:56,180 I want to put it into the channel, drag, drop, done 743 00:38:56,180 --> 00:39:01,180 It's the files that you will top of yourself from other places on the network 744 00:39:02,180 --> 00:39:03,180 I like that top up yourself, yeah 745 00:39:04,180 --> 00:39:08,180 RSS feeds, so I can get for my wife, for her podcast channel 746 00:39:09,180 --> 00:39:12,180 On iTunes, which she never updates, I can now create a channel for her 747 00:39:13,180 --> 00:39:17,180 And drop in the favorite YouTube best of YouTube video 748 00:39:18,180 --> 00:39:21,180 Or a favorite daily source code or an accident house 749 00:39:22,180 --> 00:39:25,180 One episode at a time, all the entire feed 750 00:39:26,180 --> 00:39:31,180 Do it, for example, I'm going to take 2-10 of best of YouTube 751 00:39:32,180 --> 00:39:35,180 I'm going to drop that into a little bit, that's my feed 752 00:39:36,180 --> 00:39:40,180 Then the next time my wife opens a iTunes and syncs a iTunes to podcast 753 00:39:41,180 --> 00:39:43,180 It then goes to that feed, the one that I've created 754 00:39:44,180 --> 00:39:46,180 Which will now call the channel 755 00:39:47,180 --> 00:39:51,180 And it will pull them, what I've dropped in that book of media content 756 00:39:52,180 --> 00:39:54,180 James, hold on, let me give you a boing 757 00:39:54,180 --> 00:39:56,180 Oh, yes, I love it when you're right on the money, dude 758 00:39:57,180 --> 00:39:59,180 So I control the RSS feed from within potential 759 00:40:00,180 --> 00:40:01,180 Yes, does that make sense? 760 00:40:02,180 --> 00:40:04,180 Yeah, even better than that, as you're roaming around pod show 761 00:40:05,180 --> 00:40:09,180 If you find a show or an episode you like, you can just click get it 762 00:40:10,180 --> 00:40:12,180 And then you can add it to the channel right from there 763 00:40:13,180 --> 00:40:14,180 You can just say, oh, okay, I'm just going to add this to the channel 764 00:40:15,180 --> 00:40:16,180 Just pop it right in 765 00:40:17,180 --> 00:40:19,180 One after even go to the channel manager, you can just add it as you're surfing along 766 00:40:20,180 --> 00:40:21,180 And any channel 767 00:40:21,180 --> 00:40:23,180 Sound like what it's after 768 00:40:23,180 --> 00:40:26,180 The reason that it works so well as far as I'm concerned 769 00:40:27,180 --> 00:40:30,180 It's because I can take instead of going to my friends and send them an email 770 00:40:31,180 --> 00:40:33,180 Go and check the send them a net download this download the other 771 00:40:34,180 --> 00:40:37,180 I just give my friends my RSS feed 772 00:40:38,180 --> 00:40:39,180 And see, stick that on iTunes 773 00:40:40,180 --> 00:40:43,180 And every time you want iTunes all sent or I don't get it 774 00:40:44,180 --> 00:40:47,180 You get all the stuff that I wanted to show you today at work 775 00:40:47,180 --> 00:40:50,180 But instead of me taking 20 minutes out of the way to tell you all about this 776 00:40:51,180 --> 00:40:52,180 You just download it anyway 777 00:40:53,180 --> 00:40:54,180 Off you feed 778 00:40:55,180 --> 00:40:56,180 And that's all it works 779 00:40:57,180 --> 00:40:59,180 Because it's so all in comparison 780 00:41:00,180 --> 00:41:01,180 You wear 781 00:41:02,180 --> 00:41:04,180 And then the RSS starts getting complicated 782 00:41:04,180 --> 00:41:06,180 I can take their feed and put them into one for me 783 00:41:07,180 --> 00:41:10,180 Swat and take bobs and jones and clairs and sanders feed 784 00:41:11,180 --> 00:41:14,180 And put them into one feed for me and don't let in my iTunes 785 00:41:14,180 --> 00:41:17,180 So I don't have to subscribe to each individual one direct in iTunes 786 00:41:18,180 --> 00:41:19,180 I just put all their feed in my feed 787 00:41:20,180 --> 00:41:23,180 So now I've got my wife's feed and my friend's feed 788 00:41:24,180 --> 00:41:25,180 And they will come in the iTunes 789 00:41:26,180 --> 00:41:27,180 Yes, where it's complicated 790 00:41:28,180 --> 00:41:29,180 You can stick those two in the one feed and pull that in 791 00:41:30,180 --> 00:41:31,180 Put that right 792 00:41:32,180 --> 00:41:33,180 Yes, that's right 793 00:41:34,180 --> 00:41:35,180 That's right 794 00:41:36,180 --> 00:41:39,180 James, I was smiling from just a shit eating grin 795 00:41:40,180 --> 00:41:41,180 From ear to ear when I heard that 796 00:41:42,180 --> 00:41:44,180 Just before the show, exactly James 797 00:41:45,180 --> 00:41:46,180 And a couple caveats to that 798 00:41:47,180 --> 00:41:48,180 I think when we push cheddar live 799 00:41:49,180 --> 00:41:51,180 We won't have the get channel 800 00:41:53,180 --> 00:41:54,180 Functionality live yet 801 00:41:55,180 --> 00:41:57,180 Because we really don't know how that's going to work 802 00:41:58,180 --> 00:42:00,180 We really don't know what the result is going to be on scale 803 00:42:01,180 --> 00:42:02,180 You know, if 804 00:42:03,180 --> 00:42:04,180 Who knows 805 00:42:05,180 --> 00:42:06,180 I really just don't know 806 00:42:07,180 --> 00:42:09,180 So we want to make sure that we're not going to bring the site to its knees 807 00:42:09,180 --> 00:42:11,180 If everyone's putting channels and channels and channels on the first day 808 00:42:12,180 --> 00:42:14,180 So it's all beta and it's all going to be ugly 809 00:42:15,180 --> 00:42:17,180 And it's not about the interfaces about the functionality 810 00:42:18,180 --> 00:42:19,180 We're not going to promote this heavily 811 00:42:20,180 --> 00:42:22,180 It's just you and me guys, essentially we're going to know about this 812 00:42:23,180 --> 00:42:24,180 And one other thing I wanted to say 813 00:42:25,180 --> 00:42:26,180 In our philosophy 814 00:42:27,180 --> 00:42:30,180 Which, by the way, is not far from the philosophy of Apple 815 00:42:31,180 --> 00:42:33,180 When it comes to operating systems and formats 816 00:42:34,180 --> 00:42:35,180 But that's a different conversation 817 00:42:36,180 --> 00:42:38,180 What if you had a channel of PDFs 818 00:42:39,180 --> 00:42:41,180 Do you think those would play in the dashboard? 819 00:42:42,180 --> 00:42:45,180 Could be. What if you had a channel of pictures from a gallery 820 00:42:46,180 --> 00:42:48,180 What if you had a channel of blog posts 821 00:42:49,180 --> 00:42:51,180 I mean all of a sudden you're seeing that you can mesh together 822 00:42:52,180 --> 00:42:53,180 Feeds of all kinds of different content 823 00:42:54,180 --> 00:42:56,180 And you can become a broadcast or a producer 824 00:42:57,180 --> 00:42:58,180 A distributor of information 825 00:42:59,180 --> 00:43:02,180 Extremely valuable stuff in the interconnected world 826 00:43:03,180 --> 00:43:05,180 And I've been talking about this all week 827 00:43:06,180 --> 00:43:07,180 Hopefully that'll go live today again 828 00:43:07,180 --> 00:43:10,180 You'll know if you go to your profile page and you click on my channels 829 00:43:11,180 --> 00:43:13,180 You'll see that there's different ways to output it 830 00:43:14,180 --> 00:43:16,180 Not just to put it on your iPod James, but you can also say, hey, just play it right here 831 00:43:17,180 --> 00:43:20,180 So if you're not near your iTunes, you can just log into your account 832 00:43:21,180 --> 00:43:23,180 Any web browser and enjoy your channels on the dashboard 833 00:43:24,180 --> 00:43:27,180 Right from poncho.com or put it into Windows Media Player 834 00:43:28,180 --> 00:43:30,180 Or some other player that'll handle everything 835 00:43:31,180 --> 00:43:32,180 It's a big one 836 00:43:33,180 --> 00:43:34,180 I'm really excited about 837 00:43:38,180 --> 00:43:39,180 Hey podcast business 838 00:43:40,180 --> 00:43:43,180 My name is loosegagging and I'm inviting you to my Los Angeles Music Awards showcase 839 00:43:44,180 --> 00:43:47,180 Well, I've got nominated for best alternative song with my track what I 840 00:43:48,180 --> 00:43:50,180 And if you're in the alley area, Sunday July 15th 841 00:43:51,180 --> 00:43:52,180 Come on over to the parliament 842 00:43:53,180 --> 00:43:55,180 It's a 3, 3, 8, 7, motor Avenue, West LA 843 00:43:56,180 --> 00:43:58,180 And from more information and tickets, you can go to my website 844 00:43:59,180 --> 00:44:00,180 Which is over at nooshscalgan.com 845 00:44:01,180 --> 00:44:05,180 That's n-o-u-s-h-s-k-a-u-g-e-n.com 846 00:44:05,180 --> 00:44:07,180 And see it show you my teeth 847 00:44:26,180 --> 00:44:29,180 This is Busy Kajou and each and every week on Solipsistic Nation 848 00:44:30,180 --> 00:44:33,180 I play the absolute best from all genres of electronic music 849 00:44:33,180 --> 00:44:37,180 This week we'll delve into grime and dubstep and their love child grime step 850 00:44:38,180 --> 00:44:42,180 We'll hear a music from focus, tecmatics, DJ Flex and much much more 851 00:44:43,180 --> 00:44:47,180 Plus interviews with Leo from grime step international and the lads from the UK connection 852 00:44:48,180 --> 00:44:54,180 Quick rapping with like the electronic hip hop sounds that's based in some sort of Jamaican groove 853 00:44:55,180 --> 00:44:58,180 It's really hard to explain it without using the term grime 854 00:45:03,180 --> 00:45:06,180 The drum sculpt is made of a blue bric and it's brought it back to the room 855 00:45:07,180 --> 00:45:08,180 The past is made of kind of bad enough 856 00:45:09,180 --> 00:45:11,180 The drum sculpt kind of just brought it back in with these blue grimes 857 00:45:12,180 --> 00:45:13,180 Cut them out and I'm feeling it messed up 858 00:45:14,180 --> 00:45:15,180 I think it's just being in a back to the room 859 00:45:16,180 --> 00:45:17,180 Join us at Solipsistic Nation.com 860 00:45:18,180 --> 00:45:19,180 For mix of grime, dubstep and grime step 861 00:45:20,180 --> 00:45:23,180 With base frequencies so low you'll fill it in your bones 862 00:45:23,180 --> 00:45:26,180 So we want a T.F.I.S.A.A.C. Nation.com 863 00:45:27,180 --> 00:45:28,180 What's up together? 864 00:45:28,180 --> 00:45:31,180 The page nine and you're listening to the daily source code 865 00:45:31,180 --> 00:45:33,180 Look in for your mind's eyes 866 00:45:34,180 --> 00:45:35,180 Hell yeah 867 00:45:36,180 --> 00:45:37,180 Marcus Kaos checks it 868 00:45:38,180 --> 00:45:39,180 Bring us another page nine 869 00:45:40,180 --> 00:45:41,180 Mark the pussy 870 00:45:42,180 --> 00:45:43,180 I'm from our front end 871 00:45:44,180 --> 00:45:46,180 Laced in transmittions of anonymity 872 00:45:46,180 --> 00:45:49,180 There'll apply's wasted space in my vicinity 873 00:45:49,180 --> 00:48:47,180 [ Music ] 874 00:48:47,180 --> 00:49:17,180 I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'll't, I'm not, I'm not, I'm not, I'm not, I'm not anymore, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not. I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm 875 00:49:17,180 --> 00:49:21,420 is that you've knocked you on the ground agnag recipe? 876 00:49:21,420 --> 00:49:24,280 Yeah that's right well you'd rather talk to my wife but you know we just 877 00:49:24,280 --> 00:49:28,380 called we wanted to call you the pod father and announce our a year at the 878 00:49:28,380 --> 00:49:34,460 wheel podcast video cast and you know and we're gonna drive around for a whole 879 00:49:34,460 --> 00:49:40,300 year and talk to people and videotape them and podcasts. Yeah exactly and 880 00:49:40,300 --> 00:49:43,540 you should go on and explain the adamant that said I'm creeped like I'm an 881 00:49:43,540 --> 00:49:48,340 gateway. It's because you watched how you were coming from Stanford so 882 00:49:48,340 --> 00:49:55,780 yeah I think. Anyway you know I year at the wheel.com. Yeah check it out it can be 883 00:49:55,780 --> 00:49:59,260 so much fun and hopefully we won't get arrested anywhere. Yeah we end up 884 00:49:59,260 --> 00:50:03,900 watching a DC November I'm super Tuesday November 4th and we're gonna go 885 00:50:03,900 --> 00:50:07,860 like to stirge his bike rally and the Republican National Convention so we're 886 00:50:07,860 --> 00:50:11,780 mixing it up because we're gonna cover the election for a whole year. And you 887 00:50:11,780 --> 00:50:15,900 know podcasting is basically ruined our life so we just thought we'd go 888 00:50:15,900 --> 00:50:19,500 with it you know we've started we've been podcasting for four years we got thrown 889 00:50:19,500 --> 00:50:23,940 out of a town because of it and no embrace the hate. Okay look this is such a 890 00:50:23,940 --> 00:50:29,260 long message okay bye yeah Mr. Curry. Thanks thanks for making me feel old 891 00:50:29,260 --> 00:50:34,460 at the rear very in there. Okay very interesting. The reason of course why I 892 00:50:34,460 --> 00:50:39,100 find this interesting is I think this is a perfect tie in for the one and only. 893 00:50:41,780 --> 00:50:59,500 If you recognize the tune sing along. Okay you kids now I'm not quite sure 894 00:50:59,500 --> 00:51:02,860 about you getting thrown out of a town and in fact that only kind of enhances 895 00:51:02,860 --> 00:51:07,180 the appeal to me. I like rebels. I think this is what I've been looking for and 896 00:51:07,180 --> 00:51:11,020 just hit me just before the show that I'd like to make you guys an offer. Now 897 00:51:11,020 --> 00:51:14,700 let me just play a little open kimono here on the free Trinity Project. 898 00:51:14,700 --> 00:51:20,500 A whole lot of water under the bridge. I see it as a very very complicated 899 00:51:20,500 --> 00:51:24,500 to do with multiple people and you were the first ones who well you're of 900 00:51:24,500 --> 00:51:27,580 course you're not offering this to me but you're going to be on the road for a 901 00:51:27,580 --> 00:51:31,780 year. Now I've been trying to get this Trinity Project set up and I know that 902 00:51:31,780 --> 00:51:37,380 it's going to take money and resources and effort to really pay it off and make 903 00:51:37,420 --> 00:51:42,020 it work and we want to have lots of people involved. They need to have expenses 904 00:51:42,020 --> 00:51:48,380 covered or at least that because it's a big deal. It's driving a car that can 905 00:51:48,380 --> 00:51:53,500 fall apart easily. So we went searching for some sponsors. We got some 906 00:51:53,500 --> 00:51:59,100 interest from Nokia and due to all the talk about that Tom Tom go became very 907 00:51:59,100 --> 00:52:03,380 interested in fact that they come out with their new summer GPS products. So 908 00:52:03,380 --> 00:52:06,460 they come out with their new products, the GPS products in the summer and 909 00:52:06,460 --> 00:52:11,380 believe it or not we also got some significant interest from Mercedes Benz who of 910 00:52:11,380 --> 00:52:15,420 course love the whole idea that they're car or they're one of their models as 911 00:52:15,420 --> 00:52:18,900 being used. Although not entirely representative of the current Mercedes Benz 912 00:52:18,900 --> 00:52:25,660 line I might add out point out. So here's what I propose to you guys. I would 913 00:52:25,660 --> 00:52:31,660 love nothing more than to have you spend a year at the wheel in Trinity and 914 00:52:31,660 --> 00:52:36,860 here's the commitment I'll make. We will make sure that she stays on the road. 915 00:52:36,860 --> 00:52:41,420 Either we'll do it or we'll do it withheld from Mercedes Benz who may have to 916 00:52:41,420 --> 00:52:47,260 provide a sweep up van pick up all the bits behind her but that should be 917 00:52:47,260 --> 00:52:51,660 relatively doable. I think the engine will hold together just by every single 918 00:52:51,660 --> 00:52:57,540 part has been replaced so that should work. To cover your expenses not just the 919 00:52:57,540 --> 00:53:01,220 expenses of what you're doing but really for producing the content I'd like to 920 00:53:01,220 --> 00:53:06,060 compensate you. I'd like to pay you to do that and that's where I'd like the 921 00:53:06,060 --> 00:53:09,460 community to kick in and help you guys determine where you're going to do 922 00:53:09,460 --> 00:53:14,180 where you're going to go. And can you imagine how awesome it will be to have a 923 00:53:14,180 --> 00:53:23,460 biodiesel car show up on super Tuesday? I mean it seems so logical to me. 924 00:53:23,460 --> 00:53:27,460 So there you go. I think we finally have something. I don't know if I can get 925 00:53:27,460 --> 00:53:30,820 the sponsors in but I will commit if you guys will commit to staying on the road 926 00:53:30,820 --> 00:53:35,740 for a year and doing it in Trinity I'll commit to keep the car on the road and I 927 00:53:35,740 --> 00:53:41,980 will compensate you guys for doing this and for let's see actually I'm looking 928 00:53:41,980 --> 00:53:45,660 at the year to wheel.com see sponsored you guys have any sponsors yet no 929 00:53:45,660 --> 00:53:52,260 not yet. Okay so if you're interested let me know because I think we finally 930 00:53:52,260 --> 00:53:56,860 have something and we can still you know hit all the people who are interested 931 00:53:56,860 --> 00:54:00,180 in participating because you'll just stop by say hi to everybody and we'll 932 00:54:00,180 --> 00:54:04,580 create podcasts and video stuff and we'll cause a ruckus and we're going to get 933 00:54:04,580 --> 00:54:08,180 noticed. I know we will and it's all about independence. You too seem like 934 00:54:08,180 --> 00:54:15,060 very independent spirits. So and apparently you know you can do this. You can 935 00:54:15,060 --> 00:54:22,140 f off for a whole year and drive around. I'm insanely jealous. So that's my 936 00:54:22,140 --> 00:54:26,300 thought. I'd love to hear from you guys open kimono time really appreciate the 937 00:54:26,300 --> 00:54:31,620 feedback. All right one more song for today then. One of new black lab 938 00:54:31,620 --> 00:54:36,900 comes out you can't help but play it. No I'm saying I mean guys are such friends 939 00:54:36,900 --> 00:54:41,780 of the Charlie. Don't know if this is up on the PMN yet but Neil sent the 940 00:54:41,780 --> 00:54:44,780 to me so happy to play it. 941 00:54:46,250 --> 00:57:54,580 [ Music ] 942 00:57:54,580 --> 00:58:06,580 I'll go down before it's through. It's not the secret that I've got one last chance to show you the real you. 943 00:58:06,580 --> 00:58:14,580 Black Lab brand new and of course big friends of the show. 944 00:58:14,580 --> 00:58:21,580 Man it's almost been an hour. It's been quite a ride. It's been a very vocal aggressive maximum music 945 00:58:21,580 --> 00:58:27,580 full bar Friday. I'm almost fatigued from doing all this today. 946 00:58:27,580 --> 00:58:30,580 It's Friday. 947 00:58:30,580 --> 00:58:39,580 Well the final thought for this week is all about the society of the spectacle red pill blue pill stuff. 948 00:58:39,580 --> 00:58:44,580 So let's just say that we all are caught in the society of the spectacle and whatever 949 00:58:44,580 --> 00:58:50,580 the spectacle of the day is the spectacle du jour. We pay attention to it and get completely sucked into it. 950 00:58:50,580 --> 00:58:57,580 So stuff like the earth is going to explode and die. We're going to die of horrible diseases. 951 00:58:57,580 --> 00:59:03,580 A Britney Spears is the best thing since sliced bread. And Paris, Hilton going to jail. These are all spectacles. 952 00:59:03,580 --> 00:59:10,580 And of course what's really happening is that people are starting to basically take the red pill 953 00:59:10,580 --> 00:59:16,580 and unhook from the matrix and they're finding alternatives. They're finding different music, different programming, 954 00:59:16,580 --> 00:59:21,580 different media, different people, different connections, different contacts, mainly throughout the internet. 955 00:59:21,580 --> 00:59:24,580 And that is really the revolution. 956 00:59:24,580 --> 00:59:29,580 And you know, revolutions aren't just one single event. They often take many, many, many events 957 00:59:29,580 --> 00:59:35,580 and many, many years to finally push through. And I think that we're kind of in the same situation. 958 00:59:35,580 --> 00:59:44,580 So instead of trying to convince people to unplug from the matrix, instead of trying to give them the choice of taking the red pill, 959 00:59:44,580 --> 00:59:51,580 I think we have to create our own spectacle. So things like a year at the wheel with free Trinity, that's a spectacle, 960 00:59:51,580 --> 00:59:57,580 things like bum rush the charts, that's a spectacle. You know, we have to create these spectacles to get people to say, 961 00:59:57,580 --> 01:00:02,580 Oh, wait a minute. There's another spectacle over there and jack into our matrix. 962 01:00:02,580 --> 01:00:07,580 And then it's very easy for us to slip them the red pill. You know what I'm saying? 963 01:00:07,580 --> 01:00:11,580 So keep that in mind. Oh, and there's one other thing I was thinking about last night. 964 01:00:11,580 --> 01:00:15,580 It is time for me once again to post a link to the Zen TV experiment. 965 01:00:15,580 --> 01:00:20,580 I've done it probably about twice a year for the past three years. 966 01:00:20,580 --> 01:00:24,580 And it's time to post it once again. If you really want to know what television is doing to you. 967 01:00:24,580 --> 01:00:36,580 Right down to the heart of this whole flap. I don't know if you were following it. The BBC had a trailer running for a documentary about the queen. 968 01:00:36,580 --> 01:00:43,580 And Annie Leibowitz and one scene was photographing the queen. And she asked the queen if she could take the crown off. 969 01:00:43,580 --> 01:00:49,580 And the queen made some remark cut to the queen's storming off. Well, it turns out, and I love this. 970 01:00:49,580 --> 01:00:53,580 It turns out that that was a setup. The queen didn't actually storm off. 971 01:00:53,580 --> 01:01:01,580 In fact, they took footage of her walking into the room and made it seem like she got pissed off about the question and walked off with a photo shoot. 972 01:01:01,580 --> 01:01:05,580 And they had to apologize to the queen because it didn't happen that way. Oh, gee. 973 01:01:05,580 --> 01:01:09,580 You mean you're telling me that television lies? No. 974 01:01:09,580 --> 01:01:13,580 You're not actually going to tell me that they fake stuff to make it more interesting? No. 975 01:01:13,580 --> 01:01:17,580 You're not going to tell me that happens through video editing. Are you? No. Oh, my gosh. 976 01:01:17,580 --> 01:01:20,580 There's gambling going on here. No. 977 01:01:20,580 --> 01:01:26,580 So you take this as MTV experiment. And then you tell me. Next week when you call and you tell me, 978 01:01:26,580 --> 01:01:31,580 if you don't think that you are completely blue-pilling yourself when you're watching mainstream media. 979 01:01:31,580 --> 01:01:34,580 And that my friends is the final thought of the week. 980 01:01:34,580 --> 01:01:46,580 Today at resourceco.com, Adam at podshow.com, I want you to have yourselves a fantastic weekend. 981 01:01:46,580 --> 01:01:50,580 And I'll be back here on Monday. Please join me. Bye, everybody. 982 01:01:50,580 --> 01:01:54,580 Another podshow podcast. Stick it in your ear. 983 01:01:54,580 --> 01:02:02,580 The best and the brightest. 984 01:02:02,580 --> 01:02:07,580 Saved up daily by the sharpest minds in content delivering podshow and limelight.